#i didn't mean to write so much

[wanderingmind867]

I'm only 19, yet i suffer from existential dread and almost constantly seem to psychoanalyze myself. I'm terrified of ageing and of time (since my only friend in real life is my dad, and i'm super dependent on him), so it's almost like i'm suffering a midlife crisis at 20. Which probably isn't great. But my overthinking brain (combined with a rough series of events in the last few years) really brought all this stuff out of me.

But I also suffer from a psychoanalysis problem. You want to know how i figured out my sexuality? It's because i felt uncomfortable going through puberty, so decided to force myself to hunt for answers. The hope was that answers would erase the feeling of shame and awkwardness whenever that stuff hits me. It...it didn't fully work that way. But it give me answers to my sexuality, so...i guess at least something came of it? And that's just one example of my self psychoanalysis problem.

I feel like a lot of this stuff stems from me not understanding myself. You would think I would understand myself better than my dad understands me, but no. I understand myself as well as he understands me. Neither of us know why i have such an explosive temper, for example. I'm a riddle to myself as much as I am to others. And so I'll always overthink my behavior or actions, and then i'll try to analyze myself and figure out why i do the things I do. I almost never figure anything out. Most I do is throw out some educated guesses and assume they're close to the truth. But I'm still a mystery to myself.

[hellamorte]

wade can talk about noble sacrifice and marvel jesusing all he wants but he was ready to die for his friends and for logan, instead of logan, because he wanted him to live. “say hi to my friends for me, peanut”, says the man who wants logan to become a part of the group, a pack, again, to take his place in protecting the people he loves, probably the only one he trusts to do so. and there is so much love in his desire for logan to stay alive and finally experience something good in life

[veryintricaterituals]

When I was in school I went to a friend's house to work on a project on a Friday afternoon. At about 6 or 6:30 when the sun was about to set her mom called us over to the livingroom. She lit two candles with my friend and then they proceeded to put the lit candles inside of a little cupboard so no one could see them. Me, a young jewish teenager asked her, my catholic friend, why they did that and she shrugged, said it was a family tradition to bring peace and prosperity, that the women of the family did it every friday evening and then hid the candles. They were very catholic, so I bit my tongue and we went back to her room to study.

This is just one of many, many, crypto jewish traditions that still exist in my hometown of Medellín, Colombia and I want to share a little bit about them with you.

Medellín is the capital city of a region called Antioquia and it is currently the second biggest city in my country. Now the weird thing about my region and my city more specifically is that it is in the middle of fucking nowhere, like we are in a valley in the middle of the andean mountains and it would take over two weeks by river, horse and river, and dunkey and mule to even get here before the invention of cars or trains.

Now Medellín was founded over 400 years ago, and families had been coming to the region for way before then, so that means that for centuries getting to my city from the sea or from the other big cities in the country was incredibly hard. This was by design, because Medellín itself was founded by about 28 families and we know for a fact that alteast half of them were crypto jews hidding from the Spanish Inquisition, and both before and the foundation more and more jewish families arrived to the region.

This is a known fact, the DNA of the people from the region has a lot of sepharadic jewish mixed in there. Early Colombian literature dating up to the 1845 would call the people of my region the Neogranadine Jews or the Colombian Jews. But because they were crypto jews the religion and most of the traditions were lost during the 400 years that have passed, now over 90% of the population is catholic and don't really know about their origins.

But some things stuck. And I want to tell you about them.

On the 7th night of December there is this pre-christmas festival called "El día de las velitas" or the little candle night that started and was unique to Antioquia. It's supposed to commemorate the candles that people had in the streets and the windows on the night Jesus was born and that helped Mary and Joseph to find their way. Do you know how this unique festival is celebrated in my city? People take to the streets to light candles, small colorful candles that they put in wooden planks or directly on the streets, it's the night that people decorate and turn on the christmas lights and it is so important and popular that we have an actual day off on the 8th of december.

Let me show you a few pictures

I don't think I need to explain this one. Even most goyim will know about Hannukah. But it is the weirdest thing when the dates coincide and we are all lighting candles together.

My dad was in the Jewish community board and we needed to rent a place to put our jewish daycare. They found this beautiful old house that had belonged to a family in colonial times but needed a little TLC. We had them remove some wooden floors because they were too old and rotting and found a huge Magen David made out stones in the center of the floor. The house also happened to have two separate kitchens and a mikveh or immersion bath in one of the rooms. These a very traditional things that colonial houses have in my region.

My grandmother converted to Judaism so I have a side from my family that is 100% from here and didn't arrive during the 20th century. I had the pleasure to meet both of my great grandparents from that side though they died when I was young. My grandma tells me that my greatgrandmother used to have one of these immersion baths in her house when she was growing up. Women were supposed to bathe in them after their periods had ended, my catholic great grandmother respected the mikveh traddition more than I ever have.

(I wish I had photos from that specific house but this happened over ten years ago, I'll show you some immersion baths from a different colonial houses that are also in my city)

Now how about we talk about traditional clothes. I'm sure most of you have heard of Ponchos, which are traditional in the Andean region, well the one from Antioquia is a little different and it's always supposed to be worn with a hat. Let's see if you can spot what I mean.

A few years ago Spain decided to grant citizenship to the descendants of the Jewish people that they had exiled in 1492. To get it you had to prove through family trees that your family had been Jewish. My city got the most ammount of passports out of everyone in the world, more than Israel. I could have applied from both my family that came from Egypt in the 20th century (we still have the keys to our house in Spain) or through my catholic side, as both of my grandmother's last names applied. I didn't but I could have.

I don't really know why I decided to finally write this post. I have so many more stories. I just think it's both incredibly sad that so much Jewish culture and people were lost but also it's a little heartwarming to see what survived even centuries down the line.

[obsidianbit]

I love this gay ass show with its literally life ending injuries that heal immediately, but only when convenient to the plot, and its ridiculous use of modern phrases, and its laughing in the face of historical accuracy, and its kissing the face of the fans instead of trying to outwit them, and the way everyone involved in the show seem to go 'I KNOW RIGHT! I'M EXCITED TOO!' instead of mocking the fans

[changbunnies]

Revelation (18+)

♡ Pairing: Vampire Priest!Jeongin x Fem!Reader

♡ Genre: very loosely inspired by midnight mass (tv), horror themes, vampire / human relationship, smut, possibly dead dove? read the warnings carefully and come to ur own conclusion on what you're willing to read before engaging pls :')

♡ Word Count: 4k

♡ Summary: The suspiciously young and extremely handsome priest of your small-town church has a very big secret– and it's not until he's sinking his fangs into your neck that you discover what exactly that secret is.

♡ General Warnings: usage of typical vampire abilities (increased senses, strength, etc), descriptions of blood, religious themes (specifically catholicism focused), references to religious guilt + shame, reader does not trust jeongin at all (for good reason lol), very blatant manipulation, cult vibes? jeongin basically has the whole town under his thumb so. do with that what you will lol

♡ Smut Warnings: dubcon, vampire venom that acts as an aphrodisiac, sexual acts inside a church (specifically in a confessional booth), some gendered language (dirty + good girl), dom/sub dynamics, dom!jeongin, biting + blood drinking, thigh riding, fingering (f rec), a lil bit of praise kink, corruption kink?

♡ Notes: this is possibly niche but well. the vampire priest concept lives rent free in my head thanks to midnight mass, and innie said he wanted to be a priest + he'd definitely be a sexy vampire so here we are lmao. and sorry i'm suddenly posting out of age order for my late kinktober fics but i ended up finishing this before the other members i still have left :')

♡ Disclaimer: please read responsibly, and remember that this work is fiction and meant strictly for imaginative fun. the idols used in fics are more accurately faceclaims and personality outlines for imaginary characters, and should not be interpreted as factual representations of existing people.

