#i can see your light

[hexblooddruid]

@thedragonagelesbian

Okay so I played ahead to the party in Bryn's current save just to see who would hit on her, pre poly mod. It was everyone except for Gale but Karlach's confession bowled Bryn over. Even when Bryn's like "hey sorry I made plans with someone else", Karlach is still just so sweet, vulnerable, and charming Bryn can't help but say yes to her.

And I always imagined Bryn's post game situation as she goes to Avernus with Wyll and Karlach. Astarion eventually joins them and there's no way that doesn't turn into a polycule.

This got me curious enough to get the poly mod and now that I've finally caught up on in my write up that I go further in her save and first long rest out the bat Karlach is confessing her feelings for Bryn. It's exactly what Bryn needs to hear on two levels.

First her current LIs are two of the most emotionally withholding, "no i will not talk about how i truly feel" men in Faerun (Bryn can't judge, she's the exact same). So to have someone so open and honest was so refreshing and it made Bryn utterly fall for her in that moment. They lately have been spending more time together, and really having fun exploring together.

Secondly, Bryn needed the reminder that life is good. She went to bed the previous night feeling all right despite everything but still woke with the anxiety bubbling up. Her circle will be looking for her. Even if she wanted to go back, she's forever marked by the Hag and knows it won't ever be the same. Soon she and the others will go try to save Halsin. Bryn's been lucky that none of the other Emerald Grove druids have recognized her circle's insignia on her armor but she knows that he would.

She needed that reminder from Karlach that yes, they are alive, they have each other, they are doing good. Life is good! Karlach says to her "you're saving me" and she really saved Bryn in that moment.

And for Karlach, I think it's seeing Bryn at that low point is what pushes her to express how she feels, just as away to help her in the way Bryn's helped her. She talks to Bryn afterwards and reassures her that yes, she's been touched by darkness but she still has her light, that Karlach can see it.

[zytes]

this manatee looks like it’s in a skyrim loading screen

[lilybug-02]

Patience and responsibility....that's a promise....right?

Part 27 First || Previous || Next

--Full Series--

An exorcism? In my family-friendly Deltarune? It's more likely than you may think. The backgrounds here were very interesting! Much more complex than how I usually do them (especially that computer).

Player POV:

Feral energy.

[sleepytownzzz]

to you, i wanna say you’re my thing ᡣ𐭩

[l1li4n]

HE'S BABIE

[rosalie-starfall]

Everything Everywhere All At Once (2022)

[sergle]

I'm thinking abt that pretty fall leaves embroidery pattern post and about how like... it is categorically a repost, it's a reupload. right? a thing that is generally disliked. but because it's credited, it's genuinely boosting the artist in question. and it could ALWAYS be like this. reposting content could ALWAYS be a symbiotic relationship, but because sourcing back to the original creator of something is so uncommon, it's just easier to ask people not to repost it at all. and people still don't understand the difference. or they'll go to the effort of cropping out usernames/signatures to repost something, which is More Effort than literally crediting the creator of something you liked enough to want to repost. Like. I literally don't actually care if my own shit gets reposted, you have to understand. I just don't want it STOLEN. But "do not repost" is easier to write on my art than "you can repost this, but don't alter the image/remove my signature, don't you dare write 'credit goes to the artist' because that is not credit, please link back to my original post or someplace that you can actually find me. please use an actual link/url instead of writing a non-clickable link of my username, because making it text instead of a clickable link cuts the number of people who will go to the effort of visiting my own page in Half." All those aggregate themed accounts, those fuckin annoying as hell instagrams and facebook groups that are like "body positive art we love wamen 💕 hashtag feminism" and then MASS-STEAL plus sized art created by women, if pages like these that always go and steal my older self-portraits and other works... If they just put a link to my prints of those pieces in the text of those posts, or, fuck, my commission info page? I would literally be living on the moon right now. I would have a house on the moon

[idk-bruh-20]

Irondad fic ideas #151

There is a LOT of Iron Man merch out there. One day, Stark Industries comes out with a line of Iron Man themed night lights that look like arc reactors. The marketing? "For kids who are scared of the dark: Iron Man will protect you."

In completely unrelated news, a whole bunch of child abusers across the country have recently been arrested as a result of  anonymous tips to local authorities.

Bonus:

It's an open secret at some point. Teens who are being abused start buying the night lights. Hell, adults start buying them. Charities pop up to cover the cost for anyone who needs it. Kids who are newly safe often send their night lights on to others ("I'm not scared of the dark anymore," they say).

