#i cant get it out of my head help
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everytime i see a mirror palais outfit i highkey imagine stiles wearing it & derek losing his mind
today’s mirror palais outfit that is making my sterek mind brainrot is this new valentina dress 🥀
red just looks so good on stiles 😩
too many possibilities…too many AUs.… is it just me LOL
#cey random#i cant get it out of my head help#but idk what to write bc there are too many choices#someone choose an idea for me so itll actually happen#sterek#also to hotgirlstiles if you see this i also brainrot draco when i see mirror palais LOL they would all look good on him fr
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guy on my tv keeps insulting me what do i do
#HELP HELP HELP IVE FALLEN DOWN THE RABBIT HOLE AND I CANT GET OUT !!! HELP!!!!!!!#p03#inscryption#i dont think this turned out great but WHATEVER!!!!!#GET OUT OF MY HEAD!!!!!!
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my personal fave "luffy holds a mirror up to someone's soul" moments. aka the whole point i think
#guy who is really good at identifying the things you want but are too scared to admit to yourself. hi luffy#its literally the whole point though. i am so charmed by the he wont help until you ask thing. or until you say out loud what you want#ive been ticking them off in my head but i remember getting to sanji's in the anime like HE CANT KEEP GETTING AWAY WITH THIS#one piece#oh god now i have to tag every girl he did this to and sanji. he does ALSO do it to momonusuke but i didn't screen grab that#in a way. i think he does it to ace too but im not ready for that#monkey d. luffy#cat burglar nami#op nami#nico robin#op rebecca#op sanji#black leg sanji#nefertari vivi#alabasta#dressrosa#whole cake island#enies lobby#arlong park
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yeah i think it's over for me
#theyre in my head now and i cant get them out#send help#star trek tos#star trek fanart#tos spirk#spirk#k/s#tos spock#spock#james t kirk#tos kirk#fanart#art#original art
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Art and a Short Fic to accompany it?!
Don't remember what song inspired this but I zoned out listening to music and this scene popped into my head, so I drew it and then wrote it ^^
Over and over he slammed Breakdown into the ground, screaming..almost begging out the words, “Why why, WHY?!” each time he’d lift Breakdown by his Chassis and push him into the concrete again.
Tears spilled over the ridge of his eyes, Words repeating.
Over and over. Breakdown had left him repeatedly over the decades they'd been on earth and more times than he could count on Cybertron. At least then he had something to blame, being on separate sides of the war was reason enough to not stick around. But now here on earth, though some Decepticons still roam, there is no war. Some measly battles sure, but there was no need to be on one side or the other. It wasn't just about survival anymore.
So when the battle with Mandroid was over and Breakdown came to say goodbye again Bee racked his brain to find some sensible reason as to why Breakdown would choose to run off with the few Decepticons with a thirst for war there were left.
Bee came to the realization that he couldn't blame the war or small quarrels they’d had with each other's sides anymore.
Breakdown was the problem.
He’d Decided once again to leave him. It’s like Breakdown couldn't stand him, like he couldn't bear to stick around for more than a week. Why..? Why?
“WHY CAN’T YOU JUST-”
Stay.
A firm pair of hands grasped his shoulders interrupting him, gently yet firmly pulling him up and away from Breakdown.
“Bumblebee!” A familiar voice rang through his audials.
Optimus stood towering over Bee, Sevros held tightly on Bee's shoulders.
“Breathe.” No doubt an order from the leader.
Bee sucked in a few ragged breaths, looking to his left he saw breakdown beginning to prop himself up on his elbows. Energon leaked from his mouth, repeated blows to the head will do that to a bot.
Breakdown blinked, peering up at the scout. “Bee…” He spoke weakly, desperately.
Bee squeezed his eyes shut and shook off Optimus’s sevros.
Turning his back to the scene he walked away.
#i cant get these two out of my head#help#transformers#bumblebee#transformers earthspark#earthspark#transformers bumblebee#earthspark bumblebee#transformers art#tfes breakdown#breakbee#breakdown#tfes breakbee#Breakbee my love#Dont judge#my grammar skills please *sob*
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patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.
this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.
the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.
so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.
