#i can’t believe it’s actually a canon thing now?

[oddyseye]

Things I did NOT like in the Ithaca Saga.

Okay, it was fine, but there were just...choices... There’s just stuff in that section that had me rolling my eyes so hard I thought they’d get stuck.

First up: "Hold Them Down." I get that Epic is trying to make the suitors worse villains, but the way they went about it was disgusting. That song outright says the suitors were planning to force themselves on Penelope, which is not even remotely in the Odyssey. Yes, the suitors are terrible — they’re greedy, arrogant, would-be killers who exploit her hospitality — but this crosses a line that feels like shock value rather than staying true to the source material. They included that song, but erased Calypso’s actions toward Odysseus? In the Odyssey, she held him captive for years and forced him into a relationship. That is literally such an important part of the story. Yet, not only did Epic omit it, but they also banned people from even discussing it in their Discord server. How does that make sense? You can explore one kind of assault but not acknowledge the other, especially when the one they ignored was actually canon? The double standard is infuriating, and it completely undermines the narrative’s integrity. Yet somehow this suitor nonsense made the cut? Make it make sense, because I can’t. Next, Telemachus. Why did they do my boy so dirty? In the Odyssey, he was brave, capable, and growing into his own. He fought beside Odysseus, killed suitors, and even comes this close to stringing Odysseus’ old bow, which is supposed to be impossible for anyone but...well. Odysseus. That’s a huge moment! It shows how much he’s grown and how much of Odysseus’ strength and legacy he carries within him. But in Epic? They turned him into some weak, helpless little thing who can’t do anything without Odysseus. Like, hello? Telemachus isn’t just Odysseus’ son; he’s a fighter, a prince, and a man trying to defend his home. Stripping that away to make Odysseus look like more of a hero is just lazy and disrespectful to the original story. They took away his courage, his growth, and his ability to hold his own. It’s like they didn’t trust the audience to see Odysseus as a hero unless Telemachus was made to look useless by comparison. And then we get to Odysseus and Athena. What even was that? Yes, the idea that Odysseus has become a “monster” is a fascinating angle—he’s been through so much that revenge, violence, and survival have completely overtaken who he once was. But Ithaca does nothing to earn this shift, and it outright ignores the groundwork laid in earlier sagas. Two sagas ago, we saw Odysseus at his lowest. He was stranded on Calypso’s island, completely defeated, and begging Athena for help. Let me say that again: begging. And this wasn’t just any goddess he was calling out to — this was the mentor who had abandoned him as a student. She had walked away, and he still reached out, still trusted her to save him when no one else could. That moment showed Odysseus’ faith in Athena and their deep, complicated bond. Calypso.

And Athena? She didn’t just listen—she fought for him. She went up against Zeus himself to make sure Odysseus could leave that island. She defied the king of the gods because she believed in him. Odysseus doesn’t know that detail, but we do, and it makes her devotion to him so much more impactful. She risked everything to give him another chance at life, at home, at redemption.

Fast-forward to Ithaca, and what do we get? Athena shows up, vulnerable and introspective, questioning the path they’ve taken and the world they’ve built, and Odysseus just brushes her off. He doesn’t just say no — he dismisses her entirely. His response boils down to, “Not my problem. I’ve got a wife to see.” Excuse me, now? This is the same man who was crying out for her intervention just two sagas ago. The same man whose survival has always depended on his intelligence, resourcefulness, and the help of others — Athena most of all. Now he’s too proud to even engage with her? It doesn’t track. It’s inconsistent, and it cheapens their relationship. She’s opening her heart, showing her vulnerability, wondering if there’s still a way for them to fix what they’ve broken. She didn’t owe him anything, but she did it because she believed in him, because she had invested in him from the start. So for him to now completely disregard her — when she’s in front of him, showing empathy and pain — feels like a betrayal of everything that came before. Odysseus’ monster arc didn’t need to erase Athena. In fact, rejecting the one person who literally raised him, who fought for him, who saved him so many times, doesn’t even make sense for his character. That’s not the arc of a man who’s become a monster; that’s just cruelty for cruelty’s sake.

This is someone who has given everything to Odysseus, and in this moment, she’s realizing that the person she fought for is no longer the man she thought he was. And that’s what’s tragic.

But Ithaca doesn’t explore that. Instead, it uses Odysseus’ rejection as a cheap plot point, stripping away the emotional weight of his relationship with Athena. She was the woman who raised him, who guided him, who saved him — and they reduced her to a mere plot device to show how “monster-ified” Odysseus has become. It’s lazy, it’s cruel, and it completely disregards the depth of their bond. The pain in Athena’s voice, the heartbreak in her words, is completely wasted.

Odysseus doesn’t need to be a monster who rejects Athena to be a tragic figure. The tragedy would have been in him choosing revenge and violence at the cost of his humanity, not in cutting ties with the one person who raised him into the hero he became. Ithaca could’ve explored that, but instead, it gave us a shallow, hollow portrayal that didn’t respect the characters, their history, or the emotional weight of their relationship. Ithaca is a hot mess, and it’s honestly embarrassing. It had all this potential, and yet it chose to phone it in with lazy writing and shallow plot twists. It throws out big ideas and then does nothing with them, leaving us with empty, unearned moments that just fall flat. Instead of digging into anything meaningful, it relies on cheap drama to get a reaction. The story feels rushed, disconnected from the other sagas, and like the creators couldn’t be bothered to put in the work. They had an opportunity to make something impactful and then just decided to half-ass it. If you're looking for a mess of missed potential, Ithaca is your go-to. That being said, the songs are sick and I will sob again over the last song. Thank you.

[aronaax]

this day last year i posted my first oc and canon thing so i decided to redraw it

sappy yap session incoming

god my art style has changed so much 😭 i remember posting this on instagram alongside a drawing of me and my friends and i just hid it in the second slide being like ermm.. no one’s gonna see it hahaha..

when i started posting ani i was so nervous people were gonna be like “clef wouldn’t have another daughter he couldn’t even raise one, you’re mischaracterising him” and so far no one has said that. like. ever. 😭 i was worried about the stupidest things. and yeah i still feel cringe about it sometimes but i realised it’s not that deep, if you have an oc that makes you happy go ahead and post them, who cares if it’s cringe or you think no one’s gonna like it. because i thought that too and now i have so many lovely mutuals who like my oc and have made incredible art of her. i honestly never thought id get here, i can’t believe ani has made it out of the imaginary worlds in my mind and become an actual. thing. like that’s so crazy to me. it just goes to show that if you step out of your comfort zone you can do things you never imagined doing. like last year i would have NEVER had the courage to even post my oc let alone start cosplaying, interacting with other scp fans, and having my own platform with people that actually follow me ?? and like my stuff ?!?!

anyway. idk where this is going but. the point is im so grateful and i appreciate you all that follow me and like my silly anime girl oc. you all motivate me to wanna do bigger and better things this coming year. you’re all incredible and i hope you have a great christmas and an even better 2025 <3

[triptychgrip]

So sorry to ask @arom-antix but do you think you (or someone else, if you see this first) could send me screenshots of thegirlwhorideslikeasamurai’s post? I am now blocked, so can’t see their analysis for myself 🙃🙃🙃

The topic of plagiarism reminds me of something I’d refrained from including in my earlier post which, in my opinion, is a tendency as damaging to fandom as their trying to dictate how others enjoy the source media: their preference for competition over fostering community

…even when they have posted very openly about wanting to feel like a more rooted part of the fandom.

This actually gets at something you already touched upon @arom-antix and I love how you framed it:

“And considering Samurai believes their interpretations are the most correct according to canon and that anyone who doesn't share those views is illiterate (I can't find that screenshot rn, you're free to doubt my claim), shouldn't it be good that Vic came to the same conclusions? Doesn't that mean that Samurai's analysis is being backed up and that Vic is not illiterate? But Vic's analysis gained more traction and that's apparently enough to accuse the fandom of being a waste of time and energy (Fig. 22).”

I’ll mention a similarly telling example of the focus on traction/ the tendency towards competition: thegirlwhorideslikeasamurai made a post during the past summer, I believe that (paraphrasing) said something to the effect of: “when you plan to post something only to discover that someone has already gone ahead and posted nearly the exact same thing, it makes you wonder why you even bother, sometimes”

I’ll be honest, I found this line of thinking very bizarre, and even more bizarre to readily admit.

Because if you profess to care so much about canon compliance while also feeling that nobody is capable of presenting the kind of intellectually based discourse you really want to see more of, why is someone else posting about something you share interpretations around such a bad thing?

Might it be because they did it first?

I think this honestly goes beyond “well I spent a lot of time developing the post and now that’s all a waste”. Because here’s the thing: it doesn’t have to be a waste, depending on your attitude.

Shouldn’t you feel happy that someone else is analyzing things the way you do? Can’t that be a platform to foster a connection and maybe even a friendship (i.e. “I noticed your analysis really resonates with my own headcanons, would you be open to talking about them?”)?

Now, maybe they in fact did reach out to that person via DM’s or a non-public forum, but given the things I’ve already seen people bring up, I highly doubt they did. Because as has become increasingly clear to me, their main drive seems to be to preference appearing relevant over cultivating connection.

And before I get accused of speaking in absolutes, I’ll say that it’s likely true that thegirlwhorideslikeasamurai was indeed genuine on the occasions they’ve said they want more fandom friends/community.

However, it has always read to me that those statements were extremely conditional, and left many things unspoken like: “I want community, as long as I am perceived as the most relevant. Community, but only if I am the foremost authority figure, the person who posts first, and comes out looking like I have the most unique thing to say.”

(If you can’t already tell, I have some long-harbored frustration around this…mostly due to my making excuses for them for far too long.)

I remember a post they made shortly before going on a social media hiatus in which they mentioned (again, paraphrasing) feeling like they are the antipode of fun.

I can’t remember the exact wording, but it was essentially a very vulnerable post about feeling like the odd one out in the fandom, and a general struggle to make friends. I believe I had commented to them with something sympathetic — if anyone who they haven’t blocked wants to look this up and verify, feel free.

But what I wish I would have added had I been more brave is that a really valuable opportunity for making friends could be to engage in conversations with people from a place of curiosity. It’s like you’ve said so well already, @arom-antix : come at things not from a desire to prove anyone wrong — nor in order to come out looking like you’re the only one with something worth saying — but because you genuinely value the opportunity to connect with others around something you’re both so passionate about

Hey, just wanted to reach out to say that I found you pointing out and calling this person was really great and you shouldn't have apologized. It was incredibly true what you said, and to be honest it seems out of touch with the reality of a great deal of the japanese fandom, the nuances and their culture. Also, it was as you pointed out, extreme and may I say rude. I want to mention too that the way it was written, as if entitled of the knowledge and the 'explanation' made it all worse in context of the 'fucked up'. The original poster always gets away by using the 'well-written academic'' statement of their 'metas' as an excuse to do or say and make everyone else agree and if not, uses victim narrative and discourses exactly selecting wording for people to agree on it or feel bad.

I don't know if they tagging you in the way they did made you reblog and apologizing/backing up, but no one thought bad about you pointing it out. On the contrary, a lot of people had been bullied and discriminated by this person when they called them out/disagreed going onto lenghts of sending their friends to harass people, and the other persons can't even defend themselves because they are effectively blocked. To quite a few people in the fandom has been done, even accusing them as 'acephobes' (when they're not) or even Nazis by spreading lies. So yeah, I just wanted to say that. I think you were right to call them out publicly.

Thank you very much for this ask. To be completely honest I agree with everything you said here and don't actually feel bad about pointing anything out. I mainly apologised because I didn't want any potentially poor phrasing from my side to cause unnecessary hostility and because I myself have gripes with this person's behaviour but didn't want to cause a scene.

My honest opinion is that they have a serious issue with taking accountability for their own mistakes and highly overestimate their own intellect. If you're reading this, @thegirlwhorideslikeasamurai, sorry if I seem harsh, but it's true. I saw your post lamenting how you're the only academic meta writer / fan in the fandom and I didn't interact then because I honestly do not care enough to start that drama but with the information Blonndiec has just given me, I think it's necessary that someone calls you out.

You're not an academic. You're not beyond the mental capabilities of other fans. You're actually incredibly childish in your metas and analyses and I am not kidding when I say that I was halfheartedly writing essays more academic than every analysis I've seen from you when I was barely a teenager. I don't know how old you are and I frankly don't care. You're not as clever as you think you are.

Also, don't think I didn't notice that you didn't reblog my correction (link here to my correction and here to their "response" for those who didn't see that exchange) of your post so that you could control what your followers saw of the exchange. You're the opposite of an academic. You control information to tailor the narrative, you don't cite your sources properly if at all, you don't format your posts in anything close to how an academic analysis would be, you make unbased claims, you reference posts and canon material without in any way indicating where that information is from, you reference your own (equally unacademic) metas and your conclusions from them without indicating what post it's from or that it's your own theory this new one is based on and instead present it as a common fact, and I could go on and on and on. Your posts are also riddled with logical fallacies and you talk in absolutes and opinions when there's no canon basis to claim such things. I'm sorry, but that's not academic in the slightest.

To be clear, you don't have to be an academic to post on the Internet. You don't have to be anything at all. You could up front be a genuine idiot with no remorse and that's fine. But when you claim to be an academic and also put down the rest of the fandom for not being on your level, you have to be able to back that up. It'd still make you sound like a prick but at least your arrogance would have a basis. It currently does not.

I haven't personally seen the discussions that Blonndiec is referencing and I'm not going to claim anything definitive (because that would be unacademic of me, take notes) but if what they're saying is true and did happen as described, which I have empirical, if anecdotal, evidence to believe could very well be (a friend of mine has personally been blocked by you after they criticised you without actually mentioning your name which I of course can't prove is the reason for the block but the timing is awfully convenient), you should know that you should be ashamed of yourself.

If there's context missing, feel free to enlighten me and call out any incorrect accusations. You have every right to defend yourself. However, I encourage you to cite your sources since you're such an academic. If you don't, then it's just your word against Blonndiec and anyone else who might comment's word and that doesn't prove anything. Don't misunderstand, acephobia and nazi rhetoric should absolutely be called out but only if it's actually happening. False accusations can ruin lives. I hope you know that.

I'm not a fan of calling people out publicly and, again, thank you for this ask, Blonndiec. But considering many of the issues I've personally seen and those I've been informed of by second hand sources were posted publically, I don't really feel bad about calling this out. I could do a full breakdown of just the insulting "academic" comments alone and how there's no academia to be found in said academic metas and, Samurai, if you give me reason to, I will show exactly what I mean point by point (and academically just to give you an example of even low level academia).

If you respond to this, do it in a reblog. That's what a real academic would do. If I'm wrong and you can prove it, you'd have no reason to not show my post in your rebuttal. If I'm right, you'd have every reason to be upfront about your mistakes and how you intend to rectify them. There's nothing wrong with being wrong but there's a lot wrong with refusing to admit to it in a way that lets others peer review you (academic thing, look it up) and come to their own conclusions about the situation. That's what you did when you just @'ed me instead of reblogging my response. A true academic wouldn't hide a peer review. You'd know that if you were one.

I swing in many academic spaces and yet that doesn't make me any kind of expert and I don't claim to be one because I'm not. But since you want to be one so badly, reblog this with a response and show us all how smart you are. I'm dying to know what your academic take on this is.

[corallapis]

‘wait, it’s all the master?’ ‘always has been’: or, So Why Do People Think the War Chief & the Master Are the Same Character, Anyway?

hello, it is i, sebastien, resident master=war chief truther. as you can imagine, i’m currently having the time of my life enjoying one of the few bright gems from the mess that was the war games in colour. i mean, of course, the master’s themes (yes, themes with an ‘s’) playing over the war chief, giving a very unsubtle nod to the wide-held belief that the two characters are one and the same.

but why, perhaps you’ve wondered, do people think that? is it just that some master-obsessed fans see a time lord villain and can’t stretch their imaginations enough to conceive of there being more than one bad guy who’s run away from gallifrey and made an enemy of the doctor? no. come on, give us some credit! i freely admit to being master-obsessed, and find the vibes very compelling, what i truly like to deal in is Cold Hard Lore, straight from the text. and, boy is there a lot of it! to summarize:

the war chief was introduced in the war games, written by malcolm hulke and terrance dicks. (dicks, of course, was also co-creator of the master, with barry letts). based on the novelizations, i firmly believe that malcom hulke intended his character, the war chief, to be the master. dicks also hinted along these same lines.

but, i hear you cry, didn’t dicks go on to write timewyrm: exodus, which shows us a future incarnation of the war chief that isn’t the master? yes, because the official editioral line for the vmas & vnas was that the war chief & the master were to be treated as two distinct characters. this caused more than one writer who personally believed them to be the same to write otherwise in a professional capacity. writers still dropped hints or left space open to link the two despite this editorial limitation.

and what about magnus, the guy who’s well-known in current fandom as the “academy era” version of the war chief? magnus was originally written as a younger incarnation of the master, not the war chief. in flashback, goth opera, and invasion of the cat-people, the character of magnus is a young master. so why did gary russell retcon the character in divided loyalties to be the war chief instead? he did so out of respect for david mcintee, who had recently written an early master story which used the koschei. despite divided loyalties’ portrayal of magnus and koschei as separate characters, it actually in large part serves to conflate the two further, due to said retconning.

in faction paradox lore, the war king is a version of the master (i don’t need to make a post on that, do i?) that was also once the war chief.

craig hinton’s rejected pda time’s champion (ultimately completed & published after his death, by chris mckeon) explicitly depicts the war chief as an incarnation of the master, as well as reasserting that magnus was the name the master used at the academy.

and now also the music choices in the war games in colour :)

of course, this list of Evidence (elucidated in detail below the cut) doesn’t mean you’re obligated to think the war chief is the master (canon, in doctor who more than most, is what you make of it), but i hope it gives you idea of the long history of the character(s) and why other people do!

the ‘70s target novelizations

the essential thing to know about the early target novelizations is that they were written to be self-contained, so that they could be enjoyed by an audience that hadn't seen the show. they weren’t written in the same order as the television serials, and as such only assumed reader knowledge of previous novelizations, not tv stories. for example, in doctor who and the doomsday weapon (aka colony in space) jo grant is shown joining unit and meeting the doctor for the first time, despite having done so three stories earlier and in completely different circumstances from a tv perspective, because that is the first novelization her character appears in. got it? good.

doctor who and the doomsday weapon (aka colony in space) is also the first novelization to feature the master, and was written by malcolm hulke in 1974. it begins with a scene that doesn’t occur in the tv story, where a senile old time lord tells his apprentice about the theft of two tardises by a pair of time lords now calling themselves the doctor & the master:

“There have been two stolen, you know.” The younger Time Lord didn’t know. “By our enemies?” he asked. “No. By Time Lords. They both became bored with this place. It was too peaceful for them, not enough happening.” The old Keeper smiled to himself, as though remembering with some glee all the fuss when two TARDISes were stolen. “One of them nowadays calls himself ‘the Doctor.’ The other says he is ‘the Master.’”

this ‘only two tardises stolen’ business is a big deal in hulke’s novelizations, as we will come to see. and, just to clarify, there's no question of this meaning the master might be being conflated with the monk here — the time meddler won't be novelized until 1988. remember, the novelizations are self-contained, and do not rely on knowledge of previous tv stories. except the older time lord continues, and a little further on says:

“There were tens of thousands of humans from the planet Earth, stranded on another planet where they thought they were re-fighting all the wars of Earth’s terrible history. The Doctor” — he interrupted himself — “I told you about him, didn’t I?” “Yes,” said the young Time Lord, now used to the old Keeper forgetting what he had already said. “You mentioned the Doctor and the Master.” “No, it wasn’t the Master,” said the old Keeper in his confused way. “The Master never does anything good for anyone. He’s thoroughly evil. Now what was I saying?”

