#i don’t care how many cool moments he has if his character arc is rushed as hell

[gradelstuff]

This isn’t entirely my mood, but idk, i have been feeling kinda un-inspired by Deku since PLF war. And it hurts whenever i read the early manga chapters, because i genuinely enjoyed Izuku's character back then.

But that same energy just doesn’t exist anymore. In recent chapters, I’ve just kinda been like 'whatever' unless Tomura or another LoV character appears

[lieutenant-amuel]

Since I know you’re finishing soon, just like with the end CXGF, you finished! Now what was your fav? Like fav episode or moment or character, or just not even your favorite. Just what are your thoughts on this epic epic show?

Thank you for the ask! And for encouraging me to finally watch this masterpiece <3

To be honest, it’s always difficult for me to explain why I like certain things, because in most cases I simply don’t have any reasons, I just like it subconsciously x) Anyway, I’ll try to share my general thoughts, plus a few of my favourite things, divided into categories (like a character, episode, season, etc) so as to keep it structured.

Here we go!

General thoughts: this is a fantastic show. I can clearly see why people praise it so much and note that many other TV shows should look up at it, especially in terms of storytelling, character development, and world building (I even saw how fandom creators take this show as an example when it comes to creating something themselves, so I, as a creative soul~, can say that I also took something from it).

I read a few reviews on this show and I noticed that many people pointed out that this show didn’t hook them then since the very beginning because it was a bit childish but assured that it did get better eventually. As for me, it really hooked me since the first episode, because it already seemed super dynamic and as I kept watching it, I was truly amazed by the variety of the adventures the main characters had and how many subjects this show brought up. One of the reasons I love animation is that it can balance out serious mature topics with childish lightness so as to keep it enjoyable for everyone and I think ATLA does it perfectly.

I think it really all I can say. This is a very well-written show, and I love how consistent it is in terms of storytelling. It rarely has pointless episodes and makes a fantastic job on its characters, all of whom have clear personalities and dynamic stories (arcs) on their own. It talks about mature important subjects, and I’m just weak for the pieces of media that create their own universes because I love digging into the lore (and it’s really possible to talk ATLA lore for hours).

Favourite character: as I already mentioned, Sokka! He’s amazing.

I don’t want to talk too much about him because I might get repetitive but to put it simply, I love how multilayered Sokka actually is. He’s a fun guy with a boomerang on the surface but if you look inside, you can see how smart, brave, protective, and caring he is. He’s a leader, a strategist, a warrior, and I suppose I simply have a thing for the characters like him x) (and you can’t imagine how much I feel him in those scenes when he rushes his friends to be focused on the mission, especially when Katara gets distracted by helping some random villagers and he says something like, “Katara! We have more important things to do!” and I just shout at the screen, “YES”).

My second fave is Iroh! He caught my eye since the episode one, because, I don’t know, he just seemed genuinely funny and enjoyable to me x) But as I kept watching the show, I started noticing how wise, caring, loving, and kind he is, and my love to him reached the top somewhere in season 2 when he and Zuko got much more sweet uncle/nephew moments. And can I just say that his reunion with Zuko legit made me shed a tear 😭

And my third fave, to make it Top-3, is Zuko! I think I was quite indifferent to him in season 1 but started seeing much more in him in season 2 when he was trying to find his true path and was rushing between searching for Aang and having a peaceful life. And I absolutely love him in season 3. The way he rehearsed his meeting with Aang (“Hi. My name is Zuko”) was adorable :’D

Favourite season: I don’t think I can explain why but for some reason season 2 was the most memorable to me. It has so many cool things, from the introduction of the new characters to absolutely fantastic Zuko’s arc. And for absolutely no reason I really can recall many episodes and their titles from this one without looking up, even though it’s been quite a while since I finished season 2 (and by saying it, I don’t mean season 1 and 3 weren’t memorable and I don’t like them; just season 2 brought me more emotions, I suppose).

Favourite episodes: I’ll list a few ones from each season because for now I’m not sure which episode is my ultimate fave.

Season 1 - The Storm, The Blue Spirit, The Great Divide.

Season 2 - Zuko Alone, The Swamp (I LOVE this one a lot!!), The Chase, The Crossroads of Destiny.

Season 3 - Sokka’s Master, The Puppetmaster, The Day of Black Sun (two parts), The Firebending Masters, The Boiling Rock.

Favourite ship: I… don’t have one? Even if we take canon ones into account, I don’t really feel anything towards them. Sokka/Yue certainly have a beautiful and tragic story, but I don’t think about them that often. Sokka/Suki are nice, too, but that’s all I can say. Zuko/Mai… I’m not sure how they even became a couple. Aang/Katara don’t really bring anything to me either.

I’m pretty sure that Zuko/Sokka is quite popular in the fandom but I just don’t see it, I’m sorry.

So yeah, I don’t have a fave ship, but if anyone has opinions to share with me, I’d love to hear them. I’m quite open-minded at this point.

Favourite moments: akjajdkf I don’t think I can recall many. I really need to watch this show at least one more time for that. Anyway, the ones that come to my mind are (random order):

Iroh and Zuko’s reunion, as I already mentioned. This scene made me cry. CRY. ME. I rarely cry while watching/reading anything, so it really speaks a lot (it reminds me that Esteban’s sacrifice in Coronation Day made me cry, too. I literally had to pause before continuing to watch because I couldn’t stop sobbing ajhsjdkf).

Sokka’s battle with Piandao in “Sokka’s Master”.

Literally all flashbacks scenes in “Zuko Alone.”

Ice dodging in “Bato of the Water Tribe.”

Hama's story and bloodbending in “The Puppetmaster” (that’s so creepy and fantastic).

Zuko and Aang perform the firebending technique to the dragons in “The Firebending Masters.”

Aaaand this is really all I can recall for now x) Those are not necessarily my most favourite moments, just the ones that were off the top of my head at the moment.

Well, I think that’s it! To conclude, I just want to say I really loved this show (and now I don’t feel awkward for never watching it anymore XD), these characters, this world, and basically everything. It was a super enjoyable watch and I’d love to rewatch it someday! (maybe even showing to my sister to watch it together)

Thank you for the ask again and sorry that it took me quite long to get to it!

[chicgeekgirl89]

We’ve Still Got Time

Fandom: 911 Lone Star

Characters: Carlos Reyes,T.K. Strand

Rating: T

Summary: After the events of 3x04, Carlos and T.K. go home. There's still much to be said.

A/N: First obligatory 3x04 post-ep with possibly more to come. I'm literally so thrilled and relieved and really looking forward to some nice, domestic Tarlos for the rest of the season. The ice storm arc was agony and I loved it, but I'm glad it's over! Shouts out to @bluenet13 who gets to read everything first and told me it was okay to post this one.

Read on AO3

This is the happiest he’s ever been. They’re tangled together in the sheets, arms and legs everywhere, lips swollen, sunlight streaming in the windows as their bodies slowly cool down. Carlos’ curls are wild, he can feel them tickling his face, but he’s too gloriously happy to care.

They’d spent some quality time on the couch, then on the floor, clothes coming off slowly, Carlos being gentle, soft, very aware that T.K. has only just come home from the hospital. Now they’ve ended up in bed in a blissful haze of hands and lips and love. There’s been no rush, no hurry, just the two of them lazily taking their time to reacquaint themselves with each other’s bodies. 

It’s everything he’s ever hoped for and he wants to live in this moment for the rest of his life. 

“I love you.” He’s lost track of how many times he’s said it in the last couple hours, between every breath and every kiss he’s whispered it like a promise, a prayer, a hope for their future. 

T.K. presses his lips to Carlo’s bare chest and mumbles the words back against his skin. “I love you too.”

His thumb is moving slowly back and forth across Carlos’ hipbone and it’s enough to start lulling him toward sleep, but then T.K. speaks again. “You’ve lost weight.”

He cringes inwardly at the words. They feel like a blemish on an otherwise perfect moment.

He guesses it’s not a surprise his boyfriend has noticed. He was glad to find that his own enthusiastic study and memorization of T.K.’s body hadn’t left him after their months apart; and the time they’ve just spent together proves T.K. clearly hasn’t forgotten his body either. 

“Carlos?” T.K. says when he doesn’t answer, shifting so he’s propped up on one elbow to better see Carlos’ face.

“I don’t know what to say,” Carlos finally admits. 

“You don’t know? Or you do and don’t want to say it?”

T.K. knows him so well. Of course he sees right through Carlos’ words. 

“This…feels like the wrong time,” Carlos hedges. He doesn’t want to fight or relive how awful the separation was. He just wants this perfect moment. The one that he’d imagined for months, the one that haunted him like a nightmare and now feels like a gift.

“I don’t know if there’s ever going to be a right time,” T.K. says gently.

“You’re still recovering.”

T.K. raises his eyebrows. “We just did some very athletic activities. I think I’m recovered enough for this conversation.”

T.K. might be, but Carlos isn’t sure he is, even though he knows T.K. is right; there’s never going to be a good time for this. Maybe it’s better just to have it out and be done.

He sits up, leaning against the headboard, T.K. cross legged next to him. T.K. takes both his hands and nods. “It’s okay.”

Carlos breathes. “After you left it just, wasn’t fun to cook anymore. Cooking for one is…not very interesting.” He breathes again, forcing himself to meet T.K.’s eyes. “And it’s hard for me to tell you that because I’m worried that I’ll say something that will upset you.”

“And that I’ll leave,” T.K. says.

Another breath. “Yes.”

T.K. nods. “Yeah, okay, that’s fair.”

Carlos tightens his grip on T.K.’s hands. “I know that I pushed too hard, buying this place for us. I know that I am a grand gesture kind of person and that I overwhelmed you. I should have thought it through more, I should have included you in the decision and I’m really sorry. I got too excited about what this place could be for us and I didn’t stop to think about how you might feel.” The words are bubbling out of him, it feels so good to finally apologize, to release the guilt he’s been holding onto from his body. “I shouldn’t always think I know what’s best for us and barrel ahead without you. We’re a team and I lost sight of that.”

He looks nervously at his boyfriend, heart fluttering anxiously in his chest. He’s spent so much time being angry he hasn’t really thought about how much he needs forgiveness for his part in everything until this moment. He’d known the second they’d walked through these doors all those months ago and seen the look on T.K.’s face that he’d screwed up. He just hadn’t imagined the consequences would be so far reaching. And now he desperately wants T.K. to grant him grace.

“It’s okay,” T.K. says and the relief that bursts through him almost has him sagging back into the pillows. “I know buying this place was your way of showing how invested you are in our future. And it is perfect for us.”

“I don’t want you to think that I blame you for everything that happened. That I’m going to hold it over your head or bring it up constantly. I can understand why you freaked out,” Carlos says. “But I don’t understand why you didn’t come back. I thought I was the person you ran to when things got to be too much but instead you ran away and I—“ his voice catches, “I kept waiting for you to come back, to come home so we could work it out, and you never did. You are everything to me. You are all I want. And instead of trusting me with your pain you walked away.”

T.K. looks down and Carlos immediately begins to worry that he’s gone too far. He opens his mouth to apologize, to say that they should table this and have the conversation some other time, or possibly never, but T.K. doesn’t let him.

“I’m sorry,” he says. “You have every right to be angry. What I did was…immature and I have no excuses. Not a single one. Yes, buying this place and surprising me with it hit a nerve, a really sensitive one, but what I did wasn’t the right way to handle it. I just…I got scared, Carlos. I got scared that it was all so permanent. That you’d tied us together.”

“I thought that’s what we wanted,” Carlos says. “I thought we were building a future together.”

“We were,” T.K. says, swallowing hard. “We are,” he adds quickly. “But I started thinking, what if you woke up one day and decided I was too much? Or not enough? And then we were tied to this place and you didn’t want me here anymore? If we built a home and then you decided I shouldn’t be a part of it—I panicked. I panicked and I made one of the stupidest decisions of my life. And honestly, I don’t know how to fix it or us or how you can even look me in the eye.”

“I love you.” The words fall from his lips so fast he doesn’t even realize he’s said them until they’re out of his mouth. “T.K. I have loved you since long before you were ready to love me. I love who you are, who you want to be. I love you. And god help me, I’m willing to risk getting hurt again because what we have is everything to me.”

“It’s everything to me too,” T.K. says, squeezing his hands. “I know it may not seem like it, but in my own, weird, twisted way, I was trying to do the right thing for us. Just, taking myself out before I messed it all up. I’m sorry. I’m so, so sorry.”

Carlos’ head is spinning a little. “Your ability to self sabotage has to be unparalleled.”

“Yeah my therapist and I will be having a lot of conversations about that,” T.K. says with a mirthless laugh. “Among other things.”

“So you’re committing to go back to therapy?” Carlos asks.

“Yes,” T.K. says immediately. “I’m going to figure this out. I’m going to be better, for both of us.”

Carlos contemplates this for a moment. It’s a start, it’s a tangible way to prove that they are moving forward. That they’re putting this behind them permanently. “Can I come with you? I think it might be good for us to go together.”

“Yeah,” T.K. says. “Yeah that would be great.”

Carlos nods. He wasn’t sure how he would feel after this talk, but it’s a relief to finally have it all out. He feels lighter. Exhausted, but lighter. And so incredibly relieved. 

“Come here,” he says, pulling T.K. into his arms and resting his chin on top of his head. “Thank you. For coming home. For still loving me.”

“Always,” T.K. murmurs, his eyes already closing despite his earlier assurances that he’s physically back to normal.

He lets himself sink back into the moment, the heightened emotions of their conversation fading as he runs his fingers up and down T.K.’s arm, pressing kisses into his hair. This. Of all the things he wanted back, this is what he wanted most; to just be here, wrapped up in one another.

Their future is going to take work. It’s going to take change on both their parts, but they can figure it out. Together.

[ddarker-dreams]

FINALLY SOMEONE SAID THE TRUTH.

I admit that i enjoyed act 3 but it feels like really rushed i have so much complain with that.

The build up until act 2 was so good it give us so much premise but the final blow si meh. Sorry that i want to share thing long rant with you

1. Why the final talk is with yae, no offense to her but we need ei to explain not to mention she witness khaenriah downfall so she can give us more information, i feel like they do it for the plot armor so they can just keep dragging this

2. So many things that quite inconsistant, the shogun is show no mercy to anyone that even did a little thing outside what she think its right, how come she can still have a talk with signora, when sara is falling like that, and also there is no clarification about sara right now.

The traveler was so done at first they refuse to help thoma and ayaka at the beginning. But they seem so happy and forget everything how come they are not RAGE ( okay maybe this is to bias and personal) when this nation provide nothing about our siblings information and also why they are not mention anything about their problem in ei stroy quest. Its nonsense! She is right in front of youu, ask about your siblings, ask about khaenriah, ask about ukmown god!!. How come they can just forget like that. Also mihoyo really waste the potential about twin things i thing ei will give us so much help bcs of the sympathy that we both rn lost our twin but noooo.

3. Kokomi seem lost some brain cell, she make a very succesfull grand intro but she become meh in act 3, how come a great strategist like her let the sus sponsorship slip just bcs they are desperate, not to mention her screen time is really small and her role seem so unsignificant and it feels lile she is a plain npc.

4. The awesome world quest that we have done doesnt get any mention at all! Inazuma owe us so much with cleansing sakura, thunder sakura, tatarigami, obarashi quest. It has so much potential that yae or ei or anyone else aknowledge what traveler has been done but nooo.

cracks knuckles... i suppose it's time for my promised dissertation. interestingly enough, you touched on a lot of the main issues i had with chapter III.

i think that if i had to pin the main issue, it's a lack of overall cohesiveness? we were jumping all over the place without the chance to ever flesh things out. inazuma is a smaller cast, but i feel like we didn't get to see any of them shine. since i'm most interested in the genshin characters, i'll break down my problems by going over everyone and their (lack) of impact on the story.

was ayaka not questioned or placed under suspicion for being close to thoma before his escape? i wanted to see her broken up over her duties as they relate to the yashiro commission, paired with having someone she genuinely cares about in danger. it would've been an interesting struggle if she was forced to choose one or the other. instead she just kinda took a back seat.

speaking of thoma, i don't even have anything to say, because he just... was there? for .0001 seconds. said "lol this sucks ig" and that's about it. i know we're going to get a story for him in the future since he's a 5* but i'm not getting my hopes up 😭 then in the raiden shogun's character story, man is peachy keen! be upset with the raiden shogun! have some inner conflict! even if it's just using loaded language because he's under surveillance for going against the raiden shogun, that'd be so cool. saying something like,

"Traveler, what's with that expression? Oh please, there's nothing to worry about. We're under the Statue of the Omnipresent God's protection. Nothing bad has ever happened here." *wink*

i also don't know what to say about gorou. he was... there....... i think. what is he fighting for? what are the stakes for him? what makes him place so much trust into kokomi? i'm out of things to say about him because i don't remember anything he did or said.

kokomi... oh kokomi... i was so hyped. so excited. i thought that maybe we could see a foil to the raiden shogun. that she'd have a moment where she's forced to realize, just like her opponent, sacrifices must be made that will hurt people who will never understand why she made them. or maybe something to show her military prowess. but instead she just accepts a mysterious patron's help (?), sees her people aging like the grateful dead from JJBA, and goes oh well. that sucks. what can ya do. oh bye traveler i guess, good luck with that. ????????????? HUH... similar case to thoma where she's gonna get a character story but like. she won't be the leader of the resistance anymore. that was her whole shtick. they took her shtick away. also she forced me to interact with more NPCs whose names i've already forgotten so i'm tilted about that still.

KUJOU SARA... AN INJUSTICE. A DISGRACE. a slap to my woman loving face. the build up was there. yae miko's comments about sara probably knowing the tenryou commission is involved in shady dealings, but is choosing not to think about it. sara being forced to confront reality and challenge her adopted father with the truth. being able to blaze a new path for herself in the process. when she started running to the raiden shogun i was ultra hyped up. sara, a devotee to the shogun for so long, was about to see her god interacting with the same people who led inazuma to this awful state. how would she react? would she stay ignorant, like yae miko so coyly said, choosing to look away in favor of following her god's footsteps? or would she be forced to recognize the raiden shogun isn't as divine as she once thought, and challenge her belief system?

we open the door to see the raiden shogun. the loading screen ensues. the camera pans to the ominous room, clouded in darkness, hinting at the ominous confrontation that is to come. the music takes a serious timbre. and then...

well fuck that potential character arc i guess. (we still don't know what sara made of any of this since she poofed out of existence from the story at this point)

kazuha also was handed a similar treatment. we've been with him for a while longer now. he is our introduction into inazuma, the one who first gets us emotionally involved by regaling us with the bittersweet tale of friendship that led him to becoming a wanted criminal. a kind soul who loves nature yet was dealt a cruel hand by fate, forced to watch his home nation turn into a hostile place, where his dear friend ultimately perished as a result. we get the scene with his friend's vision lighting back up. he parries a block from the raiden shogun, in the same area where his friend was killed by her. the parallels. the drama. except this time, he wasn't too late. he protected the traveler where he "failed" to protect his friend in the past. did he feel redemption at this? or was it a bittersweet reminder of what could've been?

