#i can admit he’s hot
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nerd-flash · 6 months ago
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things i’ve said about ryan lindgren in the past 24 hours
•he’s hot in a viking warrior way
•like puts women and children first kind of way
•build you a boat kind of way
•pump your gas for you hot
•holds the door then smacks your ass as you walk through it kind of hot
•keeps your favorite snacks in the cupboard at his house kind of hot
•rough hands but a smooth talker kind of hot
•i wanna see him shirtless chopping up fire wood in the forest lol 😂 then he builds me a fire to keep me warm
•i wish i was a good writer because a wilderness lindy fan fiction would smack so hard
•he is. so soft and sweet. but so manly
•ugh he has serious “get behind me i’ll handle this” energy i love it
•yeah there’s something about a man that’s kind of bullet proof
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gif cred: @mattrempe
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leafwateraddict · 9 months ago
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Found some old sketches I had for @llamagoddessofficials Coraline au along with some headcanons I had for Dart and Patch (also stuffing.. gore?)
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Ft. A sexy Dart because I saw a fancy looking corset and put him in it and instantly regretted it (along with some ideas for his button eyes)
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Also other Mc/Thread along with some sentences i thought of if I ever ended up writing that drabble (which I probably wont- rip)
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prodbyton · 4 months ago
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he looks so good idec that he makes skibidi toilet jokes my man my man my man 😍🙈😊🫦🤭
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transingthoseformers · 12 days ago
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In regards to the Tarn missing flirtation, what if instead of vaguely threatening and rubbing his place at Megatron’s side in Tarn's face as he thought Starscream has been flirting with Tarn for 3 million years because at this point it is a pride thing and Starscream WILL seduce that virgin.
He wasn't splayed seductively on Tarn's desk every single time Megatron removed his name from the List to mock Tarn. He was there to SEDUCE him.
Something Tarn realizes when Starscream calls him immediately after Megatron defects and opens with something along the line of "So, I heard you're single now. Good thing an Emperor's pardon and the spot of speaker for Cybertron's Decepticons is waiting right here for you."
Wait
Oh my god that'd be hilarious
Starscream I stg
Ohhh? And Starscream keeps on it after Megatron defects? That's gotta create fun results
At least SOMEONE finally had the bright idea to actually address the DJD situation post war
I'm sure this will have an interesting impact on Cybertron's future
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wiredalienvampire · 9 months ago
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i made this as a silly goofy post for valentines day but i think it awakened something in me..
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hellofastudysession · 1 month ago
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am i rlly going to write a death note literary analysis when i could be doing other things
about the discourse going on in the tag abt "death note is acab and thats why the characters couldnt better the world with the note (/written in somewhat jokey matter)" vs "death note is trying to say we all have potential for evil, especially if you get a chance to insta-hurt ppl without repercussions, and it doesnt matter if youre a cop or not", i personally feel like it ignores the things that i like abt death note, which is "both of these things are true", and simultaneously "both of these things do not matter". the first part of this is dedicated to the first point, the latter to the last.
first point. i think its an important part of the message and themes (unintentional or not, and i lean on the former because... come on, can you really say the author intended you to not think of the cops as good people, at least compared to light and l) that light is a cops son, and that almost everyone who gets the death note is cop adjacent/thinks like a cop and is already corrupt/powerful when they get it (mello raised to think hed be just like l, yotsuba group is self explanatory; you cannot look me in the eyes and tell me teru "churchill" mikami, who was hand selected by light out of a bunch of rabid kira supporters, is a normal citizen). i appreciated the cop post bc its rlly important to not gloss over that aspect.
all of this would be an argument for "only someone like them would do something like this, and i am not like them, so im above them and immune to thinking about what id do with it", but... misa is the MOST important outlier in all of this bc her murders are solely selfish in nature and shes not doing any of this for "the greater good"!!! her nature of being an exception and still a very very bad person is really really important...
or it would be if death note gave a shit about her character at all!!! im not talking about her tragic side, im talking about exploring the ramifications of her killing people the way lights murders are (somewhat) explored. that would strengthen the message greatly! but shes dismissed and that weakens it overall. firstly, she's dismissed by the characters when l only sees her as a way to get to kira and basically shelves her the rest of the time. secondly, shes dismissed by the narrative when her character is gradually ground down to a stump and (not to sound perilously close to the bad takes ppl meme about) she never faces repercussions for her actions. every other character using the death note is treated relatively seriously, but misa just dies bc her love is dead. im not saying this isnt a... fitting punishment or that it isnt in character, but it doesnt fit snugly into the theme other people are talking about of "you reap what you sow" at all.
we do have something of an equivalent to misa's grayscale motives. surprise surprise, its light yagami. first is light's characterization in the musical (i will also note that misa never kills anyone in the musical). light's thinking is coplike, yes — he literally starts his first song by talking about "throw[ing] away the key" — but also, oddly enough, could be read as progressive and therefore sympathetic to tumblr ("let the corporations make the regulations / and hold no one accountable when everything gets wrong / let the rich and famous get away with murder / every time a high-priced mouthpiece starts to talk, his client gets to walk"). compare to the anime and manga, where his bigotry and pride and disgust come from a place of lukewarm dissatisfaction and boredom. the musical has much less time to play around with lights character, so it gives the audience something to immediately hook on. more on how that actually plays out later.
in the animanga, none of this is justified from the start. animanga light could say he was just killing people to make humanity way, way worse, and that wouldnt matter, because at the root of it, it was always his boredom that made him pick up the note. of course he actually believes in justice and believes hes doing the right thing (no, he believes he's doing the wrong thing, for the sake of the world... the right thing, because he is god...), but it was boredom at the start. all animanga light says about justice and righteousness and the law is a front in the end, bc he is exactly like l and misa — amoral. selfish. searching for entertainment. hedonistic. we know this. he kills naomi misora*. he kills lind l. turner. everything hes saying deserves to be dismissed from the beginning.
