#i can't with this man and his parallels

[meep-meep-richie]

He really never stopped loving his pie did he?

[le-fruit-de-la-passion]

Omg I loved your herald viktor epic line idea I’ve been thinking about it nonstop. If u have time and energy id love to read it sooo much ❤️❤️

Since the Ithica Saga dropped last night my brain has not known a single moment of peace. "Would You Fall in Love with Me Again" is just so insanely perfect for a Machine Herald Viktor x Reader AU it makes me physically ill. Like, seriously:

I am not the man you fell in love with

I am not the man you once adored

//

Would you fall in love with me again

If you knew all I've done?

The things I cannot change

Would you love me all the same?

//

Would you fall in love with me again

If you knew all I've done?

The things I can't undo

I'm not the man you knew

Viktor is so Odysseus coded it is PAINFUL. The pain of sacrificing so much of himself to survive. The regret of everyone he's had to leave behind, to betray. The ghosts of his legacy haunting his mind. All for his goal, the one thing he knows he's meant to do with every fiber of his being. Nothing, neither magic nor gods, will stop him from fulfilling that dream. He will not be the same once all has passed, and he will never regain all that he's lost. Can the person who loved him the most as he was before still love this version of him?

And the reader's answer...

I will fall in love with you

Over and over again

I don't care how, where, or when

No matter how long it's been

You're mine

Because what you loved about him is deeper than any of the ways he's changed. It's something at his core, in his soul, in the light of his eyes, no matter how tired they may seem now. It's your first kiss, it's the sound of his voice in your ear, it's the curve of his lips when he smirks, it's the way he looks at you like he falls in love all over again every day you're with him. Time may pass, and the world may change, but not this. Never this.

He is yours just as you are his, and that is the one thing that will never change.

[inkyrainstorms]

Guilt

[sunnykeysmash]

Man of words

[braceletofteeth]

1x01 || 1x04

[stewyhosseini-bf]

what does it all mean

[longagoitwastuesday]

I keep thinking that this Gojo is just like Sukuna. I truly don't see much of a difference between them beyond the human/curse point of view

[gingermintpepper]

I don't want to bother you while you're in your art challenge, take your time to answer! I just loved your analysis and opinion of Branchus, and i saw in the post you said we could ask you for others Apollo's lovers... I want to know (they're not lovers, they're grandfather and grandmother lol, but i would like to see your thoughts) of Koios and Phoebe 👀 Not in relationship with Apollo, just your opinion of them...

We don't know so much about Koios, we know a bit more about Phoebe because of her tie to Delphi and the Oracle.

Oh, how sweet! Thank you so much for the consideration and hey, no worries at all on asking about his grandparents rather than a lover, I'm always ready to ramble about Apollo's genealogical line since I find it extremely interesting!

Since information on a lot of the older Titans in terms of how they were worshipped and seen is scarce (Phoebe does have mentions in her mantic right but very little is mentioned in reference to Koios or her daughters apart from establishing genealogy and Koios himself seems to have been more of an abstract establishment, the way a lot of Hesiod's old gods were) I won't go out of my way to quote or base my opinions here in any literature that I've been exposed to, so just keep in mind that what I'm going to say is very much my own opinions mixed with things I understand and very influenced by my own love of familial and romantic parallels in god-pairs being symbolic of various natural and abstract relationships!

I see Koios and Phoebe, like a lot of the older Titan pairs, as abstractions of the original pair of Gaia and Uranus. Power often originates with and is exerted by women in these older pairs while glory is what is passed on, and consequently fought over, by the men - in Gaia and Uranus' case, it is Gaia who is older and it is from Gaia that Uranus is born. Uranus is her match but is also her subservient and so when Uranus is unable to love his children and seeks their destruction, it's Gaia who bestows the power and means by which to silence him. This 'equal but subservient' dynamic is definitely alive and well with Koios and Phoebe and I even think they mirror their parents from a symbolic standpoint as well.

Koios and Phoebe are the knowledge duo. They represent the two sources of knowledge/wisdom in the old world - that of heavenly (male) knowledge which pertains to the nature of the physical world and its realities and earthly (female) knowledge which pertains to the nature of intangible and unobservable reality such as time and space. I like having them mirror each other; what with them both being associated with their respective world axes (Koios as the heavenly axis if you syncretise him with the Roman Polos, Phoebe as the earthly axis if you take Delphi as the centerpoint of the world), having serpent symbolism (Koios with the hundred-headed star-serpent Drakon who guards the Hesperides which is sometimes said to be located in the land of the Hyperboreans and Phoebe with Python who guards the fount of knowledge at Delphi) and splitting their essence equally across their descendants (Their children and grandchildren perfectly embody one half of their partnership - Asteria with her heavenly magic and night-prophecies and Leto with her earthly power and wisdom and their grandchildren following likewise; Hecate who works beneath her grandfather's skies and has her grandmother's wisdom but who has chosen to reside neither in the sky nor on the earth, Artemis who could not be more of a daughter of the soil and Apollo who has his place among the brightest of stars).

