#i could *perhaps* be more specific

[popatochisssp]

I have a question, idk if it's been answered b4; are the Horror variants older than their non-horrors? how much older?

thank you, hope you're doing well!

They are!

I hate settling on exact numbers because A) it’s the quickest way to get people to (instinctively) try and fact-check you and B) this is all for self-insertable purposes so being too specific about ages would inevitably exclude people, so I’m not going to do that, but there is a rough sliding scale.

Undertale, Underswap, Underfell, Swapfell, Undergloom, Underfell Fruition, and Swapfell Fruition are all about the same ages (Sanses and Papyri respectively).

Transcendtale and Ascendswap are also in that same age group, but have consciously lived through a lot more timelines, so they’re in a bit of a gray area there in terms of being/feeling older, but technically being the same age.

Horrorswap, Horrorswapfell, and Gastertale are a bit older than the others, chronologically. The horrors’ Chaos after The Human left took awhile to resolve so they ended up getting to the Surface later than their non-horror counterparts, while the G!bros came into existence around the same time as the original Sans would have. They started out as fully-formed youths so they just jumped the timeline a bit.

Horrortale and Horrorfell are older than that. They had the Famine to deal with after The Human left, which took even longer to resolve than the Chaos that the ‘swap ‘verses, so they’re sitting pretty as nearly the eldest.

Descendtale are the absolute oldest ones, but again there’s something of a gray area. The changes brought on by consumption of the echo flower root include a significant slowdown to the aging process, so even though they stayed Underground for another lifetime at the least, their physical bodies are in roughly the same condition as when The Human left.

Which is to say, it’s hard to nail down an exact age for some of them anyway, due to the variety of circumstances in their ‘verses (multiple timelines, accelerated and decelerated growth and aging, et cetera), but that’s the rough scale of it.

[unriding]

a … a gift from the talented @kruinka 🥹 thank you so much!! ദ്ദി ༎ຶ‿༎ຶ)

[bumblingbabooshka]

When the only person who might understand what happened- understand. Not sympathize or empathize or comfort you but understand what happened, isn't there anymore. Or: 'A Man Made Me Do Something I Didn't Want To', for when you can't talk about it or look it in the eye [Patreon | Commissions]

[daisywords]

thinking about this post but also it's more than that. do you ever think about how stories starring men are allowed to be about humanity but stories starring women have to be about Womanhood

[serpentface]

What exactly are living gods in the blightseed universe?

Ok here's the (DANGEROUSLY vestigial at this point) Meta Deeplore:

There is a material form of energy that is utilized by biological bodies essentially as an animating force. This IS the vaguely defined, extremely ambiguous magic in the setting. It is what produces the actual experience of Consciousness and can be basically considered 1:1 with conscious experience. All life utilizes this energy (whether actually conscious life in the traditional sense or not).

It cannot be created or destroyed, and rather follows pathways of dispersal between one material plane and a parallel plane. This parallel plane is 'the ether' 'the dreamlands' etc, and has its own matter. Discrete entities from the dreamlands are essentially formed as a byproduct of consciousness and, when interacted with, are deeply susceptible to the influence of conscious Thought (they are essentially matter organized By consciousness and can be reorganized by consciousness)

These are the entities that can become living gods. Dreamlands fauna occasionally slips into prime material reality, at which point they are directly under the influence of consciousness and can be transformed. Dreamlands fauna in of itself is not directly perceivable but produces a sense of Presence, like the feeling of being watched when alone in the wilderness, a 'third man effect', a sense of inexplicable awe or fear, seeing shadows from the corner of your eye, etc. The combination of their tangible effects and their susceptibility to consciousness creates a self-reinforcing cycle that produces living gods.

IE: if one is on a forest and people experience the sensation of its presence, belief that there is some entity there may develop. This will follow the lines of the cultural worldview- say there are already beliefs in spectral hounds that encounter travelers at night, it might be interpreted as a location-specific hound, given a name and identity through stories. This in turn causes the dreamlands fauna to physically embody that form and the assumed qualities, and people will start having absolute materially real encounters with it, thus reinforcing the initial beliefs that created it and generating new elements of the mythology. This is what a living god is.

They need persistent, localized, and coherent beliefs to hold their forms. If a village creates a living god and is then wiped out in a disaster, the god will gradually lose its form and return to its initial state of a sense of Presence. This is also a limiting factor on the 'size' and power of a living god, if an entire religion formed around it and became a widespread phenomena, the living god itself cannot 'keep up'. It is sustained on direct and localized interactions, so belief becoming widely dispersed (especially if the localized belief is lost) will cause it to gradually become less discrete. The effect of this property is that living gods are almost always minor deities or spirits tied to a specific location by a specific nearby culture. A lot of deities in larger religions may have once had a living god component that is now indiscrete.

