#i can see very compelling arguments for both

[andorerso]

so. as someone who's had a long-standing feud with the trope in rebelcaptain fics where Cassian is willing to just up and leave the rebellion for Jyn - because that's not who he is - I absolutely hated all of that.

let me start by reminding everyone that we're a year away from Rogue One. I know there's been some confusion whether it's two years or a year, but because of the retcon of 0 BBY, the battle of Scarif officially takes place in 1 BBY and this arc took place during 2 BBY. also the last arc takes place directly before the movie, so to me that says that all this was a year prior.

and where do we see Cassian? still not all in? wanting to leave the fight? even though he never even fully committed? I don't understand. how is this meant to be compelling? look, let's be honest, was I satisfied with his backstory and arc in season 1? not even close. but I was willing to see where this goes, think of it as an AU, enjoy it for what it is... I can't even do that anymore. I didn't think it was possible to make his character arc worse but they did.

it's downright insulting that his girlfriend has to make the choice for him to pick the rebellion. it should always have been his choice. that's literally one of the few things they had to get right. he even says it in the Eadu argument: "some of us just decided to do something about it" but yeah, except I guess he didn't! because as Bix herself puts it: "I'm choosing for the both of us. I'm choosing the rebellion." so I guess he didn't decide to do something about it, Bix decided for him (this is meant to be a Cassian post but let me also add: her contribution to the rebellion is letting Cassian go so he can be a good little soldier? groundbreaking. that's not at all insulting to her either)

so what are we meant to take away here exactly? that he only becomes a loyal soldier because he was dumped? that he literally had to be forced into this role? that the Cassian we see in Rogue One is depressed and beaten down not because of the things he's seen and done (which btw, we've yet to see him do any of the terrible things he speaks of in his speech but alas) but because his girlfriend left him? that's his breaking point? not the brutalities of war but a fucking relationship ending? is that really the narrative arc here?

what is the point of ANY of this if it was never his choice at all? if even at the very end, he's not the one actively choosing the rebellion, to stay, to be loyal, to do something, to fight? "the day I need permission to come and go, I'm gone"? that is nowhere near the dedicated rebel spy he's supposed to be who takes orders and doesn't question his superiors. it cheapens his arc in Rogue One about disobeying orders and going rogue immensely because this was clearly never a man who took orders without flinching. maybe for a year or so but honestly, that hardly counts. who cares that he goes against his orders to kill Galen and amasses an army to go on an unsanctioned mission with Jyn when he was already doing things like that not that fucking long ago? it has literally no meaning anymore. this isn't a character arc. this is character assassination.

[mxtxfanatic]

Didn't think I'd be here again, but hello friends, and welcome back to another round of Bad-Faith Engagement! This time with a comment on this post by the lovely @jiangwanyinscatmom. Strap in folks, cause this one's a doozy.

Let’s start with the original post:

In this post, Orion says that Feng Xin is a weak friend because:

He was not a friend but a follower

He abandoned Xie Lian because he saw Xie Lian as his “fallen lord”

A challenger then enters the ring, “compelled” to argue in Feng Xin’s defense. What are their defenses? Feng Xin is not a weak friend because:

He promises to never leave Xie Lian after Mu Qing abandons them

The queen says that Feng Xin still held affection for Xie Lian

Yes Feng Xin did, in fact, abandon Xie Lian, but it’s only because Xie Lian told him to “stop following” and he can’t conceive of himself as not being a follower, otherwise, he “never conceived of leaving”

Feng Xin loves Xie Lian as a friend

Read this list, then reread Orion’s post and count how many of the challenger's points correlate to an argument Orion made. If you said “one” (or one and a half), then you are correct! Only the challenger’s first point—“Feng Xin promises to never leave Xie Lian”—and the third point which feeds off of the first could serve as a rebuttal to a point that Orion actually made—“Feng Xin abandons Xie Lian.” Therefore, I will not be addressing the second and fourth points—Feng Xin held genuine affection for Xie Lian”—because that is not an argument Orion ever made, thus, they do not need to be addressed. However, this is when it starts to get… messy.

Can you spot the contradiction? If you said the challenger’s first and third points, again, then give yourself a pat on the back! The challenger initially argued that Feng Xin saying that he would never leave Xie Lian means that he is not a weak friend, but then when they acknowledge that Feng Xin did, in fact, leave Xie Lian, breaking his promise, they try to argue that this is, in fact, Xie Lian’s fault for telling him “not to follow.” They claim that, had Xie Lian not “told him to leave” (which is not an accurate statement, but that is for another day), then Feng Xin would have not even conceived of abandoning his friend. They also claim that the 800 years in which Feng Xin did not speak or seek Xie Lian out was “on Xie Lian’s terms.” However, their own screenshotted evidence betrays them:

In the first screenshot, read the sentence right before the challenger’s highlight. The queen says, “I could sense that it’s not that he didn’t want to go…” which means that Feng Xin did, in fact, want to leave and that it was pretty obvious that he stayed only because of old affection, not because he “couldn’t conceive of leaving.” In the second screenshot, Feng Xin is questioning his loyalty, once again, in the section right before the challenger’s highlight, proving that he is capable of and willing to question his loyalty to his friend, that he does not see it as loyalty to “a friend” but to a superior. This is what Xie Lian is addressing with his "stop following" comment, but if one only reads the highlights and the challenger’s “explanations,” you would miss this very simple acknowledgment on Feng Xin from both he and the queen. In no except does Xie Lian explicitly tell Feng Xin to leave, nor does he tell Feng Xin to never seek him out or contact him again. When they meet again 800 years later, Feng Xin has no issue seeking a newly re-ascended Xie Lian out, then, even when Xie Lian didn’t seek him out. The challenger even has the audacity to call this a “fallacy of omission” that Orion would claim that Feng Xin left of his own desire, despite the fact that the cherry-picked segments they provided as evidence clearly prove Orion’s point. And it gets worse.

Continuing on this “fallacy of omission” argument, the challenger brings onto the field this piece of evidence as "proof" that the miscommunication between Feng Xin and Xie Lian is that Xie Lian feels like Feng Xin needs to be compensated but that Feng Xin “doesn’t think Xie Lian needs to compensate him anymore”:

However, what the challenger, themself, strangely omits is that Feng Xin does indeed ask for compensation after this:

Now that the subject was raised, Feng Xin hesitated again. After a pause, he opened his mouth, hemming and hawing and scratching at his head as he stammered out, “Actually, it’s... Your Highness, do you still have any money on you? Or something that can be pawned?” Xie Lian was perplexed that he’d ask such a foolish question at a time like this. “Huh? Why do you ask?” Feng Xin was sweating, but he replied boldly, “It’s nothing... Just... If you happen to have some, can you...lend it to me?” Xie Lian laughed bitterly. “Do you really think I have anything?” Feng Xin sighed. “I didn’t think so.” After giving it some thought, Xie Lian asked, “Didn’t I give you that golden belt?” “That’s not enough,” Feng Xin mumbled. “Far from it...” Xie Lian was shocked. “Feng Xin? What exactly did you do? How could a golden belt not be enough to cover whatever you need? Did you beat someone up and need to pay them off? Tell me?” Feng Xin came back to himself and quickly said, “Oh no! Don’t take this to heart. I was only asking!” Xie Lian pressed him over and over, but Feng Xin still swore everything was fine. Finally, Xie Lian said with worry, “Well, if there’s anything, you must tell me. We can think of a solution together.” “Don’t worry about me,” Feng Xin said. “There’s no way a solution will just fall from the sky. Your Highness, you just focus on solving your own problems!” When he mentioned that topic, Xie Lian’s heart sank again.

—Vol. 6, Chapt. 98: Warm Words of a Cold Ghost Beguile the Lost Child, 7seas

He initially rejects the valuables Xie Lian tries to give him, only to circle back around later to ask for them to sell for what we now know was to buy time with Jian Lan. Xie Lian even offers to help him solve it "together," but Feng Xin brushes him off. To claim that Xie Lian believed that he owed Feng Xin out of simple “miscommunication”—because Feng Xin was simply too pure and loyal to conceive of asking Xie Lian for money—is a wild misconstruing of both this scene and the fractures in the pair’s relationship.

The challenger also takes issue with Orion’s use of the word coward, for which they are bold enough to pull up a dictionary to “disprove” the description:

Despite the last two definitions that they pulled matching the description of actions they have acknowledged Feng Xin as having committed, they claim that “coward” is not a characteristic that Feng Xin embodies because… they say it isn’t. But do they really? Finally, my last piece to be deconstructed, the last three paragraphs of this poorly managed “meta”:

Let’s recap: Orion’s reasoning for saying that Feng Xin was a “weak friend” were:

He was not a friend but a follower

He abandoned Xie Lian because he saw Xie Lian as his “fallen lord”

The challenger states these very points as their closing argument, as clearly shown in the highlights. So if they agreed with Orion, why make such a condescending “meta” about how Orion is wrong about all of their points, just to restate them as their own conclusion? Simple: it’s not that the challenger disagrees with Orion, at all; it's that they disagree with Orion's non-sympathy for Feng Xin. Feng Xin did leave Xie Lian, "but it wasn't his fault." Feng Xin did break his promise, "but it wasn't his fault." They believe that if a character must be faulted for Feng Xin’s behaviors and actions, then it must be someone else rather than the character (Feng Xin) committing to those actions, themself. Because Jun Wu is the ultimate villain of the novel, then he must be at fault for Feng Xin’s abandonment, and it is not “cowardice” or “desertion” or “fleeing” because had things not gotten tough, obviously Feng Xin would have stayed. “Weak” is simply too harsh a critique of a fair-weather friend, even if it is, in fact, true.

And there you have it, folks! Tune in for long enough, and maybe I’ll have an svsss lesson to complete this stunning trilogy!

[givemaycoffee]

Oh my god. I just wrote an essay in the comments of a fanfic and I was like Wow, I sure had a lot to say.

And then I remembered I actually took my adderall this morning XD

[troublesomesnitch]

Meeting Vhagar - Drabble

Aemond x Wife!Reader

Much to your dismay, Prince Aemond insists on bringing your little son to Vhagar. Set sometime during the Dance.

Contents: Just a little practice thing... Dad!Aemond, Targaryen parenting, subtle fluff. Little bit of subtle angst too. No filth this time..

Words: 3000, and very sloppily proof read.

The carriage can only take you so far as to the Iron Gate. 

Beyond its massive doors, the Rosby Road winds North, poorly maintained and full of potholes, as it is the shortest of the main roads, and thus the least important. It is not as busy as others, and the gate is not guarded as well - clearly, as the men who should be protecting it are presently engaged in a game of cards, laid out on top of a large, flat rock.

That is where the driver will wait, but it is not your destination. 

There is another little trail. One that runs in the opposite direction, scarcely used and partially hidden, visible only to those who know it. No horse or wagon can make the journey, and there is no option but to walk - first along a narrow, trodden path, and then further still, down treacherous steps, carved into the very rock the city rests upon. Past the watchtower, and across the Northern beach, to the vast caves of Maegor the Cruel, where Vhagar has made her nest.

You walk alone, just the two of you. The prince in his coat and boots, and yourself in attire much less suited for the occasion. Fine shoes, fine skirts, and with your little son cradled in your arms. 

The gentle rocking of the carriage has lulled him to sleep. Four months old, he is, and a source of such joy that your poor heart can scarcely contain it. From his first high-pitched cry when you brought him into the world - oh, the pains of labour were all but forgotten, as was the threat of the raging war. And when the prince came to see his son, you could hardly even bear to let him hold him. 

He wanted to bring the boy much sooner, but both you and the dowager queen staunchly put your foot down against that. Children should not be brought outside the home until they have at least lived through the first perilous weeks, and possibly even their first fever. And even then, most would argue, they have no business being around ferocious animals. 

“I don’t like it,” you say, for the umpteenth time, taking the hand offered to you by the prince to help you cross a treacherous stretch. “It is mad, bringing an infant to such a beast - ” 

“Vhagar should know him,” he says, steadfast and determined. As he has done whenever you voiced your concern. 

It does nothing at all to calm your nerves. But it is his most compelling argument, and the only reason you have allowed this lunacy in the first place. So the dragon would recognise the boy as his, and as one of her own. So she would know to protect him, if - something should happen. 

You make it halfway across the pebbled beach before the prince pauses. And you do too, lifting your gaze to follow his line of sight; see what he is looking at. 

An enormous, greyish mass, some yards away, that at first you thought was a moss-grown rock, or years of washed up seaweed. But the mass makes a rumbling noise and begins to shift and lift itself, slowly and carefully, as though with much effort. Part of it becomes a leg, another part unfurls into a great wing, and the rock nearest to you becomes a head, with a mouth full of jagged teeth, and two eyes opening slowly. Amber in colour, and with slitted pupils staring straight at you. 

“She can sense me,” the prince declares, with no small amount of pride, lifting his chin and straightening his back. 

You, however, are paralysed, utterly shocked by her vastness. You have never seen Vhagar this close before, and though you knew of her impressive size, it is one thing to see her soaring across the sky, and quite another to be right next to her, unprotected and vulnerable.

It seems to you that the span of her wings could cover half the city, that entire buildings could fit in her mouth. And certainly, she could end all three of you with her fiery breath, or with a single swipe of her claw or her massive tail. One wrong move, even if accidental, even if she did not mean to - you would all be dead. 

“Come,” the prince says, pushing at the small of your back. But you stall, digging in your heels, frozen in place at the sight of her. 

“I’ve changed my mind,” you stammer. “We should go back - it is not safe…”

The prince gives an overbearing, if somewhat irritated sigh. 

“Dragons are loyal beasts,” he reassures. “Vhagar is loyal to me, she obeys me - ”

“She is a beast,” you hiss, hugging your drowsy son closer to your chest. “She cannot be trusted. It is too dangerous - I won’t let you bring him any closer - ”

Prince Aemond does not like to be challenged. He turns around to look at you coolly, his voice low and scornful as he speaks. 

“Is your opinion of me so unfavourable, wife, that you think I would risk harm to my own son?”

“No,” you respond, quietly, but truthfully. Since you were married, your opinion of the prince has only risen, slowly but surely. And it continues to do so, still - though perhaps not right now. “I don’t like it - ”

“Mhm - so you said,” your husband says dryly, all but wrenching the swaddled boy from your arms. 

He does not complain, the boy. Prince Aemond comes to visit often, at least once a day, and sometimes more. He sits with the child, reads to him, lets him fall asleep in his arms - not for very long each time, but it is at least enough for the little boy to recognise his father’s low voice and stern face as something safe and comfortable. As is evident from the way he now settles against the prince’s leather-clad chest, tangling his little fist into a lock of his hair. 

The beast remains still, pensive as her rider approaches, her serpent’s eyes fixed on the thing in his arms, on what he is bringing her. Your most precious treasure, your life’s very purpose, completely at the mercy of the greatest dragon in the world. 

You might have felt more at ease if the soft, sparse hair on his head had been silver like his father’s, but alas, it is not. It is exactly like yours, and only the bright violet of his eyes gives away his true inheritance. 

And that seems like too little a thing for such a large creature to notice. 

Prince Aemond calls out in that strange language of his, with the open vowels and the rolling R’s. It is beautiful, especially in his mouth, and the dragon responds at once, contorting herself to let him touch her wrinkled neck with affection. Which is a strange sight, but what is even stranger is the way she grumbles - as though she likes it. He speaks to her as if she was another person, in long, full sentences that are much too complicated for you to even attempt to understand. There is only one word you can make out, for the sole reason that he says it twice - yoreliatzeh, or yorelatzya, or something akin to that. You haven’t a clue as to what it means. 

Vhagar snorts once, and the prince steps back to give her room to move, to rise up onto her legs and bring her head closer, her nose almost touching his hip. While you stand at a distance, staring at the utterly bizarre scene playing out in front of you. A fearsome, vicious beast, sniffing the child like a dog would. Gently and carefully, only she is so big that each of her cautious breaths is like a small gust of wind, making your husband’s hair billow about his face. When she makes a grunting noise, he carefully unwraps some of the swaddlings, holding the child up to let her see him better, smell him better. 

He is bright, your darling boy, and curious, like all babes and children. His eyes are wide as they take in Vhagar’s scaly form, and he gives a soft squeal of surprise or wonder, kicking his little feet under the blankets. Reaching his arm towards the beast's massive head, her massive teeth -

“Aemond, please - ” you gasp, clutching your hands to your throat. 

The prince turns his head to give you a stern look, one that clearly shows he is running out of patience. And maybe this time it is justified, because your fearful outburst startles the boy, who begins to squirm unhappily in his father’s arms. Fussing and whimpering; a sound that is as painful to you as salt to an open wound. 

“Bring him to me,” you plead, “can’t you see that he is frightened - ” 

“He is frightened because you are frightened,” the prince says, as soft spoken as always, but with a hint of something sharp underneath.