It all leads back to that really fun dichotomy of equal but subservient honestly! Knowledge (and wisdom/intelligence) in general in Greek myths are female in nature so already that kind of puts Koios in an interesting position as a direct male descendent of Gaia and Uranus who didn't represent some physical, tangible element (in contrast his brothers all had some level of physicality to them - Oceanus the oceans, Cronus the harvest, Crius the winds, Hyperion the light, so on and so forth) but there's also that element of Koios' glory also being female! After all, his only male descendent is two generations removed and what should be his seat of power - Hyperborea - became Leto's the moment she was born there.

In this way, I admittedly find that a lot of comfort in Koios and Phoebe's partnership. There's a lot of respect both ways between them with Koios' respect and regard of Phoebe reminding me a lot of Uranus' original adoration of Gaia (and his return to said quiet, constant adoration after his castration) while Phoebe's overseeing of her mantle being very reminiscent of Gaia's own kingmaking both for Cronus and later for Zeus. For me, theirs is a pair without ego. A lot of the friction and instability in the younger generation of gods comes from the battle between intelligence and power - toes are constantly stepped on, glory is constantly being sought and the efforts made to counteract these moves results in conflict. Koios and Phoebe seem to have it all figured out by comparison. They've both handily passed their mantles down to their children, they've both overseen and instructed them and can rest easy knowing that they will not misuse said mantles and they've both just kind of retired now, content to spend their time in the evergreen Hyperborea, wrapped up in each other's arms like their father and mother before them and like, honestly? Good for them.

[hephaestuscrew]

I'm still thinking about that scene in Victoriocity S3E7 where Fleet runs back towards the Beast so as to lure it into the path of the train...

Clara's exclamation of 'Teamwork, Fleet!' after Fleet says he's got a plan reflects her conviction that any plan that Fleet has will be a shared plan, something they do together.

This conviction is a kind of trust, and that trust is part of the reason Clara takes a moment to realise Fleet has headed back towards the Beast. She trusts that he's following behind her. She keeps talking to him, her words full of optimism.

When she realises Fleet isn't there, she immediately realises what that must mean he's done, and her voice sounds more small and scared than I think we've ever heard it before.

Fleet's attempt at self-sacrifice is a kind of betrayal of Clara's trust, but when he echoes her celebration of their teamwork in a more somber tone, I think it suggests that he understands the weight of that betrayal.

If Fleet's plan is that Clara won't realise he's gone until it's already too late, then he thinks "Teamwork, Clara" will be the last words he'll ever speak to her. In what he imagines will be their final conversation, Fleet affirms Clara's understanding of them as a team who work well together, even as he is making a choice that rejects the possibility of their teamwork in this scenario. It's a recognition of what their dynamic has meant. It's a goodbye and an apology, even if Clara doesn't understand it as such at first.

I don't think Fleet sounds scared as he initially faces down the train. When he shouts "Yeah, this way, you stupid machine! Come on then!", he sounds defiant and grimly determined.

In fact, I don't think he sounds afraid until Clara appears, until she might be at risk of being in the path of the Beast or the train as well. It's when he shouts "Clara, stay back for God's sake!" and "Please, get back!" that there's real fear and desperation in his voice. He can confront the idea of giving his own life, but not the idea that doing so might put Clara in danger.

Another thing about these lines is that the move from 'stay back' to 'get back' suggests that Clara didn't obey his first instruction but got closer to him (and therefore to the path of the Beast and the train) between those two lines.

Then Fleet gives what might be another attempt at his last words: "I'm sorry! I'm sorry."  A repeated apology before an attempted self-sacrifice is an implicit acknowledgement of how much losing him would hurt Clara. He regrets causing her pain.

Even so, he's accepted that he is about to die and that it'd be worth it to destroy the Beast. But Clara very much hasn't accepted either those things. She's still trying to yell over the noise of the train; she's pulling off her ring to throw at him.

I think it's a good illustration of how Clara's optimism is a kind of strength. She always believes that they can "make a new plan" and that it'll be one in which no one has to die. I think Archibald Fleet needs someone like that, someone who'll tell him to drop to the ground when his death advances from both sides, someone who - even in a dark tunnel with an murderous metal monster and a speeding train - won't stop shouting that there's hope.

[forcebookish]

damn remember when ichigo went full hollow and orihime was terrified of him but when ulquiorra, someone she has only known as a hollow and kidnapped her by threatening to murder all her friends and spent her whole imprisonment intimidating her, asked her if she was afraid of him she said she wasn't

🙃🙃🙃🙃🙃

LIKE WHAT WAS I SUPPOSED TO DO WITH THAT????????

[starpros-sunshine]

This one specifically I can never get over just. The atmosphere is so. It's the tenderness of it all. The way Eichi holds him the way Wataru is fully trusting Eichi to not lose him and keep him steady the way Eichi Looks at him the way they are fully in their own little world right now the way they are just having fun before the big show just. The tenderness and strangely intimate warmness of it all gets to me.

