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flowersandfashion · 4 months ago
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Can I just say, I was a little concerned when your blog showed up in my recs, since most blogs with this aesthetic are tradfem-y, but I actually really like your blog, and I’m glad you’re open-minded and not mean! You can never judge a book by its cover, I guess. Sometimes people with really fem aesthetics just love pink, and hate outdated gender stereotypes just as much as those of us with toxic-sludge-green blog themes. Even though we have very different aesthetics, that doesn’t mean you’re evil or anything, it just means we find beauty in different things, and I think that’s neat.
…Sorry this is so rambly. I’ll be on my way.
Hi! thank you for saying that, I really appreciate it. It is very disheartening how many fem aesthetic blogs are just romanticising binary gender roles, but fret not! some of us do just love pink 💗
That being said, I often worry that I'm not doing enough to distance my blog from the bigoted ideologies that are all too common in these spaces, so I'm glad for an opportunity to talk about it more.
It would be incredibly ignorant to pretend that this genre of aesthetic exists in a vacuum, separate from the very conservative, heteronormative culture that created it. I think the least I can do is acknowledge that context and make it clear that I'm appropriating this hyper-feminine ideal in an ironic, if not subversive way.
To me, that is the foundation of femme lesbian identity, to reclaim symbols of femininity that have been enforced by the patriarchy purely because I want to. I highly recommend Eleanor Medhurst (Dressing Dykes)'s essay on the subject:
"the role which has been used to oppress must be reclaimed and taken on deliberately, without the permission and the satisfaction of the oppressor. In the case of pink and lesbian identity, this means to wear pink only for oneself; if a person has ownership of the constraints they were previously kept in, those constraints can’t be used against them."
Of course, this isn't to say that conforming to gender roles is in any way as transgressive as defying them. I present a version of womanhood that society deems 'acceptable' (and straight-passing) and that gives me a hell of a lot privilege in my life.
Anyway, pink cottagecore aesthetic blogs and toxic sludge green blogs are holding hands <3
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aashiqeddiediaz · 11 months ago
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you know what boils my blood.
over the last 2 weeks, i've seen countless patients walk into my urgent care center, symptomatic for so many things, refusing to get tested for covid and flu, citing that they don't want to knowingly bring it to their holiday tables. i had a patient tell me, verbatim, "i don't want to test for covid, because i don't want to be the asshole who brings it on a plane."
i understand that - i understand that holidays are times where people look forward to meeting loved ones that they might only see once a year, or where they get a break from the hectic back and forth of their lives.
but here's the thing - whether they get tested or not, they will bring whatever they have to their holiday tables. it's pure recklessness to know that you're sick, and walk into someone else's house spreading the disease.
today, january 2, i saw 91 patients, many of them who have tested positive for covid and flu. many of these patients are the same ones who didn't want testing 3 days ago, until their events were over, and now, they will have to reach out to everyone they know to let them know that they were positive because they were showing symptoms well before their event.
the next week or two? we're going to see many, many more, all people with symptoms that started around christmas. these are the only two viruses we test for rapidly in our office, but they are potent and can be fatal in many people.
so here's why i wrote this post, and maybe it's a little late, but - if you care about your loved ones, please get tested if you know you're sick. it doesn't have to be at a clinic if you don't want it to, because the over-the-counter tests work just fine too (if you test within 5-7 days of symptom onset). just...please don't try to run from the knowledge that you might have covid, because immunocompromised people, elderly people, people with co-morbidities like asthma, pregnancy, diabetes, etc...many of them may not recover. and they may not be sitting at your holiday table in the future because of it.
