#where vee is like. is it worse to tell camila than to just. keep that information to myself

[crimeronan]

65 What thing are you most looking forwards to writing that you haven't yet gotten to ?

(Either original fiction or Empress AU don't have to say you don't want to reveal a surprise.)

from this ask game!

i'm really looking forward to finally getting willow in here, even though it's taken me 10,000,000 years. i'm a little intimidated though, on account of how it's been 10,000,000 years. afraid i won't be able to do her character justice.....

oh and! writing more about camila and vee! i've already written their first encounters both with vee shapeshifted and with vee Not shapeshifted (unpublished because the fic isn't done/edited), but i've yet to write the slow burn of the trust built between them After that.

there's a scene i haven't even Begun to write yet, but that exists in my head, where vee is like "i don't want to be a replacement for your daughter, i can't do it, i can't live up to that" and camila is like. ....who on earth said Anything about you replacing Anyone??

and that.... ough. i want to write it!

[the-lone-witch-and-secret-room]

Camila Noceda and Flawed Parenting

A perspective by a flawed person with loving but extremely flawed parents

I’m genuinely baffled at some people’s hostile reaction towards Camila. Like… do any of you have flawless parents that always know the best solution instantly, make no mistakes and never get emotional?

My parents are great. They’re super supportive and I love them very, very much. Overall I think I got very lucky in the parents department.

But god, they are far from flawless. I still live at home, and despite all the good, there’s moments when I can’t take my dad anymore. He’s the kind of dad that stayed up until two am to help me with homework when I was in school, and he does so, so many things to make sure I’m happy. I know that. But despite all of this, I have told my mom in emotional moments before that I’m not sure if I can keep living with him, because for all his good sides, he has a couple of fatal flaws that sometimes make him unbearable.

My mom listens to me and is very open to being educated on certain topics, but she has her flaws, too. She hates when I fight with my dad, and gets so torn up about it that I’ve once apologized to my dad out of fear of her getting into a car crash otherwise. She’s very vocal about certain flaws of mine, and sometimes uses the things she does for me as leverage against me when she gets very emotional.

And both of my parents pay a lot more attention to my brother because he needs it more, because he’s more of a “problem child” while I “seem so capable” even when I’m not.

And guess what? I’m not a perfect child. I make mistakes sometimes, some of them pretty severe. Just like Luz, I’m the kind of person that struggles to communicate certain issues of mine to her parents. I’m stubborn, and when I get emotional, I say very hurtful things sometimes. So do they.

And this has nothing to do with my parents being horrible or abusive. They’re neither of those things.

The takeaway from this should not be that my entire family is made up of terrible people, but that we’re all flawed in our own ways, despite loving each other and trying our best. There’s things about my parents I wish I could change, and there are things about me that my parents wish they could change. And to an extent, that’s perfectly normal.

In our strengths and flaws and frustration with each other, we’re all human.

Specific, spoiler-y Camila and Luz things under the cut since this got very long.

We have no indication that Camila has a pattern of emotionally manipulating Luz. Her “emotional manipulation” as I’ve seen some people put it, is people for some reason thinking that the second you become an adult, you’re suddenly perfect and can no longer make mistakes, lest you’ll be dubbed horrible and abusive.

The whole concept is absurd to me. There is no perfect way to parent. There simply isn’t. Of course, there’s some genuinely abusive patterns that are horrible and inexcusable. But out of the parenting styles that aren’t, which one works depends on a number of factors, one of which absolutely includes that every child is different and has different needs. Camila is an amazing parent for Vee, giving the kid everything she’s ever longed for. She’s not an ideal parent for Luz. And that’s because Luz and Vee have fundamentally different needs.

Likewise, Luz is a pretty great child for Eda, but not a perfect fit for Camila. Luz relates to Eda a lot more than she relates to her mom, and that’s why the two of them have an easier time understanding each other. Both of these mother-child relationships exist, and one is not more doomed to fail than the other, but I think you’ll agree that the better you understand someone and where they’re coming from, the easier it is to communicate, pick up on certain signs, etc.

As mom and daughter, Camila and Luz are both flawed and have issues seeing the other’s perspective because of how different they are. And we should simultaneously acknowledge both of their roles in the issue and give both of them the space to learn and grow past those issues.

Luz struggles to communicate her problems. She doesn’t want to burden people in the demon realm, and it’s a given that this started out as not wanting to burden her mom. So she keeps quiet about her issues. Camila tries hard but can’t read her daughter’s mind, so there’s only so much she can do to understand and help the way Luz needs her to. Hell, Eda, who Luz is a lot more open with than her mom, struggles to help her, because Luz doesn’t tell her what’s wrong. I don’t see anyone calling Eda a terrible mom for that.