He cradles the boy closer to his chest, bouncing him gently, holding his head and murmuring soothing words. Exactly as you would do, and to the same effect. It calms him down, and his big, round eyes start darting around again, taking in his surroundings. The dragon, the grey sea, the fine silver clasps on his father’s clothes. It does seem that the latter intrigues him the most. 

Vhagar lifts her neck and tilts her head just slightly, seemingly very interested in the child, in this tiny little creature; the way he moves his little limbs, and his soft coos and noises. There is an almost… thoughtful look in her eyes, or at the very least a curious one. 

It makes you wonder about the extent of her perception. Whether she truly knows that this is Aemond’s child, that it came from him, from his body, his flesh. If she can sense it somehow, through the bond they purportedly share, or if she understood it when he spoke to her. 

How intelligent is a dragon? Are they like dogs or horses, able to learn the meaning of certain words, but not the full breadth of language? Or do they think as people, with nuance and emotion, and a mind as vivid as your own. 

You do not know. You suppose no one really does. 

“Come,” the prince calls, reaching his arm towards you, beckoning you closer. However, a single glance at Vhagar, whose mighty gaze is now focused on you, is enough to inspire disobedience in even the most well-behaved wife.

“I would really rather not - ”

“She must know the both of you,” he insists. 

“Is that - necessary?” you squirm, wringing your hands, very much aware that you are not a dragon rider, that you haven’t a drop of Valyrian blood. “Vhagar has no reason to think fondly of me…”

The prince scoffs. 

“Are you not the mother of my child?” he says. “Now, come.” 

You must go to him. He is your lord husband, and he is a prince, and such is the way of things. But you are not at all glad to, and you walk with shaky, reluctant steps, gripping onto his elbow and cowering behind him like a frightened child. 

You close your eyes when the dragon lowers her head once more, bringing it towards you. A sudden, low-pitched growl makes your heart tremble, but the prince speaks a soft command. Lykirī, Vhagar. Lykirī.

It has a calming effect on you too. As does the arm he keeps outstretched in front of you - solely for your comfort, you assume, as it would make no difference whatsoever, should Vhagar decide that she does not like you. But you appreciate the gesture nonetheless.

The air is warm, this close to her, and your skirts move around your legs when she breathes, slowly and deeply, while the prince speaks to her in soft tones. That word again, the one from before, and many others. You know the words for wife, for king, for father, brother, sister, even for dragon, but he says none of those now, so you have no guess as to what he is telling her. Or if she understands. Or what he would call you, if not his wife. 

This woman is my - spouse? lady? lover?

You do have a kind of love for him, and sometimes you think he does for you, too. Sometimes. One can never be sure of anything with the prince, who keeps himself so closely guarded. Even after more than a year of marriage. Even now that you have given him a child. 

The birth went mercifully well, but your recovery was long, and he has only recently begun to come to your bed again. And so far, only a handful of times. The first time, it was so painful for you that the act could not be completed, and the second time, he finished so quickly that it barely even counts. The third was better. Pleasurable for both of you, but still strange after going so long without it - at least for you. It is both likely and possible that the prince satisfied his urges elsewhere while your body was indisposed. You do not know. Nor do you wish to. 

The ground shifts beneath your feet, and the heat around you lessens, as does the heavy smell of burned flesh and brimstone, the very same one that so often clings to your husband’s clothes. When you open your eyes it is to the sight of Vhagar, settled onto her belly, her head laid atop her claws. Calm and docile, and with a deep rumble coming from her chest - one that is probably a sign of contentment, even if it sounds utterly terrifying. 

“Touch her,” the prince commands, giving a gentle push to your back. “You have nothing to fear, touch her.” 

It is quite clear that Vhagar is unruffled by your presence, that she is resting. But with her eyes heavy and half-closed, it makes her look so menacing, so evil - even though you know that evil does not exist inherently in any beast. Only in those who train it. 

You draw in a steadying breath, gathering up your courage, reaching your hand out - only to then think better of it and let it fall. 

“I am afraid to,” you whisper.

The prince sighs. But his hand closes gently around yours, bringing it to rest on the side of her nose, first the tips of your fingers, and then your whole palm. 

It is like nothing else you have ever felt, her scales. You always imagined that a dragon’s skin would feel like leather, but Vhagar’s skin is so much tougher, so much rougher, like running your hand over little rocks. And she is warm - so warm, as though a fire is always burning somewhere in her throat. 

She does not object at all to your touch, even when the prince withdraws his own hand, leaving only yours. Only you and Vhagar. The largest, oldest being in the world. 

To think, the things she has seen. The conquest, the Dornish Wars, the very founding of the realm of the Seven Kingdoms. Dozens of castles have crumbled in her fire, and thousands of people have perished, and she has fought and won hundreds of battles; torn through stone, rock and earth as though it was boiled jelly. 

It is at once terrifying and romantic, like something from a fairytale, or stories of ancient times. A creature of such myth and legend that you almost feel as though you should bow down to her, as one does before a great matriarch.

Vhagar the Conqueror. Queen of all Dragons. 

She closes her eyes when you draw back. 

“He might ride her too, some day,” the prince says quietly. Wistfully. 

“But dragons only have one rider - ” you protest, cutting yourself off when you realise what he meant. What he left unsaid. 

This is war. The realm is at war. Death is everywhere; at the end of a blade, in the point of an arrow. And if not on the field of battle, then in tainted water or plague-ridden camps; empty bellies or festering wounds.

“You shouldn’t say such things,” you mutter, looking down at your feet. Your dirtied shoes. 

The prince does not answer. A heavy mood has settled over the rocky beach, something vast and bleak and empty, only compounded by the surroundings. The colourless sky, the sombre crashing of waves. Even Vhagar gives a doleful sigh, as though she too is weary of what is to come.

She has been the prince’s companion since childhood. He was born to the queen, but Vhagar made him what he is, made him ruthless, made him brutally ambitious. Made him Aemond One-Eye, Aemond the Kinslayer. Prince Regent, Protector of the Realm. She has known him boy and man, as well as any, and better than most. She has known him in life, and she may yet know him in death.

You push that thought away as forcefully as your mind allows. You shouldn’t think such things. 

A coo from your son breaks the tension, and his eyes turn to the sky, where a large heron is flapping its wings. The afternoon is turning to evening, and soon the bell will ring for supper - something warm and comforting, you hope. You are cold, your breasts feel sore, and you have most certainly had enough excitement for one day. For several days, in fact.

“Can we go, please,” you breathe, looking up at your husband with wide, pleading eyes. 

“She is tired,” he says, with a soft glance at Vhagar’s terrifying face, and a gentle touch to her side. “Yes, we should.”

—

You walk slower on the way back. Uphill, with sore feet, and your boy now fast asleep in your arms. Safe and snug where he belongs. 

“My Prince,” you begin, sweet and innocent. “What does… yoreliatzeh mean?”

There is a sly little smile on his face when you look at him, a self-assured look in his remaining eye.

“Jorrāeliarza,” he corrects, with an artful pause before he continues. As though to keep you in suspense. “It means dear. Or… beloved.”

If he sees the sudden blush on your face, he does not let on. 

“Jorālitzeh.”

“No,” he says. “Jor-rāe-liar-za.”

“Jor-rāe-liar-za,” you repeat, trying your very best to mimic the exact movements of his mouth, the way he gently rolls his tongue. “Jorrāeliarza.”

“Better,” he nods, and then you round a corner, just in time to see the guards hastily hide their cards away, and the driver shuffling back towards the carriage, eagerly shoving his winnings into a pocket. 

Jorrāeliarza. Jorrāeliarza. Jorrāeliarza. 

Dear. Beloved. 

You like that very much.  

Please feel free to come into my asks or DMs with critique of my fics! Constructive is preferred, but not required.

Tags. @arcielee, @targaryen-madness, @aemondsbabygirl, @qyburnsghost, @blackswxnn

I am a mess with the tagging, I'm so sorry if I forgot or wrongly tagged anyone. Let me know, I will fix it.

[yes-these-obsessions-are-healthy]

With his romance with Lavellan, Solas learned a horrific truth—that him simply as a humble man was enough to be lovable. He had been plied out of the Fade by Mythal because of her need for him, and out of devotion, he became something more and dreadful for himself, for her. And she never reciprocated that devotion with the same intensity. He spent millennia fighting for her as a thing he detested—a man of war and death, a being whose mortal body imbued him with innate qualities and emotions that would further twist his Wisdom nature. He was producing the very poisons that would normally corrupt a spirit by virtue of [Being a Person]. The external influences now harbored inside him.

But Lavellan showed him. That being you are, the one that wished to ponder and reminisce of spirits, who valued liberty and freedom and knowledge and the wry observation? That was enough. That was always enough. But he can’t accept it, because millennia of being Fen Harel, being devoted to Mythal and her cause.. to sunder it from himself would feel like a magnificent loss. He has been that for so long, is there anything yet truly left of the Wisdom spirit that once was?

Not only that, but given corporeality, Solas is compelled by the operant [If I can, I must]. He CAN do something about the Veil, so he will. If he doesn’t, then he is forsaking the memory of those he destroyed with his choice. He is forsaking his own principles. To do nothing in the face of injustice and cruelty is a sin he cannot bear.

He comes to the Inquisition as a “humble apostate”, both as disguise and because in his de-powered state he is of little greater use (if he had greater power I’m certain he would have nudged the Inquisition toward their goals). This is a costume he is wearing, or so he tells himself. He exists to advise, to suggest, to subtly direct toward more peaceful and humanitarian and spirit-friendly directives. He operates as something reminiscent of his former [Wisdom] spirit state.

And Lavellan grows to love it, to appreciate it. She grows to appreciate [Solas as Wisdom]. That part of him, the part of him that he has put aside for thousands upon thousands of years, though his nature craves to return to it. Without his ability to be Fen’Harel, it is pretty much all he has. And oh, this mayfly mortal born of a “forsaken ignorant people”, she is drawn to him, seeing him as a [man], seeing him at his (comparatively) weakest, most ineffectual state and finding it pleasing. Desirable. [Enough].

Enough. He is enough as Solas, simply Solas. But if it is enough for Lavellan, why was it not enough for Mythal? No, no, there was a reason. There was a war. War requires more of people. It requires limits to be broken and terrible mantles to be donned.

But Lavellan is fighting an existential war against Corypheus. And she does not demand more of him. She values what little he is able to provide—guidance, insight, his magic. It is [Enough].

We Solavellans have dissected and discussed at length about the nature of the relationship being one built on deceit, the moral and ethical quandary of love cultivated under a false identity. Veilguard has confirmed the existential struggle and quiet agony that Solas experienced by transitioning into [Being]. While Lavellan should of course had been informed of his ‘true identity’ before falling in love with him, an argument could still be made that Fen’Harel is not his true identity but a long-worn mask that he wishes he could ditch. The man Lavellan fell in love with is who he should be, who he wants to be. Far more underpowered than he’s comfortable with, sure, but the personality for certain. Just a person giving advice, discussing at length about topics he enioys, exploring memories and ruminating over them, smirking over small verbal sleights of hand and sly tricks, engaging in philosophical debates. All of that is already there, that is who he is in peacetime. The man has known war and conflict for so long that he has mentally split Solas and Fen’Harel as two people, because he needed to, but they are the same. Solas who wields the martial prowess of Fen’Harel. Fen’Harel who possesses the wry levity and artistic sentimentality of Solas. SOLAS YOU ARE BOTH AND MORE THAN THESE TWO HALVES.

[cruel-seduction]

Tom Riddle Headcanon || 18+

(୨୧) 6’3 | Tall, intimidating, and he knows it. He’s tall, but not towering—it’s the kind of height that lets him loom over you just enough to make you uncomfortable in the best way. His presence is magnetic, commanding, like he’s taking up more space than he actually does. (You think you can hold eye contact with this man without second-guessing your life choices? Good luck.)

(୨୧) Lean, but it’s that sharp, calculated kind of lean. Like he was sculpted out of pure ambition and dark magic. His cheekbones? You could slice your finger on them, and his jawline looks like it was chiseled by Salazar Slytherin himself.

(୨୧) He doesn’t have He’s not bulky—oh no, Tom believes muscles are for people who need to physically overpower others. His strength is in his mind, but don’t mistake that for fragility. He’s all sharp edges and taut sinew, like a blade just waiting to cut. Tom has power. Subtle, unassuming strength that hits you when he casually pins someone to the wall or clenches his fist during an argument, making every vein in his forearm pop. (And suddenly you’re wondering if you enjoy being terrified of a man.)

WE LOVE A MAN WHO COULD STRANGLE US WITH ONE HAND AND STILL LOOK PERFECT DOING IT!!!! 

(୨୧) Abs? Oh, he has them. But they’re not flashy gym-bro abs—they’re carved out of years of silent rage and perfectionism. You’d only see them under candlelight, the shadows teasing you just enough to make you question every moral fiber in your body.

(୨୧) Tom doesn’t work out. Ever. He’s too busy reading ancient texts and rewriting the definition of “overachiever.” Yet somehow, he has the kind of body that looks like it was sculpted by dark magic itself. His posture is impeccable, every movement deliberate and precise, like he’s constantly two steps ahead of everyone else.

(୨୧) Long fingers, veins visible, nails always perfectly kept. These are the hands of someone who can cast a killing curse with chilling accuracy—or caress your skin like you’re the most fragile thing in the world.

(We LOVE a man who could both destroy and cherish us with the same hands!!!)

(୨୧) His face? The blueprint for the resting evil smirk. He doesn’t even have to try to look dangerous. One glance, one slight quirk of his lips, and suddenly you’re doing whatever he wants without thinking twice. (You: “Why am I holding this cursed object?” Tom: “Because I asked nicely.” …And now you’re smiling like an idiot while the Horcrux slowly sucks away your soul. Love that for you!)

(୨୧) Hotness Level: Nuclear

Tom doesn’t just walk into a room—he owns it. His hotness isn’t in your face; it’s insidious, sneaking up on you until suddenly you’re wondering how you got trapped in his web.

His energy? He doesn’t need to ask for your soul. You’d willingly hand it over while thanking him for the privilege.

And when he’s angry? Oh, you feel it. That piercing stare, the slight tilt of his head, the way his voice drops an octave just to let you know you’ve made a very, very big mistake.

THERE’S HOT, AND THEN THERE’S TOM RIDDLE HOT—THE KIND THAT MAKES YOU WANT TO APOLOGIZE FOR BREATHING TOO LOUDLY.

(୨୧) A Walking Manipulation Manual Tom doesn’t ask for things. He makes you want to give them to him. Every glance, every word is carefully calculated to pull you into his orbit. He’s not just charming—he’s dangerously compelling. (One conversation with him, and suddenly you’re questioning your entire moral compass. Like, “Oh, you want me to help you break into the Restricted Section? Sure, Tom. Anything for you.”)

(୨୧) Validation is His Drug Let’s be real: Tom craves approval like it’s oxygen.Tom will deny it to his last breath, but he needs to be the best. He doesn’t just want to succeed; he wants to be the only option. It’s not enough for him to win—everyone else has to lose. (And don’t get me started on how he reacts to praise. Compliment him in the right way, and you’ll see that flicker of pride in his dark eyes before he schools his face into that unreadable mask again. We love a secretly vulnerable king.) He’s spent his whole life proving he’s better than everyone else, and it’s not just for pride—it’s because he doesn’t know how to not seek validation. He thrives on being the teacher’s pet, the top student. Maybe it’s because he never got his parents validation. But trust me when I say he is a bitch for teacher’s validation. (But let’s be clear: the second you start overshadowing him, he’ll knock you down a peg faster than you can say Avada Kedavra.)

(୨୧) Control Freak Everything about Tom screams precision. His desk? Immaculate. His spells? Flawless. His plans? Perfectly executed. He doesn’t just like control—he needs it. Chaos makes him itch, which is ironic considering he’s the embodiment of quiet destruction. (And He will make sure you’re oriented too) 

(୨୧) Manipulative but Subtly Possessive He doesn’t say you’re his. No, Tom makes it clear in subtler ways—like the way he rests a hand on your back just as someone else looks at you too long. Or the cold, sharp glare he gives anyone who dares speak to you without his permission. (A man who makes you feel like a queen while also terrifying everyone else around you.)

(୨୧) Unyielding Ambition Tom doesn’t just want success—he wants power. He wants to be remembered, revered, and feared. He’s the guy who’ll smile sweetly at a professor while planning to steal their research for his own gain. He has a goal. He will do anything to get there. Anything can include from threatening someone to killing someone. He is, as poet says a psycho. 

Tom Riddle | The Duality

(୨୧) The Charm is a Weapon His voice? Silky smooth, with just enough edge to keep you on your toes. He’s polite, refined, and utterly disarming. But behind that charming smile is a predator watching his prey. (You’re falling for him, and you don’t even realize it until it’s too late. And honestly? You don’t even mind.)