WELL i guess we'll never know because we didn't get to talk to him again 😭 idk who got a bait and switch worse, him or sara. jesus christ mihoyo.

then we have signora. why is the raiden shogun talking to her? does she know about the gnosis being taken, and if she doesn't, what was her plan to get it from the archon? what does she think about scaramouche? and oh, okay, we're fighting here now. good fight + god tier music. pog pog. okay, now we've beaten her up, and raiden shogun wyd— wait no not signora her lore is still on CUPS not YET raiden shogun and— ah she's dead. okay. non nerds who didn't read artifact lore are going to know nothing about her. signora has such an interesting story, and yet... well. ok.

then we get raiden shogun redemption (?) arc. i was hype for this as well, though at that point, idk why i bothered being hype. i knew they were gonna do a cute power of friendship something or another, and i'm good with that, so long as it's executed well. what i was envisioning was like seven different buffs to correspond with the seven different visions, the dreams of those whose ambitions were stolen serving as the spear to penetrate the raiden shogun's heart of stone. maybe a hydro vision giving us extra healing for a time, with the voice acting over it being like,

"Even if the rest of the world forgets us, let our will carry you through this one final time. Succeed where we couldn't, Traveler."

so on and so forth.

but instead we got— you get the idea at this point. why bother spelling it out anymore.

at that point i was surprised the raiden shogun didn't go "oopsie woopsie!! we made a fucky wucky!!!" because that was the vibe i was getting. i love ei, don't get me wrong, but i wanted to see her challenged with what she had done to inazuma in the past year. maybe meeting NPC #2345259 who lost her sister to the vision decree or something, reminding ei of the love she held for her sister... being forced to come to terms with the extent of what she's done in pursuit of eternity.

anyway. please for the love of god mihoyo hire better writers for the main story. that is all i ask. thank you.

[melismaticmadness]

INTERVIEW

Request: “Something in the lines of reader playing reggies gf on the shows s2 and she becomes bffs with charlie but people keep shipping them. Something in like interview style or so....”

Description: FLUFF

1811 Words

Warnings: one curse word!

Charlie x Reader, Featuring Jeremy

Hope you like it!!

Press was always an exciting time as an actor, but even more so with this cast because of what happened before press events for season one. Their virtual press was great, but you can tell how excited they all were to experience it together this time around. Julie and the Phantoms was the best job I had gotten since moving out to LA. Honestly, it could be my big break. I was playing opposite Jeremy as his love interest, but our off-screen relationship was strictly platonic. Obviously, he and Carolynn are married and she is the sweetest. Jeremy is more of a mentor to me.

I sat in between Charlie and Jeremy for our first interview of the day when a production assistant came in and prepped us for the topics for this interview. Each interview has a slightly different focus, so it’s helpful that we know before we get started. The soft-spoken man raddled off some talking points: Charlie’s sleeves, Jeremy’s new character arc, my relationships/experience joining the cast, and then all of us would have time to add in stories of our choice if there was time. Easy. This cast makes it really easy to connect and bond. They are a family and I am so lucky to be a member of it now.

What I didn’t expect was to get so close to Charlie during rehearsals and filming in Vancouver. The two of us were instantly inseparable. He came to watch my film on set, I came to watch him. We rehearsed our lines together almost every night after long days, and Owen even considered me his other roommate because of all the nights I was asleep on their couch. Hanging out with Charlie felt like we had known each other our entire lives, but it had only been about a year.

Interviewer: “So, y/n, you seem really well connected to this cast, even though you’re sort of the new kid in the group. Would you mind telling me how you felt about joining this project?”

Y/N: “Oh I definitely felt welcomed right into the group. I remember my first night in Vancouver, Charlie came to check out my apartment, Owen came too, and I remember Charlie and I trying to prank Owen when he fell asleep on the couch but it was an epic fail. We had water and shaving cream all over the floor and ourselves, oh my god it was a mess, but that’s kinda the proof of how fast I became part of the group. Night one and they were already including me in their fun. The same goes with the girls, Jadah, Madi, Sav, Tori- we immediately were meeting for breakfast before filming together and having movie nights. It was the best welcome I could have imagined, knowing how close they all were from last season.”

Interviewer: “Jeremy, what was it like having this new energy come in, especially to shake things up for your character Reggie, who really was much of the comedic relief last season, but now has this mutually flirty relationship with y/n’s character?”

Jeremy: “Well, it was great having y/n come in and it allowed us all to explore Reggie outside of his quirky one-liners. It’s not that hard acting opposite, y/n, the talent they bring in was insane and we got along really well so it made it a lot of fun exploring Reggie as somewhat of a ‘ladies man’.”

Interviewer: “Yes it was fun getting to see more of who Reggie is, or was? Spoiler alert if you haven’t seen season one, Reggie is dead. All the boys are dead. Anyway, speaking of seeing more of something- Charlie, I noticed the sleeves on all your shirts this season were barely there. Is this a Charlie characteristic that just carried over to show off or was this specifically written for Luke?”

Charlie: “Oh gosh, haha. I think it’s a little bit of both. I definitely bring a lot of myself to Luke, but even in season one, Soyon, our amazing costume and wardrobe supervisor, was cutting the sleeves off Luke’s shirts. I think it played into his 1995 bad boy persona, and now it’s just him.”

Y/N: “and you just like showing off...hahaha!”

Charlie: “If you got it, flaunt it!” With that, all three of us and the interviewer were cracking up laughing and Charlie was flexing which kept us going a minute longer.

Interviewer: “AH,” they sighed, “Y/N, the internet is freaking out about you, truly, because of some photos of you with Mr. Gillespie over here. Let me read some things for you - ‘my heart is broken because I can’t have Charlie, but at least y/n can. I ship it,’ under an Instagram photo of you two the caption reads ‘ship it so hard it’s like the Titanic,’ which is my favorite. It’s too funny. So my question is, what is going on here? Is there a secret showmance that you’re hiding behind Reggie?”

Charlie and I are now laughing hysterically again. I don’t think the interviewer realizes how nervous our laughing sounds compared to before, but hopefully, it’s not noticeable to fans or the rest of the cast. I wasn’t expecting to get questions about Charlie and my relationship when I was supposed to be talking about my character, the whole experience, and all my scenes with Jeremy.

Y/N: “Oh no, no, no. We are friends! Nothing is going on,” I looked over at Charlie who had his eyes locked on me most admiringly. He was going to let me handle this however I wanted. “Charlie and I just happened to click right away during rehearsals and now I feel like he’s the older brother I never had!”

Charlie looked a little hurt at that ‘brother’ comment, but he jumped in to echo what I had said.

Charlie: “Ya know, the fans are so great. They love to keep up with our lives and find little hidden clues in the show about the backstory, and I think that’s just what happened with our friendship. We’re best friends, we have so many inside jokes, we hang out a LOT. But, Nah, nothing is going on here. It’s cute though that they ship us! Look out, Jere! I’m stealing your girl!.”

Interviewer: “You heard it here first everyone, Mr. Gillespie isn’t off the market! Thank you all for your time today. Everyone make sure to check out season two of Julie and the Phantoms, now on Netflix!”

*****************************

After a long first day of press, I was finally walking back into my hotel room in New York when my phone went off.

I tossed my stuff on the couch and plopped down to see what I had missed all day. Charlie had just texted me asking to meet him on the roof.

“The roof?!” I grunted, “How did he even get on the roof?” Back out the door, I followed signs to the roof. Swinging the door open once I got up there, my breath was taken away. New York City right at dusk, with the cool breeze hitting me, was so beautiful.

“Gillespie, are we allowed to be up here?”

“Kenny said we’re less likely to be followed or have our picture taken together if we were up here and came up separately. So, if we get in trouble, it’s on Kenny...”

“The view is amazing. Not surprised Kenny knew about it.” I said as I went to look out over the glass barrier at the edge of the building. We looked out in silence for a minute or so when I heard Charlie exhale.

“Y/n, what was that today?” he said running his hands through his hair.

“What was what today?”

“That whole ‘Charlie is my brother’ thing,” he made his voice go up in pitch to mimic my voice when he said it and I could tell it was bugging him, but I didn’t know why.

“I was caught off guard...I mean we’re friends.. but I figured no one would believe that if I didn’t squash the rumors right there. Sorry if it was like, emasculating, or made it seem like you don’t have any game, lol.” I playfully hip bumped him to get him to laugh a little and it worked but there was still something on his mind.

“Char, is your manager upset with what I said? I can fix it tomorrow, I’ll figure something out-” I said tilting my head in front of his so he was looking at me instead of the view.

“No, y/n, no, it’s okay..” he hesitated, “but is that really what’s going on?”

It felt like the wind was knocked out of me at that moment and all I could do was slide my back down the glass and sit on the roof. My head was in my hands and I didn’t want to say the wrong thing next.

“Hey, hey, I’m sorry if I caught you off guard,” Charlie said squatting down to my level. “I just thought..maybe you felt something, anything, telling you this was more than a friend to friend relationship..” Now he was rubbing my back. Damn, this boy is my best friend.

“Charlie, I- I don’t want to lose my job. I love working with you and with everyone,” I took a deep breath, “but I can’t say I never thought about it. I have definitely thought about it.”

“Okay, so what are you thinking in that head of yours?”

“I’m thinking that I care about you and that I have for a while but didn’t want to admit it to myself until now,” looking up at Charlie I could tell he was fighting to hold back a smile.

“Kenny, won’t fire you. I talked to him in LA before we went up to Vancouver because I didn’t want him to be disappointed in me because of how I felt.”

“You told him in LA?! He’s probably been watching us and laughing at us for MONTHS. Oh my god.”

“No, it’s cool. He just warned me to make sure I wanted to be more than friends because he didn’t want to lose you.”

“Wow. Okay.” The weight I didn’t even know I was holding, had been lifted off my shoulders. “The fans really do know us better than we know ourselves.”

We both laughed and Charlie finally settled down right next to me.

“Look, I’m not saying we rush into anything. I knew I had to say something before the opportunity was gone. Now that the show’s out, you’re going to have guys banging down your door for a date.”

“I guess it’s a good thing the only guy I am looking for is you then, hmm?”

“Thank god for that interview…” Charlie said under his breath.

[yusei-clownington]

SO I FINALLY FINISHED 5D’S! And what better way to celebrate than to go through my favorite characters as…briefly as I can

Slight spoilers I suppose?

Let’s work it up from 10 to 1

10- Jack

Was gonna go with lucchiano but who am I kidding Jack’s great. He’s a drama queen with an even more dramatic wardrobe. Never afraid to express himself and just bluntly blurt out what he thought.

His obsession with Cup ramen is on another level but what can I say? Love is love, Jack x cup ramen for life *wipes tears*

But seriously speaking he’s great. His very first line was enough proof of that. He just… apologized for being late then declared “I AM KING” like the…king he is.

My favorite Rival character still remains Manjoume… and… Yeah I still prefer Kaiba over Jack but damn was he a good rival.

Like he has to be the only Rival so far with an actual past with the Main character, no? That was pretty interesting because usually, the protagonist meets the rival somewhere during the first season and we go off from there. But here we had to go through their backstory to know what their relationship was fully like. Nice touch.

9- Aki

Hands down my favorite female protagonist so far. I adore Anzu and feel neutral enough about Asuka but Aki? NAH MAN AKI’S AMAZING. I think 5D’s just does the best job with its female characters. Like it actually gives them big enough roles. I loved how Aki got her own episodes…be it the D-wheel ones or just… fillers.

Her crush on Yusei was justified, at least it seems so to me, and honestly never got obnoxious. Sure she had a moment here and there but it was honestly never a bad thing. Hell faith shipping in general isn’t exactly a bad Idea.

Speaking of shipping, is anyone going to talk about her little frienshipmaybemore moments with Crow? No? Ok…

But anyway, overall, SHE’S AMAZING AND I LOVE HER. There was more to her than some boring pining love interest and it shows with each episode. So when people say she has a great personality, they’re actually talking about her personality. AKI RULES

8- Mikage

Would’ve been way WAY higher on the list if the thing with Jack was thrown out the widow.

That being said I think she’s the more mature of the Jack-crazy trio. Like sure she was just as into him as the other two, but in some scenes she was a lot more tolerable.

But that honestly might just be my bias towards this amazing woman speaking.

She’s devoted to her work, gentle, caring, gorgeous and just all around a wonderful character to see.

I loved most of her scenes in the series, and the fact that there was more to her than just the jack part. She actually had an important part to play in many episodes and honestly proved herself to be a very fun character. I just wish they gave a her little more screentime than what she got.

A lot of lost potential there- I mean come on.

7- Rua /Lua

He reminds me of Judai WAY too much. LIKE WAAAAY too much not to be on this list. The guy’s adorable. And I love how they made him the emotional one. Like they could’ve gone with the “the boy is always rowdy and tOUGH” stereotype, but they didn’t. Sure, ruka (who I don’t like as much) was much more gentle, but it was much easier to see Rua cry than it was to see her do so. It’s just fun is all.

I also adore his deck and that little theme that played whenever he dueled… Plus his relationship with Jack and Yusei…GOLD GOLD.

6- Ushio

I made a whole post about Him, You think he wouldn’t be in my Top 10? Well think again. Great development would see through again.

5- Sherry Leblanc

AAAAAAAAAAAAAAAAAAAAAAA SHERRY.

What you just witnessed in the line above is my internal reaction to literally any scene this beautiful badass woman happens to be in.

She’s just amazing. She has this really… tough energy IDK HOW TO DESCRIBE IT BUT SHE’S A REALLY INTIMIDATING WOMAN. But not in a bad way, oh nonononono in a REALLY REALLY GOOD WAY OKAY.

Her character arcs and episodes somehow felt…really separate from the whole team 5D’s shenanigans even though they were basically connected…

Like she had her own motivation that didn’t particularly rely on bonds, but was still willing to accept and even form a bond with the whole team.

Revenge is kinda hot ngl.

Okay no it’s not. But seeing a vengeful character that WASN’T played off as evil or particularly wrong amidst a bunch of friendship is magic ones was pretty refreshing.

The moment she took her helmet off when dueling yusei I was HOOKED and so was Aki but shhhhhh.

But damn I love what they did with her at the end, Rushed as it may have been. It took her joining with Z-one briefly and dueling Aki and Crow ( a very underrated duo btw) to realize that maybe thinking of the past and only the past was not a very good idea.

Anyway love her. And her duels are always a delight to watch.

4- Placido

Before he showed up, sherry was supposed to be 4th but here we are. Placido Placido Placido. I want to make it clear that…I really couldn’t care less about Aporia as a whole. But Placido and Lucchiano were pretty fun characters.

Now I finally get to talk about my beloved.

This dude was…the biggest mood. EVER.

He would hang up in that third one’s face like it was nothing and constantly ignore his boring ass. Oh. You have a plan? Ok. I don’t care. It’s boring. I’m placido and I’ll do what I want. Kiss my D-wheel ass.

He has a lot of hilariously sassy lines, which include and I quote:

“I don’t know what god wants you to do.”

“But I won’t accept it!”

The guy just does not care and I’m living for it.

Not to mention his bee analogies which- Why have I not seen anyone point out????? BEE ANALOGIES COME ONNNNNNNN

aNYWAY PLACIDO’S GREAT

3- Kiryuu

Edgy dude with pretty hair. Also gay. Also the crash town arc. Need I say more?

I will anyway.

Honestly dark signer Kiryuu was pretty fun to me with all the crazy laughter and stuff…

Then past/ flashbacks Kiryuu was just as interesting but in a completely different way. Sure he didn’t get as many episodes or screentime as the rest, but what I saw of him was more than enough for me to care about the Character. Like unlike the old satellite gang (Rally and the other two whose names I can’t even remember) I actually gave a shit about this guy when bad stuff happened to him.

Not to mention his growth. Like…He went through reverse/ negative development, then uphill by the end of the signers’ ark with all the…dying in your hands gayly stuff, then downhill again by the beginning of the crosstown arc….aaaaand back up and higher than ever by the end of it. Basically the fact that his development wasn’t always constant just added some spice.

Plus his dynamic with his ex-teammates…team….satisfaction (Try saying that with a straight face) was always pretty entertaining, especially his with Yusei.

Speaking of which...

2- Yusei

With all my talk about him…and…my profile picture…and URL, it may come as a surprise that he’s not number 1 here, but honestly it’s so close you could call it a tie.

As for why I love him….Have you- Have you seen my blog????? Do I even..need to say anything????

1- Crow

Now there’s a lot I have to say about Crow honestly hE’S JUST THAT COOL, but I’m saving it to talk about later still. All I’ll say for now is this:

Flashy guy with an amazing sense of style, an earring and an incredible amount of cockiness and charisma. What’s not to like?

[kinsey3furry300]

A very confused Star Wars Fan desperately tries to justify their belief that “Caravan of Courage” shows the way forward for the franchise. No, really.