‘wait,’ you say, ‘you just made a whole point of the novelizations being self-contained. but the war games wasn't novelized until 1979, so readers wouldn't know about it yet. why is hulke bringing it up now?’ why indeed? hulke summarizes the events and specifically brings them up in relation to the doctor & the master. the facts are presented to us: a) there were only two tardises stolen, by the doctor and the master. b) they went by different names at some point. c) this seems to have something to do with the war games. d) it maybe wasn’t exactly the master in the war games (but perhaps he was calling himself something else then?). it is quite ambiguous — the keeper's confusion leaves it open to interpretation, but the fact that this whole little scene serves as an introduction to the master (he steals the keeper's files in order to discover the doomsday weapon) is, in my mind, quite an extraordinary hint, especially when paired with hulke's novelization of the war games.

later that same year, in doctor who and the sea-devils, hulke again brings up the two stolen tardises, which we will get back to:

“But what use is your TARDIS to you while you’re stuck in here?” Jo asked. “It would be difficult for you to understand,” said the Master, “but my TARDIS is my proudest possession.” The Doctor laughed. “You don’t even own it! You stole it from the Time Lords!” “As you stole yours!” retorted the Master.

terrance dicks then wrote doctor who and the terror of the autons in 1975. additional info is added to the scene between the doctor and the time lord who comes to warn him about the master’s arrival on earth:

“As a matter of fact, I’ve come to bring you a warning. An old friend of yours has arrived on Earth.” “One of our people? Who is it?” The Time Lord pronounced a string of mellifluous syllables — one of the strange Time Lord names that are never disclosed to outsiders. Then he added, “These days he calls himself the Master.”

he uses the master’s gallifreyan name first and then provides his title. again, this suggests that the last time the doctor & the master met the latter was using a different name.

then, we’re given a description of the master, including:

Already he had been behind several Interplanetary Wars, always disappearing from the scene before he could be caught. If ever he were caught, his fate would be far worse than the Doctor’s exile. Once captured by the Time Lords, the Master’s life-stream would be thrown into reverse. Not only would he no longer exist, he would never have existed. It was the severest punishment in the Time Lords’ power.

which brings to mind the war games, certainly intended to be an interplanetary war (with the eventual aim of ruling the galaxy) even if it never really got off the ground. more significantly, though, the punishment described here is exactly what the time lords did to the war lord in the war games & what they would have done to the war chief, if he hadn’t escaped. (note even stories that don't posit the war chief as the master assume he escaped, despite his onscreen death — he is a time lord, after all.) and, speaking of that escape, the doctor asks:

“Is his TARDIS still working?” “I’m afraid so. He got away before it could be de-energised.” “Then he was luckier than I,” said the Doctor sadly. He had never really got used to his exile.

the master’s escape described here could, of course, mean some general, unseen-by-us escape from the time lords by the master, but the conversation strongly suggests that the doctor and the master were escaping from the same event: the master was ‘luckier’ than the doctor because he succeeded, while the doctor’s tardis was captured and he was forced into exile. and that happened, of course, in the war games.

which in 1979, malcolm hulke wrote the novelization for. in doctor who and the war games, a change occurs when the war chief invites the doctor to rule with him:

“Now I understand,” said the Doctor. “It’s my TARDIS that you want. But surely you have one of your own?” The War Chief smiled. “No more mine than yours is really yours! We are both thieves, Doctor. Yes, I do have a TARDIS hidden away. But are not two better than one? While I rest and enjoy the spoils of victory, you can patrol our empire. And I shall do the same for you.” “Our empire?” “We shall rule the galaxy without fear of opposition,’ the War Chief said confidently. “For we shall be the only two who can travel through both space and time.”

this invitation is, of course, very reminiscent of the master’s ‘half-share in the universe’ proposal, but much more significantly: their empire will be secure because they have the sole two stolen tardises. crucially, this is a deviation from the tv story, wherein the doctor realizes the war chief is allying with him because he doesn’t have a tardis of his own, only the failing sardits. hulke intentionally chose to amend his own story to emphasize this, and we know these two stolen tardises are the doctor's & the master's, as hulke told us in previous novelizations. thus, there's no doubt in my mind that malcolm hulke, co-creator of the war chief, intended his character to be the master.

all other master=war chief lore is building off of what was implied in the novelizations, some more explicitly, some less.

virgin books says no

in 1991, terrance dicks wrote a vna, timewyrm: exodus. in this novel, the war chief appears as a botched two-bodied regeneration after his death at the end of the war games, called dr. kriegslieter. as said in the beginning of this post, virgin’s editorial policy nixed the idea of a connection between the war chief and the master. but, reading timewyrm: exodus, there seem to be shades of him anyway. like when the doctor realizes who kriegslieter is:

And behind them, aiding them, manipulating them, giving them the time technology they needed, the Time Lord renegade who called himself the War Chief. Or, in German, der kriegslieter. “Well, he couldn’t have spelled it out for me much more plainly,” muttered the Doctor.

he really couldn't have. just like all the times the master’s alias has been an exceedingly obvious translation of his own name. and then there's also kriegslieter’s plan, which is to steal the doctor's body to use as his own (complete with sexual innuendo):

“Once I have wrested from it the secret of the TARDIS, your mind will be of no further interest to me. But your body…” “Please,” said the Doctor, looking embarrassed. “Ladies present.” “We are both Time Lords, Doctor, our brains and our bodies are compatible. Regeneration therapy is far beyond the War Lord’s scientists, but even they can manage a simple brain transplant.” Kriegslieter studied the Doctor with detached, clinical interest. “To be honest, it isn’t the body I would have chosen but it’s infinitely superior to the one I have. When all this is over Doctor, I shall be you — and you, or whatever shattered gibbering remnant of you is left, will be me. Appropriate, don’t you think? A crippled mind in a crippled body…”

this was, of course, the master’s plan in the keeper of traken (and many others since). in addition ‘we are both time lords’ is a direct echo of both the war chief in the war games and delgado in the mind of evil, the claws of axos, and colony in space.

kriegslieter also calls seven ‘my dear doctor’ throughout, which is not a quirk of speech that the war chief has been ever shown to have. i can't claim it's unique to the master, but i think there's a certain history there. (did you know ainley says it five times in one 50 min long serial?)

similar can be said about the dark path, written by david mcintee in 1997, which explores a villain origin story for the master. though early drafts of the novel mentioned the war chief as a separate character, this was cut before publication (and can be found instead in the charity anthology perfect timing). on mcintee’s tumblr, he indicated that he left the ending ambiguous in order to facilitate other incarnations between the koschei of the novel and delgado’s appearance on-screen, specifically citing edward brayshaw (the actor who portrayed the war chief) as an example. mcintee also posited, in the tags of a gifset of the war chief: ‘#depending on your point of view #the master #or not #does it matter?’ and on another, cryptically, ‘#oh if only i could tell you-’

i think it matters in some sense, or else i’d probably not be writing this post! but again, it goes to show that writers during the virgin era were aware of the connection between the two characters, whether their views on the subject aligned with the editorial line or not.

magnus, as the master

as said before, the character of magnus was introduced in the comic flashback, which appeared in the doctor who magazine winter special for 1992, edited by gary russell & written by warwick gray. it depicts seven and benny viewing a scene from the doctor’s past, where two old friends, thete and magnus, are at odds.

BENNY: Pistols at ten paces, anyone? DOCTOR: Yes… ‘Thete’ and ‘Magnus’. Funny how old nicknames can stick. They were good friends once. A long time ago.

magnus was, at the time of this comic's creation, meant to be the master. there is no connection to the war chief in this story. which is why when goth opera, written by paul cornell, is published in 1994, magnus is the name used for the young master when listing out the doctor's school friends:

“That was when I was young and wild, Doctor. My contemporaries and I grew up to take our responsibilities seriously.” “Ah…” The Doctor nodded. “Unlike my year. I begin to see.” “Yes.” Ruath warmed to her subject, sipping from the goblet. Her eyes never left the Doctor’s. “Mortimus, the Rani, that idiot Magnus. And you, Doctor. All graduates of Borusa’s Academy for scoundrels.”

and, in 1995, when gary russell wrote invasion of the cat-people, he again used magnus as a name for the young master, referencing the master running out of lives far more quickly than the doctor by the time of the deadly assassin:

Polly smiled. “I’m glad you’re completely recovered, Doctor. You had us worried, you know.” “Regeneration’s a tricky thing,” he said. “And it was my first one. Always the trickiest. They’re supposed to get better as they go on, so long as you don’t flitter them. Always used to say to my academy chum Magnus, ‘Magnus,’ I’d say, ‘Magnus, don’t throw old bodies away like you would a suit. They don’t grow on trees.’ Or something like that. Never listened though.”

then, when gary russell wrote divided loyalties in 1999, he followed mcintee’s lead in using koschei as the name for a younger master, and instead retconned magnus as a younger war chief, showing the two of them interacting during the doctor’s academy days. for someone who doesn’t think the war chief and the master are the same (and russell doesn’t), this was a strange move… surely naming the young war chief character quite literally anything else would’ve neatly severed the two, but using a name already established as the young master’s just confuses the whole thing and leaves them even more intertwined than before.

(if you’re a fan of the academy era and strongly adhere to the lore in divided loyalties and so this is a particular sticking point for you, remember that all the academy era scenes we see in the novel are actually part of a nightmare the fifth doctor is having — who’s to say he didn’t dream his best friend as two different people? he forgot which one of them killed a guy with a rock, after all…)

the war chief king

in the book of the war, the 2002 faction paradox ‘encyclopedia’ edited by lawrence miles, the entry on the war king (the master, as he was known as president of gallifrey during the war in heaven) states:

His personal assistant notes that his office is brimming with official business, but devoid of decoration. The only concession he makes to sentimentality are the components of a hypercube, twelve white squares stacked neatly on his desk. Its significance is unclear, but it’s thought to be the War King’s last remaining link with his unfortunate past.

the very first use of a hypercube was, of course, at the end of the war games, when the second doctor used it to call in the time lords. though an allusion to the war chief was not the author of that entry's original intention, the connection was made in readers’ minds and became an established part of faction paradox lore, becoming even more firmly cemented as other writers ran with it. the war king spells it out himself in the 2021 audio sabbath and the king by aristide twain:

THE WAR KING: I have failed to introduce myself. I am— ah, but as we have just seen: names have power. I do not think I shall grace you with one of my true names, Sabbath, no, not yet. Let’s see. The Deathless? Oh, let us not get ahead of ourselves just yet. Chief and Master, Minister and Magistrate, President and King… I have been many things.

twain again linked the two characters in the 2023 short story the god who came for christmas, a sequel to the 1986 fasa ttrpg adventure the legions of death. fasa portrays the war chief and the master as separate characters, but twain bridges this gap in a particularly masterful way.

time’s champion

and finally we have time’s champion, originally written in the '80s(?) by craig hinton, completed by chris mckeon in 2008 as a charity publication. first, we have mel stumbling upon a corridor of portraits in the tardis:

Her first impression was that the Doctor was at the end of a long, thin corridor. And then she realised what the corridor was. An art gallery, the length hung with paintings, from the doorway to the far distance. As she started padding silently along the corridor, she looked at the paintings, and saw they were all portraits. Portraits painted in a variety of styles, from photo-realistic to impressionist, and everything in between. And she recognised some of the subjects. […] Moving on, Mel had hoped for something a little less depressing, but it wasn’t to be. The atmosphere had changed again: it was still cold, but a sterile light was now bathing the area. Then she realised why: the sterility, the coldness — trademarks of the Time Lords. This must be the Doctor’s own people. Pride of place was given to the Master — or rather the Masters: the familiar, music-hall villain in his velvet penguin suit had been captured in all his melodramatic glory, but there was also a suave, older man, his eyes radiating a fierce, evil intelligence wrapped in charm, next to which was positioned the portrait of a young, satanically handsome man with long, sharp sideburns and a thin, beard-length moustache, whose hand vainly clutched at a strange medallion hanging around his neck, as if clinging to the only power in his possession. And then there was an image of the cadaver, that rotting corpse that Mel knew was all that remained of the Doctor’s oldest friend and oldest enemy, animated by nothing but pure malice and spite.

the description of the ‘satanically handsome man’ is obviously the war chief.

and then, the doctor remembers events from his past:

The night time vanished into the shadows of light, as new images, all familiar, threw themselves past the Doctor’s eyes: his tedious years at the Academy, his rise in the Time Lord hierarchy, his flight from Gallifrey, the early years of his exile, the planet of the War Games and his reunion with the Master, the lost years of imposed servitude to the Time Lords, all his memories and so many more impressed their way across the Doctor’s vision, even up to the moment of the present day. Then, abruptly, the vision ended. The Keeper began to speak again.

his reunion with the master occurs during the war games and precedes his exile (which is when his meeting with delgado’s master occurs).

and magnus is once again used as a name for the young master:

The Doctor and Benton managed to glimpse him as he raced past. He was young, with a curving moustache and a dark, haughty face accustomed to obedience but now shadowed and twisted by fear. He ran onwards without even pausing to acknowledge their presence. He seemed desperate to outrun something. Moments later, a group of well-armed and uniformed men rounded the corridor and also hurried past the Doctor’s party, following the fleeing man in their wake. Steadying himself against the cool stone wall at his side, the Doctor watched the squad pass, recognising them as members of the Chancellery Guard, but clothed in armour and dress from the long departed era of his days in the Academy. The Doctor paused, wondering where he had seen that face before. “Magnus?” the Doctor whispered. Benton stepped over to the Doctor. “Who was that bloke those boys were chasing after, Doc? He looked a bit like the Master.” The Doctor gazed into the distance. “That he did, and for good reason.”

for good reason indeed :)

[thewillbyersbowlcut]

some people don’t understand how weird it is to see byler not only known as a mainstream ship, but posted about by netflix accounts. back in 2016/2017 we were working with CRUMBS and i feared it’d always be that way.

[dykedvonte]

Mini rant below and in the tags, the only time I’ll talk about this and my personal take on it.

The way people talk about hypothetical male Anya on Twitter and the idea of how Mouthwashing would play out if the genders were swapped makes me remember how people still don’t take sexual assault and rape with male victims with the same gravity, especially when the perpetrator is female.

[imavikingo]

I said this in tags on another post, but it’s relevant and deserves its own post (I should be reading my usual pre- sleeping fic selection, BUT! I had this revelation -being sleepy is useful once again! -)

They NEEDED Steve to disappear, to be gone. To never care about Bucky anymore. That way they could treat Bucky as they see fit, and that means treating him like shit.

Steve would NEVER accept or allow Bucky to make amends, he would NEVER let the government take care of Bucky or be part of his “rehabilitation” in any way shape or form. That’s why he became Nomad, that’s why Bucky stayed in Wakanda. He would had fight with teeth and nails for Bucky.

“He died already more than once! He was a victim! A prisoner of war. He saved the fucking universe. What the fuck do you mean with amends!”

He became a wanted criminal for that same reason, to not let them have Bucky (nor other people in a fucking watchlist)

They needed Steves relationship with Bucky to become bitter, to be nothing more than a memory.

Steve being in retirement wouldn’t have cut it and…

Bucky was always going to follow Steve, no matter what.

So they needed him to stay alone (or with a companion that didn’t really care as much as Steve, enter Sam)

This way they killed two birds with one stone in Endgame: Reinforcing Steves “love” for Peggy, because “he’s NOT gay, you guys!”, and the partial isolation of Bucky.

[gio-cosmo]

Guys I am so excited for LIS Double Exposure but I am also so so nervous

[senseandaccountability]

HR department romance plots

I just… beyond the surface level of enjoying a new game with new relationship dynamics to explore, I really can’t feel much about the DAV companions or their romances.

They all just seem so disconnected from the story, from Rook (who in turn is entirely disconnected from all kinds of feelings because Rook is just Employee Of the Year), from the world, from themselves. I feel like Cole here, looking at them and saying in my gentle, fleeting voice: even the dwarves don’t really remember dwarves. It really feels like the interpersonal relationships are written by the HR person who sits with you as union rep to tell you that you should use a positive language, that "we are all simply employees here, it doesn't matter what title you have", give a little pep talk about teamwork and how to get the job done. That's what we're here for. Everyone's equal. We all want the same thing here, your boss is your friend. Have you tried talking to this person, see their side of things, mmmm? It's just... yeah, they're cute, all of them. But why do they like each other? Why do they want to be with Rook? Who are they even in relation to the world of Thedas, what do they believe in, what have they overcome, what do they hate, what sort of prejudices do they carry around? I have no idea.

And since I’m also replaying DAI again, I wanted to compare these romances to my canon romances in DAI.  With Blackwall, you immediately get a sense of attraction and a sort of flirting on his part that suggests this is something he falls into quite easily - “you know a lot about girls” to quote Cole - BUT it’s also something he really, really thinks he shouldn’t be doing now. Why? He is tied to the Warden plot, if you bring him along you get a sense of a man hiding shit but you don’t really understand what, and he still comes to see you (flying/climbing up your balcony wall idk) because he can’t step away. You get to tell him he’s a good man even though you know shit about that at this point, like with Anders in DA2 you can give your PC over to this passion/love despite knowing that there’s something off, something potentially harmful or dangerous. There is conflict, there are things that jar, that can even make you uncomfortable. 

Blackwall as a character is open and compassionate. He approves of mercy, shows mercy, he isn't judgmental of others. In sharp and delicious contrast Blackwall’s crime is vile. He isn’t bound by any sort of oath, he can back down, there is no greater good whatsoever in his actions. It’s inexcusable. And yet. YET. You can CONTINUE THE ROMANCE. He killed a wagon full of kids, THEN RAN AWAY AND LET HIS MEN TAKE THE BLAME and hates himself so much that he tries to become someone else by erasing his previous self from the face of the earth. You can still kiss him and tell him you want him to live and redeem himself. It’s fucking incredible to think about this in the light of Veilguard actually. Your LI, the child murdering coward. 

With Iron Bull you have the doubts all spread out on the table. He’s a spy, how could you ever trust him? He also doesn’t respond to your flirting, why the hell not when you hear through ambient dialogue that he’s fucking half the chantry, isn’t he supposed to be a fuckboy? But he’s fun, he’s a mystery, he’s got fascinating banter with everyone, he’s brought his found family along, he’s a Qunari who at least somewhat believes in the Qun - he’s got AMAZING conversations with Solas that characterizes Bull as deeply intelligent (and Solas as much more caring than he’d let on) and knowledgeable about surprising things like architecture. Cole, as always, gives us more insight into Bull’s mind along the way and even before the offer to ride the Bull, the idea of him has been through some adjustments. You change his idea about a lot of things and in return, Bull challenges your idea of him, your idea of the Qun, your idea of the world and possibly, depending on how you react to his romance, your idea of intimate relationships. The game’s writing allowed me to imagine a rather frumpy circle mage in her mid 30s reluctantly forming a friendship with this strange fellow, only to find herself very much attracted to him, only to find herself being cared for in a way she would never have let anyone do before simply because Bull told her that was the only way he’d be with her. This is how we’ll do it, are you in? Your LI, the service top Qunari spy who is terrified he’ll run mad without his belief system to dictate his actions. 

And Solas. I mean mythical love stories culminating in mythical endings aside, what I really fell for in this relationship was the refreshing dynamic not of enemies to lovers but of two souls just sort of connecting instantly during strange events, taking a few hard looks at each other and going oh shit it’s you, you get me HOW is it possible you get me when nobody else does? There’s so much external drama surrounding them, which is why I personally LOVE and ADORE how calm their internal connection actually is. They know, so early in the game, that this is it. You’re my home, you understand the bones of me, you ask questions no one else thinks of asking, you care about the world in a way I haven’t seen anyone else do. He is LITERALLY the only one who understands your Lavellan when they make her the herald, when she protests and they keep pushing and pulling and sing their song after Haven, and Solas is there to be sarcastic about it. If nothing else, I'd fall in love with that. And there’s this sense of impossibility from the very beginning, a sense of it being almost unreal because the first kiss is in the Fade, the second is in a frenzy where Solas goes from 0 to I LOVE YOU, MY HEART and then leaves and you know, you know how this is coded and YET - he seemed so wise and kind and sad, it goes like this, the fourth, the fifth. And even with this connection of souls, things chafe - he’s an absolute bastard about certain things, he mocks your heritage and you don’t know yet that it’s because a huge guilt blanket rests on top of him since thousands of years back, you can just argue back and receive his disapproval. He says it’s selfish of him to start anything with you yet he does - WHY DO YOU DO THAT, SAD EGG? Your LI, the ancient god of rebellion, treachery and lies, depending on the story. 