There's something that isn't right about your local church's head priest. Firstly, his age doesn't make sense; who on God's green earth becomes a priest in their 20s?

At least, you assume that's around how old Father Yang, who notably prefers to be called Jeongin, is– you've never been told, and you've never asked, but he certainly doesn't look any older than that.

Secondly, why are his sermons always at night? In all the towns you've ever lived in, in all the churches you've ever frequented, this is the first time you've ever experienced your standard, weekly Sunday service routinely happening at 9 p.m.

And thirdly, why is it that everyone who meets with him for confession comes back looking delirious and.. euphoric, almost? You don't get it– sure, confessing your sins is freeing; asking for and receiving God's forgiveness is among the best feelings that can be experienced if you're a devout believer, but still.

Something about all of it just doesn't sit right with you– and to make matters worse, you seem to be the only person in town suspicious of him. You're new to town, have only been here a handful of months, so you get it– you're the outsider, you don't know him like they do, et cetera, et cetera.

But how can not a single other person in town be bothered by how strange it all is? There has to be an explanation– you don't know what it is, and you don't know why you're the only one who seems to care, but there must be a reason.

It's Sunday again, and you spend the entire sermon watching Jeongin like a hawk, trying to catch any sign as to what it is about him that has all these people so enraptured. And while it's not necessarily wrong for him to be, another thing that strikes you is that he's easily the most casually dressed yet stylish priest you've ever met.

He wears the standard clergy vest and rabat, as he should, but over it is a leather jacket, and he wears denim blue jeans instead of dress pants. His shoes are sleek and polished, he has pretty, ornate rings decorating his fingers, has expertly styled slicked hair and silver earrings dangling from his pierced ears.

Again, it's not necessarily wrong, but it's definitely something you wouldn't think a priest's Sunday best would entail. And maybe that's only because the priests in your life have only ever been old, and didn't put much thought into style, but maybe that's what people like about him?

Maybe it makes him seem more down to earth and approachable; maybe it's easier to confess your sins when, outstanding devotion to God aside, he seems like as ordinary a person as any other. Of course, that's logically always the case, but some priests have an intimidating "holier-than-thou" attitude about them, and it certainly helps Jeongin's case that he seemingly makes an effort to not give off that vibe.

And admittedly, he's charming– there's something so uniquely handsome about the way he smiles while preaching God's word, how his eyes twinkle while he recites a scripture and relates it back to a point he made several minutes prior; you can't deny that it's enthralling.

But when he looks over the attendees lined in the pews, it always feels like he's looking straight through you, seeing to the depths of your soul and laying it bare. It gives you chills, honestly; makes you feel exposed in a way that's indescribable; like with a glance alone, he knows all your secrets, your every sin, down to their most minute details.

It's near midnight when his sermon ends; you stay seated in the backmost pew to the left, brows furrowed as everyone shakes his hand or hugs him, thanking him for another "terrific service." It's so bizarre– and it's not until the last of the congregation exits the small, wooden church that you begin to rise from your seat.

Though you're sure the church carries electricity and that the lights can be flicked on, the priest never does so– he always uses candles, casting a warm yellow glow on the dingy, white wood of the walls. It casts more shadows, gives the place an almost unsettling air– and when he turns to you, just as he's closing the Bible in his hand and setting it down, it sends a shiver through you.

"You're still here," Jeongin smiles at you from where he stands before the altar, centralized at the head of the church. It's a kind enough one, but you don't trust it; you can't shake the feeling that something lies beneath it– something abberant and dark that you can't place, but are certain is there.

"Do you wish to confess?" he asks, motions to the confessional booth with his hand as he tilts his head. "No," you answer, perhaps too quickly– and his smile grows ever so slightly, as if he's amused. At least, that's how you perceive his expression; and it makes you narrow your eyes at him, the distrust that radiates off you certainly palpable.

Your opinion of him is no secret, really; and he can tell you're scrutinizing him, trying to catch him in whatever act you think he's playing– it won't work, but it does humor him that you're trying. He doesn't know what sort of wild conclusions you've come to about him, but if you see anything, it'll be because he himself wanted you to see it– until then, you won't learn a single thing about who he truly is.

"Is there a reason you're still here then?" Jeongin questions next, and you swallow, hesitant to answer. Admittedly, you only stuck around in case someone did decide to go confess to him– you intended to eavesdrop, to try to listen in and find out what's really going on behind closed curtains.

It would've been massively immoral, but you would've confessed and asked for forgiveness later– privately, that is. You have no intention of seeking the Father's help in such matters, given how little trust you have towards him.

But still, despite the fact that you were willing to sneak around and listen to private conversations, you aren't entirely willing to lie in the house of God– so after some internal grappling with yourself on what you should and shouldn't do in this position, on what is right and wrong, you end up admitting the truth.

"I don't trust you," you tell Jeongin plainly, and you can swear you see him trying to suppress a smirk.

"I'm aware," he says, so matter of fact that it almost sends you reeling. And it's not that you were so disillusioned into thinking you weren't being obvious; you know very well that you weren't being the most covert in your suspicion of him– it's how unbothered and amused by it he seems to be that really gets you.

Shouldn't he be offended? Question your reasoning? Try immediately to dispel your doubts and clear up any misconceptions you may have? Instead, he seems more than ready to just accept it for what it is– even seems entertained by it.

"Does it not bother you that I don't trust you?" you ask, and he almost laughs as he shakes his head. "No. There's no reason for it to," he answers simply; and before you can ask why, or what he means, he's already answering– you suspect he could already tell you were going to press him on the matter.

"God teaches us to love one another. So even if you do not love me, or trust me, I love you, just as God instructs me to," Jeongin smiles as he speaks, and again, your brows furrow. It's a perfect answer, really– but it feels.. inorganic, almost rehearsed.

And the glimmer in his eye throws you off; it doesn't feel like the pure, honest delight you'd see on a priest putting God's word into practice. It feels mischievous, deceitful– like he doesn't believe an ounce of what he's saying, but he wants you to believe that he does.

"I know what you're thinking," he says, and you swallow, stiffening where you stand as he continues, "And if you really want to know what goes on during confession, want to see for yourself what it is I do to help the people who look to me, I can show you."

If you're being entirely honest, the offer is tempting; and strangely, it also makes you feel.. bad, almost– makes you second guess yourself. Because if he's freely offering like this, surely it can't be whatever you've been making it out to be in your head.

There's no way he'd out himself, and whatever it is he does, just to gain the trust of one person out of hundreds who doesn't believe his pure intentions. And maybe the other townsfolk really do trust him for good reason; maybe you've just been examining the situation and looking at Jeongin and the church in the wrong light.

Maybe you've been blowing everything out of proportion with obscene assumptions, and maybe he really is just a good priest. Maybe he makes you feel so seen, heard, and whole, that all your worldly problems melt away, feel trivial and light in comparison to God's plan for you.

Because after all, you are the outlier here. You're the only one in the whole town that doesn't trust him; and surely that means you're the one in the wrong. Jeongin does things differently than you're used to, but that doesn't mean he's inherently bad. And maybe you should confess– ask God to forgive you for not being receptive to the word of one of His servants.

Jeongin smiles when you concede and start to slowly step your way to the confessional. You pull back the curtain, step inside and prepare to sit in the small, wooden booth seat, but you quickly realize he's followed you inside. You gasp as you turn around, back pressing against the intricately carved hardwood window of the booth as he closes you in.

"Sh-Shouldn't you be on the other side?" you ask, much too meek for your liking. It's a cramped fit given that the booth is only meant to fit a single person on either side at a time; it makes you unconsciously hold your breath as you're effectively caged inside the booth with him– nowhere to go, and nothing you can do but stare at him, bewildered.