Camila tries her best, but she struggles to understand her daughter because of this, and because of how fundamentally different they are. She loves Luz’s creativity, we actively see her supporting it in the new episode—she keeps the weird stuff Luz made because she thinks Luz will regret throwing it away, and even plays along in what she assumes to be some elaborate role play because “she’s glad Luz kept her creativity even though it’s not made things easy for her at school”. But at the beginning of the show, said creativity got out of hand and people got hurt. Luz could’ve gotten hurt. So of course Camila had to interfere. I love Luz dearly, but she thought it was okay to bring snakes to school and set off fireworks inside a school building. Creativity is great. Doing reckless stuff that causes people to get hurt is not.

In sending Luz to camp, Camila tried to have someone else fix her issue because she didn’t know how to help Luz. That was a mistake, and a bad one at that, but she’s realizing that. She looks disheartened when Vee tries to throw out Luz’s stuff, because she never meant to change her daughter or take that part of her away. She just thought Luz needed a reality check—which, for the record, is something the narrative actually agrees with.

Luz spends her time in the demon realm getting reality check after reality check, realizing that even her ideal fantasy world where she has everything she always wanted doesn’t mean she’s free of consequences. She goes overboard constantly, causing:

-Eda to be forced to fly into a trap because Luz is chasing a fantasy (Witches before Wizards)

-Eda to almost be branded by her sister because Luz doesn’t think through why Eda doesn’t use magic to publicly announce her presence constantly (Once Upon a Swap)

-Eda and the twins to get kidnapped by a Slitherbeast because Luz stole Amity’s wand (Adventures in the Elements)

-Her friends to get hurt when she goes overboard trying to help Willow (Wing it like Witches)

-Eda to be captured and almost petrified because Luz thought she could just steal from the Emperor with no consequences in an attempt to help (Agony of a Witch)

I’m like 90% sure these aren’t even all. None of those make her a terrible person, for the record, but as all humans are, she is flawed and makes bad choices. She learns from these experiences and matures, just like her mom had hoped she would at camp. She’s also made friends there, which was another thing Camila wanted for her daughter.

You’ll probably realize that a lot of Luz’s behaviors I mentioned follow one of two patterns: 1. Luz’s idealized fantasy world causing problems, when she walks around with rose tinted glasses and gets people in trouble in the process because she hasn’t thought about the consequences, and 2. Luz trying to help someone she loves, but instead making things worse in the progress. The issue with this one is often that she doesn’t communicate her ideas/listen to the people she’s trying to help—like when Willow and Gus said they’ve had enough of Grudgby, or how she never actually talks to Eda about the healing hat idea before doing something reckless.

…does the latter one sound familiar to you at all? No? Because it’s the exact same thing that Camila did.

Some of the things Luz does are reckless and actively endanger others and herself, and that’s something that I think we need to acknowledge before judging Camila. As Luz’s mom, it’s Camila’s job to interfere in those situations. That she made a mistake while trying to protect Luz doesn’t make her a terrible person, especially as, again, the narrative proves her right to an extent.

I’m not saying her making Luz promise to come back and stay isn’t something that hurt Luz—it absolutely is. But it was born out of desperation. She’s emotional and in shock. She’s so full of pain and regret. She just wants her fourteen year old daughter home safe, and there’s nothing abusive or even morally ambiguous about that.

From Luz’s perspective, what she says is absolutely heartbreaking, but from Camila’s, it’s perfectly reasonable. I doubt Camila has the full picture, but even if she does, she’s had a full fifteen seconds to process that her daughter has not only been lying to her for months, but chose to leave her, and is in the demon realm of all places. Of course she’d be emotional and upset about that! Who wouldn’t? Camila isn’t a robot. If she’d been calm about this I’d be way more concerned, honestly.

My parents don’t get mad that easily, but if I would lie to them for weeks on end, they’d be pissed off too, not even taking the running away from home part into account. That’s a normal thing. People don’t like being lied to. Camila is absolutely devastated in that moment because she’s scared that Luz left because she hates her, when Luz actively states that her leaving wasn’t about her mom—which is another thing we should really be acknowledging.

Abusive parents suck and abuse should obviously never be apologized or trivialized, but saying something hurtful in the heat of the moment isn’t the same thing as being an abusive parent. My parents have done this. I’ve done this. And yes, those things can be emotionally manipulative, but there’s a huge difference in whether that’s a habit or a person speaking out of hurt and desperation in a very specific context. I doubt there’s anyone on the entire planet that hasn’t had a bad moment where they’ve said something like this because they were hurting. People lash out when they hurt, and they beg for reassurance when they’re scared. That’s something we all do.

The whole mindset of “all parents have to be perfect and can never get upset or make any mistakes” is harmful as hell, and honestly also very unrealistic. No parent is perfect, and especially people like me who have a relationship with their parents that’s very good overall should know that.

Once you have a child, parenting is a non-stop learning process, every day for the rest of your life. Taking away that room to grow and expecting perfection isn’t helping anyone, especially not struggling single parents.