Even beyond my favourites, there are conflicts. Sera is A LOT (affectionate) if you're an elf, with Cullen you get a substance abuse story-line tied to his general dismay about his past as a really fucked up templar, Dorian has personal trauma and cultural prejudice he struggles with for the entire game, Vivienne is so complex half the fandom hates her and has very awkward and uncomfortable banters with almost everyone (save for Bull because he treats her like he would a tamassran), Cassandra is constantly challenged in her personal beliefs, very clearly reflected in her conversations with Solas and Cole has a whole personal plotline about deeply existentialist matters. What does it mean to be alive? Who is a person and who gets to decide that? He could have been a person, Varric says. Isn't he already? Does this unit have a soul? Not to mention that Cole functions chiefly as a speaker of truths, bringing a lot of complexity to the others. 

DAI is not perfect by any means but I feel like I know these bastards. I feel like my PC or even I could actively dislike some of them, because they are written to create dynamic conflicts inside and outside of their own arcs. I can write fic about them, I can imagine what they're doing during the events of DAV because I know them.

Because they are written like actual people in a world where some people have power over others and some people have been raised with a certain belief system and some people just have shitty takes on society, may they learn. 

[airborneice]

can we talk about how @the-hilda-librarians-wife is just out here writing poetry in the tags like it’s no big deal

@sketchbookweek Day 3 - Sun & Moon / Family

you know I had to bring up my sketchbook kid Mattie for this one. in my mind this is like…impromptu midnight storytime bc someone woke up the entire household and now she’s almost settled no one wants to get up or go back to bed

(Kaisa has become a little more comfortable with openly doing magic by this point, partly because of reconnecting with Tildy in season 2 and partly because no matter how shoddy her spells come out, they never fail to entertain her kids, especially her youngest. Kaisa does the best stories in this house. no child can resist magic floating pictures)

[gaywarcriminals]

Rating Scum Villian characters based on how milfy they are:

Shen (Yuan) Qingqiu: an easy 10/10. You can’t tell your disciplesonwife that you wouldn’t abort him without becoming a milf.

Luo Binghe: and on the opposite end of the spectrum, 0/10! He’s just a little baby. He is 1,000 years younger than shizun and he likes it that way! He’s a wife, but an 18 y/o, husband’s-third-remarriage wife— he’s the same age as his husbands kids from the first wife. no milf vibes to be seen.

Liu Qingge: 1/10. Deep down he might have some parental traits, but as-is he is somewhere between weird (autistic) uncle and half-feral farm cat.

Liu Mingyan: 5/10. She’s still in her larva state of milfdom but someday she will be an excellent Mommy.

Ning Yingying: 3/10. Right now she’s baby and she likes it that way, but she has the bite of authority to her, and maybe in the far flung further she’ll spec into the Dommy Mommy skill tree.

Sha Hualing: 0/10. She’s baby, she’s a brat, she’s going to bite you and have a temper tantrum.

Shang Qinghua: 2/10. I have to give him a few points for being Binghe’s daddy, but we all know he’s a deadbeat dad who ran off with his new wife and left his kids alone with their step mom. The closest he gets to being nurturing is homoerotically saving his sexy OC, which is a Whole Different Thing.

Mobei-Jun: 5/10 for them tiddies.

Yue Qingyuan: 10/10. No I will not be explaining.

Shen Jiu: 9/10 because he’s abusive as only a mother can be 💖

Luo Bingge: -10/10. This man canonically has a fuck ton of kids and I don’t believe he knows any of their names. He is simply too Babygirl to parent 😔. SY come pick him up.

Qi Qingqi: 8/10 step on me mommy

Mu Qingfan: 6/10 I believe he can to unspeakable things to you while shushing you with a gentle smile

Tianlang-Jun: 7/10 for breedability, tits, and nephew raising, small point deduction for fumbling his actual son.

Su Xiyan: 0/10. She’s a Daddy, there’s a difference.

Zhuzhi-lang: -3/10 he is so tiny so small he is just a little guy just a snek

Madam Meiyin: 9/10 I fully believe all those succubi are her daughter-wives who she raises and teaches to hunt and comforts them when their prey gets away—

Six Balls: 6/6 six balls.

[dandylovesturtles]

explaining the train of thought that got me to this would take way too much backstory but basically I had an idea and then I wrote it. I rewatched Scream recently so maybe that helps lol

cw: death (not of a canon character), mentions of blood and vomit

-----

The call comes in at a little after 2 AM, and he almost doesn’t answer because he’s busy.

But Leo almost never calls him, and it’s a singular enough occurrence that he picks up the phone and hits the button.

“Hello, you are conversing with Donatello,” he greets. “Make it quick, Nardo, I’m elbow deep in the tank’s engine.”

On the other end of the line, Leo is silent. Or, mostly silent; Donnie can hear him breathing, a little too loud, a little too fast.

Suddenly, he’s on high alert. He sits back from the tank, speaking more urgently into the phone, “Leo?”

There’s another second of breathing, and then, finally, in a voice that is too high and panicked to be his normal joking tone, he says, “Hey, remember when I sent you that meme about siblings who will beat the crap out of each other one minute and hide a body for each other the next, and I said, “us,” and you gave it a heart?”

Donnie blinks. Processes that string of words.

“I think I recall it,” he says.

“Well,” says Leo. “I need to know if that’s really us.”

Donnie stands up and keys in the command to swap battleshells to the jetpack.

“Stay where you are,” he says. “I’m on my way.”

-----

The body is male. Early twenties. About six two or six three. Caucasian. Wearing some ghoulish mask like the serial killer in a bad teen slasher.

Actually, now that Donnie thinks about it, there’s been stuff on the news lately. About a guy who likes to knife up co-eds. And Leo’s wearing his biggest, baggiest hoodie, and jeans, and in a dark alley like this it would be easy to mistake him for a normal, non-mutated human teen.

The puzzle pieces are all laid out for Donnie, but the picture it paints is pretty unbelievable.

Then again, he’s a mutant turtle who grew up in a sewer and recently fended off an alien invasion. His bar for believable is pretty low.

He takes in the body, slashed across the chest, ridiculous getup soaked in blood. Then he turns to look at Leo, curled around his knees against the wall. There’s blood all over him, too, but Donnie feels pretty confident that most of it is not his own. There’s a puddle of vomit nearby, and a dagger, and a katana, cast aside.

Leo raises his eyes to meet Donnie’s. “I didn’t know he was human.”

Donnie looks back at the body, and at the mask. Connects it to the dagger, which definitely isn’t Leo’s.

“Seems like he was a great guy,” Donnie says. 

“He stabbed my arm.”

“I meant it sarcastically.”

Leo laughs, high and reedy. Then he leans over and vomits again.

Donnie can’t help but curl his snout at that one. He looks away and waits for Leo to finish.

There’s a spit, then a sniff, then Leo says, “He stabbed my arm and I turned around and saw the mask.”

Ah yes, that. It’s pink and has a serrated smile. Little rubbery bits of slime and ooze. These things got popular after the invasion - they aren’t anywhere near the real thing, but in a dark alley, under attack, alone, when Leo had…

The puzzle pieces are there. Donnie doesn’t really need an explanation to put it together.

Actually, scratch that: he does need an explanation for one thing.

“Why are you so upset about this?” He looks back at Leo. “You took out a serial killer. Or a wannabe serial killer. At the very least a stabber.”

“I didn’t mean to kill him,” says Leo immediately. A little pleading. “I didn’t think that would… I didn’t know he was human.”

“He attacked you.”

“I could have disarmed him. I could have trapped him and let the police deal with him.”

“He came up behind you in this creepy mask and stabbed your arm.”

“He didn’t stand a chance against me,” says Leo, and it’s not swaggering and not boastful, but horrified. “It was like tearing paper, Dee. It was so easy.”

Donnie leaves the body to kneel in front of his brother. He puts his hands on his shoulders, looking him straight in the eye to make sure he listens.

“He attacked you, Nardo. He wanted to kill you. He made the wrong choice. Not you.”

Leo looks down, at the blood on his hoodie, and Donnie squeezes his shoulders until they lock eyes again. 

“He made the wrong choice,” Donnie repeats emphatically. 

Leo sighs, like he’s giving in, and a rueful smile grows on his face. “Thanks, hermano. But I don’t think the EPF is gonna see it that way.”

Ah yes, the good old United States government, and their hilariously poorly titled Earth Protection Force. Since the invasion, their existence had become known to the EPF, and they’ve been in an unspoken truce ever since. A “live and let live” holding pattern.

Unfortunately, Donnie has to admit Leo is right on this one: that this man is likely and most probably a serial killer won’t matter to the EPF. Killing any human crosses a line they won’t tolerate.

And so, there is only one solution here. The one Leo proposed when he first called.

Donnie is going to help him hide a body.

…Which means he is going to have to touch it.

Leo frowns at him. “Uh, Dee, what’s the yarf-face for?”

“I just realized how gross this is going to be.”

Leo laughs again, more than a little hysterical, and lets his head fall against Donnie’s plastron, the giggles shaking his shoulders under Donnie’s hands.

“That wasn’t a joke,” Donnie insists. Leo just laughs even harder.

Donnie scowls, even as he pulls Leo closer. “That meme really is us. I want to beat the crap out of you right now.”

Leo howls with laughter. Except it sounds a little more like sobbing now. Donnie gathers him up and holds him until he’s better again.

-----

Across the Hudson, the sky is turning pink. Donnie stands with Leo, watching the water that the body disappeared under.

They’ve already scrubbed the alley clean of any blood traces - his and Leo’s. He also had his drones bring gloves with the cleaning supplies, so they didn’t leave any fingerprints. At least Leo had the sense not to touch anything. And it’s not like the government has their prints on file, anyway. Donnie’s checked.

There wasn’t anything they could really do to hide the massive laceration that led to the body’s death. Short of melting it in acid, but both of them had dismissed that idea as soon as Donnie raised it. Despite what Donnie thinks of himself, he isn’t actually a stone cold disposer of bodies. The idea of melting it was too gross to think about.

Besides, it doesn’t matter if the body gets found, as long as it doesn’t get traced back to them. And Donnie doesn’t see any reason it should.

He’s already hacked any security cameras near the scene and made sure Leo doesn’t show up on any of them. Leo’s a good enough ninja to avoid that sort of thing, anyway, not that Donnie will admit it out loud. The crabs and fish will take care of the flesh and the katana’s mark. Leo destroyed the weapon itself in a bright blue explosion of ninpo.

“It’s kind of a bummer,” says Leo after a minute, “that the murders will go unsolved.”

“No, they won’t.” Donnie pulls out a phone, holding it carefully with his gloves. “He helpfully took trophy photos.”

Leo’s eyes go wide. “Dude, did you fish around in his pockets?”

Donnie can’t help but curl his lips. “Ugh, don’t remind me. It was a very unpleasant experience and I don’t want to repeat it.”

“What are you going to do with it?”

“Find where he lived and leave it there.” Donnie shrugs. “His body will turn up, or he’ll get reported missing. The cops will find it and everything will be wrapped up in a neat little bow.”

“Huh. Guess that takes care of that.” A pause. Leo shuffles a bit next to him. “You’re… really calm about this.”

Is he? Since the moment he got that phone call, he entered Fix It mode. He hasn’t really thought of anything else since.

“I don’t know if I will be later,” he admits.

“I’ll be there, if you’re not.”

Donnie hums an acknowledgement. There’s a weight against his arm, Leo leaning into him.

“Thanks, Dee,” he says.

“You’d do the same for me,” Donnie replies.

“Yeah,” Leo agrees. Simple as that.

[easy-there-leftovers]

Mixed Messages

Written with season 1 Spencer in mind

Summary: The 5 times that you think you might hate Spencer Reid + the 1 time you realize you can't.

Alternatively; You're completely oblivious to your own growing feelings for Spencer that it constantly puts you in harm's way.

This can be seen as a prequel-sequel + sequel (?) to "A Question Unasked," but can be read independently of it.

Pairing: Spencer Reid x fem! (mentored by Hotch!) reader | cw: slight spoilers for s1e02, s1e04, s1e06, s1e10, and s1e18 | reader gets really mean in the later half lol |slight description of canon-typical violence, slight timeframe switches because it made more sense that way | word count: 8.9k (yowza--)

“It’s something, I know it is.” You mutter to yourself, rubbing the pads of your fingers together in an attempt to gather your thoughts. But you can’t. 

Can’t find it. 

Can’t find that one word.

“What do you call that thing when you–” you snap your fingers at your colleague. Your equal. “I’m sorry– what do you call the urge to do something or behave a certain way?”

This was your second case out on the field with the rest of the BAU since you’ve been recruited, and it had not been easy for you. 

The BAU always seemed like a prestigious unit to be a part of. Only the best of the best ever got to rub elbows up in that department, having been founded by Jason Gideon and David Rossi. 

Two of the most legendary profilers in the world.

And right now you, you haven’t been feeling the best. But Aaron Hotchner seemed to have thought otherwise.

Spencer thinks for a moment, trying to understand what you had just asked him while he stared at the board that still had the team’s ideas on it. 

“Actually, it could be a number of things; urges, cravings, stressors, compulsions–”

“That one! You’re amazing at this, Dr. Reid.” 

After noticing your knack for the more analytical aspects of the job, your mentor, the unit chief himself, had assigned you to work with one Dr. Spencer Reid. Another fresh grad that could not have been any older than you, but certainly seemed way smarter. 

He said that you would work well together.

And you believed him.

You looked at the calendar that had been marked when the fires were started, fully missing how the genius had frozen at your praise, and you frantically reviewed the theory in your head. 

Double-checking, triple-checking, and nodding when you see it’s consistent.

You then hurriedly pulled up the recording of Matthew in his dorm. Hovering so close to the screen, that Spencer had to be equally as close to it, and by extension to you, in order to even try seeing what you were seeing.

 “Do you see it?” You look back at him, and his face is so close, you almost lose your nerve but thankfully, Gideon opens the door to check up on the both of you.

He pauses as if he’s seeing something he shouldn’t be, but carries on anyway.

“Don’t just look at the next move. It’s like chess, think three steps ahead.” He says it mostly to Spencer, you notice, but you also notice how he was slightly bothered by your proximity to his protege. 

He doesn’t say anything about it, but you’re working as a profiler now for a reason.

You move away a little. 

When he leaves, Spencer turns to look at you again and asks what you saw. 

“See this?” You ask as you point to the part where there were two, clearly lit windows on screen and he nods. “There are two fires, right?” He nods again.

“Now look at this,” You show him the part where Matthew gets wet with gasoline, and is eventually set aflame. 

“That was the third fire.”

You see Spencer’s eyes light up at your statement, and you hurriedly scrub back to where the unsub had been trying the door knob. Making sure to zoom in on the handle.

This time, it's the boy-genius that says it. “He turns the knob three times.” He looks at you to confirm his statement, and you nod. Looking into his eyes. 

Something you did out of respect.

“Right, so if we’re not wrong,” you use the pronoun on purpose, “the professor’s office should have something to do with the number three as well.”

He walks with you to the burned office, professor Wallace’s office, and there you collectively discover more of the same number. 

You have all the evidence you need.

***

“Sir Hotchner, we know why the profiles never fit.” It’s you who opens the door first, but Spencer is the one that carefully closes it behind you.

He looks at Gideon. “You were right to tell Morgan not to rely on precedent.” He then sets up the computer that you two had brought and you continue for him.

“So far, the fires that have been set are completely task-oriented.”

Hotch quirks his brows at that. “So once the fires are set, the unsub is done?”

You nod.

“Correct, sir. The reason why the profile never fit is because it contradicts the mold of a classic serial arsonist– his use of fire is the compulsion of a completely different disorder.” “Which is?” Gideon questions.

“An extreme manifestation of OCD– Obsessive Compulsive Disorder.” Spencer answers as he finally found out how to turn the computer on. The two of you exchanging lines in perfect synchronization.

“He does everything in threes. And if I’m right, he’ll have to kill again.”

The four of you discuss the behavioral evidence that had led to this discovery, with Spencer taking the lead as he mentions its possible tie to ‘scrupulosity,’ a type of OCD centering on religious obsession. 

As you continue though, and you know you shouldn’t take it to heart, but the way that Gideon’s constantly questioning your ideas and not Spencer’s was starting to make you feel uneasy. As if you were a bug under his careful scrutiny. 

Or was it the way that you sat?

 Granted, there were only three chairs in the area, so you had absentmindedly sat on the bit of the desk that had been uncluttered. No one else seemed to be bothered by it, and certainly not Spencer, who had cleared the area nearest to him just for you. 

So what…?

Being the non-confrontational kind, but not one to be pushed around, you take a mental departure from the discussion and start thinking about what else could be useful to the case. Bringing something new to the table that’s relevant.

You try to think if there had been anyone that stood out to you. Spencer had mentioned religious obsession, and the call from earlier definitely supported the idea, but you couldn’t single out one theology student that would fit that criteria.

You tried getting up from where you sat. Pacing has always helped you gather your thoughts, but you didn’t even need to take those few steps when you felt the cold sweat run down your back.

And it seemed like Gideon had noticed it. “What is it?”

You turned to slowly face the rest of them. “I think I know who it might be.” You groan as you think about it.

 “And it’s not a he.”  If you thought about this too late and another fire is happening right now– 

—-------

It wasn’t until you were on the flight home that you felt like you could breathe easy again. You didn’t have to be near Gideon anymore, giving you the side eye every time you were the least bit close to his protege.

You could just exist silently while you think about what to write in your report.

It wasn’t Spencer’s fault, nor his mentor’s, you thought as you stared at the somewhat empty file in your hand.

 You’re sure that Reid didn’t mean to take credit for the theory that you had essentially spelled out for him, and you’re also sure that Gideon was just a little uncomfortable with how unprofessional you might’ve seemed. 

Looking all cozied up with his golden boy. That had to be the only reason why he practically ignored you, but congratulated the boy-genius.

You sigh and wonder if you’ll ever get on his good side. Maybe you just needed to work a little harder.

As you nod at your resolve, it's your mentor that takes a seat in front of you.

“Congratulations on your second case.” You’re still a little starstruck, getting to work with him, but you manage out a polite, ‘thank you’ as a response. 

You try to make yourself look busy by rereading the other file that had been completed.

You already made a fool of yourself in front of one of your seniors, you didn't want to mess up in front of him too. Hotch could–

“I meant it, by the way.” 

You look up at him again. Eyes wide in question, and perhaps fear, as you realize you don’t understand what he’s talking about.

“You were focused on that calendar more than any of us, even before we landed in Arizona. You recognized the pattern before you even knew what it meant. And that definitely helped.”

“Oh.” Is all you could say, because what else could you have said?

A small laugh leaves your mouth. He recognized you for your efforts. Made it known that he saw what you saw, and that what you saw was helpful. 

Without the usual mention of the boy-genius.

It was a moment just for you. 

A moment where you vowed to work harder. Smarter.

And the moment you knew that SSA Aaron Hotchner was the best leader that you could ever have.

“Oh and agent?” Both you and Spencer look back to see your supervisor, but you see that it’s you that he’s singling out. “A private word, if you please.”

You nod without a second thought, despite not knowing what this other meeting could possibly be for. You were just as clueless as you were about the one earlier. 