Ever since I was a little kid, I’ve loved Star Wars. And I mean, all of it. The books, the games, the Lego, the spin-offs: I even enjoy the Holiday Special in a The Room so-bad-you-just-need-to-see-it sort of way.  But particularly the films. But here is when we run into the big problem: I’m just the wrong age. The original trilogy launched before I was born, the prequel trilogy hit cinemas when I was already a teen and while I went and saw them and enjoyed them, I was at that age where I was self-conscious about seeing a “kids” film, and hyper-aware of how silly and cringy those films were in parts. So my indoctrination, my inoculation with the Star Wars bug didn’t happen in the cinema, and it didn’t happen with any of the main franchise works. It happened on home video, on a skiing trip in the French Alps in the early 90’s. I’d have been about 6, and this was the first time I’d ever been abroad other than to see relatives in Ireland.  And I loved it: to this day I love skiing, but more than that, I have very, very fond childhood memories of this trip. This was shortly before I lost my biological mother to cancer, she’d have received her diagnosis just after we got back from the trip. This was when my younger sister stopped being an annoying screaming thing and became and became an actual person I could talk and play and share ideas with, this was before the combination my mothers long illness and my father having just launched his own IT start up meant I didn’t see him or her any more, despite the fact they were in the same house as me. This was this wonderful, nostalgic child-hood bubble when my family was intact, and nothing could ever go wrong. I skied all day with mum and dad, and would come back to the chalet in the evening. It was an English speaking chalet, I met my first real-life American there, and having grown up in the 90’s in the UK nothing was cooler than making friends with an actual American my own age. He had a hulk Hogan action figure with springs in the legs so if you put him on a hard surface and punched his head down, when you let go he’d jump really high in the air. We used to play with it together in the bath, back in that weird 90’s time-bubble when it was possible to convince two sets of parents that this kid you’d just met was you best friend in the world and of course shared bath time was, somehow, normal and appropriate. And fresh from bath time, tired from the day, the parents would give us some hot coco, dump us kids in front of the tv and grab the first shitty low-budget VHS they could find to keep us distracted while they went to the bar. In this particular time, in this particular place, that shitty low budget cartoon was the  complete set of the 1985 Lucasfilm/ABC Ewoks cartoon, plus the two spin off movies, and to this day that cheap, kitschy, kind of bad series has a special warm and cosy place in my heart. I remember being enthralled by the world, in love with the characters, applied by the bad guys and the injustice they caused (to this day I’m still irate about that time Wicket lost his set of beads documenting his progress towards becoming a full warrior and the older Ewoks basically said, tough, you need to re-earn all those merit badges from scratch. This struck me as exactly the sort of bullshit an adult would pull, and pissed me off) and on tenterhooks about what would happen to the characters.

It was also, by a coincidence, the first ever Star Wars media I was exposed to, and the above combination of events probably explains a lot about me.

So I was surprised, the other day, when scrolling Disney+, to find they’d added Caravan of Courage AND Battle for Endor to the roster in my region. Surely Disney wouldn’t want their slick, cool brand associated with this old trash? Surely there could be no place for this in the post-Mandalorian Star Wars cannon? Surely this is a horrible mistake some intern made, right?

Unless…. What if I’ve miss-remembered? What if it’s not just rose-tinted nostalgia goggles, and it’s, in fact, secretly really, really good?

I rushed to my comfy chair, got a blanket, dimmed the lights, made some coco (with rum in it, because why the hell not?) and sat down to re-examine this lost gem.

And wow: it’s every bit as shit as you’d expect.

It has aged exactly as poorly as you’d expect a cheap, mid 80’s direct to video spin-off to age. Caravan of Courage? More like Caravan of Garbage, am I right?

And yet… I still enjoyed every moment.

And it was sitting there, in my pyjamas, watching a cheaply made direct to video cash-grab from just before I was born, seeing it again for the first time in nearly 30 years, and I realised something.

It doesn’t really matter if this film is bad, so long as I enjoy it. And if it doesn’t really mater if this is bad, then I, like many Star Wars fans, wasted a huge amount of time and emotional effort on being butthurt about stuff I didn’t like about the Rise of Skywalker and it’s ilk. Because somewhere, right now, a tired and frustrated parent is putting Disney+ on to keep their kids quiet for two hours. And they won’t think too hard about what they put on, so long as it keeps little Timmy busy for a bit. Somewhere, right now, a kid is watching Rise of Skywalker, and it’s the first Star Wars media they’ve ever seen.

And that’s okay. Because we don’t know what that kids home life is like. We don’t know if it’s good or bad. Maybe it’s great, maybe it’s about to take a dramatic plunge like mine did, and this moment here will be the cosy, warm memory they look back on in 30 years time, and that’s beautiful.  They’re getting introduced to a fun, wonderful fantasy world that could be with them all their lives, through good times and bad, and as fans we should be happy about that.

Star Wars will never, die: it’s too darn profitable, Disney will never let it. And while I hope they learn from their mistakes and make sure every future Star Wars is a timeless gem of story-telling, statistically, if you keep making enough films, some of them will be bad. And while I’d like them all to be great, it’s still okay if they’re bad.

Because nothing can take away my memories of that week in that chalet. Nothing can take-away my memories of when they put the original trilogy on in cinemas for the special edition and I had my jaw hit the floor with how good it was on the big screen, not knowing or caring who shot first. Nothing can take away you memories of the Original Trilogy, the Prequels, or the Clone Wars. Nothing can tarnish the bits of the sequil trilogy that you like, and there are good bits in there.

But wait, what about continuity? What about the sacred, perfect written time-line that used to exist?

Well, what about it? Have you seen any other big, epic fantasy universe before? They’re all a mess. A work of fiction, particularly fantasy, can be extensive, or tightly written, but not both. Harry Potter is only seven books, and the last two feel, tonally, like they’re from an entirely different series. I love them, but the grim-dark kicked in so fast you’ll get whiplash. The Hobbit is a perfect written self-contained novel, and LOTR is *The* big boy high-fantasy trilogy: fast forward 50 years, and Christopher Tolkien is desperately squeezing every last drop of money out of his father’s corpse by finishing and publishing every unfinished note JRR ever wrote right down to his shopping lists. Even Dune goes of the rails with sequels. I can only think of four fantasy works that are both extensive and consistently tightly written, Song of Ice and Fire, Wheel of Time, Malazan: Book of the Fallen and Brandon Sanderson’s Cosmere universe. And even then, the prequels and spin-offs mess with the timelines: the Dunk and Egg novella’s change some character’s canonical ages and timelines, Wheel of Time was going slowly off the rails even before the Jordan died, Forge of Darkness made what was a good metaphor for the creation of it’s world into a literal war deep in the past, and Sanderson’s first Novel Elantris got a re-write to bring it more in line with the rest of the shared universe. The MCU, oft held up as the modern example of tightly planned, well thought out ongoing storytelling, is a lie: it was never as pre-planned out as Disney wants us to think; the first Iron Man, apparently, barely had a script, with Downey ad-lib-ing most of his scenes. None of the MCU films are direct sequels to each-other other than Infinity war and Endgame. There are three Iron Man films, and Three Thor films, and none continue an ongoing story line across multiple films, and the Cap films barely continue an arc, but only where Cap’s relationship with Natasha and Bucky is involved.  Much like these, Star War’s cannon is a complete, nightmarish, confusing, tangled, illogical mess. And it has been since 1984, as Caravan of Courage proves. It was never consistent and well planned.

And that’s okay.

I used to care about plot holes. I used to care about which works were cannon in Star Wars lore. I’m over that now. I’m happy to imagine the books, films and games not as a blow-by-blow historical account of a galaxy far far away, but as campfire stories from within this fun, imaginative world that we’re all invited to listen to. Stories that are in-universe myth and folklore, that we can all snuggle up and listen to while drinking highly alcoholic rum and remembering better times, knowing that wherever the future throws at us, no matter how the world goes to hell around us, we’ll still have the memories, and the ability to make our own new stories in the wonderful Star Wars world we all share.

And that’s okay. No, more than that: that’s beautiful.

Also Star Wars is completely unambiguous on the fact we’re allowed to kill fascists no matter how many times they keep coming back with a new logo, so that’s timely I guess.

So, there’s my hot take two-years after everyone else stopped caring about this stuff, as per bloody usual. Tell me why I’m wrong below, and does anyone else have any truly awful spin-off shows that they kind of have a nostalgic soft spot for?

[simon-newman]

Newman’s Anime Reviews - Code Geass: Lelouch of the Rebellion

Hello and welcome again to the 2nd of my 2021 anime challenge review.

For February I’ve watched something that my friends were trying to make me watch for years.

It might actually be more than a decade that I’ve been putting this title off and they were quick to add this to my challenge list once the opportunity arised.

Were they right to recommend this title to me? Should I have watched this anime earlier? Those 10 years ago?

Perhaps. Still - I’m coming here with mixed feelings on this show. But… I’ll talk more about it in the review proper.

Today’s title is the 2006’s anime by Sunrise.

  Code Geass: Lelouch of the Rebellion

  Now where do I even begin with this show? What even is this? What the hell is happening?

Well…

The Empire of Britannia is one of the 3 major political powers in the world of Code Geass - ruled by the Emperor Charles zi Britannia they invaded the country of Japan 10 years before the start of the plot.

Their absolute military dominance thanks to the use of cool mecha has led to unconditional surrender of Japan which is now known as Area 11.

It is there that our protagonist - Lelouch - the young Britannian student plans to take his revenge on the Emperor himself for what he’s done to him and his wheelchair-bound sister. 

I feel that it is important to put emphasis on this last part here because this is the ultimate motivation for our MC. Something that’ll drive him forward no matter what.

He wants to create a safe world for his sister. That’s it.

Need to protecc.

  The question that remains is: How?

How do a teenage boy banished to one of the colonies is supposed to change the world and cause a major power shift?

We get first glimpse at his supposed skill almost immediately - with Lelouch easily defeating an adult player in the game of chess. Nothing much so far but it’s an indication of his real power “shown” later on.

Lelouch is a genius… Or at least this is what the anime tries to convey to us. He is clearly smart and a gifted strategist with lots of charisma and a penchant for theatrics.

However - this is still not enough. That’s why something happens to push our protagonist forward at this stage. In a weird turn of events, a run in with anti-britannian terrorists and a top secret research subject Lelouch obtains the titular Geass.

What is a Geass? It is a power gifted to an individual which in case of Lelouch allows him to give anyone he establishes an eye contact with a single command that this person must follow.

This is actually one of the tame ones.

  From there on Lelouch joins and reforms the “terrorists” into “Black Knights” - a Rebellion led by his alter-ego the masked man called Zero - and starts executing his plan to take revenge… I mean to make the world a safe place for Nunnally.

From there we follow Lelouch as his Rebellion grows while he himself learns the limits and drawbacks of his power and tries his best to hide his identity as Zero.

Initially the show is quite entertaining - especially when it comes to battle scenes where we get to see Lelouch improbable planning and tactical skills at work. As for the other parts…

Yeah… I should have watched this show those 10 years ago because right now the parts with MC’s school life just don’t do this for me… They really slow down the plot and while they do serve the purpose of establishing various plot-important details it’s just... 

Well the pacing sucks.

Without any breaks and just the action sequences the anime would be very much rushed but the break parts at school just go on forever, developing into trivial stories used to deliver some little bit of exposition or character development. The balance is off and the show doesn’t get better until the mid point…

Speaking of which…

Nice mountain you’ve got there...

  There’s a major shift that happens somewhere in the mid-point of the anime that is bothering me to this day.

Who is the bad guy?

It might seem like a trivial question to many.

Obviously it’s Britannia! With their world conquest, asshole Emperor, warmongering royals, discrimination of conquered nations they call Numbers (in case of Japanese it’s “Elevens”) and engaging in wanton destruction and genocide for no good reason. They’re basically the Nazis.

With the above in mind there’s nothing wrong with Lelouch being willing to use all means at his disposal to achieve his goals… Right?

Monsters need to be stopped.

That was kinda the thing until the Battle of Narita where the Black Knights’ tactics caused the destruction of a town.

Now - this by itself could have been used to drive the point home with the Rebellion losing a lot of PR. After all the town was in the JLF controlled territory, inhabited by the Elevens and stuff…

Well. You see - the creators of the show didn’t think that was enough and/or missed the opportunity.

First of all - there’s no PR backlash for the Black Knights whatsoever. Nobody cares. The Britannian are now leading the rescue and recovery operations in the area and… It’s just weird. Why would they suddenly bother?

Secondly - it suddenly turns out that the people in the enemy-controlled territory were… Britannians? SOMEHOW. This is made to inflict personal level suffering to MC and some other characters as one of the character’s relatives dies in the event.

Third of all - after this very point there’s a major change. We no longer get to see Britannians committing atrocities but do get Lelouch crossing line after a line in the pursuit of his goals.

I think the creators realized that to make it appear more grey vs grey they can’t show Britannians as complete monsters but… It really doesn’t feel to occur naturally here. Were the person in charge of Britannians change again? Yes - I could accept that they are a better person than the previous leader. It isn’t so. And even if it was it wouldn’t undo their previous actions and made the characters that stayed seem really inconsistent.

It’s a major turn off for me when consistency in storytelling takes a back seat for a point to be made.

Because Zero’s not edgy enough without it I guess...

  There’s also another kind of inconsistency here when it comes to battles.

The cool mecha used by the Britannians are… Well. In the early parts they seem indestructible until the plot demands they’re not.

At first it seems that only other mecha have the weapons that can affect them. Then we see that some weapons do work BUT it is only when MC is commanding the battle.

It’s a magic wand that removes the plot armor from Britannians whenever Lelouch is there and often gives them to the allies.

Often - being the key word here.

One good thing is that it doesn’t stick. Plot-important characters don’t die but they are not immune to damage either. The mechas often get wrecked and require fixing. Lelouch himself is subject to this quite often as he’s not an outstanding pilot like others on his side.

It is thanks to that aspect of the action parts that the anime is not becoming one-sided and remains entertaining. You’re drawn to it to see what’s happening because it’s not just another battle.

Yes... Really entertaining battles...

  I think it is becoming apparent what’s the issue here.

There are a lot of things done wrong with this anime. Things that don’t necessarily break it but I can’t just overlook them. Things that are putting me off. Inconsistency, bad pacing, weird editing where some scenes are cut extremely abruptly - as if to reduce time. 

There’s also the usual issue of geniuses written by people who are not geniuses. Lelouch brilliancy is only guaranteed by the fact that people on the other side will do something stupid. Some of his actions are not the brightest and some are just downright stupid and easily could lead to his downfall were his enemies to have half a brain. Or worse - one action is such a poor choice it simply falls apart on it’s own - and you could expect it to the moment “it” happens (is there a point in keeping spoilers on this show? I’m talking about Geasing Shirley).

There’s also the braindead Suzaku - a subject so controversial on the Internet that I’ve hesitated to touch it here and decided to only reduce it to a small paragraph.

Yes. Suzaku is an idealistic foil to Lelouch. He serves his purpose. BUT. His idealism is stupid - not by the virtues he’s holding but by remaining blind to what is happening around him. He wants to end the discrimination without using violence but the Britannians are killing Elevens for no reason whatsoever. Time and time again the side he’s on goes against his principles and he still sticks to them. It is becoming less and less possible to emphasise with him with each incidence.

Still - there was a certain charm to this anime. It was fun to watch and only getting better the farther in I’ve gotten.

Not including the school drama.

All in all the score I was about to give was still going to be pretty low at this point. The anime was decent but far too flawed for my tastes… That was when the last story arc started.

The pizza...

  I must say. The rug was pulled from under my feet.

Those events were really unexpected. Emotionally draining and yet entertaining as nothing before in this show.

So many lines have been crossed in an instant - there was no return. Not anymore. Shit was happening and it was a spectacle to watch. Some men just want to see the world burn. Duh. I watched events unfold and I enjoyed it very much until the very end.

The end of a 1st season that assured I WILL watch the 2nd one when I find the time (I didn’t so that it wouldn’t affect this review).

All in all - the show’s grand finale is the high point that offsets all the problems I’ve talked about earlier. It is simply done perfectly.

And speaking of endings. It is time to finally end this review as well...

 Final Score: 7/10  

Status: Completed Season 1

Sentence: Lelouch vi Britannia commands you: Watch Season 2!

Previous: Kimetsu no Yaiba

[duhragonball]

Hellsing Liveblog Ch. 57-61

This is the “Wizardry” arc. 

I don’t know why it just now occurred to me, but there’s more than a hint of the Joker in the Major’s character.   He’s always grinning, and now we have him dancing on a blimp while enemy helicopters are firing on him.

The Doctor shits a brick over this, because the arrival of the Vatican’s 9th Crusade force is the first serious resistance that Millennium has encountered since they invaded London.   He begs the Major to come back inside and move their airship to safety, but the Major is too preoccupied with dancing like a goofball.   Up to this point, the audience must have been eager to see someone take a poke at the Major.  I know I was, if only to see what sort of powers he had.   I mean, he hasn’t aged a day, but he doesn’t seem to be a vampire, so what’s his deal?

But before we can find out, the helicopter that was about to shoot him gets torn apart by magic wires.   Wait... that sounds like...

DUN DUN DUUUUUNNNNNNN! 

Yeah, Walter’s switched sides.   He’s also younger-looking too, so this must be what Schrodinger was talking about when he told Zorin that the Major and Doctor had a new “toy”.   They were too busy turning him into a vampire to bother punishing Zorin for disobeying orders.   In the previous chapter, the Major asked about using Walter (without mentioning him by name), and the Doc said something about the rushed nature of the job.    Presumably, the Doctor was doing the artificial vampire treatment on Walter all through the night, while Seras and the Wild Geese were defending the mansion. 

What I’ve never been sure of is whether this was a spur-of-the-moment decision, or if Millennium approached Walter a long time ago, and Walter’s been their mole in Hellsing throughout this entire story.   The Major’s line here seems to suggest this was a long-term plan.    “I had already decided half a century ago.   The Death’s Head [the Nazi SS skull insignia] is a fitting match for the Angel of Death [Walter’s old Hellsing codename].”

But that could just mean the Major thought of the idea way back then.   He saw Walter and Alucard wrecking all his stuff in World War II and thought “This kid would be a good recruit someday!” But when did he make the pitch?   Was it last night?    Before the Valentines’ attack?   Before Arthur Hellsing’s death?   Before the end of the war?

I think it’s reasonable to assume that Walter was on board at least before he parted ways with Integra back in Chapter 39.  The Captain suddenly showed up, and he told Integra to take the car and flee, because he wasn’t sure he could defeat the Captain and he didn’t want her around in case he failed.   But it’s much more likely that he only said this to keep her from finding out that he had a rendezvous with the Major, who arrived soon after.   

Now that I think about it, this may be the only reason the Major sent his troops to capture Integra.   He wasn’t particularly concerned about her, but he knew Walter would be with her, and he wanted to get him to the Doctor as quickly as possible.   This may also be why he ordered Zorin Blitz to hold off on attacking the Hellsing mansion.  If Walter had been inside, Zorin wouldn’t have known about his allegiance, and it’s very likely that one might have killed the other.  

