#i did not mean to go on for this long

[galaxysmashed]

What are some of your favorite ships

oh my... um... like ones i just rp'd or in general??. im gonna go with a little bit of both

Wade Wilson

That one Loki that was the reason I started tumblr rp (original father of Wade's OC son Thomas before I changed it to Francis because I'm hilarious)

Francis because this makes Wade pissed

Hawkeye (Clint not Kate)

specifically @sciencewithashield 's Tony Stark as a Brotp

@starryxherces Ron Weasley as a Brotp

@exheroibus Treasure as a brotp / family ship

Quicksilver

I'm about 80% sure Wade had a thing with Sleipnir, but I think it was fem!Wade (not Wanda)

Death

Chairman Meow

Whatever the fuck he had going on with that one Thanos I used to write with, it wasn't romance but it brought me joy

whatever the fuck he and Ximena got going on @fragmentmemories

Tom Riddle as a brotp against Tom's will

Whatever he has going on with Pennywise considering Wade has a big ass confusing crush on a giant clown

@penniesfortheferryman Kharon. I'm also not entirely sure what they got going on either but Wade says it's a ship in his heart

Glenn from the Walking Dead

Komand'r / Blackfire - Dick Grayson - Raven - happiness

Wanda Wilson / Lady Deadpool

John Hancock (the superhero/god/alien man from the will smith movie)

James Potter (don't ask)

Peter B. Parker @goddamnmuses

Whatever the hell she has with Kratos

Cable Summers

Natasha Romanov

Hela

This format is taking too long so speedrun

Loki x Steve Rogers Magic Carpet x Dr Strange's Cape Barbie x Deadshot Edward Scissorhands x Having a Found Family Christine x Isaac Banner Charity x Nathan (i still dont know his last name) Bri Banner x Wade Wilson Bri Banner x Sleipnir Lokison Patience Phillips x Bruce Wayne Princess Jasmine x Elsa Cinderella x Happiness and Freedom Elain Archeron x Tamlin Christine x Nesta Archeron Flash Thompson x Peter Parker (I'm manifesting) Harley Quinn x Bruce Wayne Mother Gothel x Garfield Logan Thomas Wilson x Therapy

[egophiliac]

so excited for Kalim to save the day by swiper-no-swiping this dip. you can do it! I believe in you!

god I hope this reads properly

[bacchuschucklefuck]

they licensed his ass

my finished piece of the FWMS (official name definitely 100%) thing we started a few days ago! I had fun I hope folks had and/or continue to have fun with the sketch as well.

[ruporas]

the blank ticket in your hand is just waiting to be filled in.

happy birthday vash! (ID in alt text)

[poorly-drawn-mdzs]

He is at his limit.

[First] Prev <–-> Next

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[gaysquares]

Kait Rokowsky || Mary Shelley, Frankenstein || @hopepunk-humanity || Jenny Slate, Little Weirds || Intricate Explorer || Melissa Broder, Problem Area || Kerri Maniscalco, Kingdom of the Wicked || Louise Eldritch, The King of the Owls || Stephanie Foo, What My Bones Know || Damir Omerović || David Leviathan, How They Met and Other Stories || Ariana Reines, The Cow || Anaís C., Am I Good? || Okechukwu Nzelu, Here Again Now || Max Muselmann || Fernando Pessoa, I See Boats Moving || Mary Maclane, I Await the Devil's Coming || Jhumpa Lahiri, Whereabouts || Mary Oliver, Spring || Jordan Steranka Tathlyn Auvrynval: On Endurance, Defending, and Being Made A Weapon

[fiepige]

Compilation of EVERY single time they changed Hobie's filter in the digital version:

Left: Theatrical release Right: Digital release

You might have to click on some of them to get a better look at Hobie, sadly I don't have a video editor that allows me to make better edits than these :')

[tofixtheshadows]

Hello, op! While I do find your reading of Kabru’s self sacrifice and how little he eats really good, im curious why you consider him the deuteragonist? He is a foil to the protagonist yes, but still a supporting character.

I think its pretty clear Marcille is the second most important character in DM, and her story has much more weight than Kabru’s.

Hello! I've mentioned this on my blog before, but I actually consider Marcille and Kabru to both be deuteragonists to Laios's protagonist. I just wasn't talking about Marcille in that post.

Technically this term is meant to be used in playwriting, and the Greek tradition at that, so I'm playing a little loosey goosey with semantics and my argument would sound different if I were writing an academic paper. But this is tumblr dot edu and I'm trying to get a point across on my little blog, and part of the idea of a deuteragonist is that they support the protagonist. "Secondary main character who has their own importance in the narrative while bolstering the protagonist" works well enough for my purposes.

I think Marcille and Kabru are both playing specific and complementary roles to Laios. Marcille is at his side, facilitating the A plot: namely, "save Falin", which requires Marcille's magic, and then Marcille's method of resurrection ropes Thistle in, so the continuation of "save Falin" necessitates confronting the Dungeon Lord and conquering the dungeon (the B plot).

Kabru only intersects with Laios, but he is tied from the beginning to the B plot- and with dragging basically everyone else into it. Actually, the fact that he brings in this extremely loaded B plot despite only having brief face time with the protagonist should be seen as significant. In a sense, Kabru represents the surface world and all its concerns.

Before I talk about that more, I want to continue with the complementary line of thinking and point out that Kabru and Marcille have very similar background motivations.

Laios wants to save his sister first and foremost, and it's only along the way that he starts to consider what he'd do with the responsibility of Dungeon Lord. Coming to the conclusion that he wants to create a home for disparate peoples to live in harmony has connective tissue to both Kabru and Marcille's desires.

Marcille is the only one in their party who starts out with a greater motivation other than saving Falin (Izutsumi is a special case, but she's ultimately along for the ride), one that she keeps hidden for a long time. Because she is a mage, and because she is driven by a very personal tragedy (my dad died; I am terrified of outliving everyone), she is looking for a miracle to bring the different races closer together.

Kabru comes from a background of personal tragedy as well, but it's also a far greater, more political tragedy than just the death of a parent. It is not a coincidence that Kabru is a brown boy from an exploited region that suffered despite and because of military intervention from a first-world power, nor that he was adopted by a white woman whose coddling/dehumanization of him represents the paternalistic oversight of these world powers.

Thus, Kabru's motivations are both personal and political: if they, the short-lived races, can finally access the secrets of the dungeons, then not only can they have agency in stopping tragedies like Utaya's, but it will also give them a greater power of self-determination.

Marcille and Kabru have both correctly identified and set themselves against a problem that is greater than saving the life of one girl, greater even than sealing this one dungeon.

Despite Marcille's hopes, there is no grand magic solution to this. Only small, slow, backbreaking, ordinary solutions, the kind you labor over in kitchens and bedrooms and throne rooms and meeting houses and hearths and negotiation tables. The kind you run a kingdom with.

There is a reason why Dungeon Meshi ends with Marcille and Kabru on either side of Laios's throne.

Okay: back to Kabru (under the cut).

I've talked about this a little before, but I'll reiterate here: I consider Kabru to be the counterweight to the back half of the story. In a very literal sense too, as he pulls the focus up from the depths to the surface not once, but twice. Dungeon Meshi builds itself on the premise that the traditional "dungeon" must function as an actual ecosystem, and the monsters in it are biological actors in that ecosystem and not merely magical obstacles independent of their environment. The first couple dozen chapters are focused on this. Like regular animals, monsters have needs and instincts and unique behaviors, and they can be killed and consumed as part of a food chain.