And I see Camila as someone who is very willing to learn, because at the end of the day, all she wants is for Luz to be happy. Let’s give her some time to wrap her head around this whole situation. Let’s see what she says once she sees for herself how happy Luz is in that world, may it be via the videos eventually coming through or Camila visiting and meeting Luz’s found family, her friends and her girlfriend.

Ultimately, I don’t think Camila will force Luz to stay at home, but we have to give her some time. She wants what’s best for Luz, and she’s gonna need some convincing that a dangerous magical world is what’s best. I feel like that’s very normal considering the circumstances.

Her and Luz need to work on their communication on both ends, they both have things to learn, but I’m certain they’ll manage to fix their relationship in the long run.

If the bunk bed is any indication, I think Vee is gonna stay in the human realm permanently while Luz sleeps at home but keeps attending Hexside in the daytime. That feels like a solution that keeps everyone happy, and allows Luz to spend time with all the people she loves. I can’t see her being forced to choose at the end.

As a closing statement: Eda isn’t an ideal mom, Amity isn’t an ideal friend or girlfriend and neither is Luz, Lilith isn’t an ideal sister… but that’s because no one is ever an ideal anything. Being flawed is a big part of being human. Everyone has different facets to their personality. Their flaws are what makes them such great, relatable, believable characters.

And I feel the same way about Camila. She’s an extremely believable character that reminds me of my own parents, flawed but very loving nonetheless.

(Also honestly, I think it’s pretty telling that some of you guys immediately bash the black single mom that’s obviously trying her hardest while giving the benefit of the doubt to Alador, who has been portrayed as neglecting and threatened his six year old daughter on screen. This was already a thing before we knew much about either of them, and I’m disappointed but unfortunately not very surprised that it still is.)

[ordinaryschmuck]

Drabble suggestion: amity goes to luz’s house in the human world and Luz shows her her room and amity sees luz’s stuff animals that were on her bed in yl and Luz explains their names and stuff to them and like tells her about them

Memories and Plushies

Luz frantically zoomed around her room with a vacuum, sucking up every little bit of crump she could find.

"I'll admit, I didn't expect you to be so tidy," Vee said from the top bunk, watching her sister work, "Not after seeing the mess here you left for me to take care of."

"I'm normally not," Luz confessed, "But that's because I've never had a girlfriend coming over before. Amity already saw the mess in my room at the Owl House. Can't let her think I'm that much of a slob here."

"I feel like it might be worse that you're more of a slob in a stranger's house than you are in your own home."

Luz opened her mouth to retaliate, but the sound of the doorbell ringing cut her off.

"Oh, my gosh, that's her!" she ran to the mirror, doing some checkups. "How do I look?!"

"Like you always do," Vee rolled her eyes, "You should probably go open the door instead of leaving her waiting like this."

"You're...RIGHT! What am I thinking?!" Luz then bolted out of her room, zoomed down the stairs, and came to a screeching halt at the front door.

"Ok, don't freak out," she whispered to herself. Opening the door, Luz smiled brightly at Amity, who looked nervous as she smiled back.

"Hey, Luz," the witch waved.

"Hi, Amity!" Luz stepped aside and let her girlfriend in, "Welcome to my humble abode. Hope you're not disappointed."

"Well, I've been inside for ten seconds, and I already see a picture of you as a baby. So I say that I'm satisfied."

Luz curiously looked to where Amity was pointing and felt her blood run cold at the picture of a three-year-old Luz having a bubble bath. Instantly, she ran over and flipped it around.

"Ha! That's, uh...that's not for your eyes. Now, um, how about we head up to my room?"

Amity's signature flush grew upon her face.

"You're room? Now? Just the two of us?"

"Actually, Vee's there too. According to my mom, while she trusts me to not do something PG-13, she'd still feel better to have someone keeping an eye on us while she's at work. Vee'll do because it turns out she's older than me by, like, a month."

"Oh, good," Amity breathed a sigh of relief, "Because, um...that seems like too much for me."

"I don't know why," Luz took Amity's hand and led her upstairs. "I mean, you've been in my room a bunch of times at the Owl House."

"I know. But something about being in you're real bedroom, the room you basically grew up in, it...it seems different, I guess."

"Well, I hope it's easy to get through. Because..." Luz presented her bedroom, "Here it is!"

"Oh, wow. It is actually...just about as I would expect it to be," Amity said with a grin.

"Really?"

"Right down to the cute pile of stuffed animals. Although, I would not have predicted the bunk bed. Or the basilisk laying on the top bunk, for that matter."

"Hi," Vee waved in her basilisk form. "Sorry for the appearance. I just thought that this would look less weird than a copy of your girlfriend."

"It does, actually," Amity admitted as she strolled inside, looking at her surroundings.

"You're not disappointed, are you?" Luz asked with a twiddle of her thumbs. Amity chuckled at the apparent nervousness.

"Far from it," she sat down at the bed, waiting as Luz soon followed. "So...what do we do now?"