Actually, yeah, this is why the Major fired those rockets on the Hellsing mansion in the first place.   If Walter was there, he would know the attack was coming, and use the attack to cover his departure. Then Zorin probably would have been ordered to give him a lift back to the Doctor.  But Walter wasn’t home, and Zorin didn’t wait for orders, and Seras turned out to be much too powerful for her.  

Wow, this is like peeling an onion.  That must be what the Major meant when he chided Zorin for costing him “precious soldiers.”    Her reckless tactics got her and her company killed, but she might have also wrecked his plans to extract Walter, and it’s only a matter of luck that he happened to be at the naval base instead of the mansion. And we know that Zorin knew nothing about Walter, because Schrodinger only hinted about him without mentioning his name.   If Zorin had known, he would have just said “Yeah, we’re turning Walter into a vampire right now, no thanks to you.”

Anyway, Walter’s betrayal fascinates me, but also fuck you, Walter, you traitorous piece of shit.

Speaking of treachery, the 9th Crusaders are busy shooting the shit out of London, killing anything that survived the previous night.    Millennium is a threat, sure, but Maxwell sees this as an opportunity to conquer England for the Catholic church.    I’m not really sure “conquer” is meant literally.   I think it’s more like, Hellsing and the Iscariot Organization have some treaty, and I think that treaty applies to their respective governments as well, but the civilian governments might know nothing about it.    Maybe?  

What I’m saying is that I think this 9th Crusade is supposed to end with the overthrow of the Anglican Church in the United Kingdom, with a new Catholic-leaning regime in its place, so that the Pope would have the same influence over the U.K. that he apparently has over continental Europe.   

In that sense, I’m pretty sure Hellsing’s version of John Paul II didn’t order Maxwell to gun down civilians and shout “Die did die die!” over a loudspeaker.   He may not have been terribly worried about Protestant casualties, but there’s plenty of Catholics living in London, after all.    Maxwell doesn’t seem to care, and I think it’s clear that he’s exceeding his mandate.   

And Alexander Anderson knows it.   I think the whole Catholic contingent in this story knows that Maxwell’s gone too far, but Anderson’s the only one honest enough to say it out loud.    Anderson’s group is still escorting Integra home when the 9th Crusade attacks, and Integra accuses Maxwell of betraying her, but Anderson remarks that such backstabbing is typical in war.    So it’s not Maxwell’s duplicity that offends him, it’s the way he’s going about it.   When Anderson kills people, he’s doing it to serve God, and God alone.   Maxwell’s not serving God at all.

“All you’re serving is his power!!” Anderson says.    By “his” does Anderson mean Satan?  Millennium?  Mars, the god of war?   Maybe all three, or maybe it doesn’t matter.   I always thought Maxwell was serving his own power, but the point is that he’s not doing God’s will by any stretch of the imagination.

But the others still respect the chain of command.  Archbishop Maxwell is in charge of the 9th Crusade and the Iscariot Organization, and Heinkel reminds Anderson that they were ordered to capture Sir Integra, not escort her home.    So they all draw their guns on Integra, resulting in the most Integra panel ever.

Then Seras shows up and beats all their asses.   Yeaaaaahhhhh!   Seras, you’re doing amazing, sweetie!

Everyone’s like “Oh shit, it’s Seras Victoria!” like they’re gonna try to fight her, but Anderson can tell that Seras is now way out of their league.   Remember, this group of Iscariots fought some Millennium troops and half of them were killed.   Seras tore through about as many Milennium troops without much hassle at all, and that was before she drank Pip’s blood.

And Anderson spares some words of praise for his foe.   I guess this is like the owner of a Ford truck exchanging compliments with the owner of a Chevy truck.    “You’re a rat bastard, Chevy man,” he says, “but those are some fine Truck Nutz” you have dangling from your tow hitch.”  They’re never gonna be pals, but real recognizes real.

Also, I just think Seras looks super extra-cool in this moment.  Anderson kind of treated her like a joke before, but now he sees her as a peer.   She looks so dark and haunted now, and at the same time she’s more comfortable and sure of herself than we’ve ever seen her.    Seras never set out to become a vampire, but she’s still found herself on this path.  It’s scary and beautiful at the same time.

But never MIND that SHIT, here comes...

No, not Maxwell, Alucard is returning!  I just used this page because Maxwell’s reaction to the news is more interesting than gloomy images of a ruined carrier drifting up the Thames river.   

There’s a moment in the Hellsing Ultimate anime, right after Seras and Anderson turn to look, where she’s got this big grin on her face, and she goes “I can feel it.   He’s returning.”  It’s not in the manga, maybe because it’s not that important, but I’m a sucker for any Seras content, and I love that moment because she can sense Alucard at a distance now, and it’s a very pleasant experience.   For Seras, I mean.  I suspect it’s actually a very bonechilling, bloodcurdling sensation, but Seras has gone Full Goth, so she digs that sort of thing now.  

I don’t know how the hell Anderson can sense Alucard, though.   Maybe being a Regenerator gave him super smelling powers, like Wolverine.  

And even the Major is pleased, because now we finally have all the major players in the same city.   Not sure why the Captain rates an appearance here, when he never says a word, but we’ll run with it. 

So, up to now, we’ve had these 9th Crusaders lined up against Millennium soldiers, each cosplaying as troops from old wars.  I guess Millennium’s SS uniforms have hint of legitimacy to them, as these guys really were part of the SS back in World War II, before they became vampires.  But the point stands, they’re walking anachronisms and they know it.  

But then Alucard jumps in between them, practically giddy for a chance to participate in this war.   Not to be outdone, Anderson and the Captain perform similar Iron Man landings on the same street.   When I watched the OVA, this was about the point I started to wonder if I had missed something about the Captain, because this story has been hinting that he’s like Millennium’s strongest guy, and somehow on par with Anderson and Alucard, even though he hasn’t said anything or done anything this entire time.   This would be like if Superman and Goku squared off in the middle of London, and then some rando OC from DeviantArt walked up to join them.   Like, we know Al and we know Andy, but who the hell is this dude?   I don’t care if he can hang with these two, they should have established that earlier.

Al asks for orders, and Integra makes this big production out of “Kill everybody with a racist uniform and a funny accent.”   Okay, fine, but this is a lot of bad guys.   How is even Alucard supposed to take them all down?  And this leads us to Control Art Restriction Level Zero.

I’m just gonna cut to the chase, because this post is running long enough already.  Al used “Level 1″ to make short work of Luke Valentine and Rip van Winkle, and maybe Dandyman as well, I’m not sure.   Recall that nothing could stop Alucard on the H.M.S. Eagle.   The Blackbird crash, the Millennium soldiers, Rip’s magic bullets, none of it.   So he activates “Level 0″, which ought to be even more gonzo overpowered, and starts reciting this alchemical poem which I really out to cover in some other post, and all the bad guys panic and start attacking him. 

To all the smartasses who say “Well why don’t the bad guys attack them during the transformation?” there you go.   AGAIN.   This sort of thing happens a lot more than you’d think, and it never works, because anime/manga creators are more self-aware than you’d think.   It never works, because if it did, then it wouldn’t be “attacking a character in mid-transformation”.  It would just be “killing a guy before he could do his big move.”  So when a character does a big climactic thing like this, there’s really only two options.   1) Have the other characters stand back and watch, or 2) have them TRY to stop it, only to fail, because it’s too late for that.

Anyway, I’m skipping all of that and just showing the end result of Alucard’s power-up.   The bad guys tear his body apart, but it doesnt’ matter because that never worked on him before, and then all these undead men crawl out of the black ether that seems to make up Al’s body.   Just a veritable flood of humans, all washing out of him like a tide of death.  

Anderson starts to figure it out when he recognizes some of the uniforms on these creatures.   And if that’s not enough, Integra explains it for Seras.   When vampires drink blood, they absorb the very essence of the living being who contained it.    “To suck blood is to make the whole existence of a life one’s own.” That’s why Zorin saw Pip’s memories when she tried to read Seras’ mind.   By drinking Pip’s blood, Seras has taken on Pip’s soul as well.   But that’s just one guy.   Alucard’s been drinking blood for over 500 years.   And each one he consumes becomes another soul in his personal army.   

I’m going to guess that Alucard didn’t always have the ability to manifest all of his victims as familiars like this.   Otherwise, how in the hell was Abraham van Helsing able to subdue him a century earlier?   The Hellsing family did stuff to enhance and improve Alucard’s powers, so maybe this was one of them.  They gave him the means to weaponize all of his victims’ souls, for use in large scale battles like this one. 

And I think this might be why Seras is trembling in this scene, because she knows that this ability was passed down to her when Alucard turned her into a vampire.   Or maybe, she’s realizing that she’s got something in common with all of those dead people in Al’s army.   Alucard made her a vampire, sure, but he still drank her blood, so doesn’t that mean there’s a Seras Victoria creature down there, standing alongside all the Janissaries, Wallachians, and everyone else Alucard has consumed?

Something I picked up on was that this is what all of those eyes in Alucard’s design are supposed to represent.   When he used Level 1 you’d see all these eyes staring out from the shadows, and now Level 0 has brought out all these dead people, like they’re the ones the eyes belong to.  Although, most of them don’t actually have eyes, just smoke trailing from their eye sockets.   So maybe that’s symbolic as well.  

There’s also horses in this mess, and that makes me wonder if Alucard drank the horses’ blood along with the riders. Anyway, Archbishop Maxwell observes all of this from his Popemobile and finally confronts the elephant in the room: Alucard is Dracula, like the Dracula.  I don’t think it was ever meant to be a secret, but Kouta Hirano’s been dancing around it this whole time, without ever spelling it out, and now he’s finally spelling it out.  

I think the only one who might not know is Seras?   Someone might have filled her in off-panel, or maybe she figured it out, since it’s not exactly hard, but I don’t know.

So yeah, somewhere in this arc, they do a headcount of all three sides of this thing.  Millennium has “572″ soldiers left, and the 9th Crusade has “2875″, while Hellsing, of course, is down to just 3.  But Alucard has more than evened the playing field, since he can do this trick and spawn an invincible army.   I’m more confused how Millennium lost 428 guys in one night.   Seras killed a lot of them, but not that many. Sir Penwood got some and Anderson killed a bunch of them, but not hundreds of them.  The Crusaders could have taken out that many, but they haven’t been here very long.  

But yeah, they try to form a Phalanx to hold off Alucard’s forces, and it does not work at all.    You can’t kill these things because they’re already dead. right?  I mean, maybe the Crusaders have holy weapons that can destroy these things, but there’s just too many of them.    And the Millennium troops don’t even have holy weapons, so they’re completely fucked.

But what about the helicopters?  Well, Alucard drank the blood of Dandyman and Rip Van Winkle too, and their powers are now a part of him, which makes quick work of nearby aircraft.    I like how these two look the same as before, but they never say a word.   I think they’re the only ones with normal eyes, although Alucard’s shadow tentrils are still fused with their bodies.  

The Crusaders’ battle lines are broken, and they beg for Maxwell to order a retreat before they’re all slaughtered.   But Maxwell refuses to give up.  He’s drunk on his new power, and so he can’t accept that he’s been one-upped so easily.   Then the helicopter carrying his Popetruck gets destroyed, and he somehow crashes without getting hurt.

And now he’s got a front-row seat to the same hell his troops are experiencing, but he still gloats, because somehow Alucard’s soldiers can’t get through the glass.    He refers to “tektite” reinforcement, and that’s dumb because Tektites are just an enemy in the Legend of Zelda.   I’m onto your ass, Hirano. 

But then Anderson throws a knife at the glass, and that breaks it, so maybe it was magic glass that only a blessed weapon could pierce?    All that really matters is that Anderson has finally turned on Maxwell, and Maxwell is doomed.

Alucard’s dead warriors hoist him up on pikes, fitting for Vlad the Impaler, and Maxwell realizes that he’s going to die alone in a foreign land.   The moral is: Don’t start none, won’t be none.

Then this happens, and I’m pretty sure Dark Horse Comics goofed when they scanned this manga for the digital edition.  I’d contact them to complain, but they don’t even sell Hellsing anymore because they lost the license years ago.   I don’t think a lot of stuff happened on Pages 62-63 of Volume 8 of the Hellsing manga, but I can’t tell.  I’m guessing just Maxwell finally succumbing to his injuries while Anderson pontificates about why he had to do it to him.   And really, Anderson hardly needs to explain his actions in this case.   Maxwell sucked.

Moving on, Anderson contacts all Vatican forces and tells them to withdraw.   They can’t beat Alucard, Maxwell is dead, and there’s nothing more they can do here.  However, Anderson chooses to stay behind and take on Alucard.  

This is Anderson’s reasoning: By releasing all of Alucard’s stolen lives to fight as his army, Alucard has left his person vulnerable to attack.  So Andy thinks that if he gets close enough to Alucard, he can finally have a chance to defeat him.   If he’s right, this might be his only chance to try.   

Anderson further speculates that this may have been the Major’s plan from the beginning.   Invade London, force Alucard to use this Level 0 ability, all to leave Alucard vulnerable to assassination.   Perhaps the Major was even counting on Anderson to see this opening and take it.  

More to the point, I think Anderson kind of has to fight Alucard because it’s the only way his people can escape London.  Integra’s orders were clear: None of these invaders leaves the island alive.    Alucard would continue hunting down the Crusaders whether they retreat or fight back, so some force has to stay and keep them occupied to save the rest.  

Anyway, now we get to the actual part with this scene, where Alucard kneels before his master and she welcomes him back.   It’s pretty satisfying to see all these butthole soldiers finally get what’s coming to them.   

I’m just gonna put up the entire reunion moment because it’s so sweet.   Interesting how Seras sort of reverts to her old self when Alucard returns.    For all that badass power she gained from drinking Pip, she’s still uneasy around Alucard.   But he missed her and I think that look on his face tells the whole story.    He of all people can tell that Seras has finally taken the fateful step to becoming a “true vampire”. 

I do think it’s kind of interesting how Seras continues to address Alucard as “Master”.   He promised her way back in Volume 1 that she’d no longer be a servant if she drank blood of her own free will, but maybe it’s more complicated than that.    Or, perhaps she still calls him “Master” out of respect, rather than any sort of blood bond or whatever you want to call it.   It’s like how Anakin continued to call Obi-Wan “Master” in “Revenge of the Sith”, even though he had been promoted to Jedi Knight.   The relationship is still there, even if it’s no longer official.  

I’m a big, dumb Seras fanboy, so you’d better believe I think about this sort of thing a lot.   I’m not real crazy about Alucard/Seras shipping, although I do sort of get it.   I’m really not interested in Seras in some freaky-deaky sex kind of way.    Take the D/s stuff to the Alucard/Integra room where it belongs.   No, there’s something very wholesome between Alucard and Seras, and I could talk about it all damn day.    And why not?  It’s my blog, and I’ve got the time.    So let’s start with--

Um, excuse you?!  

Okay, so Anderson isn’t waiting around to take on Alucard, so I guess we’re doing this now.

And whether or not the Major planned for this to happen, he certainly approves...

[kitkatopinions]

LyricAnon🎶

Look I am forever going to love “Hero” even with its problems. But my newest on (well actually an old on I’m just bringing it up now) is the reference to Ironwood’s semblance.

In the song we get this line “Mettle I'll deploy”

Mettle holds the championship belt for worst semblance ever but it shouldn’t be in this song.

The way it’s stated makes it sound we should know what his semblance is and be excited that he’s going to use like if Yang or Ruby’s semblance is mentioned in song. In this sounds like the actual definition for mettle: a person's ability to cope well with difficulties or to face a demanding situation in a spirited and resilient way. Which, btw CRWBY, doesn’t sound as negative as they want it to sound

They mess up or rather fail to describe Mettle’s presence in correctly (shocker). Ironwood doesn’t have a willing option in regard to his semblance and it’s such a damaging one in its execution. It’s passive and questionably more dangerous than Qrow’s. But we wouldn’t know because it goes 100% unaddressed in universe. One reason...the main reason being are the writers being lazy hacks; and two it would make Ironwood look more sympathetic (to in bias viewers) cause his semblance is basically invisible background brainwashing and would call fault into how he is treated.

Last; and this is more of a...low defense of the Mettle ordeal. Given how semblances occurs I can kinda get that Ironwood got his late in life. Like probably after the Fall of Beacon giving the conversation the inner circle where having during volumes 2 and 3

 Agfdeheafh the semblance that the show writers wrote for James is the worst one in the show to date and that’s not to say that it was a horrible idea, but rather that it was a horrible idea for what they did with it. Which is nothing.

Ironwood’s semblance has some strong elements of horror in it, and could leave James with a sort of imposter syndrome. The semblance could launch very interesting narratives and continue on with the (horribly bungled imo) themes of choice, redemption, autonomy, trust, love, bravery, hope, not letting a part of you control you, the importance of a support system and sharing the load and relying on others... Honestly, the fact that James had this semblance and it wasn’t used to redeem him is so so so weird based on the groundwork they did give James and their own freaking morals we were supposed to get out of the story!

You’re right about how weird that song’s framing is. The wide disconnect and miscommunication between all players is just... At this point, it’s kind of destructive towards them. ‘The songs aren’t canon, we didn’t make Jeff Williams write that’ is what they said when fans thought the BMBLB song was queer baiting. So we know already that the song isn’t canon to James, but that’s an excuse imo. They clearly didn’t properly explain Ironwood’s semblance to Jeff Williams if that’s how he uses it in the song, like something Ironwood can turn on at will and is going to use, when it’s passive. And side note, you’re totally right that the CRWBY writers villainizing traits like ‘the ability to cope’ and ‘being resilient’ is really strange. It reminds me of how they’re villainizing feeling fear and taking precautions and then praising recklessness and being brash.

But, back on track, now we have things like the voice actor for James not knowing about Ironwood’s semblance until a fan told him. Extra communication could go a long way. I mean, that would be like Alan Rickman not knowing that Snape was meant to be a spy until someone told him during the filming of the Half-Blood Prince. This is something so freaking important to the character of Ironwood and they just forgot to mention it to the man supposed to bring life to the role. That is beyond weird.

Honestly, I think there are three reasons why Ironwood’s semblance was invented, but not put into practice in the actual show.

A. The first one you mentioned. I think the writers made ‘Mettle’ as a lazy excuse to rush ahead his ‘fall to villainy’ and using it to insist that they didn’t make an inconsistent character, they didn’t make a non convincing arc, fans just needed to do the extra homework and hear about Ironwood’s semblance that explains the whole thing. Them assassinating Ironwood’s character is easily hand waved now as the affects of his passive semblance at work, that the audience was supposed to view as some sort of easter egg that they can use to justify the story, and fill in the blanks the writers seemingly purposefully just left.

