#i can't believe this is actually the end

[remcadll]

Wow crazy how it’s been two months since mha ended. what the hell was that btw

[lunacias]

She's feeling a swell of an emotion at confessing all of this. She works to get it under control. /// Although he can't understand her, HAYWARD, too, is choking up a little at the sound of PAIGE's voice.

[minecraft-sideblog-tm]

Love that Grian has decided now is the time to use digging straight down as a mining strat, post-1.19 where it's pretty easy to dig into a huge cavern and then fall 80 blocks to the ground, or survive the fall but be surrounded by mobs, or fall onto an patch of dripstone, or fall into a MASSIVE lava lake, or land in an ancient city/deep dark biome, or-

[sotiredmostnights]

i know everyone likes to put tharja in the "yandere goth girl" category but tbh i feel like pigeonholing her into one specific archetype does a huge disservice to her character. is she obsessed with curses and robin? yes. is she constantly shoved into a fanservice role by intsys? absolutely.

but i think a lot of people forget just how impactful a lot of her supports are...there's something about tharja that makes nearly everyone who interacts with her divulge their deepest secrets and points of anxiety with her. we see this with libra, who tells her of the abandonment he endured at the hands of his parents. we see it with nowi, whose cheerful demeanor slips off as she tells tharja of her missing parents. and although tharja is not the only one lon'qu confides in regarding ke'ri, their support is notably the only one in which lon'qu divulges that there was romantic involvement between he and his childhood friend.

and despite her antisocial exterior, she always listens mindfully and offers to help! she even goes out of her way to discreetly help the shepherds (getting virion to do odd jobs that benefit civilians, interrogating henry to make sure he bears no ill will towards ylisse, etc).

a big thing about tharja is that she IS kind. she IS considerate. she just also has a reputation to uphold as a dark mage and that (paired with her overall awkwardness ofc) makes her true nature hard to see at first glance

[arttsuka]

Some past fiddlestan? (Like Ford just went through the portal. He gone now. Past. Yk?)

The mystery misery yaoi

[ryllen]

something i promised on my kofi 6 months ago... 🫠

[gingermintpepper]

Okay, let's finally talk about EPIC's Apollo

I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.

So really, what my problem with Epic's Apollo?

In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.

What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!

Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.

Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.

In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.

My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.

So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?

The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)

Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.

[thechibilitwick]

happy birthday shidou cheers to a unchanging tomorrow blah blah blah i hope you fall face flat into your cake

[dangerous-advantage]

jin ling, having done some stupid shit: my uncle's gonna kill me!

lan sizhui, serenely: it's ok, your other uncle's a necromancer

[genericpuff]

my unabridged thoughts on 278-279:

[cosmicdreamgrl]

maknae line x bst performances pt.2 for @jkvjimin

[blueskittlesart]

How do you feel about concepts for redeemed/good guy Ganondorf? I don't remember if you've said anything on it before, so I am curious to see what sorts of thoughts you have to share or if you've thought about the idea before (especially since you've worked on SoF so I assume you've thought about many possibilities of a "what if" Zelda game)

For my part: I have mixed feelings, and I think a lot of concepts end up being "I want a buff guy to ship Link with"; I also think a lot of criticisms of the racism in many depictions of Ganondorf have merit (though I don't speak on them in depth because I'm white) and would love to see a more favorable/complex portrayal of him and other characters of color in LoZ. I personally haven't seen many versions of good guy/redeemed Ganondorf that really engage with the base structure of the LoZ games but I would love to see one that did.

Anyways I love your blog and analysis and I love seeing someone who finds analysis as inherently a part of their engagement with fandom as me, it's really nice :) I hope you're having a good day

I never posted about it much but sof did actually have a somewhat redeemed ganondorf, or as close to "good guy" as i'm willing to go with him in my own writing. sof was/is very much about me exploring the religious aspects of the lore and issues of fate vs self-determination, so my ganondorf was a much younger version of the character (similar in age to link and zelda) born into an extremist hylia-worshipping doomsday cult. in sof, ganondorf finds the remains of DEMISE'S sword and believes it to be the master sword, so when it starts ordering him around he follows the orders without question, believing that he's hearing the voice of hylia, and basically everyone in his life affirms to him that this is the correct choice and he's hylia's chosen one. Because of the intensity of the religious doctrine he was raised with, he has no problem following the sword's orders even when they become progressively more and more violent, and by the time link and zelda get to him he's nearly past the point of no return. (this is also partially a product of the setting I chose to put sof in--it's one of if not the first cycles after sksw, so the hyruleans' understanding of the reincarnation cycle and their own general history isn't super solid.) So that's my personal take on a "good guy" ganondorf, and, i think, the way i'd like to see it done in canon if ever they choose to go that route--because loz deals so much with the concepts of fate and cycles, I think leaning into a ganondorf who isn't inherently evil but can't escape the fate that waits for him is a fun way to take it.

[kopifurann]

Hetalia X Alien Stage

Round 5

[jayktoralldaylong]

Alright, there's something I'd like to talk about, and let's come at it with an open mind. When Season one of Arcane ended I was 99% sure that Mel was not going to make it to this season. I was praying for every kind of miracle that could happen just to keep that beautiful goddess on screen but she was the first line of contact for that bomb.

