#i don't actually like the movie just the vibe

[charliewrites99]

Do you guys ever wonder if people that review movies actually don't see the gay subtext in media or are they just ignoring it?

Like, Top Gun Maverick, no one picked up on Hangster shit except the tumblr crowd? No one?

Or cherik? Or stucky? Or Newtmas? Or Finnpoe?

Like I always wonder about these things. You review movies for a living and you dont pick up on the vibes AT ALL?

[mellxncollie]

hiiii alex and now i have no choice but to drop all the process info and the outtakes :)

overall impression: very lovely and moody and spooky!! i kinda expected more blood-reds from devlin house but i should've known better, you wouldn't go for something that cliché. as always the shots you chose are SO good, love the combo of very dramatic shots with way more subtle ones!

aaaaa okay okay yes definitely not a lot of 'expected' shots in this one. couple reasons for this:

episode 3 is not one that i can watch very much, there's too many triggers in there for me. it's only very recently that i'm now able to rewatch it in its entirety, and i still have a hard time screencapping for it. so... not too many gifs from inside the devlin house

not a lot of shots in these episode work well for these palette sets. unlike all the other episodes, this one does not have many establishing shots or wide shots, which are the ones i like to use for these gifs. of the few establishing shots that are used, many are relatively static, so they don't look great as gifs. plus a lot of the devlin house shots have flashing lights and/or are very short. this made it really difficult to just find scenes that would work

so, this is a little less of a cohesive set than the other two, and i think the rest of the episodes will have more cohesive palette sets than this one as well. i love how this episode is shot, cheryl dunye's avoidance of 'filler' shots really reminds me of her film the watermelon woman, and while that movie does have more wide shots and more cohesive colors, the focus in on the characters as opposed to the backgrounds is what makes this episode feel so much like her work. it really drives home this episode as a standout in terms of writing, visuals, and direction.

it just also... breaks out of a form that i rely on to make these gifs work. so: less cohesive colors. i'm glad that this didn't exactly come across, and that we still have a kind of moody vibe :)

gif 1: cindy my beloved!! oh my god i need to see edwin laughing like that. i need CHARLES to see edwin laughing like that! and niko is so precious, i love her and her green coat. speaking of! love the way she moves past the colour blocks and almost adds contrast to them until she reaches the green and basically blends in?? SUCH a cool effect. and i love the colours themselves, the green + goldish vibe is everything. the green in the shot is so dramatic that it's like a fun little puzzle to find the rest of the colours! and then you realise, oh wait, that's the majority of the picture. ceiling, chairs, cabinet, niko and cindy's hair. and cindy being represented by the colour palette, drawing her undeniably into the picture because she can actually be seen by everyone around her, the opposite of ghostly, is SO cool. and then the contrast of the bright (blueish?) white?? the way it contrasts so much with niko's coat that at first i couldn't see where you got it from, only when niko moves back it blends perfectly into the window in the background?? olly you are a GENIUS

honestly i didn't really realize how this looks with niko's movement adjusting how the green and the blue all suddenly mix in with the rest of the gif!! but you're right, it's very cool!

this gif was a bit of a challenge, and with all those browns i initially thought it might be on the chopping block. but then i came around to liking it enough to make it the first gif in the set.

here's a before/after of the colors i put on it, and you can see that the blue is basically not even in the original shot, and it was only after i adjusted the blue channel to decrease that yellow tint that the blue really showed up.

gif 2: JENNY JENNY JENNY! this is a wild one because it's such a mundane part of the scene and yet i can't stop looking at the dramatic colouring. SHE!!! also the colours you chose feel very similar to the jenny gif from ep1, which, to be clear, i mean SO positively. i love that it ties them together! also something something jenny in her black clothes being surrounded by so much colour as symbolism to what crystal and niko bring to her life. brb crying

out of all the gifs in this set, this is definitely one of my favorites. mostly just cause the shot is really cool, nothing to do with the colors or anything. but speaking of the colors!! yes they're a lot like the ep 1 gif, and it's so fascinating to me how they pack so many hues into jenny's shop via the lighting.