And then Kabru comes along and he reminds us that humans are also part of their own special ecosystem, with their own needs and instincts and unique behaviors, and that beyond the biological drive of the literal food chain there are also complex social issues influencing these behaviors (like capitalism). Tansu's visit with the governor introduced us to these ideas, but Kabru is the one who carries them.

The way he and his party break down Laios's party also serves an important function. I think most readers are so busy being shocked that Kabru is "so wrong" about our goofy boy Laios that they don't realize that he isn't actually wrong about anything (he's only missing the context of what drives Laios, which he admits to and is part of the reason why he pursues him). We've gotten only Laios's view of things so far, and Laios is pretty tunnel-visioned. The narrative, through Kabru, is telling the reader this is how our protagonist actually comes across to his community.

We like Laios because we are following his story from his inner circle. We know he's naive and struggles with people but that he has a good heart and is ultimately just a big silly guy who won't harm anybody if he can help it. But we only know that because we're seeing him with his inner circle, in his environment. Outside of the dungeon, Laios is anti-social to the point of rudeness; he misreads situations and misjudges people, he acts in ways that cause friction, and he accidentally aligns himself with people who make his whole enterprise look suspicious: a prominent half-foot community leader, a mysterious foreigner literally surrounded by spies, the disgraced daughter of a criminal who now has to shoulder the burden of her father's reputation, and an elf in a land where there are no elves. And they seem to be very good at what they're doing. Yet this whole time, Laios acts as if he doesn't care about profit or taking the kingdom, the only logical reasons why anyone on the Island would gather up such a party and throw themselves into this death pit day after day.

Yeah of course Kabru finds this suspicious and interesting. Of course people don't know what to make of Laios. This all reiterates the question that Zon the orc already raised: What will you do, Laios, if you defeat the Mad Mage? If you gain control of all of this? Can you be a leader? Laios himself doesn't know yet.

This is all necessary context for our protagonist and the journey he has to go on, and it's fittingly brought up by the most socially adept character, who is so concerned with human ecosystems and the bigger picture of the dungeon. There is a reason why Kabru, as a character, is connected to large webs of people as he moves throughout the narrative: his own party, Toshiro's party, the Canaries, the denizens of the first floor of the dungeon.

Kabru is responsible for bringing Toshiro down to Laios's party. Toshiro is not a big mover and shaker in the story itself, but his confrontation with Laios is a huge part of Laios's character arc. His detour down to the lower levels also allows Izutsumi to escape and join Laios's party later.

We also have this very important moment:

It shows the first inkling- to the audience, to Kabru, and to Laios himself- that Laios is willing to do a painful, necessary thing to protect other people, that he won't just allow them to become collateral for his sister/monsters. That he can listen, and that he can assess a situation beyond his personal feelings. Again, fittingly, big-picture-thinker Kabru is the catalyst for this.

And then, not content to leave him as merely a device for Laios's character growth, the focus slingshots back up to the surface, and we follow Kabru.

The Canaries were going to go into the dungeon soon anyway, and they were always going to stir up the crowd in order to lure Thistle to them. Unless Thistle had given up right then and managed to slip away, the story could have very easily ended here:

Falin, immobilized and surrounded by Canaries, would have certainly been killed, and there would have been no way to ever resurrect her. Thistle would have been neutralized. The dungeon would have been taken by the elves, and anyone they could get their hands on would have been imprisoned at best. And maybe the dungeon would have been managed safely ... or maybe something would have gone wrong, and more lives would have been lost. Remember: the Canaries arrived in Utaya one year before the tragedy.

This is a huge moment that changes Laios's life forever, and he doesn't even know it. Kabru single-handedly keeps the story on course by sabotaging the Canaries, and he does it not just for Laios's sake, but for everyone's sake. For his friends and companions in the dungeon and everyone else outside it. Laios is a part of his motivation, a key player in Kabru's hopes, but Kabru has his own desires, his own agenda. He's trying to change the world. In a way, he succeeds. And while the Canaries might wish it were otherwise, as an entity in the narrative they are always anchored to Kabru's character. The two forces collide because of Kabru. The unsealing of the Winged Lion and Marcille's emergency ascension to Dungeon Lord happen indirectly because of Kabru.

While I have talked so much already that I don't want to give a detailed breakdown of it, I do want to mention Kabru's unique interiority as a character. That is to say: we see the inside of Kabru's head more than anyone else. Every character in the main ensemble gets their own moments of inner monologues or fifteen minutes in the limelight, but for Kabru, it's constant. He's always thinking, talking, narrating. His POV chapters always stand out for how first-person they feel compared to most others.

Notably, the only other character I could compare that to is Marcille, specifically during the dungeon rabbit debacle and her ascension afterward, which is when she really takes center stage as a character.

I hope I've explained my reasoning without becoming too insufferable.

To cap off my thoughts with a nod to my original post, I cannot stress enough how significant it is, thematically, that Kabru's relationship with food is the inverse of Laios's. It isn't just that Laios is the main character in a story about cooking monsters and Kabru happens to be his monster-hating foil. The artistic choice to deny the reader the visual of this character ever enjoying food, and only ever putting it in his mouth in situations where it hurts him, in a manga that gives so much attention to eating and the pleasures of meals, cannot be understated.

[sereniv]

Can someone who is NOT a zionist tell me why Jewish people have so much conspiracy and hate? when did it start and why? how and why did it spread?

Preferably someone who is jewish or really knows what theyre talking about answer

[inbrightshadows]

*sticks one arm out from under my rock, slips this into the tag, and retreats back under my rock* Inspired by the cass apocalyptic series by somerandomdudelmao It's a very very cool rottmnt fancomic and you should give it a read 👉👈🥺 (Not canon but you might recognize some parts/dialogue from the comic) [warning for implied/referenced past infant death but no actual infant death (the boy is fine dw), infected wounds, amputation, and a dog like creature biting someone]

The first time Casey Jr almost dies he's about three months old, by their best guess, and he's only been Casey Jr for a week.

Cassandra and Raph go out on a supply run, which is normal. They come back with a baby in a box, which is not.

Fortunately or unfortunately, there's no such thing as government or paperwork in the apocalypse. So there's nothing stopping Cassandra from saying “I found him in an alley so he's my son now, his name is Cassandra Jr.” And that's that.

Thankfully, this isn't the resistance's first baby so there's plenty of formula and hand me downs to supply Cassandra in her sudden status as a Mom. And everything else the family quickly supplies.

Donnie is very uninterested in babysitting the oozy crotch goblin but Casey Jr's crib still has the genius built logo and built in laser security system to prove he cares in his own way.

Mikey breaks into his carefully rationed paint supply to paint a small mural above the crib and takes every chance to babysit he can.

And Raph? Well Raph dives headfirst into the roll of co-parent slash halway blockade.

Then there's Leo.

In his own words, he has a whole resistance to babysit. And besides that there’s not much he can really do other than what he’s already doing.

Fight the krang, stop the war, give little Casey Jr a better world to grow up in. And also avoid everyone’s efforts to get him to hold the baby.

He is not cut out for tasks that require a delicate touch but it seems like he’s the only one who understands that. He’s a gigantic mutant ninja turtle who, unlike his brothers, has never had any kind of hobby that requires any kind of delicacy. So he hangs back, he keeps an eye out for things that will be useful to the Caseys while he’s out on the surface, and he waves away attempts to hand Jr to him.

And then Casey Jr gets sick.

It should be fine. Should be normal. Babies are delicate little things, getting sick is a thing they do. Except there’s not much the way of medicine in the apocalypse. And babies are delicate.