"No," he answers as quick and simple as before, his smile once again growing ever so slightly. And maybe you could push him, try to dart past him if you manage to successfully make him topple back, but you feel frozen– because even in the dark, barely lit confessional you're in, you're certain that you see his dull canines become long, pearly white fangs.

"Don't worry, it will only hurt for a second," he assures you as he brings his hands to your arms, gripping them just below your shoulder as he leans towards you. You shudder, his breath fanning your ear as he inches towards your neck, "but after that– it's bliss."

You feel the sharp points of his teeth poke at your skin, and it makes you gasp as your head tilts to the side, making room for him to sink his fangs into your flesh. Instinctively, your hands search for something to grab; you end up reaching for his shoulders, twisting your hands in his leather jacket to ground yourself as his sharp teeth pierce into your neck.

Your legs wobble, and he forces one of his own between your thighs, uses it to keep you upright as he drinks from you. And there is pain, but it really is only for a second, just like he said it’d be– within seconds it melts away, and oh, you instantly understand.

It’s much, much more than bliss– it’s ecstasy, it’s rhapsody, it’s the greatest pleasure you’ve ever felt. Spreading from your neck to every last nerve ending in your body, every atom of your body becomes alight with euphoria as his bite sends tingles throughout you, raising goosebumps along your skin.

You cry out, an embarrassingly loud sound that you barely recognize as your own voice as one of your hands finds its way to his head. Your fingers thread into his hair, hold him to your neck as if you don't want him to ever separate from you– and to be fair, maybe you don't.

It feels so good, so exhilarating, intoxicating, that you almost don't want the sensation to ever end. Jeongin meanwhile lets out delighted hums, eventually slowly retracting his fangs to latch his lips around the sensitive, bruising skin, his tongue lapping away at the blood that pours from the two little marks left behind.

The beating of your heart quickens, breaths quickly growing labored as the inexplicable want continues to seep into your veins. Your thighs tremble as tension builds deep in your gut, and they try to press together to seek relief, but Jeongin's leg stays firmly nestled between yours, preventing it.

And were you not so utterly blissed out, maybe the incessant, desperate throbbing of your pussy would make you feel ashamed– but all you can think about is the deep seated desire overtaking every receptor, every tiny cell, every molecule within you, as if the very chemistry that makes up your being has been altered for Jeongin alone.

Unable to resist, you rut against his thigh, entirely shameless and feverish– because it's all you have access to, all you can do to relieve the growing ache between your legs. It’s sinful, your growing lust is– and the last place you should ever be doing this is inside of a church; but you’re too far gone to care, too gripped by the need for stimulation.

Jeongin lets go of your arms, reaches between your bodies to hike up your church gown, giving you easier access to his lean, muscular thigh. He’s gracious, tugs your soaked panties to the side so your clit can catch on the denim of his jeans– and the delicious friction makes you moan for him, loud and sweet. 

He pulls away from your neck to watch your desperate humping, eyes gleaming with mischievous satisfaction as he watches you pleasure yourself on his thigh. His eyes are perfectly adapted to seeing in the low light, and so he can easily see every little detail of you– from the mess your pussy leaves behind on his jeans, to the sweat beginning to drip down your temple, to the trembling of your bottom lip before you tuck it between your teeth. 

And when he smiles at you now, it’s like the fox that got the rabbit; even in the extremely dim candle light you can see the way your blood coats his lips, messily dripping from the corners of his mouth and down his chin. His dark eyes are gleaming– because he has you ensnared, and you both know there’s no going back. 

You untangle your fingers from his hair, and you watch as he reaches for your falling hand, grabbing your wrist and bringing it to his mouth. He holds your gaze as he kisses over the pulsing vein, and it makes your breath hitch, the blood on his mouth smearing over the surface of your skin, staining it crimson. 

“Should I bite you here too?” he asks, placing another kiss over your vein before he shoots you a grin full of fang, “you’re so delicious– I want to taste you even more.” You gasp and squirm as Jeongin presses the tips of his bared fangs against your skin– not quite biting just yet, but it’s enough to spread another wave of tingles over your body. 

“Yes, bite me, please!” you cry, voice almost frantic in its urgency– and you can see the corners of Jeongin’s lips twisting into a devious smile before he’s obliging, burying his fangs deep into your wrist within an instant. You wince, your fingers clenching as he squeezes your wrist in his hand, keeping it tightly pressed to his mouth. 

And just as before, within seconds the sharp sting dulls and ebbs into incomparable pleasure, goosebumps spreading over every inch of your heated skin. Faintly, you can see your blood dribble past his lips, slowly flowing down the length of your forearm before it drips to the floor of the booth. 

You can just barely see his tongue licking over his bite, doing his best to collect all the blood that spills from you, and it's mesmerizing– especially when he brings his fingers to your arm to swipe up what his tongue misses. Your stomach flutters as you watch him separate from your wrist and bring his bloodied fingers to his mouth; they're so long, so pretty and enticing– you want them.

Jeongin can see it in your eyes– how brazenly you stare at his fingers, how your eyes follow every move he makes with them. You're still panting, sweating, chest heaving from the exertion, but the rutting of your hips has faltered; and he grins as he gazes at you. You're once again left with the feeling that he sees through you– that all it takes is a glance for him to know everything you're thinking.

"You want them? Want me to stuff your cunt full with my fingers? Make you cum all over them?" he asks, entirely rhetorical; he already knows the answer. And he likes the way you writhe over the question, how you gasp over the sinful words he so freely spills in such a sacred place, your ears positively burning.

Even if your face didn't obviously show your desires, you don't think you'd be able to deny them; you've never wanted anything as badly as you want this, want him. It should make your gut twist with shame, because deep down you know this is wrong, know that you shouldn't want him to touch you as badly as you do– but the craving for Jeongin to bring you pleasure is almost primal, so deep and innate that your rational mind can't even hope to fight against it.

Slowly, almost playfully, he trails his fingertips over your thigh, and the anticipation is enough to make you unconsciously hold your breath. "You're so fucking messy," Jeongin says as he brushes his fingers over your soaking, sensitive clit, "so wet– you're a dirty girl, huh?"

You want to whine, want to shake your head and vehemently deny that you're dirty, attest to being a good, honest, and God fearing– but you're so overcome with your desire for him to touch you, that you don't. Instead you agree, concede that you are dirty, and messy, and that you want him more explicitly than you feel your own words could ever attest.

How easily you agree to being dirty seems to please him– and with a light chuckle, he slips his hand further down while carefully removing his leg from between your thighs. You wobble a bit when the support of his leg is gone, but he's quick to wrap an arm around you to hold you, effortlessly keeping you upright with the strength innate to who, or rather what, he is.

The cool, silver band that he wears on his pinky makes you jolt when it touches your feverishly hot thigh, and he chuckles again as he spreads your folds with his fingers. You're dripping for him, so slick with arousal that it hardly takes any effort at all for Jeongin's fingers to become coated with your juices.

You rock your hips against his hand, wordlessly begging him to give you what it is you crave most. "Oh look at you, so impatient, so desperate," he laughs as he presses the pads of his fingers to your hole, delighting in the way you look at him with glassy eyes and pinched brows.

It's obscene how badly you want him; you've never felt this needy, never been rendered so desperate for stimulation– and you're in a confessional of all places. This is the very last place on earth you should feel this way, or be doing something like this, and yet the shame you should feel is far from your mind– because all you can think about is your need for his beautiful fingers to fill you up and dull the throbbing ache between your legs.

Jeongin coos when you start to beg for his fingers, a rambling string of "please," and "want it, want you," and "need it so bad." You can tell how much satisfaction it gives him, and if your mind weren't so hazy from desire you'd certainly feel embarrassment build and twist from deep in your gut– but any such feelings are silenced by your body's need for his touch, by your craving for the sensations that only he can grant you.