(୨୧) Dark, Brooding, and Mysterious Tom’s the guy sitting alone in the library, surrounded by ancient tomes, quill scratching quietly against parchment. He’s untouchable, aloof, and yet somehow you can’t stop staring. (You just know he’s plotting something, and you want in on it. Even if it’s dangerous. Especially if it’s dangerous.)

(୨୧) The Possessive Gentleman He’ll hold the door open for you, pull out your chair, and offer you his arm as you walk. But don’t be fooled—this isn’t just gentlemanly courtesy. This is Tom Riddle subtly marking you as his. (Imagine him offering you his coat and then hexing anyone who dares comment on it. THAT’S the energy.)

Tom Riddle|| Personality 

(୨୧) He’s the Most Dangerous Kind of Asshole—Polished and Calculated Tom isn’t like Mattheo, who might yell across the hallway for a laugh. No, Tom is refined, cold, and deliberate. When he doesn’t like you, you won’t hear him shouting about it—he’ll make you feel it. He’ll dismantle your self-esteem with just a few carefully chosen words delivered with a sharp smile. (“A shame you couldn’t understand the assignment. I suppose not everyone’s meant for greatness.” Translation: You’re an idiot, and he’s better than you.)

(୨୧) He’s Addicted to Control Every aspect of Tom’s life is planned. His work is immaculate, his appearance is flawless, and his ambitions are unshakable. He thrives on structure because chaos reminds him of what he came from—something he’s desperate to leave behind. Don’t ever try to surprise Tom; he’ll take it as a personal offense. He hates unpredictability because it’s the one thing he can’t manipulate.

(୨୧) A Master of Masking His True Self Tom can charm anyone. Teachers adore him. Classmates admire him—or at least pretend to, because who wants to get on Tom Riddle’s bad side? He wears his “perfect student” persona like armor, and it’s nearly impenetrable. (But let’s be real, you know he’s sneaking into the Restricted Section at 2 a.m., whispering spells under his breath like it’s his birthright.)

(୨୧) Unhinged Beneath the Surface Tom doesn’t snap in loud, dramatic outbursts. No, his anger is a quiet, simmering thing, so much worse because you never see it coming. He’ll stare you down with a look so cold you’ll swear the temperature dropped, and then suddenly— “I suggest you choose your next words carefully. You won’t like what happens otherwise.” (And when he does lose it? You better pray you’re not in the blast radius because that’s some “destroy-everything-in-sight” level fury.)

Tom Riddle | Relationships and Obsession

(୨୧) Emotionally Unavailable, But Intensely Possessive Tom doesn’t do feelings. Or at least, that’s what he tells himself. He views relationships like he views everything else in his life: something to control. But when he does fixate on someone? It’s all-consuming, suffocating, and terrifyingly intense. He won’t shout “you’re mine” from the rooftops. Instead, he’ll show it in the way he glances at anyone who gets too close to you, the subtle squeeze of his hand on your waist, the icy calm he maintains when someone dares flirt with you. (“You’re being watched, princess. I’d think twice before entertaining fools like that again.”)

(୨୧) Manipulative in the Most Beautiful Way Tom has mastered the art of making you think his darkest ideas are your idea. He’ll twist your words, your emotions, until you’re second-guessing yourself and believing that he’s the only one who truly understands you. (“You don’t need them. They’ll only disappoint you. I’m the one who’s always been here, haven’t I?”) (Yes, it’s toxic, but are we complaining? Nope. Absolutely not.)

(୨୧) Softness is Reserved for You and You Only Tom is cold to everyone—except you. When it’s just the two of you, he lets his walls down just enough to show you glimpses of the boy beneath the monster. He’s still composed, but his voice softens, his touch gentles. He’ll sit beside you in the library, his hand brushing yours as he murmurs, “You’re brilliant, you know. Far more than they deserve.” (That’s right. You’re his weakness, and we’re eating that up like it’s our last meal.)

Tom Riddle | Dark Habits and Quirks

(୨୧) Obsessive Overachievement If Tom gets less than perfect marks on anything, he’ll lose sleep over it. He’ll re-study every detail of the assignment until it’s engraved into his mind. (If you try to comfort him, he’ll glare and say, “Mediocrity is unacceptable.” …Okay, Tom, calm down.)

(୨୧) No Time for Fun or Friends Tom doesn’t “hang out.” He doesn’t do parties or casual drinks with the boys. His version of “fun” is solving an ancient magical riddle or perfecting a spell no one else has dared attempt. (Though I imagine he secretly finds your mundane activities fascinating. He’ll pretend he’s annoyed, but he’s watching you decorate a cake like, “How… how does one enjoy this?”)

(୨୧) Petty in the Most Refined Way Tom won’t call you out in public, but he will ruin your life in ways you don’t even realize until it’s too late. (“Oh, did you fail the test? Strange. I suppose all that time gossiping didn’t leave you much room to study.” Cue his perfect grade plastered on the board.)

(୨୧) Refuses to Eat Like a Normal Human Being He’s the type to skip meals because he “doesn’t have time for such trivialities.” When he does eat, it’s methodical, quiet, and eerily polite. (You could be scarfing down chips, and Tom’s over here delicately slicing his food into perfect pieces. Honestly, it’s infuriating and hot at the same time.)

(୨୧)  When Tom Realized He Was in Love Tom was the last person to admit he was capable of love. He didn’t need it. In fact, he despised the very idea of vulnerability. At first, he simply enjoyed the control, the power he had over you, the way you seemed so easily ensnared in his web. But then something changed.

It wasn’t dramatic. No hearts aflutter, no sudden epiphany. Instead, it was little moments—the way your laugh made his heart tighten, the way his thoughts lingered on you when he was supposed to be focused on his next conquest. It started to feel like something deeper. The first sign? He found himself doing small things for you, things that felt personal—that were not for his image, but just for you.

Like when you were late for a class, and Tom “accidentally” got your notes for you—notes he knew you didn’t need but knew you’d appreciate. Or when he made sure the books you wanted were always ready for you in the library, despite the fact that he despised wasting his time on “mundane tasks.” He would act as if it was no big deal, but his eyes would linger on you a moment too long, watching you with a touch of something he refused to name.

(୨୧) When He Realized He Loved You

Tom didn’t have some grand epiphany. It was a slow, torturous process of denial. But the moment he knew? It was after you smiled at him after a particularly heated argument about something inconsequential. You stood your ground, refused to back down, and still looked at him like he wasn’t the monster he feared he was. He walked away, but later that night, when the castle was silent, he whispered the words into the dark, testing them out as if saying them aloud would make them feel less… dangerous. "I love her."

(୨୧) His “Confession” Was Terrifyingly Intense

Tom doesn’t stumble through his words like Mattheo might. No, when Tom confesses, it’s calculated and deliberate—but still deeply unsettling.

“You’ve done something to me,” he said, his voice dangerously low, his gaze piercing. “I don’t know what it is, but I can’t stop thinking about you. And I won’t. So you’re going to stay by my side, because that’s where you belong.”

(Translation: We are gonna stay together forever. And we belong with each other. )

(୨୧) Tom’s Denial and “Caring” Moments When Tom started feeling what people call “love,” he fought it. He refused to let himself admit it, convinced that emotions were a weakness. He never said “I love you”—not in the way that other people did. Instead, it was subtle. Insidious. He’d show his affection in the smallest, most frustratingly subtle ways. He wouldn’t bring you flowers or offer grand gestures. No. Tom’s “love” was found in the way he’d drag you into the darkness of the restricted section when no one was watching, the way his fingers brushed yours for a split second before he pulled away, pretending he didn’t want to touch you.

And he definitely wouldn’t say “I love you” unless absolutely necessary. He didn’t need to. His actions spoke louder.

But then, one evening, it just… slipped out. You were sitting together in his private little corner of the library, your laughter echoing in the otherwise silent space. Tom, for once, seemed genuinely relaxed, his usually tense frame at ease. He was looking at you, his gaze dark but softened—something that wasn’t there before.

“You... make everything easier,” he muttered, almost to himself. When you raised an eyebrow, he didn’t immediately elaborate. Instead, he just leaned in, his lips brushing your ear as he added, “It’s ridiculous how much I care about you.” and you just smiled and pecked his lips.

There was no "I love you," not in so many words. But you heard it, and it made your heart do something strange—flutter, maybe? But you weren’t sure if you were imagining it because Tom's voice was still so casual. Like everything he said was just... a matter of fact.

(୨୧) Praise Where It Matters Most

Tom doesn’t throw compliments around lightly. When he says something nice, it’s like being struck by lightning. His words carry weight.

“You’re brilliant,” he’d murmur, his voice low, his gaze intense. “More than anyone else here. Don’t ever let them make you think otherwise.”

(And yes, you’d be a puddle on the floor because Tom’s version of praise feels like a rare, precious gift.)

(୨୧) Tom’s Trust and Relationship Dynamics Here’s the thing: Tom doesn’t get jealous. He’s above it. It’s not in his nature. If you’re his, you’re his, and no one dares to get in the way. He doesn’t need to question your loyalty, because in his mind, the moment he chose you, he is gonna trust you more than anyone. For him you’re never at fault but the other person is gonna die. It’s not that he’s insecure—it’s that he knows you would never cheat on him. Why would you? You have everything you could ever need in him.

He doesn’t even feel the need to keep tabs on you, though don’t get it twisted—he is watching, but he does it from the shadows. If you’re not at his side, he trusts that you’ll come back. You always come back. And if you don’t, well… that’s where things get a little interesting.

He’s not showing you off like Mattheo might; he’s staking his claim.

If anyone so much as looks at you the wrong way, you’ll feel the shift in his demeanor immediately.

“Do they think they’re worthy of your attention?” he’ll whisper, his tone deceptively calm. “They’re not. Let me remind them.”

(Spoiler: He will. And it won’t be pretty.)

(୨୧) Acts of Service, But Darker

Tom will do things for you, but it’s always with a hidden motive. Did someone upset you? He’ll “take care of it.” Did you want something rare or hard to find? He’ll get it for you, no questions asked.

“Consider it handled,” he’ll say with a ghost of a smile. But you know better than to ask how he handled it.

(୨୧) The Gaslighting Is Unreal

If you ever try to put distance between you and Tom, he’ll make you question everything.

“Why would you leave? After everything we’ve built together?” His voice will crack just enough to make you hesitate.

And when you falter, he’ll pull you back in with a kiss so intense it leaves you breathless, murmuring, “I can’t lose you. Don’t you see? You’re my weakness.”

(୨୧) First Kiss

It happened in the library, of course. You were studying, lost in your notes, and he was pretending to read while stealing glances at you. He didn’t plan it, but you looked up and caught him staring.

“What?” you asked, tilting your head with that infuriatingly perfect smile.

He leaned in before he could stop himself, his hand cupping your cheek as his lips met yours. It wasn’t soft or tentative—it was intense, consuming, like he was staking a claim. When he pulled back, his expression was unreadable.

“You’ll be the death of me,” he murmured before returning to his book as if nothing had happened.

(୨୧) The Reality of Tom Riddle’s Love

With Tom, everything is earned. He doesn't just give his heart away, and certainly not without demanding something in return. But for you? You’ll always have his trust. You’ll always have his attention. You’ll always know that beneath that cold exterior, he’s obsessed.

Tom Riddle | Intimacy and the Smut

(୨୧) With Tom Riddle, intimacy is an art—meticulous, calculated, and suffused with a dark intensity that leaves you trembling in its wake. He isn’t one for rushed encounters or fleeting passions. No, when Tom takes you, it’s deliberate, almost ceremonial, like he’s claiming something he already knows belongs to him.

(୨୧) The Build-Up Foreplay with Tom is a slow burn, a game of control that he always wins. He knows exactly how to make you crave him without even laying a finger on you. His voice, low and commanding, is enough to send shivers down your spine. He has this way of leaning in close, his lips brushing against your ear as he murmurs things that are simultaneously a praise and a promise.

“You look exquisite when you’re begging, darling,” he whispers, his hand ghosting along the curve of your neck, stopping just short of touching you fully.

Tom thrives on anticipation. He’ll spend what feels like an eternity trailing his fingers across your skin, watching your reactions with a sharp, almost predatory focus. Every gasp, every arch of your body—it’s all cataloged in his mind, stored away for when he decides to unravel you completely.

The way he kisses you is enough to leave you breathless. It’s not hurried or frenzied; it’s controlled, methodical. He tilts your chin up with a single finger, his lips slanting over yours with a precision that makes your knees weak.

When he finally touches you, it’s overwhelming. His hands are strong, commanding, but there’s a certain reverence in the way he holds you, like he’s savoring every inch of your skin.

(୨୧) The Act Tom is not gentle, but he’s not reckless either. He knows exactly how to toe the line between pleasure and pain, how to push you to the edge without ever letting you fall. He’s all about control—his control over you, your body, your mind.

His stamina is almost otherworldly. Where others might falter, Tom thrives, his focus unwavering as he pushes you past your limits. He doesn’t stop until you’re completely spent, your body trembling beneath his, your voice hoarse from calling his name.

“Look at you,” he murmurs, his tone laced with dark amusement as he brushes a strand of hair from your face. “Falling apart so beautifully for me. Are you even aware of how perfect you are?”

He loves to whisper things into your ear, things that make your cheeks flush and your heart race.

“You’re mine,” he growls, his voice rough and commanding. “Every part of you. Do you understand that?”

And when you nod, he smirks, his lips ghosting over yours.

“That’s a good girl,” he murmurs, his voice soft but firm.

(୨୧) Pet Names and Praise Tom isn’t overly creative with pet names, but the ones he uses are potent.

Darling: His go-to, spoken with a dark edge that makes your knees weak.

My love: When he’s feeling particularly possessive, usually whispered against your skin.

Good girl: Said in a way that makes your heart race and your mind spin.

Perfect: Because to him, you are, and he never lets you forget it.

(୨୧) Roughness and Domination Tom doesn’t shy away from being rough. His hands grip your hips hard enough to leave bruises, his teeth graze your neck in a way that makes you shiver, and his pace is relentless. He loves the way your body reacts to him, the way you cling to him, desperate and needy.

“You can take it,” he murmurs, his voice low and commanding. “I know you can. You’re stronger than you think, my love.”

And when you finally break, when you can’t hold back the cries of pleasure that spill from your lips, Tom smirks, his satisfaction evident in the dark gleam of his eyes.

“Such a good girl for me,” he whispers, his lips pressing against your temple. “Always so perfect.”

(୨୧) Aftercare Despite his roughness, Tom isn’t cruel. Once the heat of the moment has passed, he softens ever so slightly. He doesn’t say much, but his actions speak volumes. He’ll run his fingers through your hair, his touch surprisingly tender, and press soft kisses against your forehead.

“You did well, darling,” he murmurs, his voice a low rumble. “Rest now. I’ll take care of everything.”

And he does. Because while Tom Riddle might be a lot of things—manipulative, calculating, and intense—when it comes to you, he’s nothing short of devoted.

[caelummink]

Imagine lying in bed, desperately trying to make yourself get up, but failing miserably. Eating, showering, brushing your teeth — it’s all too much.

And then you hear the familiar sound of your f/o’s footsteps.

They don’t speak right away. You can feel their presence as they stand in the doorway, their piercing gaze taking in your motionless form.

Finally, their voice cuts through the suffocating silence, “So, this is how you’ve decided to spend your evening. Hiding from the world, pretending it will disappear if you don’t face it?”

You don’t answer. You can’t. Their words hold no malice, but they cut through you anyway, the truth in them too heavy to acknowledge.

“Very well,” your f/o sighs, the sound more resigned than frustrated. “If you insist on drowning in your misery, I will not stand idly by and watch.”

Before you can even process what they mean, they’re pulling the blanket off of you, their movements firm yet careful, as though they know exactly how fragile you are right now. Your f/o scoops you up effortlessly, one arm around your back, the other under your knees, cradling you as if you weigh nothing at all.

“Dinner first,” they say simply, already carrying you to the dining room. Their tone is final — there’s no room for argument.

When they set you down at the table, there’s already a plate waiting for you. Your f/o stands nearby, watching you closely as you hesitantly stare at the food.

“You needn’t finish it all, but you will eat,” they murmur. “For me, if not for yourself.”

The weight of their gaze compels you to pick up your fork. You take a bite, then another, and though you feel weak and slow, their unrelenting focus doesn’t waver. When you pause, their voice softens just enough to be comforting.

“Good,” they encourage. “Keep going.”

When you’ve eaten as much as you can, they help you to your feet again, their hand steadying you as they guide you to the bathroom. You freeze when you see your f/o pick up your toothbrush, but they don’t hesitate, squeezing the toothpaste onto the bristles as though this, too, is their responsibility now.

