#i do think i want to try and be more intentional with my character designs now so i'm seeing how that goes as i redesign some old ocs

[creatingblackcharacters]

Hello! I want to participate in the CBC Black History Month Challenge but im a tad bit overwhelmed and not sure where to start with any piece I do

I know you said qoutes but theres so many qoutes i could choose that im a bit stumped

I was considering doing studies of diffrent hair styles or diffrent hair coverings since i haven't practiced those in a while but im not sure if it would count?

I want to get to actual pieces but again way too overwhelmed with choice to

I'm glad you're finding this difficult, because that gives you the opportunity to intentionally work through it to create a good Black character design!

Let's walk through this with everyone, then, since other folks might be on the same page:

1) Think of this project as a gift. Even though the practice is important, it's not about your benefit- it's about what would make Black viewers of your work know that they are valued by this creator, that they aren't just tools of storytelling or an alien species!

2) You don't have to do a whole bunch poorly, when you can do one well. One well done sketch > 1000 racist pieces. You have 27 more days of this challenge (and really, every day after that!) Practice! Recognize that the effort you're putting in is something many creators might not even consider doing! Take the time to find references and work at it- that's part of practicing good Black character design!

You said you want to do a hair study- there are plenty of quotes, poems, and media on the joy and uplift of Black hair. You're gonna have to take your time to read some of them, and find what expresses the way you feel most connected to what you wanna do. I took thirty minutes today to skim through poems. Do you want to deliver something fast, or something genuine? Which leads to my last and important point:

3) What are you trying to say?

I've said it a few times, but you can often tell when someone creates Black characters or designs to satisfy themselves, and not Black viewers. So: what do you want to say to your Black viewers with this piece? What do you want them to walk away with?

Do you want to say that you value the effort that goes into Black hair (thus your effort into practicing?) Find poems or quotes related to the effort and beauty of Black hair. Do you want them to know that you recognize their value in fan media? You can also just say some nice things outright (don't be weird with it, just be respectful).

This is me trying to make y'all practice purposeful intent with Black character design, with the goal of a Black audience. You can do it! It can be done!

[the-fabled-void]

What’s your opinion on Lust Sans? How do you think the creator could have handled hypersexuality better? Because honestly I don’t think it was handled very well -as a hypersexual anon myself.

What’s your opinion on Lust Sans? How do you think the creator could have handled hypersexuality better? Because honestly I don’t think it was handled very well -as a hypersexual anon myself.

I can't really say much about hypersexuality as i have no experience with it, and it's been a while since I read the Underlust comic.

One thing I have to say, I don't think NSFWShamecave probably didn't intent to portray SPECIFICALLY hypersexuality? From my understanding at least it doesn't seem like it.

Despite the way monsters behave being similar to hypersexuality, I believe the creator was trying to portray something that they believed was fictional. (The lore reason being the fact that everyone's injected with an aphrodisiac.)

And that's where a lot of the issues come from.

I will have to say, it was a genuine attempt by someone to make something with serious lore out of an AU with origins that are hard to take seriously. I would blame it on age, but I'm just gonna go on a limb and say someone with the username NSFWShamecave was at least 18 back then.

Regardless, it's not a story that's easy to tell. Even with genuine intentions, their story- you can tell it wasn't made by someone who knows their stuff.

Additionally, it seems like a kind of AU where the creator thought 'designs first, lore after'.

Which isn't a bad thing on it's own! It's interesting to already have a point in the story that the characters are at and think "okay, how did they reach it". But the creator didn't execute it well.

There's also the 'love fixes everything' vibes I remember getting with Papyton with what happened to Mettaton.

The AU itself feels kinda puritan, with Frisk needing to show the monsters true love as if they've never had it before. It feels extremely reminiscent of the internet's culture at the time, especially the Undertale fandom. I remember being very active on Wattpad at the time, and I remember on there... It was treated jokingly, but we did call anything sexual 'sin' and shamed people for being into it (12 year olds like I was SHOULDN'T be into it, but still...)

Not to mention... Chara. Obviously the character who was the fandom's genocide scapegoat, who was seem as evil back then, is gonna be made weirdly lustful. Good thing they aged them up, I'm glad this creator didn't try to dive into child hypersexuality (while it does exist, someone with those views on sexuality would not have handled that very well, and they would have received more scrutiny), but giving them the soul trait of Lust? That was probably not the best way of explaining why everyone is horny.

In short:

The main issues are that the creator was portraying a real issue bad because they didn't know it was real, and that the creator wasn't all that experienced in writing stories (and designed most characters other than Mettaton and Frisk without a story for them in mind).

As for Lust Sans himself, I didn't really answer that question specifically very well, did I?

Firstly, he suffers from what most characters in the story do.

Additionally, as a Sans, I'm gonna have to think about him in the context of the multiverse.

His portrayal is what happens when an already not too well executed idea is brought towards a bunch of kids.

Of course there were older people in the fandom, but I say the majority of us were not the intended demographic for the AU.

And kids, especially in today's day and age, are notorious for wanting to seem mature and therefore portray stuff for adults, but at the end of the day, we weren't and we couldn't.

So Lust, in especially the early fandom's eyes, was reduced to "non-consensual flirt bordering on rapist".

-

I do have my own version of the AU, slightly altered. So far it's just lore from the AU itself instead of individual characters or story. I wasn't really planning on doing much with it, and I made it before voicing my own criticism, so it doesn't really address more than the Chara sexualization. Feel free to read it if you're curious though!

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[sundial-bee-scribbles]

trying to psych myself up to finally do oc refs by doing fandom-related refs instead: volume 1

wanted to update my yuma from whatever tf this au is so he was a bit more unique... takes inspo from a lot of different things while also trying to be its own sorta thing? which is fitting given the au ;)

bonus chibi now that i'm also figuring out how tf to do chibis lol:

[gallusrostromegalus]

I did not care at all for Aizen Sosuke when I first read bleach. I found him boring, and worst, unthreatening.

So it's pretty jarring for me that I have been OBSESSED with him in your AU. I'm rotating him at great speed

Walt Disney was a jackass who was flat-out wrong about a lot of very important things, but he employed a great many geniuses of storytelling, and there's a piece in Disney Animation: The Illusion of Life by Frank Thomas and Ollie Johnson that discusses a key feature of Disney Studios Character Design:

"Of all characters, villains are the most fun to develop because they make everything else happen. They are the instigators, and always more colorful than the Hero. They may be dramatic, awesome, insidious or semi-comic, but they MUST be appealing. Almost any story becomes innocuous if all the evil is eliminated, but we do not necessarily gain strength by being frightening. we want a character that will hold the audience and entertain them, even if it's a Chilling Type of Entertainment."

And I've found that to be an important principle of character design, especially the kind of canon restructuring I do.

Aizen had a LOT going for him in canon- for all of Bleach's other faults, Aizen's conspiracy and THE REVEAL are spectacularly constructed and executed. I legit screamed and threw my mug across my dorm room when I read it in the manga the first time. He's also conventionally attractive and the translations I was reading gave him the speech patterns of Every Douchebag In Your 101 Political Theory Who Thinks He's The Smartest Man In The Room, which made him a terrific combination of Unfortunately Charming, Menacingly Competent and Engagingly Obnoxious.

...But he falls flat in a few key places.

Aizen's reasoning could be MUCH more sympathetic- After all, he is RIGHT. Soul Sciety does suck ass and all the options kind of suck. Who designs a universe like that? An asshole who needs killing, that's who. The best kind of Unhinged Madmen are the kind who spell out their reasoning and you realize that there but for the grace of Not Having Super Powers Go I. Canon!Aizen makes a few Good Rhetorical Points, but seems to lack any personal connection to his all-consuming plan.

Another issue is that nearly every villain with A Plan has a clear end goal AND a lot of the menace is drawn from the fact that the plan *could* work. Aizen's plan for betraying the court guard and then killing them off before proceeding into the Royal Realm to Kill God sorta falls apart when it's clear he planned to use pretty much all his accumulated forces dealing with the court guard and doesn't seem to have a plan for the Even More Powerful Royal Guard, let alone God. For how meticulously planned the rest of the plot is, the last two VERY IMPORTANT steps are just handwaved.

So I sat down and started with the plot beats Aizen MUST hit, and tried to imagine what kind of guy would he have to be to get there? And I came up with this:

Sosuke Aizen is a fundamentally good man with genuinely good intentions who is really trying his best for the whole world.

Think about it- what lengths would you NOT go to if you think you found a genuine shot at Fixing Everything Wrong With The World Forever? We all talk about killing Hitler if we found an actual Time Machine- would you do it if your only chance was when he was a baby? Would you kill an infant if it meant you could stop World War II before it starts? Of course you would! One small life for over 75 million? You'd be insane not to! What if you found out that you could prevent the future extinction of Humanity by killing your best friend today? Ten Billion lives? For theirs? It's simple, really- Hell, it's your Moral Obligation to do that if you were SURE!

-And Aizen IS sure. He is absolutely, totally, completely sure that He Can Save Everyone if he just gets rid of that idiot sitting on the throne of heaven. He's seen the plans! He knows where the gate of heaven is! It's So SIMPLE he just has to get inside, and he knows EXACTLY how to do it, yes it'll be hard and there will be... unpleasant parts but. IT. WILL. WORK.

He is of course, insane.

Aizen didn't have One Bad Day that set him irrevocably on the path of madness. It was a succession of catastrophic disappointments and realizations that he was living in a fundamentally irrational world that made irrational thinking look sane. The Catastrophe that befell his family, working for the central 46 and later the court guard and seeing how the organizations were inept to the point of abuse or corrupt to the core, learning that The Actual House Of God is a place he can just? Go to? Anyone would start thinking you were just a handful of white lies and homicides away from Fixing Everything, Forever.

Not only is Aizen insane, he is nowhere near as smart as he thinks. He is smart- He does have a knack for being able to guess just what will spur someone to action or make them recoil in fear. But mostly he gets extremely lucky Many, Many, MANY times. On some level I think it gives him Confirmation Bias that this is what he's supposed to be doing. Aizen is also nowhere near as smart as (nearly) everyone else thinks he is. His bizarrely good luck makes him look like a hyper-competent genius when really it was really the catastrophic failure of Soul Society as a Society that let a merely mediocre conspirator to evade detection for so long.

Being that he is at most, mediocre, he had to have Outside Help, specifically Gin's emotional support and Tousen's Competence- and if there's a part of the fic that stays true to canon, it's this.

Gin is Aizen's emotional rock in Canon. He's the ONE guy that Aizen genuinely trusts, and considers his 'my only real partner' in his scheme. There's more than one occasion in the manga where Aizen more or less asks Gin "Is this actually a good idea?" and Gin backs him up every time.

