#i cut them out of that one big page of all the characters and put them next to each other to get the heights right

[cowgremlin11]

i like to think viktor goes ohhhh sometimes like mrs bapka does

[writers-potion]

Storyediting Questions to Ask

As You Read the First Draft:

Are there place that surprised you as you read your first draft? - Why do you suppose that is? - Is there material there you'd like to expand?

What are the character really doing in this story? - Might they have issues you haven't explored fully yet?

Look to the places that drag. - These might be scenes where you have avoided dealing with something deeper. - What are the characters really thinking in these places? - What are their passions, frustrations, and desires?

Imagine alternative plotlines. - How might your plot be different if ti headed off on another tangent from various points in the story? - You don't have to follow them, but they might suggest other streams that can flow into the main plot.

Think About Structure:

Does you story play out naturally in three acts?

Is there an immediate disturbance to the Lead's world?

Does the first doorway of no return occur before the one-fifth mark?

Are the stakes being raised sufficiently?

Does the second doorway of no return put the Lead on the path to the climax?

Does the rhythm of the sotyr match your intent? If this is an action novel, does the plot move relentlessly forward? If this is a character-driven novel, do the scenes delve deeply enough?

Are there strongly motivated characters?

Have coincidence been established?

Is something happeing immediately at the beginning? Did you establish a person in a setting with a problem, onfronted with change or threat?

Is the timeline logical?

Is the story too predictable in terms of sequence? Should it be rearranged?

About Your Lead Character:

Is the character memorable? Compelling? Enough to carry a reader all the way through the plot?

A lead character has to jump off the page. Does yours?

Does this character avoid cliches? Is he capable of surprising us?

What's unique about the character?

Is the character's objective strong enough?

How does the character grow over the course of the story?

How does the character demonstrate inner strength?

About Your Opposition:

Is your oppositing character interesting?

Is he fully realized, not just a cardboard cutout?

Is he justified (at least in his own mind) in his actions?

Is he believable?

Is he strong as or stronger than the Lead?

About Your Story's Adhesive Nature:

Is the conflcit between the Lead and opposition crucial for both?

Why can't they just walk away? What holds them together?

About Your Scene:

Are the big scenes big enough? Surprising enough? Can you make them more original, unanticipated, and draw them out for all they are worth?

Is there enough conflict in the scenes?

What is the least memorable scene? Cut it!

What else can be cut in order to move the story relentlessly forward?

Does the climactic scene come too fast (through a writer fatigue)? Can you make it more, write it for all it's worth?

Does we need a new minor subplot to build up a saggin midsection?

About Your Minor Characters:

What is their purpose in the plot?

Are they unique and colorful?

Polishing Questions:

Are you hooking the reader from the beginning?

Are suspenseful scenes drawn out for the ultimate tension?

Can any information be delayed? This creates tension in the reader, always a good thing.

Are there enough surprises?

Are character-reaction scenes deep and interesting?

Read chapter ending for read-on prompts

Are there places you can replace describing how a character feels with actions?

Do I use visual, sensory-laden words?

For a Dialogue Read-Through:

Dialogue is almost always strengthened by cutting words within the lines.

In dialogue, be fair to both sides. Don't give one character all the good lines.

Greate dialogue surprises the reader and creates tension. View it like a game, where the players are trying to outfox each other.

Can you get more conflict into dialogue, even emong allies?

If you like my blog, buy me a coffee☕ and find me on instagram! 📸

[cy-lindric]

bonjour cy-lindric, j'ai une petite question. when I was a young person, I read The Three Musketeers and then eagerly started to read Twenty Years After and was so upset at what had happened to my beloved young heroes that I put the book down and never picked it up. what do you think, should I try again?

Bonjour !

After reading The Three Musketeers, I also wasn't sure I wanted to read Twenty Years After, and I took a break inbetween both to read something entirely different (The Locked Tomb, iirc). I think my reason for that was kind of the opposite of yours ; I enjoyed T3M a lot and loved the characters, flaws and all, but by the end they had somewhat crossed over the line into being Too Awful and the lack of retribution left me a bit frustrated. I didn't see it as a failing of the story - on the contrary, their strong character flaws and downfall in the conflict with Milady is one of the most emotionally intense and compelling parts imo - but I wasn't sure I felt like hanging out with these guys for a few hundred more pages at that point.

If your vision of the characters as a young reader was a very positive and perhaps idealized one, I can imagine why you might not have enjoyed entering into Twenty Years after. The illusion of glory has worn off ; the characters have separated, they live unremarkable lives, and their personalities have evolved drastically with the passing of time. It's almost a brutal return to reality.

For me though, it added layers of characterization to the point where now it's clear to me that this version of the Inseparables is by far the one I prefer.

I hope it's ok if I take the opportunity to talk at length about what I like about TYA below the cut. TL;DR : I love that Twenty Years After is a more realistic look at the big four's personalities and how they evolved while still keeping them thematically coherent, and that TYA makes them confront the reckless and cruel shit they did in their youth.

Spoilers ahead obviously.

We've often talked about how T3M is at its core a story about the end of knighthood. It's a tongue-in-cheek approach at chivalrous initiation, set at edge of the modern world, inbetween the time of ballads about knights in armor and that of adventures about journeying gunmen and soldiers. I think TYA embodies that particularly ; the story of people who have carried the last of these intense, dangerous chivalric ideals in their youths, and who have now grown into middle aged adults who need to find their place in the world.

For a good chunk of the book, the big four are separated into two teams ; that in of itself might discourage some, but imo it's genius. Instead of the natural two-by-pairings, Dumas goes for a d'Artagnan+ Porthos and Athos + Aramis split on opposite sides, which makes for good drama and develops lesser explored dynamics. D'Artagnan and Porthos form a scrappy team of opportunists with money on their minds, and Athos and Aramis a more idealistic duo fighting for a noble lost cause. I think it's a bold choice but also premium sequel writing.

I also love the way the young and wild characters we knew evolve into middle aged men ; at their core, they're still the same, but they've all changed and struggled against the sunset of the golden age in their own ways.

D'Artagnan, after knowing such adventures and subsequent rapid social ascension in his teenage years, has been met in his adult life with the harsh reality that he is, in fact, not a noble knight but a soldier on payroll. His modest origins give him little hope for any further career advancement, and he takes on a new mission in his early 40s for a man he has no devotion for and a cause he doesn't care about, simply because he is bored and broke. D'Artagnan still has his quick wits, his strategic talent, his fencing skills, but he has grown out of the excesses of pride of his teenage years. I loved meeting him again in TYA, and it made so much sense to me that his bouts of anger and aggressivity would be a youthful trait that he'd ended up taming. He also realizes now a lot of what seemed like funny adventures and necessary violence was actually kind of fucked up ; that was a shock to me, as their shenanigans are treated so lightly in T3M, and tbh it healed me a little. Grown up d'Artagnan is cunning, calculating, down to earth and realistic. My foxy little man. I love him.

Porthos, likewise, has been struck by the weight of reality. He has made the sensible choice and got married to the rich widow who sugar mommied him in the first book. Now she's passed, he is rich, but he still fails to earn the respect of the high society he evolves in because he's not high born enough. Like d'Artagnan, he's stagnating and bored and now that he goes back adventuring it has nothing to do with the queen or the kingdom or honour ; it's about getting his damn nobility title.

Athos, on the other hand, is the eternal knight : the only truly high born of the four, and still hopelessly holding on to a time gone by. It's no surprise imo that his storyline brings him into the english civil war, doomed to fail at saving a king who'll end up executed right in front of him. TYA acknowledges more clearly than ever that at 28 yo, Athos was a depressed alcoholic, and an embodiment of what an excess of aristocratic righteousness can do. In TYA, he is sober and moisturized and a DILF, and now he's running around frantically looking for absolution for his numerous crimes. It's delicious.

Aramis is maybe the hardest pill to swallow. TYA confirms the T3M hints that he isn't really the prim and proper romantic boy he acts like he is, and that he's possibly the most hypocritical and ruthless of the four. It might be a harsh one for Aramis fans who like him better as a cute bean, but I love the early onset of remorseless conniving bloodthirsty ambitious Aramis. Another harsh bit might be the evolution of Aramis and d'Artagnan not really liking each other ; they were always the least close combination, and imo it makes sense that their personalities would clash. I think it's clever and compelling conflict.

Now, obviously, if you've cared enough to read all this and if you know me a little, you know that a huge highlight of the book for me was its late-appearing antagonist, Mordaunt. Mordaunt is the son Milady had with her english husband. Because of the Musketeers' intervention, he's grown up in poverty and has been denied his father's inheritance. He's now a Roundhead working for Cromwell, and set on avenging his mother at all costs. Mordaunt, unlike his mother who was this beautiful and dangerous force of nature, is very uncool and pathetic. She was the primordial snake, he's the gutter rat. Obviously, I love that in and of itself, but it's also kind of striking image of the wretchedness of what they've done to her, a fucked up little goblin ghost come back to haunt them as they're trying to make their life worth living again. This time, their enemy is not a cunning political rival with a flamboyance of body and mind akin to their own ; it's a shitty little guy with bad skin who wants to kill the king and punish the murderers. Watch out babes, it's the modern world coming for you.

Of course, they're the Four Musketeers, and they did what they had to do, so they get together again and swear friendship and keep going their way. But they're also old guys with difficult personalities in a world that's never going to be the same. I think it's a cool book.

[nitrowyverine]

I thought playing Obscura would help me get rid of my brain worms. no, it just gave me new ones. For Obscura, specifically.

I'll be adjusting the format from my TOUCHSTARVED expanded thoughts post. Brain dump after the cut!

[Demo/CH 1 spoilers are included]

(Header Image from Itch.io page! All images in this post are either from there or the Rotten Raccoons tumblr page)

Design/gameplay thoughts:

In full honesty without fluff: this game fucks immensely.

The setting for Obscura might be my new all-time favorite, like, ever. Mystery underground scandalous marketplace??? Under a mountain???? it's a diverse and vast city that's still elegantly contained and claustrophobic, but in a spicy way. The worldbuilding and flavor is excellent. I really want to run a TTRPG in a similar setting now, since its an area with so many possibilities.

CH. 1/the "demo" has a LOT of meat on it. It's got different endings, variations, a whole soundtrack. Speaking of sountrack-

Obscura is also one of the few games I've put on the soundtrack to just to vibe to. The soundtrack is SO good, and sets such a strong mood/tone. I think it complements the game perfectly.

Allot of people have mentioned it, but I am also a fan of the Safeword pause menu. It's a nice and comforting touch, especially when the game can get so intense. It lets players take a breather if they need it, but also doesn't interrupt the intensity/mood of the game for someone who doesn't want a break from the narrative.

Now, onto character specific thoughts!

Cirrus:

IN MY HOUSE WE DON'T BELIEVE IN NOT STARTING OUT STRONG

Shout outs for having your asexual option in the dating sim be. The kinkiest guy there

Cirrus is a bit too intense for me, however, that is NOT a bad thing in the slightest. I think his route is well done for those who are up for his brand of intensity.

I might still play his route because. damn this boy's issues got me curious about his backstory. ($10 on mommy issues)

I had the hardest time getting to Cirrus's good end during my playthrough because having pretty much any self-preservation instinct around Cirrus gives you a bad/neutral ending. He's the only one I had to pull the guide out to get the best ending. (I think I'm just too sassy)

I get medusa vibes from Cirrus. The snake imagery is more likely tied to the lunar church, but his staunch reluctance to take his own mask off makes me wonder (this is mainly referenced in asks answered by the Rotten Raccoon studios). Refusal to let people see his eyes + snakes + power + slightly unnatural abilities to influence is, something.

I am shaking this man like a snowglobe WHAT IS YOUR DEAL I MUST KNOW MORE

(I am. metaphorically shaking him like a snowglobe. I would never shake this man im terrified)

CONCLUSION: Most likely to shame you for your anime choices. Least likely to be normal about it when you ask for help peeling an orange.

Keir:

HERE COMES BIG MAN

yeah he's tied for favorite right now. the slow burn in his plot is just too good? big man....freckles...secret soft side...im weak

he's so nice I keep forgetting. He kind of kidnaps you? not even kind of he just drags you off the street and goes "you live in my house now". Even Griff calls MC a stray early on. My man really said "Here's a convenient lost human I'm dragging them home now"

oh my GOD they were ROOMATES

I definitely was too nice to him in my first playthrough until I realized he does need (and want) to be sassed to death.

this man is like 6'6 and the canon-ish Vesper height from the CG is 5'4. THE HEIGHT DIFFERENCE. This kills the man (me)

The sprite of Keir's ears blushing SENDS ME INTO A FRENZY

I quite liked the gameplay style of Keir's route. I was so focused and invested as soon as I realized I needed to remember specific directions to save the heist group during timed decisions

Something I haven't seen discussed yet: I'm mega curious about the dagger Keir has on his outfit. It's specifically pointed out in text that it's high-quality, and I vaguely remember an ask that Rotten Raccoons answered that said it's a status symbol. (The dagger also just looks SO cool. and....it looks like Francesco's...?)

(My bet is that he either 1. stole it. or 2. got it from Oleander during their tryst (WHICH WE ALSO NEED TO TALK ABOUT-))

CONCLUSION: Most likely to be gifted a "WORLD'S BEST DAD" mug from his similarly-aged peers. Least likely to live down that one time he ate soap because he thought it was edible.

Francesco:

someone keep the "silver dust" away from this lad im scared

Originally, I was least looking forward to playing Francesco's route since I just wasn't interested in his initial concept. After playing his route though? It was excellently done, and I genuinely had fun. It was refreshing to have a character more naive than Vesper, so more cultural aspects were explained and we got a good alternate perspective on the marketplace. Also, it got REAL spicy in new and exciting ways the other chapters didn't. I'm really looking forward to the next chapters with his route!

I totally love the contrasts in his design and his character. He's got both bright red and blue highlights in his design, his outfit is very pointy and angular while his hair/smile is soft and flow-y.

And in his personality, he's both sweet and open, but extremely cagey about some information, and quite pragmatic when he wants to be. I think he's way smarter than he lets on.

that doesn't mean I don't want to bridal carry him and tuck him into bed at night after a all-nighter party

I do think Fran's slightly looser demeanor could lead to him being even more brutal than the other LI's. Remember that one anime clip (Found it, it's this one from Danshi Koukousei) where a group of friends wants to fight for fun, but one of the friends asks why they need rules in a fight? And said friend is shown like secretly holding a rock and was ready to use it? that's Fran. He would not have chill and does not heed the rules.

"Protect the boy", but mostly to prevent him from tasting blood. Because if that happens we're all fucked

CONCLUSION: Most likely to eat that M&M off the ground because you dared him. Least likely to beat the puppy allegations.

Oleander:

Oleander is tied for favorite with Keir. Oleander is just *chefs kiss* LOOK AT HIM. inscrutable......

Somewhere in an ask answered by Rotten Raccoons studio, they mentioned that for Oleander's route, they were going for a "Sexy boss situation that doesn't feel like a work safety violation". They hit that right on the nose; there's intrigue and a power imbalance, but in a non-restrictive or terrifying way.

I love being involved in the business part of his route. I keep making decisions like "Hmm yes my primary goal is to romance Oleander. But what would be the smartest business move here? How do we advance our agenda?"

Also, I do love playing a sexy evil secretary in a vn. love having a job and being evil at it AND being paid money. 10/10

That dance scene is everything I could have ever wanted no notes

I am fascinated to find out more about what he's been up to since his last trek into the marketplace. Seems like people are trying to kill him all the time anyway, so what would be enough to cause him to leave?

he's like an angler fish, but the lure is his booba

I relate to Oleander in that. I have too many online usernames because I can't stick with one. People get my 800 online names mixed up often. He has the same problem, we're basically twinsies

This man is pretending to be a himbo like his life depends on it (It probably does). He's too smart though, I know for a fact he has at least three different schemes going at any given time.