“Open your mouth,” they order, glancing at you with a look that’s both exasperated and oddly tender.

You comply, and they slowly brush your teeth for you. When they’re finished, they wipe the corner of your mouth with their thumb, the touch lingering for a moment before they speak again, their voice quiet.

“There we go,” they say, as though it’s a task only they could have done properly.

Next is the shower. Your f/o turns on the water, testing the temperature, their expression unreadable. You hesitate, unsure, but the look they give you leaves no room for doubt.

“Don’t make me repeat myself,” they huff. “I’ve already taken you this far.”

You step into the water, and though they remain just outside, you feel their presence like a shield against the world. When your legs wobble, the glass door opens slightly, their hand reaching in to steady you, their fingers brushing against your cheek to wipe away a tear you didn’t know had fallen.

“Enough of this,” they whisper, their tone softening for just a moment. “You’ve endured, that is all I ask.”

When your f/o finally guides you to bed, you’re too drained to even argue. The sheets are cool and smooth against your skin, and their hands are impossibly gentle as they pull the blanket over you.

“F/O,” you whisper, your voice barely audible. “Why are you doing this?”

They pause, their gaze unreadable, yet so intense as though they’re staring straight into your soul.

“Because you are mine,” they say simply. “And I take care of what belongs to me.”

They settle beside you, their presence grounding you in a way that nothing else can. Your f/o’s hand brushes yours under the blanket, their touch surprisingly warm.

“Sleep now,” they murmur, their tone softer than you’ve ever heard it. “I’ll be right here when you wake up, I’m not going anywhere.”

And as their thumb traces small circles over your knuckles, you finally feel the heaviness in your chest begin to lift. For the first time in days, you close your eyes, and believe them.

[scoutofmymind]

hey loved your fics you are incredibly talented. i have a scene picture some angst reader is kinda like jo march if u watched little women and luigi is laurie in that one hill scene. basically reader prioritizes acads because of her upbringing - high achiever, academic validations, the whole package and luigi somehow is the same but he compels the reader in a magnetic way because luigi gets to be so carefree and awesome about it and turns out luigi and reader have a common thread and it's turning out rlly good but then reader is slightly scared of commitment in a relationship dare i say? because it was all acads for reader even though there were dreams of having a relationship, it all seemed abstract and unreal!! and the angst comes when luigi confesses to reader and reader reacts very defensive i suppose spitting out word vomit enumerating reasons why luigi shouldnt like her and how he's too good for her and luigi just shuts reader up by pinching their cheeks and holding them steady saying i want you all of you all that sweet stuff...this is just a thought i want to say i admire you heavily your writing is pivotal

Without Me — { Luigi x Reader}

Content: SFW, angst, yearning, pining, best friends, purest love, summer, unrequited, lowkey gut-wrenching (sorry)

Wc: 6,843 (I could not stop writing)

Notes; Before we begin, I have to say, anon, I very much enjoyed writing this!! And thank you so much for sending me this request! ✨ there are only a couple bits of dialogue that match the hill scene, but I wanted to throw them in there!

This is lowkey a mini-fic, so enjoy!

Side note: If anything is badly edited, I will likely come back to do some cleaning up. But maybe not. Also I’ve started picking songs to include in requests wherever they may fit in. I want to mention too that backstory is something I just simply can’t leave out when it comes to angsty or emotional scenes, so I’m sorry I literally can’t shut up.

The cicadas weave their summer hymn through the gentle lap of water against stone, your body stretched across whisper-soft grass beside the reservoir.

This spot holds years of you both — echoes of skinned knees and bruised elbows soothed by cool spring water, of childhood dares and teenage secrets.

"You never swim with me anymore." Luigi's voice carries no accusation, just a quiet observation that somehow makes it worse. You can picture his expression without looking —that gentle, knowing thing that always sees too much. "All you do now is torch yourself in the sun."

Your back peels away from the grass, elbows bent to prop you up. Through his borrowed sunglasses — because of course you forgot yours back at the house, and of course he had a spare —you study him.

He's summer personified: water-darkened hair curling at his temples, shoulders golden in the early evening light, wearing a smile easy as breathing.

"I just don't want to get my hair wet, Lu." You say it with the comfortable certainty of someone who's had this exact argument a hundred times before.

"Well, don't then." His retort is quick, familiar. He moves through the water with an easy grace that somehow makes the old reservoir look more inviting than it ever has, though you'd never admit it.

Your shoulders are painted with freckles from all these summer days — chasing chickens in the fields, racing bikes into the city with him riding at your back, his presence as constant as the seasons.

"But then when I get out, I'll be cold." The words float between you like lazy dragonflies, and Luigi just shakes his head, spattering droplets that catch the light.

He pouts, but not like you do.

Where your pouts are theatrical productions, his is a quiet thing — eyebrows drawn together in thought, bottom lip pulled inward instead of jutted out dramatically. His gaze fixes downward at his feet beneath the crystal-clear water, methodically toeing one stone over, then another, like the placement of each pebble might solve some grand puzzle.

You watch him wage his silent war of reorganization, using nothing but his ten toes as construction equipment. It's such a Luigi thing to do — finding the smallest tasks to occupy himself instead of splashing around like he usually does, trying to tempt you in.

"Bet the water feels incredible," he murmurs, more to the stones than to you. His toes have created a perfect semicircle now, a tiny amphitheater beneath the surface. "Like that lemonade your mom makes — you know, the one with mint?"

You do know.

The kind she only makes when the temperature crawls past ninety, when the air feels thick enough to chew. Like today. You can almost taste it — tart and cool and perfect — which is exactly what Luigi intended with that particular comparison, the sneak.

"You're not as subtle as you think you are," you inform him, but you're already sitting up straighter, your legs beginning to tingle from staying still too long in the sun.

The grass has left impressions on your skin, tiny crosshatched patterns that Luigi always says look like secret maps, his fingers drawing lines upon them.

He doesn't look up from his underwater construction project, but one corner of his mouth quirks upward. "Never claimed to be subtle. That's your department, avoiding the water like it's personally offended you."

"The water hasn't offended me," you say, though you draw your knees up to your chest, putting another inch between you and the shoreline. "We have a mutual understanding. It stays there, and I stay here."

"Mhm." Luigi abandons his stone circle, wading a few steps deeper until the water laps at his knees, stood there in his trunks, the cobalt blue ones that hit just above his mid-thigh. "And how's that working out for you? Enjoying your dusty patch of grass while I'm out here living like a king?"

The problem is, he does look a bit regal out there, all long limbs and easy grace, like he was born for summer days and spring water.

You've known Lu since you were both gap-toothed and gangly, but sometimes — like now — he seems to have grown into himself while you weren't looking.

Yet, your own limbs still feel too long, too awkward, like you're wearing a costume that doesn't quite fit.

Meanwhile, Luigi wears summer like a second skin, all easy movements and natural grace, as if the universe decided to polish him up while leaving you in your perpetual state of stumbling through doorways.

"A king of minnows, maybe," you counter, but you're already uncurling, letting your feet stretch toward the water's edge. Not to join him, obviously. Just to... test the temperature.

"Ah," he says softly, watching your toes creep closer, his voice taking on a funny narrators tone, an accent thrown in that sounded similar to his fathers. "The snail emerges from her shell."

"Shell-less snails are just slugs," you inform him primly, but dip one toe in anyway. The water isn't as cold as you expected — it never is, but that doesn't stop you from putting on this show every single time. "And I'm neither."

"No," Luigi agrees, dropping the accent but keeping that amused lilt in his voice. "You're more like- like one of those hermit crabs. The ones that think really hard about switching shells but then just stick with the same one anyway."

You splash water at him with your foot, and he doesn't even try to dodge. "Fuck, Lu —That's the worst analogy I've ever heard."

"Is it?" He takes a few steps backward, deeper into the water, like he's laying out a trail for you to follow. "Because you're still sitting there, thinking about coming in, just like you do every time.“

Luigi could easily remember all the days spent here, in this very body of water together — the secret collection of precious gems that were really just polished river rocks, the fossil that turned out to be an old bottle cap, and that infamous river snake from an overturned stone that had you shrieking and refusing to dive under for weeks.

"Can't be thinking about doing it if I'm already doing it, Lu." You roll your eyes, your shins now lapping gently with clean, cool water. The trees droop overhead like nature's own parasol, their leaves casting dappled shadows that dance across your shoulders.

He's quiet for a moment, watching you with an expression you can't quite read. And then. “Remember when we thought we found actual dinosaur bones here?"

"You mean the plastic fork?"

"A very convincing plastic fork."

The water feels like silk against your skin now, and you find yourself wading deeper without really meaning to. It's muscle memory, maybe — your body remembering what your mind keeps second-guessing.

"At least I wasn't the one who tried to sell it to the museum.” you remind him, the water now swirling around your waist. Each step stirs up tiny clouds of silt that disappear into the clear water.

He splashes in your direction, grinning. "We were tweleve! And Mrs. Henderson at the museum was very nice about it."

"She gave you a cookie and a lecture about scientific integrity."

"Exactly. A win-win."

You're deep enough now that you have to lift your arms to keep them dry, though you're not sure why you're bothering. Your bikini is already clinging to you, and that familiar weightless feeling is starting to take over — the one that always made you feel brave before.

"You know what your real problem is?" Luigi quips, but this time his voice is gentler. "You forgot how to play."

The words hit harder than you expect, maybe because there's no teasing in them now.

Just truth, floating there on the surface like a leaf.

"I didn't forget," you say quietly. "I just- I put it away somewhere."

The look in his eyes tells you exactly what's coming, but muscle memory kicks in before you can retreat, your arms already up in defense position as he sends a massive splash your way, the arc of water catching sunlight like scattered diamonds before it hits you full in the face.

"Luigi!" you shriek, but you're already laughing, already moving. Your soul remembers this dance even if your mind's been trying to forget it, and the water parts easily as you lunge toward him, years of practice making your movements swift and sure.

He tries to dodge, but you know all his tricks — the way he always feints left before going right, how he can't resist staying just within splashing range.

The water battle that ensues is immediate and fierce, both of you laughing and gasping, sending waves in every direction, limbs smacking into each other at times, your body trailing away from his while he charged closer.

"See?" he manages between splashes. "The Queen of minnows!”

You're about to respond when your foot slips on a smooth stone, and suddenly you're going under.

For a split second, panic flares — but then the tranquility and silence envelops you, and it feels like greeting an old friend, your eyes open underwater, seeing the filtered sunlight create shifting patterns all around you, and suddenly you remember why you used to love this so much.

When you surface, pushing wet hair from your face, Luigi is watching you with a grin, his sunglasses pushed away from his face and atop his head instead, nestled in his damp black curls. “You got your hair wet.” He gives you one last gentle splash, his grin so carved into his features it may as well be everlasting.

Luigi, the son of Marco Mangione, whose genius lay in transforming his grandfather's modest Milan carpentry shop into Mangione Artisan Living — now a name whispered in the same breath as Fendi Casa and Bottega Veneta's home collection.

When Marco married Sofia Bernardi in the 80’s, a celebrated interior designer, they moved to America, the local papers painting it as another wealthy foreigner's passing fancy — this modernist villa rising among cornfields and weathered barns.

But Marco had seen something in these hills that reminded him of Tuscany, in the calloused hands of local woodworkers that echoed his grandfather's.

The Mangione Mansion stands like a slice of northern Italy transplanted to American soil, with its stark geometries softened by groves of imported olive trees and terraced gardens.

It's a world away from your family's farmhouse, where the paint peels in honest patches and the screen door creaks a familiar welcome, yet Marco moves between these worlds with effortless grace, discussing the merits of different wood grains with your father across the fence line, or clearing out your mother's farmer's market stall of preserves, declaring each jar Perfetto, just like my Nonna's! with the same genuine warmth he uses to greet European royalty.

Luigi, who could have been pressed into private academies and dinner jackets, groomed for Ivy League legacies and country club memberships, had instead grown up alongside you in public school — though his future was cushioned by both financial security and natural brilliance.

You can't remember a time when academic excellence wasn't your north star — every assignment a stepping stone, every grade a battle in the war for your future.

Being a veterinarian wasn't just a dream, it was your escape route from the endless cycle of farm life that had worn your father's hands to calluses and bent your mother's back.

Perfect attendance since kindergarten, straight A's through AP Biology, even showing up on Senior Skip Day — just you and Lacey Williams, the would-be neurosurgeon, bent over your textbooks in an empty classroom.

Now here you both are in the water — you with your scholarship letters and student loan applications waiting at home, him with acceptance letters from Harvard and Yale gathering dust on his desk.

Two lives that should never have intersected, meeting in the middle of sun-warmed water, your shared freckles catching golden light, limbs tangling as Luigi feints another playful attack.

•

Summer buzzes by your eyeshot like a cicada in a hurry, the season winding down with cooler, longer nights and shorter, blazing hot days.

August comes barreling through like it always does, hot and sticky air clinging to your skin as you sit with Luigi upon the sloped side of the barn, a Birds Eye view of the farm, this very spot the first place the two of you had tried smoking weed, the very first time you ogled at a traumatizing porn everyone at school was talking about — this spot, worn from years of shared moments together is the very place you create some distance.

For the first time.

“I think I want my own party this year.”

The words land like a stone in still water, ripples of hurt crossing Luigi's face before he can master his expression.

For a moment, he looks eight years old again, standing in the tall grass with his first American birthday cake — the one your mom made because his parents were still learning that birthdays here meant homemade frosting, not elegant catered affairs and grand garden parties.

"Oh," he says, and it's the smallest you've ever heard his voice. "Yeah, of course. That makes sense. We’re turning twenty-two. Not eight anymore.” His smile doesn't reach his eyes, hands fidgeting with the bracelet you’d made him years and years ago — the same nervous tell he's had since childhood. "Actually, Ma’s been saying I should do something more — you know, formal this year anyway."

The lie sits between you like a third person.

Luigi, who once convinced his parents to move his elaborate garden party to your barn because you had the flu has never cared for formal anything.

You can see him rebuilding his walls, brick by careful brick, protecting himself the way he never had to with you before.

"Send me pictures though?" he adds lightly, but there's at least fifteen years of shared candles and off-key, bi-lingual singing wrapped in that request, fifteen years of your mom's chocolate cake and his ma’s tiramisu side by side on the same table.

"Luigi, it's not-" you start, then pause, because it is exactly what he thinks it is. A separation. A gentle fracture. "I just need to figure out who I am without- without being part of a matched set. Does that make sense?"

The words feel clumsy in your mouth, inadequate to explain this need that's been growing since your acceptance letter arrived.

You watch him nod too quickly, the way he does when he's processing something that hurts.

The same way he looked when Benny, one of the milking cows had passed three summers ago, or the way he looked when you told him you couldn’t go on the Mangione trip to Italy, desperately needing the vet clinic hours.

"My party's probably just going to be pizza with my study group anyway," you continue, trying to make it sound smaller than it is, even though you've already planned every detail — your first real birthday party that isn't shaped around accommodating both your worlds. "And you should do something spectacular. Twenty-two is a weird number, but you could make it your thing.“

He laughs, but it's his polite laugh, the one he uses at his father's business dinners. "Maybe I'll rent out that new rooftop place in the city," he says, playing along with this sudden pretense that the two of you haven't spent months quietly planning your joint party like every year before. "Very grown-up."

The space between you fills with unspoken memories — dual parties with increasingly ridiculous themes, the year you both got chicken pox and celebrated in quarantine together, or the year his mother hired a magician who pulled you both on stage as assistants.

Fifteen years of wishes and synchronized candle-blowing, and you’ve put an abrupt end to it, with not so much as a warning.

"You're not mad?" you ask, even though you can see he is — not angry-mad, but hurt-mad, the kind that makes his shoulders tight and his smile too careful.

He stands abruptly, brushing invisible dirt from his shorts. "Mad? Nah, come on. We're not kids anymore." The words come out just a touch too fast, too light. "Actually, I should head back. Papa wanted to discuss something about the company tonight."

It's barely seven, and Marco's in New York City until Thursday — you both know this. But Luigi's already stepping back, that practiced social smile firmly in place, the one he uses when he needs to retreat but is too polite to say so.

"Night," he calls over his shoulder once he scales the side of the barn down to the grass again, hands shoved deep in his pockets.

You watch him walk away, his usual easy stride now stiff and measured, leaving you alone with just the sound of the bullfrogs near the pond, and the chickens settling in their coops for the night.

The sunset feels colder somehow, and you wrap your arms around your knees, trying to convince yourself this is what growing up looks like as you sit there until the mosquitoes start biting, watching the space where Luigi disappeared and wondering if this is what independence is supposed to feel like — this hollow victory that tastes nothing like freedom and everything like loss.

•

The late August evening slowly begins to melt into night, the air carrying whispers of autumn though summer still reigns.