gif 3: HI SPOOKY SHOT OF ALL TIME 😍😍😍 one of those dramatic ones i NEVER want to look away from. loveeeeeee the red-orange reflections on them, the purple of crystal's coat, the blue of edwin's shirt. also getting into the symbolism again but the way most of the colours are drawn from crystal and the background (even the blue is present in her grey shirt/jacket/whatever that is) and it makes the boys feel even more ghostly. ESPECIALLY CHARLES?? WHO ONLY RECEIVES RED BACKLIGHTING?? AND SPENDS THE EP GRAPPLING WITH HIS OWN HELPLESSNESS?? THE ONLY ONE UNTOUCHED BY BLUE (AKA SYMBOLIC OF HEAVEN)?? I'M MAKING MYSELF SICK WITH THIS OH GOD

yipeee!! one of my favorite shots of this episode, but one of my least favorite shots in the whole series to gif (that i've been making gifs of more and more to force myself to figure out how to do it best) and honestly because of that, i wasn't sure if this would make the final cut either.

here's two recent(ish) uses of this scene in various gifsets, both of which i don't really like how the final gif turned out.

this is because the original shot is....

so aggressively blue/green on their faces and that it is very difficult to make this look good.

i wanted the final gif for this set to be a bit more orange and a bit less red, but i'm glad i kept the more red toned backlight, since that allowed gif 8 to feel different enough. and i'm actually pretty okay with how this one turned out, espeically because you get the purple and the blues in their costumes.

also, just for fun, here's what this gif would look like if i did some normal brightening and coloring, but didn't do anything to fix their skintones 🫠

and yeah. god. thinking about charles 'untouched by blue.' fuck.

gif 4: SUCH a lovely little shot! the blues from edwin's outfit, the greenish-gray i'm guessing from the stripes (very nice and subtle, love the choice to emphasise them!), the white from his shirt. and then BAM, gold for the bracelet of homosexuality. but even then it's a very subtle colour choice for it, i can see some of the background is the same colour, even the darker parts of edwin's shirt cuffs. it's like you, via the palette, are helping him hide the bracelet and. i'm just in love

one of my favorite gifs in this set! it is really fun, and you got all the color sources right! i did want to include another color from the bracelet, but most of the colors i was sampling just didn't look too good with the blues, so i used the white from his shirt and i think that really worked.

gif 5: monty!! the return of niko's green coat!! love the cool (ha!) colours, mixed in with the warmer browns. the blue is so subtle in monty's plaid shirt (and the port townsend sign if i'm not mistaken?) the brown/burgundy in monty's scarf and shirt and the trees in the background really draws it all together! plus the green in both niko's coat and the trees' leaves! also interesting to see here the colours you didn't choose for the palette, like the white of niko's hair and monty's books. not to get too deep into it but it feels like a sign that it's not niko monty's trying to connect to, even though edwin isn't even in the frame! and the darker brown feels sort of similar to edwin's coat but that might just be grasping at straws lmao

the blue is from monty's shirt, yeah! this one was hard to pick colors for, and you totally got it with all the colors i'm leaving out. also because of the 540px x 500px frame size, we're also leaving out edwin from this shot. so maybe there's something there too about leaving out colors. (and now that i'm looking at it again, i do think that off-white would have been a great way to tie this palette together)

gif 6: OH DEVLIN HOUSE WE'RE REALLY IN IT NOW. obsessed with the way you subverted expectations with the devlin house being so blue and monotone, vs how we tend to read it as this dramatic high-stakes situation with so much blood spilled. again with the symbolism but it feels like it speaks so much more to the nature of the thirty-year (!!!) loop and how to the victims of it it's not dramatic but just the same cycle they can't get out of. over and over and over. and crystal and charles' expressions in this one OUGH. crystal trying immediately to find a way to help, to free these women, and charles is seeing his worst nightmare and trying desperately to suppress it. again, charles' helplessness represented by none of his colours making it onto the palette, even though his shirt is still pretty red. his hero colour is represented only as its worst in this house

i wanted at least one mostly monotone gif in this set, and the devlin house is predominantly teal and yellow, so it's such a strong contender for a monotone shot. problem with the yellows is that they're hard to make look good if there's a person in frame, so blues it was! i had a lot of blue shots to choose from, because every time the loop resets the power cuts and they're plunged into darkness. and i think there's something really symbolic there for charles (oh and now i'm thinking about the way that he drops into the water in the next episode when the night nurse forces the flashback)

and yeah, the first two colors are sampled from crystal's clothes, and the final three are from the wall. and now that i think of it, none of these palettes use colors sampled from charles/his clothes, despite this being really his episode. makes me think about what you said for the tube gif in the ep 1 set, how not sampling from them makes them more of a ghost in their own gif. anywayyyysssssssss