...Which is more than a bit at odds with Gin's later stated goal of "I did all this to kill you at your most vulnerable to protect rangiku" . It never rang true to me. So I started thinking why on EARTH Gin would be backing Aizen up like that, and realized there was a hole in my world building that he slotted into nicely :)

On the other hand, the entire fic was started because I didn't like how Tousen's character arc ended, so you can imagine how much he's changed.

But in canon, TOUSEN DOES ALL THE FUCKING WORK.

Lab work? Tousen.

Supervising the arrancar directly? Tousen

Actually getting victims for the Hogyoku experiments? Tousen.

Altering all the archives to keep Aizen's plot hidden? Tousen.

Sending all the Orders allegedly from the central 46? Tousen.

Making sure Unohana believes Aizen's fake body is real? Tousen.

Managing all the day-to-day operations at Las Noches? Tousen.

There's even this little exchange, which is Tousen's first appearance in the Manga:

Aizen establishes this entire meeting is a little fake-out a few pages later with "now isn't that a convenieint time for the alarm to go off?"

which makes him look like he's investigating, but he's also going "Good job on disrupting everyone with the alarm Gin!" It's ballsy of Aizen to do a check-in on his plan with his main nemesis in the room, but also his style.

I think the same thing is happening here with Tousen. To make sure Ukitake wouldn't raise a huge fit about the proposed execution of his beloved lieutenant, which might fuck everything up for Aizen because Ukitake is one of like, three people Yamamoto will listen to (sort of).

...So he had Tousen poison Ukitake to keep him out of the way.

ALL. THE. FUCKING. WORK. It's even in his name! The characters for "Tousen" Refer to a legendary scholar the emperor of China sent out to discover the secret of immortality- only to kill the scholar when he returned with that secret. The character for "Kaname" means "Necessary/Vital/keystone" or "to organize/take account of". His name LITERALLY means "Scholar who is essential for the plan (that we're going to kill later)"

Another thing Kubo did well in Bleach: his name game is Off The Fucking Charts.

-but I digress.

In AEIWAM, it's much the same only this time Aizen sees this very dangerous witness who is immune to his illusions but also extremely snart and capable young man and instead of risking being caught out by the one damn guy who can see right through him, opts to Curse Kaname into doing as Aizen says, and doing all the fucking work of this conspiracy against his will.

It's Not Nice, but Aizen genuinely thinks he's doing Kaname a favor by subjecting him to this degrading and incredibly painful servitude- I mean, Aizen's only other option was to Kill him to keep his silence, and isn't it wonderful that you get to help fix the universe? You're the one always going on about Justice, I don't understand why you didn't jump at the chance to mete out some Divine Justice.

An Excerpt from the captain's meeting in between the Massacre that made the visored and Zaraki's arrival, when Kaname realizes Yamamoto is 100% serious about his promotion to captain of the 9th and goes to throw up in the garden. Aizen offers to go check on him while Unohana very politely reads the general the riot act:

---

"You broke your toy Aizen." Kaname coughs.

"…I really am sorry for running you ragged like this. I really shouldn't have gotten so mad about you hiding the the hogyoku- it was very petty of me." The bastard sighs, taking off his glasses and rubbing his face, entirely genuine.

Kaname stayed on his hands and knees, weaving slightly as another wave of nausea flowed through him, powered by disgust and rage.

"How about this- I've got a lot coming up with the new job, training Gin and disposing of Kiganjo- So how about I promise to not give you any orders for a while? You will have to keep our arrangement a secret and not interfere, of course, but other than that, you're free to do as you please for- a year and a day is traditional isn't it? No, that's not going to heal by then- Oh, would you look at that!"

Kaname didn't have the strength to offer his usual rebuttal that he won't look at anything, ever. The sides of his head tingle like his skul was being pressed between two enormous hands made of static electricity.

"It's 11:11! Alright, I won't give you any Orders until 11:11 am on November 11th, 1911. That's easy to remember! What do you think?" Aizen continued cheerfully, patting his back and the Curse nails.

"…I can't." Kaname groaned. He could scream if he had the energy, but due to Aizen's Illusions, nobody would hear him. "I actually physically can't think. Please…"

"Of course! You really are such a help to me, it would be a shame to lose you. I'll even amend our contract, so you don't get paranoid-" There was a sizzling sound and a new stroke of hot pain up Kaname's spine as Aizen did something to the wretched Bakudo. "There. No compulsions for eleven years and a day. What do you say?"

Kaname grimaced, but dropped his head. Save the energy to fight another day. "…thank you, Aizen-sama."

"Good man! Let's get you on your feet." Aizen beamed, putting his glasses back on and offering him an arm.

---

He genuinely thinks that he's doing everyone a huge favor and if they don't get it it's because they're just not smart enough, but it's alright, He's a Benevolent God and they'll appreciate all his hard work the next time around :)

Aizen is a man who is FULL of joy. He loves what he does! He actively takes pleasure in it! And I think that's something that REALLY delivers in terms of sympathy AND horror for him. Who *Wouldn't* have a great time actually fixing the universe? He's a good man who enjoys doing good works, and this is the greatest work of all!

It also Delivers on the Horror when I get to write the deliciously fun scenes where Aizen is Elbows-deep in a novel War Crime and waxing poetic about how GREAT this is, or being confused why the people around him are reacting with fear. Don't you want to make everything better too?

[wield-the-mighty-pen]

From a storytelling standpoint I find it so interesting that Adrien’s design this season is so similar to what it was the last 5 season, except a few minor changes. And I am so interested in what tiny, minor changes they did choose to implement

We already know that there was intention behind all of the changes or lack thereof for Adrien’s wardrobe, but there is one change that keeps catching my eye.

It’s honestly the sneakers. We as a fandom have made so many jokes and references to the *ahem* bright colored sneakers, but honestly I think there’s something important here that they’re trying to tell us with Adrien’s footwear

Adrien went from wearing those bright orange sneakers, to wearing a pair that is distinctively plain white. This is intentional. They want us to notice that they changed the sneakers. They did not change the sneakers to another shade of orange, they did not make them into a different bright colored. They changed them from one extreme to another, the effect being that, when your eyes look at them, they immediately know that something is missing

Of all the things they chose to change in Adrien, which were sparingly little, they chose to change the sneakers. Of course this begs the question why? They could have saved the money on the new character design, they could have spared the effort, but they insisted on changing the sneakers

I believe this has to do with a certain logo found on the shoes

I think that the change in sneakers, from a symbolism standpoint all comes down to the butterfly. Plain and simple, Adrien is no longer under the control of Hawkmoth.

With the butterfly Miraculous out of his power, and the amoks safely in the care and control of Adrien himself, Gabriel no longer is in any magical control of Adrien. Adrien, is so to speak “free” of the butterfly.

HOWEVER…

This doesn’t mean that Adrien is free of Gabriel. While the shoes may be different, nearly everything else is exactly the same. The same pants, same shirt, same jacket. It’s the same outfits except it’s unkept and unsure. Gabriel is still directing Adrien’s choices, he’s still very much running the show.

This all is such beautiful symbolism of the hold that Gabriel still has on Adrien, of Adrien’s grapple with freedom. And just as he freed himself with his shoes, I think over the course of the season, we might see a few more changes to his attire…

[temis-de-leon]

He sees how you fell in love with your ex

Summary: Once more victims of their lack of prudence, the boys are cursed to experience horrible visions; that is, seeing first-hand how their lover, MC, fell in love with their ex.

Characters: present! Lucifer x gn!reader, past! gn!reader x gn!ex

Main Masterlist

C/W: the reader is said to be in college/early 20s during the memory, but no age is specified. Reader is betrothed to their tutor (not their teacher) and kisses them.

A/N: I spent four days trying to write a simple drabble for Barbatos and then I wrote this in two hours. I ain't fighting my mind anymore. Mammon was supposed to be in this one, but I think one post per character is good enough.

.

Lucifer – Similar, but so different

He feels the need to wonder if he has done anything specific to deserve this punishment.

Did he grab the wrong book? Lucifer doesn’t even remember being in the library to begin with. Was he cursed, perhaps? In that case, by whom? Whether it was his brothers, that damned sorcerer or an unknown brainless demon didn’t matter to him, because the uneasy frustration wouldn’t leave his chest regardless of his reasoning.

You are there, right in front of him, but deaf to his voice and unresponsive to his touch. Your skin holds no warmth either and trying to caress it feels useless, like grabbing an ordinary leather wallet.

Unfortunately, Lucifer is old and experienced enough to realize rather quickly that what he is seeing isn’t a simple vision or an imaginary scenario. He looks at your fingernails and can’t decide anything concrete about them; are they long or short? Painted or not?

Your surroundings are also blurry, and devoid of details. While it’s obvious the setting is a library, his acute sight can’t decipher any of the titles in the bookcases and the hallways don’t seem to have an end; rays of sun enter through the window, but only the blue skies are visible; and there’s not even a librarian to make you company in such a fine day.

It is a memory; a good one, judging by the dreamy feeling and the brightness of it.

He drops his head to study you one more time and unsuccessfully tries not to scowl in a sour manner when, despite being unable to see you as clearly as he would any other day, the golden shine of a ring catches his attention.

Simple and classy in its design, the significance of it holds a heavier weight than whatever material it is made of.

His tongue clicks in disapproval, already thinking of punishments that would fit the perpetrator’s audacity. How dare they? How dare they deprive him of you? How dare they show him this?

Lucifer looked around, unsure if he wanted to see what was inevitably coming next, although whatever magic threw him there probably had that exact intention. His body was glued to the seat, useless against his inhuman strength and his powers, and, as much as he tried to avert his eyes, he could do nothing but stare at you incessantly. Was he waiting for you to raise your head and recognize him? Gasp in horror before rushing to cure him with your own magic or even the most obvious true love kiss? He didn’t know, but he was absolutely sure he wanted you to know who he was, at the very least.

Of course, that was childlike hoping.

Your hair was styled differently and your face seemed younger and more innocent, obviously ignorant of anything beyond human life. Lucifer could guess when he was based on the context, but you had never talked about this specific stage of your life enough for him to exactly pinpoint.

Somewhere in between your college years, you had been betrothed to someone and later, evidently, single again. Since you weren’t keen on divulging every piece of your ex-partner and your previous relationship without apparent reason, he tried not to dwell on the topic unless the conversation begged for it, but it wasn’t like he was extremely interested either. No need to focus on the past when you both had the present going on and, having each other, who needed anyone else?

He felt the need to reconsider.

Although it was obvious you were trying to study, you seemed to give the ring more attention than anyone would ever do in any similar situation. Your sorrowful expression was a stark contrast against the gentle ambience of the room and the softness in which you were treating the piece of jewellery, the sad eyes and the frown distorting your face.

Lucifer tried to reach you again in hopes of offering comfort, but it was like he didn’t exist to you. While he knew it was due to the situation, he couldn’t help but pout and cross his arms over his chest, as if trying to hide his aching heart. It beat frantically and pathetically, wondering why would you reject him, and no amount of reasoning would calm it down.

