#i do think i want to try and be more intentional with my character designs now so i'm seeing how that goes as i redesign some old ocs

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[sundial-bee-scribbles]

trying to psych myself up to finally do oc refs by doing fandom-related refs instead: volume 1

wanted to update my yuma from whatever tf this au is so he was a bit more unique... takes inspo from a lot of different things while also trying to be its own sorta thing? which is fitting given the au ;)

bonus chibi now that i'm also figuring out how tf to do chibis lol:

[dissapointu]

Hello, I wanted to ask you a little drabble with all the arcane characters.

Like how they fell in love with reader ( like what captured their attention etc)

It would be pretty cool in my opinion.

Have a wonderful day\night.

Aaaugh, I made of made this a bit long-(really long, that was sarcasm) I'm splitting it into two portions

Jinx-

Jinx didn’t know what to make of you at first. You weren’t loud or flashy like the people she was used to dealing with. You weren’t trying to prove anything, and yet, there was something about you that screamed different.

She first noticed it when you didn’t flinch at one of her explosions—not the way most people did, anyway. The boom had rattled the room, shaking dust from the rafters, and yet, there you were, brushing soot from your shirt like it was just another Tuesday.

“Nice touch with the blue sparks,” you’d said, nodding at her latest contraption. “Adds flair.”

Flair? Most people would’ve called it destruction. Most people would’ve screamed or run. But you? You tilted your head, eyes bright, genuinely impressed, and for a moment, Jinx was at a loss for words.

It wasn’t just that you didn’t fear her; it was the way you saw her. You noticed the little things—the care she put into her work, the way she tinkered endlessly to perfect her machines. While others saw chaos, you saw art, and for someone like Jinx, that was everything.

The next time she saw you, it was intentional. She didn’t need to bring you a gadget she’d been working on—it wasn’t even finished—but she wanted to see how you’d react. Sure enough, you examined it like it was the most fascinating thing in the world, pointing out details she hadn’t realized anyone else would notice.

“This is genius,” you murmured, tracing a finger along a carved design she’d barely remembered adding. “You really think through every detail, don’t you?”

Her heart did something weird then, like skipping a beat but more… explosive.

From there, it snowballed. You became her favorite person to show her creations to, the only one she trusted to see her work before it was ready. You never judged, never laughed when something misfired—just smiled and asked how you could help.

And Jinx? She realized she’d fallen for you one day when she caught herself trying to impress you. The realization hit her like a grenade: she didn’t just want you to like her inventions—she wanted you to like her.

“You’re somethin’ else, you know that?” she said one night, leaning against her workbench, tools scattered around her. Her voice was softer than usual, almost unsure. “Most people don’t get me, but… you do.”

You’d just smiled, that easy, genuine smile that had hooked her from the start. “That’s because you’re worth getting.”

And just like that, Jinx knew there was no going back.

Vi –

Vi wasn’t looking for anyone. She didn’t have time for soft moments, not with everything she had on her plate. But then you came along, and she couldn’t help but notice how you carried yourself—steady, calm, unshakable.

The first time she really noticed you, it wasn’t some grand, sweeping moment. It was quiet. You were helping some kids in the Lanes patch up a rickety swing they used to pass the time. Nothing fancy, just you, a coil of rope, and that determined look in your eyes.

She hadn’t meant to stop and watch, but something about you drew her in. Maybe it was the way you didn’t hesitate to get your hands dirty or how the kids laughed around you, their faces lighting up despite everything the Lanes threw at them.

“You’re good with them,” she said after working up the nerve to approach you, trying to sound casual.

You glanced up at her, wiping sweat from your brow, and gave her a smile that hit her like a sucker punch. “Someone’s gotta be. They deserve better than this, don’t you think?”

It wasn’t just your words that stuck with her—it was the way you said them. Like you meant it. Like you actually believed in something better, even when the world gave you every reason not to.

From then on, Vi found herself noticing you everywhere. The way you stepped up when others hesitated. The way you didn’t back down, even when things got messy. You had this quiet strength about you, the kind that didn’t demand attention but earned it anyway.

She started finding excuses to stick around—helping with repairs, walking the kids home, sparring with you in the courtyard when the opportunity came up. And each time, she found herself drawn to you a little more.

“You’re somethin’ else,” she admitted one night, sitting beside you on a crumbling wall, the city’s broken skyline stretching out before you.

You raised an eyebrow at her, clearly amused. “That so?”

“Yeah.” She rubbed the back of her neck, uncharacteristically shy. “Most people would’ve given up on this place a long time ago, but not you. You stick it out, no matter how hard it gets.”

You shrugged, your gaze softening as you looked at her. “Same could be said about you, Vi.”

That was the moment it hit her—like a punch she didn’t see coming. It wasn’t just admiration anymore. It was something deeper, something she couldn’t ignore.

She fell for you in pieces, each small moment stacking up until it all clicked. It wasn’t about grand gestures or dramatic confessions. It was the way you fit—like you were exactly what she didn’t know she was missing.

And when she finally worked up the courage to tell you, your answer came with that same steady smile that had captivated her from the start.

“Figured it out, huh?” you teased, and she rolled her eyes, though her grin gave her away.

Yeah, she figured it out. And she wasn’t letting you go.

Sevika-

Sevika didn’t believe in love. In the Lanes, it wasn’t something people had the luxury of chasing. Survival came first, and attachments were just liabilities waiting to stab you in the back.

But you were… different.

The first time she noticed you, it wasn’t because you were trying to catch her attention. You were too busy holding your own, stepping into a dispute between two gang members over stolen supplies. She’d leaned back in the corner of the Last Drop, watching the chaos unfold, ready to step in if things got messy.

But then you surprised her.

You didn’t raise your voice or threaten anyone. Instead, you stood tall, calm as you defused the tension with a few sharp words and an unflinching glare. You had this presence, like you weren’t afraid of anyone in the room—not even her.

“Bold move,” Sevika had said when you approached the bar afterward, ordering a drink like you hadn’t just stared down two brutes twice your size.

You glanced at her, your lips quirking into a small smirk. “Someone’s gotta keep things from falling apart.”

That was the moment she started paying attention. You didn’t just survive in the Lanes—you thrived. You didn’t let the weight of the place crush you like it did everyone else. And more than that, you cared. Not in some naive, starry-eyed way, but in a way that made you fight tooth and nail for the people who couldn’t fight for themselves.

It pissed her off at first. The way you carried yourself like you weren’t afraid of the darkness around you. She thought it was reckless, stupid even. But the more she watched, the more she realized it wasn’t recklessness. It was conviction.

You weren’t scared of getting your hands dirty, but you never lost sight of what mattered to you. That’s what got under her skin, what kept her coming back to the same barstool night after night, just to see what you’d do next.

She started finding reasons to stick around. Sometimes it was to share a drink, other times to offer backup when things got rough. You never asked for her help, but you didn’t push her away either, and that intrigued her more than she cared to admit.

One night, after a particularly close call with one of Silco’s rivals, you patched up a cut on her arm, your hands steady as you worked.

“You’re too damn stubborn for your own good,” she muttered, watching you through half-lidded eyes.

You chuckled, your touch gentle as you tied off the bandage. “Takes one to know one.”

It was such a simple moment, but it stayed with her. The way you looked at her—not like she was some feared enforcer, but like she was just… Sevika. It wasn’t something she was used to, and it scared her as much as it thrilled her.

Over time, she realized she was looking for you in every crowd, waiting for the nights you’d sit beside her and trade sharp banter over a drink. She fell for you quietly, begrudgingly, like it snuck up on her before she could stop it.

And when she finally admitted it—to herself, to you—it wasn’t some grand confession. It was a gruff, almost reluctant, “You mean more to me than you should.”

Your response? That same infuriating, endearing smirk. “Took you long enough to figure that out.”

Sevika huffed a laugh, shaking her head, but the truth was, she didn’t mind. Because for once, letting someone in didn’t feel like a weakness. It felt like strength.

Silco -

Silco had always been a man of control, ambition, and sharp edges. In the underbelly of Zaun, survival demanded nothing less. Trust was currency, and affection? A distraction. He had long since accepted that power was the only thing worth chasing.

But then you appeared.

You weren’t loud or showy, not one of those people clawing for his attention. No, you worked quietly, efficiently, in the background of the chaos he ruled. You were just another piece in his intricate machine at first—just another person serving a purpose.

What caught his attention first was your unyielding patience. Where others in the Lanes were frantic, desperate to prove their worth, you moved with a calm certainty, like you weren’t afraid of the storm around you. You fixed what was broken—tools, machines, even people—without asking for anything in return.

One night, you’d been tending to one of his injured men after a skirmish, your hands steady as you stitched him up in the dim light of the hideout. Silco watched from the shadows, curious. The man hissed in pain, and you responded with a soft laugh.

“Hold still, or I’ll sew you up crooked,” you teased, your tone warm but firm.

It wasn’t the words that struck him—it was the way you carried yourself. There was no fear in your voice, no need to prove yourself to anyone. You didn’t care about earning his favor or gaining power. You just… were.

For someone like Silco, who thrived on manipulation and control, it was unnerving. People were supposed to want something from him. But you? You treated him like a man, not a king.

It wasn’t long before he started seeking you out. At first, it was subtle. A lingering glance as he passed through the room, a quiet question about your work. You always answered him honestly, without flinching under his piercing gaze, and it left him unsettled in a way he couldn’t quite name.

One evening, after a particularly brutal day, he found you sitting by the docks, staring out at the toxic waters of Zaun. The tension in his shoulders eased slightly at the sight of you, though he didn’t understand why.

“You should be careful out here,” he said, his voice low as he stepped closer.

You glanced over your shoulder, smiling faintly. “And miss the chance to breathe? I think I’ll take my chances.”

It was such a simple thing, but it stayed with him. In a world that demanded constant vigilance, you allowed yourself to simply exist. It was a quiet defiance, one that intrigued him more than he cared to admit.

Over time, you became a constant presence in his life, slipping through the cracks of his carefully constructed walls. It wasn’t grand gestures or impassioned declarations that made him fall for you. It was the quiet moments—the way you never cowered under his gaze, the way you challenged him without hostility, the way you saw him for more than his scars.

One night, as the two of you shared a rare moment of silence in his office, he finally allowed himself to admit what he’d been feeling.

“You’re dangerous,” he said, his voice soft, almost amused.

You raised an eyebrow, leaning back in your chair. “Dangerous? To you?”

He smirked, though there was no malice in it. “You’ve managed to do what no one else has.”

“And what’s that?”

“You’ve made me want something I didn’t think I needed.”

Your smile widened, warm and unguarded, and for once, Silco didn’t feel the need to look away.

In you, he found something unexpected: a quiet kind of strength, the kind that didn’t demand attention but commanded respect. And for a man who had spent his life fighting for control, letting himself fall for you felt like the ultimate rebellion.

Vander -

Vander wasn’t a man who fell in love easily. His life had been shaped by too much loss, too much responsibility. The people of the Lanes leaned on him, and he carried their weight with quiet strength. Love, to him, felt like a luxury he couldn’t afford.

But then, there was you.

It wasn’t some grand moment that captured his attention—it was the small, steady things. The way you moved through the chaos of the Last Drop, keeping the peace in your own quiet way. The way you never demanded his time but somehow always knew when he needed someone to sit beside him in silence.

What struck him first was your kindness—not the soft, fragile kind, but the sort that had edges. You didn’t let people walk over you, but you never hesitated to offer a hand to someone in need. In a place like Zaun, where survival often demanded selfishness, you were a rarity.

He noticed it one night when a brawl broke out in the bar. Two rowdy patrons had nearly overturned a table, and before Vander could step in, you were already there. You didn’t raise your voice or throw a punch. Instead, you placed a firm hand on one of their shoulders, your calm, measured tone cutting through the tension.

“Save it for the street, boys. We don’t spill blood where we share drinks.”

To his surprise, they listened. Vander couldn’t help but chuckle as they slunk off, muttering apologies.

“Got a way with people,” he said later, handing you a drink as thanks.

You shrugged, offering a small smile. “Just trying to keep things from falling apart.”

Those words stayed with him. It was how you carried yourself—like you were always holding the pieces together, not because you had to, but because you chose to.

Over time, he started finding excuses to be near you. A quick conversation here, a shared drink there. You had a way of making him feel… lighter. Like he could let go of the weight he carried, even if just for a moment.

It wasn’t until one quiet evening, after the bar had emptied, that he realized how deeply you’d settled into his heart. You were sitting on one of the tables, cleaning up a spill, humming a tune under your breath. The soft glow of the lanterns lit up your face, and for a moment, Vander just… watched.

“You’re staring,” you said, not looking up.

He chuckled, rubbing the back of his neck. “Caught me.”

You glanced at him then, your smile warm and teasing. “What’s on your mind, big guy?”

He hesitated, uncharacteristically unsure. But then, he decided to just say it—Vander was never one for dancing around the truth.

“You. The way you care about this place. The people. Me.” He exhaled, leaning against the bar. “Never thought I’d find someone like you in all this.”

Your eyes softened, and you set down the rag in your hands, crossing the room to stand in front of him. “You’re not so bad yourself,” you teased gently. “Took you long enough to notice me.”

He laughed then, a deep, rumbling sound that made your chest warm. “Oh, I noticed. Took me a bit longer to admit it.”

And when you reached up, resting a hand against his face, he leaned into your touch, his eyes closing for just a moment. In you, he found something he hadn’t realized he needed—a steady flame in the chaos of the Lanes.

Ekko -

Ekko didn’t believe in distractions. The Firelights needed him, the Lanes needed him. His days were spent fixing the mess left behind by Piltover’s greed and Silco’s reign. He had no time for anything else—least of all love.

But you? You didn’t give him much of a choice.

It wasn’t a single moment that caught his attention. It was a collection of them, like the pieces of a clock coming together. He first noticed the way you moved—quick and deliberate, like you belonged to the rhythm of the chaos around you. No hesitation, no wasted motion. Whether you were patching up one of the Firelights after a mission or organizing supplies in the hideout, you carried yourself with a quiet confidence that made it impossible for him not to watch.

What hooked him, though, was your laughter. The first time he heard it, he froze. It had been after a particularly rough raid. Everyone was tense, the weight of the day pressing down on their shoulders. And then you cracked some joke—stupid, honestly, but something about the way you delivered it had everyone laughing, including Ekko.

That was when he realized it: you didn’t just survive the Lanes. You thrived in them. You brought light into a place where most people only saw shadows.

It started small—an extra second spent talking to you, a lingering glance when he thought you weren’t looking. He’d catch himself gravitating toward you without even meaning to, drawn to the way you lit up a room with just your presence.

