#i could go on tangents about this thing

[productofaritual]

Event Horizon fucking stumbled upon my brain, went "that one", clung to it like a fucking monkey AND HAS NOT LET GO. SINCE 2022. HOLY FUCKING HELL. THIS THING CONSUMES MY EVERY WAKING THOUGHT. MY CURRENT GOAL IS TO GO THROUGH EVERY INDICATOR OF TIME AND MAKE AN ACTUAL ROUGH IN-UNIVERSE TIMELINE OF EVENTS LIKE A FUVKING GAME THEORY VIDEO

[iii-of-ender]

this is probably mostly just me bitching and im NOT saying dream is a transphobe or anything but tbh it is kinda crazy that he only referred to aimsey with she/her. i didnt know stars pronouns (because i don’t watch) but i looked them up for this post and it took 5 seconds to learn. so

[goatsandgangsters]

shoutout to the Cambridge student with the Horace tramp stamp who presumably hooked up with Robin once

the real mvp of the last binding, tbh

[zan0tix]

May I just say I really really appreciate your approach to and respect for the transfemininity embedded in Homestuck. Like the fact that you depict Jake as a kind of "genderfuck" (for lack of a better word) character without trying to divorce that from transfemininity as so many others do, as well as being able to depict Roxy with certain clocky characteristics without disregarding her femininity or making it feel fetish-y, is all really admirable in my eyes. It gets extremely frustrating seeing large swathes of the fandom constantly trying to separate the story of Homestuck from transfemininity despite it having a transfem enby author, so I really appreciate that you don't shy away from it in your art :)

I am so glad!!!!! Its something ive Always noticed in like every fandom since i first got onto the internet the disparity between the amount of transfems i knew vs how often their story got to be uplifted in fandom spaces or get to be celebrated how transmascs did considering how queer dominated they are but then i grew up and realised how badly male centric queer spaces are too😭

Homestuck is one of the spaces that has a big amount of transfems openly engaging in fandom activities and that makes me really happy to see! since i often see gross rhetoric from transmascs or cis women about fandom spaces abt “who is allowed” and “fandom being a safe space” cough blatant transmisogyny (sobs everywhere its so bad)

I DONT UNDERSTAND HOW PPL BRUSH PAST HUSSIE BEING TRANS SO OFTEN ISNT THAT INSANE. To me it reframes homestuck how the creators of the matrix being trans does. Like I dunno maybe that informed the works presentation of gender somehow. Maybe all the commentary and critique and displays of frustration at the contradictory nature of gender but especially trying to fit “being a man” in society came from somewhere when they were writing it 🤔🤔🤔 hussie said it herself that alot of homestuck was just stream of consciousness. Everything that comes out of daves mouth near the end seemed very plausible to be a reflection of hussies own journey realising that Actually these boundaries of what defines A Good Man and A Good Woman are ridiculous and no person can possibly live up to that no matter what were told from birth.

But i try my best to reflect the innate transfemininity of homestuck and the majority of its cast, its something integral to the works themes and just the community who built it! It saddens me how skittish other transmascs are about engaging with or portraying the transfeminine stories when its just. Practically textual. And all you need to do is Listen and empathise. I love learning how other feminine people see themselves in this story like how often do you get such a menagerie of in depth fem characters. And i love seeing what the experiences transfems see echoed in homestuck are because its all such insightful stuff About femininity and its beauty and its ills all at once. Roxy..kanaya.. wipes tear from my eye.

I want to actively include and celebrate transfem features and bodies as much as transmasc ones get to be around here and i am glad my jake and roxy do feel that way 🥹🥹 my aim with my designs is to make them feel like some everyday people youd see, no fetishisation/sexualisation or demonisation, just Existing and appreciating. Because i know how much it can mean to see yourself in something and for that to be treated with care and kindness. Its why i create in the first place! Because of how others creations gave me that comfort when i couldnt find it elsewhere

I feel similarly about how people portray fat women or just like. Women in general. its sad how badly the whole sexualisation = acceptance warps how people portray things fatness or transfem features. Never ever saying these things arent hot or sexy or to be appreciated. Duh. I think how i portray jake says enough abt what i think of that LOL just that It feels like its the only way people try and show theyre accepting? Which just feels so gross and dehumanising the only way they think to display they feel empathy is through saying “Yeah i can get off to people like you”😭

Rlly bad in society in general so also in the homestuck space. Worlds hardest challenge is liking the alpha kids. Im so sorry for what they do to you jane and roxy🥲🥲🥲 Its baffling because Homestuck is Prime Example Numero Uno of how to humanise characters. Just display them being people; their thoughts, their feelings, their insecurities, their passions, their woes, their loves, their losses. So much can be communicated through how a character speaks with their friends.