You breathe in deep — catching hints of hay being baled in distant fields, leaves just beginning their subtle shift from green to gold, and lake water evaporating off sun-warmed skin. The pontoon boat hums steadily beneath you, loaded with friends sprawled across every available surface, their laughter echoing across the darkening water.

You'd done your best to prepare them all, carefully explaining the separate celebrations to avoid awkward questions.

But Luigi's absence feels like a shadow you can't shake — in the pause after every joke, in the empty space at the boat's stern where he always sat, in the way conversations drift and fade without his easy charm to bridge them.

You're learning that some people leave gaps too precisely shaped to fill, and you catch yourself waiting for sounds that aren't coming —the full-bodied laughter that usually ricochets across the lake, the constant stream of Luigi's commentary that made even silence feel alive.

No one's standing at the boat's edge, goading others into increasingly ridiculous diving contests. The absence of these things sits heavy in your chest, like missing the last step on a familiar staircase.

"Good for you for doing your own thing this year," Mia offers, wine sloshing in her solo cup as she gestures vaguely. "Must be nice not having to compromise on everything for once."

Not really, you think.

The evening settles into dinner in the back garden, strings of lights casting warm halos over familiar faces — relatives, neighbors, friends who'd trickled in as the day aged and as if on cue, the peaceful scene splinters at the sound of tires on gravel and a booming voice that makes your stomach drop.

"Where's Luigi?!"

Cousin Tony's borrowed truck sits askew on the path, driver's door still swinging open like an afterthought.

He bounds toward you, one arm clutching what's clearly a wine bottle wrapped in what looks like yesterday's newspaper, his face bright with the anticipation of seeing his favorite duo.

The sight makes something in your chest twist.

He’s always treated you both as his own blood, never drawing lines between family and chosen family.

You're crushed into a bear hug before you can dodge it, his familiar cologne mixing with engine grease as you try to breathe through compressed lungs, but he’s still calling for Luigi over your head, each shout making the other guests shift uncomfortably in their seats.

"He's somewhere in the city, Tone," you manage to wheeze out.

Your phone burns in your pocket, where Luigi's latest Instagram story sits unopened — some rooftop view you're deliberately not thinking about.

"What'da ya mean?" His grip loosens just enough for you to see his face fall, confusion creeping into his features like a slowly spreading stain.

"We're... trying something different this year," you say, words feeling clumsy as you glance over your shoulder at the laden table — a spread that still unconsciously includes all of Luigi's favorites alongside your own. The sight of his mother's recipe for stuffed shells sitting next to your grandmother's pierogies makes your throat tight.

"Well, is he at least comin' later?"

"No." The word falls between you like a stone. "He couldn't cancel his reservation without losing the booking fee, so I just told him it was fi-"

"No, no, mia cara," Tony drags his hands through his hair, face crumpling like you've just told him the world is ending. "Potrebbe essere l'ultimo!" The words tumble out in his rushed native tongue, his distress making him forget himself.

"You just said that in Italian." Your voice sounds far away, even to your own ears, like it's coming from the bottom of a well.

"Shit — It could be your last time, cuginetta." Tony's sigh seems to come from his bones as he pulls out his phone, cursing when he sees the no-service icon.

"My last time?"

Tony lifts his head slowly from his phone screen, eyes finding yours with a weight that makes your stomach drop. "What — oh, Dio — do you mean to say he has not told you?"

"Told me...?” You brace yourself, chest aching with a sudden, sharp regret for all those breakfast lessons with Luigi's nonna, her patient voice guiding you through pronunciations you'd carelessly let slip away between coffee and lunch.

"He got big'a job in the big city," Tony's hands sweep upward, as if trying to encompass the vastness of a metropolis that stretches far beyond any gesture could capture. "Saying bye-bye forever to smelly farm." His hands fall, and his expression softens into something dangerously close to pity. "Sorry.”

"Leaving? Like — he's moving there?" The words feel strange in your mouth.

You're standing in the same garden where you and Luigi once buried treasure maps at age eight, where you learned to cartwheel together at twelve, where you shared your first illegal beer at sixteen — and suddenly it all feels like archaeological evidence of something that's already gone.

"That's where zio Marco is now, making sure Princess Luigi has all the things he need there for — uh—" Tony lapses into rapid Italian, but you've already stopped listening, the rest of his words fading into white noise.

You're hung up on the present tense of it all — Luigi’s father is there now, apartment hunting, setting up a brand new life while you stand here in your shared history, surrounded by people who apparently knew more about Luigi's future than you did.

The realization hits very suddenly.

Luigi was moving away, and he spoke not a word of it to you.

Tony manages a plate of food before borrowing your landline, desperate to track down Luigi in the sprawling city and when his truck finally crunches back down the gravel path, you feel it like a physical wound — as if he's taking a piece of you with him, torn straight from your core, yet, you maintain your composure with award-winning precision, a smile fixed firmly in place as guests filter away into the darkness.

You go through the motions, accepting kisses on cheeks, graciously receiving gifts labeled with just your name - no more Dynamic Duo or Thing 1 and 2 scrawled in familiar handwriting.

You help clear the garden, stack chairs, wash dishes that held food Luigi would have fought you for the leftovers of. You kiss your father's cheek goodnight, and tell your still-bustling mother you're heading out for some stargazing.

It's not entirely a lie.

You do end up beneath the stars, though you hadn't exactly planned to collapse here by the waterfront, where the distant dock creaks its lonely song, the splash of jumping fish and the bold croaking of nearby bullfrogs barely register — sounds that would normally make you jump now feel as distant as satellite signals.

You're lost in the undertow of your thoughts, barely noticing the warm tears tracking down your neck until your t-shirt is damp with evidence of a grief you didn't know you needed to prepare for — the silence holds you, envelopes you, and you’re almost convinced you can disappear here until-

"Hey, stranger."

His voice cuts through the cricket symphony like a knife, and you freeze, tears still wet on your face.

You don't turn around — can't turn around — because you know exactly what he'll look like: silhouetted against the moons full and distant glow, wearing that stupid designer jacket he bought last month that suddenly makes too much sense.

Big City boy.

The grass whispers beneath his feet as he approaches, each step measured like he's greeting a spooked animal.

It's funny — he used to just crash down beside you, all elbows and laughter.

When did you become something he had to be careful with?

"Tone called me," he says softly, still standing. "Said he found you but couldn't find me." There's a pause, heavy with unspoken words. "Told me other things, too."

The lake laps at the shore, a steady rhythm that used to calm you both on countless nights like this.

Now it just sounds like a countdown.

"Why didn't you tell me?" Your voice sounds small against the vastness of the lake, broken and confused, betrayed and disbelieving.

"Would it have changed anything?" His words come sharp, defensive. "Would you have suddenly decided to stay?"

"That's not fair."

"Fair?" The laugh that escapes him is bitter and unfamiliar. "You want to talk about fair? I watched you apply to every college more than fifty miles away. Watched you light up talking about leaving, about getting out. Never once asking—" He cuts himself off, his gaze turning up instead at the trees that sway and rustle in the midnight air, a chill taking your spine.

"Asking what, Lu?”

"If I wanted to come with you." The words hang in the darkness between you. "If maybe I had dreams too, ones that didn't involve watching you disappear."

"I never said you couldn't-“

"What do you think I was going to do, wait around forever?" His voice cracks at the end, brittle and broken. "God, I've spent my whole life orbiting you like a personal Pluto. I don't even remember my life before you." He paces now like an agitated zoo animal behind a sheath of thin glass, just out of reach. “And yet, you expect me to stay here without you? While you go to college, make your own dreams come true?"

The moonlight catches his face as he turns, and you see something break in his expression. "I would have waited. I would have always waited, but fuck—" His hands tremble as they rake through his hair. "You've pushed and pushed and pushed me away. Every college application, every excited story about your future somewhere else, the party -“ he watches as you stand, your posture ridged and nervous, but attentive.

"Lu, please -“

"So what do I do?" His voice drops lower, trembling. "I have to think of myself too. I have to accept that we won't always be this way." He watches as you scrub your hands over your face, your unsteady legs carrying you off the dock.

The cool, damp grass beneath your feet becomes an anchor, something real in a moment that feels anything but.

He follows, his body angled toward yours like a compass finding north. "But it didn't have to be like this." His voice softens to barely above a whisper, his dress shoes crushing the grass with each step.

"Well, what exactly did you expect?" You whirl around, wiping furiously beneath your eyes, moonlight catching the tears on your cheeks that refuse to be unseen. "We were going to play in the river forever? Did you think we'd just find our way without ever trying?" The words come out harder than you mean them, sharp with the kind of anger that's really just fear in disguise.

"I- you-" Luigi's voice breaks.

His eyes are bloodshot, the bridge of his nose red from earlier tears hastily wiped away in the party bathroom. In the half-light, he looks both younger and older than your shared twenty-two years — a boy trying to hold onto something slipping through his fingers, a man facing his first real loss.

"You know, maybe it might have been that easy for you, Lu." Your eyes drift to the Mangione Mansion, its windows gleaming like jewels against the dark hills, an anomaly among the endless cornfields. "You never had to lift a finger — it always just..." You gesture vaguely, bitterly. "Fell into place."

The words taste like copper in your mouth, sharper for how unfair they feel.

Because he's always shared everything.

Those lavish family dinners where his mother insisted you sit next to her, those delicate necklaces from Rome that he'd drape around your neck with careful fingers, those shopping trips where his nonna would press dresses into your arms with a conspirator's wink.

He's never once made you feel like charity.

But there are some things that can't be shared, some advantages that run deeper than generosity.

While you pieced together credits between evening classes and online courses, fighting for every inch of progress, he'd come home rolling his eyes at another Harvard letter, another Yale recruiter calling.

You take a deep breath, feeling the summer air fill your lungs, and air that smells like it always has, like corn silk and cut grass and the all-consuming night. "Did you think we'd just stay here in our bubble, Lu?" Your voice softens despite yourself. "The only place we've ever known?"

All he can do is stand there, helpless, caught between a nod and denial.

His expression crumples into something raw and pleading — such a far cry from the boy who, just last week, had painted patterns across your skin with river mud, both of you laughing until your sides hurt.

The same boy whom you could communicate with without even speaking to, who knew exactly how you took your coffee, who was born the day before you, and who could read your silences like a book he'd memorized; yet now he's looking at you like you're written in a language he never learned to speak.

"No." The word propels you forward, feet moving before your brain catches up.

His face softens into something unbearable — like watching a star collapse in slow motion, finally understanding that this isn't just another one of your theoretical late-night talks about the future.

His carefully constructed composure crumbles, leaving behind something young and scared and achingly real.

"I love you." The words fall from his lips like muscle memory, like breathing, like the thousands of times before — whispered against your hair during movies, shouted across parking lots, mumbled sleepily during long car rides. But now they land heavy between you, a weight pressing against your chest until it hurts to breathe. "I always have, and I always will—"

"No. No, Lu." Your voice cracks on his name, and your pace quickens, bare feet crushing grass beneath desperate steps.

But he matches you stride for stride.

“My life has been so intertwined with yours, when you began to pull away - I- I panicked,” He was rambling now, quick and out of breath but keeping up with you nonetheless, the two of you navigating the vast property, moon and starlight the only thing guiding your path. “I settled on what I knew would be easiest,”

“That’s the problem.” You stop again to look at him, your chest heaving. “You don’t need to settle, Lu — you’re brilliant, you’re so fucking brilliant-“ he grabs your wrists gently, taking several steps to close the gap between you.

"I have never settled on you." Luigi's voice goes rigid, cracking in the middle like ice breaking over deep water. Each word carries the weight of years — shared secrets, dreams whispered under blanket forts, and promises made in tree houses. "You have always been my first option."

You catch your breath, the familiar warmth of his hands on your wrists suddenly feeling like shackles.

Your head shakes, slow and deliberate, as you try to pull back — but his grip steadfast remains. "How would you know of the other options?" The question comes out softer than you mean it to, weighted with everything you've both been too scared to say. "Do you know yourself without me?”

"I don't want to know myself without you."

"Luigi. Please stop-“ You wrench your wrists from his loosened grip, your feet carrying you forward through the night but he follows, like an echo you can't shake, like a shadow that refuses to fade with distance.

His words tumble out faster now, chasing the shrinking space between you and home, visible through the wavering corn stalks like a lighthouse warning of rough water ahead. "I know I'm not — I know I'm not Matthew Williams, or that guy that works the stables near the Bradshaws. And I know I’m not a perfect man, but—"

You stop once again, so abruptly this time he nearly collides with you, turning to face this strange new version of Luigi — one you've never seen before, one who wears his insecurities like an ill-fitting suit.

He's brave, you'll give him that, but he's also terrified in a way that makes your chest ache.

This boy who's never had to compete for anything in his life, suddenly listing off names like entries in a contest he thinks he's losing.

"You stop that." Your finger jabs at his chest, connecting with the expensive fabric of his jacket. "You are the most-the most magnificent person I have ever met, Luigi. And you're not perfect, no-“ You swallow against the rising bile, against the irony of having to defend him to himself when you're the one walking away. "But you're honest, and you're good — a goddamn great deal too good for me."

The last part comes out like a confession, like something you've carried so long it's carved itself into your bones — the real reason you're running, the fear that someday he'll wake up and realize it too.

The night holds its breath around you, your ragged exhales mixing with his in the space between heartbeats, and the trees shiver their leaves like witnesses to your undoing, crickets falling silent as if they too understand the gravity of this moment — this closing act.

"But-“ You step into his warmth, drawn forward like a moth to flame, even now, knowing it would burn. You’re close enough to catch the familiar scent of his cologne mixing with fresh-cut grass and summer sweat. Close enough to see the moonlight catching in his eyelashes. Close enough to break both your hearts properly. "I can't love you the way you deserve to be loved."

The words tear themselves from your throat like barbed wire, each syllable drawing blood.

Your stomach twists inside out, acid creeping up your throat again, "I can't love you like that. I’m - I’m so, so sorry, Luigi — I just - I can’t,

His hands find your face with the reverence of a prayer, thumbs brushing across your cheekbones like he's trying to memorize the geography of your skin. "Listen to me," he whispers, his voice thick with desperation. "Listen."

The tenderness in his touch nearly breaks you — the way his fingers tremble against your jaw, the gentle circles he traces beneath your ears, the familiar callous on his right thumb from his tree-climbing habit.

His forehead drops to rest against yours, and you can feel his breath hitching, unsteady and warm against your lips.

"You've already loved me better than anyone else ever could," Luigi's voice cracks, splintering like ice in early spring. "You love me exactly as I am — not the heir, not the prodigy, not the Mangione name." His hands slide into your hair, “You have loved me even though I can’t remember to help feed the hens, but I can recite every constellation. And you’ve loved me even though I name every cull cow — even though you think it’s cruel.”

He pulls back just enough to meet your eyes, and the raw hope in his gaze is almost unbearable. "Please," he breathes, the word more air than sound. "Please don't decide for both of us what kind of love I deserve." His thumbs catch the tears you didn't realize were falling, smearing them across your cheeks like war paint. "Let me choose.”

“Then choose someone else!” You shake your hands at him, helpless and wishing to disappear. “I - I’m so unsure of myself - every goddamn thing I do, Luigi. I break everything, I’m useless at being a homemaker. I’m awkward, I’m a black sheep, even all the way out here.”

You aren’t made for the big city like he is.

The moonlight catches in his dark eyes, turning them to liquid as they search yours. "I don't need perfect love. I don't need textbook romance or fairy tale." His voice breaks, raw with honesty. "I just need you. But - but I can’t live like this forever" He’s speaking faster than you’ve ever heard the smooth-talking, easy going Luigi say anything.

You try to turn away, to escape the weight of his words, but his touch holds you steady — gentle but unwavering. "Luigi — let me the fuck-“

"No," he breathes, the word ghosting across your lips. "No, don't push me away because you think you're protecting me. Don't make decisions about what I can handle." His fingers thread through your hair, cradling the back of your head. "I choose this. I choose the messy parts, the broken parts, the parts you think are unlovable. I choose all of it."

I am stopping this here. Love you 💕

[evermoreness]

study session | regulus black

pairing: regulus black x reader

summary: you and regulus are having a study session but both can't focus enough.

obs: reader is james potter's sister.

masterlist

The Hogwarts library was bathed in the golden light of the late afternoon sun. You sat at a corner table, your books spread out around you in organized chaos. Across from you, Regulus Black was scribbling notes into a neat scroll, his handwriting precise and elegant as always.

“You know,” you said, glancing up from your Arithmancy textbook, “if McGonagall saw how quickly you finish your homework, she’d probably faint.”

Regulus smirked without looking up. “That would only be amusing if I could get a picture of it. Do you think your brother would lend me his camera?”

You chuckled softly, twirling a strand of your hair around your finger. “I doubt it. James would probably hex you before he even heard the question.”

