#i can't draw real people...

[bixels]

I'm not explaining why re-imagining characters as POC is not the same as white-washing, here of all places should fucking understand.

[bacchuschucklefuck]

space sweepers but they're delivery people and are at no point on screen through the entire movie

[vibinginthebg]

✨Some doodles of the siblings to try to see how to draw them ✨

(I am super late to the party hello)

[hiding-under-the-willow]

Sorry, I rewatched the sonic movies and remembered they were everything to me

Anyways, *puts your faves in the Leyendecker painting*

[silusvesuius]

nnnnnnnnnnnnno maa'am

[chocodile]

Small character detail I have no good excuse to mention: Hyden hates anything remotely similar to "fast food". This applies to all AUs. He finds greasy, cheap, oversalted/overly sugary food disgusting. Additionally, he hates--HATES--messy food. The only foods he will eat with his hands are ones that are very clean and dry and leave no residue. Getting some sort of sauce or grease on his hands is one of the worst sensations in the world (doubly so when he's a bunny… to be fair, can you imagine eating barbecue while wearing fur mittens? Ew!)

When he was younger, he was slightly more flexible on these limitations. Here he is eating a "ham burger" normally to show how normal he is. He is fitting in with the common man. He is pulling it off. He's got this. Look how relaxed he is. You could almost miss the Rolex on his wrist.

Of course, every rule has its exceptions. As has been mentioned before Hyden often has no idea where food comes from or what goes into it. At some point, somebody failed to mention to him that Cinnabons come from kiosks at the mall and cost less than $100 each. Therefore, they escaped his "fast food is disgusting and I hate it" filter, and, in a modern AU, became one of his favorite desserts. He has a pastry or two each morning with his coffee and then wonders why he never seems to lose any weight.

[fire-in-my-woods]

Lesbian ava truthers are probably the most insufferable part of the TWC fandom

[junk-heart]

They're falling down that specific canon related hole

Love how Hidan's hair stays in place even though he's falling (the amount of who knows what he puts on his head makes his hair as hard as concrete)

A closer pic

[serpentface]

Two questions regarding the Wardi religion:

In addition to the bull and the lioness, what are the seven faces of god/sacrificial animals?

Given that white animals seem to be sacred, does that influence how albino humans/other sophents are treated by society?

The seven faces of God are as follows:

-the lunar, horned, or 'wild ox' face of God, which presides over the moons, and the fertility of the land, animals, and people. In pre-imperial times, this was functionally the most central face of God (replaced by the lion face/odomache). The most ideal sacrifice is a wild ox (especially white or albino) that has never been bred. -the ‘ox’ face of God, presides over agriculture and labor, as well as the domestic sphere. The most ideal sacrifice is a healthy plow oxen or khait who has never been yoked or bred (if the sacrifice is towards Ox-Face as the domestic sphere, this should be a heifer). -the lion face of God, presides over sovereignty, statehood, military might, and is most associated with the health and continuing existence of the imperial entity. The most ideal sacrifice is a maned lioness (functionally white, though this is a trait of the captive population). -the ocean or skimmer face of God, presides over the seas, winds, as well as fortune and mercantilism. The ideal sacrifice is the skimmer gull or an albatross, especially one taken from one of the sacred rocks in the 'mouth' of the Viper sea. -the serpent face of God, presides over the cosmos and divine Mysteries, associated with funerary rites and death. Also has a wildly disparate association with royalty (which is derived from entirely separate traditions and has not yet fully been reconciled into the faith). The ideal sacrifice is a two headed or melanistic snake, especially a venomous one (both would be MOST ideal, but this is rare beyond any practicality) -The solar face of God, presides over the sun, stars, and fire, also heavily associated with khait and mounted warriors. (this is a VERY direct import from the chief solar god in the Burri pantheon (who rides and/or is a khait with the sun between its horns), hence the seemingly random khait association). The ideal sacrifice is a healthy riding khait (especially with a white spotted coat), or alternatively a golden eagle. -The river face of God, presides over fresh water, seasonal flooding, and the rains. The ideal sacrifice is the migratory reed duck (which arrives at the onset of the wet season) or a freshwater hesperornis (ideally taken from one of the sacred waters). An-Nechoi are also occasionally given.

Though the core religion is monotheistic, each face of God is functionally a syncretic fusion of older ethnic Wardi beliefs, the Burri pantheon, and other regionally native traditions, which have not all been fully reconciled (the process of fusion is more or less still ongoing). Each face in of itself has dozens or more epithets with distinct features. For example, the river face has a specific epithet for each major riverway, each venerated as a distinct aspect of the Godhead. Functionally, common practice of the Wardi faith is pretty indistinguishable from polytheism, and most of the religious authority does not care as long as required orthopraxy is maintained (the central dogma of the religion does not care How you believe, but that the correct practices are enacted).