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ok, found some
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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.
Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.
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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?
Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]
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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.
Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]
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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.
Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.
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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).
Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.
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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].
Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]
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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.
Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]
#sorry for being mean#instructor makes podcasts about cowboys HELP ME#and he recently won a New Business award for his startup magazine covering Democrat party politics in local area HELP#so hes constantly performing this like dance between new hip beerfest winebar coolness and oldfashioned masculinity#but hes in charge of the certificate program so i have to just shut up and keep my head down for approximately one year#his email address is almost identical to mine and invokes enviro history terms but i made mine long before when i was ten years old#so i could log in to fieldherpforum dot com to talk about enviro history of distribution range changes in local reptiles and amphibians#sir if you read my blog then i apologize ive had a long year#and i cant do anything to escape i am disabled i am constantly sick im working fulltime i have NO family i have NO resources#i took all of this schools graduate level enviro history courses and seminars years ago and ran the geography and enviro hist club#but then left in final semester because sudden hospitalization and crippled and disabled which led to homelessness#which means that as far as any profession or school is concerned im nobody im a retail employee#i was doing conference paper revisions while sleeping on concrete vomiting walking around on my cane to find outdoor wifi#and im not kidding the MONTH i got back into a house and was like ok going back to finish the semester the school had#put my whole degree program and department in moratorium from lack of funding#and so required starting some stuff from scratch and now feel like a hostage with debt or worsening health that could pounce any moment#to even get back in current program i was working sixteen hours a day to pay old library fines and had to delicately back out of workplace#where manager was straight up violently physically abusive to her vulnerable employees and threatened retaliation#like an emotional torturer the likes of which i thought existed only in cartoons#and the week i filed for student aid a massive storm had knocked out electricity for days and i was clearing fallen tree debris#and then sitting in the dark in my room between job shifts no music no phone no food with my fingers crossed and i consider it a miracle#sorry dont mean to dramatize or draw attention to myself#so actually im happy you and i are alive
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Enakasa *explodes*
#pjsk#project sekai#prsk fa#pjsk fanart#tsukasa tenma#tsukasa pjsk#wxs tsukasa#ena shinonome#enakasa#ena fanart#ena pjsk#tsukasa fanart#ena n25#colorful stage#proseka#project sekai fanart#I cant get them out of my head#send help#living millennium#artists on tumblr#saca art
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Ничего не останется от нас, Нам останемся, в лучшем случае, мы
hi. hello. listen to this song
i have so many thoughts about these two. oh my god. maybe i will write it out some day, but for now drawing it out will do
translation will be under the cut! knowing the words does add to the work so i do recommend reading it. or just enjoy the art <3
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heres the translation, color coded according to how i broke it up for the art. just in casies
first page:
Love is scarier than war
Love strikes more true than steel
second page:
More true, because of your own volition
third page:
You run towards all the winds
Let there be pain and eternal battle
Not atmospheric, not earthly
fourth page:
But definitely with you
caption:
There will be nothing left of us,
we will be left with, in the best case, ourselves
#kunst huli#legend of zelda#botw link#botw zelda#botw zelink#tloz#zelink#totk#botw#i cannot express how proud i am that i actually managed not only to finish this#BUT. to have it look GOOD#painting stuff n making it messy in an appealing way has always been a fucking STRUGGLE for me#n i do think u can see my over-rendering tendencies rear their head up on the last one#and also i guess i should have made the last two pages connect like i did with the rest of them but i think it still works. thematically#the last one is like. the end. a break. the start of a much needed retirement#a breather u might say!#i also think the devs should have let link hug her at the end#he deserves it he thought hed never see her like this again#oh alsooooo since im on a tangent anyway#like many people i was disappointed by the cop-out of just giving link his arm back at the end of totk#and i still think it would be cool if he didnt#(or if he kept the magic hand. just imagine how thatll help with all the restoration work dlkfgjdfkgjdfkg)#BUT anyway. i thought about it. n i have a theory about what tf did they do at the end to get not only zelda but his arm back#the fucking time powers!!! what if they just reversed time on them...........#much to thunk about. anyway#hope u enjoy <3#now i can go finish phantom hourglass#god i hate having to go back to the temple of the ocean king tho. its like dishonored but u cant go up OR knock those guys out
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gith and her dragonborn [full]
#baldur's gate 3#bg3#lae'zel#dragonborn#myart#art#lae'zel x tav#nsft#fanart#digital art#a quickie i had to get out of my head!!!!!!!!! it's lae'zel brainworms 24/7 canT HELP IT#i'm posting it cropped which really upsets me but i have to get away with posting 🐸👅🐲 on main#started with dying abel lae'zel. ended with a dragonborn feasting 😳
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I'm fed up with the way that autistic people are expected to constantly accommodate allistic people.