What you weren’t clueless about was how you felt towards your situation. You had been assigned to work with Spencer so often that you were starting to get sick of it. 

Not a slight to his company at all, on the contrary! You actually enjoyed it! He was a fascinating and accomplished young man that charmed his way into your heart with his little fun facts and references. 

And if that weren’t enough, Morgan hadn’t exactly coined the nickname “pretty boy” just for laughs.

 Dr. Reid lived up to that expectation. 

With his soft brown hair, bright, inquisitive eyes, and how cozy he always seemed in his clothes— how could anyone dislike him? 

No, it was the attention that you were getting that was starting to frustrate you. Or perhaps the wrong kind of attention, would be more appropriate.

Lately, it seemed as if you were only being treated as an extension of Dr. Reid. As if you were always attached at the hip, and that you always knew where he had to be and what it was that he was doing. 

You don’t know where all this came from. Not even a little bit.

All you know is that it was slowly starting to rub you the wrong way, and that you wanted a semi-permanent departure from the situation.

But that didn’t happen because Spencer had just unknowingly shut down your only chance.

You digress, and put your feelings aside for now. You were at work, after all.

“What did you want to discuss with me sir?” 

Hotch makes the effort to clear away his desk for a bit, and places his hands on top of it. Grasping them together as he looks at you with his usual stern expression.

“We’ll be issuing you a gun soon. You’re qualified to own one after having enough hours on the field, and you’ve shown a respectable record, so please keep that in mind.”

Your eyes widen in glee. Those were just a few words, but you couldn’t help how your heart swelled in pride at them.

It wasn’t the gun that you were happy about, it was what it represented.

Being issued a gun by the bureau signified that you were officially part of the team, and that you were deemed a responsible enough member of the organization to be trusted with it.

You should be honored to be given this chance and yet it felt sort of wrong— something didn’t sit right with you.

“Sir, with all due respect, while I’m thankful for the opportunity, I don’t see why I’m being issued a gun when Dr. Reid has still yet to have one.”

He sighs at that, as if he had hoped that you wouldn’t ask, but he tells you anyway. 

“Dr. Reid has failed numerous firearm qualifications and will be retaking his test soon.”

You nod slowly, still not quite seeing the relation between the two scenarios.

He sighs again, but this time, with a small, tight smile. 

“We’ve been thinking that it would instill more confidence in him if you knew your way around a gun. He seems to have a great respect for you, and seeing you have one might help him a bit.”

You smile at that and respond good-naturedly. “Duly noted, sir! I’ll make sure he has the confidence that could rival even Derek Morgan’s.”

He shows you a polite smile and dismisses you promptly. Getting back to his stack as you nod and you make your way to his door.

It shouldn’t bother you, and it doesn’t, you think.

 A job’s a job. 

If it wasn’t going to be you, it was going to be someone else. You just so happened to have been given this particular job due to the presumed rapport you had with one another, and you saw no problem with that.

You trust your boss, and it’s not like you dislike Spencer, so it shouldn’t bother you at all.

And yet it does, ever so slightly, when you see Morgan and Elle, crowding and cooing around him like he was a baby when you make it out of Hotch’s office.

You’re confused at what it is that you’re feeling, but you hear something akin to the word, ‘math.’ What could they be teasing him about now? 

“Is something going on here?” You hope they don’t see how hard you’re trying to keep a straight face. Looking to and fro.

You’re at work now, and you can’t let your emotions get the best of you. 

 "Was just caught trying to add my stack onto pretty boy's plate." Morgan says with his usual chuckle.

You detect a slight hint of something else hidden somewhere in there, probably another inside joke that you weren’t in on, but you can’t bring yourself to pay it any mind. 

So you let out a small, ‘hm’ to let them know that you heard what he said, and you eventually turn your back to them to reach your desk.

You don’t see the way Derek shoots you a knowing look.

And you don’t see the way Spencer looks at you longingly either. Too busy burying yourself in another stack of files, sure to go overtime once again, to drown out the unknown feeling that was welling up inside you. 

Did you hate Spencer Reid?

“Isn’t it amazing he knows what he knows and he’s only twenty-four?” Gideon huffs out and gives Aaron a small smile in response.

“Imagine what he’ll know by fifty.” 

It’s times like these that you remember that he does have the capability to smile. Well of course he’s smiling, his surrogate son looked like he was having the time of his life, blowing out those trick candles. 

Everyone crowded around him.

Everyone but you and the two seniors.

You want this moment to be something that everyone can enjoy, and you know just how much it would sour Gideon’s mood if you were right over there. So you opted to take your place right next to Hotch.

And Hotch seemed to notice that.

“Why aren’t you with the rest of them?”

You really don’t want to answer that right now. Not when the reason is staring right back at you, waiting for your response as well.

“I can see the party just fine from here.” Is what you settle for, and look right at Spencer’s still heaving back to make a point.

Before he could question it any further, he’s called to the other side of the room where a phone call was waiting for him. 

Reid takes the opportunity to excuse himself and take his place by Gideon’s side.

“You having fun?” The elder asks and he nods slowly at that.

“Yes, definitely. I am definitely– having fun.” 

He punctuates each pause with a tight-lipped smile and a snark that is just itching to break free and you can’t help the little chuckle that escapes you. As it happens however, you quickly try to hide it behind a cough and a cover of your mouth.

You’re right next to Gideon, you need to look professional, you think, no matter how cute or ridiculous Spencer might look. 

You quickly try to find Hotch with your eyes to ground yourself. Trying your best to zone out and not pay attention to the conversation happening right beside you, but it’s getting increasingly harder to do that.

“I wonder where the cake was from.” The younger one asks absentmindedly, but you feel the twitch of your fingers at the question. 

Gideon subtly looks over to you, but he doesn’t answer him. Instead asking if he made a wish yet, which quickly changes the trajectory of Spencer’s questions.

You let out a breath of relief, but the moment is short-lived when you see the solemn expression on Hotch’s face.

“Sorry guys. Party’s over.” You put your game face on, and quickly excuse yourself from them to grab your go bag. 

What you didn’t see was that Spencer had failed to notice Gideon’s gaze because he had been looking somewhere else. 

He had been looking at you. Waiting for you to greet him with a happy birthday like the rest of them did.  You were the only one that wasn’t there, after all.

But you had already been looking at Hotch, and that, he notices.

***

The more cases you work for the BAU, the more you realize how much of your work isn't just the investigation anymore. 

You feel it when you still see the victims’ faces when you close your eyes. 

Feel it in the hammer of your chest when you have to face off another degenerate with a gun. 

Feel it in the tenseness of your shoulders when either Spencer, or Gideon, or Hotch, or any of them are looking at you because if they even have the slightest idea that you’re not doing fine, you’ll lose your place on the team.

If you even had one, that is.

It was a strange position you were in. Everyone was expecting you to be boy-genius’ sidekick or something. Having all these ideas of you being someone bigger and stronger than you really were. 

Someone that was smart enough to show him just where to look, but not smart enough for the rest of the local PD to listen to because for some reason, it was more believable when it came out of Dr. Reid’s mouth.

You still remember how Morgan rolled his eyes at you when you corrected him. ‘It’s a ballad, actually. Not a poem.’

What’s worse was that the only person that didn’t seem to have this expectation of you was Spencer himself because he had no idea that any of this was even going on. 

He didn’t ask for this.

He was just doing his job, just like you were.

You’re officially off duty, now that you’re on the flight back to Quantico. So you unfortunately no longer have the excuse to shut away your feelings for the sake of your profession. 

You sigh and figure that maybe a little shut eye could help, but that idea is completely thrown out the window when you hear the soft pads of rubber-soled shoes shuffling on the jet’s carpeted floor.

You look up to see the less than comfortable posture of one Dr. Spencer Reid. Obviously caught between trying to go back to the main space, and just staying near the tail where you were.

Your heart warms at the sight and you invite him over.

You were thankful that he took up on your offer. 

Even under the harsh lights of the craft, you still notice just how soft Spencer looks. Even softer now that he’s donning your gift, and rambling on and on about how cool the color purple was to him. Gesticulating with his hands in a frenzy and you relax for what feels like the first time in months.

If you didn’t work together, you realize, you could’ve been a lot closer. He’s everything that you liked about a guy. He was smart and sensible, with a childlike wonder for anything and everything. 

There was an endless amount of things that he could accomplish, with a brain like that.  

And he was only twenty-four.

He was just like you, so why weren’t you closer? You ask yourself this as you sigh out, but you immediately find your answer in the form of his and your mentor looking right back at you. Whispering amongst themselves and occasionally shaking their heads. 

Looking just like they had earlier when you had brought in Spencer’s cake before the rest of BAU had showed up for duty. 

You know that there’s no way Reid can see them. Not when his back is quite literally turned to them, so you opt to ignore it. Maybe it was all in your head.

And maybe working with him so often wasn’t so bad. 

After all, how could you hate Spencer Reid when he’s this happy from just a scarf?

You see the scarf again, soon enough. 

Maybe a little too soon.

The BAU had received an urgent call to McAllister, Virginia to investigate the supposed work of a satanic cult. Two bodies that had sustained identical blunt-force trauma to the head were recovered, one skeleton and one fresh, but the team was debating the involvement of the cult in the case.

“You're saying that there's no such thing as devil worship?” Elle asks with disbelief, but is quickly answered by Gideon.

“Not at all. But most of the satanism that we've seen is juveniles damaging property, desecrating churches, cemeteries,” He shrugs a little as he pauses.

“Besides,” you add. “Satanists, removed from religious stigma, are just ethical hedonists. They reject the perceived oppression of the Christian community by building their own, and indulging in more worldly pleasures. They’re not inherently violent.”

The elder nods at that, and you feel a bit proud of yourself in that moment.

“And to my knowledge, there has never been a proven case of a satanic ritual killing in the United States.”

“Well, maybe there is now.”

***

The scene is certainly interesting.

Gideon, Reid, JJ, and you were curious about the state of the older body, so you had made your way down the steep slope to check up on it. You get acquainted with the local sheriff while you’re there too and he explains that they found the body when they were doing their own investigation.

 Just seventy-five feet away from where they found Adam.

“It's a man. The male pelvis is more narrow and the opening at the bottom is heart-shaped, as opposed to oval.” Spencer announces as he prods at the body’s clothes with a stick, but he is immediately distracted by another element.

“Melted wax?”

“Candle wax?” JJ asks as she leans forward a bit to see it too. Spencer agrees.

“Candles are used in rituals.”

“They’re also used on birthday cakes.” Gideon is no longer interested in the scene and looks for something else that could be nearby. 

You, however, notice something different about the body. You were expecting it to look different.

If you were blitzed from behind, gravity tells you that you should fall forward. Chest on the ground.

But this skeleton’s chest was facing up. 

“Actually, they were originally used to protect the birthday celebrant from demons for the coming year. As a matter of fact, down to the fourth century, Christianity rejected the birthday celebration as a pagan ritual.”

You nod, seemingly not paying attention, but you add on to that. Much to Spencer's delight.

“Yeah, they thought that evil spirits lurked around the days of major changes so they lit candles for every year that had passed. Anway, sir, do you happen to have a good picture of Adam’s dead body?”

The sheriff narrows his eyes at the two of you, then looks at JJ who only shakes her head with a smile. 

“What kind of kids did you bring out here?” 

***

You’re surprised it took you this long to actually feel like you needed a gun. 

Hotch, as always, had paired you and Spencer together.

 Again. 

But this time, it was to go out on the field.

You had been left behind with him to continue searching the Jenson’s house. To look for anything that could concretely point to the group being responsible if the case ever went to court, but you and Reid found nothing.

And it was expected that you would find nothing. You and him had agreed that it was just far too convenient if you did, but then that kid— Cory— He asked you two to check the abandoned house farther up. 

A house that you’re pretty sure not even his father knew about.

And that’s when you got the idea. It was dark, law enforcers weren’t nearby, and you were trying to trace the tracks of an unsub that lived in an area only locals wouldn’t get lost in. You had every right to feel nervous. 

Especially when you had that sinking feeling that the unsub was the one guiding you right where he wanted you to be.

So when he led you to a house that had the goth kids’ insignia written in bright, red paint, you knew that you had to play along. 

But you also knew that whatever may or may not have been up there, the team wouldn’t want Spencer to see.

You didn’t want him to see.

So you look back at him, and nod. Giving him a look that told him that you would check the house alone, that you had a plan, and that he should stay exactly where he was until you gave him the okay clear.

By the time you got back down, he knew you saw it. 

You saw the girl, and you knew you had to get Spencer out of here.

Fast.

“Was she in there?” Cory grabbed you by the shoulder, and you could only gulp.

You had to think quickly, but you were also still so shocked to see her in– whatever state it was that you saw.

And then this kid was just pretending like he didn't know jackshit about it.

“She was in there.” Was all you could breathe out, vacantly looking past the kid that eventually let you go.

 You instinctively reach for your phone, speed dialing Hotch, but the service was so bad up here that it wouldn’t even go through. You had to clear the area, in case this goes haywire.

With no other choice, you said what you thought could get him out of there.

“Dr. Reid, I need you to check back downhill and see if the deputies have returned.” He looks at you incredulously.

“What? No! I can’t leave you here– ” 

“We need the rest of the sheriffs and the crime scene team here.” Looking dead into his eyes, he still doesn’t relent.

You need to calm yourself down. The more he thinks you’re not okay, the more difficult it’s going to be to convince him to leave.

He whispers your name as if it’ll persuade you. Grasping your shoulders like Cory did, albeit more gently.

“Right now, you’re experiencing an acute stress response, also known as the fight-or-flight response. It would be much safer for all of us to–” “Do as you’re told.” 

He freezes, but he’s still looking right at you. Eyes shaking in what you assume to be fear or worry, but he eventually nods and leaves. Constantly looking over his shoulder at you and he trips a little because of it.

You make sure that he’s out of sight before turning back to the football-genius. 

 You saw the gun he wasn’t so subtly concealing in his pants, and there was no way you were going to risk him hurting anyone else. You included.

You position yourself right in front of the house. If he makes a break for it and runs in there, it’ll be game over for just one cop and one manic robber. So you try to keep the open forest his only escape route.

That’s when you start cornering him. 

Telling him that you knew what the profile said about the killer and how it all seemed too good to be true. How the crime had to have been done by someone who was just as smart and connected as him.

How it could have only been done by him.

What you failed to take into account however was how Spencer would have definitely come back to check on you and report his findings.

Your heart drops as he stumbles into the fray.

Which is why you’re here right now.

Gun drawn at the kid, with his own resting right on your friend’s head. 

“She shouldn't have gotten mixed up in all this, it was his run! I didn’t mean to hurt her, but make no mistake– I will shoot your boy right now.”

You raise your hands and drop your gun in surrender. Scared of what he might do to him if you don’t.

—-

You hear Aaron Hotchner shout for you as he approaches uphill and you sigh. 

You’re fully expecting to hear a lecture, but not the look of deep impatience that graces your supervisor’s face.

 “Agent, I hope you understood what just happened.”

You shrink under his gaze, but he doesn’t let up. “Your actions during this operation put both you, and Reid, in serious danger.”

“Sir, but we handled it. I even made extra sure to evacuate Dr. Reid from the premises, I just wasn’t expecting him to come back and–”

“But that doesn't change the fact that he had a gun on Reid mere moments before you took him down. You were antagonizing him and while you may have been successful in apprehending him, what you did also put Reid at risk.”

This was unfair. 

He was talking like you hadn’t had the same gun pointed at you too. 

Like he hadn't made an effort to shoot at you.

There was nothing you could’ve said that could stop him, and you acted as fast as you could but you knew Hotch wouldn’t listen to any of it.

So you stayed quiet. Nodding along in understanding as he gave you a rundown of everything that you could’ve done better, and anything that you could’ve said differently.

Things that, he said, you could’ve done better while trying to keep yourself calm. 

Tring to keep yourself calm after discovering a dead body, and being threatened by someone that had your friend at gunpoint.

What’s worse is that not even a moment after Hotch left you to talk to the rest of the team, Morgan came and it looked like he had his fair share of complaints too.

“Sir Derek Morgan, I understand that you might be mad–” “Oh, so you know I’m mad?” You curse and groan out childishly, you know that, but you just really wanted to leave now. 

“Kid, I get that he jumped you, but you can’t just go rogue and expect everyone else to know what you’re doing.” 

You scoff.

“I didn’t go ‘rogue,’ I sent out Spencer to get backup so I could handle him myself. He would’ve been out of the line of fire. I did that to protect him–”

“No. You did that to play hero.” 

You couldn’t believe what you were hearing. 

“Splitting up and acting on your own like that wasn’t heroic. It was reckless. Do you know how much sleep he’s losing right now and how much more he’s going to lose just when all of this hits?”

You shake your head humorlessly. Why is it always about him?

 You’re not responsible for knowing anything and everything about him, you’ve barely known each other for a year. Why is it suddenly part of your job description to be boy-genius' caretaker?

“He’s been having nightmares,” he says your name with a weight in it.

“Don’t give him any more reasons to stay up at night.”

And he just leaves you right there. Going up to the very guy you were talking about, who was being checked by the only medic the county had on standby. Probing to see if he was alright. 

And he seemed like it. If the way his face lit up at Morgan’s embrace or the way that he smiled when JJ congratulated him was anything to go by. 

Or the way that Hotch patted his back to soothe him.

 Or the way that Elle seemed to be intently listening to what he was saying–

He’s not your responsibility, so why the hell should you care?

God, it just wasn't fair.

And you know that. You know that he didn’t ask for any of this to happen, and that you should be happy that he’s fine–

But you can’t bring yourself to look at him for any longer. Not when he goes to look at you with that tight-lipped smile and raised brows that makes him look like he can’t do anything without you.

Not when it’s starting to look like he knows exactly what he’s doing.

Not when it starts to feel like he’s doing this on purpose.

You’re starting to hate Spencer Reid.

After Morgan knocks some sense into the camera man that had been spying on the pair, Elle is the one that gives you his camera and makes her way to Spencer first. You know exactly what should be on that film, but you just wanted to give him the benefit of the doubt. 

That maybe if you didn’t look at it any closer, you wouldn’t see anything that could make you hate him more than you already do.

That he had been behaving and just being the good, perfect boy that Gideon and Hotch, and everyone else, seemed to rave on and on about.

But you didn’t even need a proper light to see just what was on it.

And you made sure he knew exactly what he had done.

“I– I fell in–”

“Doctor Spencer Reid!” Seeing you walking towards him with an anger he had never seen directed towards anyone before made him freeze where he stood. Cowering under your gaze.

“What in the fuck was going on inside you goddamn head, huh?” Elle had already left by then to talk to the camera guy with Morgan just a few feet away to leave you two to it. 

She knew what was going to happen, and she was going to let it. It needed to.

“It was an accident, I swear! She pulled me in and I—” He tried to reason, but you were having none out of it.

“And you what? Decided that then and there was the right place to eat her face off? Might I remind you that you are still on duty and this behavior is completely unacceptable!”

 If this had been you, this is exactly what you would’ve been lectured about.

But Spencer feels his brows knitting together and he shakes his head in confusion.

“You’re-- not jealous about me kissing Lila?”

“You think I’m what?!” 

You cannot believe the gall of this man. 

Cannot comprehend how oblivious he seems to the severity of the situation. 

And for what, because some hot blonde just happened to give him the slightest bit of attention? That since the rest of the team wasn’t around, he could go ahead and play house with some model and waste all his training on the field for nothing? 

You shake your head incredulously at the thought. 

“I don't know just what the hell is going on in that fuckass head of yours, Doctor, but that little bone-headed stunt that you just pulled? Could’ve cost you your life and hers.” 

Spencer tried to quell your anger. Tried to apologize, but you just kept going. Seemingly growing more and more frustrated at his feeble attempts.

