#i don’t even remember which episode it was. i don’t think i remember which season

[autisticlalna]

recently in the sbk community discord: leon, is the moon big?

its been a while since ive done one of these, whoops. im still pretty tired, but something pretty interesting is going on i wanna make sure everybody's caught up on.

it starts a little bit before Leon's episode 16, "Something is VERY WRONG on the Skyblock Kingdoms SMP..." when we got a sudden teaser:

uh oh, gamers.

the discord jumps on checking Leon's namemc and get a better look at his tattered skin:

(^ courtesy of Aces! also this, which is not relevant but makes me laugh):

what with the end of the season on the horizon, the telescope, and Leon's physical state, we jumped straight to Moon Big jokes. then, another teaser:

what's it?

oh, frig, the Stronghold book. remember that thing?

fun fact: in an Avid stream i don't have energy to track down the clip of (7/18/24), he mentioned he was the one that wrote it OOC. i don't remember what else he said about it, but it's still around and is being kept at spawn. neat.

then Leon's premiere goes up and Rex notices something in the description.

out-of-body experience?

finally, the premiere itself.

One chilly, rainy evening. I had just finished admiring my pile of diamond tools. Before calling it a night, I decided to head upstairs and sit by the fire for a while. Rest the bones, warm the feathers, yaknow. When all of a sudden... A gust of wind, a burst of flame! Then, nothing. I blacked out.

[phantom screech] One quick thing before I go--

This wasn't like with the chorus fruit. This was very, very different. When I came to, I had this feeling of dread, of- of fear and- and paranoia, that I just couldn't shake. Constantly in my mind, constantly, I couldn't stop thinking: Something out there is.. watching.

and then his speech at the end.

I know you're out there. Fool me twice, shame on me, I'm not falling for this again! You got me before, but this time I'm standing my ground. I love this world and the people in it, and I swear on every fiber of my being you are not going to take this from me! He's out there, and I know it.

so.. not only is Leon being watched, but it's something he has history with.

[legundo voice] WELL THAT'S OMINOUS.

wait, hey, that's a fun transition. speaking of Legundo...

let's take a quick detour into the series Leon was in before SBK, UHC Generations. the core concept is that you're in ultra hardcore (so no natural regeneration), but when you die you pass the world on to someone else. Leon was the third generation, and after over half a year of owning the world he decided to end the series on his own terms, intentionally fell to his death, and passed it on to Josh CodeNeon. Josh later died himself and passed it onto Legundo, but not before building a little spot around a campfire where he was able to summon the ghosts of previous generations to talk to them.

cut to last month and Legundo's episode 5, "I Need To Fix This...", where he decides he needs to build a gold farm. one of Leon's big contribution to UHCG was redstone farms, so Legundo summoned his spirit for a quick chat as he showed off his idea on how to get the farm to work. there's some fun things from their conversation, though:

Legundo: How’s unexistence? Leon: Aw man, it’s a lot of void. I’ve missed this place Legundo: Some firm ground underneath your feet, nice memory Leon: It’s lovely, I haven’t felt the warmth of a campfire in a while, yeah

[Leon gets attacked by phantoms.] Legundo: Oh no, they don’t like that you're back Leon: Oh no, oh no, my ghost body is being eaten by phantoms Phantoms: [screech]

and, most importantly...

Leon: Ok, ok, well, you know on that note, one quick thing before I go, just uh, wanted to let you know. Legundo: Yea [zooms in on Leon’s face.] Leon: Will is coming.

(transcription by ComposerNicholas, just edited for formatting)

an out-of-body experience, huh?

One quick thing before I go.

Legundo called Leon back to UHC Generations while Leon was on Skyblock Kingdoms. Leon passed out on SBK, helped Legs out on UHCG, gave Legs a warning, and then woke up on SBK with sudden paranoia.

and we're still not done! because at the end of Leon's SBK episode, we get this:

(image brightened for visibility, sorry about the artifacting)

and ComposerNicholas pointed out that Leon's first UHCG episode has this in the intro:

in his UHCG finale, Leon describes the flashes of alternate realities and glitches he's been subjected to as the world nudging him to move on. it's tired of him, it needs new blood and to grow and change with fresh faces and new ideas. so it's time for Leon to go. Legundo himself later mentions "the will of the world"-- the world is as alive as the people that make it.

Legundo's episode ends on him giving himself a timer. either he dies before the timer ends, or he follows in Leon's footsteps and dies on his own terms to pass the world on. after all, he'd pretty much found a way to eliminate all risk of ultra hardcore, and Leon had reminded him what the true point of UHCG was. he can't stay here forever. as the generations say: death is inevitable.

..in ultra hardcore, anyway. not so much in Skyblock Kingdoms, no matter what the thing watching Leon wants him to think.

You got me before, but this time I'm standing my ground. I love this world and the people in it, and I swear on every fiber of my being you are not going to take this from me!

to try and wrap this up, here's some more words from Leon as we go further into insanity:

anyway, this is what i've been able to scrape together so far. as usual, im just able to collect the pieces and maybe tape some of them together. we got a very brief Nukeri in Viking's episode the same day as Leon's, and now we've.. i dunno, got hints about Legundo? but the more focal thing seems to be that the UHCG world may have convinced Leon to pass it on, but that doesn't mean he's free of it. part of him is always going to be there, in the memorials and by the campfire.

oh yeah also quillbee did a video where he rebuilt founder's town from memory and invited leon on to help

[davendorks]

Thank you for adding! I love talking about the timeline because there isn’t really a timeline. It’s so out of order so i get to think about it!

I had actually made this post a while ago specifically about birthdays and had recently rewatched the show and realized i was like wrong lol.

The main thing is Chase’s, I had initially stated that the show starts in August because Chase is a. already 15. and b. hasn’t had a birthday in the show AND we don’t get a christmas episode until later. i TOTALLY forgot about “Dude, Where’s my Lab?” which is canonically set on the first day of summer which throws everything out of proportion.

^(this is partially a reason i want to exclude any elite force canon from lab rats canon (which i also LOVE to talk about it))

chase is in canon 15 in “Commando App” like you said, but he also mentions in “Twas The Mission Before Christmas”: “Yep, brilliant scientist rescued by a 15-year-old. You, sir, are welcome.” So there’s no way he’s 15 and turning 15???

you also mentioned christmas specials one thing i remember about that was in “Under Seige” Leo had asked “So, this is the monster who owned you two last year?” which is so funny cause we’ve passed two christmas episodes since then lmao

i’ve worked for five years on a timeline for lab rats cause it was fun and i still don’t have even a season mapped out so 🤷

Much like Teen Wolf, Lab Rats is unable to consistently keep a record of the characters ages

[sonic-adventure-3]

hiii anyone have a decent quality screenshot of that one sonic prime impact shot. the one of shadow. really orange. looked something like this maybe:

i never saved it but i need it so bad

[embv]

I think everyone’s subscribing to the “Helena Infiltration Theory” WAYY too quickly. I kinda feel like a lot of the oddities in the way she was acting could be chalked up to something else, and defaulting to “that’s not Helly” feels a lot like… I don’t know, like brushing off character flaws by saying, “No, [X] is possessed! That’s not actually them!”

I’d probably buy into it a bit more if she didn’t have that moment in the halls with Mark where she fervently said, “We’re not the same, actually. Us and the outies, we’re not.”

There are reasons why Helly would want to lie about her identity, and chief among them is the fact that she hates her outie—desperately wants to place distance between them, desperately wants to convince herself that the person she saw wasn’t her.

But there are compelling reasons for both angles, and I can’t say that I won’t be scanning future episodes for hints to either prove or disprove this, so… cheers, 🥂.

[rist-ix]

https://www.tumblr.com/rist-ix/749015401700229120 not you reblogging this when you ship bloom with the man who murdered her family 😭

Bloom's into ppl who slay! Hope this helps :3

[sammygender]

i do genuinely think s7 is decent but even if it wasn’t it’d be like crack to me considering it’s an entire season essentially centred around sam’s trauma. it’s the closest we ever get to the show properly genuinely acknowledging the things it puts him through. which is ironic considering it’s also before many many other things he goes through!

[jonkentdeservesbetter]

So, now that I’ve used 24 hours (+ a longfic from a completely different fandom) to calm down from the end of the last episode, #3, summoning all the child-abuse apologists of this fandom, I can share a theory. I actually posted about this one before, back when S2 had recently aired it’s finale, and Mannheim was name-dropped by John Diggle, to JHI.

(This is messier than I wanted, but tbh I’m still really fried from the fandom shittiness; it’s unsurprisingly not dissipated, so, yeah. Largely I just wanted to get this out before forgetting, since I like this theory quite a bit - mostly, I think, because it feels probable.)

While this show would not be described as comics-accurate by literally anyone, there’s a history of “totally unexpected” (read: out of fucking left-field; all misdirection and no foreshadowing groundwork) plot-twists, yet we are apparently not getting that with S3’s main villain; as was, iirc, stated in interviews.

That said, there’s always at least one thing put in that, because of how the show uses comics-canon, we can’t spot coming. It’d be pretty interesting if this time, instead of the writers playing with comic details to create a fake-out not comics-accurate, they made a plot-twist that is, plus actually well-received by most, as well as, shockingly, has gotten foreshadowing. Yep: Jon getting his powers.

I won’t go over every detail of foreshadowing Jon getting powers, because it’s a list, and I am…verbose. Instead, let’s look at ep. 3x03.

In episode 3, we not only actually get some real focus on Jon doing “hero stuff,” which we’d been ‘promised’ by the show-runners would be the case for Jon at last, but which many burnt out fans would not believe in, we also got something else. Kryptonian blood experiments, done on Mannheim’s orders.

How does this connect to Jon, specifically?