The living god of the Ur-tree is an unusual exception in that it was created over millennia, basically by the survival instincts of the Plants it interacts with, and has held its form over hundreds of millions of years due to this being ubiquitous and un-susceptible to cultural change. The only thing that could 'kill it' is if its forest was entirely destroyed.

So 99% of living gods can be described as thoughtforms created by the process of folkloric/religious development. They are created BY people and not the other way around, and nothing about their nature confirms or denies the existence of other deities or etc.

And yeah I'm going to be 100% real I am REALLY tempted to dump even this extremely ambiguous magical element like it is soooooooooooooooo fucking NOT important to the setting at this point. I've kind of allowed 'literal god entities created by mortal belief' to be just a tiny part of the world's fabric by their nature, like it works within the worldbuilding for such a hugely significant concept to ultimately be insignificant in the overall framework, so I COULD just Leave It but idk. If it were not for me wanting to still have my big fucking god tree and a talking dog as an actual character it would be out of here soooo fast..........

[moongothic]

Seen people share their headcanons of what would Luffy call Crocodile if Crocodad was Real, and it did get me wondering

Like on one hand, Luffy has a perfect track-record with respecting trans people and not misgendering anyone, so if Crocodad Real, Luffy wouldn't misgender him

But also, Luffy has two braincells, and having two people to call "dad" would probably be confusing for him. And Luffy doesn't seem like the type of guy who'd either of his parents "Father" either. Canonically Luffy tends to use more affectionate terms for his family, including Dragon despite never having ever met him ("tou-chan", "ji-chan" for Garp, "nii-chan" for Ace. Note the lack of the polite "o" at the begining, and the use of "chan" instead of "san". The take-away here is that he's basically being a bit familiar and kind of affectionate)

And let us not forget, how Luffy loves giving nicknames to people

So it would be perfectly on-brand for Luffy to come up with a new nickname for Crocodile, if only to help differentiate The Dads

(Like yes, Luffy does technically have a nickname for Crocodile already ("wani", lit. "crocodile"), but it's not really an affectionate nickname (or a particularly disrespectful one either, kind of neutral (though calling someone you're not friends with by a nickname is kind of rude)). And while Luffy can and does drop the funny nicknames for people if he decides he likes them enough (see Hammock turning into Hancock, or Luffy learning Bonney's name and using it because he felt bad for her), if Luffy did learn about Crocodile being his other dad and wanted to treat him as such (which he also might not, to be fair)... yeah he could come up with a new nickname)

Now the question just is... what kind of a nickname would Luffy then come up with?

And because I'm a fucking loser with a passion for translation and localization, I'm almost specifically interested in what kind of a nickname Luffy would come up with in Japanese. And partially because, depending on the nickname, it could just be the exact same nickname in English too. Like Luffy's "Yama-o" got localized as "Yamabro" because the "o" (written as 男, lit. "man") needed to be translated and localized for the nickname to hit the same in English. Same for shit like "split head" for Foxy or "giant shallot" for Moria, or "wani" getting localized as "gator" because Luffy calling Crocodile a "crocodile" as a nickname would not make any sense in English lmao

So... a cute nickname that makes it easy for Luffy to call Crocodile his "dad" without it getting confusing with calling Dragon "dad". Maybe something that ties to his name already and preferably rolls off the tongue easily in Japanese... Like we have our Crocodads and Dadodiles but these nicknames are based in English, so they don't roll off the tongue nicely -> Can't imagine Luffy saying either. But... I think the fans are onto something there... There must be a variation of this nickname that would work well in Japanese...

Papadile.

I could see Luffy coming up with a nickname like that. It would roll off the tongue pretty easily. The only counter argument against it I can think of would be that Luffy does not seem like the kind of guy who would call anyone "papa". Like that word does not fit in his mouth.

...Anything else?

Well. I guess there is the third, forbidden option of Luffy calling him "oyaji" ("pops"), much like Whitebeard's crew called their captain too.

But that just leads us to an interesting thought; what the fuck would Crocodile prefer Luffy call him?