It starts as a low grade fever. By the end of the day it’s a raging bonfire. They have a lot of things but medicine is in short supply. Nothing they have is working. It’s just Casey Jr, sobbing his heart out on Raph’s shoulder while Cassandra hovers and Raph tries to soothe all three of them.

There’s nothing Leo can do to help. They don’t have the medicine they need to treat the fever. At least not something safe to use on a baby. Raph is the one who remembers how Dad used to use lukewarm baths to break their fevers when they were little and he was still too scared to try human medicine on them. It helps enough that they can get some formula into the kid. But it’s not fixing things.

Two days pass and the fever refuses to break. The baths are becoming less and less helpful. After the third refused feeding attempt that afternoon Donnie slams down a map of ‘areas most likely to contain useful information or materials for treating a sick baby.’

Leo and Mikey gear up and head out leaving Donnie to monitor things back at base while April takes charge of running everything else so that Raph is free to help Cassandra take care of Jr.

It’s bad luck, really, that a pack of krang dogs find their camp on the first night. It should be fine. They should be able to handle it.

But bad luck is bad luck.

Leo sees movement out of the corner of his eye. He moves to dodge and the ground underneath him decides now is a perfect time to give way.

“LEO!” Mikey yells as Leo tumbles away into the dark.

Leo grunts, biting back a scream as the Krang dog’s teeth sink into his arm. They tumble into the dark together, bouncing down the stacks of rubble. It’s dead by the time he lands but the damage is done.  

The good news is that the fall kept the dog from getting a good grip on him.  

The bad news is that even if the bite won’t infect him with Krang regular infections are different story. Krang zombies have foul mouths.

Mikey can’t find out it managed to bite Leo. If he does he’ll want to go back and get Leo treatment before they look for the medicine.

And right now every second could mean the difference between getting medicine to Casey Jr in time or adding to their graveyard.

So Leo makes sure that by the time Mikey makes it down to him his first aid kit is a good bit lighter and any sign of the bite is hidden beneath his normal arm wraps.

When Mikey finds him Leo smiles and doesn’t hesitate to wrap both arms around his little brother.

“Are you okay- did it bite you?” Mikey asks, darting around him to hunt down every last scrape.

“Nah, just a couple of scratches,” Leo lies. “Let me heal them-” “No, we’ve got a ways to go, I won't risk you wearing yourself out too soon.” “Leo!” “I already used my first aid supplies on them! It’d be a waste if you healed me now!” Mikey glares at him but huffs and nods. “Fine! But if they start to feel bad-” “I’ll tell you, don’t worry,” Leo lies again.

Day two is a bust. There's useful supplies in the area Donnie marked out for them to search, sure, but nothing that will help  Casey Jr. Or the sensation of a burn throbbing its way up Leo's hidden bite wound.

Leo and Mikey mark out where the useful things are and keep going. Someone can go back for them when they're less pressed for time.

That night Leo waits for Mikey to fall asleep before he checks the bite. It's bad.

The moment the bandages come off he's gagging at the putrid stink of infection. It's hard to see it in the dark but then again he's not sure he really wants a better look. It wouldn't change his mind anyway.

He can make out the dark veins of infection spreading. If he wasn't green it'd certainly be a violent red.

He cleans it, spreads a thin layer of disinfectant cream that will do about as much good as throwing a cup of water at a bonfire, and re-bandages it.

His usual arm wraps go up over top of it, hopefully Mikey won't notice he's done them a bit higher than normal.

All the evidence goes into the fire. By the time Mikey's turn to take watch comes all that's left is ash.

On day three Leo wakes up feeling like someone dropped a building on him. He makes the mistake of groaning about it.

“Leo? Are you okay?” Mikey asks. “Yeah, yeah I’m fine. I just, uh, I think I’m inheriting Dad’s back problems! That or the Krang made the ground harder.” Mikey snickers. “I mean, they would, but I’m also pretty sure you just called yourself old.” “I did not!” Leo drags himself upright and makes a show of cracking his back. It obliges with a satisfyingly loud pop that makes Mikey giggle harder. “I think your spine disagrees with you too.” “Shut up!” “Awwww are you feeling cranky, old man?” 

Leo is too exhausted to feel properly offended or even think of forming a comeback but he plays it up for his little brother anyway.

Anything to keep him from worrying. Or forcing them to turn back. It’s fine. This shouldn’t take too much longer anyway.

It’s midday by the time they reach the second site. Just from a glance it’s obvious this is a more promising site. There are actual chunks of buildings scattered around and there’s enough of a shattered sign left lying around to tell them that whatever kind of care this place used to give it was geared specifically towards children.

There’s plenty to find digging through the rubble. Well. Plenty for Mikey to find. Leo is mostly trying not to let on how dizzy he is.

To both of their frustration, they run out of daylight before they find anything. Leo can feel his body screaming at him to lay down and rest. Just a little longer, he tells his body. They’re going to find the medicine. He can feel it. Leo just needs to make it at least that long.

The fourth day dawns. Mikey shakes him awake as soon as there’s enough light ot see by. Leo bites back a moan as he claws his way upright. Leo thought his arm hurt before but now it feels like someone is pouring lava down it.

He notes with a calmness that boarders on absurdity that he can’t feel his fingers.

Something must show on his face- or maybe he just looks at least halfway as awful as he feels- because Mikey frowns at him when he wakes up.

“I’m worried,” Leo blurts out. “If this takes much longer then- I don’t think- he’s already been sick for so long.” “We’ll find it. Today, I’m sure. I’ve got a good feeling.” Leo tries to smile for him and hopes the shaky thing he offers up is enough. Well. At least one of them is feeling good.

Leo is lucky. He’s always been lucky. Luck runs out eventually, it always does. But not today. Maybe it helps that Leo isn’t hoping for something for nothing. Because on day four they strike gold.

Mikey is a short bit away, digging through the rubble with his power, hunting for anything with even the chance of helping. Leo is doubled over just out of his site, trying to stifle his stomach’s efforts to rebel against him.

Don’t hurl, he tells himself, if you hurl there’s no way Mikey won’t realize something is wrong.

He forces his eyes open, hoping that focusing on something will help. And then Leo’s eyes fall on a shattered glass cabinet, several packs of some something promisingly adorned in cartoon human children. He reaches in, flips it, and feels a wash of relief when he realizes it’s exactly what they’re looking for.

“Mikey- Mikey look-” everything fuzzes, tumbles. There’s something under him. He blinks back blurs of color, tries to resolve them into something coherent. Mikey’s face hovers over him, mouth moving. He looks upset. “What's the matter?” he tries to ask. “Leo! Leo, are you sick? What hurts?” “Arm,” Leo answers without thinking.

Oh shit. Oh shit he’s not supposed to let Mikey know. But it’s a little late for that. At least the panic clears his head a little. Mikey makes a wounded sound in the back of his throat as he uncovers the bite.

“Leo.” “Yeah, I know. Sorry… sorry for lying.” He watches Mikey’s lip wobble until Mikey catches it in his teeth. “Leo this is bad! We- I don’t know if we have the supplies to treat this!” Leo hums. Now that the panic is fading it’s getting so much harder to think. He lifts his good hand before he can forget and flops it over towards Mikey. “S’okay. We can go back now.” Mikey takes the box of medicine with shaky fingers. “Leo,” he croaks.

Mikey is talking. Something… probably important? He looks scared but they’re not under attack. He’s pretty sure they’re not. Leo tries to focus on him anyway but it’s so hard. He’s so tired.

He’s been tired but there was no resting, not properly, not until they got what they needed. They do now so it’s fine, he can rest his eyes a bit.