It takes your breath away when he easily sinks two fingers inside you, thrusting them in and out slowly until he curls and bends them to find the spot that makes you see stars. "That's it, there you go," he grins when he finds it. He watches your eyes roll back, your hands clutching at his jacket as he continues to press the tips of his fingers into your most sensitive spot.

He returns to your neck, sucking at the sensitive skin and nipping it with sharp teeth before he kisses and licks over the bruises he leaves behind. He applies pressure to your swollen clit with his thumb while relentlessly targeting your spot, an easy task for him thanks to the length of his fingers, and his hold on you tightens when the shaking in your legs grows more intense.

You're so, so close, and Jeongin can tell too– not just from how your pussy pulses and squeezes around his fingers, but because he can hear the loud, erratic thumping of your heart, as well as the rush of blood pulsing in your veins. "C'mon, let go– cum, you can do it, cum for me," he urges, speaking softly against the shell of your ear while swirling his thumb over your clit.

"There you go, good girl, just like that," he praises as you string out a loud succession of whimpers, your thighs closing tight around his hand as your high finally takes you. Your world feels like it’s spinning, your heartbeat ringing in your ears as you ride out your high, your release gushing messily around his fingers.

His hand stays in place until your thighs untense, and he’s careful as he slips his fingers out of you, though you can’t help but shiver and whine from the sensitivity regardless. You're unsteady on your feet following your orgasm, but Jeongin makes sure you don't fall over; he keeps his grip on your firm, carefully helps you turn away from where you were pressed against the carved window to sit in the booth's only seat.

He wipes the sweat from your forehead after you sit, leans down to fix and smooth over the skirt of your church gown as you try your best to collect your breath and calm your racing heart. He's reverted back to his kindly priest persona it seems– you can tell by the warm smile he offers when you look at him, his sharp fangs fully retracted.

Still, bits of your blood remain smeared over his lips– clear evidence that he isn't the saintly man he portrays himself to be. You watch breathlessly as Jeongin licks the last of it from his lips before he pulls back the curtain of the confessional booth.

He offers you his hand after it seems like you've recovered enough to stand again; your own hand trembles as you accept it, and with his assistance, you rise carefully from your seat.

You're a bit dizzy when you stand, equal parts consequence of blood loss and the euphoria still lingering and tingling in your veins, but you're otherwise steady; and he smiles as he squeezes your hand in his, the other coming to rest on the small of your back as you take your first step out of the booth.

"Come back to confession again sometime," Jeongin says with his characteristically deceitful, charming smile, knowing full well that you will. Humans always find the sensation of his venom irresistible, always become addicted to it once they've felt it– and you'll be no different. "I'll be waiting for you."

[wanderinginksplot]

I am coming to this extremely late, but I think it is an interesting argument and I have some thoughts.

I watched TCW first, then started reading RepComm. Maybe it's just because I came to both series when I was fully an adult, but I think there's a potential in-universe explanation of the tonal differences between the two.

I personally read RepComm as an example of the contrast between standard troopers and commandos/ARC troopers. Since commandos and ARCs were the ones who were trained by the Cuy'val Dar, they have a bleaker, more realistic idea of the war and their place in the galaxy. They know what they're missing out on, largely because Kal Skirata and some of the other Mandalorian trainers made sure they had a few experiences outside of military life.

It's possible that this was explicitly contradicted in the EU (it's been a while since I read RepComm that closely), but I like to think that a lot of the original Cuy'val Dar dipped after Geonosis, especially since the Republic was getting involved.

With the loss of those trainers, the trooper training programs suffered and later commandos (like Gregor and the Bad Batch) had a rosier, more patriotic view of the Republic. (For example, in the first episode of TBB, Wrecker says outright that they were never shot at with live fire in training before, but the RepComm books talk about commandos dying in live fire exercises.)

Additionally, the later standard clone troopers probably wouldn't have had extensive training by Cuy'val Dar members. Instead, their training would have been used to reinforce the loyalty that the Kaminoans had enhanced in their genes.

I've noticed that people in highly insular social groups (cults, strict religious organizations, the military, etc) don't tend to care much about what happens outside of them. What matters are the other people in that group. They (and TCW/TBB) would have a better impression of military life, with a few exceptions among older/more experienced troopers like Rex and Howzer and Mayday. Hell, one of the first episodes of TCW features a trooper who is working against the Republic (Slick), and it's heavily implied that he's doing it because they're an army of slaves.

Maybe all of this is just rambling nonsense, but that's what helps me make sense of it. I love RepComm and TCW and TBB, so I like to think there's room in canon for all of them. And in their defense, TCW and TBB do handle some heavier themes, especially for an animated children's show.

All of that being said, I also agree that people are super weird about Kal Skirata. I posted something positive about him when I first started reading Triple Zero and got a group of really confrontational anonymous asks about how toxic he was.

i have a theory that the massive amounts of hate kal skirata gets is related to the tcw-ification of the clone wars era and how it doesn't take the idea of being in a slave military all that seriously but that's an essay for another time

[lizzybeeee]

DATV explaining the 'Regret Prison'

A REGRET PRISON IS STUPID AND I'M TIRED OF PRETENDING THAT ITS NOT

TL;DR: a prison can serve as a metaphor but it shouldn't be entirely comprised of a metaphor.

From what I understood from what the game gave us: Solas has made a new prison to move the God's too - since bringing down the veil would free them from the Black City. This new prison is separate(?) from the fade or so far removed/contained that bringing down the veil would not compromise it...apparently. We interrupt his ritual, Solas gets sucked into the new prison he made, and the elven gods are free.

When Rook gets kicked into the fade they're physically there - which means it's a physical place in the fade, like how it was a mixture of physical/thought when we entered it in DAI. Which makes sense - the gods are real and living beings, they need to be in a place, there must be some aspect of physicality to it.

Alright, cool, it's a Black City 2.0 - I assume it's better defended to prevent people breaking in/out again?

NOPE.

We get there and it's a 'regret prison'?? It's tied to the regrets of those within it? Composed of regrets??? Solas had to wait for the right moment for Rook to be sufficiently 'full of regret' that they could switch places?

So is the prison tied to Solas's regrets? If so, how can Rook escape? The prison seems to work around the idea that it relies on the regrets of the person it's holding to work - which is how/why Rook was able to be trapped and later free themselves (along with whatever remains of the team apparently being able to do something on their end, not that we hear about it).

WHICH IS STUPID!

Are you telling me the prison intended to hold to megalomaniac elven gods was going to imprison them based on their own regrets? Is Solas assuming that Elgar'nan and Ghilan'nain are as self-pitying as he is? They'd break out quicker than Rook did! He made a time out corner for the elven gods to sit in and gave them an out if they reflected on their emotions/regrets or decided that they don't regret what they did. Elgar'nan, a spirit of tyranny, is not going to 'regret' his actions - he is going to justify them by telling himself and others that he knows what's best.

We can come across some of Solas's regrets in the prison if you run around a bit and explore:

Remnant of Failure - talking about the orb from Inquisition.

Remnant of Parting - talking about Mythal

Remnant of Reflection - more vague, talking about the Titans I believe.

So maybe he altered it - maybe he intended the prison to be 'locked' with his own regrets because after a millennia of having a pity party he still can't bring himself to self-reflect and look to the future. But what if Solas died? Or if his guilt lessened - would it diminish the strength of the regret prison?

We already have pre-established lore (though DATV has shown they don't really give a crap tbh) that once the being that has claimed/altered an area of the fade is slain, it's influence diminishes both in and outside of the fade. So if the prison was tied to his regrets then it would require Solas to basically live forever to keep it stable - especially if he brought down the veil and removed the one barrier that kept the world and the fade apart.