For those who aren’t aware, and for those who may have simply forgotten, in comics-canon, when Lois was investigating Bruno Mannheim and Intergang, they kidnapped her and Jon. Now, maybe they don’t know that Jon’s blood is special, or maybe, since nobody treats him as Kryptonian, Jon did the blood-drive without anyone even being aware, tipping Mannheim off to taking him.

I don’t need it to be one or the other, for my theory: it just matters if they’re kidnapped.

Because in the comics? When Jon is taken with Lois, and Superman can’t save them (not in-time, but also, Mannheim is able to hide them from Clark in the show, so), Jon’s powers awaken. He gets them out of there.

Things of course would be very different in the show, in other regards, like Mannheim possibly taking Jon to refill the blood supply he lost in the explosion, and also, that, like in the very similar Smallville plot, so long as one has access to continuous injections of Kryptonian blood - like medication - they’re able to survive diseases that would be fatal, Lois could also be experimented on with his blood while they’re captured, which helps her cancer. It isn’t a magically cure-all that would eliminate cancer, because it has to be a continuous supply, and there may also be the factor of blood compatibility - although, that likely wouldn’t be an issue for the two.

It would further Mannheim’s plans, would establish his goals more clearly to us, and yet, at the same time, it would show exactly how far he’s willing to go; what evil he does.

It would also, naturally, give Jon his powers. Plus, while we’ve had little things building up to this - the blood-drive flyer, finding bags of blood, the identification of the blood as from Clark (as Kryptonian) - in the show, we have also gotten interviews that’ve said Jon’s plot is something that’ll have him finally following in his father’s footsteps, and that Bishop is really excited for the fans to see this season - Bishop, who’s hoping for Jon to be Superboy in the show, and talked about wanting Jon to fly, and watched seasons 1 & 2 alongside us.

So is there hope? Will Jon’s powers finally awaken? Well…the poster quotes hint at it possibly being true. The question, however, with this show and Jon, is if follow-through will ever appear, or drop off a cliff suddenly.

Personally? I would LOVE if Mannheim not only came after Lois (because we all know she’s a threat, and she JUST destroyed his blood supply), but also took Jon, preferably because he found out about his blood (that would be a great time for SOMEONE to at last say “you’re Kryptonian” to him!! finally!).

Whether of not Mannheim discovers Jon’s got Kryptonian genetics or not - and think how much it would up the stakes if he did, because he would definitely put the pieces together, not to mention if he experiments with Jon’s blood with Lois she can believably recover without it being a terribly ableist magic one-and-done cure, instead creating a very unique ‘medication’ that really could only be used for her, as well as would have such a short supply it wouldn’t matter if it didn’t, and that it explains itself for why the Lane-Kents can’t risk anyone else knowing; because it would out their family and place the boys in immediate danger - either way, Jon gets his powers, and it would be both original enough for the show, and comics-accurate enough for the fans wanting that.

[d0vegum]

i’m feeling a minecraft hyperfix coming along should i rewatch the entirety of my life in mincreaft

[drawn-and-talk-of-peace]

Watching Arcane with my dad has been surprisingly funny.

He can’t remember Piltover, so he keeps making up names for it.

He calls Heimerdinger “Hemoglobin”

During episode 5, he said, “I do NOT want to see cartoons getting frisky,” and then, “Oh no, he’s got his shirt off,” while watching in horror.

He asked why no one just stomps on “Hemoglobin”, but was appalled when he got voted off the Council.

“Viktor killed him. Ah, no, I meant Jayce. They’re such a handsome couple, I got them confused.”

“You don’t want to fight Vi. Even if she loses, he’s going to be in a lot of pain.”

Kept insisting Powder/Jinx would be the big hero until she blew up the Council, at which point he sheepishly said, “I don’t think Jinx is going to save everyone.”

“I’m not watching season two.” — Guess who just watched 2x4? He did. I’m sure we’ll watch 2x5 today.

“Bringing your boyfriend back to life”—Jayce reviving Viktor with the Hexcore.

“I don’t think this is a revelation, but I think these animators do drugs!”

He says “Hmm” is the most repeated line in the show.

“THAT’S VANDER? HOW IS THAT VANDER?”

[longing-for-rain]

Katara and Mutuality in Relationships

There are lots of conflicting opinions about which characters Katara felt attraction towards, which characters she didn’t, and how long she felt that attraction. I see in most cases, people point to quick clips of her faintly blushing or kissing another character on the cheek as evidence, but I think these kind of takes miss the nuance of the purpose attraction serves in a story.

Most importantly, I see these characters treated as if they are actually people capable of making their own decisions. It’s important to remember that these are fictional characters. They don’t make their own choices; the writers make their choices for them for the purpose of telling a story. From that standpoint, it’s more valuable to examine how a character’s story and narrative themes tie into their relationships with other characters. Animators can shove in a kiss or a blush wherever they want, but it’s harder to demonstrate through storytelling how and why two characters might feel attraction towards one another, and how a relationship between them would develop both characters and contribute to the overarching themes of the story.

In other words, when discussing which characters Katara is “attracted” to, I’m discussing which relationships and actions within the narrative build on her established story and arc. Romance is always integrated into a story for a reason, and considering that reason is important.

Unfortunately, ATLA is very much a product of its time in this way. It’s easy to see what romance adds to the arcs of the male characters—but not so much with the female characters. All three canon relationships (kataang, sukka, and maiko) follow this trend to some degree. The primary purpose of the woman in this narrative is to act as a prize for the man for performing some good deed. Once they’re together, she ceases having her own motivations and becomes an extension of the male character she’s dating. This is pretty blatant with Suki—she barely had a personality in that later seasons; she is there to be Sokka’s girlfriend. Similarly, Katara becomes a completely different character—she’s even animated differently—when the narrative pushes her into romantic scenes with Aang. Her character is flattened.

So what is Katara’s arc, and how do the romantic interactions she has throughout the series contribute to this?

Well, that could be a whole other essay itself, but to put it simply, Katara’s arc is one of a young girl devastated by grief at a young age clinging to hope that she has the power to fight and change the world for the better. Which she does as she gains power and confidence throughout the series—culminating in her defeating Azula in the finale.

But the part I want to focus on here is how Katara connects with other characters. She connects with them over shared experiences of grief and loss.

Take Haru, for instance.

Haru: After the attack, they rounded up my father and every other earthbender, and took them away. We haven't seen them since.

Katara: So that's why you hide your earthbending.

Haru: Yeah. Problem is…the only way I can feel close to my father now is when I practice my bending. He taught me everything I know.

Katara: See this necklace? My mother gave it to me.

Haru: It’s beautiful.

Katara: I lost my mother in a Fire Nation raid. This necklace is all I have left of her.

Haru: It’s not enough, is it?

Katara: No.

This isn’t just a throwaway moment; it’s an important character moment that leads up to growth and the progression of Katara’s overall story, both in this individual episode and in the whole series.

Katara finds her power in the connections she’s able to make with other characters. It’s a powerful driving force for her that makes her a strong character even before her bending abilities develop. Imprisoned was such an important episode to establish who Katara is and what her power is, and adds so much to her arc.

But there is one line in particular from the above exchange that also stands out: Haru says “it’s not enough, is it?” and Katara agrees. Even this early in the series, we’re establishing the fact that despite her drive and hopeful outlook, Katara feels deeply hurt, she feels a deep sense of loss that she opens up about to other characters in moments like these. But unlike Haru…Katara can’t go rescue her mother. Her mother is dead, and we see her grapple with that grief throughout the series.

Another character she reaches out to like this is Jet.

Jet: Longshot over there? His town got burned down by the Fire Nation. And we found The Duke trying to steal our food. I don't think he ever really had a home.

Katara: What about you?

Jet: The Fire Nation killed my parents. I was only eight years old. That day changed me forever.

Katara: Sokka and I lost our mother to the Fire Nation.

Jet: I’m so sorry, Katara.

Another important note about Jet is that there are explicit romantic feelings from Katara in this episode. Again, Katara empathizes with another character through a shared sense of loss. Sadly, in this case, Jet manipulated her feelings and tricked her into helping in his plot to flood the village…but those feelings were undeniably there.

That was the tragedy in this episode, but it also gives the audience so much information about Katara as a character: what motivates her, and what she wants. Katara is established as a character who wants someone who will connect with her and empathize with her over her loss—her greatest sense of trauma. She wants to help others but also receive support in return. The reason why she was smitten with Jet, beyond just initial attraction, is because he gave her a sense of that before Katara realized his true motivations.

A lot of people make the claim that Aang is good for Katara because he also feels a sense of great loss and trauma. And while on paper that’s true…does he really demonstrate that? I just gave two examples of characters Katara connected with this way, and both responded with deep empathy to what she said. Very early on in the show—the third episode—Katara attempts to connect with Aang the same way. How does he respond?

Katara: Aang, before we get to the temple, I want to talk to you about the airbenders.

Aang: What about 'em?

Katara: Well, I just want you to be prepared for what you might see. The Fire Nation is ruthless. They killed my mother, and they could have done the same to your people.

Aang: Just because no one has seen an airbender, doesn't mean the Fire Nation killed them all. They probably escaped!

Just compare this exchange to Haru and Jet. No effort to empathize, not even a “sorry for your loss” or anything. It’s a stark contrast, and the reason for that is because this narrative entirely centers Aang. Katara’s narrative always seems to be secondary to his when they’re together—which is exactly my point when I say this relationship has a fundamental lack of mutuality. It’s built that way from the beginning of the series. It does not add to Katara’s arc nor establish what about this dynamic would attract her.

And, look, before someone jumps down my throat about this…I’m not saying Aang is a horrible person for this response. I think it’s a sign that he’s immature and has a fundamentally different approach to problems than Katara. Katara is a character who has been forced to take on responsibilities beyond her years due to being a child of a war-torn world. Aang’s approach to problems is avoidance while Katara never had that luxury. It doesn’t mesh well.