Now that everything has been revealed, I want to talk about that bomb.

Ironically, Season two episode one starts with the exact same shine of gold that ended season one.

See, season one:

Season two:

And when the smoke clears we can see her leaning really close to Jayce, like she got blasted towards him.

Now, looking at the seat arrangements from Season one, I can actually see it a lot better now that I'm taking a second look. We can see that she is standing directly in the line of fire, Jayce is standing to her left and Viktor is sitting in his chair, Jayce's chair. Just about everyone sitting by her right died, Salo is sitting furthest away from the blast, opposite her. He probably saw it just a few seconds before she did.

And when she wakes up, all groggy and out of focus, her hands are on his shoulder. They been there, she did not just put them there, she already had her hands on him. Protecting him.

But what I really want to pay attention to, is the look on Mel's face when she and Jayce take in the damage.

The entire place burned down. Realistically, not a single person should have survived that, especially not unharmed.

Then the damage starts sinking in (Don't look at Jayce, look at Mel):

Look at Mel, as they look around the room of injured Councillors.

Jayce is panicking, full on panicking, he's had his nerves rattled, he's never seen anything like this (unlike Mel who, if the audience remembers, grew up in Noxus). And the sweetest thing is how she follows him around, trying to comfort him, while he's trying to shake Cassandra awake.

And she stays right there by his side, until her mother pulls her away (foreshadowing about their duties pulling them apart perhaps?)

Now, imagine you were in the middle of a disaster, a terrible disaster, and you had the power to save every single person in that room, but you did not know this because no one ever bothered once telling you that you had powers. However, in that moment, you did indeed save one person, without knowing, without even thinking. Who did Mel save?

She saved Jayce. (The craziest thing about that.....is that.... Viktor was literally right beside him. He was right beside Jayce OMG 😭😭).

Watching this scene, I cannot imagine the amount of guilt that threatened to swallow Mel whole ever0y time she saw the aftermath of what happened and a small part of her brain would nag her that she could have prevented it, that she could have protected Jayce's friend.

So why Jayce? Why ONLY Jayce?

"Because she loves him."

Obvious answer, two plus two equals four, but this is Arcane we're talking about, there is more to this simple equation and it is plain to see in their reactions in the aftermath.

Jayce is devastated. He is new to war, he does not know shit about it, it scares him to see all the people that he respects flattened like they are nothing. The Piltover Council means something to Jayce.

To Mel, they are colleagues. They are.... people with names and faces and power. They are people she would help on a normal day, but at the first sign of danger she clung to one person.

Jayce was Viktor's first friend, and he was Mel's too. He was the first person to tell her that she was not crazy. The first person to strangely believe in her dreams, to pour out affection not out of arrogance but genuine care that he was not ashamed or even hesitant to show her. He fought for peace when she began to doubt. When she felt unstable, his naivete and pure heart steadied her.

Mel loved Jayce. Loved him so much that she did not freak out when he was tweaking cause of the Arcane. So much that she fought for him when he was getting outright dominated by his ex. 💀💀 And while it is not the space shattering world changing soul bonded union of javik, I think it is beautiful that Mek loved Jayce.

I think it's ironic that the brotherly love that people keep trying to achieve with Jayce and Viktor was represented so well with Jayce and Mel. I think it's iconic that a male and female character that banged on screen can go their separate ways without a dramatic breakup and without losing the entirety of their care for one another (cause some of it was definitely damaged after their individual trauma).

What I'm trying to say is that Mel loved Jayce. The love was there. Call it romantic or platonic or whatever but she cared about him more than she cared about anyone in that room when that bomb went off.

And it just twists something in my heart....that Jayce was so loved by the two people that meant so much to him. That he gave all of his heart out and they gave everything back because of how selfless his love was. Everyone says Viktor and Mel are out of Jayce's league but they both keep putting him first. (⁠T⁠T⁠) They just cannot resist that all encompassing love of his. It saved Viktor, and it saved Mel who finally found her truth, and lost him to find it.

[tekablade-chronicles-3]

another Hulkenberg

[six-of-cringe]

Something that has been on my mind is what Kaz says to Nina at the end of Crooked Kingdom about Matthias's share of their money. He offers Nina that share, and then says, "I know it doesn't matter".

Kaz, who has spent this entire series insisting to the others that kruge means retribution, safety, success, comfort, and thus is the driving factor in his life, is sort of accidentally revealing how little he believes it. He knows Nina disapproves of his purported obsession with profit and is not motivated by money, and he also knows from personal experience that no matter how much he insists otherwise, having money will not fix what has happened to you. Maybe it will kind of buy you retribution or a degree of safety, but it will never bring back who you lost - it's too late for that. Kruge is a shitty consolation prize, and Kaz knows it. This is the only time he explicitly lets it on to the others - as emotionally constipated as he might act, he knows Nina's pain and knows that even suggesting that money would in any way fix it would be an insult.