A set of footsteps caught your attention.

He frowned miserably as you turned around, looked at the newcomer and then returned to your initial position with a quivering lip. The other person, whom he could only assume to be your ex, twisted their face in remorse and hurried to your side, sitting and rushing to hold your hand.

A part of him wanted to break the contact and instantly take you somewhere far away from there, from whoever was that person that had you in their arms before Lucifer even had the chance to meet you, but he couldn’t move. He couldn’t do anything but watch as you looked at your ex-fiancé with hurt and a tinge of hope.

“I am so sorry, baby” they said in a whisper, even though no one else but him was around to hear the conversation. You two were close, faces mere inches away from each other, and he couldn’t do anything but watch it all. Each word cut Lucifer’s heart with the precision of a scalpel, but it was the tiny optimism in your expression what hurt the most. “I shouldn’t have talked to you that way; you didn’t deserve it. You studied, you tried, you failed and I snapped and you didn’t deserve it…”

“I wanted your support” you reminded them in a voice too small for you.

They didn’t look annoyed at the interruption, instead nodding in a humble motion.

“I know-“

“You aren’t my tutor anymore, you’re my partner”

“I know, I’m sorry”

Lucifer’s eyebrows raised in surprise.

He’d had similar conversations with you in the past where you had failed a task or hadn’t turned homework in when it was due and he had been clear in showing his disapproval, regardless of how happy you were in your relationship. Business and pleasure were separate for him and your success at RAD very clearly belonged to one of those categories. Sure, he didn’t get paid for each one of your victories; in fact, it was he who gave the reward on occasion, but ensuring the exchange program went correctly was related to his work with Lord Diavolo, not his feelings for you.

Although he enjoyed seeing you succeed very much.

“I’m very proud of you” said your ex with an honest expression, smiling before cupping your cheek to bring you closer and kiss you.

Lucifer could manage to look somewhere else for that one, but he still heard the noise. Your happy humming before another kiss.

He wondered briefly if the library had been empty in reality or if your feelings for your previous partner had made it seem as if there had been no one else but them in the room with you. Did he make you feel the same? Did he make you feel as if there was none but the two of you in the world?

Not wanting to see your delighted expression directed at another person, he looked at your fingers again, unfortunately finding theirs interlocked with yours. The shiny ring taunted him.

“You’ll get it next time; you’ll see”

“You think so?”

“I know so, baby”

And that made you laugh like a fool, which only made Lucifer’s mood worsen.

You only looked at him that way on certain occasions; mainly when he allowed them to happen or when he was too drunk to think about appearances. Sure, he loved you and he showed you so, but was that enough to make you forget about all the times he didn’t do it? Was it enough to mask his disappointed words or his arrogant behaviour? To drive your attention away from the fact that he never properly apologized for anything, even when it hurt you?

Why did you break up with this human? They clearly treated you well and you clearly loved them, so why? What made you see that someone who adored you so much wasn’t the right match for you?

There was no ring on your finger with his name on it, but you did have a pact. A pact with THE Lucifer Morningstar, which not many people had. He wasn’t lying when he said that you belonged to him.

…but did you really?

“I forgive you” you said.

A sickening feeling of hope made him immediately look at you, wishing those words were directed at him, but of course, they weren’t.

He watched as you got up and your partner helped you with your belongings, offering their arm before leading you out of the library. Lucifer wasn’t even sure if he wanted to follow, especially when you were looking at your fiancé with that much love in your eyes.

“Thank you for being here” you mumbled quietly against their lips, putting the last nail in Lucifer’s coffin.

Did you really belong to him?

.

.

Taglist: @ilovecandys2010  @ollieoven @kingofspadesdelusion @whimsybloom

[transmutationisms]

oh i would actually be curious to hear your thoughts on lolita book covers in that case. i do get the sense that some of the covers are designed to uncritically titilate and seem to misunderstand the text, but that could obviously be an assumption on my part lol.

oh i agree that the cover designs tend to run counter to nabokov's intentions, both in the text and in the literal instructions he gave about covers lol. they pretty clearly rely on putting some young girl on display, which is exactly what nabokov did not want to do visually; they also tend to suggest dolores as some kind of seductress (sultry gazes, pouty lips, &c). clearly this is precisely the opposite of what the text tells us about her.

however when evaluating these visual choices i find that many people portray them as some kind of originary and culturally polluting act: that is, a narrative emerges that the problem here is people misinterpreting 'lolita', and then publishing it with covers that will do harm to young girls &c. i think this is lazy analysis and fundamentally makes idealist assumptions overestimating the effect of cultural products (books, book covers) on problems, like the sexualisation of children, that are in fact grounded in material relations, such as in this case the status of children as legal property and the total power granted to adults over them. that is to say, these broader conditions are at root the reason that cultural products like the cover of 'lolita' look the way they do, and chalking it up to individuals not understanding the book is never going to get us very far; and also, although some of these covers are pretty egregious, they are the reflection rather than the cause of the sexualisation of children, a problem that would continue to exist even if every edition of 'lolita' ever printed just said "humbert humbert is an unreliable narrator and dolores haze is a child he is preying on" on the cover.

fundamentally i also think this sort of conversation often elides some more interesting points about whom these covers communicate to and what they say. you suggest they are meant to "titillate"; although i would agree dolores is often shown as sexual, desirable, and seductive, i'm not sure that's the same as assuming the cover is trying to arouse the potential reader. for one thing, to put it bluntly, this style of cover tends to be associated more with books marketed to women than to heterosexual men. and more broadly, and this is something the lolita podcast really fails to understand imo, the phenomenon of people reading 'lolita' and relating themselves to dolores is not mutually exclusive with this type of rhetorical construction of dolores-through-humbert's-eyes. that is, often what appeals about dolores is, i think, precisely the fact that through her, people find a way of discoursing about or simply re-enacting the kind of sexualisation that they are already subjected to or have been in the past, whether or not at a level as explicit and extreme as what nabokov depicts.

i'm not really interested in a simple moral condemnation of the people who design these covers; that critique writes itself. they are obviously bad and facile, and reflective of precisely the culture of child sexual abuse that nabokov's text condemns. but if we are interested in the reception of these objects, or interrogating the cultural meaning and implications of their existence, i just think there's a lot more going on here than what the podcast portrays as a simple sort of 'broadcast' model of mass media wherein the 'lolita' book cover and trope is beamed out to unsuspecting innocents who are then exposed to its nefarious elements. dolores appeals to people for lots of reasons, some prurient, some pitying, some openly self-projective, and these are not mutually exclusive with one another nor are they mutually exclusive with readings that reproduce elements of the very lolita character that humbert creates and uses to silence and re-write dolores. we can be uncomfortable with that and refuse to talk about it but if that's the position someone wants to take then i'm not likely to be interested enough in their opinions to, like, listen to their podcast about this book lol.

[daiourage]

That One Arc in Prime Where Optimus Lost His Memory But This AU Makes No Sense Because It's a Mix Between IDW and One

Happy New Years! My drawing app keeps crashing so I decided to draw my ideas on paper, and this took quite a while;;;

As always, press/click for both the full picture and for better quality!!!

["Brief" explanation of this comic:

1. In a previous post I mentioned wanting One to continue into something similar to the IDW continuum because I,,, love IDW, just in general, but the IDW MegOp crumbs are also tasty--//shot 1-2. Also the way the characters refer to each other is intentional please I think I know what I'm doing?? It's been a while since I consumed TF content (until recently) though. This entire comic is a what-if scenario that came to me when I was showering lol-- 2. MegOp is established 👍 (insert "old man yaoi joke" here (I agree with y'all btw, not mocking)) 3. In the last panel, I was debating whether or not to put Elita with Bee in helping Megs call Optimus "Pax", but decided to put Starscream because I feel like it makes more sense non-One wise. 3-2. I wanted to include more dialogue with other characters, but it ended up looking like it was shoehorned in because the concept was very MegOp centered I'm so sorry (me to every other character) Just know I love every one of y'all-- 4. I have crudely simplified the characters by complete accident. My bad;;;; in my defense, every character changes a lot when I'm not looking (I had so much trouble trying to figure out which Bee design to use),,, 5. It is very fast paced on accident as well;;; might sound like a badly translated manga, too;;; I don't know how it turned out but maybe my bilingual self is in that one phase where I'm good at neither language;;;]

It might look a little messy because it's been so long since I've touched colored pencils I'm,,, gonna try to get used to it since my app doesn't seem to be getting fixed anytime soon;;; (I don't know if it's an iPad problem or an app problem;;; Sketchbook get your shit together please,,,)

Also, I used a couple of sparkly colored pencils but I'm not sure it translated well in the scan so I'm a little disappointed but eh,,,

Also also, have this thing I drew of Megs being lovestruck in the last page when Optimus comes back lmao--

My bad for the long post; it's currently 4 AM because I stayed up watching music shows over here;;I hope we all have a wonderful year. I have a feeling my TF phase is gonna last a couple years longer than it usually does jlsdlakjsdlkfja

Let's all have a good time, yeah~?

[raven-at-the-writing-desk]

might be an unrelated ask with how things are going on right now, but the only way i ever see traitor ace theory coming into fruition is if he destroys yuu's way back home because of how his feelings will boil over (since he thinks being vulnerable is uncool). i've always tried to convince myself that his silly tsundere moments are yume bait, though i really can't deny the fact that yuu is literally everything that his ex-girlfriend is not. they've watched a horror movie together from idia's lab sr (and sending grim all alone to get snacks???) in playful stage, they ride a roller coaster, and if you tell him you like it, he suggests going again again (just the two of them without grim???) bro is not slick with how attached he is to mc.

I have my own thoughts on Ace traitor theory (which you can read here)! To summarize, I don’t believe in it. If Ace betrays us at all, I think it will be in a trivial capacity (like he does something stupid that the rest of the group disagrees with, like taunting Malleus to attack him) and without malicious intent.

He may think being vulnerable is uncool, but I don’t think he’d take an action as drastic as destroying Yuu’s route home no matter how emotional he got. (That feels more like the stuff I see in angst and/or yandere fan works.) Ace gets mad and acts out, yes—but it tends to be in situations where he feels like being has been wronged, not to hinder the people he cares about. His character and his actions the entire story have done nothing but demonstrate that he values his friends and will be there for them until the bitter end, even if he whines about it the entire time.

And well 💦 when it comes to “is this platonic or romantic”, I always default to “it’s up to individual interpretation”. TWST will never give a “canon” ship for Yuu because that would impede the self-insert mass appeal design of the blank slate character. Not everyone wants to perceive X (in this case, Ace) as a love interest. Not everyone wants to perceive X (again, Ace in this case) as a friend. Therefore, there’s always going to baity lines to feed the yume crowd (Michard voice: give me your ur wallets) but lines are also kept plausibly deniable (framed as “jokes”/nor serious) or ambiguous enough to be interpreted either way.