Rook and Solas needed some assistance to exit - but it doesn't seem like it was much! Solas used his dagger and Rook just...got out through a fade tear? This is Solas's 'more secure' second prison? It has a worse track record than the Black City! If Rook - who is not an elven god - managed to escape the regret prison what is to stop anyone else from breaking in and out of the prison?

And what did Solas intend to do with the blight - the bulk of which is apparently in the black city?? If bringing down the Veil would free the gods in the black city doesn't that mean that the blight would also be released?! Did he have a plan? Why does he go fully ahead with bringing down the veil at the end if the black city is still there and filled with blight?!

I get it: the 'regret prison' is a metaphor for how Solas holds onto the past and how Rook can move past their regrets and grow. He's trapped by the past - it's a prison. Cool. But this prison is supposed to by a physical place to contain the gods - not just to solely contain Solas. The mission is literally called 'A Cage for Gods'.

The Black City is an actual place that's so far out of reach of anywhere else in the fade that no mage can ever reach it while in dreams - let alone physically, which was only done once and took tremendous effort/blood sacrifices. It made sense - it was cool to see floating in the sky in DAO!

Though it's not said specifically, it's strongly implied that Arlathan is the Black City. You can see in the concept art that floating elven city is exactly the same as the black city in DAO! It's this foreboding thing just lurking in the sky - a constant reminder of the sin that led to the horrors of the blights and darkspawn. A real place with lore and history that also serves as a metaphor for the hubris and destruction of those who call themselves gods and act as tyrants -> for both the evanuris and the magisters.

I WANT TO UNDERSTAND THIS BIOWARE!

WHAT IS THIS KINGDOM HEARTS NONSENSE???!!

[cometshift]

predisasters

[wanderingmind867]

I don't watch a lot of stuff on youtube nowadays. I think I can possibly consider that more proof of my sedentary nature online nowadays. Especially since I actually know some of the reasons i don't watch youtube videos much anymore. So let me explain it:

Back when my old tablet worked, i would watch a lot of playthroughs of video games online (i've never been good at playing games, so i sort of relied on playthroughs). Anyways, back in 2021-2022 i was watching these playthrough videos, and i usually woke up and watched one of them daily before school. But then my mom died, and the old tablet died pretty much at the same time as my mom. And then i just...stopped watching those videos.

I played other videos for a while, but i stopped doing that a few months ago too. So i think this could be proof i'm more sedentary online since my old tablet died. At the very least, it's proof that i feel i'm lazier because i lost the tablet i was attached to, and that this feeling has made me miserable.

[starry-bi-sky]

Clone^2 - Separation Strikes

"Why do I have to go?" Damian asks, surly and accent-thick, it sounds more like a demand and a whine at the same time. Sitting on the kitchen table with his arms crossed, in a green t-shirt that Danny bought him at a whim when he was at a thrift shop, and black shorts, he's never looked more like a kid. There's a little backpack leaning against the table leg, Damian begrudgingly picked it out when they went shopping.

His English has grown in leaps and bounds since Danny found him -- er, or more accurately; since Damian was spat out in front of him. -- and very little did they have to use the translator on Danny's phone these days.

Which meant one thing: Damian can start attending school comfortably now. And 'go' was the Amity Smiles Child Care Center. Danny and Jazz went as kids until they were twelve, and Mom and Dad actually managed to convince the center director to let Damian enroll for the summer.

And it was summer; Damian starts today.

"Because," Danny says, trying and failing to hide the smile pulling on his face, his heart warm and soft, and also laughing at Damian's expense; "being cooped up in the house all day isn't good for you, and you're starting school in the Fall. And, in Jazz's words: you need to have interactions with other kids your age for the benefit of your social development. And besides, it's only for the morning."

Damian's nose scrunches up, and his eyes roll so violently that for a moment, Danny thinks about joking that he'll get his eyes stuck like that. He holds his tongue; his little brother already looks like he's five seconds away from committing an act of violence.

"I don't need social interaction." Damian sneers, his cheek in his hand; a neverend pool of pride. "I am--"

"The Blood of the Demon Heir, better than everyone else." Danny cuts off, waving his hand in dismissive circles, his voice mockingly deep. Damian's brown skin darkens in embarrassment, and he scowls at Danny. "I know, bud. But Jazz is right, -- don't tell her I said that, -- you should be around kids your age."

Especially when he starts First Grade in the Fall. Honestly -- Danny was a little nervous to send him to the center. Damian's long since cut the habit of trying to kill or otherwise maim people, his palms ache-burn with gentle reminder, but his tongue was as sharp and as cutting as his sword. He still struggles with trying to quell it when he's upset. Vicious child-weapon that he once was, and will never be again.

Danny knows that it comes from a place of fear and defense, that Damian lashes out because that's what he's been taught. That at the end of the day, he doesn't really mean what he says, and he's learning to express himself better. But the other kids don't know that, and kids can be unforgiving and cruel.

Danny just...

His slow beating heart sighs, melancholy settles behind his lungs.

He doesn't want Damian to be outcasted. He doesn't want him to be alone.

Not like he was.

Damian sneers again, but says nothing, his shoulders crawling up to hide his ears like a turtle receding into his shell. Danny watches him silently, leaning against the kitchen counter with his own arms crossed. The clock hanging on the wall ticks in their ears -- it's almost time to go.

He watches Damian, careful, and so he sees it when his little brother's stone-shell pride and petulance shudders, and cracks. The darkened furrow of Damian's brows weakens, and for a moment, slants back.

Ah, Danny thinks, his own shoulders slumping. Epiphany washes over him, and his sad-heart soothes in warm understanding. So that's what it is.

His head tilts, and his hair spills over his shoulders, messy and fluffy, tickling his neck. Some of his bangs fall into his face. "Hal 'ant easabiatan ya habibi?" He asks, voice low and soft. Just as Damian's English has improved, so has Danny's Arabic. He still stumbles over himself some days, and Damian says his accent is trash, but they can have whole conversations now in Damian's mothertongue.

(Danny was incredibly proud of himself for it.)

Damian's face darkens, his blush spreading across the rest of his face, and he ducks his head down. Grown-out curls, black-brown and springy, falls over his eyes. "La!" He yells, loud and indignant, and not at all convincingly. "La 'asheur bialtawaturi!"

He was nervous. Danny can see it now, in the hunch of his shoulders and the tightness of his face, and faintly, he can feel it too. In the ecto-rich air of the Fentonworks House, it thrums, barely-there, like a hummingbird behind his lungs.

Danny can't stop the little, fond smile that forces itself across his lips and upticks the corner of his mouth. "It's okay to be nervous, little brother." He says, he sounds like Jazz when he says that. He doesn't think she'll mind him borrowing the nickname.

He pushes himself off the counter, and Damian refuses to look at him, hiding behind his hair and in his shoulders. It takes three long strides for him to reach the table, and Danny turns, plants his hands on the ledge, and hoists himself up. Right next to Damian.

Damian leans into him easily when Danny's arm wraps around his shoulders and tucks him close to his heart. He can feel his ear against his ribs. Danny hunches over him, resting his chin on Damian's head. "It's so okay to be nervous, actually. I was nervous, Jazz was nervous." He tells him, scratching the blunt edge of his nails across his scalp. "Everyone gets nervous."

"'Ana last aljumiea." Damian mumbles, as small and feeble as he was the night on the OPS Center balcony, realizing that his mom and the League weren't coming for him. Realizing that he was replaceable.

Danny's half-working heart squeezes; in grief, in rage, and his faucet eyes sting. He breathes in carefully, and presses his nose into Damian's hair in a loving faux-kiss. "You're right, you're not everyone." He says, steady and strong, because if he's not a pillar for his family, who else is he?