B. The second one you mentioned. They wanted Ironwood to be viewed as evil by the general fandom (and, well, they succeeded,) and knew that putting the semblance in the actual show would make him much much more sympathetic. You know, since he was at least partially seemingly mind controlled into his actions. Honestly, the way they just made Ironwood’s entire personality ‘evil for the sake of evil stupid manipulator who will bomb for no reason’ seems... Vindictive. It feels like they finished volume 7, started hearing fans complain that Ironwood shooting Oscar was out of character, took that as a personal insult, and then decided to get back at their critics by turning their favorite character into a monster. That’s just how it feels, though. There’s always a strong possibility that the writers just liked the idea in the moment, and didn’t care about the previous character, just wanted ‘Ironwood opposes Team RWBY,’ and plowed through it whether or not it made sense. I mean, that’s what they did when they gave lines originally meant for Nora to Yang when she argued with Ren, that’s what they did when they changed the focus of the Nora-Ren conflict from ‘Nora is trying to force a relationship that Ren isn’t currently ready for’ into ‘Nora is getting swallowed by a relationship she isn’t currently ready for,’ and that’s what they did when they had Cinder act like she’d never worked with a team before during the Cindy-Neo-Watts team up, and that’s what they did when they had Winter spout lines that misrepresented her character and stances during V7 and the first half of V8. Ironwood is just this on a larger scale imo. It didn’t matter at all what Ironwood was even up to last season, the writers were writing him in a bubble, based on whatever the hell happened to sound big and sort of cool in the moment. And they wanted us to see him as evil this season, so they couldn’t put his semblance into the narrative.

C. I honestly think it’s a partially a commitment issue. Currently, I can’t get this out of my head.

This is Ironwood’s VA, teasing a possible V9 return for Ironwood. They left his death open ended and ambiguous and they’ve done ‘oh they’re definitely dead’ things at the end of a season only to reveal in the next season that the villain we all thought had died was actually still alive and kicking before.

There’s every possibility that Ironwood will return, and I think it’s possible that they specifically left his semblance out of V8 not only because they wanted Ironwood to be evil this season and wanted Ruby to be an indisputable hero (failed but I think that was their intention) but also because they wanted to one hundred percent convince their audience that he is fully evil... Even if they don’t want him to be. If they want to, they can use his semblance to ‘redeem’ him and subvert expectations in V9. Or they might want to keep him a villain. So they couldn’t bring up his semblance in V8 at all if they didn’t know where they were going with this character. Is he dead? Will they redeem him? Will they keep him a villain? All of those three are options and it’s very possible that they specifically kept any mention of his semblance from the season so they could have the possibility of doing any of the above options if they wanted to. This is obviously really frustrating to me and I already am itching to get to V9 because I just have to see if they bring James back and if they actually do go into his semblance and try to redeem him and if that could maybe lead to Ironqrow moments. But yeah, this wound up being yet another long reply because I am so long winded, but I just wanted to hit on your last note there...

It is possible that Ironwood’s semblance was one he got in V3. That’s interesting and I never heard that theory before. It makes sense, but it does just make me want to groan, just because if Ironwood had gotten a semblance during that time of trauma, why didn’t so many other characters? My dislike for soft magic systems, my dislike for ill defined magic systems, and my dislike for sporadically used magic systems all come together to make RWBY my ultimate foil. XD

[fizzingwizard]

OK gang here we go, episode 33!

It was better than last week, which was better than the week before, so... make of that what you will.

Pic of the week!

A look of steely Dan determination.

More below!

Like I said, this episode is an improvement on the last one, by virtue of plot stuff actually happening, a few big happenings, and references to the other kids that suggest they haven’t been completely forgotten about (only mostly). Don’t get excited though - it still leaves much to be desired. I cry endlessly for the animation budget. But let’s get into it...

Taichi and friends are still in pursuit of SkullKnightmon and Hikari. We found our for sure last week that the creature in the little crystal is, indeed, Millenniumon, or rather a fragment of him, and his fragments fell all around the Digital World at the end of the great war or whatever it’s called and they’re the source of the miasma and they absorb energy from the human world etc etc...

So we find this big ass crystal which seems to be the central one, I guess? because it’s the biggest? and several creepy looking acolytes (dun dun DUN it’s VADEMON my FAVORITE DIGIMON) surrounding it and chanting...

Vademon: Find the horcux, kill Harry Potter, find the horcrux, kill Harry Potter,

In other news, there’s a lot of doom and gloom happening with Jou, who, bereft of his underwear, is forced to censor himself with his partners head. Gomamon you don’t deserve this

Jou: I need to get away from these Nanimon before I go prematurely bald too!!

Mimi, meanwhile, is Boxing Champion of the World.

Koushirou is the only one working. He’s on his way to pick up Jou, so I guess that means Yamato will get Mimi? That’ll be fun lol. We saw Yamato for half a second but it was the same frame of him riding Garurumon we’ve seen five times already so why bother capping it.

Koushirou is also keeping an eye on the satellite situation but doesn’t know what to do about it yet. Kabuterimon asks if he shouldn’t take a break about now and Koushirou says “I’m okay, besides, this is the only thing I’m good for” T___T you know this would be heart-breaking if I really believed the writers have ACTUAL PLANS to make good on Koushirou-related character development.... >:[

no this honestly pisses me off so much but I STILL do believe we will get SOMETHING for him and the others and probably not too far in the future... I think... I hope ugh

Back to Team A, they see lots of Digimon coming at them. Taichi’s like “it’s an attack!” but Sora, whose Fight Mode unlike Taichi’s has an actual Off switch, is about to figure out that they are in fact not interested in the kids at all and are running away from something.

Taichi: I can’t believe they didn’t want to kill us. Doesn’t everything in this world want to kill us?

The Digimon are fleeing from a suspicious crater with a familiar stone in the center. SkullKnightmon raises his own crystal fragment into the air and stuff happens.

By stuff I mean black lightning and purple-blue light which is meant to signify Evil which is mega DUMB because blue and purple are the most awesome color combo EVER I mean it throw some turquoise in there too and I will buy it whatever it is a necklace a shawl a codpiece

There are eight crystals that rise from the ground surrounding the central crystal and share energy with it. I thought the number eight might be significant you know for obvious reasons but it doesn’t appear to matter in this episode.

Evil crystals or not, Taichi’s on his way to save Hikari once and for all!

Hikari: Thanks, but no thanks, oniichan.

Taichi: H-Hikari! You don’t understand! You’re too young to go off with a strange man!

Hikari: But oniichan I love him

Taichi: Who do you think I am, Tevye!? You’re not marrying him and that’s final!

Hikari: waaah why don’t you understand me!!

ok back to the story...

Hikari abandons her brother for his muscular studly lover SkullKnightmon.

... >_>

Using Hikari’s powers, SkullKnightmon evolves to Gundamon DarkKnightmon. Meanwhile there’s lots of chanting and stuff about this being SkullKnightmon’s purpose or some such. I still kinda hope we get a redemption arc for SkullKnightmon or that he has something more to do with the story...

Agumon stops Taichi from wigging out and they go to save Hikari together, but before they can they are beset from all angles by henchmen.

Sora: Hey, you take care of Tweedle Dee and I’ll get Tweedle Dum!

Birdramon: *gets punched in the head* I hope you brought enough aspirin...

Then these guys appear. I’ve forgotten their names but evil as they look they literally just stand there till they get blown up and then more appear... I guess that’s a kind of talent

Takeru: Leave the small fry to me!

Pegasusmon: Takeru when I said I wanted a Happy Meal this isn’t what I meant

Hikari begins to be absorbed into a dark pocket dimension of DarkKnightmon’s or something like that. It seems like a very chill experience.

Taichi: I’ll save you! Take my hand!

Hikari: O... nii... chan... Fuck you...

ok so here’s my problem here.

This is meant to be all emotional and stuff right?? Hikari’s been blowing off her brother for an unknown reason (we all figured out what it was but look the main characters don’t know and that’s what counts) and he’s finally managed to catch up with her. His hand is inches away from catching hers and pulling her to safety. She’s got creepy glowing eyes. She mouths “o..nii...chan...” with a creepy smile before being pulled into darkness.

I know it’s for kids so it’s not going to be too scary or anything but there ‘just like... no build up here. The storytelling style is too mathematical. “We go from Plot Point A to Plot Boint B via Battles 1 2 and 3...” There’s nothing happening in between to make us feel Taichi’s desperation, or even to know what Hikari’s feeling in this moment. Is she really okay with this? Is she having second thoughts? It doesn’t make any sense for her not to be scared. I fully expected her to go through with it, but she can be scared and still go through with it... come on...

It’s like that scene from Utena except sapped of any and all emotional impact.

I don’t really remember how Greymon got up there in the first place since he can’t fly but at least we get a scene of him and Taichi plummeting to the earth after failing to save Hikari. The kind of thing that would be dramatic if there were any kind of animation budget at all.

The one thing the show is sure to do is show us Taichi’s expressions, which I guess is something... It’s just so rushed and the accompanying dialogue leaves something to be desired.

Greymon: Don’t give up, Taichi... Taichi... um. what are you doing...

Taichi: stop hitting yourself stop hitting yourself stop hitting yourself stop hitting yourself

Anyway, Taichi is Big Mad. I thought (hoped, to be honest) that we might get a glimpse of him going wild with dark energy like in the Devimon episode again... Or at least a hint that that was a possibility in the heat of the moment before Agumon snapped him out of it. But nope.

He takes a moment to be upset and then says “There’s no time to worry about what to do” and goes to save Hikari... from inside DarkKnightmon somehow :P

This does not go well.

Meanwhile Hikari is surprisingly okay for someone who was just eaten alive by sentient VantaBlack. She discovers a peculiar light inside... DarkKnightmon’s intestine??? Is that where we are now??? lmao

She recognizes the light as the voice that has been calling her and tries to head towards it, but is blocked by some purple jello.

There’s a kind of cool thing that happens here... We just had a scene where Taichi desperately tries to grab his sister’s hand and yank her out of the clutches of evil, but fails, mostly because she doesn’t do anything to help him since she is weirdly okay with the situation. Now we get a mirror of that moment with Hikari bursting out of the jello with her arm outstretched to grab what is clearly Tailmon’s paw.

Only Tailmon does take Hikari’s hand.

It was really cool to see the brother and sister paralleling each other this much. It shows the ways they’re both courageous and determined and caring.

Meanwhile Taichi finally whips out WarGreymon. Honestly, I feel like this should have been WarGreymon’s intro episode. This would have been a good time for a new evolution, rather than in a fight with a nobody that I’ve already forgotten. Idk. WarGreymon uses Brave Tornado to knock DarkKnightmon’s lances away and burrow into his armor. So, yeah, Hikari’s in his intestines, lmao.

Hikari is being chased by a two-headed monster who is in for the migraine of its (their?) life when the tornado crashes into it.

Hikari: Big brother! You look so cool!

Taichi: Promise me that no matter how many men come into your life, I’ll always be number one.

Hikari: okay that is creepy

WarGreymon explodes DarkKnightmon from the inside out x’D and Taichi gets a redo of his hand-reaching scene. First he berates Hikari for running off on her own and then smiles.

Hikari says she always believed he’d rescue her. Aww.

Sweet sibling love.

Then there’s this really hilarious sound which turns out to be the Vademon hivemind giving a collective cry of distress x’D it’s lmfao amazing. Then they start chanting “Next time next time next time” just in case you thought Millennium was defeated and we can go home now.

Taichi: Sora, do you know where I can buy a leash for this kid? I can’t keep chasing her like this. Aren’t kids today supposed to be glued to their phones and never go outside?

Patamon’s Girlfriend Radar piques at the bundle in Hikari’s arms.

And it is indeed Tailmon, and she’s been waiting for Hikari all this time.

Tailmon: I am Tailmon, a Holy Digimon.

Patamon: oh my god you can’t just call yourself holy ugh you’re so self-centered

D’awww.

They’re both sooooo cute. I’m annoyed they didn’t get a cool ending card like Takeru and Patamon did last week though. But still, this is a sweet moment.

So, there’s not a lot to complain about in this episode, comparatively speaking. I wish we had more dialogue and understood the value of a dramatic pause etc. Also wish Sora and Takeru had more to do than fight the henchmen. Like, if you can just erase an entire part of an episode and it still works fine, you clearly didn’t need that part so why waste time on it.

But at least we do get reactions from Taichi, and at least we got plot development. The Taichi/Hikari parallels were cool. And even though I had other hopes for how this arc would turn out, I’m glad it’s over because maybe we can finally do some other stuff now. Maybe. I want to get back to Koushirou SOOO bad but more than anything I am still gobsmacked by how long it’s been since Yamato’s had anything to do but ride on Garurumon. That is WEIRD. He’s YAMATO.

Next week...

... Looks like it’ll be a light-hearted undersea episode. I’m cool with that. The preview clips had a “Sebastian’s Calypso” vibe that I dig. It’s still about Taichi’s group but I think that’s to do more actual face time with Tailmon and Hikari. I hope we see the others as well and if not maybe the week after. I will be happy if this episode has some personality to it.

[mc-critical]

hey, hope you're doing well! i was re-watching mc:k ep60 the other day and one comment had asked why was kosem murdered with a purple cloth. people gave random answers in the replies. but i thought that the reason why she was murdered with a purple cloth was to signify the end of it all, the end of the show... i mean, if we go back to ep1, we have hurrem dancing for suleyman and suleyman dropping a purple handkerchief in front of her to summon her to his bed. this was the start of it all. hurrem first just impressed suleyman but then from here, she just went on and on until she reached the highest position possible. it was the purple handkerchief which started this whole show, this whole era and tbh i thought that kosem being strangled with a purple cloth just signifies the end of the show, the end of the era of women. it could be because turhan wanted to humiliate kosem by not strangling her with the traditional white rope used for the dynasty (& important state officials too). but then i thought about this theory and well, if turhan wanted to humiliate kosem even more, she could've strangled her with her own hair. it's even more humiliating imo and even kind of historically accurate. i just thought of it in the start and end symbolization and i thought that this was intentionally and explicitly done but i guess others didn't perceive it this way? well, i wonder what you think of the theory? is it obvious & intentional and definitely what the purple cloth meant or is this just a cool theory? excited to read your opinion, thanks <3

Hey! I'm fine, thank you. :)

I agree that Kösem getting killed with a purple cloth is clearly intentional, because the show loves telling a story through the costuming in general and choosing a certain attire to symbolize something for such an important moment in a character's life that is their death... of course the way they would get killed is something the show crew would consider. (and again, death is big in this franchise.)

I don't think there is only one definite right interpretation on the symbolism of the purple cloth. There are many things you can associate with this purple cloth both in the franchise, the show, the themes and the episode itself and the meaning of the color purple, hence you can view this symbol in many different ways, look at it in many different angles and there would still be a high chance for you to be correct. I think the writers themselves also left this to people's imagination, for them to figure it all out by themselves. Of course they had a certain intended meaning for this cloth, but I don't feel they showed that meaning clearly. That's why so many people have so many different interpretations of it.

I absolutely love your theory and it indeed makes so much sense for the show to end the cycle this way. But I think it is tied more into Hürrem and Kösem as the respective  protagonists of both shows rather than the Sultanate of Women as a whole. After all, the cycle of the SOW isn't over, as Kösem's death happened along with the massacre Turhan started and she is the next and last member of the SOW. Yes, Turhan is the most extreme display of the application of the concept of power in the show SOW and her actions would normally be the logical peak, but it was never implied that the massacre would be the end of it all. The purple handkerchief and the purple cloth could truly represent the start of Hürrem and the end of Kösem, connecting the two characters and their protagonist character arcs in an interesting visual way, despite of them being so different. And it started with something more personal and normal (the concubines dancing and SS choosing Hürrem) and ended with something more massive (the devastating execution of Kösem). The little handkerchief and the little purple cloth could showcase the gradual development of the franchise's ruthlessness through Hürrem and Kösem. I love the theory and I wouldn't mind at all if that were the intention.

Personally, I have two theories of my own regarding the symbolism of Kösem's purple cloth:

The first one is connected more with Kösem's death itself. When I watch the scene, I always see a contrast between the brutality of her execution and the way she views this execution from start to finish. After the execution of Ibrahim, conscience spoke to her and she finally lost her innocence completely. She was capable of anything on the outside, acting like an entirely different person who strives to stop Turhan any way she knew how, but on the inside, she has lost a part of her being which made her stop caring deep down. She didn't care about the death itself, she faced it regardless, leaving everything behind after her moral downfall. But she would die bravely, wouldn't show weakness. The color purple is a symbol of regality, as well, showing that even though they took her crown and jewels and everything away, she would still die a Valide, still die as the representative of the state, the one who fought the Fatih law. (hence her screaming that she's Valide Kösem when the men entered in her chambers which also corresponds to the official name of the episode: the martyred mother/Valide.) And on a deeper level: they robbed her of everything material, but she still preserved who she is spiritually. The purple cloth is a symbol of Kösem's soul in this scene, the only thing she has left and they left her with after the massacre. She may be killed and strangled, but her own being shines through the color. She died in the most brutal way possible, but the purple in the cloth gives some regality to this death.

The second one is connected with the way her relationship with Ibrahim connects to her own death. After Murat immediately went to declare Ibrahim's execution after Kasim's death in E54, Kösem immediately rushed in to save him. This was a very pivotal scene both for her and her relationship with Ibrahim - Kösem officially lets go of Murat as her own son and begs for Allah's help to get out of the situation and that massively impacts how Ibrahim views her as a mother. And guess what? In both this scene and her death scene she has something purple. When she saved Ibrahim, she wore a purple dress and coat and when she died, she got killed with the purple cloth. The purple cloth may represent the turnaround in Kösem and Ibrahim's relationship - she saved him once, but then she was ready to end his life. In the night she killed him he cursed her to die a horrible death and to never have one good day again and the cloth may be a way of connecting that, her saving him and the death, connecting the cause and effect of her character arc. The purple cloth may symbolize her own life values getting back to her after she did the deed, which made her lose them to begin with. Of course the color purple would tie this all together. And it brings in Turhan, too. She was behind the massacre as well as she played a big part in convincing Kösem to go for killing Ibrahim. I don't think she would think of a harsher punishment for Kösem, she caused enough of a ruckus with what she already did. Kösem's death was already devastating enough in its own right, I don't think she would need to do more, as long as Kösem died. It would also be useless brutality just for brutality's sake. The coath did enough to deliver a message to the audience.