In Ace’s Suitor Suit vignettes, he says this about his ex: “She said the thrill rides were too scary for her […] She vetoed all the action and horror flicks. Hanging out was just plain boring, so I stopped contacting her as time went on.” And indeed, Ace engages in the activities his ex refused with Yuu. They’re watching a horror movie together in Idia’s Labwear vignettes, as well as riding roller coasters and other thrill rides in Stage in Playful Land. Yes, you can interpret these as romantic since they sent Grim off by himself to get popcorn and want to ride again by themselves.

However, that’s not the only possible interpretation, and nor should it be. It could just as easily be argued that Ace and Yuu were just hanging out as friends in a “kicking back with your bros” kind of way (regardless of whatever gender Yuu identifies as). Watching horror movies and going on exciting rides are normal things that friends could do together. There is nothing inherently romantic about those acts by themselves. It could also be said that Ace is lazy and constantly trying to get out of work, so of course he’d pass off the job of getting more snacks onto someone else. The ride thing is innocuous too—maybe the others just aren’t feeling another round, while Ace and Yuu are still on that adrenaline high and want another hit of it. And again, it’s probably framed as wanting to do activities with Yuu specifically to help foster that parasocial relationship and create a sense of bonding with the player.

Of course Ace is attached to us and likes to hang out. We’re his friend, and that much has been established since the prologue. We are naturally a lot closer with him by default compared to several of the other guys (with maybe a few exceptions, like Deuce). Whether you see Ace and Yuu’s relationship as anything more than that is up to the individual!

That being said, I’d rather not talk in terms that imply one ship is “better”, “absolute”, or “more supported by canon” than others 😅 Not just for Ace x Yuu, but any ship, really. It unintentionally frames the discussion like a competition and leaves some people out of the talk if they don’t vibe with it or have different preferences, y’know?

[themattgirl]

could you please make one where Chris and reader are dating and reader feels sick and Chris just takes care of her and acts all sweet and stuff? 🫠

an: thank you for the request ily 🧡

this turned out so much longer than i intended

this isn’t my first one shot but it’s the first with one of the sturniolo triplets in it. 

obviously their characters have been altered by me a little to fit into the story but i tried to make it as realistic as possible by keeping their personality traits as they are in real life.

also comment or like this post if you want to be added to the taglist

pairing: chris x fem!reader

word count: 4.1k

warnings: fluff, use of ‘babe’ and ‘ma’ as pet names for reader, intentional wrong spelling in text messages to make it more realistic, mentions of nsfw themes, swearing, lots of playful teasing between characters

y/n’s dialogue  

chris’ dialogue

matt’s dialogue

nick’s dialogue

mary lou’s dialogue

“it’s just a cold, nothing serious i promise. i don’t think i can come over today though, i don’t wanna infect any of you. i’m sorry for ruining movie night,” i say to chris on facetime before breaking into a cough. i turn the camera away from me, not wanting him to see me in a disgusting state like this. if i could, i would’ve muted myself so he doesn’t have to listen to it either. plus, i know how worried he gets with any type of sickness or unwell feeling really.

so, of course it wouldn’t be chris if he didn’t immediately furrow his brows.

“babe no, don’t apologize. you didn’t choose to get sick.”

he gets up from where he was sitting on the couch and goes downstairs to his bedroom. he puts the phone down so all i can see now is his ceiling. his voice sounds a little farther away when he speaks again, “it doesn’t really sound like nothing serious, does anything hurt?”

“to be honest, my whole body has been aching since i woke up this morning. it’s not too bad, just a dull ache, i can still move and all that, even if i’d prefer to just lay here and rot away,” i laugh and hold back the cough that wants to escape right after in hopes it would make him worry a little less. vainly.

“your voice sounds stuffy and kinda hoarse, does your throat hurt?”

“i forgot you turn into a doctor every time somebody doesn’t feel great,” i roll my eyes even though he can’t see it with his phone still down and him on the other side of the room from how distant his voice sounds.

“shut up, y/n. you feel worse than ‘not great’. you’re not fooling anyone with that act.”

he reappears on the screen. now i can see what he has been doing in the time i couldn’t see him. he put on a hoodie over the tank top he had been wearing before, the hair he had put up in a little ponytail - if you could even call it that - in the front has been untied and brushed. or maybe he just ran his fingers through his hair a couple of times, that’d be more like it.

“anyways baby, imma call mom real quick. be right back,” he hangs up before i get the chance to respond.

i put the phone down next to me on the bed i’ve been in since i realized this morning how much it hurt to stand up and how i felt like i was gonna throw up every time i moved too hastily.

i took a deep breath - well, as deep as a breath can get when your nose is clogged - and closed my eyes to try and concentrate on something other than the throbbing pain in my head.

i feel so much worse than how i described it to chris and i feel bad for kind of lying to him, i do. but he has been dealing with so much of his own lately - new designs for his brand, fixing the shipping issues with some of the orders from his last drop, coming up with video ideas and prefilming those before him, nick and matt go on tour again, preparing everything for said tour - see, he really doesn’t need me to add to his things-to-worry-about-list, especially if he can’t do anything to fix it and it’ll go away on its own anyway.

i feel my phone’s vibration from somewhere in between the sheets and grab it. it's messages from nick.

hey y/n heard your not feeling so good (:/ smiley) i was really excited to see you again today but don’t you dare feel guilty for it

i know how you guilt trip yourself into thinking everything is your fault

its kind of a good thing bc now i have time to get the matching pjs we wanted

hope you feel better soon tho

matts sick too maybe you got it from him when you helped him decorate his room yesterday

I hey y/n heard your not feeling so good 😕 i was really excited to see you again today but don’t you dare feel guilty for it

word spreads faaast 😂 i’m so sad i gotta wait another week or so to see you again i only like sleepovers cuz of u but dont tell chris 🤫

I i know how you guilt trip yourself into thinking everything is your fault

seriously i hate that yk me so well 😐

I its kind of a good thing bc now i have time to get the matching pjs we wanted

at first i was like 🤨 but then i kept reading i LOVE YOUU SO MUCH OMG just so yk chris was the second option

I hope you feel better soon tho

me too now i’m excited for the pajamaaas 😫

I matts sick too maybe you got it from him when you helped him decorate his room yesterday 🤔

i’m gonna kill him like fr this time

hey where tf is chris??

talking to mom shes teaching him sth honestly don’t ask idk

ok 😂 i think im gonna take a nap talk later?

yess get some rest and lmk if you need anything ❤️

ly❤️❤️

after sending the last message i get a call from matt. i contemplate not picking up for a second but decide against it.

“what?”

“uff, what’s that attitude?”

“i’m sick because of you, shithead.”

“we don’t know that. what if you’re the one who passed it on to me, hm? besides, i was just calling to tell you to drink some water and to ask if you need anything. i was actually being nice but you clearly don’t deserve it,” his voice is just as bad as mine, if not worse which makes me feel a little bad, but matt wouldn’t be one of my best friends if i had to worry about him getting mad every time i’m not nice. that’s actually how we bonded after annoying each other every chance we got. we both have a bit of an attitude problem which caused a lot of irritation and aggravation. now we get along better than any pair of best friends. the teasing stayed in place, but now we both know there’s only endless love behind it. sometimes you just gotta let off a bit of steam and we both just get that.

“fine, i’m sorry. sickness really does turn you soft, huh?” i smirk.

“why’re you saying it like you just confirmed a theory?”

“mary lou told me once and i’ve been waiting ever since to see for myself, guess she was right.”

“you are actually the worst. i’m hanging up now. drink water, bye.”

he hangs up the phone and i laugh to myself. what a big baby.

i open chris’ chat and type in a message telling him i’m going to sleep and that i will call him once i wake up again. i don’t bother waiting for a reply and just put the phone on my nightstand. i turn on my side, close my eyes and after that i don’t notice anything anymore.

i jolt up from bed, breathing heavy, body sweaty and heart racing. my room is dark, lit up only by the moon shining through my window. i look around trying to remember where i am and shake the nightmare from my mind.

i reach for my phone and check the time.

11:43 pm

i turn on the flashlight and right when i notice a black jacket hung over the back of my desk chair i hear footsteps coming closer.

chris pushes the door open and steps in.

“oh shit, did i wake you?”

“no i had a nightmare. what are doing here?”

i sit upright in bed and turn the flashlight off when chris flips the switch to turn on the fairy lights around the edges of my ceiling.

he moves to sit on the bed next to me before he answers, “i had mom teach me how to make her get-well-quick-soup and brought you some. she also told me about the perfect remedy tea, i can make it for you,” he stands up again immediately, “i’ll heat up the soup for you first. shit ma, have you even eaten anything today?” he stands by the door, holding the handle but looking back over his shoulder at me.

“chris,” i honestly don’t know what to say to him. he is so sweet i have to fight the tears that build up on my waterline. i just look at him for a moment, a little smile ghosting on my lips.

i’m well aware of how caring, considerate and compassionate chris is as a person in general, but it still baffles me sometimes how much he goes out of his way to make others feel good. i guess i’m just not used to it, being loved like this, having someone do everything that lies in their hands - and beyond that - just for me. it’s astonishing to say the least. especially when i myself have had issues with showing how deeply i cherish somebody ever since i can remember. it’s probably rooted somewhere in my past and how my affection has been received and responded to, that’s what my therapist says anyway.

i shake myself out of my thoughts and move the blanket away from my body to finally get up. immediately chris is beside me, holding me in place, “what’re you doing, ma? stay here i’ll bring it up,” he talks quietly, trying to get me to take in my previous lying position but i stay put on the ground.

“babe, i have been in this bed almost all day. i need to get up. i’ll just come down with you, we can eat together in the kitchen,” i try to convince him.

he looks at me, an uncertain expression on his face for a few seconds, the gears in his head almost visibly turning while he thinks about it. at last he lets out a sigh and nods, “alright then, hop on my back,” he bends over in a piggy back position in front of me and i can’t help the laugh that escapes me.

“you do know i can walk, right?” i ask still chuckling.

“i know, come ooon, just do it,” he urges me on and wiggles his hips, making me laugh even harder when i climb on his back.

“you’re gonna be so sick tomorrow, chris,” i complain mournfully once he lets me down to sit on the kitchen counter while he gets to heating up the soup he brought.

chris insists he’s not prone to catch a cold or any sickness easily, no matter how contagious or how close to the source he might be, even though he has proven himself wrong multiple times on more occasions than he cares to admit.

“no i won’t. besides, i could use a few days off even if i have to be sick to get that,” he lets out a huff of air trying to make it sound humorous, but both of us - and everyone who knows chris for that matter - knows that he is exhausted and is in desperate need of a break.

i know he doesn’t want me to get serious about that topic right now though so i try to change routes, “oh my god,” he turns around from where he was stirring the soup on the stove and faces me, confused about my shocked exclamation. i point an accusatory finger at him, my jaw hanging low but a smile still creeping it’s way on my face.