“Well, that would be consistent with his behavior,” Regulus replied smoothly, dipping his quill into the ink. “Your brother has quite the flair for dramatics.”

“You’re not wrong,” you admitted with a grin. “But to be fair, you do have a bit of a reputation, Reggie.” You emphasized his nickname, knowing it always earned you a reaction.

The nickname made Regulus’s heart skip, though he’d never let it show. He looked down at his book to hide the small smile threatening to form. “I prefer ‘Regulus.’”

You suppressed a laugh "You always do."

Regulus paused, his quill hovering midair, and gave you a mock glare. “You do realize you’re the only person in the world who can get away with calling me that?”

You tilted your head, feigning innocence. “Oh, I know. And I fully intend to abuse that privilege.”

For a moment, Regulus’s usual stoic expression softened into something almost tender. “Lucky me,” he muttered, returning to his essay.

---

Meanwhile, in the Gryffindor Common Room

James Potter was pacing the length of the common room like a caged lion, his messy hair even more disheveled than usual. Sirius Black sat sprawled on the couch, watching his best friend with a bemused expression. Remus Lupin sat in an armchair nearby, a book in his lap, though his attention had long since shifted to James’s theatrics.

“I just don’t get it,” James exclaimed, throwing his hands up in frustration. “Why does she have to spend so much time with him of all people?”

“Because he’s tolerable, which is more than I can say for you sometimes,” Sirius quipped, earning a sharp glare from James.

“This isn’t funny, Padfoot,” James snapped. “Regulus is—he’s—well, he’s him.”

Remus raised an eyebrow. “That’s quite the argument, James. Very compelling.”

“You know what I mean!” James groaned. “He’s a Slytherin, and not just any Slytherin—he’s a Black. What if he’s using her? Or trying to get information on us?”

“Regulus?” Sirius scoffed. “He’s not exactly running back to Mum and Dad with secrets, trust me. Besides, she can take care of herself.”

“That’s not the point!” James said, throwing himself into a chair. “She’s my little sister. She shouldn’t be hanging around someone like him.”

“Someone like who?” a calm voice interjected.

The three boys turned to see Lily Evans standing at the bottom of the staircase, her arms crossed and a knowing look on her face.

“Lily, my love” James said, his tone softening immediately. “You agree with me, don’t you?”

Lily sighed, walking over to sit in the arm of James’s chair. Her arms going around his shoulders. “I think you need to trust her to make her own decisions. She’s not a child.”

“She’s sixteen,” James pointed out.

“And incredibly smart and capable,” Lily countered. “Besides, have you ever considered that maybe she sees something in Regulus that no one else does?”

James frowned, clearly unsatisfied. “You’re all against me,” he muttered.

“Not against you, mate,” Sirius said, barely hiding a grin. “Just enjoying the show.”

---

Back in the Library

You leaned back in your chair, stretching your arms over your head. “I swear, if I have to write one more footnote for this essay, I’m going to scream.”

Regulus glanced up from his parchment. “If you’re trying to get us kicked out of the library, there are less dramatic ways to go about it.”

“Oh, come on, Reggie,” you said with a playful pout. “Live a little. Be a bad influence for once.”

He snorted softly. “If anyone here is the bad influence, it’s you.”

You gasped in mock offense. “Me? I’m an angel.”

“Angels don’t drag people out of bed at 6 a.m. to study for Arithmancy,” he pointed out.

“That was one time!” you protested, laughing. “And you needed the help.”

He raised an eyebrow, his lips twitching into a rare smile. “Did I?”

You opened your mouth to respond, but the sound of someone clearing their throat made you pause. Both turned to see James standing at the edge of the table, his arms crossed and a look of pure disapproval on his face.

“Hello, Regulus,” James said, his tone icy.

“Potter,” Regulus replied, his voice equally cool.

You groaned, rubbing your temples. “Oh, for Merlin’s sake, James. What are you doing here?”

“I was just checking on my little sister,” James said pointedly, his eyes never leaving Regulus. “Making sure she wasn’t being...bothered.”

Regulus’s jaw tightened, but before he could respond, you jumped in. “I’m not being bothered. In fact, we were having a perfectly pleasant afternoon until you showed up.”

“Pleasant?” James repeated, looking scandalized. “With him?”

“Yes, James, with him,” you said, exasperated. “Regulus is my friend.”

James looked like he wanted to argue, but before he could, Sirius and Remus appeared behind him, both looking far too amused by the situation.

“Fancy seeing you here, Reg,” Sirius said, his grin widening when Regulus scowled. “Having a nice time with y/n?”

“Go away, Sirius,” Regulus muttered, though there was no real heat in his voice.

Remus chuckled, placing a hand on James’s shoulder. “Come on, Prongs. Let’s give them some space.”

“But—” James started to protest, only to be dragged away by Remus and Sirius.

You sighed, shaking your head as they disappeared. “Brothers,” you muttered.

Regulus watched you, his expression softening again. “You’re worth putting up with them,” he said quietly.

You blinked, caught off guard, but then smiled. “Careful, Reggie. You’re starting to sound almost charming.”

“Don’t get used to it,” he said, returning to his essay, though the faint smile on his lips remained.

You couldn’t help but smile at the way Regulus quickly masked his moment of softness with his usual cool demeanor. There was something so endearing about him when he wasn’t trying to be aloof.

“I’m serious, you know,” you said, leaning back in your chair and crossing your arms. “You don’t have to deal with James like that all the time. He’s... protective. Sometimes a little too much.”

“I’ve gathered that,” Regulus muttered. “He seems to think I’m a threat to your well-being.”

“Well, he’s not entirely wrong,” you said with a teasing grin. “You are a Slytherin, after all.”

Regulus shot you a sideways glance. “I’m not sure whether you’re insulting me or trying to be funny.”

“A bit of both, I suppose,” you replied, your voice light. “But, seriously. If it weren’t for James, I think you and I would have a much easier time hanging out in public.”

“I can manage it,” Regulus said with a shrug. “I’m used to... complicated situations.”

You studied him for a moment, your expression softening. “You don’t have to always act like you’ve got everything under control, Reggie. It’s okay to let your guard down sometimes.”

He met your gaze, his green eyes lingering on yours for a second longer than usual before he looked away, clearing his throat. “I suppose you wouldn’t let me live it down if I did.”

You chuckled, but there was a touch of warmth in your eyes. “Maybe not. But you’d have to admit, it’s a lot less exhausting to just be yourself for once.”

Before Regulus could respond, the library door swung open again, and the familiar chatter of students filled the otherwise peaceful room. You glanced toward the entrance and then back to Regulus, feeling a sense of quiet contentment washing over you. The constant push and pull of her relationship with her brother, the Black family, and everything in between seemed momentarily distant, as if it didn’t matter.

In that moment, it was just the two of you in the cozy corner of the library, sharing the rare peace of a late afternoon, without the weight of the world pressing down on them.

Regulus’s voice broke the silence. “You know, you’re probably right. I’m not always as... composed as I seem.”

You smiled, your eyes twinkling. “I’m glad you’re starting to realize that. I think I like you better this way.”

Regulus met your gaze, the smallest hint of a smile tugging at the corner of his lips. “Maybe I like you better too, y/n”

And for once, as the soft golden light bathed the library in a quiet glow, it felt like everything—just for that moment—was exactly as it should be.

[baddybaddyadardaddy]

Okay, I'm going to make a wild prediction about Adar and Galadriel in Episode 8, so strap in.

An overarching the/major motif of the Rings of Power from the very first episode has been, obviously, the interplay between darkness/light.

"To find the light, we must first touch the darkness." / "Before light, darkness must flee, etc."

Adar and Galadriel together are a manifestation of that duality between light and dark and accordingly, I think there's a compelling case for them to team up against Sauron at the end of Season 2.

Here's my attempt at this argument:

PARALLELS BETWEEN ADAR AND GALADRIEL

The show has established a few strong visual parallels between the two of them.

Mourning ritual. Galadriel mourning for Finrod in S1Ep1 is echoed by Adar's mourning of the Uruks in S2Ep7. They even mirror the single tear.

What's more, Galadriel bears WITNESS to Adar's funeral ritual, enforcing the connection of this moment.

Seed planting. Frankly, my jaw hit the floor when S2Ep2 had Galadriel planting seeds in the memorial garden in Lindon, because the shots/framing were almost IDENTICAL to the seed planting Adar does at the beginning of S1Ep6. The sentiments of both instances are the same "life over death," though the words do differ.

Flip sides of the same coin/mirror to one another. The show has also presented us with many instances where they function as mirrors to one another. If not signficant, why do?

Barn scene. The barn scene in S1Ep6 is a PRIME example, when Adar literally calls Galadriel out for the hypocrisy of her hatred of the orcs.

The dinner scene. Adar once again holds up a mirror to Galadriel, pushing back against her notion that "you yielded to him. I resisted." Then they have the shared acknowledgement that without Sauron, the world seems a "dull grey" (GREY, interestingly, a halfway point between dark and light). Adar's face in response to her admission will live rent-free in my mind forever-- it's like he's been SEEN for the first time in his life.

So while Galadriel sees herself as a warrior of light, and views Adar as a creature of darkness, the show does a pretty superb job of showing that both of these characters have light and dark within them in equal measure.

They were both tempted by Sauron and succumbed.

So there is a clear, thematic link between these two from that standpoint.

ADAR'S JOURNEY TOWARD THE LIGHT

Next, I think it is clear Adar on a path toward light/redemption as an elf, and it tracks in a VERY LITERAL SENSE.

First time we see Adar, he is bathed in an angelic light. As he performs the funeral ritual for Magrot, light streams into the Uruk tent.

The shot at the end of S2 Ep1, when the camera lingers on Adar as Gil-Galad's call to the Eldalie commences. Adar feels the undeniable call to his elven past. That camera shot was NOT A COINCIDENCE, and I'm FOREVER FERAL ABOUT IT.

Cavalry charge at the siege of Eregion. Adar is OBVIOUSLY backlit:

There is a dividing line between light and shadow an Adar is RIGHT on the border of it.

When he steps up to take possession of Nenya, the sky behind him is split between a darker side and a lighter side. (You can argue that it's a CREEPY light, but it's still light. There is almost no all-black coloring on him in that second frame when he actually has the ring. For a character that's been head to toe in black the entire series, this is Significant.)

So where does that leave us for the big Sauron smackdown?

My first wild prediction: In an INSANE reversal, Galadriel will be the one to bring Morgoth's dark crown to the confrontation, while Adar will wield Nenya, a symbol of light.

It's not inconceivable that Gal could have smuggled it out of Adar's camp somehow under her oversized Uruk cloak. And Adar, OBVIOUSLY now possesses Nenya at the end of S2Ep7.

I think the fight between Galadriel and Sauron is ACTUALLY a three-person fight; we just haven't seen Adar in the promos because

1. Obvious plot spoilers and

2. HE WILL BE FIGHTING IN A FAIR FORM BECAUSE NENYA WILL HEAL HIS CORRUPTION.

My second wild prediction: This three-person fight is telegraphed in The Last Temptation. There's a new motif (not musical, so unclear if this is the correct term??) that starts around 1:07. It sounds like an aggressive children's choir. Interspersed, we get some of Gal's themes and Sauron-flavored music. I think this new bit could be either a combined theme for Gal/Adar fighting side by side, OR a new motif for a changed/elven Adar. It's aggressive, which to me tracks with Adar's fighting style that we saw through S2Ep7, and it builds and gets more voices added to it as the song progresses. At one point, it blends perfectly with Gal's theme.

Third wild prediction that I hope I'm wrong about: Adar will likely get fatally stabbed during this fight. I could see him giving Galadriel the ring at a crucial moment, in as a redemptive act, which would forfeit any protection it might have offered him, and I think he'll receive a fatal blow from Sauron, but not before we get a much clearer picture of EXACTLY who Adar is. IF they do it this way, it will be a deeply satisying end to Adar's story arc, IMHO.

Last thoroughly unhinged thing I will leave you with:

Nolwa Mahtar translation (from S1), according to Bear's blog:

Finish the war, the darkness, end this suffering

Impossible to pursue, deep in shadow, follow light

Finish the war, the darkness, end this suffering

Bright warrior against darkness.

Obviously this theme plays a HUGE role in S2. I believe the lyrics are different; we don't know what they say yet.

But I have contended all along that this piece has always applied in some way to BOTH Adar and Galadriel.

Galadriel is the bright warrior standing against Sauron's darkness, yes, that image is obvious.

But Adar, a figure who lived deep in shadow, follows light, ultimately finishing his own war and ending his own suffering.

[shadamyheadcanons]

Who would be the first to confess? Or the first to realize their feelings?

I’m of two minds on this. In my experience, the more common concept is “Shadow falls first, Amy falls harder.” This Twitter thread sums up the trope very well:

[Image ID: a screenshot of a tweet by user absolutesilly on April 17th, 2023 that reads, “it’s important to me that the “A fell first, B fell harder” trope ISN’T about B loving A more. it’s about A spending a long time just getting used to having this (seemingly) hopeless pining going on in the background 24/7, while B is just. hit by a truck with it all of a sudden.

fell first: been suppressing their emotions for so long that it’s like white noise to them. always there but mostly manageable. a bruise that only hurts when you press on it

fell harder: if We Don’t Get Married Tomorrow I’m Gonna Start Biting People” /.End ID]

And I don’t think I even have to clarify which one’s which. Shadow’s love is quiet and intense. He’s loyal and devoted. His affection is usually of the slow-burn variety. He hasn’t had any canonical crushes so far, but you can see it in his familial/platonic love for those he cares about. It’s natural to assume romance would be the same way.

And falling hard and fast is what Amy does. Need I mention Sonic? And her desire for marriage?

“Shadow has a crush on Amy for months/years until he suddenly sweeps her off her feet” is common for a reason. I’ve written plenty of it myself, including multiple WIPs. It was how I saw these two for a very long time, and there’s no denying that it’s compelling and in-character. If I were writing a shadamy-esque relationship in a movie, I’d write them that way.

HOWEVER...

I don’t think game canon is following that trajectory.

Under the cut: lots of ranting and images/hints, both old and new. You’ll recognize a lot of this if you’ve read my meta analysis posts, particularly why I ship them, how they’d resolve their arguments, and my feelings on TMOSTH. There’s a tl;dr and relevant headcanon at the end.

In my opinion, “Amy falls for Shadow later” doesn’t quite jive with canon because I think there’s ample evidence to suggest she already has a crush on him. It’s not as strong or obvious as the one she has on Sonic yet, but it’s there, just a little. To make a long story short:

She doesn’t look at someone like this...

[Shadow the Hedgehog 2005]

unless she has a crush on them:

[Sonic CD]

She doesn’t go out of her way to seek someone out this fervently...

[Sonic Battle]

...unless she has a crush on them:

[Sonic X]

She doesn’t insist on bringing someone along like this...

[The Murder of Sonic the Hedgehog]

unless she has a crush on them:

Wallpaper posted on Sonic Channel 2/22/21. Art by Yuji Uekawa

One fun aspect of all of this is that the social media team seems to agree with me and keeps noticeably leaning into it. The Twitter Takeovers obviously aren’t canon and I’m not putting those in the “evidence” pile, but it’s cute how they keep having Amy act flustered about her feelings regarding him, and it’s definitely not something I’m imagining this time. It’s most obvious at 18:14 here:

The gushing, the stuttering...it’s obvious what they’re implying. Cindy Robinson’s very convincing at sounding smitten with him, which isn’t surprising considering her feelings on shadamy:

The question before that one in the Takeover arguably counts, too, and the social media team was primarily in charge of The Murder of Sonic the Hedgehog, after all. This is consistent for them. There are plenty of other bits and pieces from them and the not-so-subtle marketing team these days, but I’d be ranting like a conspiracist and hunting down links all day if I got started on those.

^ Me at 2am.

I bring this up not just because it’s fun, but also to prove I’m not the only one who sees it. It’s definitely there, and it always makes me wonder what would’ve happened if she’d met Shadow first instead of Sonic. Would her little crush on Shadow have become the primary one if he’d entered her life first? Would we see this kind of thing all the time if Shadow were the protagonist?

[IDW issue 59]

Yes

We’ll never know, I guess! 🙃

Regardless, she met Sonic first, so her attention is...divided. She’s usually in-tune with her emotions, so even though her outlook on love is tinted somewhat by hero worship, I do think she’d figure out she had feelings for Shadow if her crush on Sonic were sidelined. As she got to know him better, she’d find even more things to love about him, and before long, she’d be hooked.

For Shadow’s part, it’s pretty clear to anyone who’s paying attention that he has a soft spot for her of some kind. In my experience, even non-shadamy fans will usually agree with this if asked. And why wouldn’t they?

