#i don't HAVE to say it for people to get it

[misakiatjapan]

I would love this

Messaging people for the first time is so hard. What am I supposed to say? Like, "You seem really odd and your blog intrigues me. Do you want to have philosophical conversations or perhaps talk about fictional characters?" What! Whatever. I will just follow you back and stare at your blog with my big beautiful brown eyes.

[nyancrimew]

I’m sorry but how can you be so proud of yourself for taking this moment to write an essay that boils down to “Don’t bother engaging in collective action, you should just do what makes you feel good with your friends :)”

Like, there is no world in which going to a concert advances a cause more than participating in a union or political party. How can you be so detached from historical and material reality? Nobody who advocates for political organization is saying “also stop spending time with your friends and interfacing with your community.”

Have fun limiting your “organizing” to shallow little playtime in nice cozy Switzerland while the rest of us try to address injustices and atrocities through collective action. I hope you decide to join us, eventually.

the essay does not actually boil down to this, at least this definitely isn't the point of it. this would be a very fair critique if that actually were what im trying to say but it just straight up isn't.

my essay focuses on how just saying to "get organized" or "join xy org" doesn't really help most people actually find their space in a movement, it's about how building friendships both within and outside the movement is important for setting foot in it and how people's morale tends to be forgotten in some political orgs (which i find sad) which leads to burnout and orgs that fall apart.

i think my essay makes it pretty clear that collective action is the goal but focuses on what's also important in the here and now, leaving people helpless and hopeless helps no movement.

i do a lot of things in radical spaces that i don't publicly talk about online, to just assume i have no actual involvement in any on the ground stuff just because you misread my essay and disagree with it is frankly insulting. you are free to disagree with me, i don't think anyone will ever fully agree on theory anyways, but at least try to be honest in your engagement with what i wrote.

[genderqueerdykes]

i just wanted to say if you're a bi/multigender, genderfluid, genderqueer, intersex, two spirit, non binary, gnc, butch, stud, or other trans woman who isn't a 100% binary trans woman, society owes you so fucking much. there's no wiggle room in transfemininity under our cisheteronormative patriarchal panopticon. people freely and openly misgender you for their comfort and then act like you were the problem to begin with. people love to silence and invalidate your identities every day for the sake of their own mental "wellbeing". and it's not your fault and you don't fucking deserve it.

here's to every non binary trans woman who gets told they're not feminine enough. here's to every trans lesbian who gets told they're "invading" lesbian spaces. here's to every gnc trans woman who gets told they "dress too masc to be a trans woman". here's to every genderfluid trans woman who gets told being a man sometimes makes them not a woman. here's to every genderqueer trans woman who gets told they can't be masc or it invalidates their womanhood. here's to every butch trans woman who gets misgendered and told they're "just a man". here's to every bigender trans woman who gets told identifying as a man as well as a women isn't a thing, and that being a man cancels out being a woman.

here's to every trans woman who gets told how to be their own gender.

you are the arbiter of your own lived experience. you don't deserve constant unsolicited advice on your gender. you know what transfemininity looks like for you. you know who you are and you don't deserve a constant barrage of invalidation. society does you so dirty, you deserve so much better. your experience with gender is beautiful and deserve to be talked about, not silenced and spoken over. hang in there. you know who you are. you don't have to listen to anyone else tell you how you identify or who you "Really" are- you're the only one who knows that.

[sapphicsophos]

Boiling what happened to Isabel Fall down to a TME vs TMA issue is unhinged and ahistorical. Not only is it an absolute disservice to Isabel herself but also ignores the fact that the people *actually* lashing out at her the most were people you'd consider TMA.

It was a majority of transmed and assimilationist transfems who got mad because they either didn't read past the title of the story or were made uncomfortable by it. Singling out two non-white authors out of the whole mess, both of whom deleted their initial comments and apologized, and then lying about the content of Neon Yang's apology just so you can make it into an us vs them bit of historical revisionism is racist, and your entire post is deeply suspect. On top of that, while Fall's story would have fit in the anthology's themes. calling Attack Helicopter a mech story is misleading at best.

For the curious, Yang addressed their apology to Isabel directly and acknowledged the harm that was done, and you can see a screenshot of it here.

If that reads as a non-apology to you then idk what to tell you beyond like. Please learn how apologies work.

Please read this story from Vox. It’s always made me deeply uncomfortable whenever people look at queer representation that they find dissatisfactory for whatever reason and say, “A cishet person obviously wrote this” or “This is written for straight people” or “No queer people were involved here.”

Because like. You can’t know that. And saying that can be very damagng when you’re wrong.

The article is here and you should read it, but the SparkNotes version is:

we’re all familiar with the attack helicopter meme; reddit fuckheads saying “i identify as an attack helicopter” to mock trans people

trans people then proceed to reclaim the meme and undercut it by making a joke of it themselves

some time later, an author, Isabel Fall, (who is a trans woman) decides to pen a sci-fi short story about a person who does identify as an attack helicopter, in order to explore different facets of gender; internal, external, how it’s used by the public, its place in society, etc.

her story gets several reads and is nominated for an award, and then gets a massive backlash - often from people who didn’t bother to read it beyond the title

and en masse, it gets comments assuming the story was written to mock trans people and was written by a cis person

specifically, a cis man

so this trans woman who drew from her own experiences to write this story, was bombarded with angry comments and messages accusing her of being a cisgender transphobic man

she suffered a lot of gender dysphoria and had to check herself into a hospital because of it, and completely shut down her online presence and has said she’s given up on ever living or writing as Isabel Fall

Like. It wasn’t enough to force Becky Albertalli to out herself before she was ready because clearly, no queer person could’ve written Love, Simon? Now we’re just skipping to wrecking people’s lives?

You cannot be sure if someone is queer or not without forcing them to out themselves. You just cannot be sure, and it’s rude and dangerous to assume you can.