But it wasn’t until one night, long after the others had gone to sleep, that he truly understood how deep you’d gotten under his skin. You were sitting by the glow of a makeshift lantern, tinkering with some piece of tech you’d salvaged. The light cast shadows across your face, highlighting the curve of your cheek, the focus in your eyes.

“Burning the midnight oil?” he asked, leaning against the doorway.

You glanced up, a small smile tugging at your lips. “Someone’s gotta keep this place running.”

He stepped closer, hands shoved into his pockets. “You do too much, you know that?”

“Says the guy who can barely take a break,” you shot back, raising an eyebrow.

He huffed out a laugh, shaking his head. “Fair point.” For a moment, he just stood there, watching you work. The quiet stretched between you, comfortable and warm.

“Why do you do it?” he asked suddenly.

You paused, looking up at him with a tilt of your head. “Do what?”

“Care so much. About all this.” He gestured vaguely, as if to encompass the entire hideout, the Firelights, the Lanes.

Your gaze softened, and you set the piece of tech aside. “Because someone has to. And because… I believe in you, Ekko.”

The sincerity in your voice hit him like a punch to the gut. You believed in him. In a world that seemed determined to tear him down, you stood beside him, unwavering.

“I don’t deserve you,” he murmured, his voice barely above a whisper.

You smiled, reaching out to take his hand. “Guess you’re stuck with me anyway.”

That was the moment Ekko fell. Completely, irreversibly.

Jayce -

Jayce had always been drawn to brilliance. Invention, ambition, ingenuity—they were the cornerstones of what he admired in others. And yet, none of it had ever prepared him for you.

The first time he saw you, it wasn’t in a polished Piltover workshop or a grand council meeting. It was in a small, crowded market on the edge of the Undercity, where the scent of oil and metal clung to the air. You stood at a stall, bartering for scraps and materials like your life depended on it—because, as he’d later learn, it did.

What caught his attention wasn’t just your resourcefulness or the sharp wit you wielded against the vendor. It was the way your eyes lit up when you held a seemingly useless part in your hands, already envisioning the endless possibilities it could unlock.

He didn’t even mean to approach you. His curiosity had a mind of its own. “What are you going to do with that?”

You turned, a little startled, but you didn’t back down from his inquisitive gaze. Instead, you held up the twisted hunk of metal like it was a crown jewel. “Turn it into something brilliant. You’ll just have to wait and see.”

It wasn’t arrogance—it was certainty. And Jayce, who had spent his life chasing impossible ideas, saw a kindred spirit in you.

From that moment, you became an enigma he couldn’t resist unraveling. Every conversation revealed new layers to your ingenuity, your resilience, your unshakable belief in making the impossible possible. And the more time he spent with you, the more he realized it wasn’t just your mind that captivated him—it was your heart.

You were unafraid to challenge him, to push him, to remind him that the world wasn’t just equations and theories but people and dreams. Your passion reignited something in him he hadn’t realized he’d lost: a love for the why, not just the how.

One evening, as the two of you sat side by side, tinkering with a device in his lab, he found himself watching you instead of the work. The way your hair caught the light, the quiet determination in your expression, the soft smile when something finally clicked into place.

“You’re staring,” you teased without looking up.

He chuckled, rubbing the back of his neck. “I just—how do you make everything seem so effortless?”

You grinned, glancing at him with that spark he’d come to love. “It’s not effortless. I just don’t let the hard parts stop me.”

In that moment, he knew he was a goner.

Jayce Talis, the golden boy of Piltover, had fallen in love with you—not because of what you could build, but because of what you built in him: a renewed faith in the beauty of dreaming big, of chasing the spark no matter where it led.

And it apparently led to you.

Viktor-

Viktor didn’t notice you at first, not in the way others might have. He was too focused on his work, his mind consumed by blueprints and equations. But you… you were patient, always there in the background, asking questions no one else dared to ask, seeing things no one else cared to notice.

It was one of those late nights in the lab when you caught his attention. He was hunched over a schematic, frustration etched into every line of his face. You, seated quietly at the far end of the room, had been watching him—though you’d never admit it aloud.

“Did you eat today?” your voice broke through the silence.

Viktor didn’t even look up. “I’m fine,” he replied, a rote answer that wasn’t convincing in the slightest.

You set down your work and crossed the room, standing just out of his peripheral vision. “Fine isn’t food, Viktor.”

When he finally looked at you, there was something in your eyes that made him pause. It wasn’t pity or condescension—two things he’d grown accustomed to. It was understanding, genuine and unyielding, as if you knew exactly what it felt like to lose yourself in something bigger.

That was the first moment he realized you were different.

It wasn’t the last.

You had a way of grounding him, of pulling him out of his own head without judgment. Your presence was quiet but powerful, a steady force that didn’t demand his attention but earned it nonetheless.

What truly captured him, though, was your mind. You didn’t just accept the world as it was; you questioned it, challenged it, sought to understand it. You weren’t afraid to debate him, to push back when you thought he was wrong, and yet you did so with a respect that made him listen.

He found himself looking forward to your late-night conversations, the way you’d linger in the lab long after everyone else had gone home. You’d ask about his work—not just the mechanics but the why behind it, the hopes and fears he buried beneath his relentless drive.

One evening, as you sketched out a rough design on a scrap of paper, Viktor caught himself smiling. Not at the drawing, though it was clever, but at you. The way you bit your lip in concentration, the furrow of your brow, the quiet hum of satisfaction when you got something just right.

“You are remarkable,” he said softly, almost to himself.

You glanced up, surprised. “What?”

His cheeks flushed, and he looked away, fiddling with a wrench. “Nothing. Just… your ideas. They’re… innovative.”

But it wasn’t just your ideas. It was you—the way you saw the world, the way you saw him. Not as a man constrained by limitations but as someone capable of more.

You believed in him, not just in his work, and that was something Viktor hadn’t realized he craved until you offered it so freely.

And as the days turned into weeks, then months, he realized something else: He believed in you, too.

It wasn’t some grand epiphany or dramatic moment. It was in the quiet, shared glances, the lingering touches when you handed him a tool, the way his chest felt lighter when you were near. Somewhere in the midst of late nights and whispered dreams, Viktor had fallen in love.

Not just with your mind or your presence, but with the way you made him feel—seen, understood, whole.

And for a man who’d always fought against the odds, loving you felt like the greatest invention of all.

[temis-de-leon]

He sees how you fell in love with your ex

Summary: Once more victims of their lack of prudence, the boys are cursed to experience horrible visions; that is, seeing first-hand how their lover, MC, fell in love with their ex.

Characters: present! Lucifer x gn!reader, past! gn!reader x gn!ex

Main Masterlist

C/W: the reader is said to be in college/early 20s during the memory, but no age is specified. Reader is betrothed to their tutor (not their teacher) and kisses them.

A/N: I spent four days trying to write a simple drabble for Barbatos and then I wrote this in two hours. I ain't fighting my mind anymore. Mammon was supposed to be in this one, but I think one post per character is good enough.

.

Lucifer – Similar, but so different

He feels the need to wonder if he has done anything specific to deserve this punishment.

Did he grab the wrong book? Lucifer doesn’t even remember being in the library to begin with. Was he cursed, perhaps? In that case, by whom? Whether it was his brothers, that damned sorcerer or an unknown brainless demon didn’t matter to him, because the uneasy frustration wouldn’t leave his chest regardless of his reasoning.

You are there, right in front of him, but deaf to his voice and unresponsive to his touch. Your skin holds no warmth either and trying to caress it feels useless, like grabbing an ordinary leather wallet.

Unfortunately, Lucifer is old and experienced enough to realize rather quickly that what he is seeing isn’t a simple vision or an imaginary scenario. He looks at your fingernails and can’t decide anything concrete about them; are they long or short? Painted or not?

Your surroundings are also blurry, and devoid of details. While it’s obvious the setting is a library, his acute sight can’t decipher any of the titles in the bookcases and the hallways don’t seem to have an end; rays of sun enter through the window, but only the blue skies are visible; and there’s not even a librarian to make you company in such a fine day.

It is a memory; a good one, judging by the dreamy feeling and the brightness of it.

He drops his head to study you one more time and unsuccessfully tries not to scowl in a sour manner when, despite being unable to see you as clearly as he would any other day, the golden shine of a ring catches his attention.

Simple and classy in its design, the significance of it holds a heavier weight than whatever material it is made of.

His tongue clicks in disapproval, already thinking of punishments that would fit the perpetrator’s audacity. How dare they? How dare they deprive him of you? How dare they show him this?

Lucifer looked around, unsure if he wanted to see what was inevitably coming next, although whatever magic threw him there probably had that exact intention. His body was glued to the seat, useless against his inhuman strength and his powers, and, as much as he tried to avert his eyes, he could do nothing but stare at you incessantly. Was he waiting for you to raise your head and recognize him? Gasp in horror before rushing to cure him with your own magic or even the most obvious true love kiss? He didn’t know, but he was absolutely sure he wanted you to know who he was, at the very least.

Of course, that was childlike hoping.

Your hair was styled differently and your face seemed younger and more innocent, obviously ignorant of anything beyond human life. Lucifer could guess when he was based on the context, but you had never talked about this specific stage of your life enough for him to exactly pinpoint.

Somewhere in between your college years, you had been betrothed to someone and later, evidently, single again. Since you weren’t keen on divulging every piece of your ex-partner and your previous relationship without apparent reason, he tried not to dwell on the topic unless the conversation begged for it, but it wasn’t like he was extremely interested either. No need to focus on the past when you both had the present going on and, having each other, who needed anyone else?

He felt the need to reconsider.

Although it was obvious you were trying to study, you seemed to give the ring more attention than anyone would ever do in any similar situation. Your sorrowful expression was a stark contrast against the gentle ambience of the room and the softness in which you were treating the piece of jewellery, the sad eyes and the frown distorting your face.

Lucifer tried to reach you again in hopes of offering comfort, but it was like he didn’t exist to you. While he knew it was due to the situation, he couldn’t help but pout and cross his arms over his chest, as if trying to hide his aching heart. It beat frantically and pathetically, wondering why would you reject him, and no amount of reasoning would calm it down.

A set of footsteps caught your attention.

He frowned miserably as you turned around, looked at the newcomer and then returned to your initial position with a quivering lip. The other person, whom he could only assume to be your ex, twisted their face in remorse and hurried to your side, sitting and rushing to hold your hand.

A part of him wanted to break the contact and instantly take you somewhere far away from there, from whoever was that person that had you in their arms before Lucifer even had the chance to meet you, but he couldn’t move. He couldn’t do anything but watch as you looked at your ex-fiancé with hurt and a tinge of hope.

“I am so sorry, baby” they said in a whisper, even though no one else but him was around to hear the conversation. You two were close, faces mere inches away from each other, and he couldn’t do anything but watch it all. Each word cut Lucifer’s heart with the precision of a scalpel, but it was the tiny optimism in your expression what hurt the most. “I shouldn’t have talked to you that way; you didn’t deserve it. You studied, you tried, you failed and I snapped and you didn’t deserve it…”

“I wanted your support” you reminded them in a voice too small for you.

They didn’t look annoyed at the interruption, instead nodding in a humble motion.

“I know-“

“You aren’t my tutor anymore, you’re my partner”

“I know, I’m sorry”

Lucifer’s eyebrows raised in surprise.

He’d had similar conversations with you in the past where you had failed a task or hadn’t turned homework in when it was due and he had been clear in showing his disapproval, regardless of how happy you were in your relationship. Business and pleasure were separate for him and your success at RAD very clearly belonged to one of those categories. Sure, he didn’t get paid for each one of your victories; in fact, it was he who gave the reward on occasion, but ensuring the exchange program went correctly was related to his work with Lord Diavolo, not his feelings for you.

Although he enjoyed seeing you succeed very much.

“I’m very proud of you” said your ex with an honest expression, smiling before cupping your cheek to bring you closer and kiss you.

Lucifer could manage to look somewhere else for that one, but he still heard the noise. Your happy humming before another kiss.

He wondered briefly if the library had been empty in reality or if your feelings for your previous partner had made it seem as if there had been no one else but them in the room with you. Did he make you feel the same? Did he make you feel as if there was none but the two of you in the world?

Not wanting to see your delighted expression directed at another person, he looked at your fingers again, unfortunately finding theirs interlocked with yours. The shiny ring taunted him.

“You’ll get it next time; you’ll see”

“You think so?”

“I know so, baby”

And that made you laugh like a fool, which only made Lucifer’s mood worsen.

You only looked at him that way on certain occasions; mainly when he allowed them to happen or when he was too drunk to think about appearances. Sure, he loved you and he showed you so, but was that enough to make you forget about all the times he didn’t do it? Was it enough to mask his disappointed words or his arrogant behaviour? To drive your attention away from the fact that he never properly apologized for anything, even when it hurt you?

Why did you break up with this human? They clearly treated you well and you clearly loved them, so why? What made you see that someone who adored you so much wasn’t the right match for you?

There was no ring on your finger with his name on it, but you did have a pact. A pact with THE Lucifer Morningstar, which not many people had. He wasn’t lying when he said that you belonged to him.

…but did you really?

“I forgive you” you said.

A sickening feeling of hope made him immediately look at you, wishing those words were directed at him, but of course, they weren’t.

He watched as you got up and your partner helped you with your belongings, offering their arm before leading you out of the library. Lucifer wasn’t even sure if he wanted to follow, especially when you were looking at your fiancé with that much love in your eyes.

“Thank you for being here” you mumbled quietly against their lips, putting the last nail in Lucifer’s coffin.

Did you really belong to him?

.

.