I wana do that for jake and roxy! They get to be dimensional too! I like showing their laughs and their sorrows, just them Existing with the people around them. They get to be a part of the lighthearted comedy just as the rest of them do. They get to be a part of all the gender and sexuality insanity going on in their friend group, can point out their flaws and mistakes and insecurities. I dunno its rlly not that hard to just empathise with them and want to tell their stories.

I am so invested in the raw unabashed Humanity of homestuck. Its just one person pouring their brain contents into this huge thing and it displays the best and the worst and the absurdity and the questions. Its so interesting and hussies transness IS JUST BAKED INTO IT. Thus the characters contain that too and it kinda stinks of transmisogyny to throw that out!

YAPPING TOO MUCH OMG but i rlly appreciate this ask🫶🫶🫶makes me so happy to hear

[snakes-of-the-undercity]

Vi is gifted kid burnout but in the english major way

[objectosexual]

I'm glad more of Tumblr is becoming more accepting of objectums + a lot of people are realizing that they're objectum themselves, but it really does feel like the current "in" thing right now so I hope this support for us continues even when people get tired of the eroticism of the machine

[messrsrarchives]

i want to write a twdg au so fucking bad. so fucking bad just for clem and lee as remus and teddy. but then like,,, yk there's so many ROUTES you can take these things! i'd have to decide what route to take. and then it would just be s1 because what after that? who's aj? yk??? like it would just be s1 but it would just be my playthrough and then it would be like "here is this fic specifically crafted for me and only me"

but it would be fun to do like. alt endings? because we know how s1 ends and i could AHAHAH give that false sense of security with two endings and people (me, again this is made for me and me only) are like "wow i am sad i'll read this othe- AGAIN!?" and that'd be funny.

[mamawasatesttube]

swear to fuckign god sometimes im like 👌 This Close to taking down sotm. and every single time i get a comment from someone with no reading comprehension who goes "I know you said no clark bashing in your authors note but hear me out: im gonna bash clark" i get a little closer

[lesbiansanemi]

Officially deciding I shall not be going to work tomorrow because of the snowstorm so…. Yay? Extra day off?

[veatomis]

It’s so refreshing to see someone also sharing the same sentiment that Veilguard really just felt like smth for solavellan’s or even ppl who are huge fans of solas and not for other ppl (especially ppl who romanced Dorian)

Yeah... they gassed up the solas arc so much for this game and then it was. so nothing if again you didn't make the choices the devs obviously wanted you to make. And the game isn't even for huge fans of solas really, i'm personally a big solas fan, I think he was an incredible character and i loved his friendship with my inquisitor but because i wanted to explore choices that it seems trick weekes was just not interested in writing i got fucked over. Like i'm still reeling from the fact that if ROOK. NOT EVEN THE INQUISITOR. decides to not redeem solas the inquistor/solas relationship (whether antagonistic or friendly) just never gets resolved. I wanted a 20 min argument where my inquisitor after 7 long years of turning around that last interaction he had with solas in his mind got to ask him VERY important questions like "did our friendship ever really matter?", "did you ever really stop seeing me as subhuman?" and what i DESPERATELY needed "if the qunari hadn't forced you out of hiding, would you have come to save me from the anchor?" but they stuck varric into the role that should've been the inquisitor's so i got nothing 😐

+ What they did to us dorianmancers was so insulting my blood boils every time i think about it again. The inquisitor is in minrathous. Dorian is in minrathous. We never get a proper reunion with those two and they also have the audacity to dangle that shit in front of our faces with the "yes i know u will be in minrathous" line in dorian's letter. The inquisitor doesn't even MENTION dorian to rook when he's in the city, the city can be overrun with venatori, half of it can be destroyed and we don't even get a voiced concern over the man he loves???????? sick and fucking twisted the way this game actually had me missing dav*d gaid*r's writing but it did.