[bamsara]

Actually, small ramble about art and reblogging on tumblr

I've noticed that bothers me a bit, specifically around this website's culture around not having algorithm, and to support artists you must reblog the artwork

Specifically: shitposts that took me 30 seconds to make get much more traction than my rendered art

I made this doodle that is not tagged with the source media or the characters, its just a post for their pronouns

This is a doodle that took me a minute to make, and it has just about the same amount of notes that my rendered artwork that took me hours/days to make.

ll reblog my mutual's and friend's artwork and it's the most gorgeous stunning pieces with a lot of hardwork and care put into them, and they're not being as reblogged as much as funny little doodle

I need to re-interate that I don't care about numbers. I've had this blog for 10ish years, I've been around a long time and I've created for longer so I know most followers are people that have been here for a very long time. I am not dismissing the hardwork I've put into my art blog and I hope I don't sound ungrateful

but the 'not-reblogging-artwork' thing is real on here. I'm not saying dont make funny little doodles or 'its so-and-so's fault insert blame here' but it is an observation, and I think we are depriving ourselves of the joys a lot of artists can give

Please do not put others down on this post and be nice to each other!

[homunculus-argument]

Considering that it all boils down to different quantities of the same hormones and brain chemicals, arguing that humans are the only animals with thoughts and feelings is about as absurd as arguing that humans are the only ones who have hair. Sure, the human scale and range of emotion is distinctive and unique, different from all others, but so is that of a camel. Are we less than migratory birds, for never being able to know how it feels, to yearn to fly to the south? Is our emotional life any less rich than that of a salmon, for not experiencing the urge to return to their breeding waters, yearning it so badly that dying on the way does not even matter?

Getting a glimpse of the thoughts of a completely different kind of creature is one of the reasons why I'm so fascinated with parrots. They learn to communicate with humans, in their own way. Sure, we don't know what any of the words they mimic mean to them, but it's hard to deny that they mean something to them. I've seen enough examples of parrots asking people and even other parrots "what'cha doing?" as a greeting of some sort, not to mention that many of them apparently understand the concept of questions. Not only the idea that another being might know something that they don't, but that they can inquire about it, and that humans do this by saying things with a specific intonation.

We can't know for any true, scientific certainty what a bird who says human words really thinks, means or feels when saying the english words "I love you" to their human, their bird mate, or their little hatchlings. Or the one anecdotal parrot couple, whose male had a habit of alternating between making loud wolf whistles and repeating "PRETTY BIRD, PRETTY BIRD" to the female every time they mated. There's no knowing what, exactly, did he mean by this, but it's very difficult to insist that it's nothing.

[catboybiologist]

When I meet up with people that I haven't seen in person for a while, the most hilarious part is how they handle nonsexually complimenting my boobs. So many people want to, cuz like shit they're nice, and they're probably the most visible, easy to notice marker of how much hormones have done for me so far. But it always seems like it's some kind of Saw chamber for them: they want to compliment my transition progress with a more specific comment than "wow you look good", but they also don't want to sound like a creep. Sometimes they get themselves in massive conversational loops about it, to the point where I have to say "you can compliment my chest if you want to". Even other transfemmes don't want to turn it into a weird jealousy thing, or want to get detailed about it, so end up being kinda awkward about it sometimes.

Cis lesbians are the exception. They just say "nice tits" with enthusiasm.

[kittyoverlord]

I work for the public defender's office in my state. If you don't know, Public Defenders are the attorneys who are appointed to represent people who cannot afford a private attorney (which turns out is the vast majority of people who are arrested for crimes because cops like to fuck with poor people). We do not get to choose who we represent, and the people who we represent don't get to choose their attorney(s).

One story that has stuck with me relating to this issue was told to me by my gay boss shortly after I started because I was nervous about what to do if I encountered transphobia (i was working the front desk at the time).

When my boss (gay, hispanic) was working at the front desk, a client walked in to apply in full Nazi regalia. Obviously, everyone is uncomfortable, but we are state employees and have to provide this man with an application as long as he is not being violent (yes there is an argument that just by wearing a nazi uniform he was causing emotional violence, but there is still a very real difference between that and literally going around punching people). He qualified for a public defender, and wound up having to work with a gay jewish attorney and a black attorney.

I don't even know what he was charged with. It doesn't really matter. He was entitled to a legal defense, and we don't get to not do our job because we don't like the guy we're representing. If we started doing that, imagine if the public defenders office was overtaken by rightwingers who decided to stop representing queer people.

If you decide the best way for you to help is to volunteer at a soup kitchen, you can't withold food from someone becauseu they're wearing a maga hat. You can curate your online spaces as much as you want, but we live in a world were a lot of people disagree and have to get along anyway.

Morals are only morals if they apply to the people you don't like.

one thing i need you all to realize is that you have to fight like hell for the marginalized people you don’t like. you have to fight for the cringey discourse queer and the misogynistic man of color and the transphobic cis woman and the politically conservative jew and the racist disabled person. you don’t have to like them or agree with them. but if you see them experiencing bigotry and you are a person who claims to be against bigotry, you are obligated to fight for them. you have to fight against bigotry, even if you don’t like the target of that bigotry, because as soon as you let yourself slip, as soon as you allow bigotry on your watch, even if it is directed at the shittiest person you’ve ever met, you’ve now established that in your personal ethos bigotry isn’t wrong, it’s a weapon. and as soon as you’re okay with bigotry being used as a weapon, you have already lost.

[do-you-have-a-flag]

Text recounting of the full events below but oh my god please watch this person explain the wildest thing happening to them

[image text]r/trueoffmychest post by CptnSpaceCase

Today my aide cooked what should not be cooked

I have to get this out, because today feels like an actual nightmare I keep expecting to wake up from.

I'm disabled, and need help with stuff around the house. Today was the second day with a new agency and new home health aide, "Tina." I set it up so she would come by in the morning while I'm sleeping (insomnia is killer), and I texted her last night what I would need done today.