Good. Seeing is hard too. Just blurs and colors.

He feels Mikey’s hand on his face, his voice in his ears. He tries to pay attention but he’s slipping, sliding away.

“Sorry,” he mumbles, but he’s out before he can think of what, specifically, he’s sorry for.

Leo doesn’t remember the trip back, just the thud of Mikey landing. Someone screaming. A hand squeezing his. Small. Thin fingers. Lots of them.

“April?” he might mumble. He thinks. “Shhh, rest big guy,” Probably-April says. “Donnie has it. He’s gonna fix it.” Oh. That’s good. He lets himself sink, lets her hold him together while he waits for Donnie to do what Donnie does best.

A light in his face. “Am I dying?” he says. Thinks? Someone hisses. Angry sound. Who does that again? “Not if I have anything to say about it. And I have a lot to say about it.” Oh. Donnie is here. That’s good. Didn’t someone say he was coming? “Now go to sleep, you don’t want to be awake for this part.” Leo doesn’t get a chance to answer, he’s already sinking again.

Leo blinks up at the ceiling of Donnie’s lab. He spends a good while just staring at it, trying to get his brain to work. His arm throbs. “Ow.”

Some several things crash and shatter and then Donnie''s face hovers into view. “How do you feel- nauseous? any pain, aches, fever? Chills?” “Uh, my arm hurts a little?”

“Which one? The one that got bit by one of the most disease ridden things in the apocalypse and then went four days without medical care or the other one?” “Hey I did some medical care!” “You did FIRST AID. You know, the thing you do to help someone before you get them ACTUAL MEDICAL CARE.”

Leo winces. There’s no arguing about that one. “Ok well, I was hoping we’d find the medicine and get back before it got too bad.” “Well. You didn’t.” “Yeah, I guess. How long was I out?” he asks. He tries to lift his arm but he can’t feel it move. He frowns. “It… barely hurts anymore. Uh. Donnie? I can’t- Um. Donnie. I can’t feel my arm.”

Donnie’s face twitches. Leo tries to turn his head to look at his arm. Donnie’s hand darts out out to stop him. Leo looks at Donnie again. Donnie looks away, grimacing and refusing to make eye contact.

“Donnie-” “Don’t look yet.” Leo tries to move his arm again but there’s still no response. No it’s not just that there isn’t a response. He can't even feel the weight of it.

He can feel his shoulder. He can feel a ring of throbbing pain a few inches above his elbow. And then it’s just… light? Like there’s nothing but air- oh. Oh. Okay then. There’s where his luck ran out. “...Huh. That’s. Hm. Let me see?” “Leo-” “Donnie. Let me see.” Reluctantly, Donnie eases back.

For a second Leo doesn’t do anything. He closes his eyes and breathes. He turns his head. He opens his eyes.

It’s gone.

Everything past his first crescent marking is gone.

He closes his eyes and takes a deep, measured, breath. Okay, he thinks. Okay. He’s a medic. He knew this was a possibility.  Donnie starts eyeing him nervously.

“Did he make it?” Leo asks at last. “...Yeah he made it,” Donnie says quietly. Leo feels like he's fully breathing out for the first time since Cassandra burst into the infirmary with a sick baby in her arms. "Good. That's good." Donnie puts his hand over the end of Leo's nub, covering the scar. He stares at the floor and says nothing. Silence reigns. Leo stares up at the ceiling, letting it settle around them.

Until the door slams open and the rest of his family tumble through the door, both Caseys included.

The last knot of tension loosens from him at the sight of Casey Jr, happily wiggling in his mom’s arms as he flails his arms at Raph.

He tears his eyes away as his family gathers around him, worried and loud, and Leo only knows one way to calm them down.

“So. I’m guessing I'm the opposite of... All Right now, huh?” Cassandra covers Casey Jr's ears. Donnie leans away, inhaling sharply. “Why are you like this?“ he asks. “Because it's all I've got... Left” Raph groans, hiding his face in his hands. “Already?” “Put him back under,” April says, deadpan. “Boooo,” Mikey says, and Leo pretends he doesn’t sound two steps away from tears.   “I hate you so much,” Donnie lies, a few screens manifesting around him. He taps away with the hand that isn't still covering the scar on what remains of Leo's arm while Leo laughs at his own terrible jokes.

“You no longer have a choice about getting a prosthetic. Mikey tried to say I had to ask before implanting experimental technology in your body but you know what? I’m making an executive decision. I can’t live with the puns.”

Leo starts laughing harder, so hard that it circles right back around to sobbing. He’s buried in a pile before the first sob can even fully leave him. Donnie’s eyes stay on the screen even as he shifts his hand to Leo’s shoulder and squeezes. “I’ll fix it. Don’t worry.”

Leo spends a lot of time sleeping but he’s never alone when he wakes up.

There’s Raph, showing off the balls he’s threading onto his mask tails so Casey Jr can climb them while Cassandra sits nearby, once more restitching her perpetually tearing sleeves on her shirts.

He wakes to Mikey making little fish or birds dance in the air while Casey Jr sits in his lap and reaches for them.

Or there’s April pouring over battle plans with a mug in one hand and the other wrapped around Casey Jr.

Point is there’s a lot of Casey Jr. So Leo really should be prepared to wake up with a tiny weight on his chest, healthy and safe and sound. And still so very tiny. His breath hitches, he doesn’t dare move.

“Bemused scoff.”

Leo carefully turns his head toward where Donnie is busily typing away at something.

“You know you can’t avoid holding him forever. Even I've held him." Leo gives Donnie the flattest look he can manage. Sure. Donnie has held Casey Jr. Once in a blue moon when there was literally no one else to do it (and Leo's hands were firmly tucked under his arms.) For about sixty seconds total. "...I've held him more than you have.”

Leo grimaces. “Look, I wasn’t cut out for holding delicate stuff when I had two arms. It’s an even worse idea now that I’m twice as likely to drop him.”

“Invalid excuse. I’m already working on a solution to your arm situation.” Donnie waves his hands and his ninpo sparks, building a blue print of an arm and some other thing hovering in the air between them.

“These are the schematics for a bio-mechanical arm and a socket implant to allow it to safely interface with your nero-” Leo’s brain glazes over the rest of Donnie’s explanation.

“...So you want to turn me into a kick ass cyborg?” he asks as soon as Donnie is done. “Did you listen to none of what I just said?” “C’mon, Don, I’ve got you for all the nerd stuff.” “Exasperated sigh, yes I’m turning you into a kick ass cyborg.” “Sweet,” Leo says, yawning. Donnie huffs. “Go back to sleep, Nardo.” “Can’t, baby could fall,” Leo mumbles. “I won’t let him fall. Just rest.” And Leo trusts his brother. So he does.

It takes a frustratingly long time for Leo to recover enough for the surgery to implant the port for the arm in his stump. It’s more low profile than he expected, hardly noticeable at all unless you’re looking head on at it.

Then there’s a whole other saga of learning how to use the arm Donnie has built him. It’s clunkier than Donnie’s preferred standards but it works almost as seamless as his real one. He gets good with it and he gets good with it fast because with the Krang you either do it fast or you don’t do it all.

The unintended and unwanted side effect of this is that now his family are no longer accepting “I’m not good enough with my arm I might drop him” as a valid excuse to not hold Casey Jr.

And they are very, very, intent on getting him to hold Casey Jr.

Look. Leo is thanking sweet pizza supreme in the sky and every one of the Hamato ancestors, Casey Jr bounces back from being sick like it never happened.