These theories are more strictly "inside the show" than they're franchise-wide, but yeah, these are my thoughts on the purple coath and again, all the interpretations have the chance to be correct.

[yourultraarchive]

Oh, no no it's not an issue at all! I don't mind it's alright! Focus and take care of yourself first and foremost! :>

And yes! I'll be doing her template once I actually find the time to draw her in her outfit and also for the mini scenes! Also I've actually ended up changing her name to Yaren instead since I was told by some people that Yuren sounded like another english word for something else (unfortunate :'D), I don't think that should change the kanji all that much but ahh I'm unsure.

Anyway sorry for the very long blabber, I did want to say what Yaren's quirk is! Her hero name is a WIP between Waterdog, Waterpuppy, Lottie or something else entirely.

Her quirk is called Axolotl, which gives her the humanoid appearance of an axolotl and is able to do anything an axolotl can do. Having gills to breathe underwater, but also lungs to live on land, a tail to swim really fast and also incredibly fast regeneration! She's usually better suited to fight underwater. She can heal almost any part of her body, minor cuts, severed limbs and even internal organs and brain! The latter however take days to weeks to heal, everything else can take seconds or minutes depending how much blood she's willing to lose to heal quicker.

Drawbacks however include her skin being irritable and sore if she's not in water long enough so she carries a water spray to help deal with it if it starts getting sore, she's very sensitive to toxins and pollution and if she overdoes her regeneration she'll get permanent scars on those areas and will be harder to heal properly next time. Plus if she overdoes it in any part of her body, she can lose too much blood and become paralyzed or pass out from blood loss.

Extra tid bits include how her skin is naturally a light pink but if she's in water long enough it turns darker and black like a wild axolotl which helps with camouflage and much much later probably in second year or third, she finds out her saliva or blood has regenerative abilities on others if they consume it or if it's placed on a wound!

I am so so sorry that was incredibly long, her quirk is pretty detailed as I've thought and researched about it a lot! I do have issue with trying to find a way to make her able to battle, and the only idea I got is that when she gets injured she can force her body to react to it to have an adrenaline rush which makes her strong enough for a while. That and also in water, due to her high speed and better suited environment she's able to sneakily attack enemies with quick powerful punches or kicks added to her quick swim speed! Thank you for reading and I am so sorry it's so long, please please don't rush yourself replying to this! As I said take care of yourself and thank you for your help! :D

Hi!

Sorry for the late reply again! (Life is busy.)

Yeah I didn't realize the english word thing either. But like I said in my original post, there are other readings to use, or the option of rearranging the name. ("ya", like has been mentioned before, is not a reading for that kanji, so it'd be a kirakira reading if anything. Unlike in English, changing one letter of a name to make it more unique doesn't work the same way in Japanese since it changes the meaning entirely in normal cases.) One of my previous suggestions in the first post were "Yujin/Yuzin" because the kanji for "ren" could be read that way in Japanese (as previously mentioned, "ren" is not a Japanese reading, but a Chinese one), but if you're set on using "ren" you could always rearrange it to "Renyu", or use the other readings for the "yu" kanji and make "Renie" or "Reniya" or something. Or you could still change "ren" and get "Jinie" or "Jiniya" or "Jinyu", among other things.

As for the quirk, it's already really well-thought-out and thorough! I don't know if you actually need to expand on it because that's already a lot of skills (I like the bit about the camouflage, and the later-in-school-years leaning how to heal others). I think it's a careful balance between being realistic and being overpowered (which can lead to potential mary-sue moments if you're being wary about that, but it's your character and if you have fun with it you can do whatever you want--besides, in canon Izuku's got that going on himself lol). You don't really need the bit about "when she's injured she can force her blood to give her an adrenaline rush and make her super strong", that feels like too much tbh.

I think the thing about trying to give her quirk so many applications is that you're trying to wield her powers over too many fields. You want her to be a battler but also good at sneaking/surprise attack tactics but also good at rescue (which is what I thought her powers would fit! Being good at being underwater and also healing? Rescuing people seems perfect for her!) but there IS such as thing as being spread too thin. Even in-universe or in-story or wherever you're planning to use her, if you have her try to do EVERYTHING, realistically she's going to burn out. It's good to have ambition, but even most characters in MHA don't have that many focuses.

I forget which characters canonically have certain career goals, but I know for certain there are several characters whose quirks and personalities are geared more toward being disaster/rescue heroes (like the Wild Wild Pussycats) or support heroes (like Nighteye) than toward reaction/responsive heroes (like All Might) or stealth heroes (like Eraserhead, but I think his type of hero work is also arguable and fits under multiple umbrellas). It's like in the very first arc where there's a bunch of heroes standing around not helping Bakugou when he was caught in that slimy villain because they knew their quirks weren't suited to that situation--it's not cowardly, but it's realistic, when they know their quirks can do more harm than good in certain situations, even if they wanted to help.

I think that's what applies here, with your character. Yes, I understand wanting her to be able to adapt to any situation, but I think there's a point where you have to give her a goal and set her toward it. Does she want to be on the frontline reacting to villain attacks as they come and going out to apprehend them first-hand, or does she want to pre-emptively stop villains before they can rise by doing investigation and stealth work, or does she want to use her incredibly fit biology to help others when disaster strikes and there's no villain involved at all? Sure she can have ambition like Bakugou or Izuku who want to be the best #1 hero, but even they have their focuses (both are reactive striker types!) and while Izuku is adaptive (ie. he's strategic and well-prepared for a raid strike to surprise attack the base Nighteye found, or he rescued people stuck under buildings and whatnot during that exam and had good "bedside manner" for lack of a better term when dealing with rescuees) most of his actual quirk training has gone toward being brute force and quick response toward emergencies and villainous plots.

You can have her be strong but also give her vulnerabilities and that's okay. Like giving her the regeneration powers but also making them necessary because her skin or bone structure is weak like a real axolotl's, which would make her not very suited to brute force situations but that's fine because if she were perfect for speed and stealth and also brute force then it wouldn't give room for conflict or growth in your story. Forcing her to work around her weaknesses is one of those things that could make her stronger--make her more aware of herself or her surroundings or her limits or what she's willing to sacrifice (like Izuku in the entrance exam--can she afford to break her bones if it meant saving someone?) but it doesn't make the weaknesses go away, and working past those weaknesses isn't going to invalidate that they exist. She's not going to win every time--that would be boring wouldn't it?--and you need to give her ways to lose as well as ways she can triumph.

(A good example of this, and this is the first thing that popped into my mind even though it's not MHA, is Edward Elric from FMA. He's the main character so of course he wins a lot and he's tough and cool and seems like he's so strong. But the most prominent moments in the story are when his prosthetic arm/leg don't work, or he loses them, and he still fights but he's disabled but he's fully aware of this, and having abilities to work through the fights when he's missing an arm doesn't mean he's forgotten that he's missing an arm or that he never needed it to win. It means he found a way to work around those weaknesses and still achieve his goal.)

I kinda lost track of the original question/thought here, but to round back to it--when your character is injured, the adrenaline rush to fight longer or get to safety? That should be all her, that's character traits and determination and strength of will, not part of her quirk. She doesn't need some superpowered adrenaline rush to be part of her quirk, and you don't need to make her "able to battle" if she's not suited for it, unless that's one of her goals (while foregoing the other potentials her powers have--if she's aiming to fight villains face to face, then she's probably not focused on rescuing people or rounding around for a sneak attack, and in that kind of situation she should leave that up to real rescue/response heroes while she's playing distraction and keeping the villains' focus on her!) and if being able to battle ISN'T her main focus, then in a situation where she HAS to, you can make her struggle and that just makes her all the more real and interesting. You can make her get help from her classmates, or you can make her fight and lose and realize she's not suited for battle and switch focus (if it was her original focus) or realize she needs a plan to deal with that in the future while still staying true to her actual goal (if she wanted to focus on rescue for example, and she had to fight a front-line battle and she realizes she's not great at it, then maybe her strategy can just be to run and get a strike in here or there but the ultimate goal is to wait for help and backup to arrive in that case).

That was a lot so I hope it was useful and not too rambly but remember that these are just suggestions! I was just talking ^_^;;

[flying-elliska]

Skam France Season 6 Review

It’s that time, I guess. My feelings are, like many, mixed. I think I enjoyed the season more than most people here, but the ending was a massive let down. Overall it boils down to this : Skam France is great at moments and very bad at structure. A lot of my issues with the season is what is not in it. I saw so much potential that never quite materialized, and it left me frustrated. At the same time, Lola is a really cool character, her arc is really interesting, her relationship with her sister is one of the best things they’ve ever done, and the actors killed it. Loved La Mif, discovering other sides of Eliott, the urbex backgrounds, and Maya. A lot of fascinating character moments. This is definitely my second favorite season after s3 - at times I even thought it would equal it. Sadly, though, Skam France will remain a bit of a one hit wonder for me. Because they are so good at bringing up problems in a nuanced layering way - be it addiction, grief, eating disorders, internalized ableism, racist microagressions - but when it comes to resolving what they brought up, they default towards a ‘let’s all be nice to each other, hug or kiss, love saves the day yay !’ story. Which is, when you claim to deal with real world issues, simplistic, immature, and at times quite offensive. It works for s3, which is at its core a tale of self-discovery, self-acceptance and romance. But niceness doesn’t solve racism, and family problems aren’t solved with a hug, and addiction recovery doesn’t hinge on having someone to kiss, and the series came dangerously close to implying that at times. 

All in all, this is a show that often manages to be both brilliant and terrible at the same time. At least it’s not dull. 

Positives/Negatives/Meh breakdown :

Positives :

- Sisterly love : My favorite thing without a doubt is the relationship between Lola and Daphné. Flavie and Lula killed it. Almost all the clips that made me cry were the ones with the both of them in it. At the beginning their rivalry is so relatable to me : the responsible sibling who takes on too much burdens and is too controlling and parentified vs. the problem sibling who acts out to express the issues the rest of the family are repressing - i have been in both of those spots. you can see how they slowly realize that the gap between them didn’t need to be there, that it wasn’t their fault, that it was the result of their parent’s bullshit and even shittier circumstances. seeing them make little gestures to recognize each other’s pain, to nurture each other, to give each other support, but also to tell each other some unpleasant truths, was so incredibly powerful. Relationships between sisters can be just so...complex, and loving, and petty, and jealous, and supportive, and feral, and annoying, and understanding, and ugh, they made me feel all of that and more. I have a sister, and I have a relationship like that with her, and this season gave me some very important perspectives. Really, relationships between women aren’t explored enough, and this season really did this one thing excellently and if only for that, it deserves to be watched. That moment where Lola talks to Daphné about her self destructive tendencies...so important. I am so happy that Daphné was the one finding Lola in her tower of solitude, and the moment where she says ‘you pay too much attention to what other people think, Lola’ was the emotional turning point of the season for me, because it was Daphné recognizing Lola really cared behind her mask of coldness, but also that she was hurt by that and that she needed to love herself regardless of the love her parents didn’t give her ; and also that she heard Lola saying it to her and that it inspired her too, so there is this amazing reciprocity. It was so powerful, I’m still reeling from it. And it was a beautiful full circle from the beginning of the season. 

- Family of outsiders : the urbex gang was such a wonderful new group this season. It was bound to be tricky getting us to like this new generation, and I think they did a pretty good job. Even tho I wish we got to know them a bit more, they were all intriguing and interesting on their own, and the vibes of Lamif as a whole were just so fun and lovely. Loved the neuroatypical vibes I got from Sekou and Jo. Love that they introduced a trans guy character. Loved Maya as group mom. And seeing them warm up to Lola was really sweet. The social media of them hanging out was more or less the only good social media we got this season lmao. The urbex thing was a great symbol for Lola finding a home with the outcasts, a bit on the fringe of society, and the start of acceptance, of bringing her in from the cold. Maya and Lola’s relationship fit in that really nicely, especially the bits about them talking about their shared experiences of grief, and my favorite scenes with them is showing Lola that her scars can be beautiful and that her rough experiences are part of who she is. The way she didn’t take Lola’s bullshit was great, and even tho I think their relationship was rushed, overall they really fit well together. Love Maya’s character as a concept in general, this funky purple haired lesbian environmentalist with amazing sense of style, and I really hope we see her again in upcoming seasons. And finally, I also really liked Eliott and Lola’s friendship (except for the ending) - the fact that they understand this darkness that they share, but that Eliott has succeded in climbing over it, and so he can give Lola support, understanding, guidance. I loved that we got to hear a bit more of his perspective on mental illness, the good and the bad times, that we saw his passion for movies become more real. I loved the fact that they bonded over creative things and photography, too, and that she found a safe space in the video store. And even tho it wasn’t resolved properly, the scene where he comes to get her and punches Aymeric really made me cry. Also, BASILE. Best bro in law ever. Their scenes together were so homey and warm and sweet. They will have such a good relationship in time. Overall, I really like how central friendship was in this season, shown as so powerful and important. They could have done more with it but I love a lot of what we got. I am just a sucker for found family, man.

- Lola herself : I know she was a controversial character right from the start. She’s been called manipulative, selfish, out of control, toxic. And honestly at times...maybe she was a bit. I still love her. She is just so interesting to me. The lack of compassion towards her in the fandom was seriously depressing at times, and often felt like a symptom of something I’ve seen in a lot of different fandoms, ie the capacity to only tolerate moral ambiguity when it’s attached to attractive white male characters - and to only tolerate mental illness symptoms when they can be romanticized. In the end, she’s a struggling teen from a deeply dysfunctional family who’s had a very rough life, of course she’s not going to be well adjusted. All in all, I think she’s so brave, and she is a fighter. I adored her feral energies in the trailer. I also really liked her blunt honesty at times, even if it was sometimes hurtful and excessive. I think because I have the opposite tendency to be afraid to speak my mind, I really dig a character who isn’t afraid to speak the ugly truth. Even though, again, ‘the truth’ isn’t always cut and clear, and what Lola is often doing instead is listening to ‘depression voice’ who tells her to believe the worst in people. I find that fascinating, because in my experience, yes, depression comes with this terrible lucidity that makes you see through a lot of bullshit but at the same time, is distorting your perspective because of fear and shame, and kicking that, and disentangling your perception from that fatalism, is very complicated. I loved how genuine she was, how mature too sometimes through the pain, more mature than she should have been. It was rough watching her relapse, but I think the portrayal of addiction was pretty very well done overall, not romanticized and explained in a very coherent way. I wish the show had given her a bit more of a clearer view of her inner thoughts towards the end and let her apologize a bit more. And a clearer realisation that her parent’s lack of well expressed love didn’t doom her. But...yeah Following her really made me question my own - more hidden - self destructive impulses, linked to family shit, that pushes me to sabotage and isolate myself. Like Eliott said to her - it’s really a lifelong struggle. I think overall her arc was pretty satisfying, learning to step away from the edge, letting people in, seeing that she isn’t alone, accepting she deserves better and that her failures don’t doom her. That it is about getting up and trying again. Love her using her mother’s camera and wanting to get a phoenix tattoo, a perfect symbol for her. Also Flavie was amazing, she’s got a bright future ahead.

Negatives :

- No follow up to the assault storyline : The thing that I am, without any single doubt, most mad about, is the fact they didn’t bring up the sexual assault again. Along with Charles’ rape apologism, this creates a very dubious pattern of trivializing the issue ‘as long as it’s not real rape’. The fact that the morning after immediately turns to Elu drama is what sort of started my disconnect from the season, and the fact that they don’t bring it up afterwards even once made me angry. I think Lola, before going back to the hospital, should have told someone about the abuse she endured there, and should have told someone about Aymeric, even if only to acknowledge she wants to be done with that part of her life. Aymeric is like...Lola’s biggest villain, in a sense, he is a horrible predator but he also somehow represents her worst impulses, that part of herself that tells her she doesn’t deserve better, and I think that as a character, he was interesting, and he should have been adressed/exorcised better. If Lola was a real person, of course, she would probably have to deal with this in therapy, down the line, later, but as a story, never adressing this again left it unfinished. And this is really the kind of event you NEED catharsis and resolution for. Otherwise, it’s irresponsible.

- A generally overstuffed and disjointed structure : My biggest problems with this season are about what isn’t and what isn’t it. I liked most of the clips, I don’t have an issue with them going dark, strangely enough, but the way they were put together was just...messy. Like many people have said, too much stuff not properly adressed. Palm of most annoyingly useless subplot, the whole Tiff thing. Yes, it was cool comparing her clique to Lamifex and Lola realizing she wants nothing to do with those shallow fake bitches. Sekou hacking her account to replace it with pigeons, amazing. After that though, it should have been DONE, and in general, it should have taken a lot less time and attention. Comparing Tiff’s social media addiction to Lola’s issues felt like some trivializing bullshit. The whole thing was just so annoying. It would have been good if it had led to some discussion of social inequality but like...not this shit. Char, equally useless (although, cool actress, cool style). Another MASSIVE problem is the lack of follow through on big clips. A great thing about SKAM, usually, is that it shows you the aftermath of big moments - characters lying in bed, cuddling, talk to their friends, crying in the shower, etc. It allows the viewer to breathe and really get into the character’s perspective, to be comforted and process drama, and for the emotions to resonate better, to have space to develop richly. Here...we had Lola brush off her assault, we saw nothing after Daphné got her back from the tower thinking she could have killed herself, we learned that they had money problems and the father didn’t go to work and then that was never adressed again and the light was turned back on by magic (????), we saw Eliott go on a major bender and didn’t really see how he got better, etc. Big lack of introspective clips in the latter part of the season took me out of Lola’s head. It was all stressful and breathless, all intensity and no pause like one grating high pitch note instead of music, it felt oppressive, with poor contrast, and very badly paced. It made everything blur together and feel less relevant. The problem with that is it really takes you out of the story ; it’s hard to care when you know whatever is happening might not have a resolution, and it doesn’t put you in the shoes of the character. This was compounded by how mediocre the social media was, when it is usually used to bridge in the gaps. And then to finish : the structure was so uneven, especially in the second part of the season. Towards the middle we had some very short episodes with very underwhelming endings, and Vendredis that felt like non events, and there wasn’t a lot happening - and then, bam, ep 9, drama overload, almost like misery p*rn, and then a super rushed resolution in ep 10. Like they cared more about twists and giving the opposite of what was expected instead of solid coherent narrative and rhythm. The romantic back and forth felt repetitive as hell too. All in all, it made for a very unsatisfying live watching experience, pretty sure anyone who didn’t watch live would like it a lot more. 