CONCLUSION: Most likely to be able to help you properly lace a corset (this man knows the boot-to-the-back necessity of the process). Least likely to be allowed to be banker during monopoly night.

Vesper:

black mask enjoyer 4 life

(all three are good I just wanted to say which one I picked. And to add my conclusion section)

CONCLUSION: Most likely to get their shit rocked by a falling piano. Least likely to survive an argument about pineapple on pizza.

Concerns:

With how separate the four routes are, the game could potentially feel like four separate visual novels all in one universe. Maybe I haven't played enough VN's, but there is a feeling of separation between the routes.

In the very beginning of the game, when you're picking your route, I wish there was a bit more heads up/information between who you're picking. For example, I had a rough idea that going into the church is where you'd find Cirrus, but only from information outside the game. I didn't know sticking around for the brawl would push you into Kier's route. It's overall pretty vague to which route you're going based on only in-game information.

Misc thoughts:

Vesper: "How are you going to keep me?? ;)" Keir and Oleander: "crimes" Vesper: "Wh-" Keir and Oleander: "you're an accomplice now congrats we're in this together. wanna get drinks"

catch my socially anxious ass wanting to be under the mountain and wear masks so I don't have to make eye contact with strangers all the time. at least its a fun thought to have when I mask for covid

OKAY FRANCESCO AND KEIR'S DAGGER MATCH? AND ARE RED/BLUE LIKE FRANCESCOS OUTFIT? DOES IT MEAN ANYTHING??? probably not but I do like the pretty knives....

For real, I got the brain worms for this game, I'm on the edge of making a big ol playlist. the headcannons? They go on my friend. they go on. I'm laying awake at night thinking about what each character would order at a coffee shop

by the time I publish this post. I did start working on the playlist

yes, I've also designed my own vesper, its such a prime opportunity for character design.

Obscura also may or may not have inspired me to get involved with an otome jam game team, more on that in the future possibly.....

OVERALL: I got the first chapter/demo of Obscura for free from Itchio/steam. High marks for writing, sound, art, game design, all of it! I am on the edge of my seat waiting for CH2.

TL;DR: If you haven't played it, and love spicy and dark stories, go play it! Part one is free! and fantastic.

Itch.io

Steam

[the-nosy-neighbor]

Toys in the Catalog

I had mentioned Eddie looking at his number and being "stretched thin" so I thought I'd put together all of the catalog images and see if the numbers mean anything to me.

Starting here. Poppy looks dead eyed in this image, while the others have very happy faces. You can't say it is the toy, necessarily, since the others look happy. She seems to have a paper tail and paper feathers on her head. Her feet are super cute.

If you haven't seen one of these, this is how it works. More of a science toy than anything. This one is a bit scarier looking.

Poppy is the same price as Eddie, while the others are a bit higher. I can envision how these toys work by the design. Super cool designs.

We've looked at this a couple of times. Eddie appears to be checking out his price. Wally and Frank pillows are quite a bit more expensive than the other toys. Is this framing them as the most popular? They are more than an entire jack-in-the-box. Barnaby I have mentioned before, because it is another bisected Barn. I think we will see him in pieces before this is over.

This is framed as gifts for your home, like Wally was looking at for Home. The cuckoo clock here is home, and is featured prominently in Eddie's breakdown in Commercials. As we watch Eddie unravel, we see an above view of the clock (and I haven't found anything else in that image, not for a lack of trying) as well as a straight on view, which shows the clock moving, but not smoothly or in time. It starts and stops, pauses longer than you think it should. This says that Wally pops out instead of a cuckoo, though Poppy might have been more traditional. We don't get to see Wally come out of the clock.

The clock reads 3:30. I don't see anything that would designate day or night. This is quite a bit more than most things, because it's a complex clock.

Then we have a tea set, which seems to be the big image it is giving us about Poppy. Doilies and tea. Over and over. We will have to remember. Wally does tap his tea cup at Poppy's in a hidden video. Still trying to figure it out, but they keep showing it to us.

Finally, a tree skirt. It's expensive, but those things always are. I love the design, and all the neighbors. We see this design in a video or still somewhere else, maybe? I will keep an eye out. This features all the neighbors as gingerbread men as well as has cut outs of their symbols. I think it is odd that Home is by Eddie and not Wally, but maybe they are mixing it up.

Final page, with records. On the holiday records: one for $5.89 or all for $15.89. There are five records below on this page and it says "continued on next page," so that is not all. All of the records that we have seen so far are here. A was in the exhibit, as well as the first ad with the missing item. We saw B in the exhibit, and it was on the record player on the Merchandise page; it plays the Alice in Wonderland bit. C is Halloween, D was some of the earliest merch, and E is mentioned, but we are told that we have part of the audio, not the full record. Generally, when it says that, we shouldn't trust it. Something to consider.

Presumably, there are more records. The records are Marlo.

The price on these seem pretty standard and in line with the rest of the catalog. The single and Painting with Wally are cheaper, we assume because it is a shorter album. On the pricing generally, we are seeing a lot of ".89" but I assume this is for the same reason things are priced at the upper end, to be smaller than a dollar increase while practically being at the next dollar amount. Eddie and Poppy's toys are the only ones at $1.89. Given that they are both bullied characters, I wouldn't be surprised if there was some kind of connection there.

One thing I didn't mention, is that Marlo is listed on this page, but it isn't elsewhere. I think I mentioned during a post on "Commercials" that there is a different company for those toys. Pretty sure Marlo did these records and the phones, at least. The other company is named "The You-Won't-Believe-It Company." They did the Wally Ball And Cup. They have other items in the video, I think. I noticed and wondered if there was something going on there, because we have only seen Marlo so far.

[spockandawe]

Here we go! I have some smaller books to share as well, but I've been absolutely VIBRATING with excitement to share a BIG one, and I'm going to indulge myself and post that today, then figure out words for the rest. Because I bound a new cnovel. Check it out, guys, I bound jwqs/clear and muddy loss of love :D

Let me indulge myself and backtrack a little! First, these are quarto books, so they're short. But I think these average a little under 500 pages each, and jwqs is a LONG book (my beloved), and this adds up to a total eleven inches of lesbians. More like twelve once they're in their cases. It's over a million characters in Chinese and I think the English translation comes in somewhere around 890k, it's HUGE

Making these books was SO FUN, I hadn't read jwqs and still haven't, and will probably read on my phone when I do. I don't have any exciting photos of the typesetting, but I knew this was an imperial succession story, and that made me nervous, those stories don't always click for me. Well, the process of typesetting and adding footnotes for this beast definitely confirmed that I'm going to have a good time with this thing when I have the time to read it, but there was also so much going on that only the vaguest of spoilers sank in. I went into an absolute FRENZY of typesetting, and after I printed, cut and folded it, well. That was one afternoon of sewing. You're looking at the reason I'm scrambling to make up a few hours of missed work, hahaha

After that, I needed cases. At the very beginning of march, I received a shipment of some FASCINATING bookcloth. It's called Duo, and it's made by layering a thin gauzy fabric of one color over paper of a different color. Depending on the combos, you get a really cool range of color-shifting effects. And they've gone out of production! But I was part of a group order to get some of the goods, and hadn't yet finished a new project. Reader, I went for it.

That purple and green is bananas!!!! It's so hard to photograph, this midnight picture of a few cases is one of my most successful attempts to capture the full range up close. Originally I'd been thinking of trying to evoke imperial gold, but I figured this was still the kind of drama and luxury suited the book, and also something something the hidden colors suited Qi Yan's character. I tied it back a little to the imperial gold with the endpapers, then titled them in silver foil, since the endpapers had silver in them.

But once the books were made, I felt like it wanted something... more. Something like a BOX!

And me, I chase novelty. A set this large would be tricky for anything clamshell, but a slipcase for all seven would leave books tipping all over if it was wide open, but putting walls between slots would be demanding in terms of precision and would risk similarly-sized books getting stuck in the wrong slots. Then I remembered learning about slipcases where you could put in a little insert to support the weight of the text block, and the concept SNAPPED into place.

Colors aren't going to photograph well at midnight, but I made the supports using the scraps and off-cuts from my endpapers, to tie it back into the bindings. The back of the case is lined in more of the duo, and the walls are lined with a faux leather bookcloth I like a lot, it feels buttery smooth and seemed like a good neutral material to tie the papers and bookcloth together. I listened to some of the DEEPEST layers from the nine-hour conspiracy theory iceberg video while I was working on this, haha, it was a TRIP.

And in the end, each of the supports is sized to comfortably sit in the smallest of the volumes, and evenly spaced, so I believe it will take the books in any order with no problems. It's easy to grab the books without having to cut notches into the walls to grab them from. And even though weight is less of an issue for quarto sizing, the books in here have their weight supported no matter what angle the box is at! I'm so, so pleased with how this concept worked out and definitely plan to do more with it in the future.

So there we are! Jing Wei Qing Shang! I had such a fabulous time with this project, and I'm so excited to get to share it with all of you. The story was fun to work with, the bindings and box were fun to make, and everything here came together just as well as I could possibly have hoped. I'm so proud of this, and incredibly, incredibly excited to show it to you!

[mononijikayu]

love of my life — geto suguru.

When Geto Suguru walked through the door, you felt your breath catch. He looked both familiar and distant, the lines of weariness etched deeper than you remembered. For a moment, neither of you spoke, the weight of unspoken words hanging heavy in the air. He was still the man you loved and the man that broke your heart—he was everything to you and he was nothing all at once. And you wished, you wished you could decide what he was, truly.

Genre: Alternate Universe - No Curse (Modern Day)

Warning/s: Actors AU!, Romance, Actors in Love, Secret Romance Trope, Co-workers In Love, Friends to Lovers, Lovers to Exes, Angst, Fluff, Humor, Hurt/Comfort, Pining, Emotional Hurt, Break-Up, Happy Ending, Profanity, Mention of Sexual Contexts, Mention of Exes Getitng Back Together, Depiction of Break-Up, Depiction of Alcohol Consumption, Mentions of Alcohol, Geto Suguru as a Singer-Songwriting Actor, Reader is his Muse, HE IS IN LOVE YOUR HONOR;

masterlist

song: love of my life by queen.

note: i ended up rewatching the videos by cut and im still struck by the conversation between tony and sofya in truth or drink and got inspired. i hope that they find the happiness that they always deserved and know that the love they had at one point was something else. anyway, i hope you enjoy this and i hope you guys have a good one!!! i love you <3333

YOU WERE EXCITED FOR YOUR CHARACTER. You couldn’t help but feel excitement flood through you as you read through the words across the pages over and over. You could not stop reading. The writing was really well done for this part of the manga, and so when you heard that this part of the story was finally going to make it into the screen, you were ecstatic. 

You hummed as you tried to speak a line, one after another, in different tones and textures. Often, you would bring a pen with you and write off what you think about the scene and how you want to say it. But getting this from your manager just now, you wanted to immediately dive into it and so, you neglected the pen. You’ll make a mental note about it. 

The warm aroma of freshly brewed coffee filled the air as you settled into the languid table, your vibrant eyes skimming over the script. The coffee machine’s sound echoed for a moment. Your drink was done. You put down the script for a moment and walked over to your coffee machine.

You pour some on the mug waiting on the corner. Rushing over to the fridge, you take the carton of milk and pour a little bit of it on your cup. You didn’t put in that much milk. You wanted to be active as you read, the milk would make you sleepy. 

Script in hand and coffee secured, you make your way into the living room and carefully rested the mug on the coffee table. You plopped your body onto the couch once again and started to read once more. You were captivated by the story when it first came out in serialization.

But you never expected that it would grow big like this one day and even more so, play one of your favorite characters in the show. You were glad for the opportunity, when it first came around. The yes was immediate and one season and a movie — you were now here, for another season once again.

“Oh, so that scene with Suguru is happening, hm?” You gasp, your eyes scanning through the words. “Yo! Suguru, they’re not going to disappear, don’t hog them, oh my god.”

Your character was the only senior left in Tokyo Jujutsu High by that point and so, they guide them into the ropes of being sorcerers. In modern times, they’re very close, Satoru and your character. You were both left behind by Suguru's character.

But before that, there was Suguru and Suguru was in love with their senpai, but staved off for Satoru. But this scene, in Okinawa, was the moment Suguru couldn’t help it anymore and thought about making a move. You flipped another page.

“Oh baby, you’re gonna be so sad when he leaves.” You muttered under your breath, continuing to read. “Don’t start something you can’t continue!”

“Don’t start something I can’t continue?” You heard the voice echo through the apartment. Your head snaps to the direction of the door and you smile, seeing his purple eyes gleam against yours. “What do you have on hand, darling?”

“Script’s arrived!” You say, waving your own in the air. You pointed to the side. “Your manager left yours here too.”

Geto Suguru blinked, looking at where you were pointing out. “Wow, I didn’t think that it would get here this early.”

“Right?” You say as you look at the scripts again. “They really crunched the writing time this time. And it’s so good!”

“Well, they finally got the approval from Akutami–sensei fast this time.”

“I suppose they probably did.” 

He hums as he walks over to you and sits down by you. He turns to you and places a small kiss on your lips. ”Hey, love.”

“Hey, Sugu.” You whisper back. “You’re home late.”

"Sorry I'm late. The recording ran longer than expected."

You smiled up at him, feeling the familiar warmth that always accompanied his presence. "It's okay. How did it go?"

He slid into the seat opposite me, his purple eyes sparkling with excitement. "It went great. I think you're going to love the new song. It's… special."

"You always say that, Sugu." You teased, though you knew this one would be extraordinary, just like all the others.

“Well, it's because you’re the only person I write about.” He grins at you sheepishly. “And I am in love with you.”

“Hm…that’s true.” You giggle.

“Anything interesting in the script?”

“Oh, darling, you have no idea! Let me catch you up!”

The two of you spent the next hour discussing the show, your upcoming scenes, and the plans for your future projects. He told you about the upcoming releases he has for his music, if he was planning to go touring again.

It was moments like these, away from the glitz and glamor, that you think you cherished the most. You were both natural, you were just whole — together. Here, we were just two people in love, supporting each other through the highs and lows of your demanding careers.

Once you finished the other script you were going to receive in the upcoming week for a movie you were going to star in, Suguru sighed and looked at you for a moment. He often does that, trying to memorize the wonder in your face, over and over again.

He’s often away from you because of work too. And so he takes it all in. He burns the memory of you so deeply into him that it's all he remembers for weeks and months until you both meet again.

Suguru took my hand, giving it a gentle squeeze. "You know, I was thinking about our next awards show. I have a feeling you might be giving another speech soon."

You laughed, shaking my head. "And you know I'll be paying homage to you, as always."

He grinned, his eyes crinkling at the corners. "And I'll be in the front row, cheering you on, as always."

Geto Suguru is your lover. But he’s also your co–worker on multiple projects, including Jujutsu Kaisen. The beloved charismatic actor with a voice that could melt hearts, had captured your attention from the moment you first met on set. His passion for acting was matched only by his love for music. He was such an addition to the casting list, because he’d been popular since he was a teenager and he only kept getting popular with time. 

Everything about Suguru was electric. From the moment you met him, he exuded a kind of wonder that drew you in effortlessly. As your senpai in the industry, he was a bit older and infinitely wiser, but unlike others you had encountered, he didn't just guide you—he cared for you deeply, nurturing your talents and helping you grow.

He was always there with a kind word and enthusiastic encouragement, urging you to accept scripts that came your way and guiding you on how to navigate the complexities of the industry. His wisdom extended beyond acting techniques; he knew how to choose stories that would resonate with you, stories that would challenge and inspire.

"Remember, it's not just about the lines you deliver," he once said over coffee, his eyes sparkling with sincerity. "It's about the stories you choose to tell. Each role you take on is a part of your journey as an artist."

He taught you the intricacies of set dynamics, the unspoken rules of professionalism, and the importance of forging genuine connections in a competitive world. Suguru didn't just impart knowledge; he shared his passion for storytelling and his belief in your potential.