This is all in Book 1. I honestly could have gotten on board with Kataang if the series meaningfully addressed these issues…but it didn’t. In fact, they actually got worse in some ways.

Back to Katara’s mother. We’ve established that this is a core part of Katara’s character and like in the scene with Haru, she indicates that this is an unresolved issue that pains her. But then, in Book 3, Katara actually does get a chance to confront this pain.

This would have been a powerful moment. Surely the character who is meant to be her partner, her equal, would have been there for her. Surely he would have understood and supported her, fulfilling her narrative and adding to her story.

But Aang didn’t do that. I won’t go into details because there are a million analyses out there on The Southern Raiders, but Aang’s response to Katara was the opposite of understanding. He got angry with her, insinuated that she was a monster for wanting revenge, and tried to dictate her behavior according to his own moral values. And importantly, from a narrative standpoint, he did not go with Katara. One of the most important events in her arc, and Aang didn’t support her—he actually tried stopping her. He didn’t contribute to her growth and development.

Also noteworthy:

Katara: But I didn’t forgive him. I’ll never forgive him.

Even at the end of the episode, Aang clearly doesn’t understand at all what Katara is feeling. This line demonstrates it perfectly. He thinks she forgave him when that wasn’t the case at all…but of course, he didn’t even accompany her, so he didn’t see what actually took place. His worldview is fundamentally different from hers, and he’s consistently too rigid in his morality and immature to center Katara’s feelings.

Throughout Katara’s whole arc, her most significant character moments, Aang’s character just doesn’t come through the way Katara’s constantly does for him. Their narrative lacks mutuality. When Katara and Aang are together, she becomes an accessory to him. The ending scene is a perfect demonstration of this.

Now, to address the elephant in the room.

Which character does actually add to Katara’s narrative and support her growth as a character?

Correct! I just talked about how important The Southern Raiders is to Katara’s character and story, how it’s a chance for her to finally address the grief she’s been carrying since Book 1. And who stood by her side throughout this pivotal moment? Right—Zuko did.

You can talk all you want about how he’s a “colonizer” while Aang’s people suffered genocide, but you’re forgetting that “show, don’t tell” is one of the most basic aspects of storytelling. The fact is, despite how it looks on paper, Zuko was the one there for Katara at her critical moments. Zuko empathized with Katara more than Aang ever did—as demonstrated in this episode. Zuko never once brought up his own cultural values. Zuko never once told Katara what to do. Zuko’s position was that Katara should be the one to decide, and that he would support any choice she made. He supported her decision to spare Yon Rha, but he would have also supported her if she decided to kill him. I actually found this episode to be a satisfying reversal to what is typically seen in TV—for once, the female character is centered while her male counterpart takes the backseat and becomes a supporting role to her narrative.

Even before this, Zuko is shown to empathize with Katara.

Zuko: I’m sorry. That’s something we have in common.

I think what gets me about this scene is the fact that he’s still Katara’s enemy, and she was just yelling about how she hates him and his people. But despite that, Zuko still empathizes with Katara. She is fundamentally human to him, and he expresses that to her in a way that allows them to connect. Zuko stands to gain nothing from this. It’s true that Azula entered the picture and twisted things around—but in this moment, Zuko’s compassion is genuine. His instinct was to respond to her grief with empathy, just like she consistently does for other characters.

And finally, how else does Zuko add to Katara’s arc?

I don’t think there is any more perfect of an example than the finale itself—the culmination of the arcs and development of all characters.

Zuko and Katara fight together. In a heartbeat, Zuko asks Katara to fight by his side against Azula, because he trusts her strength. She’s his equal—both in his mind, and in a narrative sense.

Then, this:

Both of their roles are so critical in this fight. They both save each other. The scene has such raw emotion to it. These characters were together at the conclusion of their respective arcs for a reason.

This is the perfect conclusion to Katara’s arc. She just played a critical role in ending the war that has caused her trauma her whole life. She just demonstrated her mastery of waterbending (another thing she’s dreamed of throughout the series) by defeating the world’s most powerful firebender during Sozin’s Comet. Even though she had help as all characters do, these are victories that belong to her and demonstrate the growth and power of her character. And to top it all off? She was able to save Zuko’s life. She didn’t have to endure the pain of feeling helpless to do anything while someone else died for her; this time, she had an active role, she changed her fate, and she prevailed. Zuko plays an important role in Katara’s story without dominating it. They perfectly represent mutuality. They add to each other’s stories. Their narratives become stronger when they’re together, without one diminishing or sidelining the other.

So, from that standpoint, that’s why I always see the attraction between Zuko and Katara and why I see it lacking between Aang and Katara. Zuko and Katara’s story doesn’t need some cheap little throwaway moments to shine. It’s integral to both characters’ stories. We are shown not told of the way these characters feel about each other. Given everything we know about Katara, her goals, her values, her past loves…absolutely everything points to Zuko being the true subject of her feelings.

Because let’s be honest. The ending I just described is so much more powerful and so much more Katara than seeing her being relegated back to a doe-eyed love interest for Aang to kiss. It hardly even made sense—Katara played no role at all at the culmination of Aang’s arc. She was relegated back to a love interest, rather than the powerful figure we saw fight alongside Zuko.

[succubaby]

Bubbles

Pairing: Buggy x gender neutral!Reader

Summary: While he's being held captive by the Straw Hats, Buggy won't shut up, which gives you an idea.

Warnings: none, this is all fluff, some mentions of insecurities from Buggy but nothing too angsty

Word Count: 4.2k

Author's note: This idea came to me while I was daydreaming the other day, and I just had to write it down. This is based off of the live-action Buggy, although I am only on the second episode so it may not be canon-accurate. Also, he has long hair in this cause I said so (begging to see Jeff Ward with long hair next season). Hope y'all enjoy and let me know if you want to be added to the tag list! There will be a part 2, don’t worry <3 (The banners are from cafekitsune)

Edit: part two is up!

“So now what?”

The collection of Luffy, Zoro, Usopp, Sanji, and yourself stood in a circle, discussing what to do with a certain clown pirate’s head. Usopp is the first to speak up after Luffy asked the question.

“Well, we can’t leave him unsupervised; who knows what he’d get up to.” Everyone turned to look at Buggy’s detached head, which wore a cheeky look, his eyes twinkling with mischief.

“I vote Y/N to take care of it,” Zoro states blankly, crossing his arms as he speaks.

“Hey! I’m still a person, even without the body, so don’t refer to me as it!” The objection comes from the animated head, vexation seeping through his tone. Your mouth momentarily twitches upward at his little outburst, it was almost reminiscent of a kitten hissing after unwanted pets.

“Why do I have to babysit him?” You turn to Zoro, matching his apprehensive stance. He meets your gaze with a cold look. You hadn’t been a part of the straw hat crew for long, and Zoro was taking his sweet time warming up to you.

“Because you’re the newest here, and that’s how hierarchy works.” 

His tone left no room for argument. Your shoulders slump, and you let out an irritated sigh, eyebrows furrowing in annoyance.

“Fine.” Rolling your eyes, you walk over to pick up Buggy, making sure to be gentle. The clown winks at you, a flirty smile on his face. You take him back to your cabin, not wanting to risk accidentally dropping him overboard. Despite only being a head, a smug aura radiates around him, already planning ways to mess with you. 

You reach your cabin and kick the door open with your foot. Being the newest member of the straw hat crew, you were given the smallest room, not that you really minded. You place Buggy down on your bed, moving to sit at the small desk in the corner of the room. 

“So what are we going to do first, darling?” Buggy smirks as he talks, clearly trying to get under your skin. 

“We? There is no we. You’ll sit there quietly while I go over these maps.” You bark, not even bothering to spare him a glance. 

“Aww, but where’s the fun in that?” You can hear the tease in his tone and can tell that he’s grinning without having to look at him.

“You’re not here to have fun. You’re being held captive, remember?” Smoothing your fingers out over the maps, you tilt your head, trying to focus.

“Yes, but who says captivity can’t be enjoyable?” His question shocks you, and you turn to gaze at him with an unamused look. Realizing that he’s completely serious, you let out a scoff.

“You really are crazy, clown.”

He smiles smugly, not bothered by your comment.

“It’s more fun that way.” 

You roll your eyes and turn back to the maps, choosing to pretend he’s not there. ‘He must really like the sound of his own voice’, you think to yourself. The clown continues to talk your ear off, but after a while, you’re able to tune him out. Before long, you’ve analyzed all the maps. Turning back to him with a curious look, you realize he’s gotten to the end of some story you couldn’t care to listen to.

“And that’s why you don’t fall asleep on the beach.” Buggy smiles at you, enjoying your annoyance, watching you tilt your head at him.

“Cat got your tongue?” He purrs. Rolling your eyes, an idea pops into your head. 

“Hey… I think I know how to get you to be quiet.” A sly smirk crawls its way across your face, and the clown’s chipper mood falters.

“Oh yeah? What might that be?” He tries to keep his confident demeanor, but the look on your face scares him.

You nibble on your bottom lip without responding before walking over to him and picking him up. This immediately wipes the smirk off his face, and he looks up at you, suddenly concerned for his safety. 

“Hey now, what are you doing?” He asks nervously, secretly afraid you’ll throw him overboard for talking so much. You place him on top of your desk and move to grab the empty basin in the corner of the room.

“I’m giving you a bath,” you shrug nonchalantly, a cheeky smile on your face. He pales at that and laughs nervously. 

“Wait, what do you mean? Are you going to waterboard me or something?” The look on the clown shows that he thinks it’s a real possibility, which causes you to chuckle.

“No, I’m just going to give you a bath; you smell like you could use one.” He just stares at you silently, quickly dropping his playful persona.