“so that’s why you’re here. you came to try and get infected, that’s why you carried me down too even though you know damn well i coulda walked by myself. and i’m here thinking you were actually being the best boyfriend on earth. turns out my man is a piece of shit,” by the end i fail to stay serious and let out a giggle. well, it’s not like he actually believed that i meant what i was saying but still.

he lets go of everything he was holding, turns around to me fully and begins to stalk toward me slowly.

“oh yeah?” i don’t know if it’s just me or if he’s doing it on purpose but all of a sudden his voice sounds deeper, his face more stern and serious.

“is that what you think then? i’m just a piece of shit?” he makes me nervous at first but the second i see the smirk on his lips i know exactly what’s about to follow.

“chris. no.”

he is standing right in front of me, so close he has positioned himself in between my legs, his hands on the counter on either side of me, trapping me. the finger i was pointing at him long since taken back.

“am i a piece of shit when i make you cum with just my tongue?” his face is so close now.

“stop,” i say quieter than i mean to, almost whisper-like.

“or when i fuck you so good you can’t walk right for days, am i a piece of shit then?”

this asshole is doing it on purpose. he knows i would never have sex with him when i’m sick so he’s trying to rile me up the little fucker. have i mentioned that i actually hate him. like for real hate him. the type of hate that leads to an absolutely mindblowing fuck. shit.

“or yesterday when you told matt you needed a break and came downstairs to my room to suck me off and then you just wiped your mouth and went back up like nothing happened. did you do it because i’m a piece of shit?”

my jaw is on the floor.

“or when–”

“OKAY,” i practically scream, “you’re the best and i didn’t mean what i said, just please stop.”

i’m almost whining at this point.

i try to rub my legs together to ease some of the friction unnoticeably but chris is like a hawk, sees everything, notices everything. and then he smiles. just smiles and goes back to the soup.

later that night, after i was forced to eat almost all of the soup and drink two cups of magic tea while chris downed a cheese burger, fries and three of the last four pepsi cans i had in my fridge, we snuggled up on the couch with a heavy blanket that chris had also asked his mom for, thrown over both of our laps and a random movie playing on the tv. 

neither one of us actually felt like watching something but we threw it on as background noise anyway. chris and i have barely seen each other in almost two weeks so all we want right now is to enjoy each other's company. he has been so busy with all that’s coming up for him and his brothers, still is. and i've been studying like crazy because i always feel like i won’t pass if i don’t and when i wasn’t busy with that i’d be at work to earn my living and feel like i’m doing enough. so there wasn't really time for us to actually be together and get to enjoy it. i've missed it.

“you know you’re probably sick because you exhaust yourself all the time,” chris says when he turns to look at me.

“shh,” i shush him with my eyes closed and a smile on my lips, “i got it from matt, no discussion.”

he lets out a little laugh at that, “yes discussion. if you keep going like that, one day it’s gonna have more serious effects on your health than a cold. you don’t even need to do all that. how many times do i have to tell you your life is worth enough even if you don’t work yourself half to death and have a little fun every once in a while,” he rubs my thigh while talking. chris knows better than anyone that i don’t like being put on the spot and lectured about my not-so-healthy habits like that, especially when i know exactly that it’s in fact very unhealthy. but he also insists on having these talks with me because he knows i would shut out everyone else who’d dare to try immediately. he and his brothers are the only three people i have let come so close and they make use of that quite often, might i say. but it’s okay because these people are my best friends and i know i need to be put in check sometimes, i admit. nobody else would dare try but them so i just let them. 

i must say, it has helped me improve my life to an extent. they taught me that it’s okay to cut ties with people who are bad for my mental health and encourage bad habits, and that i don’t owe shit to them even if they want to make me believe that. they kept telling me “quality friends are worth so much more than a big amount of bad ones” until it finally clicked in my brain and i blocked half of my contact list.

“look who’s talkin’. mister i work twice as hard as the person i try to lecture,” i jab my finger in his side and he jerks.

“you know that’s different,” he holds my hands in his to stop me from doing it again.

i like feeling his hands on mine. i know he’s my boyfriend and it might be weird to say it like that. but i haven’t seen him in so long, which means i also haven’t felt him in so long. it’s crazy but it almost feels like in the beginning when we were scared to touch each other and would act like we accidentally brushed our hand on the other but we both knew it was fully on purpose.

chris pulls me out of my thoughts again when he speaks, “at least i have an end in sight and work’s gonna be way more relaxed once i’m done with everything. with you there’s always–”

the ringing of his phone cuts him off and he takes a look at the caller id, his mom. he narrows his eyes at me and gives me a look that says “we’re not done yet” but picks up the phone and holds it up so she can see the both of us on the screen.

“i was going to ask chris about you but since you’re with him please pinch him for me,” is the first thing mary lou says when she looks at us. and i gladly do as she says even though i don't know what he did to deserve it.

“oww, what was that for?” chris asks whining and i just shrug and chuckle.

“you told me you would bring y/n the soup and go back home. you lied to me.”

i turn to him with my mouth hanging open, “christopher owen, how dare you?”

it’s so fun to aggravate chris.

he furrows his brows at me and then looks back at the screen, “she literally begged me,” he straight up lies. “i was trying to tell her i didn’t wanna get sick so i could only drop off the soup and blanket and would have to leave again but then she started crying–”

i hit him for real this time, hard enough to make him suck air through his teeth.

“mary lou, don’t believe a word he says.”

“i know, darling, you wouldn’t do that. chris, that’s twice you’ve lied today.”

“sorry, mom,” he actually looks defeated now, “you know i can’t just leave her all alone when she’s like this. i lied because i didn’t wanna worry you. i won’t get sick though,” at that me and her give each other a knowing look but let him continue, “y/n’s weak and in pain, of course i’ll be by her side as much as i can, you probably knew i was here, that’s why you called me,” chris wiggles his finger at his mom with a cheeky smile while she’s trying to hide her own.

“alright, alright,” she gives in, “that’s how young love is, i guess. anyway, have you eaten the soup yet?”

“almost all of it,” i report proudly, rubbing my stomach.

“only forced,” chris side-eyes me and i roll my eyes at him.

“and the tea?” mary lou just keeps going. well, i definitely know where her son gets the caring from.

i grab the mug that’s been sitting on the table for two hours and could now be considered iced tea and hold it up for her to see, “this is my third,” i take a sip.

“very good. okay, well, i just wanted to check if chris is taking good care of you. it’s important for you to get enough rest, don’t go to sleep too late, alright darling? i have to go now but if you need something just give me a call. i’ll talk to you both in the morning. good night, i love you,” she blows two kisses as we tell her we love her and then she ends the call.

right when chris puts his phone down we hear the doorbell ring.

we both glance at the direction of the front door as if we could see through it and figure out who’s standing on the other side. then we turn and look at each other.

“expecting someone?” chris asks me and i just shake my head no and shrug unknowingly.

“open up!” the voice sounds muffled but it’s unmistakably matt.

chris rolls his eyes and sighs loudly and i just giggle.

he moves the blanket and gets up to go open the door but stops in his tracks suddenly, turns around again, bends down and kisses me.

“won’t be able to do that for a while if he’s here,” he explains before he goes.

matt and nick do complain every time we kiss in front of them, so we agreed on trying not to do it anymore. they act like little kids being forced to see their parents being all lovey-dovey with each other. at least one of them always yells “GET A ROOM!” as if they’re not invading our personal space. big babies, like i said.

“what’s up, bitches?” nick walks in wearing the pajamas we wanted to match, holding up his hands. one holding what i assume is my set of the exact same one and a pillow in his other hand.

i jump up from the couch immediately and squeal as i run toward him to hug him.

“what are you doing here?” i ask once we let go of each other, our smiles still as big as ever.

“since chris is here breathing in germs and this one,” he points his thumb over his shoulder where matt is giving chris a pajama pair, “is already sick i thought we might as well have our movie night here since i’m getting it from one of you either way.”

“i’m so happy,” i squeak, elongating the words.

“aren’t you happy to see me too?” matt acts sad and offended when he moves to stand next to nick.

i roll my eyes but give him a big hug, “i am actually.”

chris scoffs and we all laugh. he moves to stand closer to me and i wrap my arms around him, tilting my head to look at him.

“you guys can go in the kitchen, grab some snacks while me and chris put on our pajamas,” i say to nick and matt, my eyes still locked on my boyfriend.

they do as they’re told once the’ve put down their things and soon enough they’re out of sight.

“you good?” chris asks me quietly, stroking my hair gently

“yeah. i just realized our alone time is over,” i respond in a hushed tone.

he gives me a kiss on the forehead before he talks, “it’s okay, we’ll just go up to your room when they’re asleep. nothing’s keeping me away from you tonight.”

hearing it makes comfort spread in my chest in a way i didn’t know i needed right now.

“i love you so much, chris. thank you for everything,” i try to sound genuine, because i truly am.

he holds my chin between his thumb and forefinger and dips his head until his lips meet mine.

“i love you too, ma.”

taglist:

@strniolosworld @that-general-simp @sturniolosreads @whoreforchr1s

[fetchen]

i’m back so let’s talk a little bit about something ive never seen anyone else mention: red’s nose piercing. :3

when i first noticed that red had her nose pierced, i assumed that it was just something that was already on kylie’s face. but as i got a little more into the making of rise of red, i realised that kylie actually doesn’t have her nose pierced. i’ll be honest, it kinda pissed me off because it told me that red’s nose piercing was a deliberate choice on the part of the character/costume designers and i hated that it was just…so boring. it just made me wonder why they didn’t do something way cooler with the jewelry. from that perspective, her gold hoop doesn’t really go with her colour palette and, frankly, it’s just kinda boring.

and then i thought about it from the context in which red as a character exists. her mom, the queen of hearts, is insanely controlling, to the point where red is unable to eat what she wants. because of this, she takes every chance she gets to show defiance. it makes sense to assume that each and every part of her design, in some way, reflects her rebellious nature- even down to her nose being pierced. in that case, i’m impressed with the fact that a design element so small can generate so many questions about the character and their environment.

like…when did red get her nose pierced? how did the queen of hearts react? who did it? did anybody else know? why the gold hoop? there are so many questions i have that will probably never be answered but are very, very fun to speculate about.

now, let’s talk about the gold hoop itself. my biggest complaint, from an aesthetic standpoint, is that the gold hoop just…doesn’t really fit red or her aesthetic. she wears exclusively black jewelry and the only other hint of gold in her design is her belt buckle. i think the biggest possibility is that the gold hoop is subtle. well, as subtle as a nose piercing could be. it blends in well enough that her mom doesn’t bother to make a fuss about it. if red had anything else, anything that stood out more than that gold hoop, she’d risk bearing the brunt of her mother’s punishment.

the act of red piercing her nose in and of itself was a physical manifestation of her disloyalty to her mother’s tyranny. intentional or not, in the queen’s future vision via the looking glass, red is notably missing that gold hoop she’s never seen without.

what that says about the looking glass, in my opinion, is that it’s not an objective tool. rather, it’s more of a gadget that shows the viewer the future they have in mind- but that’s not really the point i’m trying to make here.

my point is that red’s nose piercing is a physical representation of her rebellious nature and her closeness in ideology to her mother. she’s never seen onscreen without it unless it’s in the future scenario where she’s become a dictator alongside her. honestly, whether intentional or not, it’s a beautiful piece of character design- one that i bet you probably wouldn’t expect from a disney channel movie of all things.