He bounces and wiggles, he babbles and giggles, as though less than a week or so ago he wasn’t so sick that Leo and his family (literally) risked life and limb to get him medicine. And Leo is thrilled. Really.

It’s just that he wishes his family would stop encouraging Casey Jr’s newest favorite game- trying to grab Leo. Because apparently one of any baby’s favorite thing is whatever they can’t have.

“Here! Hold him!” Mikey holds Casey out so that he faces Leo. Casey Jr, who seems to have a sixth sense for when someone is playing the 'try to get Casey close enough to touch Leo' game,  is thrilled. His tiny arms wave at Leo, itty-bitty fingers clenching like they’re ready to latch on the second they’re close enough to touch him.

“W-wait, I can’t!” Leo protests for the thousandth time. But Mikey isn’t taking no for an answer this time. A nudge of mystic power keeps Leo from fleeing. All Leo can do is tuck his dangerous un-baby proofed metal arm away from tender baby skin and wave his flesh hand pleadingly.

“C’mon Leo… you have to hold him eventually.”  Mikey cajoles, gently waggling Casey Jr.

“Not happening, no way.” Leo leans back as far as Mikey’s powers will let him.

“Yes way,” Mikey says, holding Casey closer and closer. Casey is giggling furiously, tiny arms flying at top speed.

“Do you even see how tiny he is?” Leo points at the baby, just in case Mikey needs a reminder. “I could break him with one finger!” There’s a tiny nudge to said finger. Leo looks down. Casey Jr is copying him, nudging Leo’s much larger finger with his own.

Mikey gets a look on his face. A terrible, evil, look.

“One finger? Like thiiiiis one?” Mikey grins as he lifts his middle fingers away from Casey Jr’s body. Leo freezes. “Mikey. Mikey no.”

“Whats that? Oh nooooo.... I can’t hear you over the sound of my grip slipping!” Mikey sing-songs. “Don’t you dare!” Leo stares at him, horrified and frozen. He won’t. Surely he won’t. Cassandra would murder him. Raph would double murder him. He wouldn't. Right? Right??? “Oh no! I hope someone catches the poor delicate baby!” And then Mikey drops Casey Jr.

Leo shrieks. He forgets that Mikey is literally magic and does not need his hands to hold a building, much less a baby.

“Mikey what the fuck!” Leo squawks, hands flying forward and closing around the tiny delicate bundle that is- … not falling towards the ground at all actually.

The gears turn, the realization that he's been tricked sets in. Leo glares at Mikey. Mikey grins, unrepentant, and waves his faintly glowing hands, a glow also present around a perfectly safe Casey Jr. The glow vanishes and Leo feels the surprisingly greater weight of the baby properly in his hands for the first time.

“Ahhhh Mikey- Mikey take him back!” Mikey stubbornly keeps his hands in the air and backs away, still grinning. “You’re fine, you’ve got this.” “I don’t have this!” in spite of saying this Leo is already tucking Casey closer to him. “It’s fiiinnne, you're doing fine! Look, he’s having a great time!”

Tiny clumsy fingers hit his jaw, drawing his eyes down. Casey Jr has one hand buried in Leo’s scarf. The other is pressed to the highest part of Leo’s face it can reach. As he looks down they stretch up, reaching for the vibrant red markings on his face.

“Ah- what- what does he want?” “Awww he likes your stripes, hold him higher!”

Hesitantly, Leo shifts the baby a little higher in his arms and Casey’s little fingers smack against his markings, clenching against them as best the pudgy little things can. Leo chuckles. “What? You want those? Hate to break it to you bud but they’re kind of attached to me.” Big dark eyes lock onto his. Casey Jr babbles. His little fingers flex against Leo’s face again.

Someone makes a noise like a slowly deflating balloon. Leo looks up to find Raph has found them. He’s standing in the doorway, his eyes shining with unshed tears.

“Please tell me Donnie has a good angle on this,” he says, voice wobbling. Raph’s com clicks on and switches itself to speaker mode. “Sending you the best shots as I speak,” says Donnie’s voice. “I hate all of you,” Leo lies. Mikey snickers at him, Raph is too busy cooing to reply. And then Casey Jr realizes Raph is there and decides he’s done being held by Leo. He leans his entire body toward Raph and puts all of his tiny baby might into wiggling free of Leo's grip.

“Oh fuck-” “Don’t cuss in front of the baby!” “Raph. Raph.” “You’re doing fine, relax-”  “He’s gonna fall! I’m gonna drop him- Raph!” Raph easily scoops Casey Jr up, saving Leo from the terrifying force of a wiggly baby.

Casey Jr giggles and grabs for Raph’s mask tails while Leo dramatically flops to the floor. Mikey continues to snicker at Leo’s expense, floating over to pat his head.

“I can’t believe you pretended to drop him just to trick me into holding him,” Leo groans. “You what?” Raph’s head snaps over to them. Mikey freezes. “I had mystic hands on him the whole time!” “Baby holding is a two hand activity!” “You literally hold him with one hand!” “Raph’s hand is big enough to count as two!” “Oh that is so not fair!” “... Leo watch the little man for a minute.” Raph sets Casey Jr down by Leo’s head. Leo makes an inarticulate sound of horror but before he can protest Raph is already bolting for Mikey.

Mikey flees with a yelp.    Leo looks at Casey Jr. Casey Jr looks at him. “So, you come here often?” Casey Jr stuffs his fist in his mouth and makes a garbled noise around it, almost recognizable as a very turtle like chirp. Leo checks that his brothers are out of ear shot and then chirps back. Casey Jr’s eyes widen and sparkle. He takes his damp hand out of his mouth and smacks Leo in the face with it. Leo grimaces. “Thanks.” In the distance, Mikey screams as Raph catches him but it's just as quickly followed by laughter.

Casey Junior grows up in between loss and stolen joy and forgotten childhood memories. He gets old enough to ask questions. Inevitably, the day comes when he asks “Sensei, how did you lose your arm?”

And Leo lies.

Or, well… He doesn’t lie so much as he just… leaves out some details. Details Casey Jr does not and will not ever know if Leo gets his way.

“Ah, you know… Krang dog got a lucky bite in. By the time I got back to base it was the arm or me and Donnie chose me.” He says it with a light little shrug, like it’s no big deal.  

Because for Leo, it’s not a big deal. Between losing an arm and losing family he’d chose the arm over and over again.

[italiansteebie]

so the thing is.

steve really really wants this teddy bear.

he was never allowed stuffed animals as a child and had taken it upon himself to build that collection and nurture that part of him. and he's got quite a few now, most of them sit in his closet, save for a few under his bed for easy access, but he keeps them hidden.

because if anyone saw them, if the kids saw them, well. then he'd have to explain. and then it'd go from a funny "make fun of steve" moment to a "steve had a horrible childhood" moment.

so he hides them.

but not as well as he thought.

because eddie has seen the fuzzy little creatures in passing. seen their heads poking out from under his covers, caught glimpses of them tucked away in steve's closet.

and he thought it was cute.

he knew steve didn't have a great childhood, and hey. the guy deserved some soft things in life. eddie too, had some stuffed animals smooshed in with his bedding. so sue him, he likes to be cozy, and those little guys make him comfy.

and he too saw the teddy bear.

and saw the way steve looked at it.

it was pretty cute, eddie has to admit. it was a pretty big bear, soft pink, with a little white bow around its neck.

it was much more... childlike. than steve's others.

but.

the way steve looked at it. it was like he was watching a soldier come home from war. breifly eddie wonders if it looked like something from when steve was a kid, but he didn't delve deeper. he'd make himself too sad.

so he made a plan.