"Mom said no making out," Vee warned, to which Luz punched the top bunk in response.

"We can do whatever we want," Luz smiled at her girlfriend, "Aside from making out. Mom was very clear about that."

"I bet," Amity picked up a stuffed rabbit with a scarf. "This guy's cute. Does he have a name?"

"Uh, yeah, he has a name," Luz said as if it was the most obvious thing in the world. "They all do. Wanna hear them?"

"Sure."

"Well, this little guy is Flopsy," Luz took the rabbit, "Because what else are you going to call a rabbit."

She then picked up the stuffed cow with a missing button eye.

"This is Killer. She got that name because her one eye makes her look cool."

"Why does she only have one eye?" Amity asked.

"It was always missing since my dad bought it for me at a garage sale. In fact, all of these came from him in one way or another."

Luz picked up an orange ghost-looking plush with a blue nose and then a plush jack o'lantern.

"Both of these came from two different fairs," she explained, holding up the ghost first. "Dad won me Danella from the Fourth of July fair when I was eight and bought be Jacko here when I was five, and he took me to a Halloween festival."

Luz then set them aside and picked up the stuffed turtle and snake.

"And when I wanted pets, but Mom didn't think I was ready, Dad bought be Terrance and Ophelia for my sixth birthday party. But it's Jorge that I really appreciate."

Luz picked up the big, white plushy with a greenish-blue face.

"It was the last gift he gave me before leaving. It wasn't for a birthday or even Christmas. He just said that he saw it, thought of me, and bought it because of that."

Amity took notice of the sad look on Luz's face and frowned.

"I don't think I have ever heard you talk about your dad before," the witch said, grabbing her human's hand into her own. Luz smiled at the contact, but it was noticeably lacking in its usual optimism.

"I, um...I don't like to think about it much. The fun times we had are always nice to think about, but it's not too long until they make me feel...I don't know what they make me feel, but I definitely don't like it."

"He sounds like a great man, though."

"He really was...But, sometimes, when I sleep at night with all of these stuffed animals he bought me...I guess...I guess it makes me feel like he's still here."

Luz went to wipe a tear, feeling Amity use a thumb to brush a comforting pattern over her knuckles. It was a peaceful moment between them...ruined by Vee sticking out from the top bunk.

"So that's why Mom looked so flabbergasted at me suggesting I should sell them," she said with a face full of regret, shocking Luz to her core.

"You were going to sell my BABIES!?"

"I didn't know they meant so much to you! Which is why when Camila looked at me that way, I just told her I was joking and put them in the closet. It still got me a weird look, but--"

"YOU PUT MY BABIES IN THE COLD DARK CLOSET!?"

"I'm sorry, ok! What can I do to make it up to you?"

Luz opened her mouth to protest further, but an idea popped into her head.

An idea that made a faint blush glow on her cheeks.

"You could...give Amity and me five minutes together," she suggested, "Alone. Without telling Mom."

Amity blushed as well, looking between both sisters with bated breath.

"..." Vee sighed, climbing down to the floor. "Fine. But only five minutes."

"Deal!" Luz and Amity exclaimed in unison, making both of their blushes grow darker. Vee only rolled her eyes and slithered out the room, shutting the door behind her.

Briefly, Luz and Amity just sat in silence, fiddling with their own fingers and looking anywhere but each other. When they eventually made eye contact, they both grinned excitedly at one another.

Amity was the first to lean in.

"Wait!" Luz protested. As quickly as she could, she then rotated her stuffed animals so that they would all look away from them. "Ok, now we can go."

Amity chuckled at her girlfriend's behavior, leaning in again to make the most of their five minutes.

[e350tb]

The Owl House: A Blight on Gravesfield (Chapter Two)

Two

Luz wakes up.

So, ten Puritans walk into Connecticut. Sounds like the start of a joke, doesn’t it?

To be fair, ‘Puritans’ might not be the right word here. Most of them were, certainly, like Goodfaith Smathers, and the excellently named The-Lord-Shall-Damn-Ye-Sinners Marlowe, who seems to have insisted on his full name being used in all conversation. But then there’s the pair we’ll be talking about today, Philip and John Wittelsbane.

You’ve all seen the statue, I’m sure, but nearly all the ‘common knowledge’ about them is actually false.

See, in the late eighteenth and early nineteenth century, the Wittlesbanes were big on the whole ‘family history’ thing, but not so much on the whole ‘truth telling’ thing. The story that John Wittelsbane personally chose the site of Gravesfield, and that he personally converted a local Pequot village to Christianity? There’s no evidence of that, and indeed it seems very unlikely, because John was sixteen at the time, and Smathers was the real leader of the exhibition.

Of course, Smathers died in the Pequot War, and The-Lord-Shall-Blah-Blah-Blah Marlowe went out from smallpox in 1639. The others were illiterate, so most of the records of early Gravesfield come from the Wittelsbanes. So it’s very easy for their family to pretend they were more important than they actually were.