- The last two episodes : Really, I could have overlooked all the problems with the season if they had given us a good ending, but...they really really didn’t. And contrasted with last season, where my problems were focused on the middle, for me the ending is really the worst part of this season. I didn’t dislike the controversial club clips, I liked having the insight into Eliott’s insecurities, but they should never have brought those up if they weren’t going to let him adress them properly. Having everything go to shit in Lola’s life at once felt like overkill - they really should have solved those problems earlier, and then dealt with a few ones properly, showed us Lola freaking out on her own, and taken out the bullshit at the high school. Thierry slapping her was also too much, he could just have said these clumsy things. She could have distanced herself from Maya instead of pushing her away again. Also, they really should have had this happen in episode 8 again, and given us a proper resolution. While the tower sequence was incredibly powerful, I pretty much liked nothing after that. It was so annoying that Eliott brushed off Lola’s apology because while he wasn’t wrong that he decided to get drunk himself, she still needed to apologize and actually state that she wanted to get better so she didn’t hurt her friends, so as a resolution it was very mediocre. Thierry recognizing they should have given Lola the choice to go the hospital was a step but really not enough. And the moments with Maya were cute sure but mostly cheesy and unearned. Same for the ending clip. Mostly it’s such an unsatisfying farewell to the old generation, and it really feels like they wanted us to force to move on - didn’t want to properly recognize the end of an era, gave us almost nothing about their BAC or their future plans, etc etc. Also, letting Charles talk and having Arthur and Alexia kiss again ? SO BAD. UGH. I will be forever disappointed they didn’t give us a Multi POV or at least sth better on social media. And not having Eliott’s POV or at least a real Elu conversation (pretty much all season...) so frustrating I will never not be bitter about that. So yeah. The season started so powerfully but went out with a whimper instead of a bang. That whole ‘romantic love solves everything!!!’ shtick...very undercooked tbh. 

Meh : 

- Mayla’s development : I wanted to stan them SO BAD. Like, wlw in skam (that doesn’t turn into a panphobic mess?) YES, all the way yes. Maya and Lola had great chemistry, great dynamic. I loved their first few clips, the kind of confrontational flirting, the boldness, it was like...damn girls ! we love a non useless lesbian ! But...somewhere along the way, their relationship really suffered from the wacky plot structure. They should have shown us more bonding before we got to the angsting (esp during first urbex night). Also, their first kiss was sweet but I hated the ‘you’re my addiction’ line and that kind of put a damper on it. I liked the scenes where they open up about difficult things, the love Maya showed to Lola’s scars, the dandelion symbolism was lovely, but it wasn’t balanced enough with other stuff, and I felt Maya was way too stoic at times. And I really, really didn’t like the ending, honestly. They kept a good balance all season showing Lola wasn’t relying entirely on romantic love, that her family and friends were also important - but saying ‘i’m okay as long as you’re here’ at the end...honestly that sounds unhealthy and codependent as fuck. I really wish they’d done a more subtle, taking it slow ending for them.

- The financial issues : Again a storyline with much potential that wasn’t dealt with properly. It’s really good that we got a main that wasn’t from an economically priviledged background. Especially it felt very relevant to Daphné’s storyline, with the shame she felt at her friends seeing her place, the pressure to make it work, tying into her ED, etc etc. But cutting off the power, the father not working going nowhere...it’s like the plotline meandered and then vanished into thin air. Instead of that, they could have given us a scene of Daphné freaking out over the bills like in OG w Vilde, keeping the focus on her for that plot because she’s the most affected ; and then in the end of the season the father taking them over from her and telling her he’s found another job and that those things shouldn’t be her responsibility. That would have been relevant, instead of just...a loose end.

- Family issues : The Lecomte family dynamic seemed fascinating to me at the start. The mom being this shadowy complicated figure. The inability of the father to deal with anything. Daphné being parentified, Lola becoming the symptom child. They could have done a lot with this, but in the end, it felt like it was brushed aside too easily by saying the mom sent letters so she wasn’t too bad and Thierry is making breakfast so he’s trying. Not enough. I wanted them to let Lola acknowledge she deserved better and that their parent’s crap wasn’t on her. That her mom should have looked for help and the other two shouldn’t have pretended everything was okay. In general, there is way too much pressure to overlook toxic parent behavior and I wish they’d been clearer about this. 

- Mental health portrayal : Some parts of it were really good. Showing Daphné’s ED, letting Eliott talk about his episodes and relapses, showing some of the dark sides of depression and addiction. They just needed to show more of the recovery, because that is often the representation that they lacked the most. I don’t blame them for showing the bad sides of the mental healhcare system (which is terribly outdated and dysfunctional in France, I’m speaking from experience) but they should have shown the good too. Like do they find recovery boring or something ? Because as a person w MI, that’s actually what I’m dying to see, and they’ve been a real letdown in that department. I also think they should have acknowledged that the Lecomte family has mental issues as a whole, that the mother should have gotten help, and the father probably needs it too (still think they should have gone to therapy as a group lol).

- Elu and Eliott’s development : Honestly, not a big fan of how they wrote Lucas in s5&s6, in a lot of clips he was the angry guy with a temper, I miss s4 Lucas who was so compassionate and showed real growth and emotional intelligence. Here it just felt like they were fitting his character to plot needs, and it’s so sad for a character who had such an amazing story development. Now, I loved the glimpses of domestic Elu we got, how Axel and Maxence really showed the intimacy that had grown between them, they really felt married with all the nonverbal conversations and touches, that was sweet. But it’s so annoying that they hinted at Lucas’s insecurities and Eliott’s lack of communications and just brushed it away with ‘oh they love each other they will be okay’ sure bitch but then show us how ? that’s the interesting stuff ? it really feels sometimes like the writer(s) didn’t like how strongly the fans focused on the romance when they wanted to be talking about MATURE dark stuff not that frilly fluffy romance shit *eyeroll* male writers who think they’re above that stuff is so annoying as is the conflating of dark and mature - anyway. Again I liked seeing Eliott in his element this season, he is really thriving, with his movie and the video store, and that made me very happy. I don’t think it’s unrealistic he didn’t make a lot of friends in uni - French university can be so isolating, there isn’t a campus or a vibrant social life like in the US, it’s a very common experience to feel lost and isolated for newbies and it was also my case - but ? Sofiane ? Idriss ??? They could have found a better excuse to implicate Lamifex in the movie making tbh, like Jo egging him on about her passion for directing or whatever, and Sofiane could have been there chilling with them it would have been so cool. I just wish Eliott would have had more of an arc like Daphné did. It wouldn’t have taken much, and since he is my favorite character, I will never not be disappointed at all the wasted potential. 

Yeah so in the end i think this was a very good story they didn’t entirely give themselves the right storytelling tools to tell. Like there is something in the way they prioritize certain moments over others that...I just find very frustrating and weird. So...flawed, but still very interesting overall.

[silver-wield]

I’m sorry in advance. This is a long rant. I think the main reason I can't accept this "SOLDIER!Cloud loves A” thing is because I've always felt that the whole love triangle nonsense was introduced solely to make the players invested in A. Let's face it, the biggest reason people were devastated when she died is because they were invested in her potential romance with Cloud. It was the easiest and cheapest way to make sure the devs achieved their goal. (1/5)

But in their desperation to reach that goal at any cost, the devs ended up damaging other things along the way. Having Tifa in the background until A was out of the picture was such a dumb move. It’s obvious they didn’t want any other character to outshine her. Creating this illusion of Cloud loving A served no purpose in the story. And Aerith herself didn’t bond with anyone save for Cloud. These among many other things. To me, all that wavering thing was so unnecessary to the narrative. (2/5)

Things felt rushed, and A was put on a pedestal and shoved in the players’ faces along with the potential romance with her. It was clear to me that the devs just wanted people to like her so that they’d be devastated when she died. But I guess you can’t ask for too much of games/stories back in 1997. I’m sorry, but I just can’t accept people saying that SOLDIER!Cloud loved A. They hadn’t known each other that long, and 95% of the time, they had other things on their plate than romance. (3/5)

It’s not like they were dating or getting to know each other during the brief time they spent together. Also, I don’t mean to offend anyone, but saying the LTD is now ending because A is stepping out and pushing Cloud onto Tifa sounds so insulting. Like Tifa can’t win unless her competition steps out and hands her the man on a silver platter. This time around, I feel that the devs are trying to do things properly. A is finally taking the time to bond with other characters, especially Tifa. (4/5)

Her world doesn’t revolve around Cloud only anymore. Tifa is not in the background anymore, so now people can get to know her and get attached to her even early on. The romance with Tifa isn’t something that feels like it’s come out of the left field about 2/3 of the way in. There might’ve been hints but they were too subtle. Among many other improvements. Whatever the devs do, I just hope they give us the best version possible of the story this time around. Thanks for listening to my rant.(5/5)

Death to the LTD 1

Death to the LTD 2 (dialogue evolution)

Death to the LTD 3 (soldier Cloud’s acceptance)

Cloud’s hyper vigilance

That would be because the concept absolutely was introduced to make the players more invested in Aerith, so her death had a harder hit when it happened. It was a new thing back in 97 to have a love triangle and pretty much everybody was starting to do it. There’s tons of movies, tv series and books out during that time that showcase the trope.

And having 2 heroines, Aerith and Tifa, and having the hero waver between them, at the time that was something new. ~Kitase,  FFVII 10th Anniversary Ultimania pg. 11

I think everyone forgets the difference in technology between FF6 and FF7, not just graphically, but narratively, too. Back then, everything was new and everyone was still trying to find their feet and figure out evolving technology. I mean, it’s still evolving now, but those building blocks that form the base are still the same. Just because there’s now millions of polygons involved doesn’t take away the fact they’re still polygons. 

FF7 was Square’s first foray into using more sophisticated methods of game development and that impacted how the story came across. In previous games, the optional content or hidden story arcs that had to be found to be appreciated made the game more fun. The player had to wander around more and talk to everyone to get the full picture and since it worked before, they thought it’d work again. That people would replay and swap party members around to trigger the other scenes and gather the rest of the puzzle pieces for the fuller picture.

But, they forgot they were trying to make everyone love one specific character, which meant the best way to do that was to keep her in the party over everyone else. Which meant people cared less about the others until the point she leaves the party for good. And by that point, when these people replay they just want to spend even more time with her, so they still miss the other dialogues and scenes with other characters that build their storyline alongside this other character they’ve pressed everyone to care about.

And that’s how the LTD got started because they chose not to play the game fully and only focus on one character, they didn’t see the entire picture. And the guides out at the time didn’t help much on that side of things because they didn’t give narrative canon party suggestions so that players got the most out of the story in each location. 

Soldier Cloud loved Aerith?

Really? When they’ve been saying for years that soldier Cloud didn’t even exist or that we said he was really Zack and that’s why he’s into Aerith? It’s funny how the moment the devs confirm that real Cloud emerged to embrace Tifa they decided they could claim the dominant persona for their own, even though they also said that it was soldier Cloud who complimented Tifa, despite real Cloud not being the dominant persona. We even see visible evidence of the two aspects at war with each other in the honeybee inn scene before Cloud dances. That eye movement back and forth and expression of “fine, for Tifa” is an internal argument with the two aspects that soldier Cloud isn’t aware enough of to realise that’s what it is. If we take Soldier Cloud as the only personality then there’s no way he’d do that because it’s not cool, and soldier Cloud is always cool. He’s being made to dance because of real Cloud’s desire to rescue Tifa. 

Aerith steps out...

Yeah, I wouldn’t phrase it like that, but the overall sentiment is that Aerith is refusing to do what happened in OG.

More importantly, though, and the thing I focused on in my death to the LTD, is Cloud’s behaviour and reaction and feelings. Because he’s soldier Cloud. Real Cloud isn’t part of the LTD because he already chose Tifa. Soldier Cloud is the focus of the LTD because he’s the one who misinterpreted real Cloud’s feelings and focused them on the wrong girl. This time, we see clear evidence throughout all of his interactions that he is also choosing Tifa.

In the train tunnel, while it’s real Cloud’s motivation to protect Tifa, Soldier Cloud is the one who carries out the roll. Then, it’s Soldier Cloud who kisses her cheek, the same as it’s Soldier Cloud who calls her beautiful. Because he’s the one flirting. Real Cloud’s desire is the motivator for him to do it, but it’s Soldier Cloud doing the thing.  Same with every single flirty interaction. Real Cloud’s emergence is only confirmed by the devs twice in the game and both times relate to Tifa. Real Cloud’s hand twitches with the urge to comfort her and then real Cloud hugs her. 

Everything else is only motivated by his love and desire for her, which means everything else is Soldier Cloud acting on those feelings.

The single moment of wavering from him is literally within the LTD nod scene in the train graveyard when Aerith grabs his arm. He doesn’t react when she does it, stays silent, leans away. He’s not showing her a preference. Then, he looks at and agrees with Tifa, which is showing a clear bias towards her. 

Then right before Tifa grabs Cloud’s arm, his eyes start to shift towards Aerith. This is the reference to OG Cloud wavering, but then before he can even look at Aerith, he spots Tifa’s hands in his peripheral vision, gasps, then looks at and smiles at her. 

That’s the result of Cloud’s wavering. He chose Tifa. After that, there’s zero LTD scenes and in fact, there’s a humorous shot of Tifa looking towards the camera after Cloud leaps on her to save her from the falling train carriage and Aerith thanks him for saving both of them. He didn’t save both of them. Didn’t even try. 

I don’t think there’s gonna be anything to worry about going forward because one thing Nojima learned from letting things be “open for interpretation” is that his work gets butchered. 

Since FF7, other FF titles he’s worked on -

FF8: Squall and Rinoa kiss.

FF10: Yuna and Tidus kiss.

FFCC: Aerith and Zack hug

FF13: Snow and Serah kiss and get engaged.

FF15 (when it was originally vs): Noctis and Luna kiss.

If anyone learned their lesson from this LTD mess, it’s Nojima, but he’s been restricted when it comes to 7 by the suits - which is one of the hidden graffiti meta messages in the train tunnel that refers to why Cloti was never made more explicit. 

“They tell you to go with the flow so they can keep the status quo.”

Since this is the last of the FF7 compilation the suits have relaxed the reins on the LTD, so that Nojima can write the story as he sees fit, which I would guess is down to the fact they did sales projections and figured out that FF7 would be massively successful and has in fact also boosted sales of PS4 consoles because people specifically bought the console to play FF7R. With the new mysteries and twists to keep fans talking about the game until the next installment is out, they don’t need to hold onto this outdated LTD concept that everyone hates and isn’t anything the company wants to associate with because of how toxic and nasty it is. They’re a Japanese company having to hear these so called fans talking about how Tifa is a “typical Asian girl” or whatever tf they call her. It’s disgusting. Square yeeted the guys behind Genesis because of the controversy around them, so to have fans like this associated with one of their most popular and iconic titles? Yeah, that ain’t happening. 

[appleb18]

I Wanted Believe in Steven (A Critical Steven Universe Post)

Steven Universe, a popular show that has won the hearts of so many people. It had good songs, talks about mental health and relationships, a lovable cast of characters and it’s revolutionary for representing LGBT. As the show finally wraps up with Steven Universe: Future being the series finale, I want to say this… I used to believe in Steven Universe. I truly got into it when it first came out and then I started to appreciate it more as the show progressed even with the flaws. However, as time moved on, the show’s flaws have outweighed the strengths, making my enjoyment decline and become critical and nitpicky towards it. So I believe it’s time to point out the many problems with the show.

The Glory Days of Steven Universe 

Before I begin ranting about the show, I want to talk about when I actually liked Steven Universe back in seasons 1-3. It was when everyone actually enjoyed the show before it went downhill. 

- So before Steven became really annoying, I actually liked him when he was developing in season 1. He was very immature at first but he gradually grew. He became a member of the Crystal Gems and finally summoned his shield. 

- Peridot’s redemption was handled very well and I enjoyed her character throughout the whole show.

- The show once balanced filler and plot. 

- I enjoyed the Crystal Gems chemistry back in seasons 1 - 3. They acted like a family with Garnet being the wise guardian, Pearl being overprotective, Amethyst laidback and Steven maturing.

- The songs are great.

- The messages are relatable such as “Love Letter.” Garnet tells Jamie that love-at-first-sight doesn’t work. It takes time and a lot of work. You must know the person first before you begin to love someone.  

Those are the reasons why I enjoyed the show back in the day. Now it’s time to talk about how the Crewniverse messed up everything. 

Inconsistencies. Are. Everywhere 

Steven Universe is well known for having no consistency and that’s one of the major problems with the show. While I can forgive season 1 animation because let’s face it, not every show has good animation like Phineas and Ferb. Though having characters go off-model consistently gets really irritating to watch. It’s irritating because most of them are professional storyboard artists and yet they’re doing a very sloppy job.

The reason behind unprofessional animation is Rebecca Sugar wanted her crew to have artistic freedom and have their own stylistic choice. They can draw whatever they want as long as the viewers can recognize the characters. There are many problems with this. 

While it’s nice to see the artist's own style it doesn’t work with a cartoon that’s story-driven. You’ll probably argue that some shows like Adventure Time and American Dragon go off-model. However, it’s just redesigned and they stick with it till the very end of their respective series. 

Also, shows like Ren and Stimpy and Flapjack go off-model because for comedic effect.

So stylistic choice doesn’t mean artists can draw whatever they want. It means that a character has their own style. 

Terrance and Philip from South Park 

Elmore characters from The Amazing World of Gumball 

Each of them has a unique character design. It’s not the Korean animator's fault for it, they’re given what the Crewniverse drew, trace it and just animate it and they can’t fix their errors. What makes it upsetting is that animation pilots and shorts made by a single person or independent team with very little funding have more consistent and appealing animation than Steven Universe. 

I ain’t an animator, but I know when animation goes off-model. Sadly, it’s not just inconsistent art that the show suffers from, but inconsistent writing and discontinuity as well.