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heartorbit · 13 days ago
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happy halloween! 🎃🐈‍⬛👻🐇
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rika-mortis · 3 months ago
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Headcanon: Deep down they both want to be their fairy godparent/godkid again after losing them, but don't believe they deserve each other and feel like they aren't worthy to be their companion anymore
They both need counseling and therapy as a whole package
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corpsentry · 5 months ago
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pick your battles
#my art#my stuff#art#comic#original art#pride 2024#pride month#trans allegory..... or not even allegory. just trans .... ^_^#i technically cannot come out yet but i don't think the people who i need to not see this stalk my tumblr#i know they stalk everything else like my twitter and my instagram but this might be safe#so fuck it we yap. this is a comic about picking your battles#this is a comic about how for almost a year now everyone at home in singapore has been crying about my sore throat#my terrible fucked up voice. my you know. etc#i came out as not cis and using they/them pronouns in 2015 when i was 14#but no one ever used my pronouns. none of my classmates or friends even up until i left for college in 2020#from 2020 onwards every year i wrote an angry vulnreable essay about how much it hurts that they dont remember#and people would dm me apologizing on their hands and knees and commending my bravery#and then forget about it all over again. id ont mean 'they misgender me and then catch it and apologize and correct themselves'#i mean they dont even get that far#and so you might ask yourself: why have you kept them around all this time?#and i would have to explain that by pure bad luck i grew up in the most conservative close minded community#that all of my ex classmates that stayed in singapore are cishet and upper middle class and chinese singaporean#that i Am the trans person. that they were able to ignore me for a decade partially because there was no one else#so this is a comic about how there is dignity and grace in staying in the closet sometimes#about how not everyone deserves to see you at your happiest. about how some people can go fuck themselves#you know your truth and THATS THE ONLY THING THAT MATTERS!!! YEAH!!! i love you
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I just want to keep my job even though I don't know how to make memes. Buy our coffee. We've got holiday gifts for the coffee lover in your life.
Awesome Coffee is different because 1. we source our beans directly from small farmers collectives, 2. it's better and fresher than grocery store coffee, and 3. ALL of our profit goes to fight maternal and child mortality in impoverished communities, whereas almost all other coffee makes rich people richer, which is the dumbest thing that can be done with coffee (or other forms of wealth).
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poorly-drawn-mdzs · 6 months ago
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Good morning, Sleepyhead.
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#wei wuxian#lan wangji#'WWX was asleep for 4 days' is an incorrect factoid.#The average WWX sleeps for 8 hours. The PD-MDZS WWX who was asleep for 40 comics and 4 months is an outlier.#We are back to present day! I have missed drawing them!#Ah...the contrast between how the flashback ended (cold and distrustful) to how wwx wakes up (warm and watched over)...#The gap between the past and present is very important. Not just in this story but in our lives too.#The past can still hurt and it doesn't just go away with time as some say. It is the power of realizing that things have changed.#We can't get the good back. The bad memories have concluded. Those live somewhere else now.#It is hard to realize that you have to live for today and tomorrow. The past is so loud.#For WWX it is realizing that despite the mistrust in the past - He really does have faith that LWJ will be there for him.#It is the reflection of knowing that you changed and will keep changing and that change is good and kind sometimes.#But more importantly...and this I really do mean with all my heart:#It will all end up okay in the end. Even after the worst day. The most painful losses. You will get through it.#What feels like a breaking point is truthfully just another step you have to take. You'll get through it even though it feels like the end.#There are wonderful things you have yet to see. Friends you have yet to meet.#Even if it hurts so badly...one day it just aches. Someday you'll go a few weeks not remembering that it ever hurt.#Oh and because my izutsumi comic revealed many people were in need of hearing this:#You are loved. Right now. You are so loved right now. We just forget to tell each other that.#Go tell the people you love that they matter to you. I'm assigning you homework!!! You are graded on completion.
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uncanny-tranny · 1 year ago
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Basically, my philosophy around disability fakers is: I would rather a thousand people fake a disability than have one disabled person suffer without care, aids, compassion, or any help.
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starry-bi-sky · 1 month ago
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mmm throwaway conversation between Dan and Danny that popped into my head that I had to write out:
"You spent ten years being a one-man mass extinction event, then went back in time and fought me, and lost." Danny snarls, arms crossed and throat tight. His mouth pulls back to bare dagger-sharp teeth, and his eyes burn with the familiar thrum of ectoplasm heating up behind his eyes. "If I didn't believe you were half of Vlad before, I do now."
His other self -- and really, can he even call him that? He's half of Vlad too. Two halves severed from each other and welded together to make a new whole, -- snaps his head over to him. Wild-eyed and furious, he looks unlike the man Danny fought before, the one unruffled and untouched, unbothered by the world around him. It's familiar, but not like the way a reflection is.
"What's that supposed to mean." The Other hisses, matching Danny's scowl one-for-one with fangs much bigger and sharper than his.