I mean this is Sir "Call me what you will" Crocodile, who generally does not seem to care that much about what people call him. Like we could take that and just assume Crocodile would not give a fuck about what Luffy called him, but it's also possible this could be like The One Exception to The Rule. And there's many potential reasons why too

Like there's the practical side of things where it could be a pain in Crocodile's ass if the world found out the two were related, because it'd mean anything bad happening to either one could be used against the other. Someone targetting Luffy could be then used intentionally to target Crocodile and viceversa. As Dragon said, a child is a parent's weak spot after all. So it could still be in Crocodile's self-interest to keep their blood relation a secret. But also; Crocodile had to leave his child behind. Much like how Olvia felt like she had no right to call herself Robin's mom, it'd make sense to me if Crocodile felt kind of the same. That regardless of their blood connection, he had no right to call himself Luffy's father, let alone deserve to be called that after what he'd done to Luffy.

So maybe Crocodile would prefer to be just called by his name. Maybe he'd be satisfied with that. Perhaps being called "pops" would lowkey annoy the shit out of him because it would just remind him of That Asshole Who Took His Hand and beat his ass. Which, y'know, fair. Perhaps "Papadile" would be just a bit too ridiculous and cutesy for him tolerate. And perhaps Luffy calling him "dad" (or "father", or any variation of it) would be a lot more emotionally compromising to Crocodile than he'd like to admit, especially if he believed he would never be called that

But knowing Luffy, if he knows being called "dad" made Crocodile happy (even if he didn't want to admit it), and if Luffy did decide he liked Crocodile/accepted him as his other dad... He'd probably keep on calling Crocodile some variation of "dad", even if he insisted that "Crocodile was fine"

Also worth noting that according to this SBS, if Croc did raise a child that child would use 父上 ("chichiue"), which is quite a formal way to call someone Father

So that would be Crocodile's canon preferred term but god knows there'd be no way in hell he'd be able to convince Luffy to call him that, shit's way too formal for Luffy

[this-post-smells-like]

miku my beloved

Sneef Snorf! Hatsune Miku smells like: Leeks and Blue Raspberry Drink Flavoring.

[atopvisenyashill]

on reflection the fact that we didn’t see laena claim vhagar, and now didn’t see the moment addam got on seasmoke either? kinda annoying me

[problemswithbooks]

BNHA Ch. 429

So, I guess Toga is dead, and people are losing it.

I get why people liked her--she was actually queer, being pan/bisexual. She was representation for them and that's rare in shonen manga. But here's the thing--she was bad representation at best and insulting at worst. Nor do I think she was made queer because Hori really wanted to represent a queer girl. Himiko was always the author's poorly hidden fetish--she just was. She liked girls as much as boys because Hori wanted to draw a girl touching sexually on another girl. You can see this in how he draws her and Ochako in solo pics together.

I mean, people seem to understand this when it comes to Momo and her outfit being overly sexual or that both Himiko and Hagakure's Quirks either leave them naked or they have to be naked to use them. These are excuses to draw girls in a sexual manner. Himiko being into other girls is the same thing and that's the kindest interpretation.

Given how Himiko acts and her Quirk being heavily coded sexual desire, and therefore her use of it against someone unwilling being sexual assault, it could just being playing into harmful stereotypes of predatory gays.

As a queer person myself I just found Toga insulting. She was designed to be overly sexual and give the male author a female character that he could draw being suggestive with his other female characters. When he did flesh out her character, her backstory was eventually the trope/fear of straight people, that gay people will be so overcome with their lust that they end up sexually assaulting them.

In the end Ochako accepts this part of Toga and says she'll giver her blood forever, but as much as a lot of readers took that that as some deep lesbian confession, for me it really fell flat. Hori never really gave any of the main kids time to actually learn about their villain or show how that changed their minds toward them. Shoto only works because Touya is his brother (even though he admits he barely remembers him). But Ochako goes from not thinking of Toga at all pre-first war, to one thought about her during her speech, to suddenly caring about her so much she--given how Toga's quirk is coded, is willing to essentially fulfill Toga's kink for the rest of their lives.

It's weird and it comes out of nowhere. It's made even stranger because Toga doesn't actually change or show remorse for anything she did, which included personally hunting and murdering people before she joined the LOV. None of the death and destruction she is also partially responsible for is brought up either, something that Ochako was rightfully upset about during the first war when less people and property had been destroyed. Ochako just accepts everything about her suddenly and her past serious crimes are forgotten so they can cuddle and cry.

Am I shocked Toga died--a little. I didn't think Hori would have the guts to kill off a young girl character, especially one that he clearly got a lot of joy drawing in sexy poses. But at the same time, once he killed off Shigaraki and ended Touya's story with his slow death, I'm not surprised he went the same route with Toga.