[yuikomorii]

I got a question but I need an objective answer please. So I saw a lot of people complain about Yui being written in a very bad way in Ayato’s routes starting with More Blood and was curious if you think that she became a bad girlfriend as the story progressed?

// I will analyze Yui’s versions from Ayato’s routes and provide an answer at the end of this post.

More Blood:

Even from the first two chapters we are aware of the fact that Yui got a big crush on Ayato merely because of his looks and pleasure he gave her. At first sight, these reasons seem very superficial, but at the same time you can’t blame her completely for that. Yui went to a normal school and used to read magazines for teens, therefore it’s obvious she would have hormones and fall in love with someone who got features portrayed as the beauty standard.

It's understandable why some found her annoying, as she repeatedly cried for Ayato's love without making any real effort to earn it. Apart from giving him her blood, she didn't try to understand what he was going through, even when she noticed changes in him that made him crave so much blood.

Nevertheless, I believe that she did redeem herself in the last chapters, where she admitted being selfish and only thinking about her own desires, instead of focusing on Ayato’s struggles too. I know she paralyzed him out of jealousy and cheated on him in the bad endings, but in the good one, she’s actually a really loyal person. Yui waited years for Ayato to wake up from the coma and Ayato searched for Yui for years in his dream until he finally woke up. This ending confirmed the genuineness of their love.

In the After Story, Ayato planned to attend university for Yui's sake, aiming to get a job and buy a house. Yui helped Ayato with his studies and praised his skills. Initially, she fell for his looks, but in the After Story, she mentioned falling in love with him again because of his caring, determined, and hardworking personality.

Vandead Carnival & Lunatic Parade:

I really liked Yui in both of Ayato's routes and honestly, I can't find anything to criticize about her behavior.

It's not that Yui was a bad partner; it's just that Ayato was portrayed as too good, such as when he ran through flames for her or protected her from a bomb explosion. But that's likely because these are fan service games, where the love interests are designed to be your knights in shining armor. xD

Dark Fate:

I absolutely loved Yui’s portrayal in that route. It was the sweetest version of Yui I’ve ever seen, and I really enjoyed seeing her so happy and soft. Regarding her relationship with Ayato, he was truly the apple of her eye, lol.

The only problematic thing she did was pushing Ayato to face his abuser, Cordelia, even though he didn’t want to. I honestly don’t care if a character does something to another character, as long as it doesn’t affect them and the story, so since Ayato didn’t get mad at her for that, I didn’t mind it much either. However, from an objective point of view, I agree that doing such a thing is quite bad. Being in the presence of someone who ruined your life can trigger intense memories and forcing a confrontation removes the victim's agency in deciding how to cope with their trauma. Ayato might not have been mad at Yui for planning that, but if it had been Laito, I’m sure he would have shown why Yui was in the wrong.

Other than that, she was a kind and supportive girlfriend throughout the whole route, clearly having no ill intent, and I appreciate that she had an actual important role in the route.

Lost Eden:

Ok, I really can’t defend her anymore there. She literally had no redeeming qualities, no matter how many times she got the chance to fix herself. I discussed my thoughts about LE Yui in this post, but I’ll sum it up.

She tried to convince Ayato that despite Cordelia abusing him, she actually did it because she “cared about his future”, and then acted surprised when Ayato started feeling uncomfortable because of her words.

Yui knew the reasons behind Ayato’s behavior, yet when his brothers started mocking him, she didn’t even try to defend him. Everyone ganged up on Ayato, and he was on the verge of a panic attack, yet she remained silent.

Another terrible scene was in one of the last chapters, when Ruki admitted to turning the Vibora Clan and Church organization against Ayato out of envy, aiming to kill him. Instead of criticizing Ruki’s actions, Yui justified them and spoke ill of Ayato behind his back. I wouldn’t like to date someone who claims to love me but keeps hurting me without learning anything… It felt as if Ayato only continued being together with her because he had no one else. No wonder he didn’t marry her there.

Chaos Lineage:

I found Yui quite boring in CL in general, but she started off as determined and sweet in his route, so I liked that.

For most of the route, Yui’s entire personality seemed to revolve around Ayato, and she didn’t do much. There were many cheesy moments between them that made me cringe. Still, I’m sure a certain audience enjoyed those.

My only complaint is that when his brothers started treating Ayato unfairly, despite the fact that he came up with the idea of breaking the glass floor of the church, Yui did nothing to defend him, again.

However, I do appreciate that she gave him that adorable monologue. I just wish she had done it in front of others instead of only acting when Ayato was already insecure and sad.

Now… let’s see what kind of girlfriend Yui was in each route by judging her progress:

MB: Good

VC: Good

DF: Very good

LP: Good

LE: Very bad

CL: Decent

[kathaynesart]

Replica Holiday Special Winners!

Happy Holidays everyone! It's that time of year and you know what that means! Time to announce the winners for the DTIYS Replica Holiday Special Cover!

I received so many wonderful submissions. Far more than I had anticipated! They were all so unique and creative and it was an absolute joy to look at each and every one of them! I really underestimated however how difficult it would be to choose with them all being so unique from each other. In the end, I decided to gauge the top picks on how well their cover captured the "essence" of what this Special is going to be like! Without further ado, here are the winners.

HONORABLE MENTION - @matchstique

Buddy! I love this piece so dang much! It has so much character and perfectly displays the wacky hijinks we can expect as well as the huge amount of stress our poor boys are under during these trying, pregnancy times. The movement and colors work so well and make me excited for what comes next! Seldom do I see pregnant females shown as the badasses they are, but you have gone and turned Cassandra into an absolute icon with this piece! Bless you!

3RD PLACE - @thegunnsara

Sara, the shear amount of craft you put into your art is STAGGERING. Every scuff on Raph's shell and wisp of smoke screams of a quality I can only hope to attain someday. I literally want to be you when I grow up! That said, the concept of this piece is also fantastic. One of the things I'm must excited about for this Special is getting to see Raph and Casey as they were and witnessing the strong bond they share. I love them dearly and this cover captures their strength and tenacity so perfectly. Gods among men.

2ND PLACE - @cupcakeslushie

Slushie, this cover is so damn fun and dynamic that I can't stop looking at it! Your attention to detail and composition are masterful and the fact that you could fit such a bombastic battle into such a limited space speaks to how crazy talented you are! You also do a wonderful job of retaining both the intensity of the apocalypse but also that playful edge that Rise always manages to retain! It's definitely the cover that would catch my eye on a shelf and make me want to turn the page to see what happens next!