Taglist: @ilovecandys2010  @ollieoven @kingofspadesdelusion @whimsybloom

[transmutationisms]

oh i would actually be curious to hear your thoughts on lolita book covers in that case. i do get the sense that some of the covers are designed to uncritically titilate and seem to misunderstand the text, but that could obviously be an assumption on my part lol.

oh i agree that the cover designs tend to run counter to nabokov's intentions, both in the text and in the literal instructions he gave about covers lol. they pretty clearly rely on putting some young girl on display, which is exactly what nabokov did not want to do visually; they also tend to suggest dolores as some kind of seductress (sultry gazes, pouty lips, &c). clearly this is precisely the opposite of what the text tells us about her.

however when evaluating these visual choices i find that many people portray them as some kind of originary and culturally polluting act: that is, a narrative emerges that the problem here is people misinterpreting 'lolita', and then publishing it with covers that will do harm to young girls &c. i think this is lazy analysis and fundamentally makes idealist assumptions overestimating the effect of cultural products (books, book covers) on problems, like the sexualisation of children, that are in fact grounded in material relations, such as in this case the status of children as legal property and the total power granted to adults over them. that is to say, these broader conditions are at root the reason that cultural products like the cover of 'lolita' look the way they do, and chalking it up to individuals not understanding the book is never going to get us very far; and also, although some of these covers are pretty egregious, they are the reflection rather than the cause of the sexualisation of children, a problem that would continue to exist even if every edition of 'lolita' ever printed just said "humbert humbert is an unreliable narrator and dolores haze is a child he is preying on" on the cover.

fundamentally i also think this sort of conversation often elides some more interesting points about whom these covers communicate to and what they say. you suggest they are meant to "titillate"; although i would agree dolores is often shown as sexual, desirable, and seductive, i'm not sure that's the same as assuming the cover is trying to arouse the potential reader. for one thing, to put it bluntly, this style of cover tends to be associated more with books marketed to women than to heterosexual men. and more broadly, and this is something the lolita podcast really fails to understand imo, the phenomenon of people reading 'lolita' and relating themselves to dolores is not mutually exclusive with this type of rhetorical construction of dolores-through-humbert's-eyes. that is, often what appeals about dolores is, i think, precisely the fact that through her, people find a way of discoursing about or simply re-enacting the kind of sexualisation that they are already subjected to or have been in the past, whether or not at a level as explicit and extreme as what nabokov depicts.

i'm not really interested in a simple moral condemnation of the people who design these covers; that critique writes itself. they are obviously bad and facile, and reflective of precisely the culture of child sexual abuse that nabokov's text condemns. but if we are interested in the reception of these objects, or interrogating the cultural meaning and implications of their existence, i just think there's a lot more going on here than what the podcast portrays as a simple sort of 'broadcast' model of mass media wherein the 'lolita' book cover and trope is beamed out to unsuspecting innocents who are then exposed to its nefarious elements. dolores appeals to people for lots of reasons, some prurient, some pitying, some openly self-projective, and these are not mutually exclusive with one another nor are they mutually exclusive with readings that reproduce elements of the very lolita character that humbert creates and uses to silence and re-write dolores. we can be uncomfortable with that and refuse to talk about it but if that's the position someone wants to take then i'm not likely to be interested enough in their opinions to, like, listen to their podcast about this book lol.

[raven-at-the-writing-desk]

might be an unrelated ask with how things are going on right now, but the only way i ever see traitor ace theory coming into fruition is if he destroys yuu's way back home because of how his feelings will boil over (since he thinks being vulnerable is uncool). i've always tried to convince myself that his silly tsundere moments are yume bait, though i really can't deny the fact that yuu is literally everything that his ex-girlfriend is not. they've watched a horror movie together from idia's lab sr (and sending grim all alone to get snacks???) in playful stage, they ride a roller coaster, and if you tell him you like it, he suggests going again again (just the two of them without grim???) bro is not slick with how attached he is to mc.

I have my own thoughts on Ace traitor theory (which you can read here)! To summarize, I don’t believe in it. If Ace betrays us at all, I think it will be in a trivial capacity (like he does something stupid that the rest of the group disagrees with, like taunting Malleus to attack him) and without malicious intent.

He may think being vulnerable is uncool, but I don’t think he’d take an action as drastic as destroying Yuu’s route home no matter how emotional he got. (That feels more like the stuff I see in angst and/or yandere fan works.) Ace gets mad and acts out, yes—but it tends to be in situations where he feels like being has been wronged, not to hinder the people he cares about. His character and his actions the entire story have done nothing but demonstrate that he values his friends and will be there for them until the bitter end, even if he whines about it the entire time.

And well 💦 when it comes to “is this platonic or romantic”, I always default to “it’s up to individual interpretation”. TWST will never give a “canon” ship for Yuu because that would impede the self-insert mass appeal design of the blank slate character. Not everyone wants to perceive X (in this case, Ace) as a love interest. Not everyone wants to perceive X (again, Ace in this case) as a friend. Therefore, there’s always going to baity lines to feed the yume crowd (Michard voice: give me your ur wallets) but lines are also kept plausibly deniable (framed as “jokes”/nor serious) or ambiguous enough to be interpreted either way.

In Ace’s Suitor Suit vignettes, he says this about his ex: “She said the thrill rides were too scary for her […] She vetoed all the action and horror flicks. Hanging out was just plain boring, so I stopped contacting her as time went on.” And indeed, Ace engages in the activities his ex refused with Yuu. They’re watching a horror movie together in Idia’s Labwear vignettes, as well as riding roller coasters and other thrill rides in Stage in Playful Land. Yes, you can interpret these as romantic since they sent Grim off by himself to get popcorn and want to ride again by themselves.

However, that’s not the only possible interpretation, and nor should it be. It could just as easily be argued that Ace and Yuu were just hanging out as friends in a “kicking back with your bros” kind of way (regardless of whatever gender Yuu identifies as). Watching horror movies and going on exciting rides are normal things that friends could do together. There is nothing inherently romantic about those acts by themselves. It could also be said that Ace is lazy and constantly trying to get out of work, so of course he’d pass off the job of getting more snacks onto someone else. The ride thing is innocuous too—maybe the others just aren’t feeling another round, while Ace and Yuu are still on that adrenaline high and want another hit of it. And again, it’s probably framed as wanting to do activities with Yuu specifically to help foster that parasocial relationship and create a sense of bonding with the player.

Of course Ace is attached to us and likes to hang out. We’re his friend, and that much has been established since the prologue. We are naturally a lot closer with him by default compared to several of the other guys (with maybe a few exceptions, like Deuce). Whether you see Ace and Yuu’s relationship as anything more than that is up to the individual!

That being said, I’d rather not talk in terms that imply one ship is “better”, “absolute”, or “more supported by canon” than others 😅 Not just for Ace x Yuu, but any ship, really. It unintentionally frames the discussion like a competition and leaves some people out of the talk if they don’t vibe with it or have different preferences, y’know?

[themattgirl]

could you please make one where Chris and reader are dating and reader feels sick and Chris just takes care of her and acts all sweet and stuff? 🫠

an: thank you for the request ily 🧡

this turned out so much longer than i intended

this isn’t my first one shot but it’s the first with one of the sturniolo triplets in it. 

obviously their characters have been altered by me a little to fit into the story but i tried to make it as realistic as possible by keeping their personality traits as they are in real life.

also comment or like this post if you want to be added to the taglist

pairing: chris x fem!reader

word count: 4.1k

warnings: fluff, use of ‘babe’ and ‘ma’ as pet names for reader, intentional wrong spelling in text messages to make it more realistic, mentions of nsfw themes, swearing, lots of playful teasing between characters

y/n’s dialogue  

chris’ dialogue

matt’s dialogue

nick’s dialogue

mary lou’s dialogue

“it’s just a cold, nothing serious i promise. i don’t think i can come over today though, i don’t wanna infect any of you. i’m sorry for ruining movie night,” i say to chris on facetime before breaking into a cough. i turn the camera away from me, not wanting him to see me in a disgusting state like this. if i could, i would’ve muted myself so he doesn’t have to listen to it either. plus, i know how worried he gets with any type of sickness or unwell feeling really.

so, of course it wouldn’t be chris if he didn’t immediately furrow his brows.

“babe no, don’t apologize. you didn’t choose to get sick.”

he gets up from where he was sitting on the couch and goes downstairs to his bedroom. he puts the phone down so all i can see now is his ceiling. his voice sounds a little farther away when he speaks again, “it doesn’t really sound like nothing serious, does anything hurt?”

“to be honest, my whole body has been aching since i woke up this morning. it’s not too bad, just a dull ache, i can still move and all that, even if i’d prefer to just lay here and rot away,” i laugh and hold back the cough that wants to escape right after in hopes it would make him worry a little less. vainly.

“your voice sounds stuffy and kinda hoarse, does your throat hurt?”

“i forgot you turn into a doctor every time somebody doesn’t feel great,” i roll my eyes even though he can’t see it with his phone still down and him on the other side of the room from how distant his voice sounds.

“shut up, y/n. you feel worse than ‘not great’. you’re not fooling anyone with that act.”

he reappears on the screen. now i can see what he has been doing in the time i couldn’t see him. he put on a hoodie over the tank top he had been wearing before, the hair he had put up in a little ponytail - if you could even call it that - in the front has been untied and brushed. or maybe he just ran his fingers through his hair a couple of times, that’d be more like it.

“anyways baby, imma call mom real quick. be right back,” he hangs up before i get the chance to respond.

i put the phone down next to me on the bed i’ve been in since i realized this morning how much it hurt to stand up and how i felt like i was gonna throw up every time i moved too hastily.

i took a deep breath - well, as deep as a breath can get when your nose is clogged - and closed my eyes to try and concentrate on something other than the throbbing pain in my head.

i feel so much worse than how i described it to chris and i feel bad for kind of lying to him, i do. but he has been dealing with so much of his own lately - new designs for his brand, fixing the shipping issues with some of the orders from his last drop, coming up with video ideas and prefilming those before him, nick and matt go on tour again, preparing everything for said tour - see, he really doesn’t need me to add to his things-to-worry-about-list, especially if he can’t do anything to fix it and it’ll go away on its own anyway.

i feel my phone’s vibration from somewhere in between the sheets and grab it. it's messages from nick.

hey y/n heard your not feeling so good (:/ smiley) i was really excited to see you again today but don’t you dare feel guilty for it

i know how you guilt trip yourself into thinking everything is your fault

its kind of a good thing bc now i have time to get the matching pjs we wanted

hope you feel better soon tho

matts sick too maybe you got it from him when you helped him decorate his room yesterday

I hey y/n heard your not feeling so good 😕 i was really excited to see you again today but don’t you dare feel guilty for it

word spreads faaast 😂 i’m so sad i gotta wait another week or so to see you again i only like sleepovers cuz of u but dont tell chris 🤫

I i know how you guilt trip yourself into thinking everything is your fault

seriously i hate that yk me so well 😐

I its kind of a good thing bc now i have time to get the matching pjs we wanted

at first i was like 🤨 but then i kept reading i LOVE YOUU SO MUCH OMG just so yk chris was the second option

I hope you feel better soon tho

me too now i’m excited for the pajamaaas 😫

I matts sick too maybe you got it from him when you helped him decorate his room yesterday 🤔

i’m gonna kill him like fr this time

hey where tf is chris??

talking to mom shes teaching him sth honestly don’t ask idk

ok 😂 i think im gonna take a nap talk later?

yess get some rest and lmk if you need anything ❤️

ly❤️❤️

after sending the last message i get a call from matt. i contemplate not picking up for a second but decide against it.

“what?”

“uff, what’s that attitude?”

“i’m sick because of you, shithead.”

“we don’t know that. what if you’re the one who passed it on to me, hm? besides, i was just calling to tell you to drink some water and to ask if you need anything. i was actually being nice but you clearly don’t deserve it,” his voice is just as bad as mine, if not worse which makes me feel a little bad, but matt wouldn’t be one of my best friends if i had to worry about him getting mad every time i’m not nice. that’s actually how we bonded after annoying each other every chance we got. we both have a bit of an attitude problem which caused a lot of irritation and aggravation. now we get along better than any pair of best friends. the teasing stayed in place, but now we both know there’s only endless love behind it. sometimes you just gotta let off a bit of steam and we both just get that.

“fine, i’m sorry. sickness really does turn you soft, huh?” i smirk.

“why’re you saying it like you just confirmed a theory?”

“mary lou told me once and i’ve been waiting ever since to see for myself, guess she was right.”

“you are actually the worst. i’m hanging up now. drink water, bye.”

he hangs up the phone and i laugh to myself. what a big baby.

i open chris’ chat and type in a message telling him i’m going to sleep and that i will call him once i wake up again. i don’t bother waiting for a reply and just put the phone on my nightstand. i turn on my side, close my eyes and after that i don’t notice anything anymore.

i jolt up from bed, breathing heavy, body sweaty and heart racing. my room is dark, lit up only by the moon shining through my window. i look around trying to remember where i am and shake the nightmare from my mind.

i reach for my phone and check the time.

11:43 pm

i turn on the flashlight and right when i notice a black jacket hung over the back of my desk chair i hear footsteps coming closer.

chris pushes the door open and steps in.

“oh shit, did i wake you?”

“no i had a nightmare. what are doing here?”

i sit upright in bed and turn the flashlight off when chris flips the switch to turn on the fairy lights around the edges of my ceiling.

he moves to sit on the bed next to me before he answers, “i had mom teach me how to make her get-well-quick-soup and brought you some. she also told me about the perfect remedy tea, i can make it for you,” he stands up again immediately, “i’ll heat up the soup for you first. shit ma, have you even eaten anything today?” he stands by the door, holding the handle but looking back over his shoulder at me.

“chris,” i honestly don’t know what to say to him. he is so sweet i have to fight the tears that build up on my waterline. i just look at him for a moment, a little smile ghosting on my lips.

i’m well aware of how caring, considerate and compassionate chris is as a person in general, but it still baffles me sometimes how much he goes out of his way to make others feel good. i guess i’m just not used to it, being loved like this, having someone do everything that lies in their hands - and beyond that - just for me. it’s astonishing to say the least. especially when i myself have had issues with showing how deeply i cherish somebody ever since i can remember. it’s probably rooted somewhere in my past and how my affection has been received and responded to, that’s what my therapist says anyway.

i shake myself out of my thoughts and move the blanket away from my body to finally get up. immediately chris is beside me, holding me in place, “what’re you doing, ma? stay here i’ll bring it up,” he talks quietly, trying to get me to take in my previous lying position but i stay put on the ground.

“babe, i have been in this bed almost all day. i need to get up. i’ll just come down with you, we can eat together in the kitchen,” i try to convince him.

he looks at me, an uncertain expression on his face for a few seconds, the gears in his head almost visibly turning while he thinks about it. at last he lets out a sigh and nods, “alright then, hop on my back,” he bends over in a piggy back position in front of me and i can’t help the laugh that escapes me.

“you do know i can walk, right?” i ask still chuckling.

“i know, come ooon, just do it,” he urges me on and wiggles his hips, making me laugh even harder when i climb on his back.

“you’re gonna be so sick tomorrow, chris,” i complain mournfully once he lets me down to sit on the kitchen counter while he gets to heating up the soup he brought.

chris insists he’s not prone to catch a cold or any sickness easily, no matter how contagious or how close to the source he might be, even though he has proven himself wrong multiple times on more occasions than he cares to admit.

“no i won’t. besides, i could use a few days off even if i have to be sick to get that,” he lets out a huff of air trying to make it sound humorous, but both of us - and everyone who knows chris for that matter - knows that he is exhausted and is in desperate need of a break.

i know he doesn’t want me to get serious about that topic right now though so i try to change routes, “oh my god,” he turns around from where he was stirring the soup on the stove and faces me, confused about my shocked exclamation. i point an accusatory finger at him, my jaw hanging low but a smile still creeping it’s way on my face.