You were grateful for his presence in your life, not just as a mentor but as a friend who believed in you when doubt crept in. His kindness and enthusiasm were infectious, and every interaction with him left you feeling inspired and capable of reaching new heights.

As you reflected on your journey together, you couldn't help but smile at the thought of how far you had come under his guidance. Suguru was more than a mentor; he was a guiding light in an industry that could sometimes feel overwhelming. And for that, you were endlessly thankful.

The kindness and care Suguru showed extended far beyond the flicker of the camera lens. Alongside Satoru, the three of you often found yourselves on spontaneous trips together. When Utahime and Shoko weren't caught up in their own burgeoning careers, they joined in too. These moments outside of work allowed your bond with Suguru to deepen naturally over time.

As you explored new places together, shared meals, and exchanged stories under starlit skies, a subtle shift occurred. What began as admiration for his talent and guidance blossomed into something more profound. Suguru's laughter became the soundtrack to your happiest memories, his understanding gaze a sanctuary in moments of uncertainty.

One night, sitting by a crackling campfire under a blanket of stars, Suguru reached for your hand. The warmth of his touch spoke volumes, words unspoken yet understood between you. 

"I never expected this, you know." he murmured, his voice soft with wonder.

You smiled, squeezing his hand gently. "Me neither." you confessed, feeling the weight of truth and possibility melt into one in the air.

As days turned into weeks and months, the realization grew stronger: you had fallen in love with Suguru. His kindness, wisdom, and unwavering support had woven their way into your heart, creating a tapestry of feelings that surpassed friendship and mentorship.

One evening, as the sun dipped below the horizon painting the sky in hues of gold and crimson, you found yourselves alone by a tranquil lake. The serenity of the moment mirrored the quiet certainty in your hearts.

"I love you, doll." Suguru finally whispered, his eyes holding yours with a depth that took your breath away.

Tears glistened in your eyes as you replied, "I love you too, Suguru." the words a promise of shared dreams and endless possibilities.

In that serene moment, under the canopy of stars and the gentle rustle of leaves, romance bloomed between you—born from shared adventures, mutual respect, and a love that had quietly taken root and blossomed into something beautiful.

After those tranquil moments by the lake, Suguru and you returned to your bustling lives, carrying the newfound certainty of your love like a secret little treasure—one that only you could find. And you were happy with that. You wanted to make the privacy continue and so did he. The world has no claim to your love, until you both were comfortable about sharing it to the world.

In the whirlwind of your demanding careers, where every moment seemed accounted for and every move scrutinized, you discovered a sanctuary in stolen moments together. Your love thrived in the secrecy of stolen kisses exchanged on secluded corners of film sets, where the world couldn't intrude. 

Backstage at glittering award shows, amidst the clamor and flashbulbs, your fingers intertwined, a silent declaration of affection amid the spectacle. Despite the challenges that you both faced, from conflicting schedules to the relentless glare of media attention, you both carved out your own private oasis, where your connection deepened, nurtured by these precious, stolen moments.

It was during one of these stolen moments, when the whole Jujutsu Kaisen cast went on a spontaneous ski trip to the mountain, that the world caught a glimpse of our budding romance.

Paparazzi cameras flashed as we laughed and skied down powdery slopes, oblivious to the lenses capturing your every move. One kiss was all it took, and it was because you were desperate, you missed him too much and he obliged you, not caring who sees you both.

The photos splashed across tabloids and social media, sparking speculation and curiosity among fans and industry insiders alike. Your management started trying to do damage control at this time, as you both were not yet ready to say anything.

For days, the two of you navigated the newfound attention with a mix of amusement and caution, unsure of how to address the public's piqued interest in your personal lives.

But amidst the frenzy, there was a quiet certainty between us. One evening, as you and Suguru sat together in his cozy cabin retreat in the countryside. It was one of the places you loved being with him. Both of you were comfortable here, and no one was harassing you both. It was a change of pace from the city and for that you were glad. You knew your lover was in distress watching you have to be followed by cameras. 

It would have been fine if it was just him, but it was hard to see you struggle with that unwanted attention. But here, at the very least, he could be reassured that no one was going to be chasing after you both to catch a scoop for the newspaper tabloids tomorrow. You were in peace, watching the stars, surrounded by flickering firelight and the hush of falling snow outside, we knew it was time.

"I think we should tell them," Suguru said softly, his gaze steady and reassuring.

You nodded, taking a deep breath. "Yeah, I think so too. It's just... it feels like the right time, doesn't it?"

Suguru's smile was tender. "It does. We've been keeping this between us for so long. It's about time we let them know."

There was a mix of relief and nervous anticipation in your chest. The decision to share your relationship with others meant opening yourselves to scrutiny, but also embracing a newfound freedom in being open about your love.

"I'm glad you feel that way," you admitted, squeezing Suguru's hand gently. "I've been thinking about how we'd do it, though. Should we just... announce it? Or maybe ease into it somehow?"

Suguru considered for a moment, his expression thoughtful. "I think a quiet announcement, something personal. Maybe a statement or a post, just letting people in a bit. Nothing flashy, just sincere."

You smiled, feeling reassured by his calm demeanor. "That sounds perfect."

Together, both of you crafted a heartfelt message to the world via Instagram. You posted pictures of you both through the years, showing the little glimpses of the two of you, from colleagues to friends, and finally to lovers. You wrote about your deep respect and admiration you had for each other, of the shared moments that had brought you closer, and the joy you found in each other’s presence. 

When the announcement went live on your social media accounts, the response was overwhelming. Messages of love and support poured in from fans, friends, and colleagues alike. The world celebrated your love story, touched by the sincerity and authenticity of your words. And people were hooked about your romance. Somehow, the world saw an it couple. People gushed over everything about you.

Over the years, Geto Suguru had poured his heart into composing songs that were not just music, but reflections of your relationship. Each song was a tapestry woven with threads of joy, resilience, and quiet understanding. No one would understand each song better than you. Each lyric was a brushstroke capturing the nuances that only belonged to the two of you.

In the private moments between tours and film sets, Suguru would often retreat with his guitar, letting melodies weave themselves around the emotions that sparked everything that made him think of you.

He found inspiration in the simplest gestures—a shared smile across a crowded room, the touch of hands entwined in a moment of quiet intimacy, or the unspoken reassurance in a glance exchanged amid hectic schedules.

His songs became a soundtrack to your lives, resonating with authenticity that transcended mere performance. Through his music, Suguru painted vivid portraits of shared laughter under starlit skies, whispered promises exchanged in moments stolen away from the world, and the profound sense of belonging that anchored us amidst the whirlwind of fame and public scrutiny.

As his compositions evolved, so did your relationship, and each new song became a chapter in a long and happy road that you both dwelled on. The world watched with fascination as your on-screen chemistry seamlessly transitioned into real-life devotion, and fans marveled at the palpable love that radiated between the both of you on and off the screen.

In the spotlight of a concert hall filled with eager listeners, Suguru stood before a sea of faces, his guitar a conduit for emotions that flowed freely from heart to fingertips. With each strum and every lyric sung with unwavering passion, he not only shared your story but invited the audience into the intimate spaces where your love blossomed and flourished.

And as he dedicated a song to someone special, his eyes met yours in the front row, a silent acknowledgment of the journey they had embarked on together—a journey immortalized in melodies that would linger in the hearts of all who bore witness to this love story.

The audience hushed as Suguru walked over to the microphone and spoke into the microphone, his voice carrying a soft warmth that filled the room. You could feel your heart pounding as he tried to find you. When your eyes met, it was electric.

"Tonight, I want to dedicate a song to someone very special." His eyes met yours in the front row, where you sat, heart skipping a beat at the intensity of his gaze. “Love of my life, up on that balcony! Doll, I love you. I hope you know that all this would never exist without you.”

As the first chords of the guitar filled the air, memories flooded back—late-night conversations, stolen kisses, moments of quiet intimacy that had woven themselves into the fabric of our lives. The world had watched in awe as our on-screen chemistry translated seamlessly into real life, and our fans often remarked on the palpable love we had for each other.

Suguru's voice resonated with emotion as he sang, each word a love letter whispered to your heart.  The world was singing songs to the words, the poems he wrote to you and only you. And you couldn’t feel any happier. Any more content, to be this loved. To be the only person that he truly deeply loves.

The lyrics painted a portrait of our journey, from tentative beginnings to a love that had weathered storms and emerged stronger. In that moment, surrounded by the melody and the warmth of Suguru's presence, you knew that this was more than a concert—it was a declaration, a celebration of a love that had transcended the screen and found its place in the hearts of everyone present.

As the final notes faded into the air, applause erupted, but all you could hear was the beating of your heart, synchronized with Suguru's, united in the melody of a love song that would resonate long after the last encore. The crowd clapped and cheered. You felt your eyes water with nothing but tears of joy.

He looked at you with that loving grin that was only for you.

The one that would stick with you for the rest of your life.

A month later, you both were in the clasp of your break up.

YOU DON’T KNOW HOW IT ALL FELL FAST. Work had always been demanding, but recently, it seemed to swallow up every spare moment. Your schedules became a maze of conflicting obligations, leaving little room for the moments of connection that once defined your relationship. As days turned into weeks without seeing each other, and unanswered messages piled up, the distance between you grew palpable.

One evening, after another missed opportunity to meet, you couldn't contain your concerns any longer. Sitting across from Suguru in a dimly lit corner of a bar, you voiced your worries, the words tinged with frustration and worry. "I feel like we're drifting apart. We hardly see each other anymore, and I miss you, Suguru.”

Suguru's response was unexpectedly calm, his demeanor unwavering. "We're fine, babe." he assured you, his voice steady but distant. “You know that.”

Frustration flared within you, fueled by the sting of his apparent indifference. "Fine?" you retorted, the words tinged with frustration and hurt. "How can you say that? We haven't even talked properly in weeks. I don't feel like my needs are being met, Suguru."

The bitterness of unspoken grievances bubbled to the surface, amplified by the haze of alcohol and the weight of unaddressed concerns. Pushing further, you demanded clarity. "When can we talk about this? When will you make time for us?"

Suguru's response was curt, his own patience wearing thin. "Not now, okay? I have too much on my plate."

The tension hung heavy in the air, charged with unresolved emotions and the sharp edges of unmet expectations. You leaned forward, voice tinged with desperation and a tinge of anger. "How long are we going to keep putting this off, Suguru? I need to know where we stand."

Suguru's expression tightened, a flicker of frustration crossing his features. "I said not now, alright? Can't you see I'm dealing with a lot right now?"

The words cut deeper than intended, slicing through the fragile thread of patience that held you both together. "I get that you're busy," you shot back, the bitterness in your voice betraying the hurt beneath. "But what about us? Are we just going to keep pretending everything's okay until it's too late?"

His silence spoke volumes, a testament to the growing distance between you. The crowded bar seemed to fade into the background as the weight of your words settled between you like an unbridgeable chasm. In that moment, the stark reality of your situation crystallized—you were drifting apart, caught in the undertow of careers that had once bound you together but now threatened to tear you apart.

The ache of longing mingled with frustration as you searched his eyes for a glimmer of reassurance, a sign that he still cared enough to fight for what you once had. But all you found was a weary resignation, a reflection of his own internal battles and the relentless demands of fame.

"We can't keep avoiding this," you finally whispered, the admission heavy with resignation. "I need more than just promises, Suguru. I need you."

Suguru's jaw tightened visibly, his normally composed demeanor cracking under the strain of your words. "What do you want from me, huh?" His voice, usually calm and steady, now carried a sharp edge of frustration. "I'm doing the best I can here. I have responsibilities, deadlines—"

"Responsibilities? Deadlines?" You couldn't hold back the bitterness that laced your retort. "What about us? Where do we fit into your grand plans, Suguru?"

The bar seemed to shrink around you, the noise of other patrons fading into a distant hum as your argument escalated. Anger surged through you, fueled by months of feeling sidelined and ignored. "I'm tired of waiting for you to have time for us. We used to make time, remember?"

His silence was damning, a stark confirmation of the growing divide between you. "You're being unreasonable," Suguru shot back, his voice rising slightly. "You know how important my work is."

"And what about how important we are?" The words slipped out like a dagger, cutting through the last vestiges of restraint. "I feel like I'm competing with your career for your attention, and I'm losing."

A wave of regret washed over Suguru's features, but his reply was defensive. "I can't just drop everything whenever you want me to, doll." he said, voice tinged with frustration. “It’s not that easy!”

"Then when, Suguru? When will you make time for us?" The plea in your voice was raw, exposed in the harsh light of reality. "Or are we just going to keep drifting further apart until there's nothing left?"

The accusation hung heavy in the air, a painful admission of the cracks that had formed in your once-solid foundation. In the charged silence that followed, neither of you seemed to have an answer, each grappling with the weight of unspoken truths and the daunting prospect of what lay ahead for a relationship once filled with promise, now teetering on the brink of irreparable damage.

Suguru's jaw tightened further, his gaze flickering with a mix of anger and hurt. "I don't know, okay?" His voice wavered, betraying the turmoil within. "I'm trying to balance everything, but it's not easy. Can't you see that?"

Frustration gnawed at your resolve, tears threatening to spill over as the ache of longing collided with the sting of his words. "I just need to know that we are still a priority to you." you whispered, voice cracking with emotion.

"I'm sorry. Suguru replied, his tone softer now, tinged with remorse. "I didn't mean for it to be like this. I thought... I thought we could make it work. We always have—”

The weight of his admission hung heavy in the air, a fragile bridge over the chasm that had widened between you. "So did I," you admitted, voice barely above a whisper. "But we can't keep going on like this, Suguru. Something has to change. We can’t continue like we always have and I just…”

For a moment, there was a flicker of understanding in his eyes, an acknowledgment of the pain and uncertainty. "Maybe... maybe we need some time," Suguru suggested tentatively, his voice tinged with resignation. "To figure things out. Cool down.”

The words landed heavily, their implications sinking in like stones cast into still waters.

Time—perhaps the only currency left to salvage what remained of your fractured relationship. In the dimly lit bar, amidst the ebb and flow of conversations that now seemed distant and inconsequential, you both grappled with the reality of what lay ahead. It was a crossroads of roads not taken.

Your heart sank as Suguru's words hung in the air, a stark reminder of the reality you both faced. Time—a desperate plea for a lifeline amidst the storm threatening to tear you apart. But beneath his suggestion lingered the unspoken truth, a truth you could no longer deny.

"I think... maybe we need more than just time, Suguru." you replied softly, each word heavy with the weight of impending sorrow.

Suguru's brow furrowed, confusion etched across his features as he searched your eyes for clarity. "What do you mean?"

"I mean..." Your voice caught, emotions threatening to overwhelm you. "I think we need to break up, Suguru."

The words hung between you, heavy and final. The air seemed to still, the ambient sounds of the bar fading into a distant echo as the gravity of your declaration settled over both of you. Suguru's expression shifted from confusion to disbelief, then to a desperate plea as he reached out, his hand trembling slightly.

"No." he whispered, his voice cracking with a mixture of anguish and denial. "Please, don't do this. We can work through this, I know we can."

Tears spilled freely down your cheeks as you shook your head, unable to meet his pleading gaze. "I don't think we can." you managed, voice breaking with the weight of your decision. "I can't keep feeling like I'm second to everything else in your life. I need more than what we have now."

Suguru's hand dropped to his side, his shoulders slumping in defeat. "But I love you, doll." he pleaded softly, voice thick with emotion. "I love you more than anything."

The pain in his voice mirrored your own, one that understands the gravity of this situation. But love alone couldn't bridge the gap that had grown between you, nor could it erase the wounds inflicted by neglect and unfulfilled promises. You can’t keep climbing on seesaws and expect no one will fall. Someone has to get down before someone hurts someone worse.

"I know." you whispered hoarsely, your heart breaking with every syllable. "But love isn't enough anymore."