Now, in 1642, something very big happens. It doesn’t happen in America, but it’s effects cross the Atlantic. Can anyone tell me what that is?

The Thirty Years War? Close, that was just about ending at this time. Any other guesses?

That’s right, the English Civil War! Or the War of the Three Kingdoms, as some call it today. To put it simply, you had the Cavaliers supporting the King on one side, and the Roundheads supporting Parliament on the other. It’s a gross oversimplification but it’s all you really need to know for this class.

A sixth of all the men in New England went back to England to fight for Parliament, and most people generally supported the Roundheads. Most people. Do you remember what I said about dissenters? Fascinating people with bizarre names, like Fifth Monarchists and Muggletonians. Some of them were very egalitarian, at least for the time.

It seems the Wittelsbanes got themselves mixed up in a particularly weird form of dissension. In 1645, Philip starts writing a lot about witches - but not in the same way that someone like, for example, Matthew Hopkins, Witchfinder-General in England, might have. This wasn’t fear; it was curiosity. He and John began to believe that magic was a gift from Christ.

This was a privately held belief of cause. The war was breeding suspicion in the Puritan populace of Connecticut, and in 1647, something happened in that colony. Something that would set the course for a split between the Wittelsbane brothers that would never be healed.

It was the beginning of the Connecticut Witch Trials.

---------

It was storming in earnest now, the wind shaking the house as the sounds of driving rain pounded on the windows. It was dark enough that Camila had had to turn the lights on, although the artificial light did little to abate the sense of gloom that hung over the house.

They had moved Luz and the other girl into Camila’s bedroom - there was more room to lay them down on the bed. That had been about an hour ago, and Camila was getting more than a little restless. She sat on her chair, facing away from her desk, rapping on the wood with her fingers. Vee paced by the door, looking no less antsy.

“We should call an ambulance,” declared Camila at last.

“What’re we gonna tell them?” asked Vee.

“I… I don’t know,” replied Camila, “But…”

There was a cough.

Camila’s eyes widened as Luz slowly began to sit up, rubbing her head.

“...man, I feel like I got hit by a truck…”

“Luz!”

Camila leapt out of her chair and darted over to her daughter, instinctively pulling her into a hug.

“Cariño, I’m so glad you’re okay,” she said, her voice breaking. “I was so worried! I…”

“M-mom?”

Luz blinked; it seemed like she didn’t know how to process her surroundings. She blinked, and a few tears ran down her cheek.

“Mom!”

She returned the hug, chest heaving. Neither of them moved for some time - there was a sense of unreality, the sudden ability to see each other, to touch each other. For a brief and beautiful moment, nothing else in the world mattered; just them, reunited at last.

Eventually, Camila pulled out of the hug.

“Oh, mija, never scare me like that again,” she sighed.

“Mom, I…”

Luz’s face fell, her eyes widening.

“...wait, where’s Eda?” she asked. “Where’s King? Where’s…”

She looked to her right, her eyes falling on the girl unconscious next to her. She gripped the bedsheets, starting to shake.

“Amity?” she exclaimed. “But… but we’re in the human world! Which means there’s a portal! We’ve gotta get Amity home!”

“Yeah, about that…” said Vee, rubbing the back of her head.

Camila frowned.

“The… portal disappeared,” she said.

Luz swallowed.

“So… we’re stuck?”

“We’re stuck?” The words came out before Camila could stop herself.

Luz’s eyes widened and she shook her head.

“No, no, that��s not… that’s not what I…”

She reached out, seizing Camila’s hands in hers.

“Mami, I don’t want to leave you again, I didn’t - I never wanted to hurt you, I just…”

Camila took a deep breath, closing her eyes.

“Luz,” she said, as evenly as she could, “I think we both need to talk about this.”

Luz bowed her head.

“I know.”

She turned to Amity.

“Is… is Amity okay?” she asked. “I don’t remember her getting hurt.”

“She cast a spell, I think,” replied Camila. “Something about… sharing the pain?”

Luz swallowed, and a few more tears spilled down her cheek.

“Oh Amity,” she said. “You didn’t… you didn’t have to do that for me. You didn’t have to do any of this…”

“Amity?” Vee tilted her head. “Amity Blight?”

Luz turned and nodded.

“Yeah,” she replied. “How do you know… oh yeah, Blight family, duh.”

She turned back to Amity - just in time to see her eyes slowly start to open.

“L… Luz?” she murmured.

“It’s okay, Amity, I’m here,” Luz replied. “We’re gonna figure this out, okay? Just…”

She sighed.

“...it’s just a little complicated.”

 -------

“He really believed in witches from Mars?”

The Gravesfield Historical Society had been closed for the past two weeks; this was the first time somebody who wasn’t a policeman had stepped in since the Jacob Hopkins Incident. But the Society had to keep going, and that meant the museum needed a new curator.

Enter Professor Fabian Stearne.