 “I couldn’t give less of a shit who you do and don’t kiss in your spare time, Mr. 187. But let me remind you of something in case that brain of yours got all scrambled from exchanging extracellular fluids with Miss Archer,” 

No longer caring for his aversion for germs, because he certainly stopped caring about that earlier today, you brought your index and middle finger up to rest dead center on his forehead.

He closed his eyes and whimpered at your touch.

“You are still being pursued by a psychotic killer who is going around, shooting people in the head. We’re lucky that the guy in the bushes was just some sorry voyeur doing his goddamn job, but if it had been anyone else, you would’ve been fucking–!” 

Spencer feels the contact get ripped away from him suddenly, and he instinctively chases after it. 

The realization of how insane that must’ve been however, makes him open his eyes. 

He sees Morgan pulling you into his chest as he strides towards Lila’s house. He sees you struggle against the hold, but as his friend keeps shushing you and repeating your name from inside, you eventually calm down and relax. Disappearing into his form as Derek’s back now faces him and he can’t see you anymore.

The boy-genius feels his heart clench at the sight. A feeling not so dissimilar to what he felt when the blonde first started kissing him. 

He didn’t know what to do then. He knew what he was doing was wrong, but some small, sick part of him just wanted your attention on him so badly that he was willing to do whatever it took for that to happen.

He had been waiting for so long–

But as he recalls how you were seething at him, how even though he had your eyes right where he wanted them to be, all he could feel was the heavy cloak of shame burdening him. Weighing on his form like the weight of his wet, pool bacteria-infected clothes.

And something tells him that no amount of bathing or scrubbing would ever rid him of it. 

He doesn’t even notice the rest of the team coming back to apprehend the trespasser until Elle picks up the roll of film that you had dropped when you were dragged away. Holding it out for him to take. 

He extends his hand out of instinct, but he crushes it soon after he recognizes what’s on it.

“You’re welcome, by the way.” Is all that she says as she leaves him frozen there too. 

***

Meanwhile, you were still in Derek’s arms. Crying like some young little fragile thing and you hated it. 

You didn’t even know why you were crying anymore because even you knew that breaking a code of conduct was nothing to shed a few tears over.

“Come on, sweet girl, talk to me.” Morgan coos as he continues to hug you, which makes you sob all the harder. Embarrassed that an authority figure just saw you lose your shit on the job, so you shake your head no.

He’s probably going to tell Hotch and you’re going to get transferred out–

“We can’t do anything if you don’t tell me what’s wrong.” 

But somehow those exact words had you spilling your heart out on to him. Doing so in such a frantic state as if this was a one-time opportunity that you were never going to be granted ever again.

So much so that all your insecurities came out of your mouth in word vomit.

How you tried so hard to do everything right. How you fought tooth and nail just to make it onto the team. 

How even though you were just as young as Reid, everyone else seemed to dote on him more. 

How everyone expected you to know just as much, if not more, than him so that he wouldn’t feel so out of place, and how every time that you didn’t, everyone only seemed to care because you had put him in danger.

How none of your efforts were ever noticed because they would either be overshadowed by Spencer’s, or brushed aside because it was not enough to make up for something that could’ve gotten him hurt.

And most of all, how bad you felt because none of it was his fault, and you knew you were being unfair to him.

And Morgan listened to all of it. Listening and occasionally apologizing when he knew that he had been guilty of one or two of those transgressions.

Patting your back and giving you all the comfort that he could before he knew you had to refocus on the case.

When you see Spencer again, his eyes remain low and you can’t bring yourself to apologize in that instant because you were still on duty and work had to be done.

No matter how sorry and how pathetic you felt, it had to wait.

What you don’t see is how his gaze lingers on his friend’s hand. Absent-mindedly moving up and down your arm in, what he understands to be, a protective manner. 

—————

He was being a distraction. A liability. To the case, or to Lila, or to you, you’re not sure anymore, but you needed him out. So you did exactly what you were hired at the BAU to do.

You’ve always thought the art piece on Lila’s wall was bizarre. And now that you’re looking at it again with a much clearer mind, you finally see why.

You had asked for everyone in the room to take the wall apart, after gaining Lila’s approval, and you all pieced together the final clue.

 A mural depicting the birth of the star that is now Lila Archer. 

After Spencer points out that the man in the mural was his ex-classmate, Parker Dunley, the team sees no further reason to question his involvement and makes the preparations to leave. 

Yet something is gnawing at you, telling you that this can’t be it. 

And at this point? No one is going to listen to a theory you have because nobody listens to you once Spencer says anything.

So you suggest the next best thing.

“Excuse me?” Your unit chief raises his eyebrows at your suggestion, but you can tell that it’s mostly a formality.

“Sir, with all due respect, it is in our best interest to relieve Dr. Reid of his position as Miss Archer’s bodyguard. He is now a potential target, and he knows Parker Dunley best among all of you. He would be most useful to the investigation if he joined the others.”

Spencer makes no attempt to contest, wanting nothing more than to just get this over with and talk to you when it’s all done, and Lila doesn’t say anything either. Just wanting the ‘traitor’ to leave her house and never come back.

Hotch senses this and sighs. He looks over to Gideon, who looks like he couldn’t care any less, and then back to you. 

“Alright then. You’re switching places with Reid. We’ll let you know if anything happens.”

He then discusses with the others that he’ll be joining JJ at the local PD while Morgan, Elle, Reid, and Gideon will be closing in on Dunley.

So that left you alone with Lila, which was going a lot easier than you had expected it to.

“I’m sorry about your boyfriend. If I knew you were a thing, I wouldn’t have tried so hard to kiss him.”

She seemed so guilty as she said it and you just shook your head, but you noted the use of the term, “try.”

“Oh Miss Archer, please don’t apologize. He's not my boyfriend. I was just really upset that he could’ve gotten you hurt when he was supposed to be protecting you.” 

You move to stand a little closer to her, still keeping a fair amount of distance so you wouldn’t crowd her. 

"Besides, I think he's more into you than you think."

Under more normal circumstances, you supposed that they could work. Spencer most likely only hesitated because he was holding on to some semblance of professionalism he could maintain with the beautiful woman.

In another life, maybe this would've panned out differently.

“I saw the way he looked at you, you know?” Now that interests you and you tilt your head at her. 

“Like he hated me?” 

Her laugh was empty as she shook her head. “You’re just like him.” Is all she said.

But before you could ask any further, a call had interrupted you. 

You looked at the caller ID and saw that it was the very guy you were talking about. ‘Dr. Reid,’ it read.  The sight makes you sigh.

You know him well enough that he would never call you for work, and that this must have been for something personal. 

‘Stay professional,’ you told yourself, so you drop the call.

If it had really been important, someone else would call you.

As soon as you move to put your phone down however, it rang again. You checked it and fair enough, this time it was from Derek Morgan. 

You bring the phone to your ear.

“Hello?”

“Sweet girl, listen to me. We have a name, and it’s ‘Maggie Lowe.’ We’re on our wa—Christ man—we're on our way back over there, okay? Stay put and we’ll let Hotch and JJ know.” 

There’s shouting from his end that worries you, but you nod with a hum and end the call. 

You turned back to Lila and asked her very hurriedly if she knew anyone by that name, and her reaction tells you everything. 

You try to tell her that she’s the unsub and just while she’s still confused at your sudden change in demeanor, her phone rings. 

She shows you that it’s ‘Mags’, her friend, and you immediately try to calm her down and ask her to keep her friend on the phone. Expressing softly, but with great urgency, that it is imperative they keep her on the line.

Just as Lila answers, you immediately dial Garcia. “Oracle of Quantico, speak if you deign to hear the truth.”

“Miss Garcia, I need an emergency trace to a cell phone from Lila Archer’s phone.” 

You hear her gasp a little, reasonably concerned that you had been speaking so softly. A stark contrast to your usually strong and sure voice, but she steels her own and lets you know that she’s on it. 

You recite to her Lila’s phone number, having memorized it from her manager, and you instinctively look back at her to see her still pacing on the phone. 

You try to smile warmly, mentally patting her on the back for her efforts, and she nods back in response. Somewhat thankful for yours. 

As you wait, you suddenly remember Spencer’s phone call from earlier. Was this why he called?

Fuck, what if he wondered off and had been calling for backup but you just dropped the phone on him?

Maggie could be anywhere. It would be no surprise to you if she had actually gone back to find Dunley to eradicate any leads that could trace back to her. What if she was–

You’re quick to tune back into your own call however when you hear Penelope halt her typing and call out your name. 

“Is Lila’s address 6028 Pike Street?”

You don’t like where this is going. “Yeah.”

“She’s calling from inside the house.”  You sigh, in relief? In fear?

 “I’m sending you backup right now, please be safe, my love.” She says with a tremor in her voice and you drop the call immediately. Catching the attention of the blonde in front of you.

“Lila–” but then you hear a shout and a thud from another room and you shake your head. You didn’t need to ask how she got in the house because that wasn’t important anymore. 

The profile was. And the profile said that it was an erotomanic killer. 

You could work with that. 

—----

It didn’t take long for you to find Maggie. Well, you'd laugh if you could, because it was more like she found you. 

On the other end of her gun. 

With Lila in her arms.

There was no way that you could stall for however long it would take for the rest of your team to get here, so your best shot at surviving this was to talk her out of it.

“Maggie, put the gun down–”

“Don’t call me Maggie, you don’t know me.” She spit out, venom in her voice as she tried ushering Lila out with her.

“I know what it’s like.”

 You don’t know what the fuck you were saying, but you were panicking. It wasn’t your first time being held at gunpoint, it had happened so often that Hotch even claimed you were always begging for it.

But this was different. None of the right words were coming to you. 

You had to think of a way to deal with this, fast, and you didn’t know how to make it believable enough.

“No you don’t, little girl. Don’t pretend like you do.”

“But I do!” You put your gun down in a panic and held your hands up in surrender.

“I know what it’s like to l-” your mouth went dry. “To love someone– someone that doesn’t love you back.” 

You seriously don’t know what the fuck you’re saying. 

Maggie laughs at what you say though.

“Well it sucks to be you, but my baby loves me. Isn’t that right?” She makes a show of tucking Lila’s hair behind her ear, but even through her fear, she denies her friend. 

“I don’t, Mags.” Maggie’s jaw tightens at that.

“Yes you do, I know you do– Don’t act like you don’t, you stupid, ungrateful–” you cut her off. 

“She doesn’t, Miss Lowe. And I know you know that.” She shakes her head, but still keeps her gun on Lila.

You push a little harder. “I know because I know what it’s like to love someone. To meet your match.” You approach her just a little.

She shifts the gun to you now, but you continue to push. 

“I know what it feels like to get tunnel vision. Where nothing matters, not even yourself, as long as it makes her happy. Keeps her safe. ” 

You look her in the eye, and you can tell that it’s not enough. You need to switch gears, but you can’t think of anything else to do.

“And– And I know what it’s like–to feel everything so strongly—so much so that you don’t even know what’s happening until it just is.”

You realize it now. It was all you

It was never about the teasing of your teammates, never about the expectation that Hotch or Gideon had.  

You never hated Spencer. You just wanted to belong. You just wanted to be treated like how he was. 

The realization makes your eyes water.

You didn’t even notice it, but as more and more words fall free from your mouth, all you can think about is him.

 About how you’re sorry. About how you never meant to hurt him. About how he doesn’t deserve your frustrations and that everything you did was just for him.

About how you could never hate anyone as loveable as him. 

You shake the thought away. Hands still up high.

Maggie’s eyes narrow, her finger twitching on the trigger. “You think you can understand me, huh? Talk your way out?”

You shake your head. “No, but I think I can reach you,” 

You take a step forward.

“I thought I hated him, Maggie. I thought he was doing it all on purpose. Kept thinking, ‘we were so similar.’ So why was it that being smart was special, and made everyone treasure him, but not me? And I think, maybe–”

You take another.  

“Maybe I was just scared. Scared that I wasn’t good enough. That I would always be overshadowed.”

Maggie’s grip on the gun tightens. “So what? You think that makes us the same?”

“No,” you say softly, taking another careful step forward.

 “But I do think that you’re the type of person that’s willing to do anything, no matter how desperate, to be seen.”

Maggie’s expression wavers, but the gun remains steady. “You don’t know anything about me.”

“I know enough,” you insist. “I know that hurting Lila won’t fill that void. It won’t give you what you’re looking for.”

Maggie’s hand trembles. “I would never hurt her--”

“Yes, you will. You will because you’re a danger to her, but that can change. You don’t have to hurt anyone anymore.”

Maggie’s face contorted with rage. 

“Shut up! You don’t know anything!”

When Maggie goes to shoot at you, you tackle the gun out of her hand. Wrestling her to the ground as you did.

 You look behind you and tell Lila to hurry and grab your gun from off the floor and leave, and she does just that.

 Not even sparing you, nor her ‘friend,’ a glance as she makes her escape to where you hope your team now was.

From outside, the team sees Lila holding a gun like a bomb in her hands, and running into the arms of Spencer Reid. The others that were still in their car quickly try to get out. To understand the situation, but then a single gunshot is heard from inside the house.

The rest of the team rushes in. 

Due to the results of my poll, there will be a part two! One where it's all from Spencer's point of view + the aftermath of this case lol

Please let me know what you think of this one though!! Or any ideas you might want to see in the second part, or literally anything at all--

Like my work? Consider tipping me!!

[sundrop-writes]

The Patron Saint of Liars and Fakes

Spencer Reid x BAU!Fem!Reader

Summary:

While undercover inside the Separatarian Sect, you and Spencer realize something important: you can’t live without each other.

Spencer Reid x BAU!Fem!Reader. Co-Workers to Lovers. Fake Dating. Hurt and Comfort. Set during Season 4, Episode 3.

Word Count: 8,200

Criminal Minds Masterlist | AO3 Link

THIS IS A RE-POST. This is a fic from my old blog (a blog that was shadowbanned, forcing me to move). This fic is not stolen, it is completely mine, and I am just re-posting it to help people find my new blog, and to make my masterlist complete when I post new fics for this fandom.

Detailed warnings and author’s notes below the cut.

Warnings: Lots of spoilers for the canon episode - so if you haven’t watched Season 4 of Criminal Minds yet, steer clear of this fic for now (especially because watching the episode provides some context for this fic/makes things make more sense); the reader uses she/her pronouns and has the ability to get pregnant (she is not pregnant during the fic and there’s no smut, but due to discussions in the fic, it’s not unreasonable that she could get pregnant); fake dating in the form of a fake marriage - the reader and Spencer pretend to be married under the Christian religion to ‘appeal’ to Cyrus; because of the fake marriage, Spencer uses the term 'my wife’ to refer to the reader; lots of mentions of religion (Christianity), religious extremism, mentions of pedophilia/child brides (in line with the canon episode); mentions of systemic sexism and gender roles enforced by cultures of organised religion and religious extremism; use of y/n and l/n (in this case meaning 'your last name’); the reader pretends to follow the Christian religion while undercover but I never stated if she believes in a less extreme version of these things or not (the reader’s true religious beliefs are never stated); protective!Spencer, possessive!Spencer; mentions of Spencer being taller than the reader (which, again, I think he would be taller than most people) - the reader’s body/body type is not described in any other way; mentions of guns and gun violence (not described in deep detail) - in line with the canon episode; the reader and Spencer fear for their lives; dangerous/live-threatening situations; the reader and Spencer are threatened with a gun; Cyrus is just generally creepy and sexist toward the reader; Spencer is pistol-whipped and the reader is threatened with sexual assault (it does not happen, Spencer protects her); mentions of pregnancy/the reader being pregnant (she is not pregnant during the course of the fic); mentions of the reader being a mother/having kids (Spencer makes up fake kids to sell their fake marriage story); the reader realizes she might actually want to be a mother because of Spencer’s fake kids story; mentions of an explosion (as in the canon); love confessions; angst with a happy ending. Hopefully that is everything.

A/N: The title for this fic comes from a Fall Out Boy song of the same name. The theme/lyrics of the song don’t really fit the fic, but I love the way that this title fits - how everyone in this fic is lying in some way but Spencer is someone with good intentions while lying. Making him the Patron Saint of Liars and Fakes. I love how it fits. I wrote this while suffering with heat exhaustion so idk if it’s good or even makes sense. I rewatched the canon episode and it doesn’t 100% align with what happened in the episode in terms of the timeline and stuff, and I am too tired to rewrite the whole fic to make it align with the episode. So uh - alternative canon? But I really love the basic concepts and I do really love how it turned out. I hope you guys like it too!

...

You thought it would be an easy day. 

Maybe that was foolish on your part. So far, you hadn’t seen a single ‘easy’ day while working with the BAU. Between chasing down scumbags and then reliving every single gory detail while doing the paperwork - none of it was ‘easy’. It was worthy, accomplished work - making the world a safer place to live in. (At least that’s what you told yourself.) But it was never easy. 

There was always someone who made the job easier. Someone who made you smile every single day - especially on days when you didn’t think you were even capable of feeling a tiny shred of joy. Someone who made you feel safe, who you always felt had your back no matter what. So you were glad that he was by your side today, along for the ride. 

“Tell us about Cyrus.” Reid prompted. 

He looked to the woman driving, your new companion for the day - Nancy Lunde, someone who worked with the state department and had set up the interviews with the children at the Separatarian Sect. 

“Benjamin Cyrus. No criminal record. In fact, there’s no record of the guy at all.” Nancy explained. 

“That’s odd.” You commented. “Usually someone being accused of something like this would have some past offenses. Especially because it would give him a reason to move into isolation to continue the criminal pattern of behavior.” 

“Well, I couldn’t find anything on him.” Nancy shrugged. 

“What about the 9-1-1 call?” You asked. 

“A fifteen year old girl called in saying that a man was ‘laying with her’ and claimed it as ‘God’s will’. I believe the ‘he’ referred to is Cyrus.” Nancy explained. “The age fits with Jessica Evanson, but I’ve managed to negotiate interviews with all the children, just to be sure. It wasn’t easy.” 

“They’re incredibly weary of outsiders.” You commented. “Our boss warned you not to identify us as FBI, right?” 

Nancy nodded. “I got you some spare credentials, just in case.” 

She took one of her hands off the wheel and reached into her pocket.

“You’re going to be using your real names. You’re going in as Child Victim Interview Experts working with Child Protective Services. No association with the FBI.” Nancy explained, handing Reid your fake credentials. 

He nodded, inspecting the IDs before handing you yours where you were sitting in the backseat. 

“Oh, before I forget.” You noted, reaching into the pocket of your cardigan. “The rings.” 

You pulled out a small plastic bag that Hotch had given to you before you left. It was a bag containing a fake diamond ring in your size and a fake golden ‘wedding’ band for Spencer. 

Reid reached over the seat to grab his ring from you, and Nancy gave the two of you an odd look. 

“Rings?” She questioned. 

“Fake wedding bands.” You explained. 

“It was our Unit Chief’s idea.” Reid added on. “He believes that presenting us as a ‘godly’ married couple to Cyrus will make him more likely to open up to us. He’s less likely to see us as hostile outsiders if he believes that we share a similar system of beliefs.” 

“It could also have a calming effect on the teenagers we have to interview or the kids there who have had more time to go through indoctrination at the Sect.” You continued to explain. “Even if their parents are hesitant to let the kids speak with us, they may be more willing to have their child speak with us or even leave them alone with us if they believe that we’re fellow Christians, rather than hostile atheists there to poison their children’s minds.” 

Reid nodded at you through the rearview mirror. 

“Make sure you put on the left hand.” He told you. “That’s the position for marriage.” 

You nodded at this. 

You placed the ring in the appropriate position, and you couldn’t help but to take a moment and stare at it. It was jarring to have a wedding ring on - especially with the thought that it represented you being married to Spencer. But you supposed, of all the people to call your husband, he would be one of the best. He was honest, intelligent, kind, and… if you were pressed, you would definitely say he was handsome. 