Even with all of this, nobody snitches to the media or government. They all know grown-ups tend to complicate and ruin precious things.

It helps that the night lights clearly can distinguish between different types of situations. Kids whose parents need mental health or addiction support suddenly find they're being contacted by free services that actually help. If ICE is a concern, the people knocking on the door are not cops but immigrant rights activists. Kids who are hungry get food. Families who need housing support coincidentally find it.

"Iron Man will protect you," indeed.

This fic idea was inspired by this post from @fotibrit!!

[thefreshprinceofjunes]

Do you remember before? We stood facing each other on opposite sides of that door. Now we stand side-by-side. Let's go home together this time.

[jaarijani]

... no comment

[kacievvbbbb]

I’m just very obsessed with the idea that mihawk is useless in a weapon less fight like he cannot throw a punch or get out of a pin to save his life like one he can’t kick he’s done out for the count, and this is why Shanks ends most of their duels this way. Because he’s a filthy cheater and Mihawk is even worse off because it’s Shanks pining him and he has eaten a lot of dirt.

Shanks decides to teach him the art of fighting dirty cause he’s nice that way but also let’s just say that Shanks likes being in a pin a little too much

[ghost-proofbaby]

eddie's the type of dude to use cigarettes to mimic fangs when the two of you are drunk outside the bar trying to grab a smoke to sober up. goes all the way by doing that silly walk with his arms straight out like a zombie or one of the older classic vampires.

whether he does it while they're unlit or lit depends entirely on just how drunk the two of you are.

[rileys-battlecats]

girl help I started writing down oc thoughts and have started contemplating the logistics of how a city carved into the walls of a ravine would have access to fresh water

[grimalkinmessor]

Just to put a lot of my posts and beliefs about Light Yagami's character in one post (headcanons not included):

• He does not do anything for purely moral reasons. The reason he started killing criminals was because he was curious, and then afterward his "crusade" was built from panic and spite. He thought using the Death Note was going to kill him, so he decided to take everyone he considered a threat to society down with him—that way he would still be good. He would still be remembered. If he can't live, then criminals don't deserve to either. The weight loss and the insomnia shown in the manga, were more likely results of a fear of dying than moral stress.

• Then Light discovers he won't die. This negates part of the spite, but not the need for a moral justification to keep himself "good". He no longer needs to be a martyr, so instead he's chosen to become a God.

• During this week and half of time, Light goes from being a bored, lonely, listless teenager disgusted with the world because it's not how his father taught him it should be, disgusted because if he can manage perfection why can't the rest of the world—to a boy with a new friend and a new mission that gives him purpose. Something interesting. If the world can't be perfect on its own, he'll have to help it. The world needs his help, making him its "savior".

• In comes L. It is no longer about Kira, no longer about saving the world from itself, even if he might tell himself it is—it's about the game. Kira was a fun pastime, yes, but L has made things so much more interesting. (Light and Ryuk are actually wildly similar in several ways it's just not immediately obvious). This game is more fun, too, because this time he has an opponent—one not so nebulous as "the criminals of the world", who offered no challenge. Light is still justifying his actions through a lens of morality, because he has to, but they're beginning to run rather thin.

• Both the broadcast and the obvious taunts to L through changing Kira's killing methods supports the above. "You're too stupid, L. If you were just a little smarter, we could've had some fun." Drawing L in was to progress their game, not Kira's goals. If Light truly only cared about Kira's vision, Kira's new world, Kira's righteous justice; then he wouldn't have continued to play the game after the broadcast. There was no way for L to find him without Light drawing him in—the Death Note is literally the perfect murder weapon. Light knew this, he just ignored it because he wanted to play.

• In the same vein: Yotsuba Light doesn't know he's playing the game. He's forgotten that there even is a game, and so he sees L as someone who's been duped, who either isn't as intelligent as he's been made out to seem, or someone who's being purposefully cruel just because he can. Either way, to Yotsuba Light, L's threat level has only increased, because Light no longer has any sort of weapon to go against him with. He can't even wield his own innocence against him, because his innocence is not certain. Even to himself. Yotsuba Light knows that he has to play along with L's plays of friendship and morality in order to secure his freedom, but he does not respect L or like him. At least, not until near the end, where they're closing in on Higuchi. Where his freedom seems closer....and yet he sees his own, true innocence as more tenuous than ever. Notably, even when Light feels positively towards L there, he still does not share his suspicions about himself with him. His own life still takes precedence over any sort of justice or morality he might have, because Yotsuba Light is still Light. And Light will always put his own self-interests first.