Stearne was an older man, somewhere between fifty and sixty, and looked every inch the prof. The tweed jacket, the blue shirt (tie roguishly discarded), the purple cardigan and the fire-engine red vans painted the picture of a charming eccentric, not hindered by his half-moon glasses, comb over, and trimmed grey moustache. He was a Gravesfield ‘lifer,’ who had rejected esteemed job offers from Yale and Harvard to head the history department at the small Gravesfield College.

And he’d never wanted to be a curator; if anyone had asked him, he’d tell them he was a researcher, preferring to dig up new theories than present old relics. Yet now there was literally no one else to do the job, so it was up to him.

“I did my PhD with him. Never thought he had that sort of thing in him.”

His assistant, Ben Frakes, was helping him clean the staff room - clearing the mess of weird conspiracy theory paraphernalia to make it a little more professional. Much younger than Stearne, Ben was fairly junior in the history department; he was convening his first course, ‘History and Myth in Gravesfield,’ a small, niche course that he nevertheless enjoyed.

Stearne and Frakes went back many years; Ben’s whole progress from history undergrad to PhD had been done under his watch. The lanky young man, brown haired, clean shaven and with a propensity for leather jackets, owed his career to Stearne, and he was always keen to give back when he could.

If that meant taking doctored photos of ‘owl beasts’ off a wall, then he was happy to do it.

“Yes, it’s a shame what happened to Jacob,” nodded Stearne. “But he’s not the first historian to run afoul of the law. Hopefully, once he’s gotten the help he needs, he can get back on his feet.”

He took the photo from Ben’s hands.

“He’s a clever man,” he said. “Just prone to wild imagination.”

“And animal endangerment?” said Ben, raising an eyebrow.

Stearne chuckled.

“What is a historian without eccentricity?”

“I’m surprised you took this job,” mused Ben, grabbing a box to take out to the trash. “You were always so critical of museums.”

“Well, there are worse ways to spend your twilight years than curating,” shrugged Stearne. “And Mr. Wittelsbane made a very compelling case. The town needs this museum. We can’t lose track of our past.”

Ben chuckled.

“Well, I’m gonna take this out back,” he said. “You need me to carry anything else?”

“No, my boy, not just yet,” replied Stearne.

“Okay, see you when I get back!”

Stearne watched as Ben walked away - as soon as he was gone, he looked down at the photograph, running a hand across it.

“Oh, my dear Jacob, so close and yet so far,” he sighed. “But worry not, worry not.”

He smiled - or perhaps it was more of a smirk.

“Redemption comes for all of us, in the end.”

[ordinaryschmuck]

What I Thought About "Yesterday's Lie" from The Owl House

Salutations, random people on the internet who absolutely won’t read this! I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons!

Here it is! The midseason finale of The Owl House Season Two! An episode featuring Luz going back to the human realm, is hyped up to heaven about how painful it'll be for the audience, and features more anxiety by how Creepy Luz is a thing. And BOOOOOOOOY howdy were fans not ready for this. I'm sure as hell not ready for when I wrote this intro at *checks time* thirty minutes before watching the official premier. Yup, the words you're reading right now are from me in the past, when everything was still pure and simple. Whereas future me is still probably destroyed by the events that transpired. Isn't that right, future me?

Future Me: Actually, it wasn’t that bad. The ending hurt, sure, but other than that, it wasn’t too painful.

Wow, that is some neat input! At least, I think it was. I wouldn't know because I literally wrote that after watching the episode. With the words you're currently reading being written at *checks time* twenty-six minutes before the premier...this whole intro is confusing, isn't it, future me?

Future Me: Sure is.

Yeah, it's definitely confusing. In any case, let's dive into this spoiler-filled review as we find out together just how painful this episode was! Take it away, future me!

Future Me: Will do! Major spoilers ahead, folks!

Now, let’s review, shall we?

WHAT I LIKED

Luz’s Room: We only see it for a short time, but everything about it just screams Luz. The pile of weird-looking stuffed animals, the witch hat in the center of the floor, and the fact that she has bunk beds, a single child's dream (Or so I've heard). It's a small thing, but I love it.

Vee: Here she is! The character previously dubbed Creepy Luz who now turns out to be yet another new addition to the ever-growing list of characters that we, as a fandom, would give our lives for. Because holy s**t was Vee the best type of expectation subversion. Showing us all the ominous ways of how she basically took Luz's place made fans assume that Vee was an evil doppelganger. Turns out, she was just a tortured soul that was desperate to live a new and better life and lucked out in finding Luz's. What Vee does is...questionable at best, but seeing what she went through with the experiments Belos pulled on her, you understand why she would do it. And I personally love it's that same background information that makes Vee resentful of Luz of all people. Luz's life is a relative dream come true, and running away from that would be insane to someone who spent most of their existence through imprisonment and experimentation. It's an intriguing point of view, even though it's admittingly flawed given how it's mostly Camila that seemingly made Luz's life bearable. But the flaws don't matter. What matters is that you can see where Vee is coming from, and to me, personally, I think she's understandable enough to make me root for her to have some kind of happy ending. Whether as Luz or as herself, I'm hopeful to see Vee get some semblance of peace.