[not-cool-enough-to-scuba-dive]

actually I would quite like to hear your thoughts on gender philosophy in omegaverse worldbuilding? :3

hm. anon, I fear this is a far larger can of worms than you probably anticipated. I'm going to spare you the worst of it by only giving you a short version, but be careful what you wish for.

I'm also hiding it under a cut because even the short version is embarrassingly long.

I'm hardly a connoisseur of omegaverse content, nor would I consider myself anywhere near an expert. I don't want to speak for all fics as I've admittedly not read many. I did do my master's diss about legal gender recognition, so this is more about gender and philosophically sound worldbuilding than an indictment of any particular writing or story tbh.

the short answer is I find omegaverse worldbuilding really interesting, but I've never fully been able to enjoy it due to the way a/b/o identities tend to have a biological determinist slant to them imo, and tendency for a lack of real world implications of what the omegaverse does to gender and character interactions anywhere outside the bedroom. I'd love to figure out a version that's more inclusive and philosophically/ideologically consistent, both with itself and with my own views on real life gender (basically, I want to make it make more sense, have less biological determinism, and be more inclusive of the wider range of human experiences). this is a big task, and ngl I haven't achieved it and don't anticipate doing so any time soon. I have like, a concept in my head, taking apart all the key pieces and putting them together again but different, but to make it thorough enough would require more effort and time than I have because I'm like, employed 😔

I feel like someday if I ever get invited to a powerpoint night though, this could be It.

[loregoddess]

2am Temenos thoughts I'm now typing out in the morning: I like Temenos' English voice acting but it has a very particular tone. Do you think that has any influence on his (mis)characterization?

Oh hmm, y'know I hadn't considered that but you might be on to something, because voice line delivery does affect how people perceive a character, although I think part of it may be localization choices and direction of the voice acting as well. (I had way more thoughts on this question than I was expecting to, hence the cut bc of length).

Like, I've seen discussions about writing quality vs. quality of voice acting ("whether the character writing is good, or whether the voice acting carries the character" is a debate I've seen several times), and also I've seen people talk about how differences in the voice acting performances across different localizations affect how the character comes across differently (i.e. there's a series of videos that were popular after BotW came out where every cutscene was compared in all the languages the game had been dubbed in, with a lot of people talking about how Zelda's breakdown in the "Memory 16: Despair" cutscene seemed way more emotional in some languages than others). So like, the vocal performance does factor into audience perception, no argument there.

I went ahead and looked up compilations of Temenos's voice lines in both English and Japanese, and while I'm very much not fluent in Japanese at all, and therefore can't pick up too much on tonal shifts, I will note that a lot of the anger Temenos spends so much time masking seems to come through a bit more clearly in his JP voice lines (his JP unique battle line against Kaldena is sounds especially furious, and while the ENG delivery of the same line is definitely angrier sounding than most of his other ENG battle lines, there's something that feels a bit rawer about the JP delivery, at least to my ears).

This is no shade at his ENG VA, since I think the voice acting was pretty strong overall (although the recording quality of some of the lines is another matter, but again not the VA's fault), and I don't think the JP is better or worse than the ENG voice performance, since (recording quality aside) they're both solid performances, but they do have slightly different feels to them.

I personally felt the ENG delivery of the story dialogue lines often gave Temenos a sort of slightly playful but aloof tone, but either by choice of the voice direction or simply due to how the VA's voice naturally is, the anger (while it's definitely there) doesn't come across as noticeably angry or aggressively as I've seen with some other VA performances. Which isn't a bad thing per se, bc even in real life no two people show anger or even sound angry in the same way, and I think Temenos's ENG voice still works for his characterization.

And that's of course just looking at one emotion. I'd have to do a lot more digging (or replay the game w/ the JP voices turned on) to see how the voice line delivery sounds for scenes like Jorg's death or the ruins of the Kal.

Unfortunately, since I can't translate like, 90% of what's being said in the JP lines by ear, I can't compare them against the ENG localization to see if the word choice of the localization shifts the tone or implied meaning any (although for what I can translate by ear, the localization seems to be a fairly close 1:1 for the battle lines at least, and typically I don't have a lot of beef w/ localization when I can get my hands on fan translations of original JP text to compare/contrast). I do think the word choice for localizations affects how a character is interpreted, even with good localizations--except, again how said word choice is interpreted usually reveals maybe more about the audience than the author.