---

steve would never admit it, but he was heartbroken, having to leave that teddy bear like that.

but he was with the kids.

and robin.

and eddie.

and he couldn't exactly just go buy it. he couldn't give his usual excuse that it was a gift for the kids if the kids were with him, it just wouldn't work.

so he gave it up.

but it didn't stop him from thinking about it.

it just looked so soft. and maybe he was touched starved, and maybe this was his way of solving that. and maybe that wasn't "healthy." but it worked for him. and damnit. steve wanted that goddamn teddy bear.

it had been 2 days since steve saw the bear, and it was still knocking around in his mind. so he decided to go and get it. he had the plot in his head, it was a gift for holly wheeler if anyone saw him, and yes, he would like it gift wrapped please and thank you. and so he brushed his hair, and grabbed his keys.

and he swung open the door and came face to face with none other than eddie munson, bag in hand, fist raised, ready to knock.

"hey eds! i was just about to go get... uh. i. run some errands..." steve cringed at the awkward sentence, luckily for him, eddie paid it no mind.

"steve! can i come in? let's hang!" eddie left no room for an answer and pushed his way past steve into the large house.

"wh- eddie! i was about to leave," and he did not whine. he didn't.

"too bad, steve-o. i already ordered the pizza!"

"you pre ordered a pizza? to my house?"

"yeah. now come sit. put on a movie."

and well. steve relented, eddie wormed his way into his home and his heart and so what if he had a crush on the metal head. he was just a boy! he was allowed to have crushes, okay, robin?

so he sat.

and put on a movie.

and the pizza got there.

and they ate.

the sun was going down, and steve's eyes were slipping closed in the peace when eddie jumped up. "i almost forgot!"

steve jolted, rubbing the sleep from his eyes. "what?"

"i got you a present," eddie sang, waving the bag steve had spotted when he first got to his house. steve eyed him suspiciously, "what is it?" he questioned, reaching towards the bag.

"just open it steve!" eddie said, flopping back down on the couch, kicking his feet as he watched steve.

steve pulled back the tissue paper, and caught just a glimpse of the soft pink fur, and he stopped. "eddie..." he whispered, tears welling up in his eyes. "open it up, stevie." eddie encouraged gently.

steve pulled the bear from the bag, "oh my god," he whispered, brushing a hand over the bears head, before squeezing it against his chest, eyes shut tightly, tears streaming down his cheeks.

eddie smiled, placing a gentle hand on steve's shoulder.

"thank you, how- how did you know?"

"i saw you looking at it. i couldn't just let you leave it."

"eddie..."

steve sighed gently, eyes shining, peering up at eddie through his eyelashes, "i can't tell you how much i appreciate this." and with that he threw his arms around the metal head, the teddy bear squished in between them. steve pulled away, eyes locking with eddie's.

"steve, can- i hope what i'm about to ask doesn't... ruin anything, i just. can i kiss you?"

"please," steve breathed, lips meeting and eyes fluttering closed. it was soft, and sweet, and it felt like... home. eddie pulled away, steve letting out a soft whine as he does. eddie cupped his face, letting his thumb run gently over the softness of steve's cheek.

"i have wanted to do that since you carried me out of hell."

"i'm happy you didn't wait any longer because i've been wanting to kiss you since you had that bottle pressed against my neck."

"stevie, so scandalous." eddie gasped, giggling in unison with steve.

the fluffy hair boy stood, grabbing eddie's hand and pulling him with him. "i wanna show you something."

steve led eddie through the house, quiet before coming to a door, "this was my nonna's room, when she would come to visit. it didn't happen that often. but i loved it when she was here. she taught me how to cook, how to speak italian. she was my best friend for a really long time." steve spoke softly, trailing around the now plain room. eddie followed him, hanging onto his every word. they stopped in front of an old photo.

there was a young woman, holding a bear that looked very similar to the one he had just bought steve. "this is my nona when she was young. and that... that was her friend. i always called him bobbie. i don't... know why, but that was his name. and she brought him every time she visited. but she always took it home... because she knew my dad would take it away," steve's voice cracked, and eddie wrapped his arms around him, showing his support.

"she was buried with him. and. i lost two friends that day."

eddie moved to hug steve from the front, letting him bury his head in his neck. "i'm sorry you lost them, stevie."

steve pulled away slightly, "you brought them back." he whispered. and it felt like a confession of something more serious. and eddie was all in.

they shared another soft kiss, sealing in the beginning of something beautiful.

that night they slept in the same bed, the soft pink bear wedged between them.

[egophiliac]

lostinthebookwithstitch.jpg

this is all I can muster right now, too busy having my brain absolutely melted by the September schedule, what is happening

[actuallyjustabiscuit]

Ok thoughts 👏thoughts👏Everyone gather around I have thoughts about this!

Episode 2 was clearly the Pomni episode. We got to see her character get a little more fleshed out and we also got a glimpse of what motivates her which is great.

With this tweet we have solid confirmation on who the upcoming episodes will center on (thanks for not making us guess, Goose) and this lineup is really interesting.

First fascinating thing is that Kinger and Zooble share a spotlight in ep 3. Why is that? Everyone else gets their own dedicated episodes so why are they unique in that regard? What connects them?

Well, I have one idea!

So we know since the pilot that Kinger has been the one to have lived in the Circus the longest out of all of them. We’re still not sure if he was in fact the 1st human to be trapped (maybe we’ll find out in the next episode) but he definitely has the most seniority, both in age and in length of entrapment.

We also know that Zooble was the most recent character to get stuck before Pomni (and considering their attitude, it may have even been quite a while beforehand) AND is the youngest character next to Jax (they even share the same age, which could be a coincidence but it feels too deliberate of a choice).

Which means ep 2 will simultaneously focus on the oldest and the youngest of the characters.

I’m actually curious as to what their dynamic will be because they haven’t really interacted much in the pilot (and like not at all in episode 2), if they end up interacting in ep 3 at all. But mostly I’m excited to see them more fleshed out with hopefully Pomni getting the chance to bond with them (either together or separately).

My guess is that the purpose for them to share focus on an episode is to get perspective from someone who’s been there the longest and has seen more people come and go than anyone else vs. someone who was just recently in Pomni’s shoes and had probably a much different first day experience (we know Zooble cared enough about Kaufmo to personally organize his funeral so they may have some…feelings about who’s essentially his replacement).

Ep3 is also supposedly Gooseworx’s most anticipated episode so I’m extra excited.

Next we have Gangle for episode 4. I honestly don’t have a lot to say about her or the significance in her episode placement outside of her being the closest in age to Pomni (being only a year older). The only hint we get about what her episode will possibly consist of will be on how reliant she is on her ComedyMask to feel happy, which will be very interesting and we might even get some confirmation on whether her avatar was programmed with that feature upon entering the Circus or if it was an add on of sorts by Caine to help keep her sane. A pretty shitty feature if it can’t last for very long but it does make for a nice metaphor about how fragile her facade is (girl is literally masking).

Actually I don’t think her and Pomni have actually exchanged words yet in the show. Wouldn’t it be funny if they don’t up until her episode. Like Pomni is so caught up in between whatever mess episode 3 has in store for Kinger and Zooble that the two of them never actually talk and it just keeps getting more awkward. Gangle wants to talk to her but is so self-conscious about her Tragedy self that she’ll only feel safe to have a conversation if she has her mask, but it just keeps breaking before she even gets the chance.

Again this is all just speculation, if they actually end up talking in episode 3 I’ll…make ship art of them.

Yeah

Anyway, episode 5. The one I’m personally waiting for because y’all should know what I’m about by now.