Also for reference, these are the specific animals taken on the pilgrimage in the story (transporting seven rare animals cross country can be fraught, so each had at least a few backups):

A pure white aurochs calf, found naturally born in a wild herd.

A massive, unbred and unyoked bull draft khait (dies en route, replaced by a less physically impressive backup with the same qualities)

A lioness with a full mane, from the white captive stock

A skimmer gull taken from a nest on the sacred rock in the waters of Od-Koto.

A baby two headed cobra (which dies en-route and is replaced with its backup, a melanistic viper)

A beautiful speckled riding khait mare whose horns form a near perfect circle (which is stolen en-route and replaced with its sister)

A rare wild hesperornis (haven't come up with an in-universe name yet) taken from the reeds of the Brilla river delta.

Anyway the sacrifices listed above are considered the absolute IDEALS when working with a specific face, but a great variety of animals will be sacrificed to various ends. There’s some very specific cultural/religious components to which animals are most valued, but in practice the value of a sacrifice is pretty close to 1:1 with the animal’s monetary value, at an intersection of utility and rarity.

So a young, healthy bull plow oxen who has never been bred or yoked is a more valued sacrifice than an old, experienced plow ox who has already sired offspring. You are giving up an extremely valuable animal and all its unused potential in a very practical sense, which makes the sacrifice more potent and valued. The 'virginal' status of the animal is key when the rite is SPECIFICALLY related to fertility, in the sense that the animal itself is sacrificing its unused fertility, allowing for the sacrifice-rebirth cycle to perpetuate. (Animals which Have been bred may be preferred in certain cases and rituals).

An animal with a rare coloration is usually going to be more valuable than one with more common genetics. This is the core root of why albino animals are of high value. It's less that white animals themselves are valued, just that rare genetics such as albinism = valuable sacrifice.

There are some specific exceptions where the color itself is significant (rather than just an extension of its rarity). God is specifically supposed to have taken the form of a white aurochs (itself emerged from the foam of the sea) during creation, so white oxen and wild oxen SPECIFICALLY have especially high value. Melanism or black scales are valued to the serpent face of God, which is associated with the cosmos and void behind the stars. (this stems from much, MUCH older beliefs in a cosmic serpent god in the region).

Animal sacrifice is a very significant part of the religious framework and involved in most rituals and prayers intended to affect significant change and transformation. (This is due in part to a deeply ingrained belief in the world being perpetually sustained in a cycle of sacrifice and rebirth, and in God Itself being the physical mechanism of rebirth and requiring sacrifice to be sustained). While blood itself is seen as potent, the nature of sacrifice isn't just 'spill blood and make thing happen', it's got a self contained value system and is very calculated and intentional in nature. You aren’t going to just grab a random rat and bleed it and pray, there needs to be a perceived ‘loss’. Sacrifice via killing is also not the only form, the most common day to day sacrifice is in (very minor) bloodletting and offerings of food and drink- the key is allowing a personal loss to sustain a greater cycle.

That being said, there is a HUGE trade system built up around the breeding and selling of animals solely for sacrifice. The industry revolves mostly around birds (doves are the cheapest, but also poultry, waterfowl, some birds of prey, a few select songbirds and ornamental birds), goats, sheep, and horses (the small, premodern kind). Cattle and camelids are a higher tier, and khait are among the highest of common sacrifices due to their great value.

Other animals that have no direct utility but are sacred are also bred or captured for sacrifice (hesperornis, lacetor, gulls and albatrosses, several kinds of snake, a bunch of wild ungulates, nechoi, etc). Some '''‘exotic’''' animals are imported specifically for this purpose, mostly as a means of displaying the wealth and reach of the state, with their sacrificial value rooted in the difficulty of acquisition. Animals taken from sacred sites are also prime candidates (ie cattle bred and grazed on the foothills of the Sons of Creation are VERY valuable).

---

So all that being said the importance of albino animals has come off a little overstated on my part, and doesn't have any particular impact on how albinism in people is regarded. It’s valued mainly for its rarity in the context of animal sacrifice, which would not have direct translations to how it’s perceived in people.

Albinism in people doesn’t have a super well defined significance in broader Imperial Wardi culture, but perspectives mostly skew negative and towards seeing it as a sign of ill fortune (physical differences in people tend to be seen as a result of being cursed in the womb). Imperial Wardin is culturally diverse (united mostly by a identity based in shared religion), so exact nuances would vary and this statement should not be taken as a universal.

Imperial Wardi population is mostly human (with its citizen population being MAYBE 5% elowey, 2% qilik, and a decimal point of caelin). Overall sentiment towards other sophonts by the human majority is not outright hostile, but is human-centric and tinged with xenophobia (as most qilik and elowey in the region are immigrants, with the only elowey ethnic group historically inhabiting the region (the Jazait) being regarded as 'heathens'). Albino elowey or qilik might be similarly seen as products of a curse, or may be given a 'wow how beautiful' treatment (in a heavily patronizing capacity) and seen as a curiosity, or otherwise just subject to varying perspectives on albinism in the region.