• After killing L, something interesting happens. Because the game ends, but Kira is still left. And Light was willing to take risks and make wild plans in his game with L, but Kira's goals always, always came after his own life. And when only Kira's goals are left, Light stops taking those big, potentially lethal risks. (i.e. bomb desk trap, killing Raye Penber in person by handing him pages of the Death Note, killing Naomi Misora in person right in front of the police station, writing Higuchi's name while sitting right beside L with the murder weapon literally in his hand, etc. etc.). Winning the game was worth dying for—Kira's ideals are not. Or, to put it even more simply: His pride is worth dying for, but his morals are not. Five years after his victory against L, he's presented with another game, but instead of feeling fearful and excited as he did with L, Light is angry. Arrogant and angry. Because this isn't a game to these opponents, as it was to L—they're playing against each other, and Light is merely a piece in it. This game is not like his game with L; it's more like his "game" with the criminals of the world. One with no true challenge, just another defense of Kira's world—worth winning, but not worth dying for.

• Light's pride is more important to him than anything. He needs to be able to take pride in himself and his actions. Pride comes before everything else, before Kira, before family, before L, even before his own desires and physical health. He does not enjoy killing—he just turned it into something he could be proud of. Into another mastering of craft. Light is not particularly sadistic, he's just spiteful. He'll only take pleasure in someone's suffering if they make someone else suffer first, especially if that someone is him. Attacking his pride would count as making him suffer, because that's the most important thing in the world to him. Even though Light also values his life incredibly highly, attempting to kill him wouldn't invoke as much hell-hot wrath as attempting to humiliate him would. And Light will always get even. Always. He does not forgive and forget.

• He believes every lie he tells himself. Every. Lie. He is a Good Man. He is Good Son. He is a Savior. He is Better. He is NOT Evil, he is Good. He's incredibly adept at not only fooling other people, but fooling himself. Even if he's vaguely aware of the truth, he'll take great pains to make sure that truth never comes to light—because it would crush him.

• Light does not take his own desires into account. If he likes or wants something that contradicts with the perfect image he's crafted, he purges it from his mind. Makes excuses for why he doesn't need it, or even convinces himself very thoroughly that he didn't even want it in the first place. If it's not something he can be proud of (or convince himself to be proud of), he doesn't allow himself to desire it.

• Light sees everyone as beneath him (family notwithstanding, Light loves his family deeply), and while it's a pyramid scale of how far beneath him they are, it's not actually ranked by things like gender, sexuality, race—it's ranked by morality and intelligence. The more intelligent and moral you are, the higher up you are on the scale. Light feeling hostile towards someone does not always mean he sees them as further down beneath him; with L and Misa specifically, it means that they're a threat. Light tends to only see people near the top of the intelligence pyramid as threats; evidenced by him dismissing Matsuda completely even with the knowledge that Matsuda was a marksmen, and yet him immediately setting out to kill Naomi when he found out she figured out one of Kira's secrets. With Takada and Mikami, he treats them exactly the same as each other because they're both on the same level of the scale—and he didn't hesitate to get rid of either of them. (Or try to get rid of, in Mikami's case). Everyone is either a tool, a threat, a criminal, a citizen, or family to him. People to use (tool, criminal), people to serve and/or placate (citizen, family), and people to eliminate (threat, criminal). Everyone falls into at least one of these categories for him.

• Light Yagami is a tragic character. And he's a tragic character because he refuses to believe he's part of a tragedy. He would rather swallow broken glass than be considered a victim of anything.

[rapidhighway]

The fics where Knuckles has some cool powers from the master emerald or is like a very special guy who talks to the master emerald are so good but I've been thinking. What if he isn't. He's the guardian of the master emerald, not a user. Sonic is the one who can use the chaos emeralds and is basically the chosen one when it come to chaos energy, and Knuckles just guards it.

I just imagine Knuckles, who's been put on angel island and basically sacrificed his entire life to this thing and never received any form of acknowledgment, who then meets Sonic who's basically a chaos energy magnet. Chaos emeralds love him, master emerald responds to him. Sonic is there to use the energy, Knuckles is to only guard it

[candlewinds]

- Why are you helping me? Why the change of heart? - Because we are guilty of the same crime. I am also guilty of existing when I should not.

ALCHEMY OF SOULS: LIGHT AND SHADOW (2022)