[alicentzwaitinglady]

these two paintings give me such rhaerryk feels

erryk being in awe of rhaenyra when she passes him on syrax (or just her horse lol) & rhaenyra trying to resist erryk's affections because they could be caught on the stairs

la belle dame sans merci by frank bernard dicksee / the meeting on the turret stairs by frederic william burton

[benevolenterrancy]

hi! I recently came across your tgcf fics, and I wanted to say you’re a phenomenal creator. the recovery series fic and the gloves fic and just all of them. thank you for your content and great attention to detail.

do you have any thoughts/hcs on FXMQ and Xie Lian you’d be willing to share? within the original story or the universes of your fics!

Thank you so much, I'm glad you're enjoying them! (ﾉ*^▽^*)ﾉ.｡:*☆

hmm, random thoughts about the FXMQ... a silly headcanon: Feng Xin has very much been hoisted by his own petard by heckling Mu Qing! That is to say, he'll harass Mu Qing relentlessly about something stupid only to be confronted with a similar situation and realise that there's absolutely NO way he can act in anyway similar to Mu Qing or he'll never hear the end of it.

(For example, he has tolerated some truly atrocious divine statues in the past because he's heckled Mu Qing so much about how picky he is with his divine statues that there's no WAY he can say ANYTHING without seeing that smug bastard's face in his head so he just has to bite his tongue and tolerate some unspeakably ugly statues.)

Mu Qing doesn't generally suffer from similar overthinking (he'll just prepare to kick FX's ass if he dares to say anything about it) except for things more directly related to himself. I think he genuinely finds sewing/embroidery/etc rather relaxing work but he'd rather die than have anyone ever see him do it because he's made such a big deal about not doing that sort of "servant" work anymore.

(He actually really enjoyed stitching Ruoye back together because it gave him the perfect excuse -- he's returning a favour!! and Xie Lian is hopeless!! of course he had to!! -- and he secretly considered using white thread to embroider some invisible little designs just because he doesn't quite want to stop... only he knew he'd get caught if he messed with Xie Lian's spiritual device like that and gave up the idea)

[imminent-danger-came]

Between

2x08 S: "As long as I'm doing something to help out a friend, I don't mind what it is! I just want to be there for 'em when they need me. Because at the end of the day, helping my friends is more important than anything in the world!"

3x03 Mei: "So wait, how did you get your gold vision back again?" MK: "I don't know! The same way I got them in the first place I guess. Every time I learned a new ability, it was because there was something I NEEDED to do, when there was no other way. Against the gold fish guy I NEEDED to do something to save my friends!" P: "Yeah, friends that YOU put in danger on purpose!"

3x10 MK: "NO! Mei is my best friend, I’d never abandon her when she needs me. We’re heroes! It’s what we do!",

3x14 MK: "A perfect world is what you make it. So as long as I have my friends by my side...this world! Is! Perfect!”

4x01 MK: "Honestly? I’m kinda liking the world as it is, right now. So...if it could just stay like this, forever? That would be awesome." SWK: "Yeah well...forever’s a long time bud...trust me."

4x02 AL: "It’s too late to save them! We can’t risk unleashing the curse into the world." MK: “You don’t know! We’d risk it for sure! I won’t abandon them when they need us."

4x07 IMK: "You can see it, can't you? This is your fate. Your friends will turn on you, seeing you for the monster you will become. They will destroy you, harbinger of chaos."

4x11 MK: "We have to try, he'd do the same—for any of us." and

4x14 YT: "I know full well what would happen should Azure fail. But- but he is my brother. I owe him my life." S: "We get it! I'd do anything to help my friends. But at the cost of the world?" P: "I'm sorry pal, but NOTHING worth that price!"

I'm like, really worried scoob.

[dennisboobs]

is this anything. do you guys see it.

no one was ever good enough for you, dude. gee, mac, it's almost like both of you are performing compulsory heterosexuality and aggressively asserting your masculinity via artificial means and it's making you miserable. trying to regain a self-assuredness that never was. idealizing the past. not wanting to move on. going through the motions of what you Think a man should be, what he should want, what he should aspire to be.

stay in the river. you were happy before, right? your cool car and your arm-candy made you feel good, once upon a time. you felt admired, respected, envied. but no one was ever good enough for you, dude. so i got self conscious and i stopped. because of you i changed who i am at my core. no more banging chicks, because they're not good enough for dennis. they're never good enough for dennis. just him and an undecided, unnamed babe. just him and his high school sweetheart. i don't love you, maureen. i never loved you. you like babes, bob? who doesn't like babes?

don't grow. don't mature. yearn for someone who will share in your misery and be perfectly content with it. you don't want someone to try and change you. you're perfect. you were perfect before they changed you. before you were their chauffeur. carting them around in your cool car. cut them out, they're getting too close. getting a little too comfortable filling those seats. the car is full. it's too much. too much.

were you really happier before, dennis? or have you simply grown numb to your past misery?

[braceletofteeth]

You have quite a good memory.