With those final words, you turned away, unable to bear the weight of his gaze any longer. Each step felt like a farewell to a chapter of your life that had once held so much promise, now shrouded in the ache of what could have been.

“Goodbye, Suguru.” You whisper to him.

As he watched you leave,  Geto Suguru remained rooted to the spot, a solitary figure amidst the bustling bar, grappling with the sudden emptiness that enveloped him. As you disappeared into the night, the echoes of your decision lingered, leaving behind a void that neither time nor distance could easily fill. 

Like he was then, he was alone again. 

There were no more love songs to write.

After all, he doesn’t have a muse anymore.

IT WAS A HARD THING, POST BREAK UP. After months of deliberate distance, you had meticulously carved out a life without Geto Suguru—deleting social media, blocking his number, and meticulously avoiding any reminders of the past. It wasn't about erasing him; it was about finding clarity amidst the pain.

Yet, despite the space you sought, thoughts of him lingered, an unwelcome but constant presence in your thoughts. You hadn't wanted to discard everything you had shared—your friendship, the laughter, the late-night conversation. But the ache of heartache had necessitated the separation. And that separation, it was what you can’t do away with. Pain was always necessary to living. You can’t always be happy about things all the time.

Then came the unexpected twist: the news that you and Suguru were paired for the upcoming promotions of Jujutsu Kaisen Season 2. Your manager pitched an idea that made your heart sink and pulse race simultaneously—an appearance on a popular show where you both would participate in a "Truth or Drink" segment.

The proposition was daunting. The prospect of facing Suguru after all this time, under the scrutiny of cameras and questions designed to peel back layers you had painstakingly protected, left you torn. Part of you longed for closure, a chance to mend what had fractured. Another part feared reopening wounds that had barely begun to heal.

Deep down, you knew one thing: despite the pain, you still cared. You wanted to salvage what remained—a friendship built on shared dreams and mutual respect. The thought of facing him again, navigating the uncertain terrain of unspoken apologies and lingering affection, stirred a tumult of emotions.

As you mulled over the proposal, uncertainty clouded your judgment. Could this show be a bridge to reconciliation, a chance to mend fences and rediscover the camaraderie that had once defined your bond? Or would it unravel the fragile peace you had painstakingly cultivated in his absence?

With a sigh, you realized that regardless of the risks, the opportunity to reconnect, to confront the unresolved emotions that had tethered you to Suguru, was one you couldn't dismiss lightly. Whatever lay ahead, it was time to face the truth, whether through words spoken or drinks shared, in hopes of finding a way forward, together or apart.

You stared at the email on your screen, heart pounding with a mix of apprehension and curiosity. Your manager had just sent the proposal to Suguru's team, and surprisingly, he had accepted. A wave of emotions crashed over you—relief, nervousness, and a flicker of hope.

Days passed before the meeting was set in a quiet cafe near your house, chosen for its familiarity and the privacy it offered amidst the city's bustle. You after all preferred to live in a more down low neighborhood than most celebrities. You arrived early, hands trembling slightly as you waited, nerves building with each passing minute.

When Geto Suguru walked through the door, you felt your breath catch. He looked both familiar and distant, the lines of weariness etched deeper than you remembered. For a moment, neither of you spoke, the weight of unspoken words hanging heavy in the air.

He was still the man you loved and the man that broke your heart—he was everything to you and he was nothing all at once. And you wished, you wished you could decide what he was, truly.

Finally, Suguru broke the silence, his voice tentative yet determined. "Hey, doll." he murmured, sliding into the seat opposite you.

"Hi.” you replied softly, managing a small smile that didn't quite reach your eyes. Your nickname makes you feel weird all the sudden, after not hearing it for so long. “It’s nice to see you.”

He nodded back at you. The silence stretched between you, pregnant with unspoken apologies and lingering questions. Finally, Suguru cleared his throat, gaze searching yours with a mix of regret and longing. "I... I didn't expect us to meet like this, truly." he admitted, voice tinged with sincerity.

"Neither did I." you confessed, fingers tracing patterns on the tabletop. "But here we are."

Suguru nodded, a flicker of uncertainty crossing his features. "About that Youtube show... I didn't think you'd agree to it."

You exhaled slowly, the weight of your decision settling over you. "I... I think it could be good for us." you admitted, meeting his gaze with a mixture of vulnerability and determination. "To talk. To clear the air. There’s….a lot of misinformation.”

"I want that too," Suguru said quietly, his gaze meeting yours with a glimmer of hope tempered by caution. "To clear your name from all those nasty rumors, once and for all."

You couldn't help but feel a mix of surprise and gratitude at his words. The weight of the accusations that had circulated, tarnishing your reputation and testing your resilience, had been a burden you bore alone. To hear that one day, Suguru made the decision to take legal action against those responsible stirred a wave of emotions within you.

"I didn't think you'd sue those people." you admitted, your voice soft with both relief and lingering disbelief. The thought of confronting the falsehoods head-on had initially seemed daunting, even isolating, but knowing Suguru stood by you brought a renewed sense of strength.

Suguru reached across the table, his hand finding yours in a gesture that spoke volumes. "I couldn't stand by and watch you suffer, doll." he murmured, his gaze intense yet reassuring. "You deserve to be heard, to set the record straight."

His words resonated deep within you, a validation of your struggle and a beacon of support in the face of adversity. For the first time in months, you allowed yourself to believe that perhaps, together, you could navigate the storm that had threatened to tear you apart.

 "I've missed... talking to you." He admitted to you.

The admission hung between you, a fragile bridge over the chasm of hurt and regret that had kept you apart. For a moment, you both sat in companionable silence, the warmth of shared memories mingling with the uncertainty of what lay ahead.

"I've missed it too." you finally admitted, voice barely above a whisper. “More than you know.”

Silence engulfed you both for a moment, the weight of unspoken words and unresolved emotions lingering between you like a palpable presence. Suguru's question hung in the air, a tentative bridge over the divide that had grown between you.

"How have you been?" he asked softly, his voice carrying a mix of curiosity and genuine concern.

You took a deep breath, the question unraveling a floodgate of thoughts and feelings you had guarded so carefully. "It's been... challenging." you admitted finally, your gaze drifting to the tabletop as you searched for the right words. "Lonely, at times. But I've been trying to focus on moving forward."

Suguru nodded slowly, his expression reflecting a blend of understanding and regret. "I'm sorry, doll." he murmured, his voice tinged with remorse. "For everything."

The sincerity in his words touched a chord within you, a reminder of the bond you had once shared and the wounds that had driven you apart. "I know, Suguru." you replied softly, meeting his gaze with tenderness. "I've missed talking to you."

A flicker of relief crossed Suguru's features, his shoulders relaxing marginally. "I've missed it too." he admitted, his voice barely above a whisper. "It’s hard….not being able to talk to you.”

The admission hung between you, a fragile thread connecting past regrets to uncertain futures. In that moment, the bustling cafe seemed to fade away, leaving only the echo of shared memories and the tentative hope of reconciliation.

"I don't know where we go from here, after we do the show." you confessed, your voice tinged with uncertainty.

Suguru reached across the table once more, his hand finding yours with a gentle squeeze. "Maybe we start with honesty," he suggested quietly, his gaze unwavering. "And take it one step at a time."

You didn’t know what else to say to him.

But you think that you both long for the same things in life.

You wanted to stay in each other’s lives for as long as possible.

SO CAME THAT DAY. When you arrived in the studio, you didn’t know what you were going to do. But the more you think about him being there, being with you to hold your hand to talk you through it, the more you think that you might get somewhere.

You and Suguru sat across from each other, the sounds of music floating softly in the background. The line up of alcoholic beverages on the table along with shot glasses and a cup of soda for a chaser. The tension in the air was palpable, each of you unsure of what this conversation might reveal. 

Emotions churned beneath the surface, like a storm gathering strength, and the truths that might come out held the potential to either break or shatter what remained between you. Suguru and you wanted to be honest, to address things properly, but also to keep some boundaries intact. But then again, how could you, when it came to him? He was the love of your life. And you knew you were his. 

As you sat down, you smiled at him, a gesture that felt both familiar and foreign. He smiled back, as tenderly as he could, just as he always had. For a moment, you were transported back to a time when things were simpler, when the man sitting across from you was the one you fell in love with. His eyes held the same warmth, the same quiet intensity that had once captivated you.

"You know….I really don’t know what’s going to come out of this conversation between us." Suguru said, his voice trembling slightly. But he smiles, as though trying to comfort you too. “This is a new sort of conversation to have in front of the camera.”

You glanced at him, your own hands shaking. You laugh shakily. "Don’t worry. I feel that too. I don’t think that this is gonna be any easy for us.  I'm afraid it's going to be like..." You railed off, unable to finish the thought. “You know what, let that thought disappear.”

"Do you want to go... Yeah," he chuckled nervously. “Let it disappear with a drink.”

“Pour it down, Sugu!”

You watched Suguru take a deep breath, his hands steady as he poured the clear liquid into the small shot glasses lined up between you. The familiar scent of vodka filled the air, a sharp contrast to the subdued atmosphere that had settled over the table.

"You really went with vodka first?" you quipped lightly, a hint of amusement coloring your tone despite the nerves that fluttered in your stomach.

Suguru chuckled softly, the sound familiar and comforting. "It's the closest to grab!" he replied with a half-smile, his eyes meeting yours briefly before returning his attention to the task at hand.

A moment later, you both raised the glasses to your lips, the cool liquid burning slightly as it slid down your throat. The familiar warmth spread through you, a mixture of nerves and determination mingling in the shared ritual. As you set the empty glasses back on the table, a sense of tenderness settled between you. Liquid courage settled tremendously well.

"Here goes nothing, Sugu." you murmured, meeting Suguru's gaze with a mixture of apprehension and resolve.

"Nothing we can't handle, doll." he replied softly, his voice carrying a reassurance that eased the lingering doubts. 

You shake your head at him, as he smiles as you introduce yourself. "And I play his situationship in Jujutsu Kaisen." you said, breaking the ice. He laughs.

"And I'm Geto Suguru." he replied, smiling faintly. “I also play their situationship in Jujutsu Kaisen.”

"We used to date each other.” you continued, looking at him.

"Is dating the right word?" he asked, a hint of uncertainty in his voice.

"Yeah, I think it could be the right one." you nodded. "I mean, people who date also live together!" 

"For many happy years, I may add." he added, and you both laughed at the shared memory. “Those were the days.”

"I guess that's how we know each other. Then, we broke up a few months ago." You said, the laughter fading into a more somber mood. 

“That really killed the mood so fast in the studio!” Suguru laughs. “We are so sorry about that.”

“I feel like I need a penalty shot for that.” You laughed with him.

“Should I pour some whiskey for that?”

“Yeah, why not?” You say as you watched him pour the whiskey

"Okay," Suguru said, raising his glass. "Cheers."

“Cheers.” You clink your glass with his and you start drinking. 

It was your turn to pick up a flashcard, your fingers trembling slightly as you lifted it from the pile. Across the table, Suguru had already started sipping his chaser, a nervous habit that betrayed the gravity of the game you were about to play.

"Am I a better lover than who you're currently with?" you asked, your voice steady despite the sudden seriousness that settled over the conversation.

Suguru paused mid-sip, his expression shifting from casual to contemplative. "I'm not currently going out with anyone, that's for sure." he admitted quietly, setting down his glass. His gaze met yours, earnest and vulnerable. "And because of that, yes. You are a better lover. Probably always will be my best lover."

The honesty in his words took you aback, a mix of validation and melancholy washing over you. To hear Suguru acknowledge the depth of your connection, even amidst the uncertainties that had driven you apart, stirred a tumult of emotions within.

"I..." You faltered, unsure how to respond to such candid admission. The weight of his words hung between you, echoing the intensity that had defined your relationship. “That was not the answer I was expecting from you. I thought you were already dating.”

“I doubt that I could get over you very quickly.” Suguru sighs.

"Do you think they feel the same way?" a female staff voice interjected.

“Do you?” Suguru turned to look at you.

“Yeah.” You responded to him a moment later. “I’m also not seeing anyone, so…. I doubt that I could think anything of it.”

“If you were dating someone, would you feel like that too?” The staff once more interjected with a question.

You hummed. “I think…..probably. Suguru and I dated for a long time. And I was loved in ways that people can never even fathom. Only he has been able to do that.”

Suguru looked at you for a moment, as though he saw the universe in your eyes. He felt the heat pierce his cheek. “I think I need to get a drink on that.”

“Go for it.” You say, blushing just as equally bad. “I’ll drink with you.”

You both drink together, your eyes lowering at the intensity of his gaze. “You stare at me too much.”

"Can’t help it,” Suguru whispered, his voice a soft admission of vulnerability and lingering affection.

His eyes met yours briefly, a flicker of warmth passing between you before he glanced down at the flashcards scattered between you on the table. Each card held a potential truth, a shard of their past waiting to be explored.

“I guess it’s my turn,” he murmured, his fingers lingering over the cards as he chose one with a thoughtful deliberation.

As Suguru flipped over the card, you held your breath, uncertain of what awaited. The air in the cafe seemed charged with anticipation, the ambient sounds fading into a distant hum as he prepared to reveal the next piece of their shared story.

With a steadying breath, Suguru read aloud, his voice steady yet tinged with emotion. “Do you regret how things ended between us?”

“I do.” You responded to him, confidently. “I feel like I was an adult and I should have been able to be an adult in that situation with you. But instead, I acted like a child when I should have settled down too.”

“No, but I feel like I hold the most at fault for that.” Suguru says as he leaned forward, straightening his posture. “There was really no reason for me, even if I was stressed and exhausted, for me to have reacted to you that way.”

“You were exhausted that time too.” You smiled at him softly. “I don’t think I could hold it against you.”

“Just like I don’t hold it against you that you were exhausted waiting for me and trying for me to figure things out.” Suguru replied back. “You don’t deserve that and I’m glad you stood your ground and put yourself first when you needed to.”

“I was waiting for something like that from you.” You retorted back to him, your smile turning emotional. “I’m glad that you gave it to me.”

“I’m sorry it took me so long to say it.” His face softens, the hurt in his eyes palpable. 

You shook your head. “It’s alright, we’re alright.”

“It’s your turn.”

"Did you ever cheat on me, and if you did, what was the reason?” You read the card, looking at him. “Did you ever do it?”

"I've had some pretty solid opportunities, doll." he admitted to you. “But I never thought about it.”

"Is that a no?" You pressed.

"It’s a no.” He tells you, and you could see it in his eyes, he was honest. “I had you, doll. I don’t think I needed to have anyone else.”

You laughed. “Yeah, I guess you’re telling the truth.”

“How about you? Did you ever cheat on me?" Suguru asked, turning the question back on you.

"No. The fuck?" You replied, offended. He laughs. “I would never.”

“I really don’t think we had the energy to do something like that.”

You nodded, looking at the camera. “Our managers are behind the camera. When we tell you that our schedules were so packed….there wasn’t even room to pee!”

“I say that every time we have to do a reshoot because Satoru made a funny face.” Suguru added. “Gojo–kesa isn’t easy to remove everyone. Especially when you need to pee!”

“I think we got too far ahead of ourselves here.” You retorted as you drank your chaser. “That got me thirsty.”

“To everyone, we did not in fact cheat on each other.” Suguru makes an ‘x’ sign with his arms. “We broke up normally, like some couples do.”

"Let's keep going," You said with a laugh, trying to steer the conversation back to safer ground. 

"How long did it take you to get over us, and what did you do to help yourself get over it?" Suguru asked.

"I think I'm gonna take a drink." I said, dodging the question with a laugh. 

“It’s only been a few months, so I don’t think that’s an easy thing to answer.” He laughs with you.

“Yeah, you’re right about that one.” 

He winks at you. “I always am, doll.”

“My turn.” You say, picking up a card. "Do you think I'll be a great spouse?"

"Definitely." he said without hesitation, looking at you tenderly. "I wanted you to be mine, you know?"