“so that’s why you’re here. you came to try and get infected, that’s why you carried me down too even though you know damn well i coulda walked by myself. and i’m here thinking you were actually being the best boyfriend on earth. turns out my man is a piece of shit,” by the end i fail to stay serious and let out a giggle. well, it’s not like he actually believed that i meant what i was saying but still.

he lets go of everything he was holding, turns around to me fully and begins to stalk toward me slowly.

“oh yeah?” i don’t know if it’s just me or if he’s doing it on purpose but all of a sudden his voice sounds deeper, his face more stern and serious.

“is that what you think then? i’m just a piece of shit?” he makes me nervous at first but the second i see the smirk on his lips i know exactly what’s about to follow.

“chris. no.”

he is standing right in front of me, so close he has positioned himself in between my legs, his hands on the counter on either side of me, trapping me. the finger i was pointing at him long since taken back.

“am i a piece of shit when i make you cum with just my tongue?” his face is so close now.

“stop,” i say quieter than i mean to, almost whisper-like.

“or when i fuck you so good you can’t walk right for days, am i a piece of shit then?”

this asshole is doing it on purpose. he knows i would never have sex with him when i’m sick so he’s trying to rile me up the little fucker. have i mentioned that i actually hate him. like for real hate him. the type of hate that leads to an absolutely mindblowing fuck. shit.

“or yesterday when you told matt you needed a break and came downstairs to my room to suck me off and then you just wiped your mouth and went back up like nothing happened. did you do it because i’m a piece of shit?”

my jaw is on the floor.

“or when–”

“OKAY,” i practically scream, “you’re the best and i didn’t mean what i said, just please stop.”

i’m almost whining at this point.

i try to rub my legs together to ease some of the friction unnoticeably but chris is like a hawk, sees everything, notices everything. and then he smiles. just smiles and goes back to the soup.

later that night, after i was forced to eat almost all of the soup and drink two cups of magic tea while chris downed a cheese burger, fries and three of the last four pepsi cans i had in my fridge, we snuggled up on the couch with a heavy blanket that chris had also asked his mom for, thrown over both of our laps and a random movie playing on the tv. 

neither one of us actually felt like watching something but we threw it on as background noise anyway. chris and i have barely seen each other in almost two weeks so all we want right now is to enjoy each other's company. he has been so busy with all that’s coming up for him and his brothers, still is. and i've been studying like crazy because i always feel like i won’t pass if i don’t and when i wasn’t busy with that i’d be at work to earn my living and feel like i’m doing enough. so there wasn't really time for us to actually be together and get to enjoy it. i've missed it.

“you know you’re probably sick because you exhaust yourself all the time,” chris says when he turns to look at me.

“shh,” i shush him with my eyes closed and a smile on my lips, “i got it from matt, no discussion.”

he lets out a little laugh at that, “yes discussion. if you keep going like that, one day it’s gonna have more serious effects on your health than a cold. you don’t even need to do all that. how many times do i have to tell you your life is worth enough even if you don’t work yourself half to death and have a little fun every once in a while,” he rubs my thigh while talking. chris knows better than anyone that i don’t like being put on the spot and lectured about my not-so-healthy habits like that, especially when i know exactly that it’s in fact very unhealthy. but he also insists on having these talks with me because he knows i would shut out everyone else who’d dare to try immediately. he and his brothers are the only three people i have let come so close and they make use of that quite often, might i say. but it’s okay because these people are my best friends and i know i need to be put in check sometimes, i admit. nobody else would dare try but them so i just let them. 

i must say, it has helped me improve my life to an extent. they taught me that it’s okay to cut ties with people who are bad for my mental health and encourage bad habits, and that i don’t owe shit to them even if they want to make me believe that. they kept telling me “quality friends are worth so much more than a big amount of bad ones” until it finally clicked in my brain and i blocked half of my contact list.

“look who’s talkin’. mister i work twice as hard as the person i try to lecture,” i jab my finger in his side and he jerks.

“you know that’s different,” he holds my hands in his to stop me from doing it again.

i like feeling his hands on mine. i know he’s my boyfriend and it might be weird to say it like that. but i haven’t seen him in so long, which means i also haven’t felt him in so long. it’s crazy but it almost feels like in the beginning when we were scared to touch each other and would act like we accidentally brushed our hand on the other but we both knew it was fully on purpose.

chris pulls me out of my thoughts again when he speaks, “at least i have an end in sight and work’s gonna be way more relaxed once i’m done with everything. with you there’s always–”

the ringing of his phone cuts him off and he takes a look at the caller id, his mom. he narrows his eyes at me and gives me a look that says “we’re not done yet” but picks up the phone and holds it up so she can see the both of us on the screen.

“i was going to ask chris about you but since you’re with him please pinch him for me,” is the first thing mary lou says when she looks at us. and i gladly do as she says even though i don't know what he did to deserve it.

“oww, what was that for?” chris asks whining and i just shrug and chuckle.

“you told me you would bring y/n the soup and go back home. you lied to me.”

i turn to him with my mouth hanging open, “christopher owen, how dare you?”

it’s so fun to aggravate chris.

he furrows his brows at me and then looks back at the screen, “she literally begged me,” he straight up lies. “i was trying to tell her i didn’t wanna get sick so i could only drop off the soup and blanket and would have to leave again but then she started crying–”

i hit him for real this time, hard enough to make him suck air through his teeth.

“mary lou, don’t believe a word he says.”

“i know, darling, you wouldn’t do that. chris, that’s twice you’ve lied today.”

“sorry, mom,” he actually looks defeated now, “you know i can’t just leave her all alone when she’s like this. i lied because i didn’t wanna worry you. i won’t get sick though,” at that me and her give each other a knowing look but let him continue, “y/n’s weak and in pain, of course i’ll be by her side as much as i can, you probably knew i was here, that’s why you called me,” chris wiggles his finger at his mom with a cheeky smile while she’s trying to hide her own.

“alright, alright,” she gives in, “that’s how young love is, i guess. anyway, have you eaten the soup yet?”

“almost all of it,” i report proudly, rubbing my stomach.

“only forced,” chris side-eyes me and i roll my eyes at him.

“and the tea?” mary lou just keeps going. well, i definitely know where her son gets the caring from.

i grab the mug that’s been sitting on the table for two hours and could now be considered iced tea and hold it up for her to see, “this is my third,” i take a sip.

“very good. okay, well, i just wanted to check if chris is taking good care of you. it’s important for you to get enough rest, don’t go to sleep too late, alright darling? i have to go now but if you need something just give me a call. i’ll talk to you both in the morning. good night, i love you,” she blows two kisses as we tell her we love her and then she ends the call.

right when chris puts his phone down we hear the doorbell ring.

we both glance at the direction of the front door as if we could see through it and figure out who’s standing on the other side. then we turn and look at each other.

“expecting someone?” chris asks me and i just shake my head no and shrug unknowingly.

“open up!” the voice sounds muffled but it’s unmistakably matt.

chris rolls his eyes and sighs loudly and i just giggle.

he moves the blanket and gets up to go open the door but stops in his tracks suddenly, turns around again, bends down and kisses me.

“won’t be able to do that for a while if he’s here,” he explains before he goes.

matt and nick do complain every time we kiss in front of them, so we agreed on trying not to do it anymore. they act like little kids being forced to see their parents being all lovey-dovey with each other. at least one of them always yells “GET A ROOM!” as if they’re not invading our personal space. big babies, like i said.

“what’s up, bitches?” nick walks in wearing the pajamas we wanted to match, holding up his hands. one holding what i assume is my set of the exact same one and a pillow in his other hand.

i jump up from the couch immediately and squeal as i run toward him to hug him.

“what are you doing here?” i ask once we let go of each other, our smiles still as big as ever.

“since chris is here breathing in germs and this one,” he points his thumb over his shoulder where matt is giving chris a pajama pair, “is already sick i thought we might as well have our movie night here since i’m getting it from one of you either way.”

“i’m so happy,” i squeak, elongating the words.

“aren’t you happy to see me too?” matt acts sad and offended when he moves to stand next to nick.

i roll my eyes but give him a big hug, “i am actually.”

chris scoffs and we all laugh. he moves to stand closer to me and i wrap my arms around him, tilting my head to look at him.

“you guys can go in the kitchen, grab some snacks while me and chris put on our pajamas,” i say to nick and matt, my eyes still locked on my boyfriend.

they do as they’re told once the’ve put down their things and soon enough they’re out of sight.

“you good?” chris asks me quietly, stroking my hair gently

“yeah. i just realized our alone time is over,” i respond in a hushed tone.

he gives me a kiss on the forehead before he talks, “it’s okay, we’ll just go up to your room when they’re asleep. nothing’s keeping me away from you tonight.”

hearing it makes comfort spread in my chest in a way i didn’t know i needed right now.

“i love you so much, chris. thank you for everything,” i try to sound genuine, because i truly am.

he holds my chin between his thumb and forefinger and dips his head until his lips meet mine.

“i love you too, ma.”

taglist:

@strniolosworld @that-general-simp @sturniolosreads @whoreforchr1s

[fetchen]

i’m back so let’s talk a little bit about something ive never seen anyone else mention: red’s nose piercing. :3

when i first noticed that red had her nose pierced, i assumed that it was just something that was already on kylie’s face. but as i got a little more into the making of rise of red, i realised that kylie actually doesn’t have her nose pierced. i’ll be honest, it kinda pissed me off because it told me that red’s nose piercing was a deliberate choice on the part of the character/costume designers and i hated that it was just…so boring. it just made me wonder why they didn’t do something way cooler with the jewelry. from that perspective, her gold hoop doesn’t really go with her colour palette and, frankly, it’s just kinda boring.

and then i thought about it from the context in which red as a character exists. her mom, the queen of hearts, is insanely controlling, to the point where red is unable to eat what she wants. because of this, she takes every chance she gets to show defiance. it makes sense to assume that each and every part of her design, in some way, reflects her rebellious nature- even down to her nose being pierced. in that case, i’m impressed with the fact that a design element so small can generate so many questions about the character and their environment.

like…when did red get her nose pierced? how did the queen of hearts react? who did it? did anybody else know? why the gold hoop? there are so many questions i have that will probably never be answered but are very, very fun to speculate about.

now, let’s talk about the gold hoop itself. my biggest complaint, from an aesthetic standpoint, is that the gold hoop just…doesn’t really fit red or her aesthetic. she wears exclusively black jewelry and the only other hint of gold in her design is her belt buckle. i think the biggest possibility is that the gold hoop is subtle. well, as subtle as a nose piercing could be. it blends in well enough that her mom doesn’t bother to make a fuss about it. if red had anything else, anything that stood out more than that gold hoop, she’d risk bearing the brunt of her mother’s punishment.

the act of red piercing her nose in and of itself was a physical manifestation of her disloyalty to her mother’s tyranny. intentional or not, in the queen’s future vision via the looking glass, red is notably missing that gold hoop she’s never seen without.

what that says about the looking glass, in my opinion, is that it’s not an objective tool. rather, it’s more of a gadget that shows the viewer the future they have in mind- but that’s not really the point i’m trying to make here.

my point is that red’s nose piercing is a physical representation of her rebellious nature and her closeness in ideology to her mother. she’s never seen onscreen without it unless it’s in the future scenario where she’s become a dictator alongside her. honestly, whether intentional or not, it’s a beautiful piece of character design- one that i bet you probably wouldn’t expect from a disney channel movie of all things.

[yuikomorii]

I got a question but I need an objective answer please. So I saw a lot of people complain about Yui being written in a very bad way in Ayato’s routes starting with More Blood and was curious if you think that she became a bad girlfriend as the story progressed?

// I will analyze Yui’s versions from Ayato’s routes and provide an answer at the end of this post.

More Blood:

Even from the first two chapters we are aware of the fact that Yui got a big crush on Ayato merely because of his looks and pleasure he gave her. At first sight, these reasons seem very superficial, but at the same time you can’t blame her completely for that. Yui went to a normal school and used to read magazines for teens, therefore it’s obvious she would have hormones and fall in love with someone who got features portrayed as the beauty standard.

It's understandable why some found her annoying, as she repeatedly cried for Ayato's love without making any real effort to earn it. Apart from giving him her blood, she didn't try to understand what he was going through, even when she noticed changes in him that made him crave so much blood.

Nevertheless, I believe that she did redeem herself in the last chapters, where she admitted being selfish and only thinking about her own desires, instead of focusing on Ayato’s struggles too. I know she paralyzed him out of jealousy and cheated on him in the bad endings, but in the good one, she’s actually a really loyal person. Yui waited years for Ayato to wake up from the coma and Ayato searched for Yui for years in his dream until he finally woke up. This ending confirmed the genuineness of their love.

In the After Story, Ayato planned to attend university for Yui's sake, aiming to get a job and buy a house. Yui helped Ayato with his studies and praised his skills. Initially, she fell for his looks, but in the After Story, she mentioned falling in love with him again because of his caring, determined, and hardworking personality.

Vandead Carnival & Lunatic Parade:

I really liked Yui in both of Ayato's routes and honestly, I can't find anything to criticize about her behavior.

It's not that Yui was a bad partner; it's just that Ayato was portrayed as too good, such as when he ran through flames for her or protected her from a bomb explosion. But that's likely because these are fan service games, where the love interests are designed to be your knights in shining armor. xD

Dark Fate:

I absolutely loved Yui’s portrayal in that route. It was the sweetest version of Yui I’ve ever seen, and I really enjoyed seeing her so happy and soft. Regarding her relationship with Ayato, he was truly the apple of her eye, lol.

The only problematic thing she did was pushing Ayato to face his abuser, Cordelia, even though he didn’t want to. I honestly don’t care if a character does something to another character, as long as it doesn’t affect them and the story, so since Ayato didn’t get mad at her for that, I didn’t mind it much either. However, from an objective point of view, I agree that doing such a thing is quite bad. Being in the presence of someone who ruined your life can trigger intense memories and forcing a confrontation removes the victim's agency in deciding how to cope with their trauma. Ayato might not have been mad at Yui for planning that, but if it had been Laito, I’m sure he would have shown why Yui was in the wrong.

Other than that, she was a kind and supportive girlfriend throughout the whole route, clearly having no ill intent, and I appreciate that she had an actual important role in the route.

Lost Eden:

Ok, I really can’t defend her anymore there. She literally had no redeeming qualities, no matter how many times she got the chance to fix herself. I discussed my thoughts about LE Yui in this post, but I’ll sum it up.

She tried to convince Ayato that despite Cordelia abusing him, she actually did it because she “cared about his future”, and then acted surprised when Ayato started feeling uncomfortable because of her words.