This isn't Naruto--Hori isn't really kind to characters that do something wrong, especially if they don't try and change. Enji, Bakugo, Hawks, and Aoyama all sort of got punished for what they did. Enji is the worst off, being permanently crippled, missing an arm and burned everywhere. Bakugo's hand is damaged, his heart weaker, plus he feels bad that Izuku lost his Quirk so they can't compete the same way he wanted them to. Aoyama, despite doing way less wrong and even helping his class during the forest raid, still leaves school because he doesn't feel he earned being there yet. Hawks lost his Quirk and even though him running the HPSC could be seen as good for him, Hawks always wanted a break, but now he has one of the most time consuming and stressful jobs out there.

So, if this is what characters who actively did good things and even changed and fought to be better get, what would characters who never changed and never did anything positive for anyone but their friends/themselves get?

Before the last Arc started, when so many people said the LoV were 100% going to be redeemed I had doubts and always thought it wouldn't make sense with how the story presented redemption or treated other non-LoV villains in the past. That if the main LoV did get some happy ending where they were bffs with the main cast it would clash with how other characters had been treated.

That doesn't mean that I think how Shigaraki, Toga, and Touya ended up in the manga was well done. I think their endings fit far better then a last minute redemption would have, but at the same time you can feel how rushed everything has been since the end of the first war arc. Hori was done with this story months if not years ago, yet he was contractually obligated to finish it. Because of that I think he left out as much as possible. As much as I think he's written some pretty obsessive stuff, particularly towards women, I can't really fully blame him cutting corners or the story being shit at the end.

We know Manga authors, particularly those that work with Jump are treated like shit. That they suffer incredibly long hours at times not even getting to go home for days. We've gotten messages for Hori saying he's sick quite a few times. On top of that, weekly story telling is not a great way to tell a cohesive narrative. Ideas probably change week to week or at least month to month and you can't go back and change the last chapter no matter how much you need or want to. Then you remember he also gave a lot of ideas to the people who made the movies, which would also change his plans for how he wanted the main story to go.

The story is bad--it has been for a while, but I think a lot of people put their hopes on their favorite characters getting a happy ending, even when there were signs that probably wasn't going to be the case. I know how much it sucks when a character you love gets a shitty ending (Stain was my fav, but he got an absolute dogshit ending) but at least, knowing what I know about the industry I can't really blame Hori the way I see some other people doing. Criticize it, sure, but saying Hori hates his readers or is horrible writer isn't true. BNHA was popular for a reason--he's great with characters and the beginning of the story had some great pacing. We'll never know, but I wouldn't be surprised if BNHA could have been amazing if Hori had been treated better and the story hadn't needed a chapter every week.

If anything BNHA has taught me how much a story suffers when authors/artists are treated like crap and forced to work past burnout.

[da-janela-lateral]

Tsubomi Takane... I really need to write her in several situations but alas, I have to proceed with my studies

[torchickentacos]

The pokemon anime subreddit fascinates and frustrates me on equally deep levels

[camellcat]

I can't stop thinking about trans masc spike. I don't know what fucking worms in my brain are causing this but ever since that article I read about genderqueer spike I can't. I can't watch school hard and not think about it. he comes into frame and I can see the article all over again like an afterimage burned onto the screen. ftm spike. drusilla don't gaf she already knew before he did. do you think angelus uses his correct pronouns

[revvethasmythh]

tbh I’ll always be a little salty about the fact that there’s like 10 flagged and obvious parallels that frame Birdie as being a more sympathetic version of Liliana. and yet

[system-architect]

my controversial gw2 opinion of the day is that i actually like isgarren. dont get me wrong. i think he's objectively wrong about everything and also kind of a brat. that's the thing and the problem though. i like isgarren because he's kind of a massive whiny tantrum baby fussy drama queen.. he took brat summer and turned it into brat epoch !

[longagoitwastuesday]

Every day I wake up regretting getting emotionally invested in Jujutsu Kaisen

[crimeronan]

65 What thing are you most looking forwards to writing that you haven't yet gotten to ?

(Either original fiction or Empress AU don't have to say you don't want to reveal a surprise.)

from this ask game!

i'm really looking forward to finally getting willow in here, even though it's taken me 10,000,000 years. i'm a little intimidated though, on account of how it's been 10,000,000 years. afraid i won't be able to do her character justice.....

oh and! writing more about camila and vee! i've already written their first encounters both with vee shapeshifted and with vee Not shapeshifted (unpublished because the fic isn't done/edited), but i've yet to write the slow burn of the trust built between them After that.

there's a scene i haven't even Begun to write yet, but that exists in my head, where vee is like "i don't want to be a replacement for your daughter, i can't do it, i can't live up to that" and camila is like. ....who on earth said Anything about you replacing Anyone??

and that.... ough. i want to write it!