1. He let her hug him and see him cry in SA2, then saved the world because she asked him to. There’s a reason fans hate it whenever Amy’s elevator speech at the end of SA2 is put in someone else’s mouth. It’s just not believable that he’d save the world for anyone else--not Sonic, not Chris Thorndyke--because the gentleness isn’t there for anyone but her. That had to be built and proven.

2. She inspired yet another heel-turn of his in the conspicuously-named “Miracle of Love” route in ShTH where “bad boy” Shadow ditches Black Doom to help her, resulting in a hero classification.

I think we undersell how big of a deal this is. For those who aren’t too familiar with Shadow the Hedgehog (2005), that story route starts out with Shadow ignoring Sonic and...*checks notes*...defeating fifty G.U.N. soldiers? The mission says “defeat,” not “kill.” But Black Doom says “finish off those soldiers,” “destroy them all,” “exterminate,” and “annihilate.” In a game where you’re explicitly encouraged to use firearms. On human soldiers. So this Shadow quite possibly has a significant body count by the end of the level, and then he immediately snubs Rouge to destroy Earth’s digital highway system. There’s a reason he can’t get a hero ending past that point if he doesn’t help Amy. Just like in SA2, she’s the only one left who can turn him into a hero. She speedruns his redemption with one jaunt through a haunted castle. This is the sequence:

[Source]

The way he trails off at, “I didn’t have any reason to help her, but since I was looking for the doctor anyway, I figured...” stands out, like he’d forgotten how good of a person he can be.

This brief Twitter thread summarizes the events in a much funnier way than I can:

3. The Murder of Sonic the Hedgehog is the most recent and blatant example. Goes to a party. Dresses up in a silly outfit. Embarrasses himself to get her a thoughtful gift. Agrees to go to a concert for a band he can’t stand just to make her happy. I don’t think I even need to explain this one, but if you want to see me do so anyway, here’s that link again.

4. In Team Sonic Racing, he’s sweet to her when they’re on the same team...

...and he’s borderline flirtatious when they’re on opposing teams. ;)

His lines are delivered in a snarky, teasing way, especially when he calls her cute, and she’s matching that competitive banter.

[Source: this Twitter thread by MeliCross22:

Absolutely worth a read, and it includes links to the lines so you can actually hear them.]

The question is whether his soft spot is romantic in nature, and as biased as I am...I don’t buy it. In the first two, she’s just reminding him of who he is by calling to mind his memories of Maria, and “Miracle of Love” isn’t meant in a romantic way. Likewise, in TMOSTH, it’s extremely sweet of him and he wouldn’t do that for anyone else, but it’s still not inherently romantic. TSR is less cut-and-dried. It could be flirtation, but it could also just be the race stoking their competitive spirits. It’s also just a side game, and while it’s still canon, I don’t know if Sega would put that kind of dynamic between them in the main series. It could be a case of the TSR writers being secret shadamy fans who are tossing us crumbs, but it could also just be them mixing it up so there isn’t yet another instance of Amy saying variations of “Sorry, but I’m in it to win it!” every time she hits someone with an item. Trust me, it gets old.

Canonically, I don’t see Shadow as being romantically interested in anyone to a significant extent at the moment, Amy included. He’s been too focused on his past, his identity crisis, the alien invasion, etc. I don’t think there’ll really be room for romance in his life until he fully makes peace with his trauma. This moment at the end of his game...

...just doesn’t do that. Shadow Dark Beginnings has made it abundantly clear that he hasn’t moved on.

And this is where Amy comes in, because I think she’s the ideal person for the job.

Sega seems to pivot back and forth between “Shadow has no friends” and “Shadow has two friends, but he even keeps them at a distance sometimes.” Without people in his life who are willing to reach out, he withdraws, and it’s really not good for him. A lot of fans feel he’s hesitant to bond with others because no one else is immortal and he knows how painful loss is. It’s not explicitly stated, but it’s consistent with his behavior. Isolating himself is easy. It’s safe. It’s something he can control.

But it’s not sustainable.

He needs love. He needs it so much. It’s his very purpose, in the most literal sense. Maria said it best in episode 2 of Dark Beginnings:

“You have a big heart! It may be difficult for you to express it, but I know that deep down you really do care. About me. About everyone! What you do is what defines you. I know you’re having a hard time finding answers, but I’m certain you will one day. Then, you’ll find even more people you can trust.”

^ This is what I mean when I say Maria would love Amy. Amy’s the only other character who feels love as deeply as Shadow does, the only one who could fully understand, and she just so happens to be a clingy girl who’ll reach out to anyone, even people who think they want to be left alone. It’s baffling that Sega basically hasn’t let them interact for two decades because she absolutely would insist on befriending him.

Shadow hides, but Amy chases. She loves a challenge and doesn’t shy away if she feels she belongs with someone, even if that person runs. If she decided Sonic wasn’t right for her, I think it’s only natural that she’d pursue Shadow given her obvious fondness for him. The only difference is that when someone chases Shadow, he doesn’t run. He clings. He clung to Maria, he clung to Team Dark, and he’d cling to her, too, and I don’t think he’d stand a chance against her charm from there. He’s a romantic in his own way, and that soft spot of his would turn rose-tinted in a heartbeat. If there’s anyone who could convince him that love is worth it, it’d be her; I highly doubt she’d regret her past love of Sonic, and if he thought about it, I don’t think he’d regret his attachment to Maria, either. Amy told him the people of Earth deserved a chance to be happy. Now he lives on Earth with her. Couldn’t she convince him that he deserves that chance, too?

And if he hesitated and tried to ignore his feelings for Amy, I could see Rouge stepping in to kick him in the right direction. It wouldn’t be the first time she talked some sense into him for the sake of his own happiness:

[IDW issue 36]

tl;dr: Amy already likes Shadow. If she spent more time with him, those feelings would grow, and it wouldn’t be long before she’d be pursuing him in earnest. With her talent for breaking down barriers and his existing soft spot for her, it wouldn’t be a very long chase.

This headcanon is the one that I think portrays it best. I don’t think I’ll ever fully stop writing Shadow Falls First, Amy Falls Harder because it’s so damn compelling, but I love this interpretation, too, and it lines up too well with canon to ignore.

[lipstickchainsaw]

Things I would've liked to see in Arcane S2, in no particular order:

Caitlyn doing some more heinous shit after becoming dictator. Let her be evil, damnit! Let her fuck up the Firelights' sanctuary to achieve whatever goal! Make some people mad!

More of a sense of the power struggle between Ambessa and Caitlyn. Let Caitlyn look into the disappearances as well, or at least give us a sense of what she thinks is going on. Maybe give Shoola something to do after even Salo left. Make the upper class of Piltover feel more alive.

Give Caitlyn the initiative in her turn away from Ambessa, mirror Vi choosing to trust Jinx while facing to Warwick here, and have it take a little more to get them on the same page.

Let Ekko and Jinx actually rally Zaun in the final act. The way they're seen by their people was a pretty big deal, and I would've liked to see that go somewhere in the climax.

Actually, have Zaun actually discuss what to do in the Noxus/Piltover war. Both sides oppressed Zaun pretty badly, so maybe there's some people who want to support Noxus (a very small group), or who figure they're happy to let their enemies fight it out. Let Sevika, Scar and the Jinxers about this.

Hell, let Sevika show up at all after episode 4! Isha was important to her too! Have her and Jinx suggest building a statue for her, like Silco did for Vander, as another notch to help Jinx stand upright.

When Jayce and Mel come back, have them reckon with what Caitlyn did to their city, and have them take some time to forge the place back together.

Let Zaun negotiate with Piltover for their aid! Give them more than just one seat on the council amongst people who already look down on them (although I think Sevika is canny enough to get the most out of it, it's a real consolation price for a group of people willing to abandon their own homies to rally to the defense of yours), and make Ekko a prominent voice here.

Warwick in episode 9 didn't really do much for me. Any of the emotional beats there were already covered in episode 6. Not sure what to do with him instead, though. Maybe make Vi and Jinx protect others from him more explicitly?

By emphasising the Piltover/Zaun conflict more, you can have Vi be more conflicted about where she falls on that divide.

Ambessa also lobbies to get Zaun on board, maybe pulls some Renni shenanigans again. Actually get me invested in that grand climax.

Same goes for Viktor, honestly. Maybe give his conversation with Mel and Jayce a bit more weight. His turn to Ambessa and Singed's side is a bit abrupt (and also very much caused by Jayce killing him, so his moral high ground in that conversation is a bit weird).

Don't make Jayce talk shit about Viktor's terminal illness, goddamnit. Heimerdinger's whole arc was about how corrosive that attitude was, and the conclusion of it was that you can't sit down on your laurels because change will keep happening with or without you. I think that makes for a much more compelling argument against Viktor's philosophy at this point.

No notes on Singed. What a ledge.

Overall, I think the show needed a bit more breathing room to build up to the level the climax was operating on. It left a bit too much of what I cared about behind to get there, and adding an act could've been a way to alleviate some of that.

[utilitycaster]

I've been thinking about this since watching the C2E2 panel but Marisha said something about the value of coming in with other characters and having pre-existing relationships and actually? I somewhat disagree for longform campaigns.

I think for shorter stories, it really doesn't matter because in a very brief game, you have to come to the table with a very complete character idea. Candela, Thresher, and the Calamity/Downfall/Divergence trio have all managed to have consistently excellent character work regardless of whether people have known each other since literally before time (Downfall), whether they have a longstanding but not infinite pre-existing relationship (several relationships in the Circles of Needle and Thread or Tide and Bone; Calamity; Fiedra and Crokas in Divergence) or whether it's something relatively recent or even a first-time meeting (some Candela relationships; some of the Divergence relationships; Thresher). A nebulous "yeah, we've worked together" also works well for lighter series (ESO Blackwood, Wildemount Wildlings, The Menagerie) in terms of quickly getting to the story.

For longer stories, a longstanding pre-existing relationship can be strong; but it can also keep those characters from branching out and mixing, and unless that's explored it can really limit the story. I think the CR fandom especially tends to put a certain degree of weight on how good the twins were without realizing that they work not because they are twins and family, but because a big part of their story is realizing that they have people other than each other now. [I keep thinking about this actually w/r/t my thoughts about Veilguard - there are a number of reasons I consider my first run to be the "canon" one for me, but a big one is that romancing someone out-of-faction made me feel more integrated into the team because I suddenly had two really strong connections rather than just one.]

Part of why the Mighty Nein, in my opinion, are so compelling is that everyone ends up with an interesting and deep relationship with everyone else. And a big part of that is that we don't come in with any relationships longer than about 8 months, and indeed, that relationship barely ends up influencing party interactions because Molly is very outgoing, Yasha is frequently absent, and then Molly dies. So we have Caleb and Nott/Veth, who are also very much a story of people realizing they have more than each other now (and that neither of them really knew each other that much going in!); and Fjord and Jester, who have known each other for like 6 weeks and who spend some significant time apart (and both of whom are also fairly outgoing and quick to interact with other people). Beau and Caduceus being free agents did quite a lot as well. We don't just see an existing relationship continuing; we see relationships grow and change onscreen as the players find not just the relationship but the characters themselves, and that's what makes it compelling.

As mentioned with Vox Machina, the twins are great, and so are Pike and Grog; but Pike's absence means we see a lot of Grog and Scanlan (who don't have a very longstanding relationship prior to Vox Machina's formation), and the romances are all between people who didn't know each other well beforehand. Even the conflicts are ones that grew from people who met relatively recently (Keyleth and Percy's friendship and arguments being a prime example).

I think the twins were great and you should revisit Campaign 1 if you want that again, but as someone who felt Campaign 3 really struggled in terms of mixing up the pre-existing relationships to the detriment of party cohesion/conflict and an interesting dynamic, I'd much rather see strangers or near-strangers in longform campaigns, and save people coming in together for shorter works.

(I also, iirc, think this came up in the context of session zero, and that might be a factor because again the main campaigns seem to not do the same level of session zero as the shorter ones, and if they did that might fix the issue and make a pre-existing relationship better; part of why the twins work so well is that Liam and Laura essentially did their own mini-session zero on their own.)

[panickedscribbles]

I've been thinking about Star Wars discourse lately, and I think a lot of the reason so much of the fandom is constant back and forth arguments is because a lot of the time, two characters can be right simultaneously while also disagreeing completely with each other.

Take the whole "Too old, he is" thing.

On one hand, obviously wrong. Anakin is nine, he's at most a few years behind, and textually managed to catch up pretty well. Like, if Palpatine and the Sith Plan weren't constantly messing him up, there is every possibility that Anakin could have become a well adjusted Jedi. Nine is by no means too old to learn a skill.

On the other hand, the council demonstrates perfectly in that scene that they are completely unequipped to deal with a nine year old who hasn't been raised in their culture, especially one from a heavily traumatized background. The pop-quiz they ask him would be perfectly acceptable for a nine-year-old youngling, but Anakin literally just walked in. They are giving an end-of-year exam to a kid who has never even seen a school. And they assume this is fine, because that's just what you do with nine-year-olds.

More to the point, they are completely failing to take into account the previous nine years of his life. They ask a kid, who up until all of about 18 hours ago had been enslaved since birth, to be open and honest about his emotions, in a room full of complete strangers, most of whom answer to "Master"! They have somehow engineered a situation so psychologically damaging that Palpatine is taking notes in the corner, entirely without realizing. When the council says they shouldn't take him in, they are one hundred percent right. Nine is WAY too old when you've spent that time as a slave, and are being entrusted into the care of people who have never had to raise a nine year old who wasn't raised like they were.

Or how about Anakin not being made a master. Was he right to insist he get the title, or was the council.

Well, Anakin should be made a master, you see, because,

He's one of the main Generals fighting and coordinating the war

And he's one of their most successful warriors. Like, he's the guy they call in whenever they need an impossible mission completed

He's more or less the face of the war effort, as "The Hero Without Fear"

As an ex-slave, obtaining the title of Master would be a huge psychological weight lifted off his shoulders.

Since they're making him part of the council for espionage purposes, making him a master as well serves as better cover

Giving him more reason to stay loyal to the Jedi after they just asked him to betray the trust of one of his oldest and closest friends wouldn't be the worst idea

Like, if ever there was a reason to give someone a promotion, those are some pretty good ones.

However, on the opposite side of the issue, literally none of that has any bearing on "Mastery" as the Jedi define it. Being a Jedi Master is all about mastery over oneself, having a deep understanding of the force, and a certain level of inner peace.

You'll notice that at no point does being really good at large-scale violence, being well known for being really good at large-scale violence, or wanting it a lot factor into being made a Jedi Master. Everything Anakin is good at, Everything Palpatine, and the war, and the council have pushed Anakin into being good at, do nothing to bring him any closer to Mastery, and in fact often push him further away from it.

In both of these examples, you can make a very compelling argument in either direction. Hell, you can make a compelling argument in both directions at the same time. And I think that's really neat.

[saviourfinn]

Spoilers for Sinners (2025) below.

The movie was amazing and it was a great and refreshing take on the tired vampirism trope. I especially loved the parallels between vampirism and cults/organized religion.

Just like missionaries and cult leaders, those vampires prey on desperate people and tell them that the only way to escape their shitty lives and be happy is to join them. They highlight the "loving family and community" side of their beliefs, and they seem to be sooo happy and to have so much fun. There's even a parallel with mass suicides in cults when Mary says "It's hard to believe but once we're all dead it'll be heaven on earth". And once turned into vampires, people are automatically convinced it's the best thing ever, and that if only their loved ones would also accept to be turned, then they would be so happy and their life would be wonderful ‐ just like religions who encourage their followers to convert everyone they know to save their souls, lest they end up in hell.

And the head vampire's arguments are sooo convincing as a (black) viewer you're really tempted to let them in. In a lot of movies the characters seem really dumb to listen to the monster, but this time he was so compelling that it was actually scary.

And just like cults/missionaries, he preaches love and community and says he just wants to help you - but instead of letting you choose, he literally forces you to join him. He attacks and bites people without their consent, forcibly converting them to vampirism - and so you realize that his will to help is not genuine, because if it was he wouldn't force it on people. I especially loved the parallels between the preacher (Sammie's dad) and the head vampire (Remmick), especially the baptism scene.

Remmick is a great and complex villain. You can see that he's genuinely looking for community and "human" connection, especially through music. As an Irish person, he has endured colonization, persecution, and forced conversion. He clearly feels a kinship towards Black people who go through similar experiences. And because he's immortal, he yearns to see his fellow Irishmen who died a long time ago (hence why he needs Sammie). So you would think he just wants to "help" Black people in his own way. But that's not it either. Yes, he wants a community - but one where he's the leader. When he's surrounded by dozens of Black vampires that he turned, they only sing Irish songs and dance Irish dances. He could also make them sing some blues, but he doesn't. Yes, he's yearning for his own culture, but he's also imposing it on Black people. And he's forcibly converting them to vampirism, thus doing to Black people what he and his people endured at the hands of the english. He wants to take Sammie's music by force and use it to connect with his fellow Irishmen, literally appropriating Black culture in order to serve white people. Instead of breaking the cycle he perpetuates it, only this time he's the one on top. Also, he tells people whatever they want to hear as long as it convinces them to let him in: he presents himself as a southern white man to the KKK couple and accuses Native Americans of kidnapping his wife, using their racist ideas and fears to convince them. And then he presents himself to the Black characters as a sad Irishman who yearns for love and family, who is anti-racist and ready to kill some KKK members to save Black people. He's both a master manipulator and someone who is genuinely looking for connections. Very interesting. He's also very charismatic and wants to be the center of attention, like a cult leader.