“What, cat got your tongue?” You mock him, and he gulps quietly. The fear in his eyes is quite amusing, you admit to yourself.

“You mean you’re literally going to bathe me?” A confused look crosses him, all the confidence in his voice gone.

“Yes.” You nod. “You look like you haven’t showered in weeks. Besides, now I’ll finally get some peace and quiet.” A smirk crawls across your visage, enjoying seeing the trickster squirm. It wasn’t often the clown had the tables turned on him, and he definitely didn’t expect it coming from you.

“Now, wait a minute, I can be quiet without that.” He looks up at you worriedly, the idea of a bath visibly rattling him.

“But I thought you wanted to have fun?” Your smirk widens and you put a hand on your hip.

“Okay, I take it back. I’ll be good, I swear.” A nervous laugh emerges as he tries to break the tension.

“Too late.” His face drops, triggering a small chuckle from you. 

“Oh, relax, will you? I’m technically doing you a favor.” This time, a genuine smile graces your face, which does nothing to calm his nerves. “Now stay.” You put your hand up as if you were talking to a canine, to which Buggy rolls his eyes, your other hand holding the metal basin.

“I’m not a dog,” he mutters softly, not having the courage to stand up to you entirely.

You leer at him, opening the door to leave before shutting it behind you. Sitting there quietly, Buggy questions how he even got here. Not before long, you return, the bucket full of warm water. You place it on the ground, grab the towel off your shoulder, fold it, and lay it on the bed. 

“You’re serious?” He says quietly, watching you semi-curiously, shocked that you weren’t kidding. You hum softly and nod your head.

“I am.” Looking up at him, you can see the fear on his features, and your eyes soften a bit. “I’ll be gentle, I promise.”

He eyes you suspiciously, not sure whether or not to believe your words. Grabbing a small pouch, you pull out a bar of soap and a small bottle, which Buggy assumes is shampoo. Lastly, you grab a small wooden board and place it over the center of the tub.

“So you don’t drown,” you utter, his question practically visible on his face. He nods slowly in response, having a hard time believing the situation.

“I’ll have to take this off,” you gesture to his bandana and he bows his head in agreement, deciding not to fight it as you seem pretty determined. Gently removing the striped cloth, you fold it nicely and place it on the other side of the desk. Secondly, you remove the hair tie that kept his bright blue mane in a ponytail. Buggy watches you silently, interested in your next move. Softly grabbing the sides of his head, you place him on the wooden board that lies across the center of the tub. 

“I’m going to wash your hair first, okay?” 

He nods in response, curious eyes never leaving your face. You grab a small cup and fill it with warm water, asking him to lean his head backward so it doesn’t get in his eyes. The clown does as you say, though instead of closing his eyes, he keeps them glued on you, not trusting that you won’t dunk him in the water. You gently pour the water over his hair, moving your other hand to shield his eyes as he seems to want to keep them open. The usually talkative clown stays silent, not wanting to admit to himself that the warm water feels quite pleasant.

“When was the last time you actually washed your hair?” 

He raises an eyebrow at your question, pondering it momentarily before replying.

“I, uh, I’m not sure.” A nervous chuckle escapes his lips, expecting you to laugh at him. Instead, you smile gently and continue pouring water onto his hair. 

“I can tell.” The words contain no malice as you utter them, merely expressing an observation. Seeing that his hair was now thoroughly damp, you grab the small bottle of shampoo, pouring some out into one hand. Rubbing your hands together to form some bubbles, you move to start massaging the soap onto Buggy’s head.

“Were you born with this?” You ask curiously, referring to the cerulean color of his tresses. He raises his eyebrow at you, not expecting the question.

“I was.” Nodding as he speaks, his eyes continue to analyze your face as if you were a puzzle he was trying to solve. You smile at him, continuing to lather the shampoo into his hair. 

“It’s pretty. I’ve never seen anything like it.” Your words are soft, making sure that his whole scalp is covered in suds. He scoffs at this, thinking that you’re making fun of him. Momentarily pausing your movements, you lower your gaze to meet his eyes, finding insecurity dancing through them.

“I’m being serious. I wish I had brightly colored hair, maybe purple or something. Guess I wasn’t so lucky.” Going back to massaging his scalp, he looks up at you, utterly flabbergasted. 

“You really think so?” He asks softly, timidity laced through his tone. You nod in response, a gentle smile on your face. Humming softly, the clown takes in the new information, wondering what else you think about him. He didn’t want to admit it, but the way your fingers carefully danced across his head felt incredible, not being able to remember the last time someone treated him so gently. 

Reasoning that his hair was thoroughly soapy, you dunk your hands in the warm water to get rid of the remaining suds and quickly dry them with a towel. Subsequently grabbing the cup, you fill it with water and begin to wash the shampoo out of his hair. He stares at you all the while as if he is trying to commit your face to memory. After all the soap is washed out, you squeeze the ends of his hair to rid it of any excess water and grab a towel to wrap around his head. Leaning back to get a good look at him, you smile, finding his curious expression cute.

“Now for the face,” you utter, moving to grab a fresh towel and the bar of soap. 

“Wait a second, you’re going to wash my face too?” asks Buggy, his timbre uneasy. You nod in response, replying in a steady tone.

“You’ve been wearing the makeup for so long that it’s partially gone.” Smiling at him softly, not expecting him to be so nervous. He laughs bitterly, not an ounce of humor in his voice.

“Can… can you just leave it?” His question is soft, and your surprise is visible on your face.

“You do know that leaving makeup on for too long is bad for your skin right?” You quip, trying to lighten his mood. Letting out a shaky breath, he shakes his head softly, and you can tell he doesn’t know what to say. Your smile drops, and you watch him for a moment, figuring out what to do next. His face paint seems to be a sensitive topic, and you don't want to push him too far.

“How about this,” you start, a kind smile returning to your face, “If you let me wash off this old makeup, I’ll redo it for you so it’s nice and fresh.” Sitting across from him calmly, you try to give off a safe and non-threatening aura to make him feel more comfortable around you. He stares at you for a moment, astonished that you would offer such a thing. You stay silent, patiently waiting for a response.

“You’d do that for me?” he asks after a moment, the surprise in his voice evident. You nod, making sure to maintain the soft smile on your face. “You’re in luck because I just got some new face paints.” Leaning over to open the drawer of your desk, you pull out a palette with every color of the rainbow on it and some clean brushes, holding them up so he could see. He tilts his head in response, trying to discern whether or not you were serious. After what feels like forever, he finally returns your smile and nods. 

“Deal. Can you make it match how it normally looks?” He looks up at you with a soft smile, secretly hoping that you’ll do a decent job. 

“Of course.” Grinning, you grab the towel and soap, excited that he’s letting you do this. You wet the soap bar, rubbing it between your hands to generate some bubbles, and gently start the wash the old makeup off his face. The clown continues to stare at you, though his energy is much more relaxed than before. 

“You’re really pretty,” he comments after a moment, causing your hands to falter. Feeling the heat rise to your face, you smile, taking a moment to meet his gaze. 

“You’re pretty too,” you mutter softly. Now that his face is mostly clean, you see a light blush begin to form on his cheeks.

“I’m nowhere near as pretty as you.” The confidence is back in his voice, and he winks at you flirtily. You can help breaking out into a smile, choosing not to say anything in response. He watches you quietly as you wash the soap off of his face. Unbeknownst to you, Buggy never let anyone see him without makeup, but something about you told him that he could trust you. He’d also be lying if he said that he didn’t enjoy the view of your face being so close to his.

“Now for the fun part.” Grabbing the palette with one hand and a brush with another, you grin at him, excited to replicate his face paint. Truth be told, you loved doing makeup, but the only person who would let you do it was Luffy. There was one time Nami let you do hers, but it was after everyone else went to bed and she wiped it off immediately after. Your smile faltered at the thought of the orange-haired girl, and you remembered why Buggy was with your crew in the first place. The clown immediately noticed and looked up at you inquisitively.

“You okay?” He asks softly, already missing your smile. You nod and debate on telling him the truth, ultimately deciding that you should.

“I’m just thinking about Nami.” You force a smile back on your face, but Buggy can tell it’s not real. 

“That’s the girl Arlong took, right? Fiery personality with hair to match?” He asks, and the description of her causes a genuine smile to come across your face. You nod softly.

“That’s the one.” Staring at him with interest, you wonder if he’ll tell you Arling’s location since he clearly knows it.

“We both know I know where they are, and truth be told I had no intention of telling any of you, but something about you is special.” Your eyes widen at his words, was he really going to give it up that easily?

“He’s at Arlong Park, and I’ll bet she’s with him. I’ll take you there, as a thank you for all this.” You beam at him, ecstatic at the thought of saving Nami. It’s at that moment when Buggy decides your smile is the most beautiful thing he’s ever seen.

“Thank you, thank you, thank you!” You rush out, your excitement getting the best of you. He chuckles at your enthusiasm and nods, a smile on his face as well.

“Now be quiet so I can do your makeup,” you say cheekily, dipping the brush into the white knowing that it’s the base for his signature look. He laughs in response but has one last thing to say.

“Do you need me to tell you how to do it?” He looks at you as you shake your head, your smile still prevalent.

“I’ve seen so many of your bounty posters, I’ve practically got it memorized.” His eyes widen at this, and his grin gets bigger.

“Oh, do I have myself a secret admirer?” The clown asks smugly, and he notices the blush that falls upon your face. If he knew it was so easy to make you flustered, he would have done it far sooner, finding you absolutely adorable.

“Shut up and let me work.” You bark, your tone not holding any aggression. He laughs again but does as you say, and you begin to paint his face white. For once, he remains silent, watching you work. Before long, the base is done and you move on to the blue triangles above and below his eyes. You stay silent as your brush runs along his face, wanting to make it look perfect until a thought comes into your head.