But there's a reason lions fear hyenas. Danny matches the rumble in The Other's chest with one of his own, and shoves his face close to his. "I don't lose."
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ewwww-what · 7 months ago
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Nobody is as excited about the preview as I am. I have paragraphs.
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dykedvonte · 28 days ago
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I think depictions of Anya being cruel to Curly or drawing out his suffering are artful and chilling but completely miss the point of the story and her character.
I'm not saying she doesn't deserve to have that "I told you so" moment with him but not in something callous or cold. Even if that is how it happened, she'd immediately feel guilty cause at that point she's not tormenting her tormenter or even the person truly at fault. She's doing something cathartic, similar to how Jimmy likely hits Curly to release rage he can't against the rest of the crew. She'd see herself as no different when she'd come back from the moment and see Curly cowering at her. She wants someone to take responsibility but how does being cruel to the defenseless help? Why would she want the power Jimmy has over her over Curly?
The idea of her extending someone else's pain is just so against the struggles she already faces and how she can't even bring herself to cause someone pain even to help them. Her very desire is to release herself from her own suffering and I doubt she'd even fine some sort of guilty release in being cruel to another.
#anya is not a character i see taking agency or indulging in cathartic behaviors#not knowingly like i see her as a character trapped in her head and maybe in the scenario she's cruel to Curly she is envisioning Jimmy#in his place but its not a story about justice or those deserving of punishment and those not like its the opposite of people projecting#their issues on the wrong people and saying things to the wrong people and doing things they shouldn't but anya uniquely falls out of it as#she is subjected to a lot of it but it is also not something she wants to subject another person to like you are doing what Jimmy does and#placing ur rage into another persons and viewing their actions through your eyes like she'd more likely yell at him than do harm or#cause him more pain like at least make it in character#but also she clearly doesn't want to see jimmy or curly in the same light and doesnt because she still repeatedly goes to Curly for comfort#and protection and god there's like concepts that need to be applied to characters individually and then the story as a whole#we can not view the game through only one themed lens less we forget to inspect the compounding factor of Anya is so much more than girl#that needs to be allowed to go off but a woman that simply wants right to be done by her and no more harm like she doesn't want to be aroun#the suffering like idk but some of yall would just benefit from like understanding that people are inherently grey with the capabilities of#black n white thinking or actions#mouthwashing#mouthwashing game#anya mouthwashing#i like her the most but then again i am defensive of all women in media and hate when people change the way the character would take agency#for themselves like yes I want her to tweak out but she just wouldn't and I like seeing realistic depictions of a woman suffering the way#she is like shes not the type at the end of the movie to have a one liner but feel a shallow freedom cause she needs to realistically heal#idk but its just like there is an obbsession forming with making her character her pain and not how she handles and navigates the issue
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redysetdare · 8 months ago
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All this aroace character shipcourse has proven to me that a majority of people that interact in fandom cannot actually interact with characters and media outside of shipping and genuinely I believe you need to learn how to interact with media outside of shipping.
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sophieseals · 4 months ago
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Also I may be treading covered ground but firecracker is AMAZING pick me representation. Those drugs ARE killing her she has an enlarged heart and it will pop supe or not. She’s done all that to win the affection of a perfect representation of conservative governed patriarchy personified in homelander and he even after ALL THAT still hates her. Even when you fit every conformity, beauty standard, blame all the other women for men’s bad actions those men STILL DONT WANT YOU. And it is metaphorically and literally KILLING HER.
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hauntingofhouses · 9 months ago
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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puppetmaster13u · 1 year ago
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Prompt 81
Danny blinked at the small children Ellie was holding the hand of, looking quite proud of herself. The small children- between ten and twelve so somewhere similar to Ellie’s age- who both practically stank of magic and Gods. 
He took a deep breath, pinching the bridge of his nose even as Dan cackled while opening the door more to let them inside. “Alright, what’s your name, kids?”
“B-billy…um, Billy Batson...” “‘m Percy! Percy Jackson.” 
“Nice to meet you two- any idea where in your family you have a god or two, because one of you definitely smells like Zeus and I’m pretty sure Poseidon and I am not dealing with either of my half-brothers.” 