1ST PLACE - @abbeyofcyn

Cyn, the moment I saw this cover, I gasped! It's funny because this is both a piece I could have totally seen myself doing had I done the cover, yet crafted in a unique way I could have never come up with on my own! On top of that, this slick composition scratches my little designer brain juuust right. The use of the hands motif is such a great element because to me, it encapsulates the conflicting themes of family/parenthood with the drama of what it means to be human. On top of that, having each character as one of the digits both connected to and encircling Casey is such a wonderful touch that really drives the symbolism home. Somehow, you managed to peer into the future and perfectly capture how the finale of this special is going to feel. Thank you so much Cyn for such a wonderful piece!

~~~~~~~~~

Now that I think about it, looking back on these winners as a set, all four them actually do an amazing job as individual covers for each of the four "acts" that will make up this special. That was not at all my intention, but it kind of worked out perfectly for that. Gets me all emotional!

I also definitely want to put a spotlight on the other amazing submissions, many of which made it SO close to the top slots! I was going to post these pieces individually but I was worried people wouldn't then go to their blogs to view the covers, so instead have a compilation and links to the full versions! Please check out everyones amazing covers and give them some love. They all worked really hard and it means so much to me. Thank you everyone!

@dreamundraws - LINK @honeylief - LINK @gemini-forest - LINK @memorydarkness - LINK @skullythefriendlyskullface - LINK @v-albion - LINK @its-wabby-stuff - LINK @yris-latteyi - LINK @reagi-df - LINK @chaoscontrol50 - LINK / LINK @murasakibonnet - LINK @hitwiththetmnt - LINK @xandriagreat - LINK @karonkar - LINK @sunydays - LINK (sorry my dear, yours did not appear on my hashtag reference at first! D: But still love it!) @quailaz - LINK @delicatechildwitch - LINK

Thank you again all of you! You all did such an amazing job!

[shsl-analyzer-guy]

In-Depth Analysis On All The DR Characters Because What, Are You Gonna Try And Stop Me? Who Are You, My Mom? Yeah, I Didn't Think So- Part 2: Mondo Owada

So yeah, I decided to do Mondo's next. After all the material I ended up inadvertently collecting for him in my Taka analysis, it just made more sense to go ahead and get him out of the way, even if I'd rather go for my personal favorite characters first.

As noted previously, this analysis will only be using canon material. It'll primarily focus on the game and its english translation since that's what I'm most familiar with, but may also pull from the original Japanese, as well as the animation, stageplay, etc. If you aren't interested, just keep scrolling. Mondo fans, prepare some popcorn, and perhaps a tissue box since if you're anything like the Taka fans you may end up crying. You're welcome.

Part 1- Character Design

Mondo Owada is a delinquent character whose design pays homage to manga series Jojo's Bizarre Adventure: Diamond is Unbreakable, and is modeled after its protagonist, Josuke Hikashigata. Mondo sports a massive pompadour and a modified uniform that mimics Josuke's, and is the leader of a biker gang called the Crazy Diamonds, a direct reference to Josuke's Stand, Crazy Diamond.

Due to leading this biker gang, he was given the title of SHSL Gang Leader, or Ultimate Biker Gang Leader.

Part 2- Character Introduction

Most of Mondo's character introduction isn't actually from himself, but from the researching Makoto did prior to entering the school in-game. We know immediately that he's leader of the largest biker gang in Japan, and get a look into his public image via Makoto. Despite the fact that Mondo is being fairly chill with his greeting, Makoto remains terrified of him based off of reputation alone- "I'd better be careful around him. One wrong word and I could wake up at the bottom of the sea..."

However, we can quickly see that this reputation is built mainly on bravado, as when Monokuma first calls for the entrance ceremony, we can see Mondo begin to sweat, despite his claiming otherwise- "Well hell, it ain't like I'm scared or nothin'. Let's just get this over with!"

He continues to sweat throughout Monokuma's explanation of the communal life, attempting to cover it up by yelling at the bear to let them out. We get a brief look at his more protective nature, as he purposefully puts himself between Hiro and Monokuma in order to confront him. We also quickly learn just how easily provoked he is.

Despite this provocation, he's not completely swept up in his rage, as he's able to listen to Kyoko's warning of the bomb and follows her advice- to throw it away- without hesitation. So our first real impression of him is that he's a short-tempered and intimidating- but well-intentioned- protector of sorts. He's not completely brainless; he's considerate of his classmates and their safety even when putting himself at risk.

Part 3- Early Game Development

Mondo is an interesting case, as he's a character that almost immediately looks directly into the camera and tells the player directly what their main motivation is. The only other character in this series that's as transparent about their goals so early in is Sayaka, and even then the game makes you ask for that information.

He tells us, in no uncertain terms, that keeping promises is the #1 most important thing to him. He also tells us indirectly how highly he values his family and personal connections, holding his brother's word as law. These combined with his talent being that of a gang leader all suggest a pack leader mentality, which is immediately confirmed by his anger at Byakuya for trying to separate from the group- "Like hell I'm gonna let you run off and do whatever you want!"

Not only is this loss of control upsetting to him, but he's then immediately provoked and called insignificant by Byakuya, leading him to lash out at the closest person in an attempt to regain that hold of power- which just so happens to be Makoto. Not only is this response irrational and violent, but it knocks out Makoto for 10-11 hours. Mondo is a leader, yes, but he's a gang leader, and his bite does match his bark.

Mondo's aggressive and fairly single-minded nature is made apparent when he continuously tries to break down the hatch in the main hall. Not only does he attempt to bust it open with Sakura on the first day, but he then returns to the hatch with Leon the following day, despite the fact he already admitted there was probably no way to open it from inside, and continues to check into the following chapter. He sees one possible way out, and zeroes in on it, just in case.

The game continues to double down on the irrational, defensive aspects of his character when Monokuma appears again to present the first motive. He again confronts Monokuma directly- pretending as if he knows who's piloting the bear for a fact("We know who you are!")- and attempting to intimidate him into letting them go. Once again, this demonstrates both his desire to protect himself and his classmates, and his unwavering confidence in the intelligence of said classmates, as Chihiro was the one to suggest the mastermind being Genocide Jack based only off her gut feeling. He then proceeds to immediately turn around and make Makoto be the one to go find the motive instead of going himself, getting extremely angry when Makoto doesn't instantly do as he's told- "Hey... Hey hey hey hey hey... HEEEEEY!!! You see how passionately I'm begging you!? What's the big deal? Just check it out real quick!"

He then calms down the second Makoto agrees.

It creates a sort of duality with his character between his more protective nature and his need to exert control, something the game makes a point to call out.

Part 4- Relationships

Mondo develops a fair number of relationships across his time in the game, to varying levels of importance- some antagonistic, some exceedingly complex. We'll go from least to most important to the overarching story.

4.1- Celeste

Celeste and Mondo are written in directly opposing ways, as while they're both fairly short-tempered, Celeste is much better at hiding it. It's by this logic that throughout the early game, oftentimes when Mondo starts to get riled up by the rules of the school and/or their circumstances, it's Celeste who ends up deescalating before he can explode, maintaining a facade of calm where he can't.

4.2- Sakuraoi

While not very touched upon, Mondo does end up developing a mutual respect for Sakura and Hina. When the class splits up to investigate the school on the first day, he joins the two of them in trying to find a way to get back to the outside, and he and Sakura work together to try and bust open the hatch in the main hall.

Hina's the one that stops Mondo from attacking Byakuya in the library, and when Chihiro begins to cry over Mondo saying that 'women are naturally weak anyway', it's Hina who calls him out for 'screaming like a lunatic.'

His relationship with Taka is also directly contrasted to Sakura's with Hina by Sakura herself- "Friendship between men seems very simplistic. Nothing like what I'm used to with girls." "Yeah, for real..." It's an interesting comparison, considering both Sakura and Mondo end up dying and leaving the responsibility of failure on Hina and Taka.

4.3- Byakuya

Byakuya antagonizes Mondo more than once, first as they're splitting up to search the school, and again after the library opens. Both times he seems to take enjoyment from it, calling him unimportant more than once and refusing to even entertain the idea that he might die.

"So miniscule, so insignificant, they couldn't possibly have any kind of influence on the boundless ocean."

"You know, I still just can't believe it..." "Believe what?" "That an uneducated, brain-dead, useless piece of garbage like you has survived this long."

"You all need to try harder. If an opponent isn't going to give it their best, where's the fun for me?"

It's enough of a threat for Mondo to genuinely believe that he's dangerous and want to keep him bound so he can't attack (foreshadowing when Byakuya himself would go one to tie Chihiro up? Probably not but it's a neat connection)

He also goes on to fuck with Chihiro, both by mocking her fear and by purposefully tampering with (what he believed to be) the crime scene of her death. On both counts, this directly affects Mondo, calling him out for his bullying("Hey, shithead! You get off on bullying people that can't fight back?") and letting Byakuya pin the crime of killing Chihiro on himself in the trial.

However, despite all this, Mondo never gets the chance to give Byakuya his comeuppance for his words and actions.

4.4- Ishimondo (yeah these bitches gay)

Similarly to Byakuya, Taka starts in a more antagonistic position, directly opposing Mondo as the unofficial, self-designated 'leader' of the class and remaining insensitive to the feelings of his classmates.

Unlike Byakuya, there's no actual intent to harm here, and their banter remains more focused on their differing ideas on how to help their classmates than anything else. Still, as time continues to pass, Mondo's impatience combined with the recent losses from ch 1 starts to push him over the edge, getting angrier with the class's lack of urgency.

This impatience only leads him to butt heads with Taka more, who's trying to keep the class together and safe first and foremost. On top of that, Mondo's delinquency is directly opposed to Taka's disciplinary background, making it all too easy to see each other as foes. Despite the fact they consider themselves the better type of man to the other, they have similar views on how men are to face each other, leading to the sauna scene.

Both characters' strong-willed determination and stubbornness inadvertently puts them on the same path, attempting to use their physical abilities to prove himself a more worthy leader than the other. It's a simplistic way of deciding, but it's one they both wholeheartedly believe in, and this gives them the opportunity to connect with each other in a way they're unable to with anyone else in the class. Thus, the following morning, when asked about the contest, the two have formed an inseparable brotherhood and refuse to even acknowledge the contest, as having a winner would put them on different levels. Interestingly, Mondo shares the belief with Taka that men bond by being naked around each other("Guys gotta expose themselves to each other, ya know?"), suggesting that he removed his clothes in order for this 'brotherhood' to form.

4.5- Daiya

The first thing we learn about Mondo's older brother in-game is that he was the one who taught Mondo to always keep his promises, no matter the cost. The second thing we learn is that he fucking died. And until nearly the end of Mondo's run in the game, that's all we as an audience need to know. He had an older brother that taught him his core values and passed away, leaving Mondo to carry out his wishes. It's not until after the chapter 2 trial is said and done that we learn anything more about him through Mondo's secret: "That embarrassing memory, that secret he didn't want anyone to know... You know what he did? He killed his own brother!"

It's through Monokuma that we learn the truth of Mondo's history with his brother: Daiya was his only family growing up, and thus, became his role model, the man Mondo himself wanted to become. He respected Daiya and Daiya alone. He followed him everywhere, and together, they formed the Crazy Diamonds, which went from a local biker gang to one of the greatest in Japan. It was through his brother that he developed his biking talent, and acted as his right hand. But some of the gang didn't believe in Mondo or trust him the way Daiya did. As Daiya grew older and prepared to retire, rumors of nepotism circulated throughout the gang, saying that Mondo was nothing compared to Daiya, that he wasn't worthy to take over the gang.

"Daiya created the gang with his bare hands! Mondo's just along for the ride." "Can someone like that be our leader?" "All that'll do is make the gang look bad."

Any accomplishments Mondo had made within the gang didn't count to the gang, or to Mondo himself, because they were put next to the leader's achievements. He compared himself to Daiya as well, feeding into the rumors and developing a deep-rooted jealousy. He felt like he had to be the stronger man, had to prove himself to the gang, had to best his brother or he wouldn't be accepted. So he challenged him. He challenged Daiya, and lost all restraint on the road, charging forward with the desperation of a dead man. And it cost him his brother's life.

His brother made him promise not to let the gang go as he passed; Mondo became shackled by his honor to stay. He fully believes it was his fault Daiya died, and now not only is he indebted to stay with the gang, but can never admit blame for fear of tarnishing not only his own reputation, but tearing his brother's gang apart. His community demands unwavering macho leadership, and he can't afford to break character for even a second.

4.6- Chihiro (will be using mostly he/him due to discussing canon)

Mondo and Chihiro exist on 2 sides of the same coin- toxic masculinity. Both characters (canonically speaking here) are men, but are perceived totally differently, both by those around them and by themselves. And because of this design, when put into the high-stress scenario that they were, they were doomed to drive each other to ruin.