gif 7: can i just say. obsessed with the parallels of the last two gifs, showing the pre- and post-devlin house feelings? at first i thought this one was from the end of ep3, after gif 8, but just from seeing charles and crystal's interaction it's obviously not OUGH. love the wide shot of them (and the cinematography lessons!! the focus falloff at the top. i am Looking), the greens of the trees and the brown of the leaves and the purple of crystal's coat (ooh and the sign!). some of the purple even seems to come across in charles' jacket! and the blue of the statue also being in edwin and charles' socks and crystal's shirt. it ties them all together in a way that contrasts so much with the effect devlin house has in breaking them apart. forever emotional about ittttt

so this one is actually post-devlin house. it's right as charles says he's fine and right before niko shows up. it's the last gif in this set chronologically, but i don't really go by chonological order in these sets, since i want the first and last gifs to be strong, and i don't want any two palettes side-by-side to feel too similar.

i am now thinking about how charles and crystal's interaction in here realllllyyyyy doesn't feel like post-devlin house.

anyway. colors. yeah. that purple being the same in crystal's coat and the sign was such a blessing. and every time i throw a surprise blue in to these palettes i think of you. it definitely is the bit that pulls this palette together.

(yes i was also thinking about the focus falloff here, it is soooo wildly intense in this shot)

gif 8: AND FINAL SHOT. devlin house is over (or is it??) the colours nearly blending in with the background and then contrasted against charles' coat. i'd say SYMBOLISM but i'm sure you're sick of hearing it by now lmaooo. the bright lights in the background are SO striking. and the green??? the way it reflects so dramatically against the orange specifically on edwin's face??? i know that's not death's light shining on them but it sure is interesting how often edwin is the one bathed in that colour of light.......... also this might be a reach but the way crystal's jacket/hoodie/whatever seems to be a similar shade of green-grey, tying her and edwin together as having found common ground in the devlin house, vs charles again being the least represented by the colour palette -- devlin house might be over but he still feels helpless. i'm sure nothing bad will come of that!

the first 10ish frames of this gif are some of my favorites in this entire episode. i just love how this shot looks, and if it was a bit longer, i wouldn't have even had them running into frame. but that little bit of the trio that we do get is so interesting to get to hear you talk about. because i was not paying attention to how they blend in (or don't) to the palette.

--

so. what about the outtakes? first we have this one:

really like this shot. couldn't figure out the palette. i wanted some of that green from the interior wall of the attic space, but it doesn't sample as very green (yay for color theory!) and the few pixels that do sample as green do not look very good next to the rest of the colors.

here's the other outtake gif:

now that i'm looking back at the whole set, i think this one would have been a really good addition to make the whole set feel more cohesive, but i'm not sure which gif i would have cut instead to keep it at 8, so that's probably why i cut it in the first place. this one is kind of fun since the green is not from niko at all, but from the grass below. i initially made this gif with a monochrome palette, but right before i exported it, i noticed just how much green is in there, and decided to use some of it. glad i did, and i am really happy with this gif.

i'd say i can never be normal about this but you already know that. love this, love you, thank you forever for blessing us with your gorgeous gifs!!!

i'm so glad that you can't be normal about these because i also can't be normal about making gifs and i love that i get the opportunity to do this kind of breakdown for them. thank you thank you thank you alex. you're wonderful!!

Dead Boy Detectives (2024) 1.03 — The Case of the Devlin House (insp)

[nondelphic]

Hello, hope you're doing well and that I'm not bothering you. I know this blog is for relatable writing posts, and I very much do find them relatable (kudos to you), but I was wondering if I could ask for some advice. Why you? IDK, you seem like a nice person, and you do writing stuff, so I figured why not ask? You don't have to respond, but here goes:

Just, how do you get started? I have so many scenes (literally entire dang novels and story arcs) in my head that are quite vivid, I can hear the dialogue, vividly see the scene and map out everything in my head, but the second I try to put it on paper (or google doc), my brain just freezes up and shuts down, partly out of fear of not being able to do good or cringing hard at it. I know people say to just do it and get it out since a bad draft is better than nothing, but, how do you convince your brain to sit down and actually write out the scenes?