#prompts#dcxdp#dpxpj#percy jackson#percy jackon and the olympians#billy batson#Danny was adopted by Clockwork who is the origin behind Kronos#Oh they're both orphans? No one to take care of them?#Goddamnit Clockwork you made sure Ellie found them didn't you#Liminals are hidden from monsters thanks to feeling like them & the dead#CW: If they won't take care of their kids then I'll give the lil demigods to my favorite son :)#The JL finding out Billy is a child: You need a guardian- how could we let this happen#Billy: Actually my older sister has looked 12 for the last 100 years and my younger brother looks 20 so that's very human-ist of you#Percy peering out at some camp people who are trying to see if he's home: MA There's some weird ass cats outside!#Percy: Am I allowed to throw the pool at them 'cause they aren't taking no for an answer#Danny teaching the kids how to use powers: Alright and now we're going to your other dad and moms to learn magic#Danny: And how to shoot a gun in Val's case because I will forget gun safety#Everlasting Quartet#Phantastic Four#“Hey Marvel how do you know that info about Dr Fate he looks so pissed??”#“Oh one of my parents know him and they don't get along so now we always take the chance to call him a lil Bitch but politely”#Percy: Billy if you can summon lightning and I can control water can we combine them#Billy: One way to find out- hey Daaaaan#Camp people trying to find Percy: Wtf wtf wtf#The pantheon: WHAT DO YOU MEAN KRONOS HAD ANOTHER CHILD?! WHERE?! HOW!?#Clockwork: Look at my Favorite Child who doesn't Fuck with the Timeline or are Raging Hypocrites & takes care of his kids#Clockwork curled up with Danny & new grandchildren in his chest like a mother crocodile: Everything is as it should be :)#Marvel: Look at my lil brother isn't he adorable he's a year younger than me but takes more after our other mom#Percy: Hi Mr Aquaman I can control water & talk to fish and was wondering if you have any tips#“Marvel we're going to die-” “No we're not lemme call my big brother- if he can destroy the timeline he can fix it” “If he What”
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not enough discussion about the gavins' complicated relationship with feminine-coded/beauty products, i don't think.
#for klavier because it's not as direct it's about how we never see him actually wearing lipstick? even though apollo literally attends#a concert of his which is where you'd most expect him to wear makeup. but apparently he just doesnt. or at least not in public#klavier gavin#kristoph gavin#i feel like there are several ways you can read into it. the misogyny/toxic masculinity one is really obvious clearly with kristoph's#singling out of men specifically and klavier's (probably accidental?) condescending manner of calling women 'fraulein' plus his general#mildly patronising attitude towards many of the women in the game (also probably unintentional)#(i think he's trying to be charming and it's coming off wrong to some of them. like ema. and me.)#but i feel like there's also maybe an element of... inherent perfecfionism to it? like both of these products are conventionally beautifyin#products and kristoph while he is open to showing people he uses nail polish specifically chooses one that's clear and missable unless you#see him apply it. he also feels the need to justify his use of it and specifically spell it out as something he chooses to do rather than#needs to do even though duh. that should be obvious.#idk there's just something about his seeming need to take control of that narrative that i find interesting. his need to spin it into a#'there's nothing wrong with my nails but I had the foresight to see that even the smallest parts of my appearance should be kept immaculate#and it's a choice i'm making to refine an already adequate part of my personage /not/ to cover some unsightly defect.' the need to emphasis#that specifically is so. hm. and with klavier i could see it being a case of him liking makeup liking the pops of colour yet being unwillin#to admit to it because he's afraid that other people might see it as him being dissatisfied with his own appearance regardless of if he is#or isn't. or even just perceiving colourful makeup as being unseemly because it's so overt and unnatural.#like i can see this as them both viewing 'real' beauty to be that which is inherent to a person and seemingly effortless#thus somehow negating the beauty which one achieves through cosmetics or other external means.#and if you want to use external means to achieve beauty or neatness or whatever then your only valid options are those which blend into you#natural state. like clear nail polish. or really awful spray tan.#i feel like klavier's less confined by these ideas (if they hold merit at all) considering he actually owns coloured lipstick and he wears#jewellery (admittedly quite 'masculine' jewellery no gems or pearls or anything like that but jewellery nonetheless) but i think it just#makes it more interesting that he doesnt seem quite able to cross the line anyway. like it's that ingrained into his system.#anyway that's all i've got. you guys should tell me what you think too#annotations
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