Such as in “Are You My Dad?” Aquamarine and Topaz knocked out Steven and then she abandoned him while they took Lars, Sadie, Onion, Jamie, and Connie. Then in “I Am My Mom” they lure him and The Crystal Gems out for information to find Greg. So if you wanted to get information to find him, why didn’t they just grab him when he was knocked out? 

Also, why did Aquamarine agree to Steven’s terms? Her wand is the most broken weapon in the show. She could’ve grabbed everyone including The Crystal Gems.

Garnet couldn’t tell Steven about her future vision because it wanted him to go more? If she just told him about Greg's capture, he would have understood. Also, she gave him future visions in “Jailbreak,” “Snow day” and “Future Boy Zoltron.” Why didn’t she do that for that kind of situation? 

The Crystal Gems, who have special abilities, summon weapons and powers that fought Gems and Corrupted Gems and yet they were beaten by a freaking Steven Catus, Really? 

We saw Lapis control the freaking ocean in “Mirror Gem”, “Ocean Gem” and “Why So Blue”, so why didn’t she use that to remove the injector?

After 6,000 years of waiting for Pink Diamond, Spinel got news about her Diamond and that she gave up her physical form to give birth to Steven. It changed her appearance from happy go lucky to edgy. Now she wants vengeance. So I’m wondering how was she able to get an injector and a scythe, then go to Earth in under a few hours? 

In “Giant Woman,” Pearl explains that two gems have to decide to fuse together and they have to sync with each other to do it. In “Change Your Mind,” Steven fuses with the Crystal Gems midair while they are in their gem state.

How the hell did Connie get affected by Blue Diamond’s pathokinesis when Lapis Lazuli arrived in “Reunited”? 

She was fine when BD did it the first time.

Mean Lapis and Bluebird are still on the loose. I know most shows leave things unanswered but you can’t leave two villains out there. They can still do harm to others 

I really wish the Crewniverse showed more professionalism because there are so many errors in the show and some of them are so simple to fix, yet they don’t and that’s what I call lazy. 

The Cast of Characters Don’t Do Much

I used to like the cast of characters, even the humans I enjoyed watching. When season 4 - Future came in, they got ruined. Most of them don’t do much in the show. I feel like they got sidelined because the Crewniverse had no idea what to do with them. 

Let’s first talk about The citizens of Beach City and how they are the most boring characters in the show. At first, they weren’t so bad because they did have a role to play in the story like when The Cool Kids talked to Steven about his mother when he found out that she was a war criminal and he blamed himself for his mother not being around anymore. They also helped him not get scolded by The Crystal Gems when they found Peridot’s escape pod. 

There’s even some slice-of-life episodes that I did enjoy watching such as

“Sadie’s Song” 

 And “Historical Fiction”

But now they don’t react to any Gem situation anymore. They just stand around and serve no purpose to the plot. Look at “Future”, throughout the whole epilogue mini-series, the humans didn’t do a dang thing in the series. For example, The Cool Kids, Lars, Sadie, and Shep don’t talk to Steven about his mental health when he was about to crush them with his force field. It just makes it feel that they don’t care about him or oblivious about that experience

Then they didn’t do squat when Steven became a monster and I know they're just humans but their friends and the show focus on them a lot, so they have to use them. It made me wonder why they even focus on them in season 4 and season 5 if they're not going to serve their purpose in the story. 

Now let's talk about the more interesting characters and how the Crewniverse wasted them. Many Gems and few human characters (Lars, Greg, Connie) get them characters to grow, face struggles and have moments that can make a character likable. After all that, the Crewniverse had no idea what to do so they just left them. 

Peridot’s redemption was well written. from season 1 - season 3. From a villain that has unknown technology and feels more alien than the Crystal Gems to a member of the Crystal Gem. As much as I love her development and she’s my favorite, however, she doesn’t do much in the show. Most shows that give a lot of development to a character are part of the main cast but in Steven Universe's case, she gets put in the barn with Lapis Lazuli and does nothing. She’s never involved in major story arcs such as she didn’t come along to help Steven to get his dad back in Zoo Arc and didn’t help with beach city citizens getting kidnapped in Wanted Arc. 

Even in the Pink Diamond Arc, she has no part to play. All she was in that arc was a punchline and a hyperactive character with no defining moments. While it’s nice she has a new outfit, it doesn’t change anything. 

Peridot had the potential to be a really great character but she got wasted because they had no idea what to do with her.

Pearl and Garnet never got their own character arc. When they fused with Steven to become Rainbow Quartz 2.0 and Sunstone it was rushed. I know they didn’t have time to do their arcs but if they cut townie episodes and focused on their bond it would’ve felt more impactful for him to fuse with them. Season 4 could’ve been Garnet and Season 5 could’ve been Pearl. Just look at Amethyst where she finds mutual respect and love for Steven and that’s really great to see. With them, we don’t have a moment like that.

A good example of using characters is Regular Show. They used their characters pretty well, giving each of them a good amount of screen time. 

Benson’s drum solo 

Getting to know more about Skips history

Muscle Man setting his ashes free at Great Trucker Graveyard 

High Five Ghost reunited with his love interest 

Pop’s proving that he’s part of the guys for Guys Night 

Rigby graduates high school

Mordecai painting for Benson

And what I like the most about is they all have a moment together as best friends. Such as in “Parkie Rewards,” although Benson doesn’t win an award, the gang made their very own award and paper trophy. Benson made a speech about how he appreciated his staff workers. 

I really wish Steven Universe had something like that and I really wanted to see more of Lapis, Garnet, Amethyst, and Bismuth but sadly the writers aren’t giving them much to do anymore. 

A Shift of Pacing 

Steven Universe really wants to tell a story like most cartoon shows are doing such as Over the Garden Wall, Adventure Time, Owl House and many more. They keep adding episodic episodes in the middle of unresolved conflict and have the concluding rushed. An example of this is the Cluster arc. 

Peridot tells The Crystal Gems that the Cluster will emerge at any time… AT ANY TIME! So the gang planned to create a gem drill to destroy it to save the Earth. So instead of working on the drill, they kept delaying it like 

Garnet told her story to Steven of how Ruby and Sapphire met 

Celebrating Steven’s birthday 

Peridot processing on becoming a “Crystal Gem”

I know Peridot was working on the drill and I like Peridot’s redemption but it’s a life or death situation. You can’t do other things when the Cluster can emerge at any time. The way they resolved the arc was really rushed. The Crystal Gems finally locate the whereabouts of Malachite and so Garnet, Amethyst and Pearl go to Watermelon Island and fuse to Alexandrite to defeat her. Then the Cluster emerges and it’s up to Steven and Peridot to deal with it. Instead of destroying the Cluster, he talks to it and it stops itself from emerging by bubbling itself. The way the writers conclude the arc was so anticlimactic and rushed. It ended two major plots, Malachite and Cluster in two episodes and Steven just talking to it was ridiculous. The Cluster arc should’ve at least had two episodes and Malachite should’ve come after the event because she was briefly mentioned in three episodes. 

Adventure Time has a mini-series that primarily focuses on plots. It resolves conflicts and it doesn’t waste any time such as Islands, Stakes, and Elements. 

People tend to blame the network for the inconsistent schedule and hiatus. While it may be true, however, it’s not really a big issue with the show. Gravity Falls isn’t consistent with its schedule but it has better pacing than Steven Universe. From Nov. 26, 2014 - Feb 16, 2015, the ep “Northwest Mansion Noir” was released, another month of waiting for “Not What He Seems.” Then we have to wait for four months, July 13th, 2015, for “The Tale of Two Stans.” Then there’s Steven Universe where we have to wait for six months for the next episode and it is just Towney episodes and it doesn’t even matter to the plot. So I pretty much don’t understand why people are complaining about the Steven Universe hiatus when Gravity Falls, a well-written show, has a hiatus as well. 

They could’ve had a well-written story if only they weren't so focused on the human side of Steven and cut most of the filler out. 

Action Doesn’t Have Consequences 

In most shows, movies, and video games, characters will make rash decisions that have other characters disagree and even have a bit of a falling out.  

Look at Gravity Falls “Land Before Swine.” Stanley doesn’t like Mabel’s pet pig, Waddles, and he left him outside when there was a Pterodactyl in town. Stan left Waddles unattended and caused him to get captured.

Soos messed up a lot in the episode. Without thinking, he barged in as Dipper developed the film which ruined a good picture of the dinosaur.

He tries to be optimistic when Mabel finds out Stanley left him out however it ineffective when he ravels the yarn back up and thus cut the clear path and accidentally break the lamb

To prove their worth is by Stanley fights the pterodactyl to save Waddles 

And Soos and Dipper make up when he apologizes and he admits he made mistakes.  Dipper and Mabel then took Soos advice to follow his lead and walk in a straight line as for dinosaurs' eyes are so far apart and that it can’t see in front of itself and the plan went well. 

So with Steven Universe, most characters in the show have done pretty terrible things and the show never atoned for their actions. 

In “Island Adventure”, Sadie trapped Lars and Steven on an island by hid the Gem portal with leaves so she can hit on him.  Although she saved his life by poofing the gem monster with a pointy stick, it doesn’t help the fact that she trapped them for a month! It is also idiotic that the show treats Lars as he’s the bad guy where in reality, Sadie is! 

Amethyst, although I do like her character development in the show, however, she did pretty a messed up thing and they never resolved it. In “Maximum Capacity”, Greg finds out that he’s missing the fireworks and Amethyst shapeshifts from Steven to Greg to cheer him up. She changes back and gets mad at him for not spending time with her. So she shapeshifts to Rose Quartz/Pink Diamond which causes Greg to look away and it’s the second time she has done it, and then Steven comes in to stop and question both of them. Amethyst feels guilty and left. So in order to make things up, she came up with an idea to clean that the Crystal Gems can clean out Greg storage. So this is really messed up. She shapeshifted as his wife and not only it scarred Greg but Steven as well and yet the writers never decided on how they can properly make it up. That’s so horrible. 

Lapis Lazuli took the Earth's water, almost killed Connie, broke Peridot's tape recorder and called it garbage, and she took the barn. When she finally comes back to help the Crystal Gems to fight against the Diamonds. Her response to everyone was “hey”. She never apologized for anything she has done. I know she has PTSD but it doesn’t excuse her actions. 

The only character that actually feels guilty and has to make amends of her wrongdoing is Pearl. She deceived Garnet by keeping rebuilding Gem communicator so she can fuse with her to form Sardonyx to make herself feel better. Steven and Amethyst find out and spill the beans which gets Garnet mad and Pearl feels guilty. In the last episode of the Sardonyx arc, they get trapped by Peridot. When they were about to get crushed, they two finally talk and Pearl apologizes to her and calls herself “just a pearl” and Garnet tells her you are your own gem and that makes her feel better and fused to Sardonyx once again. 

Now it’s time to talk about the second major gripe with the show that everyone has and it’s the Diamonds being redeemed. The Diamonds are tyrannical fascist dictators that caused genocide many species, colonized many worlds, corrupt gems, shatter gems that don’t obey, have an army, gems that are off-color are put to the underground, and force fused shattered gems into a Cluster. After what they have done, you think they need to pay, right? Unfortunately, since Rebecca Sugar said ``there are no villains' ' and the show is about empathy, the Diamonds, especially White Diamond, get a clean slate. So it’s fine to have a villain be sympathetic and have a sad backstory, it makes them more human but having them redeemed is something you should never ever do, especially what they’ve done. They have very little screen time to show their development and have doubts about their empire. 

Then they made them worse when in Steven Universe: “The Movie” and “Future” 

In Steven Universe: “The Movie”, The Diamonds become clingy aunties to Steven and tell them don’t do evil things anymore like calling other species “equal lifeforms”, disband their arms and not shatter gems.

In Steven Universe: “Future”, The Diamonds abilities have a completely opposite effect towards Gems such as 

Yellow Diamond’s ability to change from poofing gems to fixing 

Blue Diamond’s ability to change from sad blue orbs to happy blue clouds 

White Diamond's ability changed from manipulation to control her for a brief moment. 

Having them become good and having emotions won’t cut it. They can’t atone for what they’ve done for the past millions of being fascist dictators and just saying “I’m a good Diamond now” can’t wipe away their past actions. It doesn’t work like that! 

My Little Pony Friendship is Magic, A SHOW FOR LITTLE GIRLS, have a better-written villain redemption than Steven Universe and I ain’t kidding. Discord was the main antagonist for “Return of Harmony”. All he wanted to do is cause chaos. He was defeated by the mane six at the end of the second part of the episode.

In season 3, “Keep Calm and Flutter On”, Discord was reformed by Fluttershy because Princess Celestia believes he can be a good ally and knows that she can do it. 

Throughout season 4, everyone still doesn’t trust him even though he’s friends with Fluttershy.

In the season 4 finale, he sided with Tirek and he betrayed them because he thought he’ll be rewarded for it. 

Then he was betrayed by him. After Tirek and Twilight fought, she gave up her magic to save her friends, including Discord. It made him realize that friendship is more precious than anything of what he’ll give him and that’s when he’s been fully accepted as a friend to the mane six. 

I also want to talk about Rose Quartz/Pink Diamond. While many fans in the community and the Crewniverse always point that she’s terrible and I agree she is. Such as leaving Spinel for 3,000 years, cracked her first Pink Pearl, abandoned her Diamond duties to be free, started a Gem war that cost many Gems to shatter to pursue her own goal, bubbled Bismuth, gems got corrupted, and left Steven with the burden. It is indeed bad but when compared to the Diamonds, she’s more of a saint than them. At least she does develop, doesn’t shatter gems and save the Earth from the Diamonds. 

With story pacing being all over, villains and even characters aren’t paying for their actions and a cast of characters aren’t doing much, what’s the most problematic of the show? Well, it’s a combination of all my problems into one and that is…

Steven “Center Of” Universe

The major problem with the show, the one that brings down the show a lot and it’s Steven Omnipresence. First off, I don’t mind when a show has a protagonist point-of-view like Ben 10, Phineas and Ferb, Over the Garden Wall, etc. As long as it's written well and keeps the story moving, it’s fine but with Steven Universe, it has tons of problems. Steven's point-of-view is the cause of all its flaws and I can’t stress it enough about it. 

So let’s first talk about the obvious one and how it’s only Steven's perspective. The problem with this is we only see things if Steven is there to witness it. The show introduces a fascinating world of Gems and yet the show doesn’t dive into that because Steven doesn’t care about and all he does is hang around Beach City. Steven will never explore unless he chooses to and some major plot points are offscreen which you should never do, especially it’s a story-driven show. An example of this is “Wanted Arc’” and yes I’m using it the third time as my example because it really is a terrible arc. When Steven comes back home, he had some information about Homeworld, discovered that there’s a mystery about Pink Diamond shattering, Off Colours, Steven can bring back people from the dead and Lars in space. With all that, what does Steven do? Nothing. Throughout his adventure in space, he never mentions it to the Crystal Gems and instead of that being the main focus, it’s townies and Connie. While Steven is doing Beach City fluff, Lars is actually progressing the plot by him developing and escaping Homeworld with the Off Colours. I truly wonder why the Crewniverse believes that Beach City is more important than Gems? 

They got interesting lore and I truly want them to explore it more but they had to waste all that and have the most major plot points be offscreen for Steven's perspective. 

The second problem with Steven p.o.v is his contestant presence. The show will always be about him, no other characters get the spotlight or do anything unless he’s there. There’s rarely a scene that doesn’t have Steven and it’s frustrating when there’s a well-rounded cast of characters that I want to see more than him. We’ll never see them interact with other characters nor explore different parts of the world. Other shows have done it such as 

Amazing World of Gumball - “The World”

Adventure Time - “Varmints” 

Avatar: The Last Airbender - “Zuko Alone” 

Rick and Morty - “Tales From the Citadel”

Imagine how great it will be if explore more of the cast like  

Uncorrupt Gem characters and Curley Lapis going by their day in Little Homeschool. 

Lars becoming a space pirate 

Lapis and Peridot becoming friends 

Pearl meeting up with Mystery Girl

Volleyball recovering from her trauma

Ruby and Sapphire being their own individuals 

They got a lovable cast of characters that I want the show to further explore and yet the Crewniverse don’t do anything with them and that’s such a missed opportunity.  

Then the third most egregious problem with Steven p.o.v is he’s the communicator. The show tries to message that talking things will work but no one really talks to each other unless it’s Steven. Characters barely make their opinion or a chance to speak for themselves while Steven's opinion will and shall always be in the right and we barely see characters talking to one another. Examples of these are…

When Steven bubbles Bismuth, Pearl and Garnet don't say a thing and just let him. They don't question why he did or lash him out for it. They just went along with it. Steven decided to unbubble her in “Made of Honor “ for a wedding without talking to anyone else about it and again, they still haven’t asked questions and they just went along with it. 

In “Reunited”, instead of Crystal Gems look at each other to find their strength like Garnet telling Pearl she’s her own Pearl, Pearl telling Amethyst she’s isn’t an accident, and they tell Garnet that she’s a great leader, Steven has to remind them what they are supposed to be. 

Blue and Yellow had issues with the Gem Empire but too afraid to say to White Diamond. Until Steven arrived and that’s when they tried talking to her.

The Diamonds become good because Steven tells them being a fascist dictator is bad and they agree. They disbanded the Gem Empire and changed their abilities to help Gems under two years. 

Steven made Pearl talk to Amethyst. 

The message the show tries to tell that people should communicate is completely flawed because rather than have other characters improve their lives by talking to one another, they made Steven the messiah that every character looks up to. Steven will change your mind and you have no choice in the matter. 

Conclusion

With the end of Steven Universe, I  want to say that this show could’ve been better. Steven Universe was created by Rebecca Sugar, a former storyboard artist for Adventure Time and the one who mainly writes episodes about Marceline and wrote songs for the show. When she announced that she's left AT to make her show, I was excited and had such high hopes for it. I really want this show to succeed and it could’ve been the next Adventure Time, My Little Pony Friendship is Magic or Gravity Falls but sadly it failed to do so. The show flaws outshined it the strength by it was handled unprofessionally, wasted their characters, the pacing is all over the place, no character pay for their past actions and Steven’s point-of-view. I don’t think it’s the worst show I’ve ever watched nor a masterpiece, it's just a disappointingly average show in my personal opinion. I hope Rebecca Sugar and her crew not just see this as their progressive show by representing LGBT and messaging but also see what they would have approved of on the show and how they could’ve made it better. I had a lot of good memories when I first watched the show. It had the potential to be better but it never filled the promises they made.