“You know something?” He hums, prompting you to continue. “You have the most captivating eyes I’ve ever seen.” Said eyes widen, never having been told that before. Buggy silently thanks the universe for the makeup covering his face because he can feel the heavy blush rising to his cheeks. 

“Th-thanks,” he mutters quietly, not sure how to respond. You tilt your head at him, curiously studying his face. 

“You’re not used to receiving compliments, are you?” Smiling at him softly, you watch as he shakes his head, letting out a nervous laugh.

“Usually I’m the one giving the compliments.” He looks up to meet your gaze, partially expecting you to laugh at him. You do nothing of the sort, instead smiling at him gently.

“Well, that’s a shame because I think you’re pretty handsome.” You wink at him, wanting to make him feel more comfortable since flirting seems to be one of his pastimes. His eyes widen again, the surprise written all over his face. Without saying anything else, you finish the blue around his eyes and move on to the red, cleaning the brush and dipping it into the face paint. The clown stays silent as you work on the red smile around his mouth, internally wondering if you meant what you said. When you get to his nose, he tenses up, a clear indicator that he’s insecure about it. You make sure to be extra careful as you paint the red onto his skin. 

“I meant what I said, I do find you quite attractive.” His eyes search yours for any hint of insincerity but find none. The king of flirting himself is stunned into silence, feeling his heart flutter at your words. You say nothing else and go back to finishing the makeup. Deciding to observe your face while he had the opportunity, he notices that you stick your tongue out slightly when concentrated, and he swears he’s never seen anything cuter. 

“All done!” You pull away proudly, assessing your work. It looks almost identical to his bounty picture, and you internally pat yourself on the back for your memory. Getting up to grab a mirror, you find one in the small dresser and bring it towards Buggy, holding it up so he can see his reflection. He looks in the mirror and instantly grins, impressed with your makeup skills.

“You know, you would be a wonderful addition to my crew.” You chuckle in response, not thinking that he’s being serious.

“You need a professional makeup artist?” You joke, internally glad he thinks you did a good job.

“No really, we could use someone like you.” His proposal shocks you, not expecting him to say something like that. 

“You don’t know me,” you speak quietly. He just smiles at you, taking in your beauty. 

“I know enough. You’re kind, funny, and great at makeup.” The clown winks at you, enjoying the surprise on your face. “I’ve also heard you are quite the fighter.” Smirking at you, he gives you a look that tells you he means what he says. You just stare at him in silence, having a hard time believing your ears. 

“So, sweetness, what do you say?” Gaping at him, you blink a few times, processing his offer. After a moment, you sigh, indecision written all over your features.

“I don't know, I’d have to leave the straw hats, and I’m not sure I could do that.” Surprisingly, his face softens at your words.

“Tell you what, let’s head off to save your friend and find my body, and then you can decide.” His smile remains soft, which is unusual for the clown. “I don’t think your current crew appreciates you. I mean, look at today, they gave you the task of babysitting me when you have so much more to offer.” Eyes widening at his words, you realize that maybe he’s right.

“Luffy appreciates me,” you whisper softly, though you’re not sure whether you’re trying to convince him or yourself.

“He might, but grass head certainly doesn’t.” You want to smirk at the nickname for Zoro, but there’s too much going on in your mind for your facial muscles to pull through.

“All I’m going to say is this, you’d have a real place in my crew, and not just on the bottom of the totem pole. Besides, I think you like my company just as much as I like yours.” He gazes at you, studying your body language, and you realize that he’s right, you do enjoy his company. You start nibbling on your lip out of nervous habit, and he picks up on it immediately.

“You don’t have to decide now, we can go rescue your friend first, okay?” He watches your shoulders visibly relax at that, and smiles in return.

“Okay.” You say softly, smiling back at him. “Your hair should be dry now.” Moving closer, you carefully take the towel off his head and giggle at the fluffy blue mess. 

“Thank the stars I have a brush.” Buggy chuckles at the comment and watches you grab the hairbrush with a smile on his face. Softly working through the tangles, you watch as his hair goes from frizzy to smooth. As you’re running the brush through his mane one last time, the door opens, revealing a shocked and somewhat appalled Zoro.

“What the hell is going on in here?!” Yells the swordsman, and you turn to him with a confused look.

“Well, you told me to watch him so I did.” You shrug, not liking the attitude coming from your crewmate.

“I said watch him, not give him a makeover! Did you do his makeup too?” The horrified look on Zoro’s face made Buggy laugh, not used to seeing the man lose his cool.

“You guys never let me do your makeup, so I had to improvise!” You bark back, crossing your arms. Zoro just stares at you silently, clearly having difficulty processing your kindness towards the clown. After a while, he rolls his eyes and scoffs.

“Whatever. Luffy needs him so we can find out where Nami is.” He mirrors your stance, crossing his arms.

“I already know where she is,” you spit, growing tired of the way he speaks to you. The swordsman scoffs, not believing you for a second.

“Oh, really? How?” A faux smile creeps onto his face, prepared to catch you in a lie.

“Because Buggy told me.” Zoro’s face drops and the man is stunned into silence. The clown immediately bursts into laughter, enjoying Zoro’s dumbfounded look. The green-haired man gawks for a moment, before moving his hands around, silently asking the question ‘how’.

“Because they’re nice and you’re an asshole,” Buggy says smugly, and you can tell he’d be crossing his arms if he had the rest of his body. You break out into a soft chuckle at this, which snaps Zoro out of his trance. 

“I’m not explaining this to Luffy, so you better take the head and go find him.” The swordsman scoffs again before leaving the room, shaking his head the whole time. Rolling your eyes, you move back toward the clown, mumbling to yourself while putting his hair back in a ponytail. 

“Don’t let him get to you, he won’t know what he has until it’s gone.” Buggy’s cheeky grin triggers your own, and you laugh softly, gently picking him up to go find Luffy. 

©️ succubaby, 2023

Please do not replicate/repost :)

[halsteadlover]

𝐏𝐫𝐨𝐭𝐞𝐜𝐭𝐢𝐧𝐠 𝐘𝐨𝐮

• Pairing: Jay Halstead x Fem!Reader.

• Requested by @hart-kinsella: Maybe him and mc are working undercover (but they're married in real life) and a guy tries too hard with her (takes her by the arm and invades her personal space as well as trying to flirt with her with words) and then Jay tells him that and punches him. They could be at a club like that one episode when he and Hailey (and Kevin, maybe? I don't remember exactly) were undercover - unfortunately I don't recall which season it was.

• Warnings: mention of drugs, violence.

• Word count: 1543.

• A/N: I know this is not my best work and I apologize 😭 but I managed to quickly write it so I can post something ❤️ and tell me why I stayed for half an hour staring at the wall to think about a title and I ended up with this one 😭 btw love you all and thank you always for your support

It was no secret Jay sometimes hated undercover missions. Especially if you were involved.

He couldn’t help it. He knew you were an amazing cop, one of the best he ever worked with, capable of defending yourself in any circumstances but since you were also his wife, he couldn’t help but worry about you.

And this case was no different.

You and Jay were undercover due to a drug trafficking case, him as a potential buyer interested in purchasing the drugs, you as his work partner who had set up the connection with Joshua Ryder, the criminal suspected of being the gang’s leader.

Jay was on the verge of losing his mind, not being able to stay still and acting like nothing was happening.

You were both in a club, sitting in a VIP room while you talked with Ryder and convince him to make a deal with you. The rest of the team were instead in some fake company’s vans listening to your conversations in real time.

However, things started to go wrong when Jay noticed one of the traffickers approaching you in a way he didn’t like at all.

“Are you here to do business or watch her like a hawk?” the gang leader had insisted for the umpteenth time while for the umpteenth time Jay directed his gaze towards you who continued to giggle with fake enthusiasm with one of Ryder’s henchmen.

You were uncomfortable, as with any mission that involved getting close to another man other than your husband. You knew it was your job, that you had a duty to fulfill and your private life had to stay out of it but sometimes it wasn’t that easy.

“You sure you don’t want anything to drink, sugar?” Asked the man who insistently continued to hit on you. You didn’t even know his name – or care to know – but you smiled anyway with fake naivety, slightly shaking your head.

You quickly glanced at Jay who was sitting in front of you, noticing he was busy talking to Ryder, but his gaze met yours for a moment. It was brief but in that simple look you understood he too had noticed that guy’s insistence. Jay had his arms crossed over his chest, breathing heavy, his jaw clenched as he saw how this man insisted on getting closer to you.

He was disgusting, he smelled of alcohol from miles away, and you had to repress the urge to vomit and the instinct to punch his ugly face.

The man approached further, sliding on the sofa towards you and you moved back, trying to create further distance but without making it obvious and making him suspicious.

“You know, my boss is quite jealous of his employees, you shouldn’t be so close to me,” you falsely giggled but he didn’t seem to get the hint, in fact, it seemed to amuse him even more.

“We’re all one big family here darling, what’s mine is someone else’s and what’s someone else’s is mine…” He rested an arm on the back of the sofa behind your shoulders and although he hadn’t even touched you, you felt your skin crawl and the urgent need to throw yourself into an acid bath. “If you want to do business with us your boss will have to learn how to share… Especially with such a beautiful and gracious girl like you.”

The desire to kick him in the balls was intense and you wondered what kind of woman would really fall for these words.

Jay was on the verge of losing his mind.

He was trying.

He was really trying but it was so fucking hard to stay still and not react when that son of a bitch was being a creep with his wife. Ryder was talking to him about something he didn’t even care about, but he couldn’t pay attention and process a single word, too focused on you.

He couldn’t help but glance at you every now and then, running a hand on his jaw in frustration and starting to fidget on the spot as he saw the man getting closer and closer to you and invading your personal space, like touching your hair or caress your shoulder.