Yui knew the reasons behind Ayato’s behavior, yet when his brothers started mocking him, she didn’t even try to defend him. Everyone ganged up on Ayato, and he was on the verge of a panic attack, yet she remained silent.

Another terrible scene was in one of the last chapters, when Ruki admitted to turning the Vibora Clan and Church organization against Ayato out of envy, aiming to kill him. Instead of criticizing Ruki’s actions, Yui justified them and spoke ill of Ayato behind his back. I wouldn’t like to date someone who claims to love me but keeps hurting me without learning anything… It felt as if Ayato only continued being together with her because he had no one else. No wonder he didn’t marry her there.

Chaos Lineage:

I found Yui quite boring in CL in general, but she started off as determined and sweet in his route, so I liked that.

For most of the route, Yui’s entire personality seemed to revolve around Ayato, and she didn’t do much. There were many cheesy moments between them that made me cringe. Still, I’m sure a certain audience enjoyed those.

My only complaint is that when his brothers started treating Ayato unfairly, despite the fact that he came up with the idea of breaking the glass floor of the church, Yui did nothing to defend him, again.

However, I do appreciate that she gave him that adorable monologue. I just wish she had done it in front of others instead of only acting when Ayato was already insecure and sad.

Now… let’s see what kind of girlfriend Yui was in each route by judging her progress:

MB: Good

VC: Good

DF: Very good

LP: Good

LE: Very bad

CL: Decent

[kathaynesart]

Replica Holiday Special Winners!

Happy Holidays everyone! It's that time of year and you know what that means! Time to announce the winners for the DTIYS Replica Holiday Special Cover!

I received so many wonderful submissions. Far more than I had anticipated! They were all so unique and creative and it was an absolute joy to look at each and every one of them! I really underestimated however how difficult it would be to choose with them all being so unique from each other. In the end, I decided to gauge the top picks on how well their cover captured the "essence" of what this Special is going to be like! Without further ado, here are the winners.

HONORABLE MENTION - @matchstique

Buddy! I love this piece so dang much! It has so much character and perfectly displays the wacky hijinks we can expect as well as the huge amount of stress our poor boys are under during these trying, pregnancy times. The movement and colors work so well and make me excited for what comes next! Seldom do I see pregnant females shown as the badasses they are, but you have gone and turned Cassandra into an absolute icon with this piece! Bless you!

3RD PLACE - @thegunnsara

Sara, the shear amount of craft you put into your art is STAGGERING. Every scuff on Raph's shell and wisp of smoke screams of a quality I can only hope to attain someday. I literally want to be you when I grow up! That said, the concept of this piece is also fantastic. One of the things I'm must excited about for this Special is getting to see Raph and Casey as they were and witnessing the strong bond they share. I love them dearly and this cover captures their strength and tenacity so perfectly. Gods among men.

2ND PLACE - @cupcakeslushie

Slushie, this cover is so damn fun and dynamic that I can't stop looking at it! Your attention to detail and composition are masterful and the fact that you could fit such a bombastic battle into such a limited space speaks to how crazy talented you are! You also do a wonderful job of retaining both the intensity of the apocalypse but also that playful edge that Rise always manages to retain! It's definitely the cover that would catch my eye on a shelf and make me want to turn the page to see what happens next!