But you couldn’t get too caught up thinking about all of that. Because it wasn’t real. It was a false projection you were wearing for the benefit of a self inflated sociopath. 

Spencer liked the feeling of the ring. He didn’t take too long to stare at it after he had put it on, because he knew his mind would wander if he did. When Hotch had first proposed the idea of the two of you pretending to be married, Spencer had almost tripped over himself to oppose it - mostly because he didn’t think that he would be able to handle simply pretending to be your husband for the day. It was just too cruel. 

Having something he wanted so badly dangled right in front of him and knowing that it was all just a farce - it bothered him, but he delighted in the play nonetheless. 

When he caught the fake gold glinting in the light, Spencer had to remind himself that it was fake - that you would just be playing his wife for the day. He had to push back any internal glee that he felt at the idea that he got to be ‘taken’ by you while wearing that ring. It wasn’t real. It was just for the day. 

“Isn’t that deceptive?” Nancy asked. “Won’t Cyrus be even more angry if he finds out that it’s not true?” 

“He won’t find out.” You replied confidently. “And besides, we use deception in interrogations all the time. It’s a very basic tactic: align yourself with the suspect. Make them think you share the same beliefs, that you’re on their side.” 

Reid grinned at this. He always loved it when you spoke so confidently. 

… 

“We’re looking for Mr. Benjamin Cyrus.” Nancy announced as the three of you got out of the car. 

“Then you’ve found him.” Cyrus announced confidently. 

He was pretty much what you had expected him to be - dressed informally, slouched over, faking meekness, holding a bible near his chest as though it were a shield. He had planted himself there purposefully, wanting to be the first person to interact with the outsiders as three of you came into the Ranch. 

You hovered back near Spencer, letting Nancy make the first introduction. 

“I’m Nancy Lunde.” She said, giving a small nod toward the man. “We spoke on the phone regarding the allegation.” 

“‘Savages they call us, because our manners differ from theirs.’” Cyrus rhymed off a quote, obviously positioning himself and his group as martyrs being attacked for having ‘different ways’ that the world simply didn’t understand. 

“We didn’t come here to hear you cite scripture, Mr. Cyrus.” Nancy reminded him, hoping to keep the religious zealot on track. 

“Actually, it’s Benjamin Franklin.” Reid corrected her, talking about the quote. 

That did surprise you, but you didn’t find it surprising that Reid knew this fact right off the top of his head. It was just one of the many amazing things about him - his perfect memory and his ability to use it. 

Of course, him saying this immediately drew Cyrus’ attention toward the two of you. So Spencer stepped up to introduce you. 

“Hello, I’m Spencer Reid, and this is my wife, Y/N L/N.” He said motioning toward himself and then to you as he introduced the two of you. Hearing him refer to you as his wife - you hated to say it, but it caused a jolt through your system. Almost as if you had been waiting forever to hear him say those words and hadn’t even known it yourself. “We’re Child Victim Interview Experts, here on behalf of Child Protective Services.” 

Of course, you couldn’t get too caught up in deciphering how those words made you feel, because you had to focus on the task at hand. The job that you were here to do. 

“How far from God’s word must we have strayed for there to be a need to invent a job called ‘Child Victim Interview Expert’.” Cyrus said, his tone even, quiet. 

You knew that covertly, it was his way of saying that the two of you didn’t belong there, because he ran the Ranch with God’s word, so nobody had actually been harmed (in his opinion). He believed that he had done nothing wrong. Obviously, he thought your time and resources were better spent with ‘actual’ victims who didn’t have his power wielded over their lives. 

“I can assure you, Mr. Cyrus, we try to bring God into our work.” You told him, trying to appeal to him. “The children we visit usually need prayer and God’s light the most.” 

Spencer gave you a sideways glance, clearly holding back a grin at how thick you were pouring it on - how much intense, feigned passion you said these words with. 

“Well, I can assure you that a lack of prayer and God’s light is certainly not an issue for the children here.” Cyrus said, giving you a clever little grin. He thought that you would simply interview the children, praise him for what a good job he had done, and then leave. “You can go and see the children whenever you like. They are up at the school, as I indicated in our phone call.” 

Nancy walked toward the school, and you paused before you followed. 

Before you walked off, you looked to Spencer. In a completely silent conversation that only worked so well because the two of you had been in so many tense situations before, thinking around UnSubs and planning miles around them before they could even know it, he gave you a small nod and you instantly knew what it meant. He had established a small bit of trust with Cyrus, so he would stick back and see what else he could get out of the man. 

You nodded back, and then - completely surprising yourself, you leaned in and kissed Spencer on the cheek. You were just playing the part, you told yourself. It’s not that it felt entirely instinctive to say goodbye to him with some kind of affection, like the many hugs you had given him before. It’s not that you felt so entirely scrutinized with Cryus’ piercing eyes on you, and you needed the anchor of Spencer’s touch. 

You were just playing the part. 

Spencer tried not to get caught on being kissed on the cheek like he was some blushing virgin, and instead, focused his attention back on Cyrus instead of watching you walk away. (Even though every single one of his instincts told him that he needed to keep a more careful eye on you because you both had to leave your guns in the car.) 

He took a step closer to where Cyrus was leaning on the concrete, and easily picked a topic of conversation. 

“Solar panels.” Reid said, motioning to the large devices sitting behind Cyrus on the grass. 

“Yes.” Cyrus nodded. “We’re completely self-sufficient here. Food, electricity, water. Benjamin Franklin said ‘God helps those who help themselves’.” He explained. “You look surprised.” 

“No, uh, impressed, actually.” Reid easily lied, trying to appeal to his ego. 

“Thank you.” Cyrus said. “Most men wouldn’t admit that.” 

“Well, I suppose that I’m not like most men.” Reid shrugged in return. 

“How long have you been married?” Cyrus asked, motioning toward Reid’s ‘wedding ring’. 

Reid panicked slightly, knowing that the two of you likely should have coordinated this story during the plane ride to Colorado so that your answers to these simple questions wouldn’t be different. But he just made up an answer and hoped that nobody else would ask you the same question and find out the deception. 

“Three years.” He said. “I’ve been very blessed.” 

He used the language purposefully, knowing that the simple phrase could get him on Cyrus’ good side. That, and he hoped it would draw the attention away from any possible signs of his blatant lie. 

“Your wife is very beautiful.” Cyrus commented. 

He gave a wicked smirk as he said this. It was a simple, fairly ‘innocent’ comment, but it was immediately off-putting to Spencer. It took everything in his body not to glare daggers at Cyrus or throw out some protective comment in return. He could only imagine what was going through Cyrus’ mind as he thought about you, and he hated even imagining it. 

Reid knew that it was a basic logical good, the instinct to protect you because you were his partner on this case and he was supposed to have your back. But it was also something more. Something in every fiber of his being that screamed you were his and no man should ever be thinking of you that way except for him. 

“Has it been a godly union?” 

He was lucky when Cyrus spoke again and distracted him from his mounting rage. 

“We try to be as godly as we can be.” Spencer took the simple, diplomatic answer. 

“Your wife didn’t take your last name.” Cyrus pointed out. 

Nancy had used your name on your false credentials because Hotch had only come up with the fake marriage idea the day before. There hadn’t been time to inform her about it and have ‘Reid’ put on your ID as your ‘married’ name. So he had introduced you by your name to keep everything consistent with the reuse. 

It did make Spencer wonder if you would keep your last name if the two of you ever did get married. It made him almost dizzy, thinking about you as ‘Mrs Reid’. Thinking about your kids having his name. Or your name, if that’s what you wanted. 

But naturally, he pushed past all those thoughts and formed an excuse. 

“Typically, married women aren’t very well perceived in our line of work.” He quickly excused. “She doesn’t even get to wear her ring that often. She couldn’t change her name on paperwork at our office because a working married woman… it’s heavily frowned upon.” 

“Well, I’d have to agree.” Cyrus grunted. “A woman shouldn’t be out working. A woman should be at home raising a family.” 

“I - I suppose you’re right.” Reid agreed through gritted teeth. 

He walked away toward the school before he got too angry again. 

… 

A few hours later, everything had gone to hell. 

Some authority - the police, the military, you didn’t even know - had charged into the Ranch shooting. In response, Cyrus and his followers had come into the school toting large semi-automatics asking you and Spencer if you knew about a raid. 

You didn’t. You wish you had known about a raid. You would have warned Hotch and gotten them to call it off. You certainly would not have been there while it was happening. 

When they had pointed those guns in your face and forced you into the tunnels - it wasn’t very difficult to pretend to be Spencer’s wife then. Cowering in the bunker, confused and scared, you flung your arms around his waist almost instinctively, and he buried his nose in the top of your hair as he wrapped his arms around your shoulders like a shield, promising you that everything was going to be okay. 

Whispered to you like that, coming from him - it was almost easier to believe. Even with the chaos going on around you and the fear pumping through you in response. 

Nancy had run off trying to get them to surrender and did not come back. You had a feeling that you knew what that meant. 

And now, with the kids from the school ‘evacuated’ into the church, you were being held in the cellar at gunpoint. They had forcefully separated you and Spencer, making you sit in chairs at opposite sides of the room.

Spencer was fidgeting. His eyes kept flickering from the door, to you, to the man standing beside you holding the very large gun. 

You knew that you had ugly tear tracks down your face, and oddly enough - you wanted nothing more than to be back in his arms. As you were forced to sit there, just a few feet across the room away from him - you ached for it. 

There was a very large possibility that you were going to die today. And you selfishly needed the comfort of being in the arms of someone familiar - someone safe. Someone you knew would never hurt you. Someone who had made you laugh with dumb science jokes and puns for the last five years that you had worked together with him. 

When Cyrus charged back into the room with two men flanking his sides, you and Spencer stiffened up once again. 

“God will forgive me for what I’m about to do.” Cyrus announced to the room, presenting a handgun from his belt. 

Your insides quaked, and Spencer’s eyes grew wide. 

You couldn’t contain the fearful whimper that erupted from the back of your throat when he raised that gun and placed it near the middle of Spencer’s forehead. You clasped a hand tightly over your mouth to keep yourself from crying out in protest, knowing that would only make things worse. 

“Which one of you is the FBI Agent?” Cyrus asked firmly. 

Which ‘one’? 

So he knew that you were undercover, that you had lied about your job titles - but he thought that only one of you had done so. Where the hell was he getting his information? 

“I - I have no idea what you’re talking about.” Spencer told him quietly, looking him in the eye the entire time. 

You hoped that his stutter could be passed off as nervousness from the gun being pointed in his face, and wouldn’t be pointed to as deception. 

“Which one of you is it?” Cyrus pressed. 

“We are not FBI Agents.” Spencer said, more confidently this time. “We are Child Victim Interview Experts. We were only sent here to ensure the wellbeing of the children. Nothing more, nothing less.” 

Well, that last part wasn’t a lie. 

“You’re lying.” Cyrus told him, entirely confident in this. “God expells those who lie, devils in sheep’s clothing.” 

There was a tense moment, and then Cyrus cocked the gun. 

Spencer didn’t flinch. You resisted the urge to scream. 

“Proverbs 12:22 says: ‘The Lord detests lying lips, but he delights in those who tell the truth.’” Cyrus said, actually citing scripture this time. 

He was giving Spencer one last chance to tell the truth. As if using the bible verse to say that his punishment would be lesser if he simply told the truth now. 

Spencer didn’t take the bait. 

“I’m not lying.” Spencer said firmly. “What? You think I wouldn’t know if - if my wife was an FBI Agent? This is the woman I wake up next to every single morning, the woman I go to sleep next to every single night, we work together every single day, we-” 

Cyrus interrupted Spencer’s ranting with a sharp hit to the face, pistol whipping him across the cheek. 

This caused Spencer to go flying off the chair, and you couldn’t help when you let out a wounded cry. It took everything in you not to jump out of your own chair and rush to Spencer where he had collapsed onto the ground, clutching his cheek. 

“Someone is going to tell me the truth.” Cyrus said gruffly. 

“It must have been Nancy!” You said, the idea finally popping into your head. 

You seemed to be more clever with the pressure of Spencer’s life being threatened. Cyrus stared you down, turning his attention fully toward you now. You caught Spencer’s eye for a moment and he gave you a small nod - as if to say ‘yes, keep going with that’. 

“The woman we came in with! Nancy!” You reasoned, continuing to point the finger at the woman you had to assume was dead. “We - we just met her today. Our boss introduced us to her, but we had never met before that. If she was FBI, we had no clue. We swear.” 

Cyrus turned to you then, and tightly pressed the barrel of his gun into your forehead. You could feel the imprint of it so tight in your skin that it hurt, and you could only lean away so far before threatening to knock the chair backwards. 

“It’s very convenient to pin this crime on someone who isn’t here.” He grunted at you. 

“It’s the truth.” You sniffled out quietly. 

“Hmm.” Cyrus hummed thoughtfully, and then, much to your surprise, he removed the gun barrel from your forehead. 

You barely had a moment to breathe in relief before he began skimming the gun down your neck, touching the metal whisper-gentle across your bare skin - clearly taunting you. It was something that made your whole body stiff with alarm, and caused Spencer’s eyes to go wide once again.

“Perhaps I should strip you naked to ensure that you’re not wearing a wire.” Cyrus said, teasing the gun along the buttons at the front of your cardigan. 

You held back a sob at the thought of it - at the idea that he could make you do almost anything for the fear of you being shot. Truthfully, you were more afraid of what he might do to Spencer if you didn’t comply, but it was all the same in your mind now. His life was just as valuable as yours, and you would do whatever it took to protect him.

Before Cyrus could take these threats any further, a heroic voice intervened. 

“That’s enough!” Spencer yelled. 

He gathered himself off the floor and oddly enough, none of the men moved to stop him as he came to stand beside Cyrus. Perhaps they didn’t see him as a threat. Perhaps it was because Cyrus didn’t bark any orders at them to stop him. He was entirely unflinching, keeping his focus on you and keeping his gun held between your breasts as Spencer crowded into his personal space, trying to press himself between you and the awful man. 

“We’ve told you everything that we know.” Spencer told him lowly, his voice heaving with well controlled anger. It was something that you had rarely ever heard from him. 

Cyrus kept his eyes locked on you, so Spencer continued. 

“We don’t know anything about the FBI - we have a simple job advocating for children who have been abused. That is it. We came here to investigate a most likely false claim against someone in your community and we truly didn’t mean to get caught up in all of this.” He said firmly, clearly trying to appeal to Cyrus. “So I suggest you get that gun away from my wife before you and I truly have a problem.” 

Spencer’s voice was dark, so thick with rage. More pent up rage than you had ever heard from him when he was talking to any suspect, people who had done the worst of the worst. Something about Cyrus threatening you had truly boiled his insides. 

The way he said the words ‘my wife’ - growling it out like he was a feral animal and this threat to you had activated every single one of his protective instincts. Hearing it made something inside of you yearn for him on such a deep level that you didn’t know was possible. You wanted to feel that kind of protection cast over you every single day. It made you feel invincible, having Spencer watch over you like that. 

Cyrus lowered the gun then, and Spencer grabbed your arm as you dissolved into hysterical tears. Instinctively, he lifted you up into his arms. You thought that you heard Cyrus mumble out ‘my apologies’ as he left the room - but he was barely on your radar. Your entire world became narrowed down to nothing but Spencer, your safety net as he built a wall of protection around you. 

He used his height to block you from seeing anything but him, letting you push your face into his chest as you cried. He wrapped you in his arms once again, letting you feel truly safe for a few moments as you sobbed into the fabric of his sweater. Your arms clutched desperately at his waist, needing to keep a hold on him - needing to ensure that he didn’t leave you. 

“Hey, shh. Shh. It’s okay.” He said, leaving gentle kisses on the top of your forehead and your hair, rubbing across your back with one hand, comforting you in the only way he could in those moments. “It’s gonna be okay.” 

Of course, he wanted to break down too. But he had to be strong for you. 

“Spencer,” You called his name in an utterly wounded voice, pulling away from his chest to look up at him. 

When you saw his injury up close - a sharp, purple-red bruise that was blooming across his cheek, it looked so utterly painful. Your insides ached at the thought that he had taken a blow for you. You hated to imagine what more they could have done to him if they had not believed your lies. 

You instinctively reached a hand up to touch it and he caught your fingers halfway, instead, gently grasping your hand and laying it on his chest. The intimacy felt so oddly rehearsed - so worn in, so ‘normal’. It felt like you had been married to Spencer for years. Like it wasn’t a play at all. 

Your two souls had been calling out to each other for years, just waiting for the dam to break. But you couldn’t quite put it into words - not like that. 

“It’s okay.” He said quietly, knowing you were horrified by the injury. 

He was so gentle, so comforting, so calm. Everything the men pointing guns at you were not. Unlike Cyrus - Spencer Reid was a true blessing from God. 

You couldn’t hold yourself back then. 

You surged up and kissed him, fully embracing his mouth with yours in a kiss. Though it was so sudden, it was something he easily returned. The kiss so full of urgency, so needy, so passionate. Like he was trying to tell you that it was okay, that he would protect you no matter what. 

He would protect you because you belonged to him. 

In those moments, the two of you were basically alone. One of Cryus’ men was guarding the door, watching on boredly. But Cyrus was off in the church, funneling people in to prepare for his ‘loyalty’ test. It didn’t matter if he saw you kissing or not - it wouldn’t have sold the reuse of you being married any better. 

This was just for the two of you. This was comfort. 

When you pulled back from the kiss, Spencer looked stunned, almost as if he couldn’t believe what had happened. You didn’t give him time to question it. 

“Thank you.” You said quietly. 

It was twofold:

Thank you for protecting me. Thank you for giving me comfort. 

Spencer didn’t have too much time to marinate in the meaning of the kiss before Cyrus’ men came back and fetched the two of you, wanting you to observe the loyalty test. 

… 

After the mock poisoning (which Spencer figured out rather quickly, making you admire his cleverness once again), Cyrus kept you and Spencer in the church with a few of his closest, most loyal followers while all of the low level followers dispersed back to their homes. 

You and Spencer were lingering in the back quietly while Cyrus was on the other end of the room, talking to his men about how to proceed. The plans for their ‘final stand’. 

“We need to get some kind of signal to the others.” Spencer whispered quietly. “Maybe they’ll take pity on you and let you go if-” He swallowed sharply, cutting himself off abruptly. Oddly enough, he didn’t want to voice whatever was on his mind. 

“If what?” You probed. You wondered what the hell you could possibly be thinking. 

“If we tell them that you’re pregnant.” He said, whispering so lowly that you almost didn’t catch the words. 

You rolled your eyes sharply at this. 

You had gotten married and had kids all in one day. What a miracle. 

(In those moments, clouded by fear, you couldn’t see it for what it truly was - Spencer blatantly revealing his unconscious desires to have a baby with you.) 

“We could convince them to release you. As a show of good faith. A pregnancy would be good leverage in that. You know how religious people are about fetuses-” Spencer reasoned. 

“Yeah, and what if they give me a test?” You probed, punching a large hole in his logic. “We don’t know what kind of infirmary they have here. They obviously believe in modern technology. What if they want to give me an ultrasound to check on the fetus after the stress of the day? To prove that they did no harm to the precious unborn child,” 

Spencer was easily caught on this point. If they examined you and found that you weren’t pregnant, all the lies would fall apart. 

“Well… what if we tell them that you have a baby at home that you need to get back to?” Spencer reasoned, jumping to the next logical conclusion in his mind. “It’ll likely garner the same level of pity.” 

“Your imaginary sperm is powerful, isn’t it?” You whispered back sharply. Spencer rolled his eyes this time. But he didn’t redact the plan as unreasonable, so you continued on. “Okay, what do I even do when I get out there? I’m not gonna be of any use to the tactical team. We don’t know what Cyrus’ final play is yet.” 