It wasn’t jealousy, he could never be jealous of a filthy man like him but he deeply hated not being able to do anything to keep you safe without ruining the whole mission. He hated seeing you so tense and uncomfortable although from the way your hands were balled into fists in your lap, he knew you too were itching to punch him.

He hated having to pretend you were simply his work partner and not his wife.

But he swore he saw red when that man’s clammy hand rested on your face and your eyes widened at the contact as your entire body froze in place.

Fuck the mission and these motherfuckers too.

Jay lost control.

That slimy hand on you had driven him crazy and before he knew it, he had stood up and grabbed the man’s hand with his, punching him in the face with all the strength in his body. He didn’t catch the gasp that escaped you and he didn’t even care he had just ruined any chance of doing ‘business’ with Ryder along with the possibility of framing him. While his fist hit that bastard again and again, all he could do was think of those hands on you.

“That’s my fucking wife you motherfucker!” Jay screamed in his face, holding him by the collar of his shirt as the man spat out blood, struggling to keep up with the fury of the undercover detective. “Let me catch you again putting a hand on her or even just looking her way, I’ll enjoy breaking your fingers one by one before throwing you in jail.”

Everything was now chaos.

The team, who in the meantime had witnessed everything through your hidden cameras, burst in when they realized the situation had now worsened to the point of no return. You tried to pull Jay away from the man, but it was totally useless, not when he was so furious that your strength was no match for his.

Ryder was fuming when he realized you were cops and you had tried to frame him, swearing he’d make you pay dearly while Kevin handcuffed him along with the rest of his goons.

“Baby,” you called back but Jay didn’t look at you right away. You stood outside the club under Voight’s orders, a hand on his bicep and caressing him as you tried to get his attention. You were alone in a little corner, waiting for your boss for his inevitable fury.

“You okay?” He asked, his voice low but finally focusing his gaze on you.

You let out a laugh trying to diffuse the tension, you hated seeing him so furious. “You are ask me if I’m okay? I’m not the one who just punched a guy.”

He sighed, tearing his eyes away from you as he ran his hands over his face with frustration. Your heart clenched at the sight of his red and bruised knuckles. “I wish I had killed him to be honest.”

“Jay I don’t want you to get hurt because of me,” you replied, taking his hands in yours and leaving a kiss on the back of them, smiling when you saw his hard features start to soften at the gesture. “I could’ve handled him, I wouldn’t have let him go any further.”

“I know you could baby, you’re amazing,” he softy spoke, tucking a strand of your hair behind your ear. He took a step towards you, closing the distance enough you had to slightly lift your head up to look into his eyes. “But there’s no way on earth that I would have sat there and watched while that son of a bitch put his hands on you.”

He cupped your face with his hands, his thumbs caressing your heated cheeks. “No one gets to put a hand on you, much less against your will. You’re my wife, I’m the only bastard who can touch you and I will gladly kill anyone who dares to do it instead of me, am I clear?”

You let out a breath, almost on the verge of passing out right there and now in his arms. “God baby I want to suck your dick so bad right now. I love when you get so protective of me, it’s so hot.”

Jay burst out laughing, his stomach clenching in anticipation knowing you would stand by your words. He pulled you into a hug and you rested your head on his chest as you wrapped your arms around him. “I’ll always keep you safe, I won’t let anyone touch a single hair of your head, I hope you know it. God knows I would set the city on fire to protect you.”

“I know baby, I love you so damn much it’s insane,” you deeply inhaled the smell of his cologne, leaving a kiss on his shirt coated chest. “But I hope it’s worth it because Voight is coming and I think he’s ready to take us both out,” you continued when you broke away from the hug and saw your boss coming up behind Jay, a furious look on his face.

“Oh yeah, it’ll always be worth it, especially for the amazing blowjob you’ll give me later.”

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[thebennsofdallas]

In defense of Season 6 (What we do in the Shadows)

I’ve seen talk about season 6.  How people are disappointed. How the writers have blown it, how Guillermo and Nandor are in so few scenes together, how canon has been thrown by the wayside.

So, I have to gently disagree. I think this is the best season of the series and that’s coming from a full-on Nandermo truther (with Laszlermo tendencies). I think this season HAS moved Guillermo and Nandor’s story forward. But it’s so much more than that. These 8 episodes have connected all the vampires in ways I never expected.

Think of all we learned about the vampires in just the first episode. Guillermo and Nandor apparently made an agreement to stay away from each other until Guillermo got his life together. (UNTIL. Keep that in mind.) Nandor obviously didn’t give a fuck about that and has been keeping tabs on him in secret. How else can he be so matter-of-fact about being separated from Guillermo and also, know where he was working?

Nadja has longed to interact more with humans and Laszlo forbade it, which caused a massive rift between them that lasted years. Man of science Laszlo had a dream to reanimate life out of dead tissue that he gave up on in favor of spending more time wanking. And Colin Robinson has been lonely for a real friend, even one made out of random body parts.

That’s a lot of stuff there, good stuff. Yes, we briefly had to deal with the prospect of Jerry destroying our show (okay, that was probably just me) but it turns out, Jerry was just a vehicle to reveal more about our beloved characters (I think Jerry will be a factor in the finale but that’s another story). The same with Guillermo’s departure from the vampires’ employ. It was barely a separation. Nadja and Nandor felt compelled to follow Guillermo all the way to his office, to “protect him”. And Laszlo restarted his project to create new life and allowed Colin Robinson to join in.

The writers are mixing and matching the cast in a way they’ve never done before. Nandor/Nadja, Laszlo/Colin, Colin/Nadja, Laszlo/Nandor. It’s a fresh spin on the old dynamic and it’s hilarious. And it demonstrates how much these four care about each other and that feels new, too.

As for Nandor and Guillermo, it might feel like they aren’t together as much but when they are together, it packs a punch. Except for the beginning of episode one, when Nandor childishly pretends like he doesn’t remember Guillermo, there’s been no more pretense. Guillermo has always worn his heart on his sleeve where Nandor is concerned but now, Nandor is wearing his there, too and it’s exciting to see our suspicions confirmed in a big, big way — these two idiots love each other and it’s just a matter of time before they have to acknowledge it. I don’t expect a vampire wedding in the future but something is coming. I just know it.

Episode 9 tomorrow, y’all. Episode 9 is where this show usually goes off the rails and into a ditch. So hold on. It’s gonna be a bumpy night.

[becausebuckley]

michelle's buddie fic recs: week 43!

in which i read a bunch of newly posted fics and began making my way through my marked for later list. it's been another good reading week for sure!

this is a mix of fics with all ratings, so some include NSFW content. please take a look at both the ratings and the fic tags before reading! note that this list contains some fics set during/after season 8, so there might be some spoilers.

if you come across something you like in this list, remember to show some love to the author by leaving kudos and a comment!

august | Daisies_and_Briars/@cal-daisies-and-briars | 40.2k | T

Buck, Eddie, Natalia, and Marisol go on a beach vacation in August of 2023. It gets angsty and gay. when i say i DEVOURED this fic... wonderful buddie but the natalie and marisol of it all is just stunning beyond words!

chess inside my chest | detectivemeer/@buick118 | 4.4k | T

They go to El Paso to bring back Christopher. And oh my god there was only one bed. only one bed + go get chris fic = absolutely brilliant!! love the buddie dynamic here <3

close friends (that you lowkey want to fuck, but in a totally platonic way) | rowan_wood/@transboybuckley | 2k | T

Instagram rolls out a new feature, and Buck doesn't totally understand how it works. i love a fic that incorporates texting/social media and this is no exception!! also a big fan of the buck and ravi (and lucy) friendship here!

cold and freezing and barely breathing | EiraLloyd/@unlifeira | 3.6k | T

After the well collapse, Buck drives Eddie home and takes care of him. Eddie is too tired to argue — and too tired to keep him at arm's length. perfect fic to read with the potential well callback in the next episode <3 i love buck's "are you cold" excuse more than i can express

connected the dots in reverse (but still completed the picture) | letmetellyouaboutmyfeels/@letmetellyouaboutmyfeels | 51k | T

"Hi everyone and welcome back to our show where we team up to decide if ghosts are real." buck and eddie co-hosting a ghost hunting show <3 i loved the buddie but the supporting cast shines so brightly here as well!! just such a wonderful read <3

cursed | bookinit/@bookinit02 | 2.5k | G

“So you don’t believe in curses,” he says carefully, wrapping his brain around it, “because you think you deserve everything bad that happens to you?” “…Yeah,” Eddie says, after a moment. “That sounds about right.” loveliest episode coda!! buddie phone calls in the middle of the night always hit the spot, and this is a perfect example of that <3

drift past the flowers. | dylaesthetics | 45.9k | T

Buck and Natalia get engaged, and Eddie flees the state about it. A petty email correspondence ensues. the email correspondence here is just perfect. petty and catty and sarcastic but also so full of love and fear and other feelings at times... just beautiful!!

for all the perfect things i doubt | extasiswings/@extasiswings | 5.2k | T

Evan Buckley is really good in bed. Sometimes he wishes he wasn’t. literally no character study will ever hit as hard as those examining buck and his relationship to sex. it's an unmatched combination!! this is introspective and intimate and so so good <3

it only takes a taste (when it's something special) | weewooforever | 7k | E

Eddie shifts slightly and clears his throat again. “But can you answer my original question? What’s it like kissing a guy?” so hot and soft and perfect <3 i love this particular flavour of buckfidelity so so much!!

men made of stone and forged in fire (even you deserve to be so softly loved) | lemonzestywrites/@lemonzestywrites | 5.6k | T