The one other thing I have established in this vein is that the semi-mythological hero Janise (sworn brother of other semi-mythological founder hero Erub) is said to have been albino. While he is positively regarded, he is supposed to have died young of a snakebite (assumed to be the product of a curse from his enemies) and this would not improve perceptions of albinism being related to ill fortune.

[radley-writes]

I don't understand people who say things like 'but it doesn't matter if we don't pay artists/writers for their labour, or use free AI programs to replace artists/writers to improve our profits, because in a perfect world everyone would have UBI so it wouldn't matter xxx'

like. yes. but until we reach that perfect world, artists and writers need to eat?

why are you promoting AI replacement of creative people instead of working towards UBI? Until we have UBI, supporting generative AI in the creative field is no different to supporting supermarkets laying off all their till staff to turn to self-check out, or supporting factories who shut down and move overseas to exploit workers in countries with fewer human rights legislations?

Yes, in a perfect world, everyone would receive UBI. Therefore, people across the globe couldn't be exploited by corporations, and artists could create for the joy of it, in whatever way we desire - including with AI!

But we do not live in that perfect world.

Do you seriously expect this move towards generative AI to encourage people to support UBI, as opposed to people being forced into jobs they hate to make ends meet or no longer being able to support themselves financially?

Especially all the disabled people who make a living creating art and writing/editing, because that is, in fact, a career that is often far more available to disabled folks than a regular 9-5 or a retail job where you're expected to be on your feet all day (miss my disabled ass with the 'anti-AI = ableism' stance lmao).

This is not going to create your army of revolutionaries. This is just going to result in more independent creators being crushed under the boot heel of capitalism, as anyone who would've hired them flocks instead to the free alternative, and they're forced back into an incredibly exploitative labour market.

I agree that generative AI by itself is just a tool and is not inherently a problem.

But it is being abused, in ways that hurt creators.

If you support generative AI... what are you doing about that?

[sailing-ever-west]

One Piece is proof that in the end there's nothing a creator can do to stop fans from completely misunderstanding it at a base level. Like imagine being handed the most punk, anti-establishment narrative of the century where the characters all come from wildly different often marginalized backgrounds and punch tyrants all day long and then watching the live action where the cast was chosen by the og creator and going "why are there black people in this :/"

[goodtimeswithgrian]

local cat desired carnally by every bird he interacts with

[moscovium291]

size play and various forms of expansion are sort of our bread and butter obvs but something i can never really engage with is muscle growth bc all that art just ends up looking like jorgen von strangle .

like for sure i am absolutely here for women who can easily lift my doughy ass off the ground one-handedly but i Also know what that physique looks like and there's a Lot more meat on those girls than you wanna draw them with

[deoidesign]

.

[capn-twitchery]

collecting the variants of grace's stupid "your obedient servant" letter signoffs to file away for replies & there's so many. and not a single one doesn't feel at least 20% homoerotic

[triglycercule]

small leisurely moments like these mean more than expected

ok hi triglycergang. it's AUGUST?!?!?! ugh,,,, anyways here's my like once a month art piece because i am a slow ass artist. the mtt are supposed to be chatting at a park during sunset!!! also new au just dropped

you wonder why killer dust and horror are wearing those DISGUSTING outfits??? you wonder where killer's soul is??? well it's all gone in this au which is called uhhh.

jk fashion au... wooooo!!

first things first to know: this au is NOT my idea. it was originally someone on twitter's idea to dress sans aus up in nanchatte seifuku but i think their account got deleted/banned. and i cant find the account because it was a japanese account and probably has some random username. so just remember that this isn't my idea but i guess my own twist on it. i really wish i could find the og creator,,,,

second thing to know: what the fuck nanchatte seifuku/jk (just kidding) fashion even is. here's the link to read for yourself: https://aesthetics.fandom.com/wiki/Nanchatte_Seifuku. yeah that's jk fashion. i really loved this au when i found it originally because i myself dress up in jk and also i just really love soft fluffy things like this. this au isn't gonna be angsty or particularly elaborate or anything i just wanted cute things and women in my murder time trio. also this isn't gyaru btw

third thing: uhh my inspirations for this??? well my main one that i really wanna focus on is that feeling of happy sentimental melancholy. you know like after you finish a really fun day hanging out with your friends and youre on the drive home and look back at how fun the day was? that's what i wanna encapsulate :3 also i think that the day to day school life is really cute and sweet and i wanna make more designs for the other aus so my trio can have more people to hang out with

well uhhh i think that's it?? mayhaps i shall begin drafting up other designs for the other aus. i wanna make little mini comics for this too like 4koma because i love those short yet sweet comics!!! should i tag this? i think i should tag this perchance. also extra mtt notes/full designs below became i love these three they're my daughters