*Warning: Unhinged, borderline psychotic tangent incoming*

I swear to god if Pomni and Ragatha don’t have a fucking conversation before ep 5 I will launch myself into the sun. I’ll take anything, I just need them to get real for a second. I NEED to know the extent of this woman’s damage. It has to be explored, analyzed, and dissected and I will do so with gusto when the day comes. None of these characters will be safe from my scrutiny, but Ragatha oh ho ho, you have been living rent free in my head for too long, madame. You WILL pay your dues and I intend to collect in every episode until there is not corner of your unsound mind that I have not examined in great detail!

Ahem *Straightens tie* Ok back to business

So yeah, Ragatha.

It may be because we’ve only had 2 episodes but I can’t help but feel like we’re supposed to see Ragatha as a sort of deuteragonist since out of all of the supporting characters she’s so far been getting the most focus aside from Jax, and we’ll get to him in a minute (I promise that’s not just me being biased, or maybe it is, I don’t know, you tell me).

In just two episodes we’ve seen more of what makes her tick compared to anyone else. And of the main cast she’s been the ONLY one to make any kind of connection to the main character and have enough of a meaningful interaction with her to leave an impression.

But this is what really clinched her role as a deuteragonist for me, she’s so far been one of the few to have the narrative briefly shift to her perspective to give us significant character moments like these:

The show REALLY wants us to see just how NOT ok she is.

If she’s meant to be the heart of the group, her heart already can’t take much more damage. Her friendship (if you can call it that, it’s so painfully one sided right now) with Pomni clearly means a lot to her, so much so that her entire sense of self worth seems to be tied to it (and if you’ve been paying attention, she doesn’t have a lot of that as it is). It would be nice to see their connection gradually grow before her designated episode, where she might experience actual growth for herself.

And if episode 2 is any indication of how this show preserves friendships well…

Yeah, I don’t think she’s gonna make it.

In fact, I’m willing to bet actual money that she’s either gonna abstract in episode 5 or episode 6.

Which brings us to Jax’s episode! The other deuteragonist…tritagonist? He definitely shares some degree of significant narrative focus along with Pomni and Ragatha. He’s both an active antagonist force and one of the only characters to drive the plot forward every time he’s on screen (then there’s that weird thing where he keeps breaking the fourth wall).

He has so much significance in the story that Gooseworx gave him his own bullet point in her list of content warnings (this could also be a joke, but I mean it would be funny to see just how despicable they can make this character).

Gooseworx also described Jax and Pomni’s relationship in the show as “messy”. After episode 2, I don’t think she considers him as a candidate for any kind friendship like she did for the others, and who could blame her? In just two days the guy abandoned her to deal with an abstraction and chucked her out of a truck. He’s no one’s favorite person, and he relishes that. Bunnyboy definitely has some issues that Pomni would pick up on the more she’s forced to spend time with him. To the point where I can see her trying to eventually form some kind of bridge because, as her previously established character motivation implies, she’s not the kind of person to intentionally leave anyone high and dry. But unlike the rest of the crew, I don’t think Jax would be inclined to change for the better just because someone took pity on him. He seems like the kinda guy to dig his heels in and commit to his bad behavior out of spite.

And for his episode to come after Ragatha’s, why do I get the feeling the reason Gooseworx went so far as to preemptively apologize to bunnydoll shippers specifically is because he’s gonna cause something really really bad to happen to her (could be abstraction, could even be something much worse) that he would come to sorely regret.

And oh boy would that evoke some feelings in everyone!

I feel like if that is indeed the direction this show is going, the rest of the episodes will really be something.

I’m also certain Caine will get his own episode but right now he is very much an antagonist to these characters. I wouldn’t go so far as to call him a villain, but he’s certainly not someone Pomni is keen on sympathizing with, at least not currently.

Thanks again @lilyclawthorne for helpfully providing me with the tweet so I can give some context for my ramblings of the week!

[ruporas]

wolfwood redraws (ID in alt text)

[just-null]

YO, SUPER LATE SUPER LONG SUPER MESSY OCTOBER POST THAT I JUST SHOVED EVERYTHING INTO BC I DIDN'T WANT TO DO MULTIPLE. FUCK IT.

I forgot halfway that these were supposed to be costumes and not mini aus... SO REMEMBER IN MY PLACE, EVERYTHING IS HYPOTHETICAL. also. some have a bit of yandere elements to them bc its SO FITTING FOR NORITOSHI.

Happy late October, everyone. it's winter now. Let's get it, baby.

[Long rambles and doodles under the cut!]

Vampire!

I kept asking myself, "How sexy is too sexy.." and "How the fuck does a sexy vampire even look like without it being a shirtless guy w fangs or Edward Cullen....." I think I figured it out

Sure, sure, vampires are superhumans with sun allergies that can drink blood really hotly. They can also easily overpower you to feast and blah blah blah, but what if said vampire (Noritoshi) was too weak to do any of that? Not literally, but he craves your say. He wants not only your blood but your affection. He wants to get praised as he drinks you in. Are you comfortable? How much will you allow him to take? Do you want to get him back in return? Guidance with this makes him feel more at ease. It's still Noritoshi at the end of the day. He's going to find a way to be a little awkward about you because of his crush. He refuses to drink from anyone other than you, even if it causes his death. Therefore, he has to keep you healthy! For the rest of your lives..! Besides, he can't really go outside or else he'd.. y'know. So if you think about it, this is a very beneficial relationship for both of you!!

The only downside is that you're losing blood on the regular, and for some reason, more people are moving away... Probably nothing, right? Noritoshi is always there to keep you company and help you recover anyways.

Witch!

my attempts also bled into the witch design.... you got greedy with requesting two in one ask, but I'll spoil you this time bc I also wanted to see Noritoshi as a (sexy) vampire and witch. heh. AND I DIDNT REALIZE HED BE SO CUTE AS A WITCH..... WHAT THE FUCK?? rip momo, fight for your title of cute witch...

Noritoshi strikes me as one of those witches who'd rather be left to their own devices because they're running some important magic whatever in the background. though, he'll take some breaks and indulge you if you insist on having him around. Insist meaning you pass by and strike conversation, leaving him to neglect anything and everything to prioritize his time with you. He doesn't want to use magic on you unless it's beneficial for either you or both. Noritoshi likes a natural progression with you that he knows for a fact is true and not some product of some spell. Though it doesn't mean he wouldn't use charms and such to get you to interact with him more often to speed up the process!

Can't sleep? He has a remedy perfect for that! Bad luck? Oh no, take a charm. Nerves? A potion he perfected will help you ease your jitters. Annoying peers? With a snap of Noritoshi's fingers, they're gone! Just don't ask what happened. Enjoy yourself instead and come to him with any new issue. He's quick to resolve it.

Definitely has some sort of doll that looks suspiciously like you.. Noritoshi would probably talk to it and practice one liners that give you the strongest sense of nostalgia once he uses them. He's simultaneously giddy that the charm he put in the doll works but also a little annoyed that his hard work isn't surprising you, but leaving you with deja vu.

Idol!

i was crying the entire time bc what does an idol look like.... noritoshi is handsome enough to be an idol without actually being an idol... now i can confirm that idols are very well dressed though. thumbs up 100% but i had some thoughts...