He can feel Damian's eyes flick up to him, and Danny smiles into his black-brown curls. Tilts his head to squish his cheek against him instead, hand dropping to thumb below Damian's lashes. "You're Damian Fenton," Because the adoption went through a few weeks ago, and he's still riding that high, "You're my baby brother. O' Artist Extraordinaire, Kickass with a Sword, Vegetarian and Wonderful Co-Ghost Hunter."

Damian tries to stifle a smile, and fails. Score! Triumph gathers in Danny's gut, his smile grows wider. He squeezes Damian tight, and only releases him so he can look him in the eyes. "And if anyone gives you a hard time at school, and I mean anyone--"

Danny has bad memories of the teachers looking the other way when the other kids were bullying him, all because he was a Fenton.

And Danny, bleeding heart, bleeding hands, loves his family more than he will ever love himself, will never let Damian experience the same injustice. Not if he can help it.

His eyes narrow, and the buzzy-film of ectoplasm covers his eyes, making them glow, "--You tell me. And as your awesome great big brother-and-technically-dad-but-only-biologically, I will handle it."

Damian, wonderfully made, full of light, his little brother Damian, giggles weakly at him. A sound that's worth it's weight in gold. The scary eyes dissipate, and Danny matches the sound with a cock-eyed, impish grin, dragging Damian into a soul-crushing, too-tight hug. The kind that only annoying older brothers can give. "Got it?"

That gets a proper, if short, laugh out of Damian. He wriggles in Danny's arms, trying to break free. But Danny does calisthenics, his arms are as big as Damian's head, so it doesn't work. "Understood, now, daeni 'adhhab ya 'akhi!"

Danny laughs, loud and bright, and loosens his hold just a smidge, only so he can adjust his grip and hop off the table with Damian still in arm.

"Never!" He crows, hoisting Damian slightly. One eye flick at the clock, and in one quick move, he secures Damian under one arm like a football, and hooks his foot under the strap of his backpack. Kicking it up, he tosses it into the air and catches it with his free hand, and slings it over his shoulder. "Now, to the car, my boy! Before we're late and Mom and Dad get charged."

Damian groans, childish and dramatic and long, but his face is all squished up with a wide grin and glee. Danny can taste his joy beneath his tongue.

"And, if my little pep talk didn't encourage you," He says, reaching the door to the garage, flipping Damian up onto his hip instead. "If you have a good day today, I'll make you bal mithai when you get back."

Like all kids at the promise of sweets, Damian's eyes widen and glitter. Danny loves seeing Damian be a kid, it's his favorite thing in the world. "I will!"

[gentlebeard]

If I could hold you for a minute, Darling, I’d go through it again

For @edsbacktattoo & @stedesearring 💕 Show: Our Flag Means Death - Season 1 & 2 Music: Francesca by Hozier YouTube

[necrotic-nephilim]

@sasheneskywalker i love when you enable me to ramble about things because oh my god do i have thoughts.

so recently, i made a post discussing the phenomena of DC x DP and DC x MLB crossovers and why they exist and part of that post was discussing how largely speaking, at least half, if not more of the Batfamily fandom doesn't read the comics. if they interact with canon DC material, it's adaptations that are their own sequestered universes and oftentimes not remotely comic accurate or seeking to be. the most obvious example is the Young Justice cartoon. i'm adding a cut to this post because it just got so long i'm so sorry.

a lot of times, when people are discussing the "why" of this oversaturation of fanon-only fandom, they blame Wayne Family Adventures. and i think, to a point, i agree WFA is responsible for a boom in this fandom. but as someone who's been in the fandom long before we had WFA, to me it's the other way around. WFA was DC's way of meeting the demand for this easy-to-get-into, easy-to-consume content about the Batfamily that predicates itself on the comics just enough to be vaguely the same characters, but has a more sitcom, slice-of-life sort of vibe so DC could profit off of this section of the fanbase that otherwise wasn't consuming its primary material. and well, it's definitely worked. not only that, but i have a weird theory that the decline in the MCU also led to the rise in the Batfamily fandom. when you consider the fan content that made the MCU popular within fandom, it's that 2012 "they all live in Avengers Tower and Thor is eating poptarts and Clint is in the vents and there are movie nights every Friday" sort of vibe. those were the fics that were a hallmark of the fandom. and as the MCU has strayed from well... quality content in general, but specifically well-thought-out crossover content where characters can have their own arcs but also exist in a wider story where they clearly care about each other, that fandom was sort of homeless. so where do you go, if you like a superhero found family where you can have villains for angst but also stick them all in one big family-like home for silly crack and have a plethora of options for gay ships? well. you go to the Batfamily. if you write a crack/fluff Batfamily genfic with silly vibes and low stakes instead of say, a fic about a very specific comic issue even if it's a popular comic, you're *going* to get more traction for the former. because the fanbase largely just isn't reading the comics.

and i feel... complicated about this. because on one hand, Don't Like Don't Read has been a tenet of my fandom experience. i'm very pro-fandom and that includes fandom content i don't like. and to an extent, i do think this sort of should apply to Batfamily fanon. i enjoy having my moments with other comic purists, giggling over exceptionally painful OOC headcanons or even facepalming in pain over some content but it is on me to not interact with that content. you don't make fandom a better place by being hostile to fans who engage with canon in ways you don't approve of. and frankly? we as comic readers are not going to get non-comic fans to read the comics by being asshats to them. no one is going to want to pick up any comic if we get a superiority complex about it. and also, i feel like we're all lying to ourselves a little bit insisting comics are so, so easy to get into. they're not. we can just all agree, they're really not. i've been single-handedly helping my sister get into comics, specifically Wonder Woman and no matter how simple i make it, i watch her get frustrated trying to understand what pre-Crisis and post-Crisis and New-52 and Flashpoint and all these things mean and what a retcon vs a reboot is and what a Crisis Event is and what the hell Diana's current backstory even *is*. sure, you can give someone a beginner list of comics to start with and slowly dip their toes in the water but sooner or later, *something* is going to confuse them. comics as a medium straight up aren't going to be everyone's cup of tea. and if someone *just* wants to read silly fluffy fanfiction about the Batfamily, i can't entirely begrudge them for not wanting to take the hours and hours out of their day to understand this medium. it's not an accessible medium to get into. "read this and this, but this run is out of print and this run wasn't collected in trades at all but also make sure you read that event in order and this is a good comic but the backstory in it is retconned and you *have* to read this it's so important but it's also really bad because the author kind of sucks" sounds. ridiculous for someone who like. just wants to read some stuff about Nightwing. sometimes, we all make reading comics sort of sound like a chore, not a hobby.

so my point is, i do extend some grace to Batfamily fanon for existing. i think my biggest gripe is, as i said in my other post, misuse of tags (if you're not creating content about comics, maybe you don't need the comics fandom tag on Ao3, just the all media types umbrella tag) and my far bigger gripe: when panels are taken out of context to support fanon only headcanons. if i could impart *anything* onto the Batfamily fandom as a comic fan it'd be this: if you haven't *read* the comic, don't spread the panel. if you don't even know what comic it's *from*, don't spread the panel. it's fine to use comic panels to discuss your headcanons, but so often i see someone spreading a comic panel from a comic they haven't read, and when asked where it's from, they can't source it. a silly example that comes to mind is a post going around, taking a panel where Dick, in his internal monologue goes "here comes the sun. do do do do." and the post is claiming it's from him getting buried alive. when that panel comes from Nightwing (1996) #140, and he gets buried alive in Nightwing (1996) #127, two completely different moments frankensteined together. if you're going to not read the comics, that's completely fine, but unless you're sure of the source and the context, panels shouldn't be spread around. i'm sick of this specifically happening to Red Robin (2009), with ppl claiming Tim has totally killed people because he blew up some of Ra's' bases, when those panels within context, make it clear he gave everyone time to escape. and in a later arc in that very comic, Tim grapples with the idea of murdering Captain Boomerang, and *specifically chooses not to*, because he doesn't agree with murder, even against the person who has hurt him the most. if you'd like to write fanfiction where Tim is pro-murder and has done some sketch things, i'm totally on board and would probably like to read it. but there's no need to pretend it's canon from a few panels you saw out of context.