Even before chapter 2 starts, there are multiple instances of Mondo listening to Chihiro and respecting his words without doubt(his theory of Genocide Jack and asking his opinion on '11037'). We've also seen Mondo's confrontational and protective nature in action. So it's no surprise at all when he stands up to Byakuya on Chihiro's behalf when he clams up. And while this is done with good intentions, it only serves to make Chihiro feel weaker. Mondo is physically stronger- anyone can see that- and he's not afraid to mouth off to someone showing excitement at the killing game they were all forced into. So when asked if he's okay the following morning, he can't help but explain himself- he feels weak, and doesn't like having someone else stand up for him. For Mondo, this goes directly against his idea of strength, and can't comprehend why "she'd" possibly care.

With all of Mondo's toughness, he carries not just the expectations of a man, but the misogynist beliefs that often come with it. But regardless of that, he's immediately able to tell he fucked up("Hey, c'mon, don't cry... I-It's my fault, okay? I won't yell anymore...") as far as the narrative will allow him due to writer's bias*. He feels bad about this, genuinely, enough to offer Chihiro his promise as a man. It's enough of a gesture for Chihiro to trust him completely, believing in the man's promise he's emphasized as being the most important thing to him since the very beginning.

(*Writer's bias in this case means the author is also sexist to a degree. Mondo is very clearly meant to be a tough guy with good intentions but because the creator appears to agree with the sentiment that women are weaker on average, we as an audience are meant to take issue with the fact that he's yelling and not the sexist statement. Said bias is made pretty clear by the fact their 'weak boy' character is dressed like a woman to emphasize his weakness and be a 'gotcha', as well as the fact they later have Kyoko force Makoto to tear paper out of Hifumi's rigor mortis hand because Makoto's a boy and she's a girl, even though earlier in that same game she, still a girl, was allowed to examine Chihiro's corpse in enough detail to find her dick. Writer's biases can and does affect the final product, so it's always important to consider that when looking at a character's development to determine whether they're being shitty because they're supposed to be or if it's some fault with the creator themself inputting their biases into something that otherwise wouldn't develop in this way. This has been Critical Consumption of Media 101.)

When Chihiro's found dead, Mondo keeps his head hung, lamenting about the fact that Chihiro wanted to be stronger, and when Makoto points out Chihiro was a woman anyway, Mondo just dismisses it, contradicting his earlier statement.

He respects Chihiro's memory and refuses to speak poorly of him. And while at first glance this is all it appears to be, as the trial unfolds and we learn the truth about what happened to Chihiro, a dual meaning behind this reveals itself- another showcasing of his devotion to the promises he keeps and the desire to protect his friend, even in death.

Chihiro is physically weak; a strong wind could probably knock him over, and he's much more in-tune with his emotions than your average guy. He mourns the losses of Sayaka, "Junko", and Leon all deeply, and has a deep shame for not being able to defend himself against Byakuya. But despite all this, when tested by Monokuma's secrets motive, he doesn't crumble away. He thrives, taking that threat and turning it into motivation to push his limits. He has the self-awareness to know when to ask for help, and isn't swayed by the threat of death. He's physically weak, but is incredibly strong mentally and is able to conquer his fears and face the lie he created for himself. Unfortunately for him, living with this toxic idea of what masculinity is supposed to look like makes him believe the way to do this can only be found in becoming physically stronger, and dies without ever seeing the strength he already had.

Mondo, on the inverse, is extremely physically capable, even without trying. He's 187 cm of muscle, and is confrontational to a fault, only giving him more opportunities to show off that physical strength. But on the inside, he can't face the sins of his past, can't admit his faults, and can't comprehend how to make peace with himself. All this is exacerbated by the weight he carries of leading the gang his brother formed, unable to release that weight from his conscience.

"N-No matter what... I couldn't let the other gang members find out. If that happened, everything would've been ruined... Everything me and my brother worked to create... woulda been destroyed... His death... all the guilt I'd been carrying around... it all woulda been for nothing."

And when Monokuma tests his resolve, he completely crumbles. Unable to admit the truth to himself, he's faced with Chihiro, someone who has the mental capability he could only dream of. That primal fear of breaking the promise he made for his brother on his deathbed, combined with Chihiro's unwavering confidence as he happily chimes how unbothered Mondo must be, blocks out all rationale. He spirals, forgetting where he is and who he's talking to, trying to make the panic go away as he throws the dumbbell in his hand.

Chihiro and Mondo each have everything the other wants, and drive each other to death trying to get it.

Part 5- Chihiro's Trial

For most of the trial, Mondo doesn't appear suspicious at all. So much time is spent on Byakuya's suspicious behavior and his framing of Genocide Jack that you barely notice him. He fully appears to be trying to find Chihiro's killer and find justice for her, following Makoto's line of reasoning to find Byakuya as the killer- with the body's suspension and the subtle differences between Jack's methods of killing and the murder of Chihiro herself. He's all too eager to declare Byakuya as the killer- and though we can't know for sure, he may have genuinely believed it. After all, walking into the girls' locker room to find her body suspended and the message of 'Bloodlust' written on the walls certainly wasn't his doing. Unfortunately for him, that's all Byakuya did, and the conversation continues.

In the end, Mondo brings about his own execution. Even after slipping up with his words, the conversation is able to continue on, sfifting focus over to Chihiro's missing E-Handbook and what exactly happened to it. And when Mondo becomes cornered with Makoto's mention of the sauna, it's not Mondo who goes on the defensive; it's Taka. Mondo gives up; he lets his tough-guy persona go. He finally faces the truth; he's undoubtedly the one that ended Chihiro's life, no matter how he may have wanted to delude himself otherwise. He sees his bro defending him, and he accepts that he has to die. It's not beyond reason to say that Taka's insistence of his innocence was what pushed him to truly admit his guilt, both to the class and to himself. Up until this point, he'd still been trying to play it off and get away with it. But was it worth it to live and kill his bro, and everyone else, just to protect his pride? No. He admits to being the killer, straight up.

"Yeah. Yeah... I did it... I killed him."

"Go ahead, Monokuma. Get it over with... Ask for the goddamned verdict..."

Part 6- The Cage of Death

The first person that comments with some variation of OH MY GOD YOU'RE SO EVIL HOW COULD YOU PUT THE EXECUTION IN THIS gets a cookie. Anyways, the executions in these games are always thematic to the characters and are meant to send them into the worst possible despair in their final moments, so let's break this down.

The execution begins with Mondo forcefully strapped to his motorcycle by Monokuma, who's sporting the same pompadour as him. This may be representative of Mondo feeling confined to the biker gang by his guilt; he was never able to break free of the lie he created about that night. The pompadour is likely just Monokuma making fun of him for his hair again, as the thing that nearly killed him in the prologue.

The kanji written on the motorcycle reads 'Little Black Sambo,' a reference to a children's story of the same title. The entire execution is an inverse of this story as well. In the story, a boy named Sambo is surrounded by four hungry tigers, and gives up his clothes to avoid being eaten. The tigers are all conceited and argue over who's the best-dressed, chasing each other in circles until they churn themselves into butter. Sambo is then able to recollect his clothes and the butter, and his mother uses the butter to make pancakes. This story is well-known and beloved in Japan, but isn't in basically the entire rest of the world on account of the racist caricatures of the POC present in it.

Mondo's execution is a inversed version of the story(and also, because Mondo isn't blasian there's thankfully no directly racist art in it, just tigers). Rather than being the one to trick the tigers, he's the one who's full of pride, and so he's sent into a motorcycle cage and left to spin around and around, while the tigers dance on either side of him. He ends up being the one who's turned into butter, and Monokuma gets to enjoy a delicious plate of Mondocakes. It's meant to represent the downfall of Mondo's macho personality and how he sent himself into a spiral, but loses a lot of its meaning if you aren't familiar with the story.

Part 7- Jealousy

So, we've torn this character apart. We know what makes him tick, but why does that all matter? What was the point of his story? Simple- it's a cautionary tale. It's a warning against everything he stands for. Mondo, through all his faults, is NOT someone you're actually supposed to idealize or hold up as the epitome of manhood in the way that Chihiro does. Rather, he's a deconstruction of everything society views as 'manly', and a demonstration of why that line of thinking is inherently flawed. He's big and tough, he yells and cusses at the people around him, he doesn't have a handle on his own strength. He knocks a dude out for like, 10 hours straight because he was mad at someone else!!! That's not a healthy way to get your frustration out!!!

Simply put, your image and pride are not worth your mental health, and comparing yourself to the people around you not only tortures yourself, but can hurt those who you love. Mondo couldn't stop comparing his own faults to the strengths of others, and ended up pushing himself too hard trying to prove himself. Not only did he lose his brother over it, but he felt like he had to keep all his pain and regret locked up for the sake of an image they'd painted together. It pushed him up to the edge, and he never learned to cope with it in a way that was healthy. It only led to him lashing out more and more, and repeating history when he killed Chihiro. Your trauma can't be fixed by ignoring it or shoving it down; seek out help when you need it. It's okay to confide in your friends; they aren't your enemy, and they aren't making fun of you. That line of thinking will only push you over the edge.

Afterword

So yeah, this was longer than anticipated. Even after doing Taka's and creating a point of reference for myself, I still ended up surprised. I mean, Taka survived longer, so you'd think his would be longer, right? But no, Mondo is not only a very well-established character, but he has more important connections and a much more impactful storyline. I'm gonna go out on a limb here and say Mondo may be one of the easiest characters to understand from THH, considering how in-your-face they make him. And I respect that, even if his whole facade can be kind of annoying for me. I totally see why this guy is so popular among fans. Happy birthday Mondo!

Anyways, hope y'all enjoyed this one, and be sure to stick around! Sayaka's analysis is coming up next, and holy shit am I excited for this one.

[unknown-cold]

The artist: ( @itshuansart )on Instagram and Twitter/X

I love this so much!! Best art that expresses Caitlyn's sadness and suffering, I really wish I had seen something like this on the show.

I can say that Caitlyn's character is one of the most misunderstood characters ever, that these people see Caitlyn as just an enforcer from Piltover made them not understand her, or rather they don't want to understand her character.

Because it's getting really suspicious, I feel like Caitlyn's hate is more than just a character who did bad things. There are characters who did worse things. Let's take Silco, one of the characters who did the worst things in the entire show, from trying to kill an entire family for control, to flooding his entire population with shimmer and turning some of them into monsters and making children work in dangerous factories, all of this and he didn't get half the hate that Caitlyn did. Silco is a true dictator who didn't care about anyone but himself and his interests and his intentions were always evil. Unlike Caitlyn, she tried in the end to fix her mistakes and admitted her mistakes too. And to everyone says she is evil or dictatorial because she used gas, is it a bad thing yes, but Caitlyn had no evil intentions in using gas, she used Gray to facilitate the capture of Silco's gangs and allies who were basically harming the people of Zaun even the kids as we saw in ep 2 in S2 when Chross's Goons was following Isha, and of course capturing Jinx as well, she did that because it was a less harmful solution than sending armies of enforcers and Noxus men to Zaun, and we saw because she stopped using Gray after she end her mission and failed to capture Jinx. If Caitlyn was really evil and dictatorial as some people claim, she would have used Gray again to exterminate the people of Zaun, but she didn't do that because that's not her personality that we knew in season 1, and most of the problems that happened were because of Ambessa, and her manipulation and constant incitement for Caitlyn to capture Jinx.

So yeah hating on Caitlyn is so hypocritical and completely unnecessary, seriously I can't believe there are still people who message me and reblog my blogs and not just me but other people saying that Caitlyn is an evil cop and you should stop talking about her and liking her, or you'll be just like her. Are these people crazy or stupid or what exactly!? What does my liking a fictional character have to do with you thinking that I'll be like her in real life!? These people really need to grow up and leave people alone, like if you don't like something and you see someone else like it there's no need to give them your opinion because they won't care and we who like the same thing won't care either so why bother us with your opinion, and then it's selfish of you to want other people to be like you and agree with you (especially when your style of criticism is rude and terrible)

So I always say the show is not black and white, and there isn't only one side good and another side bad. Arcane proves every day that this show is not for everyone and if you want to enjoy it you have to open your mind well and be open-minded, and most importantly put politics and real-life issues aside, and enjoy this fantasy world with flawed characters and good writing. (This show is not designed to solve political issues. At the end of the day it is a show based on a video game)