1ST PLACE - @abbeyofcyn

Cyn, the moment I saw this cover, I gasped! It's funny because this is both a piece I could have totally seen myself doing had I done the cover, yet crafted in a unique way I could have never come up with on my own! On top of that, this slick composition scratches my little designer brain juuust right. The use of the hands motif is such a great element because to me, it encapsulates the conflicting themes of family/parenthood with the drama of what it means to be human. On top of that, having each character as one of the digits both connected to and encircling Casey is such a wonderful touch that really drives the symbolism home. Somehow, you managed to peer into the future and perfectly capture how the finale of this special is going to feel. Thank you so much Cyn for such a wonderful piece!

~~~~~~~~~

Now that I think about it, looking back on these winners as a set, all four them actually do an amazing job as individual covers for each of the four "acts" that will make up this special. That was not at all my intention, but it kind of worked out perfectly for that. Gets me all emotional!

I also definitely want to put a spotlight on the other amazing submissions, many of which made it SO close to the top slots! I was going to post these pieces individually but I was worried people wouldn't then go to their blogs to view the covers, so instead have a compilation and links to the full versions! Please check out everyones amazing covers and give them some love. They all worked really hard and it means so much to me. Thank you everyone!

@dreamundraws - LINK @honeylief - LINK @gemini-forest - LINK @memorydarkness - LINK @skullythefriendlyskullface - LINK @v-albion - LINK @its-wabby-stuff - LINK @yris-latteyi - LINK @reagi-df - LINK @chaoscontrol50 - LINK / LINK @murasakibonnet - LINK @hitwiththetmnt - LINK @xandriagreat - LINK @karonkar - LINK @sunydays - LINK (sorry my dear, yours did not appear on my hashtag reference at first! D: But still love it!) @quailaz - LINK @delicatechildwitch - LINK

Thank you again all of you! You all did such an amazing job!

[shsl-analyzer-guy]

In-Depth Analysis On All The DR Characters Because What, Are You Gonna Try And Stop Me? Who Are You, My Mom? Yeah, I Didn't Think So- Part 2: Mondo Owada

So yeah, I decided to do Mondo's next. After all the material I ended up inadvertently collecting for him in my Taka analysis, it just made more sense to go ahead and get him out of the way, even if I'd rather go for my personal favorite characters first.

As noted previously, this analysis will only be using canon material. It'll primarily focus on the game and its english translation since that's what I'm most familiar with, but may also pull from the original Japanese, as well as the animation, stageplay, etc. If you aren't interested, just keep scrolling. Mondo fans, prepare some popcorn, and perhaps a tissue box since if you're anything like the Taka fans you may end up crying. You're welcome.

Part 1- Character Design

Mondo Owada is a delinquent character whose design pays homage to manga series Jojo's Bizarre Adventure: Diamond is Unbreakable, and is modeled after its protagonist, Josuke Hikashigata. Mondo sports a massive pompadour and a modified uniform that mimics Josuke's, and is the leader of a biker gang called the Crazy Diamonds, a direct reference to Josuke's Stand, Crazy Diamond.

Due to leading this biker gang, he was given the title of SHSL Gang Leader, or Ultimate Biker Gang Leader.

Part 2- Character Introduction

Most of Mondo's character introduction isn't actually from himself, but from the researching Makoto did prior to entering the school in-game. We know immediately that he's leader of the largest biker gang in Japan, and get a look into his public image via Makoto. Despite the fact that Mondo is being fairly chill with his greeting, Makoto remains terrified of him based off of reputation alone- "I'd better be careful around him. One wrong word and I could wake up at the bottom of the sea..."

However, we can quickly see that this reputation is built mainly on bravado, as when Monokuma first calls for the entrance ceremony, we can see Mondo begin to sweat, despite his claiming otherwise- "Well hell, it ain't like I'm scared or nothin'. Let's just get this over with!"

He continues to sweat throughout Monokuma's explanation of the communal life, attempting to cover it up by yelling at the bear to let them out. We get a brief look at his more protective nature, as he purposefully puts himself between Hiro and Monokuma in order to confront him. We also quickly learn just how easily provoked he is.

Despite this provocation, he's not completely swept up in his rage, as he's able to listen to Kyoko's warning of the bomb and follows her advice- to throw it away- without hesitation. So our first real impression of him is that he's a short-tempered and intimidating- but well-intentioned- protector of sorts. He's not completely brainless; he's considerate of his classmates and their safety even when putting himself at risk.

Part 3- Early Game Development

Mondo is an interesting case, as he's a character that almost immediately looks directly into the camera and tells the player directly what their main motivation is. The only other character in this series that's as transparent about their goals so early in is Sayaka, and even then the game makes you ask for that information.

He tells us, in no uncertain terms, that keeping promises is the #1 most important thing to him. He also tells us indirectly how highly he values his family and personal connections, holding his brother's word as law. These combined with his talent being that of a gang leader all suggest a pack leader mentality, which is immediately confirmed by his anger at Byakuya for trying to separate from the group- "Like hell I'm gonna let you run off and do whatever you want!"

Not only is this loss of control upsetting to him, but he's then immediately provoked and called insignificant by Byakuya, leading him to lash out at the closest person in an attempt to regain that hold of power- which just so happens to be Makoto. Not only is this response irrational and violent, but it knocks out Makoto for 10-11 hours. Mondo is a leader, yes, but he's a gang leader, and his bite does match his bark.

Mondo's aggressive and fairly single-minded nature is made apparent when he continuously tries to break down the hatch in the main hall. Not only does he attempt to bust it open with Sakura on the first day, but he then returns to the hatch with Leon the following day, despite the fact he already admitted there was probably no way to open it from inside, and continues to check into the following chapter. He sees one possible way out, and zeroes in on it, just in case.

The game continues to double down on the irrational, defensive aspects of his character when Monokuma appears again to present the first motive. He again confronts Monokuma directly- pretending as if he knows who's piloting the bear for a fact("We know who you are!")- and attempting to intimidate him into letting them go. Once again, this demonstrates both his desire to protect himself and his classmates, and his unwavering confidence in the intelligence of said classmates, as Chihiro was the one to suggest the mastermind being Genocide Jack based only off her gut feeling. He then proceeds to immediately turn around and make Makoto be the one to go find the motive instead of going himself, getting extremely angry when Makoto doesn't instantly do as he's told- "Hey... Hey hey hey hey hey... HEEEEEY!!! You see how passionately I'm begging you!? What's the big deal? Just check it out real quick!"

He then calms down the second Makoto agrees.

It creates a sort of duality with his character between his more protective nature and his need to exert control, something the game makes a point to call out.

Part 4- Relationships

Mondo develops a fair number of relationships across his time in the game, to varying levels of importance- some antagonistic, some exceedingly complex. We'll go from least to most important to the overarching story.

4.1- Celeste

Celeste and Mondo are written in directly opposing ways, as while they're both fairly short-tempered, Celeste is much better at hiding it. It's by this logic that throughout the early game, oftentimes when Mondo starts to get riled up by the rules of the school and/or their circumstances, it's Celeste who ends up deescalating before he can explode, maintaining a facade of calm where he can't.

4.2- Sakuraoi

While not very touched upon, Mondo does end up developing a mutual respect for Sakura and Hina. When the class splits up to investigate the school on the first day, he joins the two of them in trying to find a way to get back to the outside, and he and Sakura work together to try and bust open the hatch in the main hall.

Hina's the one that stops Mondo from attacking Byakuya in the library, and when Chihiro begins to cry over Mondo saying that 'women are naturally weak anyway', it's Hina who calls him out for 'screaming like a lunatic.'

His relationship with Taka is also directly contrasted to Sakura's with Hina by Sakura herself- "Friendship between men seems very simplistic. Nothing like what I'm used to with girls." "Yeah, for real..." It's an interesting comparison, considering both Sakura and Mondo end up dying and leaving the responsibility of failure on Hina and Taka.

4.3- Byakuya

Byakuya antagonizes Mondo more than once, first as they're splitting up to search the school, and again after the library opens. Both times he seems to take enjoyment from it, calling him unimportant more than once and refusing to even entertain the idea that he might die.

"So miniscule, so insignificant, they couldn't possibly have any kind of influence on the boundless ocean."

"You know, I still just can't believe it..." "Believe what?" "That an uneducated, brain-dead, useless piece of garbage like you has survived this long."

"You all need to try harder. If an opponent isn't going to give it their best, where's the fun for me?"

It's enough of a threat for Mondo to genuinely believe that he's dangerous and want to keep him bound so he can't attack (foreshadowing when Byakuya himself would go one to tie Chihiro up? Probably not but it's a neat connection)

He also goes on to fuck with Chihiro, both by mocking her fear and by purposefully tampering with (what he believed to be) the crime scene of her death. On both counts, this directly affects Mondo, calling him out for his bullying("Hey, shithead! You get off on bullying people that can't fight back?") and letting Byakuya pin the crime of killing Chihiro on himself in the trial.

However, despite all this, Mondo never gets the chance to give Byakuya his comeuppance for his words and actions.

4.4- Ishimondo (yeah these bitches gay)

Similarly to Byakuya, Taka starts in a more antagonistic position, directly opposing Mondo as the unofficial, self-designated 'leader' of the class and remaining insensitive to the feelings of his classmates.

Unlike Byakuya, there's no actual intent to harm here, and their banter remains more focused on their differing ideas on how to help their classmates than anything else. Still, as time continues to pass, Mondo's impatience combined with the recent losses from ch 1 starts to push him over the edge, getting angrier with the class's lack of urgency.

This impatience only leads him to butt heads with Taka more, who's trying to keep the class together and safe first and foremost. On top of that, Mondo's delinquency is directly opposed to Taka's disciplinary background, making it all too easy to see each other as foes. Despite the fact they consider themselves the better type of man to the other, they have similar views on how men are to face each other, leading to the sauna scene.

Both characters' strong-willed determination and stubbornness inadvertently puts them on the same path, attempting to use their physical abilities to prove himself a more worthy leader than the other. It's a simplistic way of deciding, but it's one they both wholeheartedly believe in, and this gives them the opportunity to connect with each other in a way they're unable to with anyone else in the class. Thus, the following morning, when asked about the contest, the two have formed an inseparable brotherhood and refuse to even acknowledge the contest, as having a winner would put them on different levels. Interestingly, Mondo shares the belief with Taka that men bond by being naked around each other("Guys gotta expose themselves to each other, ya know?"), suggesting that he removed his clothes in order for this 'brotherhood' to form.

4.5- Daiya

The first thing we learn about Mondo's older brother in-game is that he was the one who taught Mondo to always keep his promises, no matter the cost. The second thing we learn is that he fucking died. And until nearly the end of Mondo's run in the game, that's all we as an audience need to know. He had an older brother that taught him his core values and passed away, leaving Mondo to carry out his wishes. It's not until after the chapter 2 trial is said and done that we learn anything more about him through Mondo's secret: "That embarrassing memory, that secret he didn't want anyone to know... You know what he did? He killed his own brother!"

It's through Monokuma that we learn the truth of Mondo's history with his brother: Daiya was his only family growing up, and thus, became his role model, the man Mondo himself wanted to become. He respected Daiya and Daiya alone. He followed him everywhere, and together, they formed the Crazy Diamonds, which went from a local biker gang to one of the greatest in Japan. It was through his brother that he developed his biking talent, and acted as his right hand. But some of the gang didn't believe in Mondo or trust him the way Daiya did. As Daiya grew older and prepared to retire, rumors of nepotism circulated throughout the gang, saying that Mondo was nothing compared to Daiya, that he wasn't worthy to take over the gang.

"Daiya created the gang with his bare hands! Mondo's just along for the ride." "Can someone like that be our leader?" "All that'll do is make the gang look bad."

Any accomplishments Mondo had made within the gang didn't count to the gang, or to Mondo himself, because they were put next to the leader's achievements. He compared himself to Daiya as well, feeding into the rumors and developing a deep-rooted jealousy. He felt like he had to be the stronger man, had to prove himself to the gang, had to best his brother or he wouldn't be accepted. So he challenged him. He challenged Daiya, and lost all restraint on the road, charging forward with the desperation of a dead man. And it cost him his brother's life.

His brother made him promise not to let the gang go as he passed; Mondo became shackled by his honor to stay. He fully believes it was his fault Daiya died, and now not only is he indebted to stay with the gang, but can never admit blame for fear of tarnishing not only his own reputation, but tearing his brother's gang apart. His community demands unwavering macho leadership, and he can't afford to break character for even a second.

4.6- Chihiro (will be using mostly he/him due to discussing canon)

Mondo and Chihiro exist on 2 sides of the same coin- toxic masculinity. Both characters (canonically speaking here) are men, but are perceived totally differently, both by those around them and by themselves. And because of this design, when put into the high-stress scenario that they were, they were doomed to drive each other to ruin.

Even before chapter 2 starts, there are multiple instances of Mondo listening to Chihiro and respecting his words without doubt(his theory of Genocide Jack and asking his opinion on '11037'). We've also seen Mondo's confrontational and protective nature in action. So it's no surprise at all when he stands up to Byakuya on Chihiro's behalf when he clams up. And while this is done with good intentions, it only serves to make Chihiro feel weaker. Mondo is physically stronger- anyone can see that- and he's not afraid to mouth off to someone showing excitement at the killing game they were all forced into. So when asked if he's okay the following morning, he can't help but explain himself- he feels weak, and doesn't like having someone else stand up for him. For Mondo, this goes directly against his idea of strength, and can't comprehend why "she'd" possibly care.

With all of Mondo's toughness, he carries not just the expectations of a man, but the misogynist beliefs that often come with it. But regardless of that, he's immediately able to tell he fucked up("Hey, c'mon, don't cry... I-It's my fault, okay? I won't yell anymore...") as far as the narrative will allow him due to writer's bias*. He feels bad about this, genuinely, enough to offer Chihiro his promise as a man. It's enough of a gesture for Chihiro to trust him completely, believing in the man's promise he's emphasized as being the most important thing to him since the very beginning.

(*Writer's bias in this case means the author is also sexist to a degree. Mondo is very clearly meant to be a tough guy with good intentions but because the creator appears to agree with the sentiment that women are weaker on average, we as an audience are meant to take issue with the fact that he's yelling and not the sexist statement. Said bias is made pretty clear by the fact their 'weak boy' character is dressed like a woman to emphasize his weakness and be a 'gotcha', as well as the fact they later have Kyoko force Makoto to tear paper out of Hifumi's rigor mortis hand because Makoto's a boy and she's a girl, even though earlier in that same game she, still a girl, was allowed to examine Chihiro's corpse in enough detail to find her dick. Writer's biases can and does affect the final product, so it's always important to consider that when looking at a character's development to determine whether they're being shitty because they're supposed to be or if it's some fault with the creator themself inputting their biases into something that otherwise wouldn't develop in this way. This has been Critical Consumption of Media 101.)

When Chihiro's found dead, Mondo keeps his head hung, lamenting about the fact that Chihiro wanted to be stronger, and when Makoto points out Chihiro was a woman anyway, Mondo just dismisses it, contradicting his earlier statement.

He respects Chihiro's memory and refuses to speak poorly of him. And while at first glance this is all it appears to be, as the trial unfolds and we learn the truth about what happened to Chihiro, a dual meaning behind this reveals itself- another showcasing of his devotion to the promises he keeps and the desire to protect his friend, even in death.

Chihiro is physically weak; a strong wind could probably knock him over, and he's much more in-tune with his emotions than your average guy. He mourns the losses of Sayaka, "Junko", and Leon all deeply, and has a deep shame for not being able to defend himself against Byakuya. But despite all this, when tested by Monokuma's secrets motive, he doesn't crumble away. He thrives, taking that threat and turning it into motivation to push his limits. He has the self-awareness to know when to ask for help, and isn't swayed by the threat of death. He's physically weak, but is incredibly strong mentally and is able to conquer his fears and face the lie he created for himself. Unfortunately for him, living with this toxic idea of what masculinity is supposed to look like makes him believe the way to do this can only be found in becoming physically stronger, and dies without ever seeing the strength he already had.

Mondo, on the inverse, is extremely physically capable, even without trying. He's 187 cm of muscle, and is confrontational to a fault, only giving him more opportunities to show off that physical strength. But on the inside, he can't face the sins of his past, can't admit his faults, and can't comprehend how to make peace with himself. All this is exacerbated by the weight he carries of leading the gang his brother formed, unable to release that weight from his conscience.

"N-No matter what... I couldn't let the other gang members find out. If that happened, everything would've been ruined... Everything me and my brother worked to create... woulda been destroyed... His death... all the guilt I'd been carrying around... it all woulda been for nothing."

And when Monokuma tests his resolve, he completely crumbles. Unable to admit the truth to himself, he's faced with Chihiro, someone who has the mental capability he could only dream of. That primal fear of breaking the promise he made for his brother on his deathbed, combined with Chihiro's unwavering confidence as he happily chimes how unbothered Mondo must be, blocks out all rationale. He spirals, forgetting where he is and who he's talking to, trying to make the panic go away as he throws the dumbbell in his hand.

Chihiro and Mondo each have everything the other wants, and drive each other to death trying to get it.

Part 5- Chihiro's Trial

For most of the trial, Mondo doesn't appear suspicious at all. So much time is spent on Byakuya's suspicious behavior and his framing of Genocide Jack that you barely notice him. He fully appears to be trying to find Chihiro's killer and find justice for her, following Makoto's line of reasoning to find Byakuya as the killer- with the body's suspension and the subtle differences between Jack's methods of killing and the murder of Chihiro herself. He's all too eager to declare Byakuya as the killer- and though we can't know for sure, he may have genuinely believed it. After all, walking into the girls' locker room to find her body suspended and the message of 'Bloodlust' written on the walls certainly wasn't his doing. Unfortunately for him, that's all Byakuya did, and the conversation continues.

In the end, Mondo brings about his own execution. Even after slipping up with his words, the conversation is able to continue on, sfifting focus over to Chihiro's missing E-Handbook and what exactly happened to it. And when Mondo becomes cornered with Makoto's mention of the sauna, it's not Mondo who goes on the defensive; it's Taka. Mondo gives up; he lets his tough-guy persona go. He finally faces the truth; he's undoubtedly the one that ended Chihiro's life, no matter how he may have wanted to delude himself otherwise. He sees his bro defending him, and he accepts that he has to die. It's not beyond reason to say that Taka's insistence of his innocence was what pushed him to truly admit his guilt, both to the class and to himself. Up until this point, he'd still been trying to play it off and get away with it. But was it worth it to live and kill his bro, and everyone else, just to protect his pride? No. He admits to being the killer, straight up.