beyond that, i think it's not *entirely* correct to say that fanon is harmless. whenever i see very WFA-positive posts, they often default to the argument that WFA is fun and silly, and comic fans are killjoys for not liking it. which. i think is complicated because the issue is, WFA and fanon don't exist in a vacuum. if you like WFA power to you, i don't think it's the worst thing ever, but i do think it's degrading to these characters because honestly? they feel incompetent in the webtoon. it's one thing if WFA was solely a slice-of-life sort of deal, just having silly episodes where Bruce is taking on a PTA mom or they're all fighting for the last cookie. but when WFA attempts to take on more serious plots with these characters, it *fundamentally* falls flat in understanding them. i get it, Bruce comforting Jason having a panic attack because a noise reminded him of the crowbar felt cute in a microcosm, but i'm so serious when i say that storyline destroyed how like. half of this fandom understands Jason Todd's relationship to his trauma. it doesn't understand how he reacts when he's triggered, what coping mechanisms he seeks out, and how he would handle Bruce comforting him. even if i can believe for a brief moment Jason *would* be triggered by something like that, him running and trying to hide and then getting a hug from Bruce to make it okay is just. painful. WFA needs everything to be wrapped up in a nice, neat little bow. so even when it starts to tackle interesting concepts, it makes them fall flat with its need to be soft, low stakes, hurt/comfort. there was a two-parter episode that dealt with the complicated mutual hatred/jealousy between Tim and Damian that *almost* really interested me because for once, it felt like the webtoon wanted to explore canon messy dynamics. but of course, it had to be fixed with one conversation and a hug. you don't mend the *years* of issues these characters have like that. WFA isn't in character because these characters are hyperbole cartoonified versions of themselves to fit within the medium and be a cute happy family.

because that right there, is the crux of it. the Batfamily fanon seeks to simplify the Batfamily and force them into a nuclear family. there are so many fantastic posts on here discussing how the nuclear family-ification of the Batfam is eroding decades worth of complex histories so i won't go too far into that. but what i will say is that there's this need, in the Batfamily fandom, for the Batfamily to exist as a unit. they are a *family*. (honestly i think calling it the Batfamily is a misnomer and has been for years but we're in too deep now.) they exist to each other first, and any teams or friends they have come secondary to this family unit. you can *specifically* see this demonstrated in what headcanons are becoming popular these days. i have an entire lengthy meta in my drafts about how i *loathe* the "the Batfamily meets the Justice League" genre of fanfic because it makes no *sense*. in order to have this genre of fic exist, you must operate under the assumption that no one in the League, or adjacent to the League, knows the Batfamily exists and are thus utterly shocked to discover Batman has kids. and to make *that* work, you have to strip *every single Batfamily member* of such important dynamics and friendships so you can lock them all in Gotham for their whole lives. Dick can't have the Titans, Tim can't have Young Justice, Duke & Cass can't have the Outsiders, Jason can't have the Outlaws, Damian can't have the Supersons, Babs can't have the Birds of Prey, and so on. because if they had these relationships, they would be known to the League. the Batfamily fandom doesn't care about this, it's just "silly fanfiction", it's not trying to be serious. but how can you say you like Dick Grayson as a character if you don't understand the Titans *are* his family? at some points of his life, moreso than the Batfamily even is. it is constantly repeated to us in most comics with Dick how much the Titans mean to him. he *needs* them to be who he is. the same extends to every other Batfamily member, most of which have been full League members at this point. but in fanon, that doesn't matter. the Batfamily are a sequestered unit first, and all of those side relationships are secondary and easy to toss away, if it makes your fanfic work better.

and because they have to be a unit first, you have these forced relationships that dump years of actual canon material for the sake of making them get along. the Batfamily fandom has its favorites and well. it's no secret it's usually the boys. Jason and Tim by *far* stand out as fandom faves so, their dynamic is a heavily explored one. it does matter that in canon they don't tend to get along and especially don't see each other as family. what matters is that you can push dynamics onto them. and so fanon gets all twisted up about which Robin Tim actually idolized as a kid (Dick) and what member of the Batfamily is pro-murder but still an older sibling figure to him and looks out for him (Helena, or if you want the dynamic of once tried to harm Tim but they've reconciled, Jean-Paul) in favor of who's the most popular. Dick, Jason, Tim, and Damian are always going to be the standouts for popularity, but it's specifically Jason and Tim who are getting fanonized the most. and that's because really, we don't have much canon content of Tim that *isn't* the comics. for Dick you've got Young Justice (tv), for Damian you've got the DCAMU, for Jason you've sort of got the Under The Red Hood movie, but Tim sort of lingers in this limbo. (yes, he's in Young Justce (tv) and Titans (live action) but in neither is he the main character nor given much depth) so, he gets a *lot* projected onto him and has become fanonized. and even with Jason's animated movies, you don't see him interact with Tim, so people build it from the ground up how they want to see it, disregarding of canon comics. i think it's what makes him so popular in the first place- he's malleable into whatever you want or need him to be.

and of course, the fanon ignores other characters in the Batfamily it doesn't know about. i feel like you could create a tier list of Batfamily characters by their popularity, going from the fandom main characters: Tim, Jason, Bruce, Alfred, Dick, Damian. to the underrated: Steph, Duke, Babs, Cass. to the forgotten about unless they're convenient for a story: Kate, the Foxes, Helena Wayne, Carrie, Selina, Harper Row, Maps, Minhkhoa Khan. to the absolutely unknown: Helena Bertinelli, Jean-Paul Valley, Onyx Adams, the Clovers, Julia Pennyworth. it's not lost on me that the ignored characters tend to be women and people of color. which is both a canon and fanon problem, DC will continue adding interesting characters to the Batfamily, play with them for a few years, then drop them to default to the "Batboys" again. and it's a vicious cycle of the fandom only caring about the "Batboys", and thus people entering the fandom via fanon osmosis won't have content about the other characters, therefore, they won't be interested in those characters enough to create it, and it's just this ouroboros consuming itself, no matter how much canon content we have of these other characters. and it's ridiculous just how large the Batfamily is becoming because of this, which is why i'm a pre-Flashpoint fan, because then the Batfamily was contained enough to actually feel like a family with every character having nuances relationships with each other, but i digress because those thoughts could be their own post.

and the thing about fanon is it doesn't exist in a vacuum. DC has started turning the comics to accommodate for what fans are asking for, because fans will beg and beg for content they're not going to consume. Tim Drake: Robin had Tim as a coffee drinker because that's the fanon accepted headcanon. and the resolution of the recent Gotham War arc was for Bruce to buy this new manor for everyone to move in and call him. nevermind that most of these characters have their own homes and have zero reason to be moving in with Bruce. Tim had his marina in Tim Drake: Robin, Dick has Bludhaven, Cass and Steph have their little side of town in Batgirls (2022), and so on. these characters are being forced together as a unit, as one big happy family living together, to appease what non-comic fans want and it's damaging comic relationships. Robin: Knight Terrors saw Jason and Tim team up and working together, which i've seen varying opinions on but i personally despised. their interactions made zero sense for any of their canon history, but it appeases them being this close sibling relationship that fanon acts like they are. also the fears they faced in their respective knight terrors didn't make sense for either character and *only* worked as a moment of bringing them together so they could reassure each other and have this weird dreamscape bonding moment. the canon is bending itself to the will of fanon rather than building on the pre-existing complex relationships. Tim barely even gets along with his most important team in Dark Crisis: Young Justice because it seems the only important relationships the Batfamily can have is with each other. and when we do see them outside of the Batfamily, it only seems to be to relive the glory days like with World's Finest: Teen Titans, instead of developing them as they currently exist. this isn't recent in the comics, it feels like you can trace it back to the New-52, but it does feel a *lot* worse over the recent years. WFA is fine when it exists in its own bubble, but the simple truth is, DC content never exists on its own. the adaptations will reflect back onto the comics. (the damage the Young Justice cartoon has done to some characters should honestly be studied) and so it does frustrate me a bit when fanon-only or adaptation-only fans act like we're being nothing but killjoys for being frustrated with this. since they don't read the comics, they don't see how the comics are suffering as a result of this.