One of those things was to roast some precut squash I'd gotten so I could have it with my salads and pasta. I was very clear in my instructions: what it looked like, where it was in the fridge, how to use the oven, how to cook it. I also have a roommate who was up and told her she could ask them for help if she couldn't find anything. Or come get me if truly necessary.

Now, I have three pet ball pythons. They eat rats that I thaw from frozen in the fridge in a reusable plastic bag. Yes, that's where I'm going with this.

Tina couldn't find the squash, and so, obviously, that meant she should roast the first other thing she could see that was technically also encased in plastic, in a completely different area of the fridge. The FUCKING RATS. In butter and salt, in my nice baking dish.

And like, that's insane all on its own, but if you're going to cook any animal, you should at least clean and skin it first, right??? Like, do the crazy, disgusting thing properly so I can respect the effort, instead of sticking them in as is. Fur and guts and all.

And the smell. Good God baby Jesus the SMELL. It woke me up and had me gagging the moment I opened my bedroom door. Definitely not squash. Or food-smelling for that matter. At first I thought the squash had spontaneously rotted overnight and she'd tried to cook it anyway. That would have been slightly less insane and much preferable.

I had to pull it out of her what she was cooking instead when she said she couldn't find it (it was in plain sight), had to open the oven and see my snakes' dinners in place of my own and still couldn't process what the fuck was happening, what I was looking at and smelling. I don't like yelling at people and generally avoid it. Today was a day for exceptions. And at the end of my half-crazed, dissociative rant, I told her to get the whole dish and its contents and herself out of the fucking house. And to not come back.

Suffice to say, I've contacted the agency to report it and am requesting a new aide. Now I'm sitting at a cafe trying to calm down and eat something despite the scent memory that's taken up permanent residence and turning my stomach. The whole house reeks like musty, sewage-dipped pork that had been left out for a whole day before being cooked in rancid oil, and I'm not sure Febreeze is gonna cut it. I don't want to go home. 🫠😭

[sharoo]

Self-knowledge as a theme in STP messes me up so bad, bros.

This all starts with how little the Princess can tell you if you ask her about herself. How little you can say about yourself, more often than not. Most of the time Quiet doesn't even know what they look like!

The Narrator makes it a point to make the Princess' cluelessness, her lack of self-knowledge, into deception, but really, both the protagonists don't know themselves. How could they?

The concepts of bounds, of something that isn't you, the distinction of "self" and "other", "you" and "I", the concept of something being not like yourself... this is the first time this deity which is now two has ever experienced it.

The Shifting Mound and the Long Quiet did not exist until the Narrator tore a whole into parts.

Now, this deity in twain has to reorient. It has only begun existing, it's not yet known itself. A toddler has to develop a self-concept, and the concepts of others.

Now imagine, for the first time in your solitary existence, that there is something that you are not. Unknowable, foreign.

What are they like, you think? Are they a friend? Should I get to know them? Are they a foe? I do not know them, I cannot trust them... Or can I?

This brings to mind, of all things, Contrapoints' video on Twilight, where she speaks about the concepts of Union and Division in relation to love. And while she speaks of it in terms of eros, it can apply here just as easily, romantically and platonically.

Love is the union of two beings. We love because something outside of us allows us to be more than ourself. In others, many seek that which they lack. We seek out people so that we may develop through our similarities and contrasts with them, to change an be changed.

We seek out people because there can be no I without a You. To exist in a void is not a fulfilling experience.

We cannot discover ourself if he have nothing that allows us to compare ourself. The mirrors elude us throughout the game, always leading to the princess - she is the only way we may know ourselves, the mirrors tease as they disappear. And at the end of the route, only then, can you see yourself, now that you have a complete knowledge of yourself in a given scenario, with a given persona.

Was the princess someone you decided to trust? Or to betray? Was she a foe? A friend? A nightmare? A victim?

You both try to find out who you are through your relationship.

The princess assumes many faces and attitudes in response to you, you assume voices and attitudes in response to her. You're two batches of clay shaping each other at the same time. It's almost like knowing someone your entire life, seeing them go through different phases as they try to find out their identity in the world, their place. The 5 routes, whatever they be, are your "adolescence".

And growing means you will hurt each other, intentionally or not. There will be fights, disagreements, there will be heartache, and comfort and love.

And everything will pass.

Shifty, before she's complete, before she discovers her godhood, makes this point so clear.

How could she not be kind to you? You are the only thing in this place that is not her. What reason could she have to hate you? To make the only friend she could have into an enemy?

That's why, at the end of every route, all hurts are forgiven. All the heartache is acknowledged, understood, and then she moves on. So that you may continue being together, so that she may see what else you do.

Even godhood can become a phase. The Shifting Mound recognises what you both were, but it need not be you unless you accept it. Because self-knowledge is unending. You are always changing, and you can always change.

You can accept being a god, and that becomes you.

You can reject being a god, and that becomes you.

You are by that point an "adult". The figure trying to dictate who both of you are is gone, and you can decide for yourself.

I think this is partially why I love the Leave with Stranger ending the best of all the endings. You begin it by avoiding knowledge of yourself and of another. The self can only exist as far as it is not like the others.

And you meet the Stranger, this being who knows so little about herself, because she too has been deprived of another. The route is quick. It really cannot amount to much, because if you don't know yourself, it's so hard to build a relationship.

But at the end, they've matured. You gave each other time to become fuller beings. You met this person again and they seem so much happier with themself than they were in youth.

I love how they say "We're just a stranger.", and the voices point out how it needn't be sad that you don't know her, unless you make it out to be. You can get to know them, the real them, and they can do that with you.

The way the Stranger speaks if the position of a God only underlines how much the heart of the Shifting Mound can understand self-knowledge.