I probably kind of just answered my own question, but it would be nice to get some feedback from an internet stranger (technically speaking) who knows this sort of thing. Anyways, I hope you're doing well and that you have a good day/night :)

Do feel free to ignore this though, I don't want to be a bother.

nondelphic writing tips: overcoming the "brain freeze" when starting to write

first off, thank you for reaching out!! i feel you on the vivid mental movies that suddenly go static the second you try to write them down—this is such a common struggle, and you’re definitely not alone (ノ_<、) so here’s the thing: your brain knows what it wants to create, but perfectionism is sneaking in and hitting the brakes. it wants it to be just right before it’s even out of your head, which is a recipe for freeze mode. here are a few tricks to warm up (i hope something helps!!):

✧ start tiny

instead of aiming to write a full scene, jot down one line of dialogue or one tiny detail you see in your mind. sometimes just easing in with a line or two makes the brain relax, like “oh, we’re just dipping our toes in, not jumping into the deep end.”

✧ embrace cringe

if it helps, tell yourself that this draft will be messy, and that’s okay. i call it the “potato draft” stage—ugly but foundational. no one needs to see this stage, so just spill whatever comes. you’re capturing the vibe of your story idea, not the final masterpiece.

✧ trick the brain with “notes”

try writing scenes as if you’re just jotting “notes” or a “sketch” for later. it’s weirdly freeing and convinces your mind that it’s not permanent, making it easier to just get words out.

writing is about building up that “just write” muscle, so even if it feels clunky at first, you’re moving forward, and that’s progress! i hope this helps a bit, and sending good vibes and hugs your way (っ˘ω˘ς )

[nrubtlas]

i'm just a girl, i fuck with all antler motifs .

[multicolour-ink]

It doesn't even matter that the movie revealed Mario's parents and family.

Because at the end of the day, the Bros do truly only have each other. Yes, they do have other family members to show them love - but nothing compares to the bond that these Bros have.

From day one of their lives, they have had each other to fall back on. They really are each other's other half. No other face, loving touch, or words can truly get across to them in the same way as when they do it to each other.

[tragicotps]

Young Masriel au [part 1: First meeting]: Recently returned from one of his expeditions, Asriel plans to crash one of Edward Coulter's exclusive dinner parties for networking purposes. At the door he's greeted by a mysterious and attractive young woman, who turns out to be married to the party host and coincidentally one of his biggest political rivals.

[kayvsworld]

sorry to be doing mcu throwback complaints again and EXTRA sorry for it to be about cacw and aou, sorry, i just am thinking again that if marvel had. in aou. committed to letting steve rogers see that captain america graffiti calling him a fascist with his own two eyes i would have forgiven many of their subsequent deeds and crimes

[nattikay]

gentle reminder that the A2 script pages that have been going around from the Blu-ray bonuses are from an old/outdated version of the script, and anything that isn't shown in the final film cannot automatically be considered canon, whether it's scene/dialogue changes, character details, lore details, etc.

Stuff gets changed and/or cut for a reason, be it because they didn't have time for it, decided to go in a different direction for the character/lore, decided the scene should be moved to a later movie, or anything else.

It's fun to see alternate versions of the story that could-have-been, and if you want to play with concepts based on the script in headcanon or fanfiction, feel free of course...but be very very cautious about considering any of it "canon" until/unless another source confirms it (such as how the Tsu'tey's Path comics confirm some of the A1 deleted scenes).

[iriswestallenn]

The discourse on Saltburn is so interesting to me because you either choose to take the movie as a fun romp or a movie "that had nothing [new] to say." Or that things happened just for shock value.

While there's definitely an argument to be made that this film had nothing/little to say, (as I am struggling with some themes they seemed to drop halfway through as well,) I just took this movie as a fun romp haha. You have to sit back and remember... they drew curtains back after a major character death and the entire room was RED! They isolate their black family member. They put a deer costume on Oliver during his bday party. A DEER. This movie was never trying to be subtle.

I've seen some crazy takes like "rich people good?" lmao Felix is arguably the 'nicest' family member right? Jacob Elordi and the script honestly do a really good job showing he's just as shitty as his family. After telling Oliver about his life, he asks Oliver, what about you? Cmon, what else? Siblings? ANYTHING interesting about you? Oliver should not have lied... if he didn't though, do you actually believe Felix would have kept talking to him? Felix gathered his family around and told them exactly "what happened" to Olivers mom and dad. No one would DO THAT! Especially if you've invited this person to your home!!