people argue about what's out of character for the comics they don't even read. i'm sorry, but "bad dad Bruce" is consistently canon. that man is just kind of shitty. when you take someone who has the drive he has, who has this need for the Mission first, who needs a teenager in spandex next to him to keep him off the ledge, that guy is sort of going to be a shitty father figure. he just is. not on purpose or with malice, but when you compare him to any other dad in a big DC family, he sure takes the cake. it's why characters like Oliver Queen tend to *really* fucking hate Bruce for how he treats his kids. Bruce loves fiercely, but he doesn't do well with putting that love first. and his love is a controlling one, he is very particular about controlling how others in the Batfamily are "allowed" to operate. it's what drives the wedge between him and Dick, it's why Steph is never a true daughter to him. (besides the reason of her needing to be a love interest to Tim first, anyway-) i've never understood the massive outcry of people reacting to Bruce kinda being shitty in comics they're not reading. there are some moments that get ridiculously OOC with how cartoonishly evil he is (the whole Gotham War arc and that... complicated mess with Jason) but largely if you want sitcom loving nuclear father Bruce, you have to accept that is a fanon thing, not a canon one. the Batfamily being a nuclear family in *general* is fanon. most of the "Batkids" don't actually see Bruce in a particularly fatherly light and begging for moments where he calls them his kids or they call him dad outside of incredibly specific circumstances is just OOC.

it's getting harder and harder to exist peacefully in this fandom it feels like, if you don't comply to the standard fanon has set. i'm happy people are having fun with their blorbos, even if in ways i dislike, but that "harmless fandom fun" does ripple it's way back to canon, eventually. so i end up pretty tangled with my feelings because are fans at fault for DC making these poor decisions? probably not, but it certainly feels like an unfortunate cause-and-effect situation whether at the end of the day, nobody is happy. and of course, i know some fanon-only fans are striving to be more canon accurate and care about canon dynamics more than others, but for them it's always going to be an uphill battle with the above-mentioned out-of-context panels thrown around and ever-pervasive fanon overtaking anything that's truly seeking to be canon compliant. so really, it sometimes feels like we're all losing.

[whovianbuffalo]

Dot and Bubble thoughts

This episode was first and foremost an allegory for racism and the entitlement of white elites, and this little touch of “charging rebranded as 'work'”(because it's 'tedious') is interesting here.

Lindy later says "my job's not easy, I get chapping" which shows she clearly hasn't worked out that "work" has become a meaningless phrase in their carefully-controlled society.

Before this, Ricky says people used to do 'manual labor, for money', but Lindy still self-identified as a wealthy person when Ruby asked, and said "Only people who can afford it" are sent to Finetime, yet

So... I can understand why some people feel that this episode is trying to take a shot at Gen-Z and no one else, but I will say it does seem to be a valid critique of performative activism.

Lindy mentions that she is using 'refurb' clothing and therefore isn't using up any of Finetime's resources, which is one of the only indications we are given that this 'utopia' is, of course, falling apart. The other indication comes in the opening of the episode when the newsreader informs them "Not going to lie, we are having trouble with the weather satellite".

A friend of Lindy's compliments her outfit- a woman who says "Kindness all the time" (an ultimately hollow phrase) is preferable in this society to The Doctor and Ruby, who are seen as impolite for daring to interrupt their bubbles, but, ultimately, The Doctor is shut out due to racism and colorism. Ruby is an outsider too, but because she is white and blonde and blue eyed they never question if she is a "contagion".

The Doctor was no 'ruder' than Ruby, but Lindy focuses on him anyway.

I appreciate that we see an early indication of Lindy's selfishness in her first meeting with Ricky here.

Interesting that instead of "heaven's sake" Gothic says "For land's sake". This makes sense for a culture so clearly obsessed with Manifest Destiny, and of course reaffirms their belief that Finetime is "heaven", of sorts.

It's clear that they still have some Religious/Phantasmagorical connection to a mythical heaven, as Lindy says "You mean she's in The Sky? Isn't she lucky!" rather than think about the realities of death or an afterlife. And just in case we were wondering if this culture was religious, they invoke the deity (and Manifest Destiny) directly:

The specific way in which Dot and Bubble forces the viewer to sit with Lindy throughout the episode- static scenes shot of her very boring life and her extremely vapid, empty social life (which I appreciate The Doctor calls out as being enough to drive the AI to homicide) makes us feel trapped and complicit in her behavior, and Ricky's, too.

We're watching the narrative unfold from within the bubble and the screen is literally obscured, peeling back the layers until we finally meet the doctor in person- but Lindy's reaction is off.

And then... We don't follow them. The camera shrinks back, and the impossibly wide world which they wanted to conquer shrinks back into a tiny dot as their boat fades out into the horizon. We're left with Ruby and The Doctor and a TARDIS which is bigger on the inside, but we don't see inside her.

Great work from the director of photography here and amazing work from the cast and crew all round to make a script which must have looked extreme repetitive on paper- the constant use of the word "Forwards. Forwards. Forwards" must have been a hard slog in the read-through— work so well onscreen. How prodigious that it would appear have been too expensive to film during the 11th doctor's era and was shelved for more than a decade until we could get Ncuti Gatwa to fully embody this experience.

This episode was an excellent satire (of multiple things!) and I'm not sure it would have landed the same way in a previous era... But it feels incredibly timely now if you are willing to listen to it.

[kaliforniahigh]

when you and Noah have an argument, you both passively aggressively still take care of each other

like you just made some cookies to calm down from the argument? you throw the plate carelessly on his computer table and go like "I made some cookies just eat it already"

or when you're drinking some soda sitting on the kitchen island, he sees you and says "can you drink some water for once? did you even drink any water today?"

for dinner is like "I made you that stupid lasagna that you like so much 🙄"

and at night when you're watching your favorite movie he tells you "you watching this boring movie again?" and then he proceeds to sit on the couch with you and after 15 minutes y'all are cuddling and forget what the argument was even about

[varpusvaras]

I swear to god, DC fandom is the first fandom in my life where people are up an arms vagueposting about AU's and fics when they're not directly canon compliant all the time. I'm not even talking about the dreaded fanon, I'm talking about fics in general. Like???? Yeah I know this isn't how it goes in canon, what about it??? It's not supposed to! And also if only one person is writing that kind of AU, then the person seeing you whine about them writing the AU does know that you are talking about them. In my almost 30 years of life I've never seen this kind of behaviour before. Don't worry, since you don't know how the block button works, I'm going to do it for you! I'm a nice person like that <3

[nocofamilyau]

not related to noco at all but what is katie and sadie’s relationship like now?

pretty good all things considered! while they're both married to two sweet guys and have separate families (none of their kids are other td characters, unfortunately...) they're still really close, and still live next to each other at that same beach town they grew up in, now both running that successful 80s themed ice cream business they've been dreaming of! its safe to say they probably suffered the least on Total Drama, only leaving with a couple of minor scars, good god were they lucky..