A quiet night in and a hand running through his hair, those two simple things usually don't do much to phase the average person. But Eddie is a different story. i love how this fic sets out eddie's relationship with touch, it's so good!! and buck plaing with eddie's hair <3

no one quite like you | hammersmiths/@henswilsons | 10.1k | T

Buck and Eddie’s progression through texts. text fic!! i love text fic!! this is such a lovely look at their relationship developing through the seasons <3

objects in the mirror | SevenSoulmates/@sevensoulmates | 139.1k | E

The voice had always been around, Eddie remembers it, like a stream of consciousness that babbled incoherently to the point where Eddie just tuned it out. But then the voice started speaking directly to him. Conversing like he was a whole person standing right in front of him. Like he could see what was happening around Eddie. telepathic soulmate bond?? and so long?? i am so glad i dug this out of my marked for later list and read through it, it is so so good!!

the place i call home | kaistinlove/@kaistinlove | 10.2k | T

the 5+1 fic where Buck ends up in many different beds throughout the night before finally back to where he actually belongs. such a wonderful look at not only buddie, but also buck's friendship with the firefam!! so brilliant, i particulary loved the ravi bit!

the worm question | One_Small_Writer/@dinosauring130 | 2.8k | G

Buck can't sleep. As he lies awake, a certain question pops into his mind. A question he knows he needs the answer to before he can rest. the softest sweetest late night conversation <3 and the correct answer to the worm question lol i love them so much

vibrant | blueberrytwoberry/@blueberrytwoberry | 8.3k | T

Buck meets his soulmate, misses them, and tries to deal with that. i am obsessed with both the concept of this au and its brilliant execution!! the colours appearing and then fading away at a certain spoilery moment... it's so so well-written and i love buck here so much <3

you're always home (i've been waiting for you to come in) | sibylsleaves/@sibylsleaves | 34.3k | E

Buck moves in. Eddie comes out. Things get a little messy. THIS FIC. oh my i saw the buck and eddie's summer of domestic bliss tag and i thought i was prepared but i was not. just absolutely lovely all around <3

[marionthegeek]

Stede is in the Gravy Basket, Izzy is Alive

The season 2 finale of Our Flag Means Death is odd.  It hits weird. I think I know why. And this is going to sound bananas, but give me a chance to explain.  Maybe you’ll agree.

It has a huge tonal shift. It seems to speedrun Stede and Ed’s romance. It feels like we’ve missed out on something from the end of episode 7.  The fight scenes and pirate plans are nonsensical, even for OFMD. And most egregiously, a prominent character is killed off in a way that feels disingenuous to his story arc, just for starters.

But I’m getting ahead of myself.  We need to go back to the beginning of season 2.  The season opens with Stede looking more piratey than ever. Beard, sash, earring… oh he’s his own fantasy of a real proper pirate.  He’s clashing swords with Izzy Hands and demanding to know where Ed is. He’s dreaming. In the dream he kills Izzy. He and Ed run into each other’s arms while screaming each other’s names. They crash into the surf. Ed says “I knew you’d find me, Babe.  I knew you’d find me, Love.” Stede keeps asking if they’re good. Ed dodges the question. Then Ed asked about the smell. Stede wakes up in a crowded room with farting and shushing roommates.

At first I thought the finale was supposed to be just a “satisfying” mirror to Stede’s dream. Stede and Ed call each other’s names and run into each other’s arms in a display that resembles a more grown up version of Stede’s dream fantasy. There’s some wild sword fighting not unlike Stede’s dream duel with Izzy. And Izzy dies.

It does mirror, but I didn’t find it satisfying. All of the characters except Stede feel flattened. Stede gets to make the heroic plan (that we never even hear) while there’s at least five pirates with better skill sets for it in the room. Ed, as Blackbeard, was described last season as “History’s greatest tactician”; Zheng Yi Sao conquered China; Jackie just took out a room full of British soldiers. Izzy and Auntie are right there. You could make arguments that Jim or Frenchie, or pretty much anyone could make a better plan. Then Stede says “It’s only suicide if we die,” which is horrible considering the plan gets Izzy killed.

Stede’s really the only person in that room who thinks Stede should be making the plans.  So I got to thinking, what if it's not just mirroring the dream? What if it is a dream? Last shot of episode 7 is an incoming cannonball. Maybe he’s unconscious.

Huge shout out to @Arty_Sunflowers on twitter (I’m not calling it X, fuck Musk) for pointing out that that isn’t the only episode that ends with a cannonball. Episode 2 ends with Jim swinging a cannonball down at Ed’s head.  Stede’s not just dreaming, he’s in the Gravy Basket!!!! (Stede even screams “Oh my God!” at the end of episode 7 in the same tone he screams “Oh my God, I don’t want to die.” in s1e9.

Stede’s hopes, dreams, and insecurities shape everything in the finale. And it helps explain the absurdities in the episode when you remember that Stede is living out pulp adventure and romance novels in his head. (He even looks like someone on the cover of one in his episode 1 dream.) But Stede can’t be dead, you say. He’s literally the main character. Well, Ed was dead for a whole episode. Let’s take a closer look.

I could and probably will do another essay on Lucius as a POV character and Ed’s mental health and how the threads they seemed to have dropped aren’t as dropped as they appear. But all of that hinges on me proving the Stede is in the Gravy Basket theory. So for this essay I’m focusing on that.

So for starters we’ve got the cannonball scenes. They’re eerily similar even if the method of cannonball propulsion is different. We don’t know Ed is dead and in the Gravy Basket for about half of episode 3. Neither does he. It makes logical sense you can be there without realizing it for a while. Buttons even said Ed didn’t know whether he was in the Gravy Basket or not in episode 4. It definitely messes with your reality.

One of Ed’s issues is self hate. He manifests Hornigold as his companion. Stede is desperate to be a good pirate and have people be proud of him. And he lives in his fantasies a lot.  So his dream shapes his experience. There’s a whole bit about Zheng needing “soft” and Auntie saying she’s proud of her. That isn’t their issue. It’s discordant with the show previously. But it is Stede’s issue. He’s manifesting.

When we first see Stede and Zheng in episode 8, they’re in a familiar spot for Stede, the bridge from episode 1. But why are they alone? When we last see Stede and Zheng in episode 7, several characters are within 5 to 10 feet of them. Did none of them decide to escape with Stede? Izzy, Lucius,  and Jim are closest. But we know Pete was there begging Stede to stay down during his fight with Zheng. Archie was definitely in the bar. That's why Jim entered the fight. So why is it only Stede and Zheng at the bridge? Because, going back to rescue others fits into Stede's hero fantasies. 

Zheng and Stede also argue about who pulled who to safety and how they got there. Stede waxes poetic about being a failure his whole life, but things always seem to work out for him. He’s such a main character mediocre white guy in this scene. He saves Zheng from two random soldiers, then she has to save him from them. Then they fight a bunch more soldiers on the beach until Blackbeard manifests in full leather from the ocean.  It looks cool. But it's absurd, even for OFMD.

Speaking of Ed, he begins the episode waxing poetic about nature and calling fishermen simple.  Those things are more Stede than Ed. Pop pop tells Ed, “You have no skills” which is something Izzy said to Stede in episode 5.  He also tells Ed, “If you were ever good at something, go do that, you bum.” If Stede’s insecurities could be distilled into one sentence, it would probably be that. (He also talks about being like a wave. I’m not 100% sure it's a The Good Place joke, but it would be thematically appropriate.)

Pop pop also tells Ed he “ruined dinner.”  Back in season 1, in Stede’s flashbacks to life with Mary and the kids, Stede thinks he’s ruined dinner. But remember, we also see another version of the scene where Stede is laughing with Mary and the kids.  Stede isn’t exactly a reliable narrator. Even in his own head.

Despite it being beyond unlikely, Ed finds soldiers reading one of Stede’s letters. I know physics in this show is sketchy, but this seems like a good time to point out no one found the red silk. Stede wants Ed to read a letter and for it to fix everything between them. The letter, plus Stede being in danger, make Ed swim out, find his leathers, and emerge from the sea with them on, while the music is the Swede’s solo from Stede’s fuckery in s1e6. Stede wants to be rescued by his handsome pirate in leather, again, just like a pulp adventure romance novel. Little chance of Ed swimming out and finding his kit.  Even less of him getting leather pants on under the water.

Back to the beach… for some reason two squads of soldiers are wandering around out on an empty beach. A visually incredible fight scene occurs. It honestly reminds me of Pete’s story in s1e2, including flips. Ed and Stede yell each other’s names exactly as in the dream. Like I’m pretty sure they used the same audio track. The same song (I Love My Baby, Nina Simone) starts playing. Ed says “I love you.” Stede says “I know.” (We’ll come back to the Han Solo joke in a minute.) They have a bit more absurd fighting then Ed, Stede, and Zheng sit on the beach complimenting each other. And Ed calls Stede “babe”.  He’s never done that outside of Stede’s dream and this moment. He’s called him mate a couple of times.  Babe is exclusively in Stede’s head.

Back in the Republic of Pirates, the crew are locked in a cell that is actually the “vista suite” at Spanish Jackie’s.  Izzy gets a heroic entrance. It’s as cool as Stede thinks Izzy is. And he gives a speech that sounds like what he probably told Stede to get him to relinquish the suit in episode 5. Piracy is about belonging to something. You can’t ignore the wishes of the crew.  Izzy also knows details about Captain Kidd and Pinocchio. Not impossible, but not exactly Izzy’s wheelhouse. It is Stede’s though. He’s obsessed with pirate tales and he read Pinocchio to the crew.

Stede, Ed, and Zheng show up just as Jackie has poisoned a bunch of soldiers. Stede makes a plan, despite everyone else being more qualified. Everyone disguises themselves as soldiers. Now we’ve seen the crew of the Revenge wear disguises. They never do the weird free styling they do here. Only Stede actually looks like a British officer. Zheng at least wears the disguise properly. Suddenly Ed has a multi gun bandolier like Blackbeard in the books. Pete ripped the arms off. Izzy is still wearing his vest. Doesn’t make sense if we’re going for stealth. Neither does not checking hostage Ricky for weapons or putting Izzy and his wooden leg at the front of the group.