This internet age refuses to accept multiple things can be true at the same time haha when Felix learned from Farleigh that Ollie and Venetia hooked up, Felix STOMPED to the breakfast table. Folded his arms, ignored Ollie, made no eye contact. Then admitted he didn't want Ollie to be with Venetia, he had a problem with THE LAST GUY he brought to their home being with Venetia. They bring a new "poor" person their home every damn Summer. Multiple truths: 1. Felix shouldn't have been friggin killed. 2. Felix was a shitty person. Jesus

I understand the shock value critique. None of the three big scenes came across like shock value to me personally. I think it's because 1. It was all coming from Oliver. Oliver slurped the tub water, he fucked the grave, he put the period blood back in Venetias mouth. I think if everyone in the family was also doing weird fucked up shit, I'd be like, oookay. Now how is everyone here a weirdo? lol but it was just Oliver. 2. I thought this was a cannibalism movie lmao so I was actually expecting worse!

Obviously people can have different opinions but this movie and its discourse have been super interesting to me. I really enjoyed this movie but my main negative is that it does present itself in the beginning of the movie as though it has something to say but it doesn't have much to say? You're also not made aware that Olivers main objective was the house. Or if it wasn't the house at the start, at what point did it become about getting everything from the family?

Remember the friend Ollie had at the school that he later dropped? That friends last words to Ollie were, "he'll [felix] will get bored of you." Or something like that. That was so dumb lmao Venetia says this exact thing later in the movie. Why not make that friends last words to Ollie about status? Tie that into what Farleigh begins to tell Ollie and make Ollies goal clear to the audience even before the "plot twist."

That scene in school with the tutor. Oliver read the whole summer reading list. He came to college ready to go by the rules and succeed. There's no clear turning point imo. When Farleigh gets there late, doesn't care, definitely didn't read the reading list, and the tutor is like, "I knew your hot mom. We weren't friends, I just admired her from afar." I wish there was more focus on Oliver realizing following the rules would get him nowhere he wanted to be.

I ended up enjoying this movie because I'm satisfied with how fun it was, how GORGEOUS it looks, and how great the performances are. Not good, great performances truly. It's so sad that this could have been a 'no plot, just vibes' kinda movie. But instead there is some semblance of a plot lol it's just not fully fleshed out. I still think people are taking it way too seriously and the genuine distain for it is odd but there's a tug and pull here for sure.

[fallloverfic]

I am legitimately confused by repeated comments that ORV's opening is slow or boring or uninteresting, especially people who say you need to read [insert some very large number of pages/chapters] to get to the "good" parts. I've seen this on multiple socials at this point and I originally wrote this post months ago, but recent potential news has brought back people saying this again, particularly in recommending it to other people/trying to get other people into it.

I would personally argue that ORV has a good opening. A very good opening. And the early part of it is very good, too.

ORV opens with a literal train of angst, attempted friendship, workplace harassment (Sangah getting harassed by her boss), some neat Korean folklore (dokkaebis hello), graphic violence (remember when Bihyung just kills the president on TV?), a group of people in a subway attempting to beat an old woman to death, Dokja winning a pissing contest with a teenage edgelord, a bunch of people getting murdered, bonding in times in despair over a really unique form of problem solving, a man breaking open subway doors with his bare arms, young love, and magic, fleeing onto a bridge that gets exploded to bits by an evil gremlin, a horde of zombies appearing, the protagonist getting new magic powers, and then his getting held by the neck over said broken bridge in a complex back and forth with the "true" story protagonist before getting dropped into the mouth of a giant sea monster.

It covers topics like the limits of human compassion in times of strife, the complicated presence of the military (Dokja hated his time being drafted v Hyunsung's military leadership doesn't save anyone), international relations (Sangah is learning Spanish), trope subversion (I mean it is and isn't the entire book and Dokja's character, but he's constantly trying to be 5-10 steps ahead of what's going on, including literally fleeing Joonghyuk until Joonghyuk grabs him by the collar), workplace harassment, bullying, and it's all taking place during multiple apocalypse scenarios.

This is the like first 11 chapters of the book. And it never stops. There are "slower" moments, moments where characters take a breather (like it takes a while for Dokja to negotiate his contract with Bihyung, which is slow if you ignore the fact Dokja is arguing with an interdimensional being/alien for the limits of his own life and autonomy in the most dangerous streaming event imaginable, knowing he may still die if he gambles wrong on his personal wikipedia brain), but it's still frequently confrontational, whether that confrontation is about what characters mean to each other, what lives are at stake, finding your purpose in life, adaptability to complex circumstances, overcoming trauma and self-doubt...