For example, I know a lot of people read Temenos calling Crick "Little Lamb" as flirtatious, and I guess I kinda get why that interpretation exists, but to me the nickname always seemed...not condescending per se, and not intentionally mean, but almost as if Temenos is teasing Crick for his unquestioning faith and calling him childish for it. As a result, my reading "Little Lamb" as "your unquestioning faith is childish, I'm going to tease you a bit about that until you've matured" makes it seem like Temenos is putting a lot more distance between himself and Crick than reading "Little Lamb" as a cute, flirtatious nickname does. Now, I rarely read romantic undertones to a lot of dialogue, and shipping is the least important thing to me when I'm engaging with a story, so my interpretation of that line probably says more about me than it does about the intention of the writers.

However! The vocal delivery of the voice line doesn't really give us any insight either, bc while I didn't hear it as sounding flirtatious, lots of other people apparently did. Now, it's not like I know what goes on with the direction during the recording sections, how much information about the characters and scene and story the VAs are given, and how that information, or lack thereof, affects how they voice act, so again no shade on the VA or even the voice direction as a whole, but as you noted, choices were made in the direction that made it so Temenos has a very particular tone.

Now again, it's hard to say how much this does or doesn't affect a person's interpretation bc, well, vocal and tonal interpretation isn't like, a science or anything. Depending on regional dialects/cultures, two people from different areas can interpret the same voice delivery in two entirely different ways (i.e. the "are city people, esp. people from NY, really rude or are they just from the city" discussions I've seen floating around about whether it's rude or not to walk into a deli and order your food w/out any small talk, and how it's more about where a person grew up that will usually inform their initial reaction to that question).

If I had to guess, I think the mischaracterization I come across for Temenos seems to stem from the fact that he puts of a façade 99% of the time, and rarely lets it slip. Unlike say, Therion, who goes through an entire arc and speech about how he's actually okay with wanting to care about and trust other people, Temenos rarely shows any vulnerability because his character arc wasn't about accepting vulnerability like Therion's was. Instead Temenos's façade plays into aspects of how he interacts with other characters, but isn't treated as an obstacle to overcome per se, which also means that the audience may miss that it's even there in the first place, mistaking the façade for the actual core characterization.

We get some indication of the "slipping façade" in the vocal deliveries, i.e. the angry "Kaldena!" battle line, or (if I'm remembering correctly) the voice lines leading up to the Arcanette boss fight, but the thing about Octopath is that it's only partly voice acted. Some of the parts where I read Temenos as letting his mask slip a bit, or otherwise him showing more emotion or vulnerability than usual, were in travel banters, which are entirely silent so we don't get to hear how the VA would have tried to navigate those scenes. Would the banters being voiced have changed interpretations and prevented popular fanon mischaracterization? Maybe, maybe not.

Possibly more importantly, Temenos's façade is notably friendly, or at least nicer than the "edgy loner who uses snark and sass to keep people at bay" façade that's on the opposite end of the "characters with trust and intimacy issues" spectrum, and most characters I've come across who seem to try to keep people from getting too close to them by being friendly tend to get mischaracterized by fans bc the "friendly mask" is so convincing and not as noticeably phony as like, being an edgy loner who's actively pushing people away despite craving friendship/love/etc. is. So this could just be a fandom thing in general, and not unique to Temenos or directly affected by vocal performances (i.e. Klavier Gavin from Ace Attorney is another character I read as masking a lot of trust issues and using friendliness as a means of keeping people away, and that is not a common reading of his characterization, at least not when I used to haunt the fandom, and AA has almost 0 voice acting so this isn't due to voice performance).

There is, of course, also the school of thought that "correct" interpretations don't exist bc everyone has their own experiences that are true to them and their interpretation of media is reflective of that, so I'll be the first to say that it's not that my interpretations of Temenos's characterization are more or less correct as compared to someone else's. And honestly like, it's a piece of fiction, so I'm not going to get upset about what the popular fanon characterization is, even if I personally think it's mischaracterization, bc I can also just ignore it.