They speak of how they feel themself be pulled towards taking the position of godhood, of being everything, yet find it confining. Restricting.

"We want more. We want whatever might be on the other side of this door. Something new, that we'll experience together. With someone who exists outside of us. Someone who can see us in a way we can never see ourself."

Self-knowledge through relationships and reflection on how you impact other people.

[t00thpasteface]

webfishing is such a breath of fresh air honestly. i feel like every vaguely "cozy" title wants to be minecraft or animal crossing or stardew valley, but the bloat of all the obligatory timesink systems has been smothering the joy of the low-stakes open-ended lollygagging. i can never just hang out in games like that, because everything is locked behind so many layers of heirloom mechanics included purely for trendiness (via blind imitation of the big name games) and not because they actually improve the gamefeel or streamline the gameplay loop. i can't just play ten minutes of a game like that because those ten minutes are gonna damage my tools/armor or run down a timer or use up a crafting resource or some other chain reaction of unfun grinding garbage.

meanwhile, webfishing has no crafting, no survival, no item breakage, no stamina meter, no food meter, no jumpscares... the physics-defying out-of-bounds void area doesn't beat you over the head with the creepypasta shlock and mostly just exists as a fun convenient hangout spot to catch basically every fish in... and best of all there's insane griefing potential (meowing/barking, punching people into the water to drown them, playing guitar badly, drawing stupid shit all over the ground at spawn) yet zero consequences for actually getting griefed. if someone drowns you it literally does not affect you for longer than like five seconds.

also you can buy scratch offs and get drunk. i really appreciate that. i dislike the way a lot of cozy games seem to be stuck in a kid friendly tone owing to their origins in E and E10+ games/websites, only ever vaguely referring to adult topics, even while being marketed heavily towards nostalgic adults who grew up on the original ds or played a lot of neopets. just because i want a simple gameplay style doesn't mean i want to be babied; i want the simplicity because i'm an adult with realass adult responsibilities and don't have time/energy to grind, not because i'm still mentally ten years old and blanche at mature topics. and so i really appreciate the way webfishing will scratch that itch for "wild world if it was just fishing and able sisters" while also letting you have bloodshot eyes, wear a hat that says "i love peeing", and then blow all your money on beer and scratch offs. like honestly truly who else is doing it like webfishing

[nyancrimew]

If its not maya nor mia how do you pronounce it

Ma-ee-a? Mey-a? May'a???

YOU PRONOUNCE IT THE SAME AS MAYA BUT IM STILL NOT CALLED "MAYA" OR "MIA", THAT BIT IN MY BIO IS ABOUT THE SPELLING NOT THE PRONUNCIATION IT'S NOT THAT HARD TO UNDERSTAND

[marsprincess889]

Yoni animal observations

I did something similar with nakshatras. This is them in a very simple way. This is based on traditional associations as well as my own observations of real life and art. 💕 The word "yoni", as well as meaning the female reproductive organ, also means "origin". Yoni animal represents the instinct of the nakshatra and ultimately, reveals its true core nature.

Also, disclaimer: it's very sad that I have to say this, and apologies if you're not one of those people, but if you're going to correct anything in this post by writing one or more long paragraphs of why you think I'm wrong, you might as well just start your own blog or make your own post about the subject. I've been observing yoni animals for years and I'm kind of sorry if any of this offends you, but I'm not trying to attack anyone personally, or even a specific placement (nakshatras in this case), cause that's just dumb. Of course, everyone is free to express their opinions but please do it politely and have some respect for the person who took their time to gain and share knowledge. It's very easy to correct others, it's very hard to be faultless yourself. So, factual corrections are always welcome(say someone got someone's chart placement wrong, or they have written a factually incorrect association, like if they were to write that Jyeshta is fierce as opposed to sharp/cruel in nature.), but, once again, everyone's view is different and so either respect mine or don't write anything at all.

With that being said, you can now enjoy this post💕

Horse yonis

Ashwini and Shatabhisha

Keywords: activity, simplicity, masculinity(solar/yang), independence, healing.

Straightforward people. They might tend to have black and white thinking, can be very blunt with their delivery and definitely prone to "deafness": not hearing others' views. Simple and utilitarian, goal-oriented. Their presence might not be really noticed until the moment they suddenly speak up about or act on something. Love to point stuff out. Either quiet or very precise while speaking. Not aggressive but can be combative. Most likely will oppose someone before making peace. Independence>sharing. Don't like anything "unnecessary", love to get to the point.

Elephant yonis

Bharani and Revati

Keywords: slow, authority, time, timelessness, strength, transitions, protection, completion, gentleness, complexity, depth.

Not revealing their innermost selves, only revealing it to a select group of people, if to anyone. They attach meaning to things based on their experiences. Protective and gentle with each other, closed off to most of the others. Very private. Not really concerned with trends. Observant but not quick to act. Can have many sides to them that some others might fail to understand. Have an air of wisdom, but not that of arrogance. Still, they are the most likely to knowingly take the high road but still protect their peace, making them very exclusive, although it's never for show. Defensive but quietly so. Accomodating to some degree on the outside, there's always more to them than what's obvious. See the bigger picture in every situation. They have a certain quiet strength and power. Nurture is important to them. Do not appreciate unnecessary aggression and try to dominate over anything they consider harsh/crude.

Sheep yonis

Krittika and Pushya

Keywords: precision, structure, minimalism, choosiness, contained.

Do not like excess in anything. They have a sense of balance, usually in almost everything. Prioritize sctructure and basics/essentials. Like clarity and clear-cut lines in their lives and around them. Can be snappy, but in a passive-aggressive way. Not harsh in a heavy/overwhelming way but still harsh about details. Have a soft demeanor with strangers and acquaintances, sometimes even people close to them in everyday life but can judge them quietly. Neutral to friendly on the outside, but if they have uncomfortable emotions they try hard to release them quietly/without much fuss. Might bottle up resentment in result. Very utilitarian and practical.