And it's more intense in a way in the manhwa adaptation because you can clearly see most of it visualized (e.g., how visually wrecked the characters get, how young the kids are, how terrifying the monsters are, how scary the odds are, and how dangerous Dokja's gambles can really get with a fickle streaming audience), and Sleepy-C's art is gorgeous.

I just have to wonder (though this is more of a rhetorical question), what on earth do people consider fast? Because I am quite honestly terrified of what the answer is.

Like I get that ORV is long. It can be hard to recommend very long books to folks (and as the manhwa keeps going, long comics). To each their own, everyone is different, what appeals to me won't appeal to others. But there's a difference between "it's hard to recommend a very long work to someone" and "it's hard to recommend something that's long and takes a while to get into", and maybe folks are just writing the former a bit weirdly. I completely understand having trouble recommending long series to people. Also ORV has a very complex plot and I don't blame folks having trouble recommending that. I'm writing fic for later parts of orv and other manhwa and I dread explaining all the context for all that to someone who hasn't read them.

That being said, ORV has a very good introduction. Both chapter 1 of the novel and episode 1 of the manhwa are very good. They're not perfect, I can't say I was hooked from the immediate moment I started reading the page, but both of them have good introductions and it doesn't stop, and there's stuff to love in just about every chapter/episode, and I was definitely hooked enough by the time I finished to keep going to chapter/episode 2. Chapter 1 of the novel has great angst and character building, and it's funny and sweet and tragic. When I first read Dokja trying, earnestly, to recommend TWSA and getting harassed about it and worrying it will hurt this art and artist he cares about, but not being able to do much else to give thanks for this experience because of his circumstances, I cried. The first page/episode of the manhwa has them delicious boys love vibes and gorgeous art (and cute baby Dokja, I die for him), and the promise of a fascinating story ahead, and then the following page/episode has more gorgeous art and angst and great characters (combining them cause the first page feels sort of more like a teaser than a first page, though Episode 0 ends with a spread of Kimcom that makes me tear up). We'll unfortunately never know if I'd have loved ORV as much if I'd read the novel first, but I like to think I would cause ORV's opening is just that good.

I just truly, truly do not understand the sentiment that idk the opening and the first [insert large number of pages/chapters] aren't good or interesting or engaging enough. Maybe I'm out of touch. To each their own on what appeals, maybe I'm built different (doubt it though) but it just feels kind of dismissive of ORV's opening, in both the novel and the manhwa, which are both really good. Will it win over everyone? No. It's fine if you weren't grabbed by the opening or the first [insert however many pages/chapters/arcs]. It's fine if you took a while, even a long while to get into it, or never really did, and maybe don't like the manhwa, which is a great gateway into the story, or don't like the novel for whatever reason and prefer the manhwa. And at the end of the day it's just random opinions online, we all have different ones. Make the posts that appeal to you on your blog, complain on your socmed, whatever. But the opening is good, it keeps you very engaged with a lot of difficult scenarios, the characters are great and fun and funny, in those parts especially, and idk why I'm supposed to pretend that's not the case.

Anyway I don't like writing complaint posts. The opening and general start are excellent and Imma go back and cry over Dokja again ty singNsong for my tears.

[hauntingblue]

Choose your favourite reaction

[80s-prometheus]

decided to throw my hat in the ring and try making a playlist

it's mostly made up of songs i think lisa and creature would like, songs that I think would fit them, and songs I think fit the vibe of the film

[crackedship]

i wanna write feysand fanfic but i don't remember what they're actually like at all, so if i end up posting it i beg that no one complain that they're out of character, thank you

[rootbeerrex]

*hitting live action batman directors over the head with a roll of fabric*

BRUCE WAYNE IS A CELEBRITY. IF I CAN RECOGNIZE THE ACTOR PLAYING BATMAN WITH THE COWL ON, BRUCE WAYNE'S IDENTITY ISN'T PROTECTED. ALSO, SOME WHITE MESH ON THE EYES WON'T KILL YOU. I PROMISE

[shingekinomyfeelings]

I don't really like the way the MCU movies have sanitized and simplified Wade's relationship with Blind Al into 'they're just roommates' instead of her having been the subject of some of Wade's most abject and sometimes sadistic, undeserved cruelty, who slowly turned into one of his only real Morality Chains and managed to see him as a human that deserves redemption even though she had every right in the world to hate him with every ounce of her soul.

[ectonurites]

screaming crying throwing up trying to gif a scene that has abhorrent lighting