Truthfully, you couldn’t bear to be separated from Spencer. Knowing that he was inside, potentially being beaten up more, potentially being shot and bleeding out from a wound without you knowing - it would kill you with stress. You need to be by his side. You needed to know that he was okay. 

“Has God blessed your union with any children?” Cyrus appeared behind you suddenly. 

You wondered if he had heard you say the word ‘pregnancy’ or if this was just a random topic that had come up in his mind. 

His sudden appearance behind you caused you to whip around and crowd into the comfort of Spencer’s arms again because you were frightened. Naturally, Spencer wrapped his sheltering touch around your shoulders. Your back was gently pressed into Spencer’s front, his arm shielding you protectively as it was wrapped around your chest, holding you with his hand on one of your shoulders, unconsciously stroking his thumb across the fabric of your cardigan. The position had you both facing Cyrus, watching the fan in an offensive way. 

And of course, Spencer didn’t miss a beat. 

“Yes.” Spencer answered easily. “We have two kids at home. A boy and a girl. Iris and Hugo. Iris is almost three years old and Hugo is eleven months. His first birthday is coming up in June.” 

You knew that Spencer could be very good at talking off a suspect’s ear under pressure, but when you heard him rattle off these ‘facts’ so easily, it hit you. 

This wasn’t simply statistics or physiological knowledge - this was a very elaborate backstory for your supposedly real marriage. Perhaps he had thought about all of it on the car ride up (which was odd not to share it with you, in case Cyrus asked you a similar question and your answer didn’t match up with Spencer’s). 

But if you weren’t mistaken, this wasn’t simply a backstory for your fake marriage during the undercover mission. This was a fantasy of his. Those were names he had lovingly chosen for your imaginary children - kids he had dreamed up in his head and wanted to be real. 

Your heart ached at the thought of it. You found yourself missing a set of children that weren’t even real. (And distantly, wanting to jump his bones to make it a reality.)

“Tell me, Mr. Reid, would you find it so shameful for your daughter to marry young?” Cyrus asked. 

You found it odd to hear Cyrus call Spencer ‘Mr. Reid’, but you realized that he hadn’t introduced himself as ‘Doctor’ in this setting. You held your tongue when you felt the need to correct him as you had so many other people, wanting Spencer to receive his proper title. 

Your mind almost couldn’t focus on the question that Cyrus had asked. Of course, he was trying to get Spencer to stroke his ego once again. Basically admitting that the whole reason the two of you had come here was true - he was being vastly inappropriate with a young member of the church, and getting away with it. And he saw nothing wrong with it. 

And he was trying to get an outsider to admit that he saw nothing wrong with it too. 

When there was a moment of silence - Reid obviously torn on how to answer the question, Cyrus continued. 

“Is there really something so wrong with a blooming young woman marrying a man who will protect her under God’s laws?” He probed, his voice so entirely confident. Clearly confident that he was right. 

“Well, I’m not sure if I would let my daughter get married so young.” Reid said, finally speaking up. “I just know that I would want her to marry a man that would protect her, and be the best possible fit for her. Someone who would cherish her and be good to her no matter what.” 

His answer made you swoon. You reached up and gently gripped his forearm in response, giving a light squeeze to show your approval. He leaned in and kissed the back of your head - dizzyingly, you were imagining him walking your imaginary daughter down the aisle before you had even gotten married yourself. 

Maybe it was being so close to death, being threatened in such dangerous territory that was causing your life to accelerate at light speed in your mind. If you were going to lose everything, you might as well enjoy the escapism of a fake life with a beautiful man in your mind instead of being stuck on the heart pounding terror of being held hostage, right? 

Surprisingly, his words drew a smile from Cyrus. 

“You’re a protective father, aren’t you?” Cyrus asked. 

“Of course.” Reid confirmed. 

“I can always admire that in a man.” Cyrus nodded. “A man should always pride himself on protecting his family.” 

There was another moment of pause, and you were hoping that the topic had been dropped completely. 

“Do you have a picture of your children with you?” Cyrus asked. 

You wondered if - in a different version of reality, where you and Spencer really were married, where Hugo and Iris really did exist - if you had a picture of them in your pocket, would Cyrus only be asking this so he could use the picture to taunt the two of you? What other purpose would he have for knowing what your children looked like? 

“Unfortunately, no.” You answered. “I keep my family pictures on my desk. In my office. We - we’ve just been praying to get back to them safely.” 

Cyrus seemed perturbed at you mentioning that you had an office. Something dark flickered over his features for a moment and then disappeared. 

“Well… if it is right, God will grant you that safe passage.” Cyrus said. 

Just when you truly thought the conversation was done, he said something to you that entirely grinded under your skin. 

“I find it entirely odd that a mother of two young children spends her days working a job where she takes care of other people’s children, rather than staying at home with her own youngins where she belongs.” 

He said, using that same entirely confident, righteous tone that he always did. Even though you were not really a working mother, you had a hard time not boiling with anger at the sexism ripe in his statement. 

“How much must you be missing of your sweet angels lives to instead partake in the horrors of devils you shouldn’t have to witness.” 

Of course. 

You had a hard time not rolling your eyes at this or saying something harsh that would set him off. Instead, you reached up to Spencer’s arm around your shoulder, squeezing his fingers, trying to keep your patience.

“I’ll have you know that Y/N is an amazing mother.” Spencer piped up, knowing that Cyrus respected him enough as a man that he wouldn’t beat him simply for speaking up. “Her nurturing and caring makes her infinitely better at her job.” 

Again, you knew that there was so much personal truth in Spencer’s words. He thought that you would make an amazing mother to his children - at least theoretically. He was entirely firm in that conviction. And he thought that your natural caring made you amazing at the job you did as a Profiler. He knew this from the quality of work he witnessed you doing every single day. 

You didn’t know it - but it was just one of the many things that had caused him to fall in love with you. 

Oddly enough, Cyrus’ words prodded at something deep inside of you. It made you imagine a life for yourself where you weren’t spending your days witnessing horrors from unspeakable devils - but instead, at home, looking out for Spencer’s imaginary children. 

You would have said it was the fear of the day, clouding your mind. But maybe it was the clarity of being so close to death that made you realize what - and who - you truly wanted out of life. 

… 

Hours later, after some of the hostages had been released (the ‘non-believers’ who had failed the loyalty test), Cyrus had requested that some food be sent up. Spencer gave you a sharp look when he saw the message written on one of the takeout lids. 

The team would be storming in to end the hold-out at 3am. You had to somehow ensure the safety of the hostages by then. 

Obviously, the fake pregnancy idea was still warping through Spencer’s mind, but you had come up with some much better. 

“Cyrus,” You called out his name gently, getting his attention. “You said that you have a nursery here?” 

It had come up, during his long winded bragging about how perfect the Ranch was. Something about how mothers didn’t have to raise their children alone. The children were raised as more of a ‘group effort’ and women took ‘shifts’ in the nursery, allowing the women to rest or get chores done in the interim. 

“Yes, we do.” He nodded. 

Spencer stared at you with his jaw set, wondering what you were doing but not daring to speak. 

“I - I’ve been missing my children dearly. I was wondering if I could go to your nursery and see if they need any help? It would do my soul good to be around young ones right now. After all the commotion of these days.” You spoke meekly, trying to play the part of the shaken up, dainty woman well. 

Which was too difficult, seeing as you were playing up the fear you had already experienced. 

He grinned. It was a rather menacing smile, and you tried your hardest not to show any further fear, or disgust. 

“That sounds like a splendid idea.” He nodded. “Christopher, why don’t you escort her down to the nursery and then come back? We need you here for our final preparations.” 

You were finally falling to those gender roles that he had been pushing on you since you had arrived. He didn’t suspect a thing. He simply thought that you were a God fearing woman falling to your natural womanly instincts, needing to care for children lest your womb shrivel up and you die. 

Spencer rose from his seat and Cyrus stopped him. 

“Just your wife.” He said, putting a hand in front of Spencer’s chest to stop him. “There are still some things you and I need to discuss. Man to man.” 

You went over to Spencer and didn’t hesitate to plant a kiss firmly on his mouth, which he returned with vigor. This one lasted only a moment - it was something precious for the two of you. You didn’t need to put on some pointed show for the men in the room. 

“It’s okay.” You told Spencer quietly, brushing your fingers gently over his uninjured cheek. 

You could tell that he was dying to ask you what your plan was. But he kept the words trapped in his throat, unable to speak in front of the many temperamental villains lurking about. 

“Come on.” Christopher grunted. 

Spencer gave you a longing look as you left. He didn’t want to think it, but as he watched your figure retreat out the door, he feared that it would be the last time he ever saw you. 

… 

Your plan worked flawlessly. 

Getting to the nursery meant that you had unsupervised access to the women and children, especially away from Cyrus’ prying ears. Because you were a ‘delicate’ woman, nobody suspected you of having ulterior motives. You easily found a crack in Kathy, Jessica’s mother. You spotted her as the one who had made the original 9-1-1 call, wanting to get her daughter away from Cyrus. You convinced her to help you get everyone out, and you felt intense relief when you were met with a familiar face in the cellar as everyone escaped through the tunnels. 

“Where’s Reid?” Morgan easily asked you, glancing behind your shoulder as if waiting for him to appear. 

“He’s still up at the church.” You told him. “I had to separate off to help get the women and children out-” 

“Go on, we have to get you out!” Morgan urged, trying to gently usher you along. 

“We have to go get Reid!” You argued, trying to turn around. 

“Go, go on, I’ll go get Reid!” He told you. 

You were about to argue back, but you were cut off by a scuffle behind you. 

Jessica was yelling about Cyrus - how her mother had betrayed her, tricked her. 

Morgan pushed Kathy toward you and ran off screaming for Jessica. You took Kathy’s arm, gently convincing her that everything was going to be okay as you guided her the rest of the way out. You had to focus on this, convincing yourself that everything was going to be okay. You had to tell yourself that Derek was going to get Spencer out - that they were both going to be okay. 

When you got outside, you were hyper focused on marching away, taking a path away from the church as directed by the officers in charge. You froze in your tracks when you heard it - an earth shattering boom. The ground beneath your feet shook. You felt a puff of hot air swell to touch your back. 

You let go of Kathy’s arm and whipped around, and you couldn’t even pay attention to where she went. You almost thought you heard her weeping, but your mind couldn’t process it as your eyes were glossed in bright orange flame. 

It was the church. 

“Spencer?” You gasped quietly. “Spencer!” 

You couldn’t help it, but you began to run toward it. Your feet carried you faster than you could think, and before you got more than a few feet across the ground, you felt a sharp grip on your upper arm. 

“L/N!” 

Hotch’s voice, sounding far too distant for the position he held right behind you, viciously gripping onto you as you fought against him, trying to get toward the fire - trying to get to Spencer. 

“Hey! Hey! Stop it!” Hotch tried to order you around, tried to get you to stand down. 

He got a hand around your waist, and you continued to kick like a wild horse, fighting against his grip as hot tears poured down your face. 

“He’s in there!” You sobbed. “Spencer is still in there.” 

“Calm. Down.” Hotch ordered sharply. 

You collapsed back into him sobbing, all of the fight leaving your muscles at once. You couldn’t fake the reality in front of you. 

“You running in there and getting hurt isn’t going to change anything.” Hotch told you quietly, a somehow distant murmur into your ear. 

Through the blur of your tears and the sharp orange glow, you saw the shape of two bodies. You heard coughing as someone emerged from the blast, hobbling down the stairs at the front of the church. You forced your eyes open wider, trying to see who it was, and then: 

“Y/N!” Spencer called out your name gruffly through the smoke he had inhaled, and you easily shucked off Hotch’s grip to race up the stairs to get to him. 

He was leaning on Morgan for support and you were worried that he was hurt. But the moment you were close enough, he tore himself away from Morgan and the two of you met in the middle. In a pattern that was easily developing, you fell into the safety of his arms, holding him tight enough to bruise him - never wanting to let go. 

“You’re so stupid, you’re so stupid! Why would you do that to me?” 

You sobbed out, gripping both sides of his face, staring into his eyes, needing the recognition that he was right there, right in front of you. 

He stared back with glassiness - intense fear, adrenaline, and something small that told you he was thankful for you, and needed you now more than ever. 

Of course, your words were simple anger at the situation, not at Spencer himself. The terror of thinking that he was dead still pumping through your veins, causing you to shake. 

“I know.” He said quietly. “I love you.” 

His voice wrapped around the words so tenderly - it was the most sincere declaration you had ever heard from him. As if to say ‘I know how much that scared you. I know what this ordeal has done to us and I only meant it more because of how scared I am’. 

“I love you too.” The words flew from your lips so naturally it hurt. You took a moment to recover, entirely shocked by your own lips. And then, you only found the need to say it growing more inside of you. “Spencer, I love you.” 

You pulled him toward you with the grip you had on his face, and he easily met you in one of the most earth shattering kisses you had ever experienced. 

It was no longer a show, it was no longer about displaying the fake marriage for someone else’s benefit - if it had ever been about that in the first place. It was about the two of you. It was about feeling that comfort, that safety. It was about the fact that your two souls were drawn together since the day you had met. The fact that you had always felt safe with each other. You had always been the other person’s shelter from the storm. 

And you poured every ounce of those feelings into that kiss. 

You combed your fingers through Spencer’s hair, taking a harsh grip on the back of it, holding him there so he couldn’t pull away from your lips. He wrapped his arms around your waist, fisting the back of your sweater. Both of you entirely refused to come up for oxygen, not even caring who saw the epically passionate, public display of your love for each other. 

Unbeknownst to you, Morgan and Hotch exchanged a look with raised brows as it happened. You and Spencer didn’t care. You were barely perceiving the world around you as the two of you kissed. 

“You know if you’re not careful, people are actually gonna think you two are married.” Morgan said, being his usual sarcastic self. 

Rather than pulling away from Spencer’s lips to sass him back - you simply flipped Derek off over Spencer’s shoulder. 

On the ride home, JJ handed Derek five dollars. He had the over/under that the two of you would get together before the end of the year. JJ said that it wouldn’t happen for another five years, at least. Derek handed the fiver to Emily when she reminded him that the ‘fake marriage’ bit had actually been her idea. 

When Emily and JJ relayed the story to Penelope, she squealed so loudly into the phone that JJ dropped it. 

Hotch pulled you aside later and warned you that the fake rings were just cheap costume jewelry that Garcia had gotten and they would tarnish soon if you kept wearing them. He also recommended that you and Spencer put in the paperwork with HR if you were ‘serious’ about the relationship. You knew that it was him wishing the two of you his best. 

A few days later when you came into work and found the HR request for an update of relationship status sitting on your desk, already signed by Spencer, you couldn’t help but to smile.

...

A/N: This is a oneshot, so there will not be a continuation or a sequel to it. If you are going to comment, please comment about the body of work that I have written, rather than asking me to write 'more'. If you want to see more things that I have written about Spencer, feel free to check out my Criminal Minds Masterlist.

[loveushijima]

ushijima bf hcs!!! like how would he be as a bf?

thank youuu!! <33

ushijima wakatoshi as your boyfriend!

fluffffffffffff, clueless ushiwaka | female reader

a/n: hi pookie bear im so sorry but i have no idea how to write headcanons so i hope this is acceptable n i did ur request justice <3 😭 also not proofread!

Let’s start from the beginning:

Ushijima would not understand that his feelings for you are more than just platonic.

In the beginning, Ushijima would see you as a great friend to have.

But overtime, he would start to feel weird. The slightest touch you give him would send electricity all over his body, he’d memorise your daily schedule and subconsciously alter his path so he’d be able to bump into you more, and he’d take notice of the way you smiled or the way you put your hand up to cover your lips whenever you laughed.

He thought your smile and laugh were beautiful and contagious, why would you ever feel the need to do that?

Ushijima wouldn’t think much about it, he’d brush it off as him treating you nicer because you’re one of his only girl friends.

Tendou, however, isn’t that dense.

Tendou took notice of the way whenever something reminded Ushijima of you, he’d immediately ask out loud, “I wonder if she’d like this…” or, “If she was here right now, she would probably enjoy this very much.”

He sighs, his friend is not very adapt to his own feelings.

Tendou has a loooooong conversation with Ushijima before Ushijima finally realises that his feelings for you aren’t purely platonic.

“Wakatoshi-kun, do you get butterflies in your stomach whenever I lay a hand on you?”

“No.”

“Do you ever think my smile is beautiful and contagious?”

“…not really.”

“Ouch. But there you go, Waka-kun!”

“Ah.”

Ushijima isn’t the type to beat around the bush and get shy and blushy once he comes to terms with his feelings. Actually, he would be the type to not confess to you at all in case the confession completely ruins the friendship. But with Tendou’s relentless peer pressure, Ushijima eventually gives in and asks if you’d be available to meet around the dormitory buildings one evening after all classes at Shiratorizawa Academy has ended.

There, he confesses.

“I have feelings for you.” He confesses… rather bluntly.

“Oh?”

“Yes. I would rather we just pretend this did not happen and go back to being how we normally were before this confession.”

“What???? But you didn’t even let me answer!”

“Oh. My apologies, go on.”

“If you would’ve let me talk, I would’ve accepted your confession! Idiot.”

Ushijima blinks in surprise and lets a small smile spread across his features.

“Thank you for accepting my confession.”

Now, Ushijima Wakatoshi as a boyfriend:

You would 100% be his first girlfriend, so please be patient! Whatever he says or does that gets on your nerves, he promises he means no harm — he’s just super oblivious.

Canonically, Wakatoshi is very well-mannered and polite. The epitome of a gentleman.

However, sometimes social cues fail him and his low emotional intelligence can be the death of him. Sometimes he can appear too blunt or aloof.

“Gosh, how did I fail this test?”

“I think you did not study hard enough. Try harder next time.”

“😡.”

He genuinely thinks he’s giving you constructive criticism and helping you out but in actuality, all you wanted was a listening ear.

There are certain things you have to be upfront with Wakatoshi about, such as certain wants. Wakatoshi is an upfront person himself, so as your boyfriend he’d be more than grateful if you just communicated your feelings to him straight up with no filter.

Setting all that aside, he tries so hard for you.

“So when I say, ‘Oh noooo, I failed a test!’ What are you supposed to say, Toshi?”

“I can’t believe you failed. That damned professor did you so wrong. The school system sucks.”

“Yes!!!!!!!!!” And you kiss him all over his face after his new and improved response. He smiles and leans in even more.

Wakatoshi’s love languages would also definitely be Acts of Service and Gift Giving.

He isn’t a man of many words, so he tries to make up for the lack of poetry by showing you his love, through his gestures. It could range from the bare minimum such as holding the door open for you, pushing your head gently onto his shoulder if you were nodding off to sleep, or whenever you’re both walking on a path beside an open road with traffic, he makes sure you stand safely inside and he stands on the side nearer to the road.

Or, it could be things more evident to show you he loves you. Such as making you bento boxes from scratch (all the ingredients fresh from his farm, of course), letting you wear his jacket if you get cold and blushing because of how cute you looked in it, or sometimes just being present with you. During the weekends, if he doesn’t have volleyball training and you have some errands to run, he offers to follow you and help run some of the errands on your list to make your life easier — it warms your heart but you always decline and tell him, “You don’t have to! I can do all this myself, Toshi. How about you just keep me company for the day while I run these errands? I would love to hear more about that match you played last Friday against that one school!”

He loves you so much.

As I mentioned before, Wakatoshi is not a man of many words. So, he would definitely enjoy the idea of gift giving very much. It doesn’t matter what you’re talking about, it could be the manga you and Tendou were currently reading together or how many different types of rice you could name, Wakatoshi listens to every single thing you talk about.

And he remembers.

Wakatoshi walks up to you one Monday morning, a bag in his hand and his normal aloof expression on his face. He hands you the bag and you look up at him confused. You open up the bag and gasp loudly, beaming ear to ear as you pick up the box from inside the bag. It was a figurine of the main character in that manga you and Tendou were reading. You jump into Wakatoshi’s arms as his aloof expression turns into one of fondness. He could stay in that position forever if God wills.