Snake yonis

Rohini and Mrigashira

Keywords: enjoyment, ease, materialism, basic awareness, growth, progress, sensory indulgence, instincts.

Very placid and calm. They focus mainly on material things but can live without luxuries, and can also share them, although privacy is very important to them. Very aware of their surroundings and their own presence. Attuned to their senses. Can get easily attached to people and things. Can exhibit selfish tendencies(or that's how it looks to others) when they feel like their desires are ignored, but Rohini and Mrigashira each do it differently.

Dog yonis

Ardra and Mula

Keywords: upheaval, critical point, rebelling, release, change, anchoring.

Tense but not frail. Might look tortured sometimes. Do not like to and probably even cannot focus on details, at least not how it's traditionally done(different to each situation). Like to display their individuality in one way or another. Dark humor or sassy comebacks. Either quiet or very loud, but either way, opinionated. If they're neutral then they're opinionated about being neutral. Can be kind of nihilistic but at peace with it. Contrarian and unapologetic. If they don't care about something you can't make them care. If they do care, they care intensely.

Cat yonis

Punarvasu and Ashlesha

Keywords: accumulation, buildup, purity, safety, protection, preservation, cycles.

Concerned with what influences them, not so much what they put out. Self-focused but also highly aware of others' needs. Can adapt to surroundings and can change their behavior based on what they need or really want. Not unkind but laser-focused on the boundaries. Always keep their cards close to their chest, not out of malice but simply to preserve their safety. Look more unnaproachable than they really are, and know more than they share with most.

Rat yonis

Magha and Purva Phalguni

Keywords: dispersion, creativity, planting seeds, the self.

Can be egocentric. Prideful and nonchalant. Love to show off. Might be aware of surroundings to some degree but even if they are, they rarely care. Getting what they want is the priority, along with self-expression. Not very moralistic, don't care much about labels. Sometimes they can be too detached. Will almost never catch them crying in front of others, although they can be dramatic if they want and can, without a problem, attract their dwsired attention. Their happiness is more warm and generous than loud and euphoric. Might have a poker face, they rarely show strong emotions. The strongest emotion I've seen them express is that of defensiveness, and that's not even an emotion. When they get defensive it's almost always because something has touched their pride or triggered their ego. Focused on what they can do.

Cow yonis

Uttara Phalguni and Uttara Bhadrapada

Keywords: stability, the long-term results, natural, softness, power/influence, unity, calm.

Stubborn. That's the only defense they have, because otherwise they're very soft. Naturally honest. They have an effortlessness about them that feels easy to be around, and they are pleasant to be around but not accepting of everyone. They avoid people they don't like from early on and stick to the ones they consider better. Not hesitant to defend themselves or people close to them, but not quick to waste that energy on just anyone, and when they do become defensive they still maintain "the high ground". Backing their allies and fighting proudly is natural for them. Again, very stubborn, so they rarely, if ever, give up on something important. Although they're tough, they're not sharp or cruel. They are mostly in a state calmness and assuredness rather than anxious defensiveness. Very fixed and comfortable in their ways.

Buffalo yonis

Hasta and Swati

Keywords: materialism, gain, comfort, strength, feminine(yin), ease.

More attached to material things than other yonis. Individuality is defined through connections and surroundings. Love comfort and ease. Interdependence>independence. Can be curiously neutral and accomodating. Self-focused but not selfish. Often phlegmatic and slow. Genuinely caring but can be cunning. Not the most direct people. They will let others know their views but won't push them aggressively on others. Almost everything about them is filtered through that neutrality.

Tiger yonis

Chitra and Vishakha

Keywords: building, gradual, defensive, expression, buildup.

The most defensive. Can look sweet on the outside but are not all soft. Can range from extremely forgiving to extremely vengeful. Aggression comes out while speaking. Rarely, if ever, present in a state of calm melancholy. They moreso go from happy/fun to agitated. Focused on development/building, and always look for more than what's natural for them. Witty but emotionally so. If they're highly agitated, it's very hard for them to exercise restraint in the moment. Not that direct in general but unfiltered during critical moments. It's easy for them to put on a mask, whether out of neccessity or just for fun. Can be very judgemental. If they're not aware, it can make them act in a "mean" way when they feel not their best.

Rabbit/Deer yonis

Anuradha and Jyeshta

Keywords: society, organization, status quo, responsibility, transpersonal, maturing.

Very non-aggressive on the inside, despite how they might look. Naturally have endurance and a sense of responsibility. Can be judgemental but also understanding. Love to give advice. Competitive but respectful. Can become arrogant. Love everything "classic" but want to establish their own, new structures. Choosy and sometimes exclusive. More warm than they appear, and capable of more emotions than how it seems. Often traditionally intelligent. Have a very civilized behavior.

Vanar yonis

Purva Ashadha and Shravana

Keywords: flow, alliances, connections, support, creation and preservation.

Good at reading between the lines, anything too structured is harsh for them. Otherworldly aura/mannerisms. Most likely to posses what others might consider as "quirks". Value their own individuality and uniqueness. Seeks to be different from what they consider boring, normal or basic. Not very reactive. When they get defensive, they get quiet. Can romatisize sadness and melancholy. Capable of seeing both sides but are often willingly biased.

Mongoose yoni

Uttara Ashadha

Keywords: independence, solitude, practicality, victory.

Truly neutral and unbothered. Value honesty and integrity. Not attached to material things at all. Easy to be around but their regal nature might put some people ill at ease. Naturally take on leadership positions. Might feel lonely but won't trade solitude for tiring/uninteresting company. Value practicality and simplicity, and are practical themselves. Surprsingly warm and feeling in certain moments, but can also be uncaring towards others.

Lion yonis

Dhanishta and Purva Bhadrapada

Keywords: notoriety, flashiness, power, aggression, pride.