"Yeah. Yeah... I did it... I killed him."

"Go ahead, Monokuma. Get it over with... Ask for the goddamned verdict..."

Part 6- The Cage of Death

The first person that comments with some variation of OH MY GOD YOU'RE SO EVIL HOW COULD YOU PUT THE EXECUTION IN THIS gets a cookie. Anyways, the executions in these games are always thematic to the characters and are meant to send them into the worst possible despair in their final moments, so let's break this down.

The execution begins with Mondo forcefully strapped to his motorcycle by Monokuma, who's sporting the same pompadour as him. This may be representative of Mondo feeling confined to the biker gang by his guilt; he was never able to break free of the lie he created about that night. The pompadour is likely just Monokuma making fun of him for his hair again, as the thing that nearly killed him in the prologue.

The kanji written on the motorcycle reads 'Little Black Sambo,' a reference to a children's story of the same title. The entire execution is an inverse of this story as well. In the story, a boy named Sambo is surrounded by four hungry tigers, and gives up his clothes to avoid being eaten. The tigers are all conceited and argue over who's the best-dressed, chasing each other in circles until they churn themselves into butter. Sambo is then able to recollect his clothes and the butter, and his mother uses the butter to make pancakes. This story is well-known and beloved in Japan, but isn't in basically the entire rest of the world on account of the racist caricatures of the POC present in it.

Mondo's execution is a inversed version of the story(and also, because Mondo isn't blasian there's thankfully no directly racist art in it, just tigers). Rather than being the one to trick the tigers, he's the one who's full of pride, and so he's sent into a motorcycle cage and left to spin around and around, while the tigers dance on either side of him. He ends up being the one who's turned into butter, and Monokuma gets to enjoy a delicious plate of Mondocakes. It's meant to represent the downfall of Mondo's macho personality and how he sent himself into a spiral, but loses a lot of its meaning if you aren't familiar with the story.

Part 7- Jealousy

So, we've torn this character apart. We know what makes him tick, but why does that all matter? What was the point of his story? Simple- it's a cautionary tale. It's a warning against everything he stands for. Mondo, through all his faults, is NOT someone you're actually supposed to idealize or hold up as the epitome of manhood in the way that Chihiro does. Rather, he's a deconstruction of everything society views as 'manly', and a demonstration of why that line of thinking is inherently flawed. He's big and tough, he yells and cusses at the people around him, he doesn't have a handle on his own strength. He knocks a dude out for like, 10 hours straight because he was mad at someone else!!! That's not a healthy way to get your frustration out!!!

Simply put, your image and pride are not worth your mental health, and comparing yourself to the people around you not only tortures yourself, but can hurt those who you love. Mondo couldn't stop comparing his own faults to the strengths of others, and ended up pushing himself too hard trying to prove himself. Not only did he lose his brother over it, but he felt like he had to keep all his pain and regret locked up for the sake of an image they'd painted together. It pushed him up to the edge, and he never learned to cope with it in a way that was healthy. It only led to him lashing out more and more, and repeating history when he killed Chihiro. Your trauma can't be fixed by ignoring it or shoving it down; seek out help when you need it. It's okay to confide in your friends; they aren't your enemy, and they aren't making fun of you. That line of thinking will only push you over the edge.

Afterword

So yeah, this was longer than anticipated. Even after doing Taka's and creating a point of reference for myself, I still ended up surprised. I mean, Taka survived longer, so you'd think his would be longer, right? But no, Mondo is not only a very well-established character, but he has more important connections and a much more impactful storyline. I'm gonna go out on a limb here and say Mondo may be one of the easiest characters to understand from THH, considering how in-your-face they make him. And I respect that, even if his whole facade can be kind of annoying for me. I totally see why this guy is so popular among fans. Happy birthday Mondo!

Anyways, hope y'all enjoyed this one, and be sure to stick around! Sayaka's analysis is coming up next, and holy shit am I excited for this one.

[rh3maji]

Lil rant abt Caine

Caine is just a lil guy, despite it all. From a design standpoint I thought I was gonna absolutely fucking hate looking at him because those chattering teeth toys make my skin crawl- but the art direction really helps make him look more appealing and whimsical than a disembodied pair of talking dentures sounds on paper.

The thing with Caine is I didn't initially like him that much after the pilot. While his interactions with Bubble were quite funny, that one episode left me feeling like he'd just end up being kinda one note or at the very least one note in a way that'd get on my nerves. Then everything changed when Pomni Wake Up Time to Go On an Adventure! attacked

The comedic timing throughout that announcement video was so fucking funny and thanks to his line deliveries and animation/model [?] upgrades- CAINE LOOKED AND SOUNDED SO ADORABLE!!

Legit it wasn't until this came out that I realized I actually could be on board with Caine as a character and it's been uphill from there. Episode 2 was better than the pilot not only comedically and visually but also in terms of showcasing just how actually unsettling Caine can be as an antagonist. Not because he's vengeful or malicious, but because he's so oblivious to how people work. His mind's always buzzing with terrible ideas and he's so so eager about these adventures, but at the end of the day he really really doesn't get the circus crew. Try as he might to include them, keep them engaged [ZOOBLE WAIT!], or even give them what they want [Exit doors] he doesn't realize how traumatic and distressing their current situation can be. The very nature of being trapped in a digital world is bad enough but it's especially rough here bc not only does its god have limited capabilities, you also are very well acquainted with him, and he can't fully understand your pain nor can he truly save you from it. He won't mourn your abstraction. He will not attend your funeral. He will not understand the distress of your arrival, nor the weight of your departure.

This isn't just sad from the pov of the circus gang, it's also very sad for Caine- not because i think he'll ever feel sad about it himself necessarily, but instead because the situation is sad. New members appear over and over, you craft adventures and games and distractions like [i'm assuming] they'd asked you to, but over and over, one by one, they abstract. They stop laughing at your jokes. They don't like you. They want you to leave them alone. It's confusing and maybe even inconvenient.

Where I'm hoping the series takes Caine is that this dissonance between Caine's intentions and the distress of the circus gang gets worse and worse and worse until something's got to give. I'm hoping that maybe at some point a character will try to sit down and talk with him and for it to either sorta get through to him but completely backfire in some form because he misinterprets what the others want from him OR i'd also be down for him to listen, but not understand any of it and proceed as tho nothing happened. I don't want Caine to come around really, it'd be interesting to see how Goose would go about having him come around to being a better host that empathizes more with humans, but personally I do prefer him to keep on keepin' on being this oblivious and eager antagonist.

My favorite Caine lines/line deliveries so far:

"You, my friend, stumbled into an incredible world of wonders, where anything can happen!…e-except for swearing."

"And here we have THE GROUNDS! Drown yourself in the digital lake, or engage in ridery at the digital carnival!"

"What do you think of XDDCC? You're right, terrible, LET'S TRY THAT AGAIN!"

"Kaufmo abstracted? Why didn't anybody tell me?"

"Bubble you can't say that"

"-ZOOBLE WAIT!"

"Why are you all just standing there?! The- The Canyon- C-Candy Canyon Kingdom needs you now!" [according to his VA, this was an actual line flub but hoo boy am i glad they use it bc it's hilarious]

"I know you guys love your NPCs, but if I start losing track of who's a human and who's an NPC, who knows...what. could. happen..."

That last line there specifically surprised me the most because up until he said that I was under the impression Caine was linked to every single NPC. I even thought he could see through their eyes if he so chose thanks to his "hundreds of all seeing eyes" line in the pilot. Him saying this here implies lots of things. Has Caine forgotten before? Is someone in the circus secretly an NPC ooooooooh~

"Who knows what could happen..."

Honestly, when Caine first said this I did immediately theorize Jax as being an NPC but now that it's been *checks calendar* three months since I watched episode 2, I don't think this is the case anymore. Jax being an NPC would be...something. Jax not knowing he's an NPC would be interesting [i like it when ppl's realities get shattered], but honestly I think this line was a way to telegraph to the audience that no Caine isn't actually all knowing. He didn't know Gummigoo was coming through that portal until he saw him with his own two eyes. My theory is that Caine is only able to teleport, create, censor, transform, and destroy the world around him, but isn't able to see all of it at once unless he tries to. I think Caine's default state is one where he only knows what he sees directly in front of him/what he himself has left waiting for someone else. And rather than implying someone in the gang is an NPC, I think that line in episode 2 was mainly implying Caine can be tricked, that it's possible to hide something from him, to surprise him even. Though I'm not opposed to an NPC we haven't met trying to join under the guise of being human, it'd potentially create some fun tension assuming the audience was given enough reason to care about them.

Jax is actually my favorite character in tadc, but i couldn't fill an entire post with things to say abt him. Caine seems to be- at least as of right now- the easiest of all the characters to try and wrap my head around. I'll probably have a lot more to say about Jax as he exists in canon as the episodes come out [EPISODE 6 MY BELOVED]

but uhhhh yeah, that's all the things i had to say abt Caine. Pls go watch/listen to the fansong Digital Land bye!

[queenaeducan]

In Defense of Spirits

Or, alternatively:

I. Introduction

Spirits are one of my favourite parts of the Dragon Age lore, but they didn't start that way! Initially with Origins the various demons I fought I considered little more than cannon fodder, enemies put in my way to cut down so I could move on with my mission. With the introduction of Justice in Awakening and Dragon Age II coupled with Merrill’s alternate perspective also introduced in the latter, my feelings about them started to change. Solas and Cole crack those feelings wide open come Inquisition, and when replaying the games I found myself questioning the motivations of encounters with people I once considered one-note enemies.

I wanted to compile a list of these alternate readings of the various spirits we meet throughout the series, starting first with Origins. I'll be detailing some common themes and, where it’s appropriate, to defend their actions. This list is not comprehensive as there are some encounters I don’t consider significant or interesting enough to mention, although if someone’s curious about a particular spirit I’m happy to oblige. For the purposes of clarity, if I use the word “spirit” I am still referring to all denizens of the Fade, whether they call themselves Pride or Compassion. I may use the word “demon,” as a treat.

The purpose of this retrospective is to reflect upon the motivations of the spirits we kill through the series and how I think Bioware successfully created a world where, in this instance, we were sucked into their preconceived biases regarding spirits. And hopefully to make you feel as bad as I do when I’m forced to kill spirits who probably are better people than my player characters. I am also not arguing that everything I put forth here was intended by the writers. I have the reach and flexibility to pull out threads they didn’t expect me to.

Finally, this won’t be an exhaustive examination. There are a lot of spirits and some don’t invite discussion on my part.

II. Analytical Lens

There are several recurring themes that will crop up when I’m recontextualising the motivations of the spirits throughout the series. We’ll be going over these in detail as we talk about individual spirits, but for now:

The Veil is a construct. There was initially no barrier stopping them from moving back and forth freely, and in many ways their desire to manifest physically outside the Fade is a natural inclination. The problem being that going there and back again isn’t as easy as it once was.

They don’t understand this world. Again, I think the presence of the Veil exacerbates this. Time and again we see spirits who do have enough will to manifest safely have difficulty adjusting. 

Trying to help hurts. Spirits can’t sicken with Blight or the common cold (that we know of), but intense emotions or cruel intentions can twist them from their purposes. Those who reach out in the honest urge to help may find themselves burned, sometimes through no fault of either party.

Their design encourages dehumanisation. For lack of a better word, considering this is a land of elves, dwarves, qunari, and so on. Many of the spirits we’re asked to empathise with are humanoid, with those we are at odds with being more likely to be monstrous or animal in design, making it easier to justify why we need to choose violence.

III. Dragon Age: Origins

Mouse

Mouse is among the first spirit players will meet in Dragon Age, depending on whether or not they play the Mage origin or not. Narratively he is meant to introduce the player to the role spirits often play in the lives of mages, that is to say: an evil that is not always self-evident. He tells a sympathetic lie, presents himself as someone who was once in a position like the protagonist currently is, and wants to make sure they don’t end up like him, only for it to be revealed that the entire reason he’s there is to possess them. At least, nominally that’s his role. A second pass at Mouse’s actions does raise questions as to his true intentions.

Throughout the test Mouse encourages two things within the protagonist: their self-worth and their questioning of the ritual. The former makes sense, he is ultimately revealed to be a spirit of Pride and so to stoke the protagonist’s own pride may inflate their confidence to a point where they can’t see the potential harm in dealing with him. Still, in a society where magic is feared and mages prisoners, there is something radical in encouraging that in someone. Especially when paired with remarks Mouse makes where he questions the logic of the Harrowing itself:

“It isn’t right they do this, the Templars. Not to you, me, anyone.”

This is one of the first things he says to you, and is one of the first pieces of Circle critical rhetoric in the entire series. From the perspective of the protagonist at the time, it would seem he’s referring only to apprentices, but is he? Spirits are drawn into the Harrowing as much as mages, ostensibly willingly with the promise of a body to possess, but we see in rituals such as the one that drew Wisdom into the world that the Circle isn’t above shackling spirits into doing their bidding, be it as a means of protection or garnering information. Once inside, they’re subject to the will of the apprentice, who have been taught to fear and mistrust the Fade since they were first brought to the Circle. So is Mouse expressing bitterness about the situation of the apprentices, or is he looking at the situation as being equally unfair to all involved?

Furthermore, what’s most interesting about Mouse is he never actually tries to possess you. He makes some requests, which Surana or Amell can’t agree to, but even if you avoid catching onto his game for as long as you can it never goes farther than that. He reveals himself as the final test and before the Harrowing ends he dispenses the to-be Warden a warning:

“Simple killing is a warrior’s job. The real dangers of the Fade are preconceptions, careless trust… pride. Keep your wits about you, mage. True tests never end.”

A piece of wisdom, if you will.

I don’t believe Mouse ever truly intended to possess you, although it’s impossible to tell if he truly would or not without the ability to agree to his bargain. He gives up the game too quickly, with the Warden only needing to vaguely doubt his story before he reveals it. By following the Warden through their Harrowing he helps them successfully bargain with spirits like Valor and Sloth and safely introduces the idea that not everything here is as it seems. Rather than being purely a Pride demon, I think Mouse is a spirit of Wisdom influenced by the Warden’s preconceptions towards what some might call the darker aspect of the values he represents. 

While I don’t think it’s out of the realm of possibility that Mouse was exactly what we’re led to believe, nevertheless I believe it probable that spirits aren’t always gleeful participants in the Harrowing and that the rite is damaging to them as well as the apprentice mages.

Desire

We go now to another spirit from the Circle, specifically the Desire demon we meet in the Broken Circle quest. When we come across her she’s possessed a Templar and letting him live out a fantasy of having a wife and children. When the Warden and their party come across her, she argues that she’s giving him what he wants and doesn’t see the harm in it. Upon my first playthrough I took this as a lie and killed her, although it was difficult not feeling bad, as from the perspective of the enthralled Templar he died defending his family from bandits. To him the Warden was unequivocally the bad guy, and it’s tragic thinking about what his final thoughts might have been.

As for Desire herself, I think there’s an argument to be made that she simply didn’t see a difference between her making a life for herself and the Templar all within his head and a physical, lived life. We see in Inquisition especially, where we talk to more spirits, that the nature of the physical world is as alien to them as the Fade is to mortals. Command wonders out loud why the rocks do not move at her command, and Cole asks Varric to talk to his shoelaces for him because they “don’t listen to him.” They existed in a world where will mattered more and where dreams were real, so it stands to reason that to Desire there is no discernable difference between giving him what he wants for real and dreaming it.

Interestingly, you can choose to let them both go, and we get no indication of where they go from the Circle. Leliana also approves because she thinks what counts is that he’s happy. Personally I don’t feel there’s a right option in this quest as either leaves the Templar in a tragic spot, but I do think the Desire demon’s motivations aren’t as evil or manipulative as they seemed on my first playthrough.

Lady of the Forest

The Lady is perhaps the first spirit in the series given a more complicated character than “spirit good, demon bad.” We have Valor in the mage origin, Wynne’s spirit of Faith, etc, but they aren’t given much characterisation and their benevolent nature is taken as a matter of fact. We have a biased introduction to her, we see the damage she has done to Zathrian’s clan and hear his side of the story. We go into the forest to carve the heart from her chest.

But when the time comes to actually speak with her, his bias and deception is plain. She has all the trappings of a demon: summoned at a point of great tragedy, as a tool of vengeance, enacting a literal curse upon Zathrian’s enemies. Yet now she is an advocate for non-violent solutions, only compelled to violence by desperation (she sent letters but Zathrian left her on read) or by the player’s encouragement (potentially). I do think this was an end she worked towards, and didn’t come by naturally, saying to the Warden at one point:

“Then the time has come to… set our rage aside. I apologise on Swiftrunner’s behalf. He struggles with his nature.”

While she is speaking of Swiftrunnher, given she is the curse’s origin, I think the same could be said of her nature (as it is her curse). Zathrian implies much the same, saying to her:

“Your nature compels it, as does mine.”

I think it’s very likely that had we encountered the Lady those hundred years ago when she was first made, she would have been to our eyes a demon, rather than the semi-benevolent force of nature she appears as in-game. Interestingly, her outward nature doesn’t change if she is compelled to kill the Dalish. She isn’t thrilled, but neither is her nature twisted. She’s pretty quick to move on, afterwards. Of the major spirits in DA:O, I do think she is an outlier in the series. Killing her is the bad option, especially when a mutually beneficial solution is forced upon you. She also has a stronger presence of mind than many of the other spirits, perhaps accounting to her age and the fact that she is tethered to the world through not only Zathrian but her ‘followers.’ It’s fitting that the Dalish quest is the one where a spirit is presented not only sympathetically, but (as far as I can tell) exclusively referred to as a spirit whether they are doing right or wrong.