Camila: *Round of applause* Don't mind me! Just taking the time to love how all them sons of b**hes who thought Camila was a bad mom are now heavily invalidated. 'Cause, guess what? Camila is a fantastic mother, both to her daughter and her daughter's doppelganger! Allow me to walk you through the highlights:

How Camila looks like she’s not okay with the fact that "Luz" is clearing out her weird stuff, seemingly acting too different to the Luz she knows. Added to the fact that Camila doesn't like it.

How Camila drove Luz to camp whether than letting her take the bus

The fact that Camila takes that box of junk back in, not willing to part with the tin foil sculpture Luz made.

The way she was willing to play along with the game she thought Luz was doing, supporting her daughter's creative mind that Camila admits to being glad to see.

And, best of all, the willingness Camila had to help this poor creature, despite the lies it lived.

It's that last part I really want to touch upon, though. Because an action like that shows just how much Luz's heart comes from Camila. The kindness and generosity of helping this poor creature, who she has every right to run out on, proves how Luz learned to be everything she is today through Camila's own loving heart. Vee was scared and hurt, and the second Camila saw that she was then more than willing to help because of it. It's something that Luz would do, and it proves that even though Camila didn't exactly get everything right, she's still a great mom where it counts.

“A new life”: A perfect line.

Initially, it makes audiences think that it has everything to do with replacing Luz. It's only through future context that we know it's about escaping the s**t show Vee once lived through that it's clear she's talking about starting over. It hits us with intrigue on the first viewing, only to hit harder with the feels during a second. Really well-done.

Luz in the Mirror: A well-done surprise that makes fans curious about how this even happen in the first place. Kudos to you, writers.

The New Portal: I don't mind that they found a way to build this off-screen. Showing Luz and the gang slowly building a new portal would have been a little too tedious to watch, and it's so much better to just start this episode out with it. Besides, maybe we'll get the slow and steadier version now that we've seen how quickly building one might not have been the best way to go, given how fast that thing fell apart.

Luz Between Dimensions: I have no clue what the hell that place she was in is called, but it's awesome! The overall design of the realm is the correct type of unsettling, like it's oozing with mystery, but it's somewhere that you probably don't want to be in for too long. Whoever designed it deserves all of the credit because I don't want to even think about all the hard work that went into making this look as well-made as it was.

Luz Resisting to See Amity: What? Luz and Amity are adorable, and seeing Luz's immediate thought about seeing Amity makes my shipping heart scream with glee. Don't judge me!

Hiding Luz’s Dad’s Face: Well, that was a fun story while it lasted.

So, it turns out that Luz's dad really was a part of Luz's and Camila's life at some point, but not anymore. As for why remains to be seen, as we don't really know yet if we'll see him make an appearance. I'd say that the odds are high that he will, given how much of a point this episode made about keeping his face hidden. Shows don't usually do that unless the goal is to hype up some official reveal, and I can't wait to see what comes of it.

Luz Telling Herself to Count to Five: Hey, more evidence for how I relate to Luz! I know how it feels to be all panicky about a specific situation, and I only got better when I took the time to calm down for a bit. Sometimes, I even tried the "count to x" method that Luz used...it never worked, primarily because it made me feel worse when people told me to do it, but I still tried it! Plus, there's also some narrative foreshadowing when after Luz says five, the realm shows her Vee, or Number V, which is a pretty cool detail you'll notice on a rewatch.

Luz Helping Vee: I gave Camila praise for helping Vee in the end, but that doesn't abstain Luz from her own set of recognition. The second that Luz realized that Vee wasn't really a threat and is far from evil, our favorite human does what she can to help and even makes a deal where they're both happy. Because, of course, Luz is that perfect of a protagonist who is more than willing to help others in need. And it's why we love her so.

Looking for Magic that Eda Left Behind: A pretty cool idea that gives Luz and Vee a chance to bond and giving us an insight into Eda's past antics and misadventures in the human realm. Not much I can add to it, though.

Gravesfield: It's surprisingly not as jarring as I thought it would be to spend an episode in the human realm. I thought for sure, after all that time in the Boiling Isles, there would be something off about walking around a normal environment for a change. Turns out, it's almost easy to get used to. Or, for me, it is.

But I will say that there's this neat use of colors when comparing Gravesfield with the Boiling Isles. In Gravesfield, the coloring looks dulled down and standard, which is a stark contrast to the bright vibrancy of everything we've seen in the Boiling Isles. It's a subtle way of showing how things are different, aside from the major discrepancies we could come to expect. And I think that's why I appreciate it much more.