"I know." You whispered, tears threatening to fall.

“Hey don’t cry now.”

“It’s the alcohol, don’t worry.”

"What was your least favorite thing I did to you in bed?" he asked.

"Well, my least favorite thing that you did to me in bed," You began, trying to keep my voice steady, "I think it's to not make love with me. You once slept on me before we could start something.”

"I can see that being your least favorite thing." Suguru snickered. 

You pointed to the camera. “Lesson 101 folks, tell your partner beforehand!”

"When did you know it was over?" He asked, taking his turn. 

"When your work and your friends become bigger than me." You said honestly. “I really didn’t know where we were and you kept telling me that it was fine and your friends told me it was fine. I think I was not understanding my place with you at the time.”

"Hmm. I didn't feel like all that became a priority. I think I was having a hard time trying to understand how to slow down from the work that was my life." He explained to you, as you nodded. "You know? And that was my fault. I feel like that community I had understood that and didn’t question it.”

“But that needed to be questioned.”

“Yeah, because it affected what we had. And that wasn’t fair to you.”

You nodded in surrender. “Yeah, that was it.”

"I'm sorry for all of it, doll." He whispered back to you. “That it hurt you.”

“It’s all in the past.” You whispered to him. 

"If you could erase every thought of me, would you?" you asked, your voice breaking.

"Fuck, no! There would be nothing to feel pleasure about at night.” He joked, trying to lighten the mood. You smacked his hand, laughing so hard. “I’m sorry, that was a crude joke.”

"No, that's okay.” You whispered back at him, laughter subsiding. “That makes me feel really good about myself, actually.”

"It should make you feel beautiful, doll. All the expensive towels at home die because of you.” he teased.

"Alright, I'm gonna forget the towel thing now." you said, rolling your eyes as you tried not to laugh. "Why do I keep getting these cards? I dare you to take a body shot off me, or you have to take two shots."

"Was it two shots?" he asked.

"Yeah, it was two shots for you, Sugu." you confirmed.

“Okay, I’ll take the shots.” Suguru says as he gritted his teeth, pouring whiskey on two shot glasses. “This is not a good think for me later.”

“He still has to record a song later.” You say, laughing as he puts the bottle back and starts taking a shot. “I feel like you’d do fine though. You aren’t that much of a light weight.”

“I think so, but it would be emotional in the booth.”

“Oh then, cry it out!”

"This is a good question!" Suguru said, holding up a card for his turn. "If you could do it over again, what would you change?"

"I don't think I'd change anything, for our previous relationship.” You tell him honestly. “I think it ended when it needed to.”

“Yeah.”

“But I’m not putting the door to a close yet, I don’t know what would happen.” You whispered back at him with a soft smile. “But given the chance, similar to the question, how would you make it better?”

"I would put in more time, doll." he admitted to you. “I think I’d put you as my priority and what future we have together first.”

"That would be cool.” You said softly.

"I fucked up." he sighed, looking at you softly.

"Would you do it again?" You asked, your heart in your throat. “Would you take another shot at it, Sugu?”

"You know the answer, doll." he said, avoiding my gaze. He picks up another card. "Do you still love me?"

"Yeah. Yeah. Of course." You said, your voice trembling as you smiled. Your eyes water with emotion. "I think I always will.”

“I guess I’m the love of your life, huh?”

“You know that already.” You sniff, laughing.

“That I do.”

“Are you happy with our current relationship?" You asked him, turning to him as he slowly smiles.

"Doll, are you happy with everything right now?" he countered.

“With all that’s going on in my life?” He nodded at you. “Yeah, I’m happy. Some days are bad, but you know….I’m happy. You taught me how.”

"Good.”

“Huh?”

 “Then the answer is yes." Suguru smiles at you, with that same smile that made you fall in love with him in the first place. “I’m happy.”

"Really?” You were taken aback, smiling as your face wells in your tears. “I don’t know what to say, Sugu.”

"You don’t have to say anything.” He whispers, leaning forward as he wipes your tears away. “As long as you’re happy. It’s more than enough for me to be happy too.”

"I wished that would have been enough, when we were together.” You whispered back to him. “I would have loved to hear that from you.”

"I know.” He smiles at you, pained. “I wish I could tell you more.”

"'I wanted to be with you for a long time." You admit to him, tears flowing more. He wipes them all away. “I really thought I would end up having forever with you.”

"Do you think your past break up has had closure, you two?" the staff’s voice asked, cutting through the emotional moment.

“I don’t think there’s ever going to be closure between the two of us.” You admit to them, almost as though it was a fact. “He’s my person, you know? I think the fact that we’re not together, it just…it's hard to know how there could be anything, but pining.”

“How about you, Suguru?”

"I think about them often and it hurts knowing that we're not going to have any closure.” He whispers as he too starts feeling his eyes sting with tears. He takes your hand into his and you squeeze back.

“You know, when the future changes everything so fast. And I just don’t know what to do, because they’ll always be my muse. And I’ll think about all these years, wondering whatever happened to the love of my life.”

He wipes his tears. “Fuck, I can’t see anything with these tears.”

"Hey, you wanna wipe our tears away with alcohol?" you suggested, attempting a smile through the lingering pain that tugged at your heart.

Suguru looked at you, his eyes softening as he nodded. "Yeah, let's go." 

He pours the drinks and raises his shot glass, his faint smile touching his lips. "I don’t know what will happen in the future, but I am genuinely so lucky to have you in my life and I am so very lucky to have you as my muse. I hope you have nothing but happiness, love and joy, doll, my love.” 

"Cheers, Sugu." You said softly, lifting my glass and clinking it against his.

"Cheers, doll." Suguru echoed as he downs his.

The sound of applause from the crew and staff filling the room as you both toasted farewell to your shared past and a hello to your uncertain future. The weight of our emotions mingled with the bittersweet taste of the drink, of the complexities of love and the resilience of the human spirit.

You smiled at him as you stood up from your own chair, being handed your bouquet of sunflowers — your favorite as you were thanked by everyone.  And Suguru, being thanked by the other staff for his hard work with his own bouquet.

After the taping concluded, Suguru and you met at the lobby of the studio. The staff had already gone and left and your managers were waiting for your drivers outside. The atmosphere is still buzzing with the energy of the show and the lingering emotions from your candid revelations. You exchanged tentative smiles, a mixture of relief and uncertainty evident in your eyes.

"I'm glad we did this, doll." Suguru admitted softly, his voice carrying a hint of vulnerability. "I feel... I feel like this is the happiest I've been in a long time, just being here with you."

A warmth spread through your chest at his words.. "I feel the same, Sugu.” You confessed, meeting his gaze with a sincerity that echoed through the quiet lobby. “It was…..something that relieved me.”

The two of you stood there for a moment, the weight of unspoken words hanging between the two of you, until Suguru broke the silence with a gentle smile. "Well, I have a recording session to get to, doll." he said, his tone tinged with regret. "But I wanted to say... I wish you all the luck in the world with everything, you know?"

You nodded, feeling a lump form in your throat as you struggled to find the right words. "Thank you." You finally managed, a small smile tugging at the corners of your lips. 

As Suguru turned to leave, a thought seemed to strike him, hesitating for a moment before he looked back at you with a hopeful expression. "Hey, are you free to hang out on Friday?" he asked, his voice quietly hopeful.

You couldn't help but return his smile, the warmth spreading through you once more. "Yeah, Sugu." You replied softly, the weight of uncertainty lifting slightly.  “I am."

Relief washed over Suguru's features, a genuine happiness coloring his expression as he nodded. "Great," he said, his voice filled with quiet excitement. "I'll... I'll text you the details.”

"Is your number still the same?" You asked, a mix of nervousness and hope in your voice as Suguru paused, turning back towards you.

"Yeah, I never changed it," he whispered softly, a hint of a smile tugging at the corners of his lips. "Did... you?"

"No," You replied, relief flooding through him as you returned his smile. "I didn't."

"Great," Suguru nodded, his expression almost visibly lighter with relief. "I'll just... text you."

With that, he turned again, his steps echoing softly on the polished floor as he made his way towards the exit. You watched him go, feeling a surge of gratitude and anticipation welling up within me. The weight that had pressed on your heart for so long seemed to lift, replaced by some hope.

As Suguru disappeared from view, You couldn't suppress the smile that spread across your face. The promise of a future, uncertain yet filled with hope, stretched out before you, the both of you. And as you stood there, in the quiet of the studio lobby, you knew that whatever came next, you both had taken a small but significant step to take.

Maybe one day there will be more than this.

But for now, you were grateful for this moment.

You were grateful to have another chance to joy.

[sockatoothewafflebird]

okay so i found this s1 and s2 intro comparison video and i'm going feral about it. i have a lot to say. i think the intro poses some very important theories and ideas and i'd like to post my take about it. this is about arcane btw

i made a comment about this on the video itself but there's a lot more i wanted to say. in short, the comment said:

season one's intro focuses on the surface-level ideas of the characters. each one is either decked out in their gear or holding their weapons, or whatever things make them who they are. i think it's super cool for that, but season two's focuses solely on lighting and the characters themselves.

as another post mentioned, all of the characters are in very generic clothing, with nothing but them to observe. no gear, no weapons, no items, other than viktor holding his mask (the same way he held the book last season mind you) and the medardas with the rose. they're going to be stripped bare in this season.

the lighting is made so it highlights their faces, their posture, their body language. we're not looking at characters in a show anymore. we're looking at people.

that's the big main idea of all of this, but there's a lot more to talk about, so i'll put the rest under the cut so nonone has to scroll for hours to get past this post if they don't want to read everything. and there are a heap of season two spoilers under the cut as well, just beware.

anyway, we start out the intro with vi. let's take a really close look at this because holy shit.

we start with her sitting there, in nothing but a tank top (and i think not even a bra lmao) and she brings her hand to her face and smudges her tattoo. the tattoo with her name on it. the tattoo that helped maddie nolan recognize her.

and then the pink strip of light HIGHLIGHTS IT. that's her name, that's who she is, and she smudged it. it's probably a tattoo so the smudge in the intro is lore symbolic than anything, unless you can just easily remove tattoos in the league of legends universe. but anyway, yeah, she's having an identity crisis. she doesn't know who she is anymore.

next, we have jinx. parallel to last season's intro vi and jinx are back to back. but in this season they're sitting down. while vi is sitting, contemplative, her sister stands up and shoots.

i think comparing this with s1 is very important. in s1 vi and powder are a carving, cut from the same stone. and there they are in season two, now their own people, now walking away from one another. it's a very clever way to present their dynamic in my opinion.

it's important to point out that vi sits down and the light illuminates her smudged tattoo, while when jinx stands and shoots the light highlights her eye. i'm not sure what to make of it but it's interesting.

let's move on to ekko!

so, when it switches to him, we can see him standing alone in an empty room, the light making it so he has two shadows. they move bit by bit, like the hands of a clock.

i think that's a really cool detail because, for those who don't know much about league of legends, ekko's ability in the game is time-related. what it means for his arc in s2 i'm not quite certain on, but i have a really big theory i'll talk about in another post soon.

on to the next bit, viktor! unfortunately there's a 10-image limit on mobile and i dont have a computer right now so i'll continue this in another post. also i don't want this to be pages and pages long... so stay tuned cause ive got a lot of shit to say lmao.

made a new blog tag, just search arcane intro analysis in my blog and you'll find all posts relating to arcane's intro. more to come!!!

[celebtf]

The Flash & The double

I was sitting at my breakfast table one morning and scrolled through Instagram like I always do. Like always I never really find something but I looked at some Reels, alot of cute animals, like cats and dogs, I really love those videos.

I looked and saw that CW had put out an audition, it was for The Flash, I love that show and Grant look so hot in it too. I sended in my application with photos and resume, it was a little chance I got this job.

A week later a girl from CW called and said I was welcome to a audition next week. I thanked her and I got the script sent over.

I arrived at the location she sent over, it was this an apartment, not what I had in mind but I didn't question anything. I walked in and sat on a chair in the hallway and waited till somebody called my name.

" Steve " a blonde girl yelled and I followed quick after her in to the room.

In the room sat 4 people, I guess then would judge me, probably a jury to see if I fit the small part I was auditioning for. When I looked up I saw Grant Gustin himself sit at the table, he smiled and looked me up and down.

" So Steve, can you do any acrobatics? " Grant asked me with a big smile, his teeths are perfect I though for myself.

" Yes, I can do both acro and parkour, I been training for years, I used to be a stunt double back in the days.. well 2 years ago " I laughed and smiled.

" So we are looking for somebody that can do this small part and also be a stunt double for Grant if that would be needed " the blonde girl said, I smiled answered her.

" Okay we are switching things up, here, take one of my scrips" Grant said and gave me a page with a few of his lines from season 1. I read them and did the audition and after, I went home, questioning how good I really did.

A few days later calls Grant himself my phone to congrat me on getting the job, he said I would only work as his Stunt double as they cut the other character, I didn't really complaine ofcourse, it's The Flash. They would need me on set tomorrow for a Suit fitting.

The next day I was on set early since I didn't want to be late for my first day. " Steve, there you are, welcome " Grant met me with open arms. He smelled so Woody and musky, drove my mind crazy. Me and Grant walked together to the costum departementet since I didn't really know my way around.

We both arrived and walked in to the costume departement, it was so big, and it had mini rooms and a whole closet, I had never seen something this big before.

" Hey Steve, sorry for calling you in this early , just needed to check some things, your suit is over there, we will leave for a while when you change. " the girls said and left me and Grant alone. " Is It okay if I stay " he asked, I felt myself getting harder, but answered him and he stayed.

The suit looked really good for it to be a stunt double one. Usually the company don't really put in the effort when it comes the the stunt double's costumes because they often get trashed on set.

I took of my clothes so I was only in my white boxers, I could see Grant checking me out in the corner of my eyes. I took the suit and started dressing myself, on leg at a time, then over my butt, over my abs and all the way up. I asked Grant to zip it up, and he did. " let me help you with the mask too" Grant said and put the mask on me.

I could feel my body start to shake, a wave past through my body and I felt my feet grow bigger, my legs and thighs got thicker, my butt got fuller, in the pain I saw Grant lick is lips and grab his bulge. My spine cracked and I was in pain, so much pain, my arms got bigger and thicker. A wave of pleasure went down to my dick and it started to grow harder and longer. I could feel the mask heating up, my jaw got shaper, my nose got smaller, eyes went brown and my hair shortend and became brown.

" Looking good Sexy, damn, my ass looks so good in that suit " Grant laughed and walked towards me. " You did this, you planned all for this " my voice cracked and came out darker. He laughed again " Ofcourse I did, from the start, that's why you got to read my lines at the audition, remember, now look in the mirror and say you don't look hot "

Damn I look good and I snaped a picture, I could here Grant laugh behind me again. He came behind me and started to touch my new body.

" I see somebody is excited to see his new face and body " he grabed my bulge and I moaned. " You know, when you're as famous as me, you can't be at two places at once, so I planed this, so you could do half the work and I do the second one. " he laughed and gave me his script " You do the scenes today, I'm sneaking home, I texted my adress, come over with your stuff, you're living with me now". Grant grabed my bulge again and I moaned, he laughed and left.

I went over the lines, went out on set, I kept telling myself I'm Grant Gustin.

Hello I'm back with a new story, this one is inspired by @dulafer and his story " The stunt double " but with a twist. I hope everybody likes it.

[alphajocklover]

As a kid, I watched a film that had these big cavemen tie a nerd to a pole before he was saved by his archaeologist friends. Since then, the idea of a bunch of cavemen taking a nerd to physically turn him into one of them while forcefully dumbing him down makes me so aroused. Too bad it didn't even happen in the movie, let alone real life...