Very unfiltered and loudly so. Unashamed and bold, proud. That pride and confidence fuels their calmness, but they can lack patience. In everyday interactions they can look very unreactive but if something "triggers" them, they will not hesitate to be a little(or not so little) aggressive. Love to spread their influence. Might strongly dislike anything that looks subtle and quiet to them, as it arises distrust in them. Rarely, if ever, use/appreciate sarcasm. They prefer directness. Can slip into being a bully, or can become a proud voice for others.

[impactrueno]

Beetlejuice clearly wasn't interested in Lydia when they met, so when do you think he actually fell for her? Was he so impressed by Lydia defeating him that he developed a little crush?

i think this might be the biggest thing i've been turning around in my head since the sequel dropped. how did bro get to this point. i need to know. you weren't like this where we left off, what happened during that huge time gap????

this is where canon ends and conjecture begins, you just have to theorize and fill in the gaps yourself with whatever makes the most sense to you, which is what i've been trying to do this whole time. so please bear with me here.

i don't know how much i want share or save for my comics because i don't know how much he would actually reveal about this but whatever we ball

edit: ok so i scrolled back up to this after finishing writing this and as it turns out i have no self control and i ended up sharing everything that crossed my mind. craziest stream of consciousness i've ever written down. strap on and keep your limbs inside the ride at all times. whatever. we BALL.

let's review their first encounter from his point of view:

you're hired to scare the deetzes, right? so you do just that. excellently you might add. just when you're about to terrorize their teenage daughter, barbara banishes you and the party is over. what fucking losers right? you get the sense that adam and barbara care about this girl so you make some remark about her and it pisses them off. haha. also whoa where did this place come from? damn adam, who could've guessed he had it in him. you forget about everything else and dance your way to dante's inferno room.

after spending a respectably tasteful evening with those ladies, you're chill now. relaxing under your little sun lamp to work on your tan.

someone walks in looking for adam and barbara. don't they know they're dead?

"are you a ghost too?"

"i'm the ghost with the most, babe."

hold on a sec, who's even—

...well hey. it's the girl.

the girl who can see ghosts, and she's talking to you.

target acquired. this one's your ticket out of this hellhole.

"you look like somebody i can relate to," you tell her. relate how? doesn't matter. you're ensnaring her with your affable demeanor like you always do, make people feel like you're pals with them first and foremost. she seems like a nice girl, so this should be easy. you tell her upfront that you want to get out of there and you need her help to do so.

"i want to get in," she says.

whoa there.

what? she wants to get in? she says that in response to you saying that you wanted out. she really has no idea what it's like on the other side, huh. but shit, that kinda stops you in your tracks a bit. this girl wants to die. this young? that's not right. makes no sense.

"...why?"

she just looks at you and says nothing. jesus. ok maybe it's none of your business so let's back it up. you're losing control of the conversation and you're on a mission here. you figure if she helps you get out, you might as well talk her off that ledge or show her how shitty it is on the other side or somethin'. frankly, you can't afford to care right now. you're not entirely sure why she thinks things would be better on the side you're so desperate to get out of, but alright. doesn't matter, right now you gotta get her to summon you. so you begin your little game of charades.

after she correctly guesses your name and almost says it a third time, she recognizes you as the snake that terrorized her family. god fucking dammit. you're losing her. you're getting impatient. your affable act is over. "nah...i want to talk to barbara," she says and now she's REALLY getting on your nerves because fuck barbara, fuck adam, you're SO CLOSE to getting out and you're not gonna let this go now, go go GO GO SAY IIIIIIITTTTTTT

adam and barbara walk in because of course they do. womp womp

ok well that didn't work, but you're not gonna give up so easily. sooner or later another opportunity will come and soon you will be free.

wait why are they moving the model— where are they taking it—

ooohhhhh. business meeting. get a load of these yuppies, trying to turn winter river into a town-sized Ripley's Believe it or Not. a talking marcel marceau statue? and you thought you were a con man. no wonder the deetz girl wants to die, it's bleak as hell here too. but if you get out...you can fix that. hell, you can fix anything.

these bozos are here to see some ghosts, but the girl says they're not going to show up unless the fleshbags stop making a mockery out of the whole thing and that maybe they can all live happy together in the house. ain't that sweet.

of course no one's taking her seriously. she's a kid, what does she know, right? they'd rather listen to the most obnoxious guy in the room (besides yourself) who has no idea what the fuck he's talking about, but somehow, he's got his hands on the handbook.

the girl panics, then immediately says completely deadpan "wait, what am i even worried about, otho, you can't even change a tire" and you're surprised they didn't hear how hard you cackled at that.

despite all that, they seem to have started a séance with their old wedding clothes. bad news for the maitlands. they're about to be dead-dead. the girl cries for them to stop, and these guys are just sitting there scared shitless. you're hearing everything. you knew a new opportunity would arise, so you wait, because this is the part where people remember how good at your job you are. they always do.

she knows you can help. you're the only one who can help. so here she comes. those wedding clothes give you an idea. plan B is now in motion.

well well well.

look who came crawling back.

she asks for your help, and you're happy to oblige, under one condition of course. after all, you don't do anything for free, and she's the only one who can help you with your problem. how serendipitous.

once again, you lay it on her, straight up. you want out. and a way to do it (thanks adam and barbara for the reminder) is through marriage with a fleshbag. you need to get married. a green card marriage, if you will.

she's immediately disgusted by the idea. you don't take that personally, of course, because it doesn't matter. she's just a kid and it's not a real marriage. she just happens to be unlucky enough to be the only one around who can assist you with this, the poor girl. it's a marriage of convenience—or rather, inconvenience—and you're not planning on sticking around because you will get the hell out of there as soon as you can. so there shouldn't be a problem, right? besides, does she know how many women would kill to be in that position? she gets to brag about it to her friends, what's not to like? it's a totally even deal.

the clock is ticking and the maitlands aren't getting any younger. she agrees to the deal. you win, at last.

she already knows what to do, so you sit there patiently with a shit-eating grin on your face, awaiting the three little B words. gloating.