Eda’s Called Herself Marylynn in the Human Realm: Hang on...hang on...do you mean to tell me that the crack theory about Eda being Stan's ex-wife is actually true?

...

...What even is this show?!

Vee Making Friends with Camp Members: This shows the most apparent difference between Luz and Vee. Where we see Luz is already fearing the many ways that could go wrong with interacting with teens, Vee revealed that she adapted to her situation and had a chance to make friends. The implications of this are worth discussing another time, but for now, I'll say that it's pretty intriguing that we gain this much insight into both Luz and Vee through such a small thing.

Belos Wanting to Learn How Basilisks can Drain Magic: ...Didn't Raine say that Belos was taking away magic? If so, I think we can figure out how he's doing it. The question now is: Why?

Jacob (The Curator Guy): This guy was a riot. At first, Jacob seemed like a threat with the way he trapped Vee and was apparently stocking her, but the second he goes off about his conspiracy theories, it becomes clear what type of character he is. And was it a blast seeing how much of a crackpot this man is. It wasn't cool seeing him wanting to dissect the precious angel that is Vee, but I still chuckle about things like his "Flat Eather's Certificate." So while he's not that much of a threat, he's still fun to watch.

The Owl Beast was in the Human Realm: ...How did that happen? When did it happen? And how the hell did Eda get out of a situation like that?! Who knows, but it's still a shocking piece of news to learn.

Luz Telling Camila the Truth: Hey, she faced her fear after all! Although, the results aren't as pleasant as when Amity faced her fear two weeks ago.

Camila is a Veterinarian: ...One insignificant reveal...managed to destroy so many fanfics. I mean, we probably shouldn't have just assumed Camila was a nurse...but what the f**k else were we supposed to think?! Sorry for seeing the scrubs, and the first thing that came to my mind was "nurse" and not "vet."

By the way, that had to have been intentional, right? There's no way that Dana Terrace didn't think we'd assume Camila was a nurse. She'd had to have put off a reveal like that just to trip up her fans. And if that's the case, then that is a major d**k move...but that's why I mildly respect it.

Two Human Brothers went to the Demon Realm: Turns out we don't have to be in the Boiling Isles to learn more about it. Because now we have more information about how two humans were taken to the Isles with the help of a witch, thus setting up a grander reveal if it turns out that one of the humans was Philip and the witch was Belos. Because if that's true...then there's more of a history between those two than we thought.

Jacob has a Training Wand: This helps me believe that it's highly likely for Jacob to make a return and to have a power boost for when he does. After all, focussing all that attention on the training wand is way too convenient for it not to come up again in the future. Meaning we're most likely going to get more pain from Jacob if he shows up again.

Camila Beats the Crap out of Jacob for Vee: ...Writers, don't make me choose between Camila and Eda on who's the better cartoon mom. I know Eda's technically not a mom...BUT I STILL DON'T WANT TO CHOOSE DAMNIT!

Also, the sandal...just...

Why the f**k does Camila have a sandal in her purse? I don't know. Is it still funny that she does? Most certainly.

Camila and Luz’s Talk in the Rain: Ooooooooh, I was not ready for this...

I wasn't ready for the crying.

I wasn't ready for the hurt in Camila's eyes when she found out Luz chose to stay in the Boiling Isles.

I wasn't ready for Camila asking if Luz hates being with her that much.

I wasn't ready for Luz profusely stating how it was never Camila's fault.

I was not ready for Camila to tell Luz that she'll try to do better.

And I definitely was not ready for Luz to barely have enough time to promise that she'll come back.

This episode wasn't the twenty-two minutes of nonstop angst that I thought it was going to be...but this short scene more than make up for it.

Luz Tries to Stay Strong: Yet another thing she unwittingly learned from Camila. Camila tried to keep a brave face when Vee was with her and Luz, most likely not wanting to tear either of them down in the process. Luz does the same thing here as she avoids talking about the details of what went down in her sort-of journey back home. And seeing her clearly fake smile slowly droop into an uncertain frown, it uh...it definitely tore me up inside.

WHAT I DISLIKED

I want to say it's perfect, but there's one major issue that really bogs this episode down.

Continuity Error in How Vee Replaced Luz: Having Vee take Luz's place the same day Luz appeared in the Isles is a smart idea on paper...if it wasn't for the fact that it's impossible.

Because Eda closed the portal door the second that she saw Luz, meaning that there's no way for Vee to go to the human realm. It's a major plothole that makes no sense, and it might just be the first time ever that this series wasn't so closely knit with its story. Which ends up taking a dive in quality in the process.

IN CONCLUSION

I'd say that "Yesterday's Lie" is an A-. Everything about Luz, Vee, and Camila is incredible, combined into a story that ends in tragedy and uncertainty for the future. That plothole may drag things down a bit, but everything else is handled so well that I'm not lying when I say it's easy to forgive and forget.

(And that's ten episodes in a row without a single stinker. HOW THE F**K DOES THIS SEASON KEEP WINNING?!)