‘Neanderthals!’ has been one of Terrance’s favorite movies since he was a kid, which made most of his friends very confused. A lot of them couldn’t figure out why he liked it so much. Terrance was the founder, president, and only member of his high school's movie club, the volunteer movie reviewer for his college newspaper, and generally the biggest movie buff that most people ever got to meet, but his favorite movie, out of all of the choices, was a C-list kids movie where a bunch of teen archeologist unfreeze three real cavemen who were stuck in an iceberg, and have to deal with their shenanigans. It was nothing special, just a lame kids movie that wasn’t even bad enough to be funny. None of his fellow movie buffs could figure out why you loved it so much, but the answer was surprisingly simple: that movie was Terrence’s sexual awakening. Watching the trio of muscular, hairy cavemen tie up a 15 year old nerd (who was played by a 19 year old actor for some reason) and dance around him ritually woke something up inside of him. He seriously thought for a moment that he was going to watch the nerd be turned into a caveman, and that fleeting thought has stuck in his mind for years like an itch he couldn’t scratch. He became fascinated with the idea of caveman transformations, and had watched the movie dozens of times over the years. Terrance had seen it so much he thought he knew everything about his favorite movie at this point, that he had every scene, every fact memorized. Until he heard about the missing scenes.

Like many small movies, the fanbase for it was incredibly small, but dedicated. It had one small reddit page, with about 7 people who regularly posted on it regularly, Terrance among them. Things were usually pretty calm there, until one day a newcomer to the forum reported that they had found a copy of the movie with deleted scenes. At first Terrance thought it had to be a scam, but the anonymous fan claimed he’d send a copy of the deleted scenes in the mail, for free, and Terrance accepted. He doubted the guy was trying to hack him with a DVD or something, so even though Terrance wasn’t expecting much, he gave the stranger his address (the address of a PO box. He wouldn’t give your address to a stranger, he was horny not crazy). He was shocked when he actually got the DVD as promised, and even more surprised when He put it on. As it blared to life, he immediately recognized the opening! It really was ‘Neanderthals!’ Or at least a version of it! The sender seemed to have cut out most of the scenes that were the same, leaving only the missing scenes and the opening left. Terrance watched in awe, laughing at the bloopers and making notes on the different scenes that were left out. Then, finally, they got to the scene you had been hoping for. 

It started out mostly the same as it did in the original movie, with one of the teen archeologists, Hal the stereotypical nerd, being kidnapped by the three cavemen, who danced around a fire as he was tied to a nearby pole. But soon the scene changed, and unlike in the original, the cavemen turned their attention to their captive. One of the cavemen, the one who gets redeemed toward the end of the movie and marries one of the main character Moms (like I said this was a weird movie), went up to Hal and rubbed some colored mud on his face, making distinct ritualistic markings. Terrance felt warm excitement come over him as he watched the three cavemen chant and dance wildly, and watched as what he always wanted to happen happened. Hal’s skin tanned slightly and his hair grew longer, wilder and dirtier. Terrance watched, entranced, as his muscles grew beefy and defined, practically able to feel the warmth coming from the fire as you did. He could see the actor's eyes glaze over as his brain seemed to melt and devolve, and could practically feel the dumb guffaw he made echo in your ears as his face became more gruff and his intelligence drained. This was exactly what Terrance had always wanted, what Terrance had been dreaming of seeing for years! Terrance’s itch was finally being scratched, and it felt so good. Terrance felt so good. Terrance felt great! Terrance felt… horny! He practically tore off his clothing, struggling with the buttons for some reason, and began to pull at his cock. He felt himself laugh dumbly and began to mutter.

“Terry is so… horny… Terry wants… pussy!” Terrance said, despite having been gay mere moments before. He laughed dumbly as the remains of his clothing magically transformed, becoming a loincloth. Terry continued to jerk his now growing cock as his changes finalized. Terrance was gone, replaced with Terry, a dumb, buff caveman, and all Terry wanted to do was to find a cave girl to plow.

**hey there! First time doing a caveman TF. Found it very hot (but also hard to find pictures for). Hope you guys liked it!**

[tuliptired]

hi! can i request a egan x complete opposite reader? like someone so different like a model or actress of some sort

Uptown Girl

Pairings: Egon Spengler/Fem!Actress!Reader

sorry for looking at stantzler yaoi while this was sitting in my drafts

Better formatting on Ao3!

Peter could tell something was up with his friend. Something different from the norm. In the past handful of weeks, Egon’s turned into a fidgety, flighty mess. Misprinting calculations, misplacing tools- all in blue. He was wearing so much more blue. The reticent man never really had a favorite color, something Peter relearned everytime he probed him when bored, but this was just way too out of character. Egon? Color coordinating? Insanity.

He had a discarded newspaper open at his excuse for an office, spacing out while Ray messed around with Janine’s little TV, Winston holding a flashlight over it for him. She had won it when she was small, the faulty wiring spilling out the back panel a testament to its age. 

Janine sat up impatiently, folding her magazine. “It’s almost time Ray, is it working?” 

Ray dropped his pair of pliers. “It should be,” he said unconfidently, screwing the paneling back on as Winston adjusted the antenna. The machine crackled and popped, sounds and images cutting in and out as it gained and lost a signal.

The subject of Peter’s suspicions came down the stairs flinching at the noise, looking to pass and leave the firehouse but too intrigued by the feat of electrical engineering happening at Janine’s desk. “What’s this?” 

Peter’s eyes narrowed at the barely there sight of a shiny, new silver watch. Christ, were those blue diamonds? Everyone who’s regularly stepped foot into the firehouse has tried and failed at attempting to get Egon to upgrade his wristwear, the old brown thing that barely had an audible tick. Peter’s own seasonal gifts for him got fancier and fancier as the years went on, Egon turning down a Timex with an alarm at one point. He insisted that anything he could go out and buy would serve the same purpose as the beatdown leather already owned- regardless of needing to squint to see the arms.  

She opened her magazine back up again, fluttering through glossed pages until she found the right one. “You’ve heard of that one show, right?” Janine held up an advertisement for the program, promoting big guests like Madonna or Robin Williams. “I’ve been trying to catch the reruns-”

“And I’ve been trying to tell her that it ruins the integrity of the show.”

“If I wasn’t locked up in here every Saturday night, I wouldn’t have to. Don’t put down the receiver, Winston.”

Ray watched with his fist under his chin as the signal got closer and closer to whatever channel he had twisted the knob for. Janine sat up straighter, flipping to a different page. “Anyway, there’s a new actress on there, and I don’t wanna miss her.”

Winston leaned over to check if the screen was any clearer. “My sister showed me an article on her. Very fashionable.” 

“I know, her picture was on billboard on 46th,” Janine raved, “you’d like her, Peter.”

He shook his head, licking his pointer finger to get to a different section of the paper. “I’m more into musicians.”

Egon spoke up, eyebrows furrowed. “You’re mistaken, Peter. She’s an incredibly talented actress with an incredible repertoire.”

Looks were exchanged between all of them. If the elephant in the room was offended, he didn’t show it. “What?”

“Nothing,” Ray shrugged, “it’s just…she’s so..”

“Outgoing.”

“Witty.”

“Expressive.”

“And you’re you! Nothing wrong with it,” Ray patted his taller friend’s shoulder.

Egon looked at his colleagues blankly. “I can still enjoy her work, despite certain character differences.”

The TV finally got a stable connection, though not celebrated by anyone in the room as Egon’s anomaly took up all their attention. “I thought you didn’t have a television?” Winston questioned, moving the antenna again and losing the stream.

“I don’t.”

Peter raised an incredulous eyebrow to him from across the room. Something like a realization flashed behind Egon’s eyes, before he turned his eyes from their gaze and cleared his throat. “I’m going home early tonight. Call me if you need anything.”

That certainly didn’t do anything to soothe Peter’s speculation. Egon barely ever went home. If anything, the only reason he had an apartment to his name was because it was expected of him after graduating his last year of university. Even so, he was barely ever there, spending his nights slumped over in a lab- Columbia’s or otherwise. Peter would be surprised if the man was still paying rent.

Ray and Winston must’ve been carrying the same sentiment. “We’ll still be seeing you tomorrow, right Eges?”

 The man stood stiffly, as if under a spotlight. “Hopefully.” He was motionless, before grabbing Janine’s TV and scurrying out the door.

“Hey!”

Strange indeed.

Egon walked briskly under the fluorescent lighting of the hallway. It was almost 7, after all. A warm brown bag of Chinese food sat under his arm as he got closer to the rickety door. He hesitated to turn the key, hearing staticky music on the other side. When he did, there you were, surrounded by brown bags just like his and messing with the antiquated radio by his stovetop. It felt odd, and strangely smug, to have you in his tiny and bland apartment after his friends praised your stardom.

Your manicured fingers turned the volume down. “Sorry! It’s hard to entertain myself here when you don’t have a TV.” The same woman that was all over Times Square was here, in his kitchen, placing a kiss to his cheek. 

“I do now,” he juggled the boxy appliance before you took it from him gently.

“Where’d you get this? It’s adorable,” you smiled, inspecting it. He peered into the bags cluttering his limited counter space as he put down your dinner, some holding groceries and some with wrapped packages.

“A friend. What’re these?” Egon didn’t have to turn to you to see the guilty expression you had while he pulled out containers of takeout. You had a bad habit of buying him luxuries he never thought he would need.

You grabbed a few things from one of the sacks, opening his outdated fridge. “I know we agreed to you bringing dinner, but it’s just a few things for when you’re on your own.” He wrinkled his nose.

“I have food.”

Egon watched you teeter your palm back and forth, grabbing another bag and opening one of his cabinets. “What’s the point of eating-out if you never eat-in?” 

“You shouldn’t have gone through the trouble.”

He felt nice as you smiled at him, folding the discarded paper and tossing it in the bin. “You know I don’t mind.” It would’ve been a sweet moment, if there wasn’t another bag on the counter that caught his attention, which you scrambled to pull away. Before you could, he brought it to his lap, gazing down inside.

He pulled out different wrapped packages, labels from one of the most expensive department stores in the area. “Y/N.”

You put your hands up in defense, lowering yourself into the stool across from him.  “I know, I know. But, look!” You leaned over, showcasing one. “New curtains! And there’s a watch in there, somew-here.”

Egon’s eyes nearly popped out when he found a little box, forgotten at the bottom, with a price tag higher than what two ghostbusters made in a week. “You have to return this,” he decided, hardly opening it before snapping it shut.

“You don’t like it?”

“I do. I appreciate you getting it. But you can’t keep spending your money on me.”

You knelt on your hand, disappointment clearly subsiding as you used the other one to open up the food. “It doesn’t make a difference to me. I was in that area, anyway.”

He passed you a plastic fork. “How come?”

“I had an appointment with my dress guy,” you started. He’d be embarrassed to admit it, but it took him an abnormally long time to realize that you were referring to the people you regularly bought things from, rather than lightly suggesting a polyamorous relationship. “And he showed me the finished product for Friday! Isn’t it exciting?”

You produced a print from your purse, handing it to him with a bright smile. It was a dress on a mannequin- very bold, very you, and very blue. “It is.” Egon grinned sincerely, admiring the idea. “Very beautiful.”

You stabbed your fork into a vegetable, seemingly forlorn as he put the photo aside. “It’s a shame you’ll only get to see it on TV. Unless, you wanna be my date,” you perked.

Egon could feel himself frown. In any other world, he would be at your side every hour of every day- every interview, airing, or red carpet appearance. But he was still Egon, through and through. So you compromised on “waiting until the right time” to make your relationship public.

“Not this time,” he avoided looking at you. You were understanding, you always were, but he could imagine how irritating a constant no could be.

He jumped as your head hit the countertop. “You’ll let everyone know at the wedding,” you groaned. Egon moved to console you, worried about having hurt your feelings, before your head snapped back up.

“Kidding.” He let out a sigh he couldn’t recall holding in. “You wanna be there when I get ready? You could help me with the zipper,” you leaned forward, voice teasing him. He couldn’t refuse.

“Of course,” Egon smiled, before it fell. “I’m sorry. That I keep telling you no.”

You shrugged, waving him off. How undeserving he was, to be loved by someone so forgiving. “I know. You’re an interesting guy, Egon. It’ll happen when it happens.” You had his hand in yours, brushing his knuckles as you looked on at each other earnestly.

Something caught your attention, breaking eye contact, Egon shrinking at the loss of connection. You turned in your seat to the rest of the apartment. “I never told you! I noticed you started decorating!”

It was a small place, only one bedroom and older than most people Egon’s age would be proud of. When he first moved in, the only things he took the liberty of situating were: a bed, a chair, various papers and books and scientific projects. It was more a storage space, rather than one to live in. He dawned on this the first time you offered to have him over, realizing that he’d have to return the favor- after picking up a bit. It’s not much right now, save for more furniture and ambience, but there was always something new whenever you visited. “After you told me it had the feng shui of an asylum.”

“Then we both have something to work on.”

“What was this doing in the mail this morning?” Peter bounded the steps to the second tier of the firehouse. Ray and Winston were trying their best to pick up around the kitchen, while Egon was hunched over his workbench, jittery and unorganized. Whatever he was keeping from them, it did a good job at keeping him from work. This would’ve been a nice change for the doctor, if it didn’t mean Peter had to be alert for any sudden fires.

He passed the booklet to Winston, whose eyes widened like a cartoon as the centerfold unfurled into two more pages. “Holy…”

“Maybe it’s Janine’s?” Ray proposed, cheeks pink as he clumsily folded them back up.

Her voice called up from downstairs, before the front door slammed shut. “I don’t read that brand, and if I did I wouldn’t be working here.”

That left the three men, standing in tense silence. Not Peter, he was tasteful with his filth- tucked away in the hidden part of his filing cabinet. 

“Why would one of us order something like this in the mail?”

Peter gently took it from Winston. “Alright, no need to embarrass anyone. My mail is your mail is your mail is my mail.”’ He jumped to a random page, settling into the couch. “We’re all friends here.”

Ray and Winston hesitantly crowded around him, unabashedly eager to view what was inside. Egon, however, was frozen at his desk, lab coat halfway off.

“Donna Rice stuns in a poolside photo…Madonna looks nice here…” The professor was a second away from crumpling. Schadenfreude.

Ray shrugged one of his shoulders, leaning over the armrest. “Some of these aren’t so bad,” he admitted. 

Peter let out a low whistle. “Here’s the girl you like so much, Spengs. Orange dress.” Egon rose then, a bit less catatonic as he shrugged his lab coat off, back to his friends.

“She wouldn’t wear orange this season. Or any season. It doesn’t pair well with anything and it washes her out.”

Peter blinked. Not the angle he was looking for, but a good psychologist never quits when they’re ahead. “Did she tell you this?”

Egon visibly hardened, turning to face them. “No. In a 1986 interview with People, in the second paragraph of the 12th page, she said she’d never wear anything long and orange at the same time.”

Peter slowly revealed the page to him, speaking even slower. “Sorry, superfan. She was wearing green.”

The professor only stared, before clearing his throat and fixing his clothes a bit, Ray and Winston silent at Peter’s side as he rolled up the print. “I’m leaving for the night. And I’m taking the car.”

He was halfway out the room before Ray stuttered, taken aback. “I can’t remember the last time I’ve seen you drive, Spengs.”

“And you can’t take the car.” Peter chided

Egon stilled on the staircase. “I have the keys. And there aren’t any jobs in the morning- you can do without it. Goodnight.”

Peter tapped the shiny paper against his palm a few times, turning to the men at his side. “He’s either selling drugs, or he’s trying to ditch us."

Sure, Egon wasn’t much of a driver. But he’d make the commute if he wanted to see you. Eventually, streets lined with skyscrapers and taxis melted into roads lined with starlight and trees as he carefully recalled the directions to your house just outside the city, surrounded by woodlands. He knew you'd wouldn’t be back until late in the night, so he was content busying himself with your chores until the sounds of a Mustang screeching to a halt in your driveway peeled him away from the last dish in the sink.

Egon carefully peeked out one of your windows, watching as you jumped out the backseat of the hastily parked car. “I probably just left a light on! One sec!” Your door handle jiggled with the turn of keys, before you poked your head in, voice low.