Remember the bento boxes Wakatoshi would make for you? He’d 100% remember your favourite type of rice and use that specific grain type for your bento boxes.

Wakatoshi remembered all the small, funny and mundane things about you, but sometimes that’s all you need. Everyone always remembers the exciting and thrilling things, like that one time you shop-lifted or that one time you got into a disciplinary case. Wakatoshi felt like a breath of fresh air from all the chaos. It felt nice to have someone remember your favourite flowers, or your favourite type of rice.

It’s a type of love that’s so innocent and pure, and sometimes that’s the best kind of love.

Wakatoshi would also definitely share more about himself with you than he has with anyone ever. He would tell you about his father leaving, his left-handedness being his mother’s biggest shame in life, and if he ever feels overworked or burnt out at times with volleyball. Wakatoshi was never one to moan and groan about his problems, but he just felt so safe with you, as if he could tell you anything and you’d still be there with him every step of the way. He felt so, so safe with you.

He’d want you to tell him about your problems too if you are ever facing any troubles. He wouldn’t force it out of you but of course he hopes that one day you’d be comfortable enough to share more about yourself with him. Wakatoshi really wants to know more about you as the relationship progresses more.

Wakatoshi is definitely the type of boyfriend who’d walk you to class in the morning and back to the dormitories in the evening. He’s a busy student — being the captain and ace of the volleyball team and juggling his academics was no easy task, but he always makes sure to accompany you whenever he has free time. Wakatoshi could spend just 5 minutes with you and he’d already be in a better mood after chatting with you.

The Shiratorizawa Volleyball Team Year 1s™ thank you for your service, as ever since their captain has gotten together with you, he’s become better vocally during trainings and so much more approachable. Of course he’s not hooting and hollering across the gymnasium, but he actually mumbles out a small “Nice kill.” now if impressed by one of his members.

One time Wakatoshi told Goshiki that his serves that training session were good and the junior swore he heard angels singing and he almost ascended to heaven on the spot.

You definitely brought out the best in Wakatoshi, and he loved you for that.

[saintsenara]

Riddle’s extremely fearful and aggressive reaction to Dumbledore when he thinks he’s a doctor (and the fact that he assumes this at all and believes he is being lied to) has some pretty dark implications (which of course no one follows up on). Do you have thoughts?

thank you very much for the ask, anon!

and yes - this has occurred to me too... which means that my thoughts come with a trigger warning for the sexual abuse of a child, and are under the cut.

the relevant scene in canon is, of course, this:

“I am Professor Dumbledore.” “Professor?” repeated Riddle. He looked wary. “Is that like doctor? What are you here for? Did she get you in to have a look at me?”  He was pointing at the door through which Mrs. Cole had just left. “No, no,” said Dumbledore, smiling.  “I don’t believe you,” said Riddle. “She wants me looked at, doesn’t she? Tell the truth!”  He spoke the last three words with a ringing force that was almost shocking. It was a command, and it sounded as though he had given it many times before. His eyes had widened and he was glaring at Dumbledore, who made no response except to continue smiling pleasantly. After a few seconds Riddle stopped glaring, though he looked, if anything, warier still. “Who are you?” “I have told you. My name is Professor Dumbledore and I work at a school called Hogwarts. I have come to offer you a place at my school - your new school, if you would like to come.”  Riddle’s reaction to this was most surprising. He leapt from the bed and backed away from Dumbledore, looking furious.  “You can’t kid me! The asylum, that’s where you’re from, isn’t it? ‘Professor,’ yes, of course - well, I’m not going, see? That old cat’s the one who should be in the asylum. I never did anything to little Amy Benson or Dennis Bishop, and you can ask them, they’ll tell you!”

the surface-level reading of this scene - which is clearly what the text wants us to go for - is that riddle thinks he's about to be institutionalised for being "mad" - and, specifically, that he thinks that what dumbledore has been told is his "madness" is actually his magic.

[he is also clearly meant to be read as panicking a little bit that he's fucked around torturing his fellow children and is now about to find out...]

that riddle accepts he's a wizard so easily - and that he is so reassured by dumbledore agreeing that he's not mad - is something the text wants us to read as sinister. him immediately describing himself as "special" is set up as a precursor to the adult voldemort's delusions of grandeur - which the entire arc of the series, ending in his death as an ordinary man, is designed to undermine.

but i've always disliked this reading. the eleven-year-old riddle - a magical child raised around non-magical people - is objectively correct to describe his powers as "special" [in that they make him identifiably different from the crowd] within the context in which he lives. the word choice is nowhere near as deep as dumbledore decides - he's clearly known since he was very young that he's a wizard, but he didn't have the precise language to describe this fundamental part of himself until dumbledore offered it; prior to that, "special" is a perfectly reasonable alternative term.

and, in always knowing that he's a wizard, he also knows that he doesn't have a mental illness - but he must also know that this is something it's near impossible for him to prove.

in the real world, if i spoke to a patient who told me:

“I can make things move without touching them. I can make animals do what I want them to do, without training them. I can make bad things happen to people who annoy me. I can make them hurt if I want to.”

then i would be correct to describe them as experiencing psychosis. and i might - depending on their other symptoms - have reasonable cause to admit them [voluntarily or not] for psychiatric treatment.

riddle is - of course - demonstrably not psychotic. but it's not unreasonable that mrs cole would assume he is - the world she lives in, as a muggle [even if she's a religious one], is one in which people do not possess the ability to move objects or control animals with their minds, and if one of her charges is convinced that he can, then she's justified in seeking medical intervention.

[that psychiatric treatment in the 1930s can be described without exaggeration as inhumane is another matter...]

which is to say, i think we can easily suppose that mrs cole has - prior to dumbledore's arrival - succeeded in having riddle "looked at", and that the idea that he's mentally ill and should be committed to an asylum has been mentioned before. i think most of us would be instinctively [and angrily] wary of doctors if this happened to us, regardless of how nice the doctors in question were.

and maybe that's all there is to it.

and maybe it isn't...

in the doylist text, the eleven-year-old riddle's personality is the way it is because he's the villain of the series. where harry is preternaturally capable, even as a child, of all the things the series defines as admirable - above all, enduring difficulty without complaint - riddle is preternaturally incapable of them. he's meant to come across as unambiguously sinister - and the fact that the text repeatedly emphasises that he has control over his unpleasant traits invites us to view him as someone who is acting with full agency. that he lives in an orphanage is a trope which the text uses, like a campy horror film might, predominately to underscore how creepy he is - and the text, in keeping with its general lack of interest in states and their institutions, never really prompts us to interrogate the impact of his childhood upon the course his life takes.

[this is despite the fact that voldemort's reliving of the night he killed the potters in deathly hallows is an incredibly accurate depiction of ptsd...]

but it's also the case that the eleven-year-old riddle's behaviour and personality fits a pattern we might expect to see in a child who is being abused, sexually or otherwise:

he's aggressive, he has a hair-trigger temper, and he becomes distressed even by behaviour - such as dumbledore speaking mildly and calmly - which would not ordinarily be expected to provoke such a reaction.

his broader emotional state is fractious. his mood changes sharply, he seems to feel emotions very profoundly, he struggles to control his emotional response to things, he's extremely easily irritated, he's attention-seeking - and he particularly seeks negative attention, and he's very highly-strung. his admission in deathly hallows that he feels calm before he kills - or before he otherwise eradicates a threat or a problem - comes with the flip-side that he's someone who appears, when things aren't going well or he finds himself in a situation which he can't control, to become quite anxious. which is a trauma response.

he's extremely isolated. the text presents the fact that he has no friends as a deliberate choice - "lord voldemort has never had a friend, nor do i believe that he has ever wanted one" - and his relationship with everyone else he ever meets, including his fellow orphans, is defined by the text as exclusively involving him controlling, manipulating, and punishing them. or: he is always the more powerful person in the pairing. but this need for control can be read as self-protective just as easily as it can be read as sinister. there are hints in canon that riddle is not just some malevolent force in the orphanage preying on mild-mannered innocents. for example, billy stubbs, the owner of the rabbit he kills, is targeted by riddle as revenge: “Billy Stubbs’s rabbit... well, Tom said he didn’t do it and I don’t see how he could have done, but even so, it didn’t hang itself from the rafters, did it? [...] But I’m jiggered if I know how he got up there to do it. All I know is he and Billy had argued the day before." on the rare occasions billy turns up in fics, he's usually - i find - written very like neville - sweet and guileless and a bit pathetic. but the alternative reading - especially when we take into account that riddle attacks the rabbit rather than billy himself - is that billy is someone he would be afraid to physically confront. indeed, it's striking that voldemort - at all stages of his life - is described as being quite physically fragile. not only is he very thin, but he's always cold and his heartbeat is described several times in canon as irregular. i think this is supposed to be a comment on the physical changes he undergoes the more horcruxes he makes - although the idea that the soul would affect the heart doesn't actually align with how the series understands the soul to relate to the body - but it can also be interpreted perfectly legitimately as something he was experiencing prior to splitting his soul. i am committed to the headcanon that riddle was quite a sickly child - and that this is one of the things which drives his fear of death - and i'm also committed to the idea that his obsession with magic is because the enormity of his magical power makes up for his physical lack. he can defeat - and humiliate and frighten and remove the threat of - billy or dennis [or even an adult man?] with magic. without it, if they were to physically overpower him, then he wouldn't be able to throw them off.

he is extremely nervous about being alone in a room with dumbledore - someone he doesn't know, and who he assumes is connected to a profession [and, maybe, who knows any other doctors he's been previously made to see...] of which he is frightened.

he doesn't trust or confide in anyone - which, as a child, means particularly that he doesn't trust or confide in adults in positions of responsibility. he's clearly uneasy with the idea of finding himself in the subordinate position in an adult-child relationship when dumbledore offers to take him shopping for school supplies - potentially because he's worried that dumbledore will try and dictate or restrict what he's allowed to buy unless he behaves in a certain way... and i am always very struck that dumbledore says in half-blood prince: "He was very guarded with me; he felt, I am sure, that in the thrill of discovering his true identity he had told me a little too much. He was careful never to reveal as much again." this is presented in the text as evidence that dumbledore is the only person of whom voldemort is afraid - by which the text means that voldemort acknowledges that dumbledore knows that an ordinary man, mortal and unimpressive, lurks behind the mask of unassailable power he has created for himself; and which the text thinks is a good thing. but we can also read it as a self-protective act on riddle's part. in his excitement, he offers dumbledore information [that he is known to be a liar, that he is in trouble a lot, that mrs cole dislikes him and is disinclined to believe anything he says] which would give dumbledore - or anyone in a similar position of power and presumed respectability - cover to abuse him, safe in the knowledge that he would be unlikely to be believed if he reported it.

he doesn't appear to feel safe in the orphanage and he's frequently absent from it - by his own admission, he spends a huge amount of time wandering around london on his own, which may even involve him staying away for several days at a time. nobody appears to notice or care about this.

he's very independent - which the text again presents as evidence of his deliberate self-isolation and rejection of the bonds of love and friendship - and his independence is unusual for a child his age [i.e. that he is capable of doing all his own shopping for school].

his knowledge of violence - i.e. how he designs the trip to the cave to be maximally psychologically devastating for dennis and amy and devoid of repercussions for himself - is also more advanced and methodical than would be expected in a child of his age. again, the text uses this to emphasise how inextricable the child-voldemort is from his adult self - and also, to some extent, to underscore the intellectual brilliance [his magic is also more advanced than is normal for a child] which his narrative archetype [the exceptional villain who is defeated by the everyman hero] requires. but we can also read it as evidence of his own victimisation. a common sign that a child is being sexually abused is that they display a knowledge of sexual behaviour which is more advanced than is reasonable for a child of their age - for example, knowing in detail how a sex act is performed, or fluently using sexual slang which they have no chance of knowing either from age-appropriate settings like school-based sex education or conversations with a parent or trusted adult, or from the sort of enthusiastic hoarding of rude words and phrases all children enjoy as they grow up. riddle's precise, clinical knowledge of how to manipulate, frighten, torture, and control can be seen as something similar. if he can - at eleven or younger - methodically break down another child until they're "never quite right" again, then this is because he's learned how to from someone.

he keeps secrets. and he also goes out of his way to extract them. his grooming of ginny in chamber of secrets - he manipulates her into confiding things she wants to keep to herself, promises he won't tell anyone, and then uses the threat that he will to get her to do his bidding - is an absolutely textbook example of how abusers use the idea of secrecy to control their victims. it doesn't make his abuse of ginny any less inexcusable if we assume he learns this from being on the other side of things.

dumbledore understands his little cache of objects as trophies he's taken from victims - and the text takes the view that dumbledore is correct in this assessment. that hoarding trophies is something widely associated with serial killers means that this is yet another thing which underlines how creepy - and how like his adult self - the child-voldemort is. but it's also the case that the adult - and teenage - voldemort places a lot of emphasis on gift-giving as part of his control over other people. the two most obvious examples in canon are wormtail being given his shiny hand as a reward for helping voldemort get his body back, and slughorn being buttered up with crystallised pineapple before voldemort asks him about horcruxes. the text thinks this is sinister - and one of the reasons it does this is because gift-giving is a grooming tactic. the text also clearly thinks this isn't behaviour voldemort has learned from the other side. and yet a common sign that a child is being abused is if they have possessions it doesn't make sense for them to own [i.e. a child from a low-income background who is suddenly decked in designer clothes] and which they can't or won't explain how they came by. riddle's cache isn't luxurious - although he's so poor that a yoyo or a mouth organ probably is a luxury to him - but there's also nothing in canon which precludes the objects being presents, rather than stolen goods. if the spell dumbledore uses to make the box rattle is caused by a statement which is both relatively ambiguous and dependent on dumbledore's subjective personal morality - is there anything in this room he's acquired through nefarious means? - then the spell would still work as it does in canon if riddle was an abuse victim given the objects as "rewards". dumbledore's tendency to locate right and wrong in the individual and dumbledore's belief that good people should steadfastly endure misery means he can be written entirely canon-coherently as someone who would think a victim who appeared to collude in their own abuse - such as a victim who "offered" a sexual act because their abuser promised them something if they did - was behaving consensually, manipulatively, and nefariously. and it's worth noting that when riddle doesn't know what dumbledore has done to make the box rattle, he is "unnerved". when he realises dumbledore thinks he's stolen the objects - and that he has no interest in forcing him to admit this aloud - he is "unabashed". perhaps because he's just received proof that an experience he doesn't want to talk about is still secret...

on the other hand, the objects could indeed be stolen - because petty criminality and anti-social behaviour, especially in pre-teen children, is also a sign of abuse.

he can be extremely obsequious - when dumbledore tells him to watch how he speaks he becomes "unrecognisably polite", he ruthlessly flatters slughorn, and he is cringingly deferential to hepzibah smith. the text understands this as evidence that his apparent charm is only superficial - another trait associated in the popular imagination with serial killers [and it's striking that so much about the young voldemort - handsome, charming, seemingly quiet and polite, true evil lurking underneath the mask - is exactly like the pop-culture persona which has been created for ted bundy...]. voldemort himself agrees that his charm is performative in chamber of secrets: “If I say it myself, Harry, I’ve always been able to charm the people I needed. So Ginny poured out her soul to me, and her soul happened to be exactly what I wanted." but his obsequiousness is also a fawn response - a way of minimising a threat by attempting to please the person issuing it. he becomes "unrecognisably polite" - after all - in response to this: Dumbledore raised his eyebrows. “If, as I take it, you are accepting your place at Hogwarts - ” “Of course I am!” “Then you will address me as ‘Professor’ or ‘sir.’ ”  Riddle’s expression hardened for the most fleeting moment before he said, in an unrecognisably polite voice, “I’m sorry, sir. I meant - please, Professor, could you show me - ?”  riddle could reasonably interpret what dumbledore says here as a threat to prevent him attending hogwarts - even though dumbledore evidently doesn't mean it in this way - and he switches to being fawning because this is something he really doesn't want to happen...

do i think that any of this is what the text was actually going for? no. and nor do i think that reading riddle as a victim of abuse excuses the violence which the adult voldemort goes on to perpetuate.

but i think it is a reading of his characterisation which is both canon-plausible and interesting - a strange, sickly child with a reputation for cruelty and dishonesty being abused by the respectable doctor who is constantly called in to treat his coughs and wheezes, who buys him little presents and charms him into telling him secrets, who then [to paraphrase the teenage voldemort] feeds him a few secrets of his own, safe in the knowledge that nobody will ever believe him if he tries to get help.

and i also think this a reading which is sincerely important.

a significant contributor to the prevalence of child abuse - no matter what exact form this abuse takes - is that we are culturally conditioned to imagine that both the abuser and the victim will look and behave in a certain way if the abuse is "real".

and this means, all too often, that we take child abuse more seriously when the victim is "sympathetic" - when they're from a stable home, and their family are respectable, and they do well in school, and they're polite and sweet, and they look innocent, and they behave perfectly appropriately for their age, and nobody would ever dare to say that they come across as older than they are, and they're white, and they don't have a history of lying, and they don't have a history of attention-seeking, and they don't have a criminal record, and they're not abusive themselves, and there's absolutely no way of suggesting that they colluded in their abuse, and the perpetrator was someone who looks like a child abuser.

someone who is creepy, low-status, ugly, unpopular. someone who everyone can tell is socially abnormal, someone who nobody would ever intentionally permit to be around their children. not someone who is charming, well-respected, attractive, rich, popular, trustworthy. not someone who has a loving family and a happy home. not someone we might be friends with.

but many perpetrators of child abuse are these second group of people. and many victims of child abuse are "unsympathetic", when their social positions and reputations are compared to their abusers' own.

they lie. they steal. they're attention-seeking. they're vindictive. they have trouble distinguishing between imagination and reality. they're violent. they're bullies. they hurt animals. they abuse other children. they take drugs. they're mentally-ill. they come from broken homes. they're in the care of the state. they're dirty. they're poor. they're odd. they're behind at school and badly-behaved in the classroom. they do things which allow their abuse to be dismissed as something they brought upon themselves - they speak or dress in certain ways, they pose provocatively in pictures and post them on the internet, they are known to be sexually active outside of the context of their abuse, they lie about being over the age of consent, they engage in sexual behaviour with an adult abuser in a way which appears [even though it isn't, and there's never a circumstance in which it will be] to be consensual or for their own personal gain, they are flattered by the attention they receive from someone who is important or attractive grooming them, they have complicated - and not always wholly negative - feelings towards their abusers.

and they are still - unequivocally - victims, and what happens to them is still - unequivocally - abuse.

tom riddle is an unsympathetic victim - not only of any potential abuse, but also of the horrors of his life which are explicit on the canon page: that he is raised in an orphanage; that he is grieving; that he knows nothing about his family; that he is thought to be mad.

the absence of any institutional response to his childhood experiences - dumbledore, by his own admission, discloses nothing about riddle to his fellow teachers - is a flaw repeated again and again in the worldbuilding of the harry potter series.

hogwarts - and the wizarding [and muggle] state more broadly - doesn't intervene in any case of neglect or abuse, from harry to snape to voldemort's own parents. the series' individualistic morality means that we aren't supposed to interrogate these collective failings. and the series' black-and-white view of good and evil - and its general belief that violence is fine if the person it happens to "deserves" it - means that it has no interest in examining the ways that poverty, isolation, and neglect are risk factors; that straightforwardly unpleasant people can still be victims; that victims can go on to become perpetrators without their victimhood ceasing to matter; and that the abuse of children usually takes place not in silence and secrecy, concealed in ways which make it fine for adults not to notice it and not to intervene, but in plain sight.

this is knowledge it never hurts to refresh. thinking about lord voldemort's childhood might be an usual way of doing so... but it is an effective one nonetheless...