Anyway Coogler could have taken the predictable road of "the vampires are all racist white people and they attack Black people which is a metaphor for racism" (which is a valid parallel but a bit simple). Instead he gave us a layered commentary on community, religion, conversion, persecution, erasure of cultures, relationships between minorities, racism, and of course music as a powerful tool of connection and freedom.

[felassan]

Some more DA:TV and related snippets from Sylvia Feketekuty, Part 3. rest of post under a cut due to length and spoilers. [Post One, Post Two]

Ran out of characters or something in post 2. :)

User: "I LOVE the line "a raw, strangling fear, struck somewhere deep past the heart". It's beautiful and it resonates with me since I myself struggle with anxiety. Now for the questions! 1) Can you talk more about the banter between Emmrich and Harding after we start romancing him? What is her motivation behind it? Is she critical of their relationship or is she worried about Emmrich? 2) I love the argument Rook and Emmrich have before Tearstone Island, it gives nice depth to their relationship. But what did Emmrich think he would accomplish with that conversation? Did he want to break up with Rook because he thought it would be easier for him if something happened to Rook? 3) Not a question but I love Hezenkoss. Such a dedicated hater lol. -- Sylvia Feketekuty: "That was one of the first lines where I started to feel I had a handle on his voice in the first draft, so that means a lot to hear. (And thank you for noting the team effort, I got a lot of great feeback from the other writers and the editors on Emmrich. He wouldn't be as good without them.) On to questions: 1) My personal take: I think Harding is worried because she's very perceptively noticed how hard Emmrich's fallen for Rook, and that he's a man of large emotions. (And because they become pretty good friends over the course of the game.) 2) I think Emmrich let his anxieties run away with him, afraid that this romance wasn't, couldn't possibly be the One True Love he so wanted, and that's how his fear expressed itself. (Did he WANT to break up? No, but he was bracing himself in case Rook did think it was only a fling and so on and so forth, they should get it out in the open, and so on.) 3) Thank you! I loved writing her. She will always be a hater until her (un)dying day."" [source, two, three, four, five, six] -- John Epler: "someday we'll get the Hezenkoss/Anaris reluctant team-up the world deserves" [source] -- Sylvia: "Somehow, in the realm of pure imagination, they're already trying to strangle each other." [source] -- User: "Very important question- would Anaris finger gun? (Finger crossbow?)" -- John: "as a man defined primarily by his tremendous insecurities Anaris also takes himself incredibly seriously and unconsciously mirrors Elgar'nan, an elf he both loathes and desperately wishes he were so the real question is, would Elgar'nan finger gun?" [source]

User: "On my 1st run I thought some choices felt like the 'bad' ones and avoided them - Lich Emmerich, Harding's Anger, Qunari Taash etc. But on my 2nd run I was so pleasantly surprised to see that it wasn't the case! None of the companion choices feel right or wrong, just different, and that's fantastic." / Sylvia: "Thanks! We tried to make either choice compelling, to have something for different players either way. So I'm so glad to hear that." [source]

User, on Manfred winning a character award: "Congrats Manfred we knew you had it in you!" / Sylvia: "He did it! My little skeleton pal did it! (Especial thanks to the animators and voice actor, Matt Mercer, because like 90% of his personality lives in those gangly limbs and his hissing)" [source]

User: "I just wanted to say that Emmerich and Josephine are so interesting and well-written" / Sylvia: "I feel very lucky I got to bring them into DA, with teams that went for them 100%." [source]

User: "I enjoyed Emmrich's addendum to the codex about Templars in Nevarra: are they primarily there as backup if something goes profoundly wrong? Would they ever get someone who just wants to help down in the Necropolis, pretty please? (also <3 Vorgoth, they're great)" / Sylvia: ""are they primarily there as backup if something goes profoundly wrong?" That was my own take. You don't NOT want Templars, in case some ritual gets disrupted in an utterly disastrous fashion. But other times...the Mortalitasi flex their clout. "Would they ever get someone who just wants to help down in the Necropolis, pretty please?" Some Watchers might not be immune to flattery. I think a few templars could be all right under some circumstances, but that they'd be assigned a mage. (A bit of a reverse of the southern mage-templar pairs.) "(also <3 Vorgoth, they're great)" Thank you! I was so pumped when I saw the final art for them, everything I'd dreamed. (And their voice actor, Brent Mukai, was amazing.)" [source, two, three]

User: "I wanted to ask you what you think nevarran wedding attire might look like? or if you’ve considered it? asking for science." / Sylvia: "Geeze, that's a good question. I imagine the couple would exchange some custom-made grave gold pieces to mark the occasion, given how important it is in Nevarra. But other than that, you should let your imagination run wild." [source]

User: "Is seeing Josephine as Asexual or part of the Ace Spectrum a valid interpretation of her character?" / Sylvia: "Totally, if that's how you want to see the character and relationship. (My policy is generally that if it's not directly contradicted in the game, you can take that kind of thing as a valid read of the character.)" [source]

Sylvia: "I'll say this (spoiler free): there's a scene in "Walking the Graves" where I felt Emmrich's voice finally click for me on the first draft, so that one's special to me." [source]

User: "I remembered some questions I had about Emmrich.. Can he play any instruments? I always invision him playing a pipe organ or maybe violin! If not, are there any he would like to learn? 😊 Also, I was curious, can he ice skate? out on that frozen Nevarran lake in winter" / Sylvia: "Those are interesting questions. Because they're something I never considered or wrote, there's no real canon there yet. I see Emmrich as more an appreciator of music than a musician, but can't rule it out. As for ice-skating, I'm not even sure we've shown that in Thedas. I think Emmrich would enjoy it though. UPDATE: a friend reminded me about this tidbit from World of Thedas 2: "Ice skating – during the winter in Nevarra, people often skate on the frozen over Minanter river." So it's canon now. Emmrich ice-skates. He instantly manifests a scarf when doing so. (I fall on my sword for forgetting this.)" [source, two, three]

User: "about Josephine: what would her ideal/dream wedding be? I was tickled when I read about that in her letter to her Inquisitor I just have to know" / Sylvia: "what a delightful question in turn! I think she'd want a big, flower-filled, no-holds barred wedding at her family's estate. All her relatives, friends she made in the Inquisition, the Inquisitor's relatives (if they have any/keep in touch.) She'd begin planning 16 months in advance." [source]

Sylvia: "Aw thank you! (On behalf of me, and the rest of the team, so many people worked so hard on our eccentric necromancer man.)" [source]

Sylvia: "The Mourn Watch and Emmrich are a bit eccentric, but I really wanted their reverence for the dead (and the living) to feel genuine." [source]

User: "As someone who himself gets awful pangs about the thought of death and nothingness, it was really refreshing to see a character have those same thoughts as me, especially as he also happens to be a Necromancer who is around death daily." / Sylvia: "You're welcome, and thanks for the kind words. It's a familiar thing for me too, so I really wanted to talk about it. I suspect it's far more common than we might think." [source]

User: "My HOF was a spirit healer, very kind & very curious, & for years I've considered how that special connection to spirits might lend itself to an interest in Thedan necromancy & puzzling out where spirits & souls begin & end. Emmrich, Manfred/Curiosity and the wisps gave me so much to think about!" / Sylvia: "Thank you so much! And that's interesting about your HOF. They may've found some kindred spirits if they ever ventured further north." [source]

User: "No questions other than thank you and the team for Emmrich and Nevarra / The Mourn Watch. Seeing death treated with such kindness, empathy and as beautiful renewal rather than grim end is so refreshing and personal to me, it was a great experience to have!" / Sylvia: "That's one of the things I really wanted to express in Emmrich's arc, so I'm so glad you felt that way." [source]

User: "I feel that my Rook would want to learn more about the Mourn Watch after saving the world." / Sylvia: "Emmrich and the Watchers would love that. Emmrich probably has like, five lectures he could rattle off without preparation for your Rook already, haha." [source]

User: "do you have any favorite tidbits about Audric or Myrna that you can share?" / Sylvia: "As for tidbits, hrm. I did post something on what Audric's up to these days. Nothing surprising, but he's doing well! And I never wrote it in-game, so it lives in the hazy world of "only canon in my head": while Emmrich doesn't come from nobility, Myrna does-the Van Markham branch. She had the finest education, even before the Watchers. She doesn't play it up much, though. Her real passion's her work. And the theater. (I did a small bit about her love of theater here [link or see Post Two]. I think she's a regular attendee.)" [source, two, three]

Sylvia: "I also really wanted to explore more of the Necropolis ever since I first read about it. I'm very lucky the team and I finally got to show everyone the crypts..." [source]

User: "he stories, the worldbuilding, the characters, the locations, I loved it all so much I played my MW Rook twice" / Sylvia: "Nice. The Mourn Watch appreciates your studious interest in the hallowed art of necromancy." [source]

Sylvia: "thank you on behalf of the whole team, as you've surmised there were a lot of people bringing him to life. (Especial props to Nick Borraine, his VA, who's wonderful in the role.)" [source]

Sylvia: "It always makes me happy when people mention the short stories, and glad you enjoyed meeting (and perhaps romancing...) Emmrich." [source]

Sylvia, on Vorgoth: "I'm afraid I deliberately left our cloak-shrouded Watcher a mystery. But I'll say this: I'm sure they'd show your Rook in that picture their art collection, an honor Vorgoth bestows only on those they like or trust." [source]

User: "does the watch have any rules in regards to courtship/marriage between fellow watchers? An does Emmrich lecture at the Necropolis or at the College of Magi in Cumberland?" / Sylvia: "1) I actually got into that a little here [link or see Post Two]. Short story, it's not forbidden for mages within Circles to court or marry, so no particular rules there I think. 2) That is a very good question. Full disclosure, I am answering on the fly with what I think makes most sense. I can see Emmrich doing a bit of both in his younger days. But as he grew older, more specialized in his field, and had more MW responsibilities, he probably worked more out of the Necropolis. (And prefers it anyhow.) By the time DAV starts, it's probably been years since he was in Cumberland." [source, two, three]

User: "Thank you for your moving portrayal of thanatophobia. While most people have some fear of death, it was amazing to see the thanatophobic panic attacks etc portrayed so accurately." / Sylvia: "Thanks - they're not an unfamiliar phenomenon to me, I wanted Emmrich to try to get across that helplessness and wretched terror. (I suspect more people are affected by them than we commonly talk about.)" [source]

User: "whoever decided “DA liches are immortal protectors and not always evil?” Chef’s kiss. It’s all I’ve ever wanted!" / Sylvia: "Thanks again! It was in Emmrich's first draft. The other writers and editors gave me good feeback on lichdom and the philosophy behind it especially" [source]

User: "I wonder, did you prefer writing for either lich Emmrich or mortal? I would imagine it's a bit different." / Sylvia: "I wouldn't say I had a favorite, but it was fun to try to figure out what approach to take in scenes that had split lich/mortal lines. I didn't want Emmrich to be unrecognizable as a lich, but I did want him to occasionally be a little different, slowly absorbing what he'd become. We see him at the start of this new stage of his existence, so I think even by the end of Veilguard he's still just at the very start of adjusting to, and exploring, what he is now. I liked giving him that wonder!" [source, two]

Sylvia: "The Memorial Gardens were the heart of the Necropolis to me, the level artists and level designer and our audio team worked so much magic there. (And the lighting team! First time I saw it properly lit I think I clapped.)" [source]

User: "Also wanted to know if you wrote Josephine’s letter to Inquisitor if romanced?" / Sylvia: "I did write that letter, thanks! It was a joy to return to Josephine, even in a codex sent to her dearest Inquisitor." [source]

Sylvia on where Emmrich sleeps: "As to his sleeping arrangements, I gave a tantalizing (non) answer here [[link] or see [Post Two]]. (Though I think he'd prefer a proper bed, whatever form it takes. Emmrich's too old to be sleeping on cots like a student anymore.)" [source]

Sylvia: "So glad the team and I got to crack open the ancient doors of the Grand Necopolis, I've been curious about it too ever since reading about it eons ago. (And very glad you're liking MW Rook, I really wanted things to feel different when chatting with Emmrich as a Watcher yourself!)" [source]

User: "I enjoyed Johanna IMMENSELY and she is most definitely my favourite villain of all time now, so thank you for her as well!" / Sylvia: "She was a treat to write. (And Hezenkoss would 100% applaud you on your fine judgement and obvious taste.)" [source]

Sylvia on Emmrich's fear: "I'm not unfamiliar with that fear either, and it means a great deal to hear getting to know Emmrich helped you out even a little. (And happy to hear you dug Manfred!)" [source]

Sylvia: "I'm especially glad you liked the battle theme. Our music director instantly got the tone of Emmrich's arc, he and the audio team spun off so many great tracks from that core theme." [source]

User on Emmrich: "He's a brilliant character and everyone involved in his creation should be very proud!" / Sylvia: "There were a lot of people working on him, I was lucky so many people got onboard right away with our professor of necromancy. And I loved writing him chatting with Bellara, the mentor/student relationship was fun to hash out with her writer." [source]

User: "(1/2) Hello Sylvia! Like everyone else, I love Emmrich, but I also wanted to say thank you for your work in DAI. Josie was my first romance in DA and I love her a lot. My question had to do with her codex entry in Veilguard for a romanced Inquisitor: (2/2) Her letter in Veilguard implies she hasn't married yet, 10 years later. Josie is so image-conscious in how she conducts herself, so I was surprised she would put off marriage for that long as the first born noble of her house. Curious what the idea behind it was if you can share." / Sylvia: "Thank you! I'm honored to hear Josepine was your first DA romance. Re: marriage, you're right, that is a big time gap. I basically didn't want to surprise returning players with a marriage that had already happened to their Inquisitor offscreen. I'm sure Josephine has kept busy with world affairs, and so has the Inquisitor, which isn't a bad reason it's taken so long. But I thought it'd be more engaging for players to imagine the proposal, how they'd react, what the wedding would be like, as something good happening to them in the future." [source, two]

User: "I wanted to ask about banter I saw online; why does Taash say Emmrich smells like potash? Isn't that a bad smell, like rotten eggs? He doesn't strike me as a smelly person outside of being around the dead. Maybe Trick would know too" / Trick Weekes: "IIRC, I based it on residual scents that would come from chemicals -- can't remember whether it was what you'd get from working with embalming liquids or something used to style hair. That said, Taash comments on scents non-adaari can't detect, so it's not like he smells bad to normal people." [source] / Sylvia: "Chiming in late, but what Trick said. Taash has an incredible sense of smell, but they're detecting the tiny residuals. (Which is why poor Taash can smell that burial Emmrich helped with, even though he scrubbed down thoroughly afterwards. Gotta keep hygienic!)" [source]

User: "I wish more games had Romances like this, he was just simply perfect. [Emmrich] believably cares for Rook." / Sylvia: "I'm glad that part felt heartfelt, it was one of the cores of his romance for me." [source]

User: "What inspired you to want to go into writing for games? Or just writing in general?" / Sylvia: "I've played games since I was about 5 years old and that's what really did it. I fell in love at once with these cool, weird little worlds you could visit as someone else. As for writing in general, it feels goofy (or ominous) to call it a Calling, but it's just something I've always enjoyed doing. It's also probably what I'm best at, which means I'm unfathomably lucky I ended up at BioWare. I don't think I would've been happy until I was doing game writing somewhere, somehow!" [source, two]

User: "I have two questions about his and Johanna's childhood. 1. How and when did he and her(johanna) meet? 2. What was the story between him and her back then? Sorry if it's too long a question. Thank you! Oh I'm so sorry, how could I forget another important question😭😓 3. How tall do you think he is👀 He's almost as tall as Taash!" / Sylvia: "I have not forgotten the other two questions, I'll get to them later (it's just getting late here) but this one's a little easier. I THINK he's about 6 foot 2 inches without his boots, so about 6 foot 3 with them on. (A character artist would have to confirm or deny if I'm remembering right.)" [source]

Sylvia on her time at BioWare: "So I gt a 5 year award statue that looked like a glass disc, and then we swapped over the to the BioWare Character award statues so I got Wrex as my 10th one. (I think I remember people who'd been around earlier than me with those clocks on their desks!)" [source]