“Wanna say hi?”

He politely declined, and you were halfway out the door again, waving goodbye to your friends, before they skidded off into the night. Your home was a stark contrast to his own, decorated and personable without becoming clumsy. But, many a night you’d crooned to him over the phone about how empty it can get. So, there he was.

“You didn’t have to come all this way,” Egon felt you mummer against his back, arms wrapped around his middle while he finished wiping down the edge of the sink, light fragrance mingling with the smell of dish soap. You always smelt good, after a night out.

“I wanted to. Did you have fun?” he inquired, hearing you hum as you peeled yourself from him, lurking towards the stairs.

“As much,” Egon bent behind you to collect your discarded shoes, “as I could have.”

He caught the earrings you pinched off from your earlobes. ‘They didn’t show you a good time?”

You paused in front of your bedroom door, waiting for Egon to open it, which he did. “It was a great time- I love premieres.” You lowered yourself onto the large mattress, calling out to him as he went into the master bathroom to start a bath. “But, I think you know very well why I wanted to come home.”

“I wonder,” he mused chaffingly, sitting behind you on the bed. His favorite night time routine, whenever he was around after you successfully painted the town red. The events and invitations just got bigger and bigger, increasingly extravagant the longer he knew you. Here he was, getting farther and farther over the hill. In spite of it all, he liked taking care of you, especially when you were wearied from an evening of fun.

You leaned forward as he gently unclasped the jewelry from around your neck, careful not to bust the fastener. “I’m happy you’re here now, Egon.” he heard you coo tiredly and softly. Egon pressed a devoted kiss to the nape of your neck where the metal had lay, drawing out a delighted laugh from underneath him.

“Then I’m glad I came.”

Both of you just sat there, warmth against warmth until Egon remembered that your faucet was still running. He took to unzipping the back of your gown. “Is it safe to assume my friends are becoming suspicious of me?”

“Oh yeah? What’re they doing?” you pondered, helping him as you stepped out of the pooling fabric.

“Pictures of you. Peter got a hold of one of your spreads.” Egon mulled. He carefully collected the material, laying it out on a chair in front of your expansive closet. He really appreciated those photographers, any other time. Particularly, when you weren’t available for so long.

Another thing he enjoyed about nights like these- you in your underclothing. Oh, guilty pleasures. But the sight vanished into the bathroom almost as soon as he took it in. “Did you tell them I was your outgoing, witty and expressive girlfriend?” 

Egon couldn’t help but follow you. “They seemed to have come to that conclusion on their own.” Egon stood against your sink while you sunk into the water- he knew you were pretty clean, but a washroom floor was still a washroom floor.

“I’m sure you have them fooled.” you guessed, leaning on the edge of the tub.

“I think so. But-” he noticed the look you were giving him. “You’re being sarcastic.”

He let you laugh at his expense, handing you various soaps from the caddy above. He’d been meaning to get a similar bottle to keep at his place, if you were ever willing to spend the night. What would your people say- if you didn’t come around when they were expecting you to? “And you? What do your friends think?” Egon queried. 

“They’ve been onto me. And they tell me: ‘bring him around sometime- one night can’t hurt,’” you teased. “There’s a blue suit to go with my dress waiting for you, if you really want.”

Egon felt so defenseless as you gazed up at him, extending the same invitation you’d been extending time and time again. Reservations be damned. The greatest person he knew was letting him spend a night in their arms- and he’d be anything but himself if he let the opportunity slip away again.

“I’ll go.”

“What?”

“On Friday. I’ll go with you. If you’ll have me.”

You beamed, sitting up and leaning impossibly close to him as he let himself kneel against the porcelain. “Oh, Egon! I could kiss you!” Your wet skin dripped onto the dainty rim.

“Why not?” he teased. Before the question could leave his lips, you had the end of his tie in your hand, nearly dragging him into the bath with you.

He could barf. Absolutely lose his cool in the back of this expensive car, or in front of all your famous friends. As happy as Egon was to experience a slice of your life with you, his nerves were on fire. He must’ve seriously underestimated the turnout of this thing- reality settling in as a number of stylists flooded your house as the evening approached. He felt the embrace of your hands on his jaw, as you made him look at you.

“You don’t have to talk to anyone, if you don’t want to. Just keep holding my hand.” You were glowing. “And- you look great. But…something’s missing,” you muttered. He swallowed hard, dreading what he managed to leave behind. He was breathless as you left a quick kiss off the center of his lips, laughing as you parted. “There,” you giggled.

“Mr. Spengler? There’s a call for you.” the hostess told him, peeling him away from the table of A-listers. As he answered the phone by the kitchen, he could recognize a familiar, angry voice.

“Egon Spengler.”

“Hello, Janine.”

The floodgates opened, and he could practically hear her nails digging into the desk. “I could rip your head off. Is that where you go all day? Hanging out with gorgeous celebrities? Why didn’t you tell us? You’re sitting at dinner with Mel Gibson! You should’ve introduced me. Why didn’t you introduce me? I would’ve killed to meet her- if I had met Einstein I would’ve introduced you. What’s next- you’re having tea with Cher? You disappear for weeks at a time, and we have to watch a tiny TV screen to find out you’re at an award show with a red lipstick stain on your face? You-”

“I’m sorry to cut this so short, Janine. But my wonderful girlfriend has an accolade to accept.”

[wisteria-lodge]

I’d love if you ever expanded your thoughts on the way JKR writes romance, because it’s something I’ve been thinking about for a while. One thing that’s very interesting to me is that jealousy is used as a driving force for both of the main romantic storylines in HP. It’s more obvious with Ron/Hermione (the Yule Ball, basically everything that happens between them in book 6, the locket horcrux stuff) but also plays a big role in Harry/Ginny. Harry’s jealousy of her relationship with Dean is what makes him realize he’s into her, and moments where he’s pining for Ginny tend to focus on that jealousy more than an actual appreciation of Ginny’s personality. The most important part of writing a convincing romance is making readers believe that these characters actually care about each other and want to spend time together, and it feels like maybe what you describe as JKR’s obsession with pining made her lose sight of that. What do you think?

We've also got jealousy as a motif in Harry/Cho and Severus/Lily. It is absolutely a trope she uses, a lot. 

When I was trying to get my head around how JKR writes romance, the main thing that made it click for me was realizing that, to her - romance is inherently threatening. And/or embarrassing, overpowering, animalistic, dangerous. (thanks to @the-phoenix-heart for that line.) 

Really, the Harry Potter books are kind of a romance-free zone. It is incredibly unusual to see a romantic couple, acting like a couple, on the page. We spend a lot of time with Arthur and Molly, and while they’re both pretty fleshed out as characters, we get almost nothing of their couple dynamic (and what we do get doesn’t seem all that positive…) The blocking tends to physically separate them - Molly isn’t at the World Cup or Harry’s hearing, Arthur is working overtime when Harry is at the Burrow, etc. This is a pattern: her romantic couples, of which there are not many, have a way of being in different rooms, on different side quests, one of them is mind-controlled, one of them is unconscious, it cuts to black right before Harry kisses Cho, and right after he kisses Ginny.

Ron/Hermione takes place mostly outside of Harry’s perspective, and Harry/Ginny takes place mostly out of *the reader's* perspective. It’s a lot of narration, a lot of “Harry could not help himself talking to Ginny, laughing with her, walking back from practice with her” and “[Harry] was supposedly finishing his Herbology homework but in reality reliving a particularly happy hour he had spent down by the lake with Ginny at lunchtime.” Like, I don’t know. I might have liked to see those scenes play out.  

Bill/Fleur is probably her most successful couple (I mean, who doesn't like Bill and Fleur?) But even they almost never interact with each other. They talk about their relationship to other people, other people talk about them, but like… I’m just going to go through a rundown of every single time we see Bill and Fleur interact: 

 “’E is always so thoughtful,” purred Fleur adoringly, stroking Bill’s nose. Ginny mimed vomiting into her cereal behind Fleur. Harry choked over his cornflakes.

(Romance = embarrassing) 

What if [Ron and Hermione] became like Bill and Fleur, and it became excruciatingly embarrassing to be in their presence, so that he was shut out for good?

(Romance = embarassing, threatening)

Most [of the people at Dumbledore’s funeral] Harry did not recognize, but a few he did, including (...) Bill supported by Fleur and followed by Fred and George

(put a pin in this one, I’m going to come back to it) 

“Bah,” said Fleur [in Harry’s body], checking herself in the microwave door, “Bill, don’t look at me — I’m ’ideous.”

(I actually think this is kind of cute in context, but unfortunately JKR is being uncharitable to her hyper-femme characters again, and making a joke about woman-in-male-body, which unfortunately makes it less cute in the grand scheme of things) 

“I’m taking Fleur on a thestral,” said Bill. “She’s not that fond of brooms.” Fleur walked over to stand beside him, giving him a soppy, slavish look that Harry hoped with all his heart would never appear on his face again.

(Romance = embarrassing) 

“We saw [Mad-Eye die]” said Bill; Fleur nodded, tear tracks glittering on her cheeks... 

(Not sure if this counts as them interacting, but they are at least next to each other)

“No,” said Bill at once, “I’ll do it, I’ll come.” “Where are you going?” said Tonks and Fleur together. “Mad-Eye’s body,” said Lupin. “We need to recover it.”

(this one doesn’t even frame them as a couple, since the teams have split into Bill and Lupin and Tonks and Fleur.) 

“We can’t tell you what we’re doing,” said Harry flatly. “You’re in the Order, Bill, you know Dumbledore left us a mission. We’re not supposed to talk about it to anyone else.” Fleur made an impatient noise, but Bill did not look at her.”

(... does this imply that Fleur isn’t in the Order? Anyway, they’re married at this point, and kinda disagreeing a la Molly and Arthur) 

[Griphook] continued to request trays of food in his room, like the still frail Ollivander, until Bill (following an angry outburst from Fleur) went upstairs to tell him that the arrangement could not continue.

(Another conflict, but hey, at least it sounds like they resolved it. We hear about their daughter Victoire in the epilogue, but this is the last time we see Bill and Fleur together.) 

But, okay. Not putting romance in the Harry Potter books is a perfectly fine creative choice. JKR can absolutely decide she just wants to give other things more emotional weight. What clarified this for me was the Fantastic Beasts films and her adult literature (particularly the Cormoran Strike books.) In those, JKR is wanting to write romance. And yet....

In Fantastic Beasts, she can write the awkward getting-to-know-you pre-romance stuff, but the second Jacob and Queenie are actually a couple - he loses his memory, then he’s brainwashed, she’s with Grindelwald, they’re different plot lines that never intersect… and then they just get married at the end of Secrets of Dumbledore. So it’s not even a slow-burn, will-they-won’t-they thing. Tina and Newt get the same treatment, except their pre-romance getting-to-know-you beats are so subtle that a lot of people missed them completely. Then Tina's angry at Newt for a very silly misunderstanding… then in a separate plotline… and is only in the third film for two minutes at the end. People compare the structure of these films to Indiana Jones, but in those movies the love interest is actually hanging out with Indy the whole time. In the Cormoran Strike books, the romantic leads do spend time together, but they’ve also been doing a pining, bad timing, will they/won’t they back-and-forth thing for seven books. And they’re long books. 

So okay. What’s going on. Why is this. 

JK Rowling has been very public about the trauma she has from abusive relationships and sexual assault, and I’m afraid I do have to bring that up in a conversation about why she treats romance so negatively. More specifically - if I had to guess - I think she finds male attraction towards women threatening. (I’m sure we all remember Harry’s chest monster.)  I think she feels a little icky writing it, which is why when she does do it… it feels perfunctory, generic, repetitive, and also not the sort of thing that would come from a teenage boy. (Like when has a 14-year-old boy ever thought a girl was pretty because she had nice teeth. That’s such a straight girl compliment.) BUT, when she writes about the attractiveness of guys - it gets more specific, more nuanced, more interesting, and also a lot less uncomfortable. J.K. Rowling likes guys! She’s allowed. 

But of course, she also tends to write male viewpoint characters, and I think this is why a lot of her guys (and Harry specifically) kinda read as queer to a lot of people. We’re told Harry is distracted by/attracted to Cho Chang… but is he though? Compared to the way “pretty boy” Cedric, or “sleek haired” Draco get under his skin? 

I want to take a look at her adult romantic leads for a second. Because in Fantastic Beasts, she really did pull out all the stops to make Newt and Jacob as non-threatening as humanly possible. Newt is a gentle, pacifist, Doctor Dolittle-type conservationist who barely seems interested in women at all, and Jacob… is a Muggle baker. She pairs Newt with Tina, tough as nails American star auror. Jacob is with Queenie, who is constantly literally reading his mind. Which is an ability we’ve only seen with the most powerful wizards. These guys are not a threat to these ladies. In Queenie’s case, the power balance is tipped so insanely far in her direction that I’m a little bit worried for Jacob (and she does in fact, bewitch him into doing stuff.) I think JKR wrote her couples this way so any romance she wrote with them would also feel safe… and sadly I don’t think it worked. The most fleshed out couple dynamic we get is Dumbledore/Grindelwald, who have a coffee date and a duel in the third movie. But - that’s the one movie where she doesn’t have sole screenwriting credit, they’re exes, and they're also both GUYS, so she doesn’t have to worry about any kind of male/female power imbalance gunk, or put herself in the headspace of a guy being attracted to women.

Now I do want to talk about Cormoran Strike. Of all her non-threatening male love interests, this is the one who seems to work best for her. She’s stuck with him the longest, and it actually seems possible that we might get an actual romantic scene with him in the next book. 

Here’s my theory. I think that when JKR was writing Goblet of Fire, and it came time to introduce the real Mad-Eye Moody - imprisoned in the bottom of his own trunk, weak, down a leg and an eye -  something clicked. Because that is someone who is both entirely masculine, and entirely safe, and that makes him the perfect romantic figure. And I absolutely think she grabbed that archetype when it came to writing Cormoran Strike.

Basically, this character just is Mad-Eye Moody, only 15(ish) years younger, and non-magical. Strike is an ex-military cop who now freelances. He’s older than his love interest, he’s been around the block a few times. He’s gruff, but careful and kind, world-weary and grizzled, extremely capable, principled, tough, and just sort of hyper aware of what’s going on around him. He is also a bigger guy with some access weight who is not “conventionally attractive” - and for JKR this is a feature, not a bug. If your female character is into someone who is not *~*~handsome~*~* that means they’re cool, deep, not like other girls. Viktor Krum is not conventionally attractive, and (after the werewolf attack) neither is Bill. In fact “he now bore a distinct resemblance to Mad-Eye Moody.” JKR likes Mad-Eye Moody. 

And you better believe that Cormoran Strike has a broken nose and a missing leg, just like Mad-Eye Moody. Strike’s prosthetic leg comes up a *lot.* I think it’s telling that the loving interaction we see between Bill and Fleur is her physically supporting him at Dumbledore's funeral post werewolf attack, and the loving little wrist squeeze we get between Lucius and Narcissa is right before Lucius hands his wand over. Basically, JKR likes someone who is sexy and capable and has a lot of presence, but who you get to take care of, and who… can’t chase you. Doesn’t pose a threat. That's the fantasy. 

[archandshri]

28th June ‘24 - [arch] One Page Limitation??? - My process for Traffic Zine #5

Hello All!

A couple months ago, I got accepted to @trafficzine, a digital anthology of pieces by a large group of artists and writers based on the most recent season of the Life Series. I made this piece back in April, but thankfully I kept some notes of my process. 

Heads up - this contains spoilers for Secret Life :D

We were able to choose our own prompt from a list! For this project, I wanted to push my comic making - especially how to communicate a lot of information in a small space. I went through and watched a few clips from the series to see which prompt would fit a comic and settled on Scott’s death.