Beetlejuice........Beetlejuice...........Beetlejuice.

it's showtime.

this is your favorite part. you love a dramatic entrance. you decide to show the deetzes and their greedy friends the circus they so wanted to turn this town into. horrible as you are, you're also pretty damn good at calling out other people's horribleness, and you do love an ironic karmic way of dealing with someone. for example tubby here thinks he can escape, but not before you change his sleek black suit into a tacky white leisure suit. the horror! this is why you're a professional at this.

you effortlessly end the exorcism and the maitlands are saved. a little pruney right now but they'll be fine. everything is taken care of, you have fulfilled your end of the deal like you promised. only one thing left to do.

"shall we?"

there's really no need to make a whole show out of this, but you're a showman first and foremost and as a 𝒥𝓊𝒾𝓁𝓁𝒾𝒶𝓇𝒹 𝒶𝓁𝓊𝓂 you'll be damned if you're not gonna let yourself have a little fun with this. everyone looks terrified. this is why you're a professional at this.

witnesses and reverend in place, you can finally begin the ceremony. you're having fun, yes, but let's try to pick up the pace a bit, okay? the closer you get to your goal, the more impatient you get. the girl isn't finding any of this very funny at all and she protests. the maitlands butt in and are now kind of twisting your arm a bit, but you deal with them harmlessly, until they get on your last nerve so you send adam to the model and barbara to saturn. all of this after you honorably fulfilled your end of the bargain and saved the day. jesus christ, are you the only one with some integrity around here or what.

you forget the stupid ring. shit. you're pretty sure you have it on you somewhere, ever since you chopped up delores into pieces for poisoning you. you kept her ring finger as a trophy and as a reminder to never get married again, and yet here you are, but desperate times call for desperate measures. finally, you find the ring (still on her severed finger) and hastily tell your new bride-to-be that delores meant nothing to you. in case she even cares. she doesn't seem to. not even a chuckle? oh well.

almost done with the ceremony. almost there. you're holding the girl's hand with an iron grip to keep her in place as you're about to put that ring on her finger. "i now pronounce you, man and—"

a tiny car crashes against your foot and it catches on fire. you scream. a fucking sandworm crashes into the room through the ceiling. everyone screams. you scream LOUDER.

you're sent back to the afterlife waiting room.

not your first rodeo with a sandworm, but that doesn't make the experience any less shitty. the real annoying part is being in the waiting room again. this could take ages. you're number 9,998,383,750,000 and they're serving number 3 right now. you trick the guy next to you and steal his ticket (number 4) but he's not too pleased about that, so that didn't work.

a long time sitting here it is, then.

movie ends, credits roll.

for reference, that was 1988. winona ryder was 15 when they were filming in 1987 so while lydia doesn't have a confirmed age, i think we can safely assume that she was the same age as winona at the time.

36 years later, it's 2024. or 34 years later, it's 2022. we don't know the exact year because while bob's in memoriam credits scene says 2024 and all the interviews talk about how 36 years have passed in universe as well, there's this other one tiny detail.

jeremy's death passport says he died on march 11, 1999. jane butterfield says he died "23 years ago," putting the movie in 2022. they did film it in 2022 so the math is mathing correctly there. given that the in memoriam scene was more of a joke and jeremy's passport is a canon prop in the movie, i'd say 2022 is the canon year the movie is set in. (small sidenote; the passport also has the roman numerals DCLXVI which is 666. cute detail i loved it)

in the sequel, beetlejuice says lydia has been ignoring him for 30 years. i always thought that was curious because outside of this claim, they always specify how many years exactly have passed since. he doesn't say 34 or 36, he says 30. and for his degree of obsession (and the fact that he remembers exactly how many times he's watched The Exorcist) i think he would be counting even the days so i think he did really mean 30 years. so this would mean at least 4 years passed between getting sent back to the waiting room and the beginning of his stalking.

AND NOW that we established all that, we are finally getting to the answer to the question, "when and how did this all start?"

so okay, he spent a while in the waiting room. a lot of time to think. probably replaying the events at the deetzes' in his head over and over, how he got here, where he fucked up, what's he gonna do once he gets out. cursing the maitlands for ruining his plan when he was soooo fucking close. wondering what ever happened to lydia deetz.

lydia deetz, the young girl who told him she wanted to die.

...

is she alright?

i don't think he's capable of feeling guilt, but we can probably argue that he's not entirely heartless. what she said about how she wanted to "get in" must've stuck with him from the way he reacted when she dropped that bomb. she never showed up in the waiting room so he knows she didn't follow through with that. still, he used a vulnerable young girl for his own selfish gain. ironically enough, he knows exactly how that feels, because he also got tricked into marriage and got used for someone else's gain. the difference being that he dealt with that shit with an axe.

much much much to think about for mr. juice.

after years of ruminating in that waiting room, he's finally out and back to the regular day to day afterlife. definitely gets chewed out by juno, maybe forced to do community service or labor or what have you, he basically just needs to clean up his act now. this freelancing shit is becoming more trouble than it's worth anyway.

he's still wondering about lydia deetz. should he check in on her? maybe he should, he's too curious now.

at this point, lydia is now about 19-21 and in college. maybe he manages to sneak into the model one time she's back home for the holidays or something. and oh my god would you look at that, what a beautiful young woman she's grown into. she's radiant. she's happy. she's no longer that gloomy suicidal kid he met in the attic. seems like what she said about the deetzes and the maitlands sharing the house did come true after all.

that's nice. very sweet. good to know.

maybe he wonders if she remembers him and tries to get her attention somehow, give her a little scare for old times sake or whatever. for a brief moment it seems like she saw something and her expression changes, but she shrugs it off and continues on chatting with her two sets of parents. no such luck.