If I'm right, Stede wouldn't know Ricky was behind the explosions. However,  Ricky is basically evil Stede. He's Stede's perfect foil. All of this is reflecting Stede's psyche. So, of course, it's Ricky.

Izzy gets shot and says quite a lot of nonsense in his death scene. “They love you, Ed.” Um, 3 of them were going to leave like five minutes ago. Ed has made some progress with the crew, but we’re not at “they love you Ed”.  The only person who thinks the crew loves Ed is Stede. Stede who weeps for Izzy while most of the crew aren’t showing much emotion. Stede can barely deal with his own big feelings. His fantasy doesn’t give the crew room to have them. Also, given the rest of the season, having Jim just let Ed be the person cradling Izzy doesn’t fit. The crew is also pretty stony at Izzy’s funeral.

I feel like it should be noted the last shot of Izzy in episode 7, he’s got one are around Jim and a hand on Lucius’s shoulder. He sat in Wee John’s lap in episode 6. Reactions to his death don’t make sense.

Also, Izzy’s terrible grave marker is very … Stede. He’d think it was a brilliant idea.

I didn't understand at first why Izzy had to die, even in Stede's dream world. Stede clearly likes him a lot better now. Why kill him? Well, it's because we're supposed to think Buttons is there to go to the Gravy Basket for Izzy. When actually he's already arrived in the Gravy Basket and he's there for Stede. Also, mentors die in pulp adventure novels. Stede sees Izzy as a mentor.

They go aboard the Revenge for Lucius and Pete’s wedding. It’s cute that the crew performs the ceremony, but I’d venture a guess that’s because Stede doesn’t know a captain should do it if it's legally binding. Stede does love the romance of it all.  The sudden uptick in monogamy is also very Stede. He barely understands monogamous relationships. Polyamory is beyond him.

Then Stede and Ed, who earlier told Zheng they’d help hunt Ricky, go back to the island where Izzy is buried to start an inn in a run down shack.  Stede knows Ed wants to do this because Ed told the (Taika’s) kids that they ran an inn.  We hear Ed ask “Jesus, what is that smell?” Now, at first, I thought Izzy, because Ed “knows the smell of my rotting first mate”. But what was the last thing to happen in Stede’s dream? A fart joke.

Last scene is Buttons landing on Izzy’s grave. To retrieve Izzy from the Gravy Basket? No, Izzy’s not dead. He’s with Jim and Lucius, probably watching over Stede’s corpse. Buttons is there to retrieve Stede.

This theory fixes the plot holes and dropped threads problem. We’re coming back to them next season. Ed's amends making should be far from over. And we see several moments during the season where he acknowledged that. And yet here on the island they've set up a horror movie and called it a happy ending.  Well, Stede is the type of boss who thinks things are fixed with a pizza (Calypso) party. In Stede's mind, this is a happy ending.  But really Ed is still off finding himself,  Stede is (temporarily) dead, and Izzy (who is not dead!) is probably guarding Stede's corpse.

They haven't resolved the domestic violence thread, but they haven't dropped it, either. Izzy is alive. Stede and Ed aren't together (yet). There's still time.

This also explains some of the freewheeling nonsense David Jenkins has been spouting in articles. Ed doesn’t see Izzy as a father figure and mentor, Stede does.  Stede almost turned to mush when Izzy approved of him. And David is writing a three volume adventure novel. Han Solo (Stede) is in carbonate (the Gravy Basket). The perfect end to the second act. See, I told you we’d get back to the Han Solo joke.

I still have problems with the season.  I really think they need a sensitivity reader. Even just implying a newly disabled character was fridged is certainly a choice. Especially given the amount of time devoted to how the character handled the disability. The DV scenes were brutal, as well as the suicide attempt, and the Human Puppet joke. I think they need someone trauma informed and disabled in the writer's room. (David Jenkins hit me up!)

Overall, I liked season 2. Especially once I realized Izzy wasn't dead. I'm looking forward to season 3, the conclusion of the Gentle Beard arc, and hopefully 6 seasons and a movie of Izzy (to be clear, he's not captain) and the kids sailing up and down the coast being gay and doing crimes, occasionally checking in with Stede and Ed.

Seriously, David, call me.

Historical Note: IRL Blackbeard died on November 22, 1718, killed in a naval battle off Ocracoke Island in North Carolina. IRL Stede Bonnet died December 10, 1718, hanged in Charles Town, South Carolina for piracy.  IRL Israel “Izzy” Hands survives piracy, death date unknown. I know this show doesn’t actually care about historical accuracy, but this lends a little support for my Ed died, then Stede died, and Izzy isn’t dead theory.

[whereispearlescentmoon]

My thoughts on Billy are this:

Pearl has no named pet in Last Life. She had a wolf army but only two survived with her to the final fight, she didn’t react very much when they died, and she never named any of them. She used them to great effect for killing, however, which is a lesson she would bring with her into DL. She did utilize them to help Ren kill Cleo, which… cycles and all that. “We want to kill Cleo and then we can reconnect the three Gs” lives in my head rent free. The only other pet she has is her two axolotls, which she does not name and both of which Joel kills.

I don’t know that Pearl has ever really connected to an animal the way she connected to Tilly because she hasn’t been alone since Double Life. Tilly was her lifeline because she was all Pearl had. She was her soulmate because no one else wanted her. She was the only living being who Pearl could rely on. And both times losing her were devastating to Pearl. The first time, it kicked off the Scarlet Pearl arc, and the second time it spurred on her rampage towards Impulse and Bdubs, and Cleo and Martyn. She had her wolf pack because when you can’t count on allies to fight beside you, to protect you and want you to live, you have to be able to count on something.

This is in contrast to every series since, where Pearl has largely kept her animals tucked away in her base and where her pets have been more important in the way they help her interact with other players than anything.

The first thing Pearl says to Froggy is, “I found you! Hello! This is gonna be my friend of the season, in animal form”, because she wanted to be prepared in case she was alone again. And then said “You are my love. If you die, I don’t know what I would do,” because again, she was thinking about what happened after Tilly’s first death. She was preparing to need animal companionship in lieu of players, but then she found BigB.

Froggy stayed at the bottom of that pit trap for the rest of the series if I remember correctly, and Pearl hardly ever moved her from that one corner of the tower even before that. Why? Because she had BigB to bounce off of, and because, frankly, cats just aren’t as useful as wolves in Minecraft. You don’t get a cat for protection, unless you’re really that scared of creepers. Pearl wanted a companion from Froggy, not a warrior. She didn’t want to risk losing something dear again, so when Froggy falls into the pit trap that kills Pearl, that she herself set, she leaves her at the bottom.

Mailbox and Matchbox were closer to the kind of companionship she had with some of the wolves in DL, but certainly not Tilly level. And again, she didn’t want to risk losing them, which is why they stayed tucked under her base near the skeleton farm. It’s why her main concern when the wither and the warden were out was to get three things underground: Matchbox, Mailbox, and Bdubs. She didn’t want to lose any of them.

However, the most important thing about her wolves in SL, to me, is how they affected her interactions with other players. For one, they were the catalyst for the “Pupper Alliance” with Cleo. Pearl doesn’t play the social game, so she often takes alliances in situations of when you can materially help each other, rather than out of friendliness. Needing bones to tame wolves gave her a material reason to ally with Cleo. It also meant that we got yet another Cleo and Pearl betrayal when Cleo killed some of Pearl’s wolves later on. The other is something Pearl actually said in her episode today. She knows how powerful a wolf army is, it’s a large part of how she won Doible Life. Which is why when it came down the wire, because she had no intentions of winning, she left Matchbox and Mailbox at home and sat down her wolves so they wouldn’t hurt Gem. That was Scar’s kill, his fight with Gem. It’s probably the most literal example of her wolves taking a backseat to her companionship with other players.

In Real Life, she was just doing it as a joke and because she wanted to pet a Minecraft wolf in VR (which I respect so hard) and thus I have no analysis lol.

As for this season, it seems like Pearl’s theme this whole season has been “trying to live up to what people think I am, even though I’m not that anymore”. It’s why it’s kind of funny that she keeps trying to do the cool Scarlet Pearl killer thing and failing miserably. And it’s why when she comes across the wolf in episode one, she goes out of her way to not only tame it, but name it something so close to Tilly (yes I know she was likely also playing into the Tilly Milly thing). But just like with Froggy and just like with Matchbox and Mailbox, her main priority is keeping them safe, not with using them to win. She doesn’t want to win, she’s here to have fun!

Losing Billy isn’t devastating to Pearl because, unlike in DL or LimL, she doesn’t really need the wolves for emotional support, and unlike in LL, DL, or SL, she had no intention of making a dog army because she has no intention of placing high. Pearl has literally said she wants to see a top four of people who haven’t made top four before (and Impulse lol), which as the only person who’s ever made top four in all of her seasons (4th, 1st, 4th, 2nd), is a pretty big tell. She was trying to keep him safe by not moving him, but like she said to Joel, everything dies in the Life Series.

I would also like to point out, Pearl has only ever named two of her pets entirely on her own, Matchbox and Milly. Martyn named Tilly because she had accidentally trampled some wheat (tilling, get it?) She named Froggy after the frogs that BigB had said were his family, because Froggy was hers. Mailbox, if I’m remembering, was a Bdubs idea. Matchbox was only named because Pearl kept accidentally calling Mailbox Matchbox so she decided to just name one of her other wolves. Milly was a joke that Pearl came up with. And Billy was Cleo’s suggestion. To quote Pearl when she found Froggy, “I don’t know what I’m gonna call you yet. We’ll find out. You know usually we kinda figure these things out when we go talk to somebody,”