As usual, I began by getting some reference images and going ham on some big paper. This gets me excited about the project and helps generate ideas. I go for whatever interests me in terms of medium and subject matter, but I try to use a process that doesn’t let me control too much (in this case brush and ink)

initial sketches for fun and vibes :D

During this, I also took the time to transcribe the scene - I wanted to use the dialogue directly, and see how much I could fit into the single page that I was allowed for the zine.

In these early planning stages I make sure to do warm-up sketches to remind myself of the energy I want to communicate. This also keeps things fun and fresh so I'm not ONLY thinking about page composition and making things 'good'. (the expectation for it to be 'good' kills a project prove me wrong)

Dialogue from the clip + warm up sketches

Next up, I started to plan what panels I have on the page. At this stage, some panels might just be a box with some words, and some may have a sketch if I have a clear composition in mind. This stage is mostly for pacing and plot, so instead of focusing on what the panel and page will look like, I will think about:

what will happen in the panel

it's purpose and

what it will communicate

Sometimes I'll illustrate a string of panels that tell the story and fit them on a page after - but this depends on the project and my confidence with the size of it.

After messing around with these and coming up with a pretty clear direction, I draw a bunch of boxes to see how the panels could sit nicely together. At this stage I might realise I have too many panels, and need to cut a few or come up with a creative solution. Nothing is set in stone at this point.

sketching panel layouts

Now begins the fun! I decide on the layout I prefer and I can start putting planned compositions into the boxes. I often do this digitally, or a digital editing process will be involved.

Once planned, I print these out to do a more refined sketch over. I find that my traditional drawings have a lot more life and character to them than digital ones, so I try to keep the majority of the process traditional, with passes of scanning and digital editing.

I tried a version with her looking out at the distance - ready to face the oncoming battle. But it still felt off. So I turned to my slides to ask myself some questions!!

I tried to think of more things that were working - but I really felt like it was lacking a lot. I was going for this slower emotional feeling because that came more naturally to me, but it just wasn't working for this image. The original clip is quite rushed and chaotic - which would be harder to communicate in a comic format but the challenge interested me. Either way, I knew I wasn't happy with this direction so... i decided to start from scratch! Back to the drawing board!!!

In the previous version, I had cut out a lot of the dialogue, but I decided to go back to the original clip and use AS MUCH as possible. Since passing the bow was my favourite part of that first composition, I really wanted to lean into it as the emotional height and final goodbye before Scott's death. It's a moment to slow down and absorb the vibes :D

I made a list of panels along with their descriptions to refer to when trying to figure out the order of panels. there were SO MANY and it was VERY CONFUSING when they were too small to read.

These thumbnails were super small and would not have made sense without my list, I swear.

I printed this tiny thumbnail out at A4, so I could sketch over it and get a clearer sense of flow. Then began a loooong process of printing out tiny photocopies and rearranging the panels to be legible. It was a difficult balance of communicating busyness while making sure the hierarchy/reading order made sense.

After some tweaking, i printed out an A3 copy to draw my panel borders and text.

Doing this on a separate piece of paper means I don't have to worry so much about messing up the text or borders when drawing the characters. This allows me to be more free and expressive with my illustration.

Woah! Quick trip back in time!! During the thumbnailing process I drew these warm up sketches! I looooved the way the linework came out. I drew this on an A3 piece of paper - and the shocked Gem would, in theory, be one of the smallest panels. So I decided to do a crazy thing.

I touched up the sketch digitally, compiling some of my favourite warm up sketches, some traditional sketches made for the panels, and filling the rest in digitally. Then I printed this image out in QUATERS at A3!! This meant the final sketch layer, printed out was A1!! (aka very large, considering the final file would be at A4, about 8x smaller)

I did this so I could get fairly small detailed lines with my pencil while being quite expressive and firm with my mark-making. Slowly, I dlined all of the panels traditionally and scanned them in. Then I assembled the finished linework on Photoshop, along with the text and panel borders and got to colouring :D

final linework :D

For colouring, I played a little bit with halftone but I found the texture made it feel a bit too busy - the panels are already doing enough. Because of this, I also decided to use a limited colour palette. Here are some images of the colouring process, which I won't go into today.

I'm really happy with how this came out - I think it captures the chaos of the moment, while taking time to linger on the emotion of it. Keeping that bow moment really made it, I think.

I think the last panel is still quite weak. Earlier in the process there was a low-angle shot of Gem about to kill Scott which may have been more powerful, but I think I was struggling with my actual drawing skill when it comes to perspective. A lot of learning how to draw, and in particular with comics, is about knowing where your skills are at, how to utilise them best and how to test and push them.

I'm glad that I started again, instead of finishing that composition I wasn't happy with. It was a tough project but I learnt sooooo much from it, and it's been essential skill-building for.... the current comic I'm working on (stay tuned!!! :0) Thanks for reading this incredibly long post! Go check out @trafficzine and look at all the other cool art Cool vibes and silly men,

Archie :D

[dollwritesarchive]

one of my favorite headcanons for dio is that he doesn't allow his darling to wear panties. maybe even forbids it. he just loves easy access <3

𝗰𝗼𝗻𝘁𝗲𝗻𝘁 𝘄𝗮𝗿𝗻𝗶𝗻𝗴𝘀 ∣ smut ( minors dni ), fem!reader, dubcon, edging, fingering, little bit of degradation/humiliation because dio is and always will be a big meanie, almost blade play ( his sharp ass nails ), suggested past abuse / sexual conditioning ( from dio ), orgasm denial / control, all characters featured are 18+

𝗶𝗺𝗽𝗼𝗿𝘁𝗮𝗻𝘁 ∣ it’s always a good day when i get to write filth for the man, the myth, the legend: dio brando. do not repost or translate. please reblog && leave feedback. thanks for reading < 3

“Do you even have the faintest clue why panties are forbidden, pet?” Dio asks, without looking up from the book resting against his crossed knees. “Page.”

with your fingers trembling, you obediently flip the page he’s done reading, shaking your head with a muffled and shy, “Nn— Nn.” with the hemming of your skirt stuffed into your mouth, you’re forced to bite down on it and keep it in place, high and out of the way of your vampire lord’s malignant digits.

the room was icy cold, but you weren’t trembling because of that. your thighs were shaking and sticky from his constant, torturously slow stroking of your sex. the length of his finger slotting between your weeping folds to probe, and you clench around air with a timid whimper. then, his thick knuckle grazed in circles, until your back arched and you tried to ride it. he would, then satisfied with your desperation to be stretched open, drag the sharpest point of his dagger-like, abysmal nail to tease your tender clit, threaten to cut into you.

your body wants to jerk back, escape his cruel taunting, but you were trained much better than that. you stood as still as you could, with your knees bent inwards against each other so that they don’t buckle, and watch his hand disappear between your legs as he tenderizes your sex, and then reappear a few moments later, sticky with your essence.

“No?” he teases, quirking a brow, but his crimson eyes stay locked on the page he’s currently reading, “Of course not. Why should you? After all, does a lapdog understand why it is that her master smacks her muzzle for yapping too loudly? Or does she simply accept that to yowl incessantly will get her popped in her pretty, little face?” there were memories behind his metaphor— the scariest moments of your time with Dio, when you disobeyed or annoyed him. you, too, had found your cheek stinging from his massive palm making contact, and had been banished from his lap to sleep on the cold, hard stone floor for your insolence.

“Page.”

you turn to the next. and you nod to show that you understand: it didn’t matter if you knew why Dio put the rules in place that he did for you, all that mattered was that you obeyed them.

“But, I will tell you.” two fingers worm their way to spread your netherlips apart, and you mewl and grip bundles of chiffon with your teeth, saliva soaking through the fabric. “I will never allow you to wear panties because of this right here. How easy it is to edge your soft, warm cunt when she’s completely exposed. Vulnerable.” when you shudder at the sordid way each syllable rolls off his sinful tongue, you catch a peek at his impish grin, before he jabs his middle finger against your entrance, with just enough force to feel your canal try to welcome the digit in, but he doesn’t slip it inside.

“L—Lord D—Dio!” you cry, the need to feel him take you all but overwhelming and you careen against his hand, hoping to coerce his fingers inside, “P—pleeeethhh…” you mumble, slurred, through your makeshift gag.

“I will have your little cunt drooling and tender for me whenever I please. Like she is right now, so hungry for cock that you can hardly stay upright. Milking air, wishing, begging for me to fuck it. You want me right now, don’t you? You want nothing more than for me to hollow you out? Break your body and your mind with my cock?”

you nod fervently, eyelids heavy with lust from his words alone, and your hips twitch and wriggle, whining for him to do whatever he wanted to you.

his eyes turn up from the page, and stare at your visage, nearly convulsing on his palm, before his tongue scrapes over a pearly fang, one signature dimple visible in the candlelight as he croons. “How much longer can you take this teasing, I wonder? Minutes? Hours?” you were shaking your head, hot tears in the corners of your eyes, but he kept going, as if he enjoyed how nervous the idea of being edged for hours made you. how frightened it made you. “Or perhaps, I leave you soiled and needy now, and play with you every day following, you’ll wake up, tied to my bed, with me between your legs, sucking on your sugary cunt— bringing you right to the very cusp of orgasm and then snatching it away from you no matter how you beg and cry for a release, until you’re so sensitive that the very sound of my voice in the dark alone forces you to cum.” your eyes roll back, defeated and moaning pathetically as he pulls his hand back from between your hips. your jaw hangs slack; the skirt of your dress sagging back into a skewed version of its place, and Dio shoves his dripping fingers into your mouth instead, forcing you to taste just how badly you want him, pushing them deep until you gurgle and choke on them. “The possibilities to torment you are endless and exciting, my love, and that’s why you will never wear panties again. Turn the Page.”

[thesnadger]

So Welcome Home had a fantastic update with tons of new visual and audio content. There's a lot to look at both on the surface and in terms of secrets too.

I'm putting the new secrets I found under the cut. SPOILERS BELOW obviously, I'm including links to video and audio files, as well as a password and some other links.

I encourage you to explore on your own, but if you're stuck and looking for something I think this is all the big stuff. (Will update if I discover anything I missed.)

So far I've found:

All 14 of the "bug" videos: 1 2 3 4 5 6 7 8 9 10 11 12 13 14

(You might notice the naming convention for these links -- the letters refer to the characters who are talking. But the 'h' in the last one doesn't stand for Howdy :)

12 Wally audio clips. I think the listening order for them is: "I will help you neighbor, understand I will find a way soon." (Or possibly "help you understand, neighbor.") Plus the bonus telephone one.

The secret "staff only" area: Click through here twice, then enter the password on this screen (BSPJW - based on the answers to these questions!)

On most pages, you can see Wally's eyes watching you if you zoom out far enough, which I thought was a nice touch.

Themes I've noticed: Obviously continuing the spooky eye contact/watching and being watched stuff. Also noticing characters expressing frustration at "not being able to hear you" in both the spookier and more innocuous areas.

Unless I'm misremembering, the "Question Answerer" figure is new. There's an even stronger sense of "this television show shouldn't be real, no one has memories of it, but it is/is becoming real."

Wally was already implied to be particularly sinister, but it's hammered in even harder with all the videos distorting at the mention of him and his more intimidating messages to the audience. He asks "do you know who I am" a couple times.

Really noticing the idea of physical material being contaminated -- papers and envelopes being covered in slime that makes people feel ill after handling it, or where touching it perhaps makes you vulnerable to some mental effects.

[elen-tari2]

My Kastle Scene Wishlist

I’m not sure what Kastle content we might get in Daredevil Born Again, but there is also talk that they might make a new Punisher show. What are some scenes/parallels that you would like to see between Frank and Karen? Here’s a few of my musings

Reversed Hospital Scene! I would like to see Frank momentarily panic over Karen getting hurt and have a turn holding her hand in a hospital bed. I feel like we deserve this scene so bad. (Caveat: Frank CANNOT be the reason Karen got injured, even if it’s just she got shot in the arm or has a concussion; Karen is in dangerous situations regardless of Frank being near her or not and he needs a wake up call for that). Bonus points for the total opposite of telling her to walk way—this time HE GETS IN THE HOSPITAL BED and puts his arms around her and just holds her and Karen gets to feel completely safe for a few minutes. Just go all out with the hurt/comfort trope for these two. Anyway, I have a whole WIP fic devoted to this, so honestly it has become my top wish to see some parallels drawn with another hospital scene.

Karen gets to help in a fight and shoots someone. I feel like since they never got to have the Wesley conversation, a way to show-not-tell would be for Karen to kill a bad guy and then Frank come check on her to be like, ‘hey are you okay?’and she’d be like, ‘yeah, I am.’ She’d be a bit shaken up but grimly holding it together because it’s not her first time killing someone. This would also work in contrast to the scene where Amy shoots the guy in the hall and then Frank infamously takes the gun from her and takes the responsibility of his death away from her. Sorry to make Karen suffer because I know she’ll feel bad about it, but I’d be okay with seeing her character go a little bit darker to save someone’s life. She’s been carrying that gun since DDs2, she deserves to take out a baddie on her own and it’d be a great segue into rehashing some of her past that Frank NEEDS to know about

Frank meets Paxton Page. Will the show make time for this? Probably not. But damn do I want to know what Frank would say if he knew that Karen’s dad cut off his only daughter, when Frank would do anything—anything—to spend one minute with Lisa again. I’d love to see Frank go to Fagan Corners with Karen to put flowers on her mom and brother’s graves. We spent three seasons of Frank being able to open up around Karen and talk about his family with her. Meanwhile she has never once said anything about the losses she’s suffered. Frank needs to know and I don’t want it all jammed into one big backstory dump where she tells him she killed her brother and Wesley in the same conversation. Another option would be for Frank to accidentally visit Karen on the anniversary of her mom/Kevin’s death and she is having a breakdown. If we can’t get into any of Karen’s past, have Frank find out Karen has his burner phone saved in her contacts listed as Home. I’ve seen that idea in several different fics and it just needs to be canon. They are Home to each other.

A scene where Frank holds Karen all night and they don’t have sex, but it’s profound. (Think like Spike holding Buffy). If they are nervous about comics fans being mad about Frank Castle finding love again, give us some physical intimacy and closeness where you know they mean everything to each other but can’t cross the line and make things real. Fan fic writers will know we won and then fill in the rest for those cowards.

If they’re willing to make Kastle real, give us a goddamn kiss. Actually, just let them have sex, because Karen Page has been forced to stay chaste for YEARS and she deserves to get laid. And Jon Bernthal seems to be more than comfortable doing sex scenes soooo please just make it the most beautiful thing ever filmed because they are so in love with each other. It has to be noticeably different in tone from the scene with Beth. And Karen cannot get shot the next day, don’t even start with any of that bull$hit trauma for Frank.

Kastle pillow talk scene. Since it’s Disney Marvel now, I don’t know how much we can hope for with a sex scene. So the pillow talk scene that follows had better be some life-altering confessions of love and cuddles. Do not even think about him sneaking out before she wakes up like he almost did with Beth. Karen deserves something good to happen to her for once, let her have a perfect night and a gentle, soft morning after. She deserves it even if Frank isn’t sure if he does.

Karen Page and Dinah Madani Friendship. I’m rewatching The Punisher s2 and one thing that pissed me off was the scenes of fake bonding between Dinah and Krista Dumont, drinking wine together and discussing men (Frank and Billy, who else). So. To make up for that, we need some genuine female friendships, like Karen and Dinah going to a shooting range together or gym or going out to a nice bar for girls night. Even if Frank has been keeping his distance, these ladies have struck up a friendship and Karen has someone to hang out with besides her lawyer coworkers.

Karen gets to meet Micro/The Lieberman family AND Curtis. David knows how Frank really feels about Karen. Curtis needs to find out Frank DOES still have something good holding him in this world. And Karen should meet Frank’s friends.

Okay those are some of the scenes I want to see for Frank and Karen! If someone could please get this list to the Punisher writers for the future of the show, it’s actually very important that we get some of this or I’m gonna have to come write for the show myself. 🙈