[Idol]

Noritoshi would be the type to cherish his fans, but hold clear favoritism over you. he'd be those idols that look cold, but they talk, and they sound smug in a charming way. i don't know much about idols, but i know he'd be so fucking good.... he'd be the type of guy to sing to you amongst the hundreds in the crowd.... ahhh the interviews w these famous aus. they're just talking and acting like themselves. can you imagine Noritoshi getting asked the question if he has a lover or not? he can lie, im sure you're alright with that, but he doesn't want to!! he does have someone!!! someone he loves more than all his fans love for him combined!!! he just can't say it for the sake of your privacy and his career. so Noritoshi does what any charming guy who's good with their words does. he deflects the question. answering the question, but not really, that'd be something he's known for. fans online are split on why Noritoshi does this. some think he's trying to keep that side of his life private, others think he's trying to mess around, and others think he's hiding a secret lover!!! though the last one is usually seen as the outlandish one, sometimes it makes Noritoshi's heart drop bc they get some things right. "Having a lover is a complicated question hidden behind a simple disguise. If I had to answer, I'd say my lovers are my audience. they make sure i'm well cared for, some more than others." AND HIS FUCKING LITTLE SMIRK I CANT COUGHS UP BLOOD. IM A THEORIST TOO. SECRET LOVER. 🫵🫵🫵🫵🫵

ON THE FLIP SIDE....

[Not an Idol]

An amusing thought where Noritoshi goes out in his casual clothes, and he's mistaken for an idol. No one knows who he is, but he just looks like he'd be one. bro's just trying to buy groceries, and now he has a fan group asking him to take pictures with them.. He'd tell them that he's just a guy, not an idol, but the group would still want a picture with him. it'd be a waste to pass by someone who's so naturally gorgeous, so with a sigh of defeat, he relents. It's just a photo, right? No harm done. Noritoshi'd go home and feel overwhelmed/embarrassed by the whole ordeal. later, he gets a call from someone in the kyoto group or you to inform him how he's all over social media, known as that handsome guy in the supermarket. HED BE COMPLETELY UNREACHABLE TO MEDIA OUTLETS BC NORITOSHI IS THAT GUY WHO DOESNT HAVE SOCIAL MEDIA.... he'd have to make one to make sure no one pretends to be him online. "Hello, I don't use social media, but I've been informed I've been getting attention online. To prevent anyone from being fooled by an impersonator, this is my official and only account. thank you." P.R. STATEMENT WRITING ASS.. his single post gets flooded with likes, comments, and DMs. it almost blows up his phone..... he was just buying bread, dude...... people try to dig up and find him through the other Kyoto group's social media.

[bonus] my second in command requested to put him in a fem idol outfit bc he thought it was funny. after frothing at the mouth and coughing out blood, I complied.

Doctor!

THIS IS SUCH A STRAIGHT FORWARD ASK BUT IT HAS SO MANY IMPLICATIONS. MY BELOVED CULT MEMBER.. THOSE EMOJIS GIVE ME A DIFFERENT IMPRESSION BUT IM NOT SURE.

Noritoshi as a doctor...... apple sales would plummet. his little clinic's business would skyrocket. sick cases would peak in his area. getting your heart checked by his stethoscope would be so fucking embarrassing bc all he'd hear is THUMPTHUMPTHUMPTHUMP

LIKE IMAGINE IF THAT WAS YOUR DOCTOR? BRO.

COUGH COUGH HACK WHEEZE COUGH COUGH.

Noritoshi would probably own a small clinic that he wants to expand. That or he opened one after working for a hospital for a while. He's a great doctor who's most likely respected but a pain in the ass to work with. Among patients, he's gotten the hot doctor reputation. Most want to be treated by him, but he's so professional, any chance of trying to flirt goes down the drain. Yeah, he puts his hair up to avoid it in his face even though his eyes are closed classic lab safety procedures. He seems like the type to have a soothing but authoritative voice during examination, so he gets his message across. it's a bit difficult when dealing with patients for Noritoshi. If he sees them too often, he firstly scolds you for not taking care of yourself, then feels guilty for not giving you the proper care. Keep yourself safe and healthy, or else Noritoshi will clearly :( Putting him in a yandere setting would be dangerous. He'd have a lot of control over you, considering he can prescribe medication, shots, visits, and other things.... he'd have a ball.... nothing that would cause you any harm, of course. he's only looking out for you and doing what's best for you..!

Pirate!

my second in command wanted a pirate. pirates are so fucking cool and i know damn well if this guy were a pirate he'd have a bunch of battle scars under that fancy coat.

Noritoshi as a pirate would be more than a little odd, but also fitting. He looks like the type of guy who'd be well put together, yet he's willing to get his hands dirty. Like the guy who got into the pirate life because of some personal issue that couldn't be solved fast enough through conventional means. Even as a pirate, i imagine he holds everyone to high standards. They're still pirates though.. so his expected standards aren't even that high. He has more freedom here, so even he himself lets loose once or twice. Especially with you. He's even able to get away with more violent actions for you, the seas are unpredictable, after all. While taking some treasure, Noritoshi'd toss you a gem or golden coin, just so you can say you were the first to claim it. Just so he can see that happy glint in your eyes when getting your hands on treasure. God forbid anyone try to get their hands on your hard earned goods. They'd be met with a bullet to the foot or a sword at their neck. Everyone and their mother knows how you're his favorite, but Noritoshi downplays it. Its not a crime to help out someone from his crew is it? Not in the seven seas. He leans more into his cold ruthless killer side here. He has goals and people to help keep in line whether hes captain or not. Yet when around you, he's almost adorable in how he shows you a pearl so entrancing that it reminded him of you.

Corpse Bride!

my submission to my Noritoshi Halloween costume closet.. CORPSE BRIDE, THIS MOVIE FUCKS. esp w the yandere elements.

Noritoshi 100% made you recite the wedding vows to him before accepting the ring. If you fumbled up, he'd correct you with SO much attitude and expect you to start from the top until you got it perfectly.

Hypothetically, in the chalice scene towards the end..

Noritoshi is the type to never be fully relaxed unless he knows for sure you'll be eternally his. In this scenario, YOU proposed to HIM but have to die to continue being together. Not only that, but someone in the living world is also after your heart. Someone who bleeds. Someone who's the obvious choice. Someone who can give you the life that you deserve. Someone who will succeed in their pursuits if you. remain. alive. Noritoshi's life was cut short, yet he still managed to lose so much and be abandoned a considerable amount of times. When he meets you and finds out about the possibility of having to go through that again even in death, it finally clicks in his rotting mind. He realizes he's been doing something wrong to keep constantly failing. Noritoshi revises his methods to a more.. selfish course. Why should he care about anyone else's wants or how his actions hurt them? You were the only one who made him truly fulfilled, to make him feel alive. The only one who deserves anything and everything good that comes from this world. Destiny is never done toying with him when he realizes your marriage is invalid because of your pulse and his lack thereof no matter how hard he'd try, but the opportunity arises. of course, he's ecstatic to give you an afterlife worth much more than what a silly beating heart can achieve. "All people die eventually. If you miss your living family or friends, all it takes is patience, darling. I'll wait by your side in the meantime." He weighs the pros and cons of everything, but when it comes to swaying manipulating your thoughts he only highlights the ones that'll get you on his side. in this case, the pros of dying to be with him! Honestly, the answer was so obvious that Noritoshi didn't know why he was stressing about it before. It hurts him to see you in any type of pain, but he reassures both himself and you that it'll only be for a moment. Afterward, he'll have the rest of your afterlives to make it up to you!! What happened to Till Death Do Us Part? Noritoshi thinks it's insulting that something as shallow as that could be so widely accepted. If your love were true, it wouldn't stop just because the world decided to take them away. "Till death do us part? Darling, don't be silly. 'Not even death will do us part' feels much better, doesn't it?"