Although, there is also a sort of fanonization that's become more frequent in fandom spaces where even characters with less complex writing get mischaracterized (simplified, smoothed over, etc.) in favor of popular fandom trends. Again, not the devil per se, but it definitely an unusual trend that I've seen an uptick in. It's almost like a commercialization of fandom, except maybe not as malicious...yet.

Anyhow, I've gotten a bit off topic, and this will be an endless set of tangents soon if I'm not careful.

So uh, yeah! The shortest answer to your questions is, yes I do believe the vocal delivery of a character's lines will affect how that character's characterization is perceived and interpreted, although there's other things that affect interpretation as well (word choice for the writing, audience's personal tastes/experiences, trends in fandom, etc.), and that a mix of these things will weave into whatever the popular interpretation and fanon characterization for that character becomes. But also everyone will still come up with their own unique interpretations of characterizations, so non-fanon interpretations will always exist as well.

[kittykatninja321]

On both a watsonian and doylist level Dick Grayson is white passing

[elecman108]

I agree with you about Capcom bringing Nash back for SF6! I even made a post in my Threads account about him if Bison comes back, then there is a chance he might return! Please Capcom! Bring my boy back in the series! You been neglecting him for far too long!

I could go on about how I think they could bring Nash back in SF6 for AGES. The sheer fact that F.A.N.G. lived and is in SF6 (Fang Fei/Foo, A.K.I.'s master) makes me think that Nash probably survived his bout with Bison in some degree and could come back but there's so many ways they can go about it they could make it really insane if they wanted to.

They could have the Secret Society/Illuminati revive him again to use as an agent to gain ground against Shadaloo and potentially leverage Gill/the Society into higher threat standing (villain).

They could tie Darkstalkers semi-into Street Fighter and say that the Nash we would see is him after escaping the Makai and give him some more wacky magic-like powers (and give Darkstalkers fans like myself some more crumbs to survive on for a while lol).

They could lean into the Nash/Shadow setup from Marvel vs. Capcom and say that Shadaloo had/has him and the Nash we get to see is totally brainwashed into servitude by Bison or has escaped his brainwashing but like Cammy has no memories of his past. Or hell, just bring 'Shadow' back and it's just Nash but under a different name with different goals in mind!

But those are just my ideas after all.

Capcom needs to give us Nash STAT. I need to see my boy again!

(Also as an aside I love your art <3 )

[flowersandfashion]

Can I just say, I was a little concerned when your blog showed up in my recs, since most blogs with this aesthetic are tradfem-y, but I actually really like your blog, and I’m glad you’re open-minded and not mean! You can never judge a book by its cover, I guess. Sometimes people with really fem aesthetics just love pink, and hate outdated gender stereotypes just as much as those of us with toxic-sludge-green blog themes. Even though we have very different aesthetics, that doesn’t mean you’re evil or anything, it just means we find beauty in different things, and I think that’s neat.

…Sorry this is so rambly. I’ll be on my way.

Hi! thank you for saying that, I really appreciate it. It is very disheartening how many fem aesthetic blogs are just romanticising binary gender roles, but fret not! some of us do just love pink 💗

That being said, I often worry that I'm not doing enough to distance my blog from the bigoted ideologies that are all too common in these spaces, so I'm glad for an opportunity to talk about it more.

It would be incredibly ignorant to pretend that this genre of aesthetic exists in a vacuum, separate from the very conservative, heteronormative culture that created it. I think the least I can do is acknowledge that context and make it clear that I'm appropriating this hyper-feminine ideal in an ironic, if not subversive way.

To me, that is the foundation of femme lesbian identity, to reclaim symbols of femininity that have been enforced by the patriarchy purely because I want to. I highly recommend Eleanor Medhurst (Dressing Dykes)'s essay on the subject:

"the role which has been used to oppress must be reclaimed and taken on deliberately, without the permission and the satisfaction of the oppressor. In the case of pink and lesbian identity, this means to wear pink only for oneself; if a person has ownership of the constraints they were previously kept in, those constraints can’t be used against them."

Of course, this isn't to say that conforming to gender roles is in any way as transgressive as defying them. I present a version of womanhood that society deems 'acceptable' (and straight-passing) and that gives me a hell of a lot privilege in my life.

Anyway, pink cottagecore aesthetic blogs and toxic sludge green blogs are holding hands <3

[grayintogreen]

I thought Adam’s POV was cursed until I started writing Blitz.