oh well. curiosity sated! and beetlejuice goes back home and doesn't return.

until the next time he returns.

and he keeps coming back to check in on her, telling himself he's just making sure that she hasn't killed herself or something. and he's not above admitting that with every year that passes, she keeps getting more beautiful. and to think they almost got married, huh.

he constantly tries to get her to notice him somehow, and sometimes she almost does, but ultimately he never really succeeds beyond making her do a double take. very rarely she does catch a glimpse of him. he's seen her mutter to herself that she's just seeing things and she seems a bit frightened every time this happens, but there's nothing to fear, honey, it's just good ol' beetlejuice. he won't lie, he gets a bit of a rush every time and it makes his dead heart beat faintly. he's gotten this far, he can't just stop now. in his mind, this has become their little private game of cat and mouse, where the mouse ignores the cat. but aren't they cute? he thinks they're cute. this is not creepy at all!

before he realizes, he's already learned everything about her. he knows about richard and even watched their wedding from afar like a loser. he knows she gave birth to a healthy baby girl named astrid. he knows they have a blast on halloween. halloween is lydia's favorite holiday, and his too. sometimes he can't help but see the three of them happy together and think it could've totally been him. even if he and richard are nothing alike (in fact could not be more opposite) and the circumstances of their unholy wedding were nothing short of grim and a farce. but in his mind, he's starting to convince himself otherwise.

maybe it's his jealousy speaking, but lydia doesn't seem to be that happy with richard despite everything. even though richard is like, the perfect guy. then one day his suspicions are proven correct: neither of them knows why it happened, but after having a long and emotional talk (that he watched with a bucket of popcorn) they decide to get a divorce. he pumps his fist, feeling victorious for some reason. sure he's a little sadistic at times, but why is this giving him so much glee?

the divorce is hard on lydia's kid, who was always more attached to her father, but they still spend a lot of time together. sometimes the three of them, since richard and lydia kept things amicable after the divorce. lydia tries to move on and see other people, but each relationship fails before it even starts. mostly because she keeps holding back and so fails to connect with anyone else, but also sometimes because, well, he can't help himself but to scare them away from her from time to time. it's fun. in his mind, he's just being protective of her, as a gentleman should for a lady.

then richard dies. fell into a piranha infested river from the looks of it (he saw him at immigration one day, don't ask what he was doing around there, force of habit after constantly making sure lydia hasn't killed herself yet.) it's devastating for both lydia and astrid, straining their relationship even more for the next few years as they both try to cope with the loss. the shock proves to be too much for lydia, so she goes to a survivors retreat to work through her trauma, both from richard's death and "unresolved feelings."

then lydia, at her most vulnerable, meets rory.

beetlejuice was able to clock him immediately. a textbook manipulative opportunist, he himself knows the tactics very well. swoop in to "help" someone in a vulnerable position, pull the wool over their eyes and begin taking control so you can get what you want out of that person.

he wouldn't admit it, but this really irks beetlejuice. you know when you see someone who reminds you of the worst parts of yourself, so you despise them? yeah. he's been there, and he's also been him.

but rory is somehow even worse than beetlejuice. see, rory is her manager, and boy does he manage to get on his nerves. he takes her phone. he controls what medication she takes. he blames and guilt trips her about every mishap that HE causes, making himself look like her benevolent savior and making her feel like she would be lost without him, confusing her with his psychobabble. on top of all that, he's forcing her to do this hacky show called Ghost House where she "hunts ghosts" or whatever. the houses he's been helping newly-deads with in his day job as a bio-exorcist (now with a fleet of employees,) she's "hunting" those ghosts now. it's so dumb. it never works. beetlejuice doesn't even know what the hell she's doing, she's phoning it in most of the time and she knows she's become a sellout. what happened to that "strange and unusual" girl who stood up for her ghost friends when those suits wanted to profit off of them back in winter river?

he needs to bring that back. he's the only one who can.

in his mind, beetlejuice has already rewritten the events that transpired. in his mind, lydia has been his wife this entire time, it's just, y'know, one of those open long distance relationships and she doesn't always remember him, but that's okay. in his mind, they share a psychic bond that allows her to sense his presence or see him in her dreams from time to time. he's got nothing to be jealous about, because other men can't compare. no one else can match what they have.

sure, part of him knows he's lying to himself a little bit. but he's already clung to this idea; these past 30 years wouldn't make sense otherwise. he's in love with lydia deetz. this isn't insane of him to say at all. and if it is, well, you know what they say, love makes you do batshit crazy things.

it's not that complicated, no matter what they say you'll never meet another me it's not that difficult to get my head around i'll never meet another you

the end

don't trick me into writing a fanfic again

[antianakin]

It's very funny to be a blog that dislikes Anakin but loves Palpatine.

Now I obviously recognize Palpatine is an evil toad who commits genocide after genocide and is, generally, just an absolutely awful person. If he were REAL, I'd hate him.

But he's not, and so his unapologetically evil behavior is just SO IMMENSELY ENJOYABLE. I love that he's not some tragic uwu baby, I love how much enjoyment he gets out of ruining people's lives in the most melodramatic way possible, I love that he cackles as he toys with people like he's just playing with his food.

And maybe that's WHY I feel like I can enjoy Palpatine in a way I just... don't enjoy Anakin, or Kylo, or Maul, or even Dooku. Hardly anybody ever tries to uwu Palpatine. MOST people recognize that Palpatine is intended to be a bad person and that he does bad things and because he's not generally considered super attractive, he doesn't have a ton of fangirls rushing to make excuses for his actions so they can feel better about stanning him. Palpatine can just be enjoyed for the evil asshole that he is, I don't have to deal with tons of fans being WEIRD about him all of the time and it's GREAT. Palpatine is an incredible villain, one of the few who is honestly made worse by adding more nuance to him.

[greghatecrimes]

for the love of god