My moms best friend died on Saturday, we found out on Sunday. My stepmother is upset and was yelling at me because I "don't look sad."
So it's not enough that I lost someone I care about. Someone who has been a part of my life since the day I was born. But I also have to police my outward expression 24/7 to make sure I look sufficiently upset for the sole purpose of making allistic people comfortable.
#death ment tw#actuallyautistic#actually autistic#autism#autistic#autism spectrum disorder#it doesn't help that she died horribly and i cant get it out of my head#and none of the details around her death make any sense#there was no reason for her to be there
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Im sorry.
#you cant get it out of my head#im sorry joe#the lighting doesnt help you#joseph quinn#joe quinn#gladiator 2#emperor geta#I DO THIS WITH MY DEEP LOVE FOR HIM#Pls#i AM NOT HATING#JuST HAVING FUN#he can be the next lead in the spongebob musical
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I think about my own headcanons so much that i forget they're not real like what do you mean boxman and gar weren't childhood friends who had a big falling out and now hate each others guts
#god help me i cant stop thinking about the past present and future of this dang show#do you guys like my little eugene#because i do#i have too many ideas i need to get them out of my head noooow#children are so hard to draw tho#ok ko mr gar#eugene garcia#lord boxman#i need to name this au too#ok ko let's be heroes#ok k.o.! let's be heroes#ok ko fanart#kappart#my art
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the reason i think i need dare you to death to deliver the jade/kamin dynamic exactly as presented in the pilot trailer and they have not left my mind is because i need kamin to be so neat and orderly and organized. he needs to have perfect posture and pristine clothing and organize the pens on his desk. he needs to be punctual and follow the rules to the letter and if his old school mates called him anal thats fine because he's the youngest inspector in decades and he has nothing to prove (except everything of course).
and i need captain jade to be a hurricane. all easy smiles and carefree attitude; messy and unfiltered. he drapes himself over furniture and rides that stupid motorcycle of his way too fast and still manages to show up late everywhere. he needs to break every rule and have the most onorthodox way of going about things and it's infuriating because he's actually really good at his job and has a real way with people that just doesn't make sense to kamin.
and then i need jade to make kamin come completely undone. i need him to mess him up in any way he can and i need all of this to happen against a back drop of an insane murder mystery.
i need gmmtv to give me this
#dare you to death#joongdunk#when i tell you i have never been excited for a gmmtv bl like this im not lying#it just has all the makings of every trope i love#i never put stock in pilot trailers but i cant help myself#it has the potential to be mod fever i fear#anyway i needed to type this out to get it out of my head
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🎧🪽 i thought i finally found a friend i could relate to...
–— close ups –—
#twewy#joshneku#the world ends with you#neku sakuraba#joshua kiryu#i cant get these two out of my head send help .#⸻ ✧ 𝐈𝐋𝐋𝐔𝐒𝐓𝐑𝐀𝐓𝐈𝐎𝐍 : fanworks
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whenever i look at zam and wemmbu i just see zam as
:)
and wembbu as
c:
#i cant get it out of my head#help#mutiny duo#princezam#lssmp#lifesteal smp#wemmbu#please say im not the only one
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