Rage

We meet many Rage demons in Origins, and throughout the series, but the spirit I’m referring to are the ones we meet in the Alienage’s orphanage. The recent site of a massacre, the orphanage is now home to a spirit of Rage who attacks those who enter. Rage, I thought, was a curious choice, when Despair and Terror exist. Although the fact that they probably didn’t want to make a new spirit model for this one sidequest would probably explain it on a development level, but then I wondered— whose rage?

The spirits don’t seem to embody the rage of the people who massacred the orphanage, or even the rage of the victims. They tell the Warden and Ser Otto that they “do not belong here” and one is furious that the party has killed “my brood.” I think the presence of the spirits here is indicative of how helpful or benevolent spirits can be twisted by the horrors of our world, that they were drawn by the misery of what happened at the orphanage and upon witnessing it they became enraged. They are ultimately protecting nothing, just an empty building that’s probably best torn down or cleared out, or whatever the elves of Denerim’s Alienage decide they need to properly mourn. Yet as we walk through the building the screams of children still play around us, it’s still happening for its current residents.

In the final encounter of the quest, the Rage demon targets and kills Ser Otto (assuming those mabari you encounter like two minutes in don’t get him first, like they do for me every time if I’m not paying attention) first out of your entire party. It makes sense, although his motivation was pure, he is representative of the human justice that allows horrors like this, and what’s more— how many orphans were taken from the orphanage’s midst by people wearing armour just like his, never to return?

The rage demons had every right to be angry, even if their anger manifested in a harmful way. The tragedy is that, outside of Denerim’s Alienage, most people weren’t.

IV. Other

These are spirits whose roles I don’t have much to say about, for one reason or another.

Kitty. I don’t have much to say about Kitty, who as a reminder is the spirit held captive in the basement of Wilhelm, the former master of Shale. Given Kitty can agree to not possess Amalia, content simply to be free of the basement, and then doubles back on that promise once you complete the puzzle, I don’t have the highest opinion of Kitty. However, can I do want to point out that Wilhelm held Kitty captive in his basement for decades for his research. Research which, by the way, was to find ways to prevent mages from becoming possessed. A little ironic that he essentially possessed a spirit to do so. I want to point this out only because I think it highlights how spirits are casually used by people and at no point do we stop and wonder what decades of being locked up in a basement outside of their intended realm of existence might do to someone, even a metaphysical someone.

Herren. The merchant and life partner of the blacksmith Wade, who may have made your Warden some nice armour from all those endangered dragons they killed. In the Darkspawn Chronicles Herren is fought— as a desire demon. Gaider says this is not canon, but he doesn’t even go here anymore, so instead I’d like to put forth the idea that Herren is a desire demon taken physical form who lives out his existence peacefully (if somewhat grumpily) with his eccentric husband. I have no evidence of this being a fact, in fact I have the opposite of evidence, but I like my version better, so.

The Grand Oak. I think everyone with a modicum of taste likes this guy, but I do think he's an interesting lens to look at how spirits in Elvhenan might have lived. I like to think all of them had a period where they just vibed as a tree for a hundred years or so.

[ceaselesswatchersspecialboy]

Okay here we go

Does Stanfraud's eye still bleeds, like when Bill was possessing Ford or doesn't because of his bigger connection to Ford's body?

Is Stanfraud an uncle/big brother figure to Soos, like Stanley is his dad figure? Does Bill even care about him even a little😢

I know that the main focus of this au is on Bill, but since Stanley didn't try to pretend to be Ford, how did Stanley's and Filbrick's first meeting went after the whole "getting kicked out" thing"? Especially since both Stan and Ford were definitely broke at the time

You mentioned that Bill still has access to a little portion of his powers, what are they exactly?

Anyway your au is genuinely awesome and seeing it on my dash is always a huge treat 💛💛💛

Okay the first question I really want to answer because I’ve been thinking about this:

— His eye definitely bleeds on occasion. Even though he is far more connected to Ford’s body here, he’s still a demon possessing a host. He shouldn’t be there. There’s some outer force keeping him trapped. So I have thought about the fact there would probably be some lasting impacts on the body due to possession exposure for so long, such as the eye bleeding becoming a regular problem and gradual loss of vision in that eye. There may also be other physical impacts, but I’ll work on those when I manage to get down an official design for him.

— Great News! He is like Soos’ weird uncle! That may be where he learned to be somewhat decent around kids, honestly. He absolutely tried to mess with him at first, make jabs, tell him the date of his death, attempt to drive him to madness just a little (this is why Stan had to get rid of the last handyman), but Soos proved to be incorruptible and took all of Stanfraud’s weirdness in stride. Bill does end up caring about him. He goes as far as to liking their conversations. Soos keeps up with his chaos! Even Bill isn’t sure what’s going on in that head of his (when he gets his own body back he’s going to find out).

— Though Bill is the main focus of the plot-change, the other aspects are equally as important and so I’m glad they also have people’s interest! Their first meeting is… tense, to say the least. If Filbrick has any regrets, which I think I’ll leave up to interpretation, he’s far too stubborn a man to show them, and would rather dig himself further into a hole than admit he made a mistake. Stan desperately just wants to ignore all the scathing comments and get this little reunion over with, until Filbrick makes a comment about Ford, then Stan snaps. You can insult him, he probably deserves it, but not his brother. Sure, they may not be his brother right now, but the intent is there, and that’s what counts.

It cuts everything short, with Stan grabbing Fraud and telling him they’re leaving (He doesn’t complain).

With Filbrick, I do kind of want to explore their dynamic over the years while he’s still alive, especially with Stan, but also with how he’d treat ‘Ford’ and his odder behaviour. I don’t want to just make Filbrick a one-dimensional character though, as I think there’s a lot to be said about the cycle of abuse and parental projection so. While the AU may be based around the question ‘what if Bill got stuck possessing Ford?’ The answers it has lead me down a lot of different paths to explore — such as this!

— The powers he has access too lessen over time, but currently he is somewhat capable of seeing potential future outcomes (ciphervoyance), pyrokinesis, telekinesis, faster healing factor and teleportation. Note that all of these are in a much weaker state and drain Ford’s body and by extension Bill heavily — especially teleportation. Doing that once can cause him to pass out, so it’s more of an emergency thing, most his abilities are honestly. Too much focus is required.

And I’m so happy to be a little treat on your dash!! I hope you enjoy all this just as much!

[soulscollection]

'𝐬𝐨 𝐲𝐨𝐮 𝐡𝐚𝐝 𝐚 𝐛𝐚𝐝 𝐝𝐚𝐲' 𝐩𝐫𝐨𝐦𝐩𝐭𝐬.

prompts designed around the concept of a character having a difficult day and another character arriving to help/support/care for them! i made these prompts on @soulprompts. DO NOT ADD TO THIS LIST NOR REPOST IT OR CLAIM AS YOUR OWN.

DIALOGUE PROMPTS.

" you look like you could use a hug. "

" please tell me you didn't cancel your plans for me... "

" don't be silly, you're much more important than some tinder date! "

" where's your jacket? i'd like to show you something, and it'll involve a bit of walking. "

" you know i'm always here for you, don't you? no matter what. "

" hey, now... i'm only ever a phone call away. "

" come on. let's get you to bed. "

" i'm listening. "

" hey, do you have any spare pajamas? i'm going to sleep on your couch tonight; that way you just need to shout if you need me. "

" what are your nightmares about? they may not be so bad if you talk about them. "

" another nightmare? "

" hey now, no more apologizing. i'm glad you called me; i meant it when i said any time, any place. "

" you know you're never a nuisance nor a burden. not to me. "

" i'm helping you, and that's final. i'm not taking no for an answer. now. where's your kitchen? i'm making us some comfort food. "

" maybe you think it's your job to look after everyone else. but it's not supposed to be like that. it works both ways. and now it's my turn to look after you. okay? "

" hey, now. you've been helping me ever since we met. it's about time i started repaying the favor. "

“ i’m so proud of you. i know it’s hard to get past these rough days, but... i still want you to know that i’m proud of you. “

“ you know, i reckon our bond is definitely strong enough to endure whatever it is that you need to get off your chest. “

“ it’s alright, now... i got you. “

“ you don’t need to worry about scaring me off. i’m not going anywhere. you can try as hard as you want, but there’s nothing you can say that’s going to make me like you any less. “

“ you know, i make the best hot chocolate in the world. seriously, i’ve asked absolutely everyone on the planet. everyone except you... what do you say? wanna make it a global fact? “

“ let’s go smash some stuff until you’re ready to talk, okay? “

ACTION PROMPTS.

[ TEA ]: sender prepares a mug of hot tea for the receiver.

[ BLANKET ]: having found the receiver either sleeping or just lying on the couch, sender gently takes a blanket and drapes it over them.

[ BATH ]: sender runs a hot bath for the receiver after a particularly challenging day.

[ DINNER ]: having learned that the receiver has had a difficult time lately, sender arrives at their door with their favorite dinner and drinks.

[ COOK ]: in an effort to boost the receiver's spirits, sender arrives with all the ingredients needed to make the receiver's favorite comfort food, with the well-intended intentions of cooking it for them.

[ FORT ]: sender builds a blanket fort for the receiver following a long and difficult day.

[ HUM ]: sender hums gently under their breath to soothe and comfort a distressed receiver.

[ WIPE ]: after the receiver has stopped crying, sender tenderly leans forward, cups their face in their hands, and wipes their tears away.

[ JOURNEY ]: noticing the receiver has had a particularly rough day, sender invites them to accompany them on a walk or drive to get out of the house.

[ HAIR ]: as the receiver leans against them/lies in bed, sender begins to run their hand through their hair to soothe them until they relax or fall asleep.

[ CARRY ]: sender lifts a (nearly) sleeping receiver and carries them into their bed, tucking them in in the process.

[ GUIDE ]: sender physically guides an exhausted receiver into their bedroom, following weeks of very little sleep and very high amounts of stress.

[ BESIDE ]: receiver wakens from their first genuinely restful sleep in weeks, to find the sender asleep next to them, having been holding the receiver throughout the night to help them fall asleep.

[ BEDSIDE ]: receiver wakens from their first genuinely restful sleep in weeks, to find the sender asleep in an armchair by their bedside, having stayed there for the night in case receiver had a nightmare or needed them in any other way.

[ KISS ]: as a gesture of comfort and affection, sender leans forward to kiss the receiver on the forehead.

[ HAND ]: noticing the receiver is close to tears, or otherwise struggling with an unseen but considerable burden, sender gently takes their hand and holds it in an attempt to comfort and encourage them.

[ RUB ]: sender gently rubs receiver's back in a soothing motion.

[ TV ]: sitting next to the receiver on the sofa, sender joins them in watching their favorite show/movie on the television.

[ HOLD ]: as soon as the receiver opens the door and realizes the sender is there, sender wordlessly opens their arms out, and gives the receiver a warm, sorely needed hug.

[seventeenreasonswhy]

Super Shy ~ A JWW School-Life Romance Pt. 3

Star Athlete!Wonwoo x Shy Wallflower!Reader

Jeon Wonwoo... THE Jeon Wonwoo is... paying attention to you!?

~1.5k words

Read Part 1 + Part 2

Series content: fluff, first crush plot line, school-life anime vibes, slow burn/yearning, some light angst, classmates to friends to lovers, fem reader, reader is ~*super shy*~ and has low self-esteem, reader is kind of bullied (?), sweetie pie Wonwoo, appearances by Choi Hansol and more!, all characters are in high school so no explicit content (but probably kissing eventually).

My Masterlist

Author’s note: Thank you to everyone who has read, reblogged, and liked this little series so far! This part reveals more about Y/N’s interests and talents, which she’s afraid to share because she is insecure! But not for long with sweet Jeon Wonwoo around. Also she has a fictional younger sister named Daehee (not after anyone in particular, I just like that name). 😉 These two are so innocent and cute, I’m having such fun writing them! Enjoy!!

Taglist: @clownprincehoeshi @soffiyuhh  @wonwoos-wineparty @hamji-hae @junniesoleilkth @seokqt @haniinah @yangtyunhannie @cherrylovescheol @lukeys-giggle @cookiearmy @sojuxxi  @vixensss @lixisoul99 @mjpark15 @lelsforlino  @neivivenaj  @blvkkeddcc (lmk if you want to be tagged!)

~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+

“Whoa you’re going all out on that, Y/N—”

Your younger sister, Daehee, had come down for breakfast with her bangs still in curlers, wearing her school uniform shirt over her Hello Kitty pajama pants. She was watching you as you concentrated on preparing various dishes at the stove. A thin omelet, grilled shishito peppers, vegetable tempura; it was pretty simple stuff, but you’d developed an urge to create aesthetically pleasing lunches these days.

You couldn’t really explain it, although somewhere in your heart you knew it probably had something to do with Jeon Wonwoo.

For the past week, Jean Wonwoo had been spending lunch on the roof alone with you.

The two of you barely exchanged words, really. Your longest conversation probably lasted only a few minutes. But not for Wonwoo’s lack of trying! You still wondered why he was spending his lunchtime up there at all—even more so why would he keep trying to strike up conversations with you? You guessed he really was just that nice. But every time you were around him you couldn’t help clamming up somehow.

“Are you in any clubs, Y/N?” he’d asked you the other day, between bites of his kimbap.

“Uh, no...” you answered quietly, your nerves frazzled from your total lack of conversational skills.

“None of them appeal to you?”

“Uh, not really that...” you didn’t know how to answer him. You’d ended up just looking at him blankly, like a fool. However, nothing in his facial expression or his tone made you feel like you had to necessarily come up with an answer... But his gaze was intent, and you found it hard to hold onto for more than about three seconds.

“What do you do for fun? To relax?” he followed up breezily, “You’re the class mystery.”

“Um,” the odd self-consciousness you felt at being called ‘the class mystery’ aside, you couldn’t really think of anything to say to him.

Actually, there was one thing that came to mind... but it wasn’t something you’d ever shared with anyone. Your one ‘hobby.’ Though to you it felt more like... squeezing a stress ball. It was what you did when you needed to turn your brain off.

He wants to know what I do to relax?

You couldn’t say what compelled you, but you pulled out your phone and found the photo album you had saved of your miniature paintings.

You worked with acrylic paint on very small canvasses, using very fine, small brushes to create miniature floral designs, portraits, landscapes... Your style was incredibly detailed. You had hundreds of tiny canvasses in little boxes and frames all over your room. You took pictures of most of these tiny paintings when you finished. You had even recorded a couple of time-lapse videos, showing you creating them in fast motion. You’d never felt compelled to create a social media account to display or monetize them, though. You painted because it was what you had done since you were a preteen—the careful, methodical process of dabbing tiny paintbrushes into your carefully mixed colors, getting the tone and shading of a poppy flower’s petal on a tiny scale just right... For you, creating these paintings was like a meditative practice.

By some stroke of inspiration—or insanity—you handed your phone to Wonwoo. His face became visibly more curious as he took your phone carefully in his hands.

“Wowwww,” Wonwoo said, holding the screen closer to his face. He seemed absorbed in your phone—you even caught him zoom in on a few pictures. You could tell he was looking carefully through the album.

“You’re crazy talented!” he said after a while. He sounded genuinely impressed.

“No, haha,” you somehow laughed, coughed, and gasped at the same time, your heart accelerating out of embarrassment from his compliment.

“No, seriously—Y/N, these are really incredible!” he said. “They’re so detailed, and they’re so small! How do you even do that!?” His eyes were glued to your phone screen. A part of you was screaming inside, why on earth you would show these to him!? and urging you to snatch your phone right out of his hand, throw it over the side of the building even. You couldn’t believe that Wonwoo was seeing this, this... habit. And YOU had been the one to show him, of all things!

“I wouldn’t say they’re ‘incredible,’” you said, filling up with more and more anxiety over coming off as bragging or crossing some social boundary that you shouldn’t have crossed.

Wonwoo finally looked up from the screen, looking directly at you instead. You still couldn’t bring yourself to meet his gaze, but you felt his eyes on you. After a long pause, you dared to glance up at him...

But he quickly looked away from you.

Ugh, I’m probably making him feel like he has to be super nice or something...

“Oh, whoa—a time-lapse?” He said, quickly recovering from the somewhat awkward moment when your eyes had met. But his stumbling across the most recent time-lapse video that you’d made prompted you to snap out of your reverie and bolt to grab your phone out of Wonwoo’s hands.

“Ah, don’t watch that!” you lunged for your phone, but Wonwoo reflexively pulled his hand away, surprised by your reaction but still effortlessly dodging your attempt. He smirked down at you, and your heart almost stopped.

“Why not?” he said, and the deep resonance of his voice made you realize how close your bodies were—you were practically sprawled over him after reaching for your phone, his face just inches from yours...

Your whole body seemed to flush a deep shade of red before you catapulted backward away from him. You could have sworn that you saw that Wonwoo smiling to himself, but you were so flustered and anxious about the way you’d completely invaded his personal space that you couldn’t think straight.

“I won’t watch it,” he said light-heartedly, smiling at you as he tossed your phone back to you. “But you are super talented, Y/N. Painting is such a unique skill, too.”

And just like that, he went back to eating his kimbap like nothing had happened. His relaxed, friendly tone mercifully neutralized the atmosphere, but you just stood there clutching your phone to your chest.

“It’s not that I’m embarrassed,” you started, even though you couldn’t look Wonwoo in the eye, “It’s just—I’ve never shared these paintings with anyone except my family...” Your heart kind of ached for some reason as you said this to Wonwoo, who just continued to look at you in silence. What on earth had compelled you to share that with him?

Agh, say something! You willed for this pause in conversation pass, but it didn’t seem to be budging.

“Thank you for showing me,” Wonwoo said at last. His low, gentle voice seemed to shoot directly into your bloodstream, flushing you an even deeper shade of red than you thought was humanly possible. You looked at him briefly, and something about the way he was looking back at you...  

The moment had played over and over again like a movie in your head for the past few days. The directness of his gaze. The rich, sincere quality of his voice. The way he’d smiled to himself... you couldn’t stop thinking of that particular lunch hour.

Standing at the kitchen counter, Daehee watched you dip veggies in tempura batter and toss them in the pot of hot oil on the stove. You let your mind run through the questions it had been asking all week: why was he spending time with you like this? Did he lose a bet? Is there some kind of hidden camera prank you should be wary of? More than that, why was he being so nice?

“Hellooo, earth to Y/N! I said you’re really going to town on your lunches these days,” Daehee tried again to get a rise out of you.

“Oh,” you said, taking the last piece of tempura squash out of the oil. “I just like experimenting.” You weren’t lying, exactly—you did like exploring all kinds of different food and dishes. Cooking was fun to you, different from the calm of painting.

You would be lying if you said that an added bonus wasn’t Wonwoo noticing and complimenting your work.

You liked it when he praised you. It felt like he meant it.

No one could be that good at faking sincerity, could they?

You couldn’t help but hear that small voice in the back of your head, doubting Wonwoo’s intentions.

But he hadn’t done anything other than come up to the roof during lunch this week, mostly just eating in silence with you—the two of you simply looking out at the sky...

But after you had shown him your paintings...

Maybe it was since then that you had started to put more effort into your lunches.