"but doesnt that mean you agree with the discourse post you wrote this post to argue against?" like i said, i agree with both of them! but i... still think its not right to reduce death note to the message of "the power to kill people is bad". because that is not exactly what the story is saying, even though that's literally its whole plot and therefore reaching that conclusion is self explanatory (lmao). let's look at the concept of mu. nothingness. "there's no heaven or hell". The Real Slay The Princess (Death Note Essay) Starts Here.
in light's final moments in the death note manga, while screaming about not wanting to die, he remembers that the first day they met, ryuk told light that "there's no heaven or hell. no matter what they do in life, all people go to the same place. all humans are equal in death". it is retroactively revealed that light knew this the whole time, operated under this knowledge for all the years we watched him — the knowledge that nothing he does is actually bad, that nothing any human does is actually bad, that shinigami are not "evil", that the universe does not care. that no one cares except humans. this oblivion absolutely terrifies him more than anything anyone could ever do to him. its what he thinks of before anything else as he flails there, screaming, dying. one could say everything he does after that day is him trying to escape that fact, or wrest control over it. but it doesnt work.
here are the lyrics of requiem, the musical's final song, sung over the bodies of l and musical light, a light who was at least somewhat good-intentioned at first: "sleep now, here among your choices / then fade away / hear how the world rejoices / shades of gray / gone who was right or wrong / who was weak or strong / nothing left to learn". this is the final message the death note musical and the manga chose to leave us with. there is no judgement. even after all that acknowledged hurt, after all the damage done, there is no judgement.
in the manga and anime alike, the world is just as fucked when light picks up the death note as when he dies. sure, we as readers can guess otherwise logically (and be optimistic, believing the world was never fucked regardless), but that's not what death note wants you to think. it ends with matsuda and another member of the task force noting how the world is worse again even though they killed kira (matsuda is clearly much worse for wear, but still determined), we see the shitty motorcycle band again, it ends with misa and a whole kira cult on a mountain even though kira died a long time ago...
its extremely important that light is never killed by any human or any aspect of the law. he is always killed by ryuk: a chaotic force completely detached from human sensibilities, one that does not care about good and evil. same with l; in the anime, manga, and musical, he is always killed by rems senseless, morally gray love (and you could argue in the kdrama that hes killed by love there too lol). justice is just a set dressing.
this is not just because death note is a tragedy, because good and evil can still matter in a tragedy. the theme of "nothingness" and "good and evil doesnt matter here" is also shown in a situation relatively unrelated to light winning or losing, or being good or bad. and its in fucking lawlight of all things. we all know ls not a good person. we know lights not a good person. this is tip of the iceberg death note knowledge. but the moment they start to interact, none of that starts to matter. textually, their relationship becomes more important than the people theyve killed and hurt. and the thing is? the thing is? THAT WORKS STORY-WISE. THAT'S ENTERTAINING. AND IT'S NEVER TEXTUALLY CALLED OUT IN A LASTING WAY. l and lights relationship, no matter how much i meme it, is genuinely important to the themes and "mu" because it makes it clear that despite all the pretensions, despite everything, this was never about good and evil. and it still works in the story. this is why death note is simultaneously a comedy — isn't the battle of good and evil supposed to matter more? well, fine, i'll keep watching this anyway. that suspension of disbelief comes crashing down the moment l dies, though, and a relationship built on nothingness (the "mu" sort, meaninglessness, not "character development" nothingness, theres plenty of character development) gives way to just nothingness (again, "mu", not light's post-l depression nothingness), forever.
(an aside: there is no one to root for in death note, and the only things to root for are either interesting character relationships, convoluted plots, or complete and total destruction: for everything to end so no more damage is done.)
not to say that death note does not encourage its readers to consider what damage they might do with the death note (obviously.), or that its characters never do. look at matsuda, a much easier heroic figure to latch on to than soichiro because of his unique place in the cast dynamic and because he's willing to consider both sides of the situation and kill light instantly for all he's done. its just that the story's own stance on the subject is... complicated by the existence of shinigami worldviews and by its own insistence that the world cannot change for the better.
also, this is not to say that this is executed well by the death note manga at all. it is a very strong tool, artistically, to establish and then violently remove any emotional connections between characters and make your story only about the exceedingly convoluted lengths characters go to to survive and catch each other so the reader can realize how ultimately pointless all of this is, but like... is that a good story choice if that's all you do? i would say not really. add in a good dollop of misogyny that destroys the second-to-last character who might actually be an interesting contrast to the rest of the cast's dull one-track focus on winning and justice, and youve got yourself a shitty story that... honestly still achieves what it went out to do, just not in a way id ever want to replicate.
anyway, back to the parts death note's actually trying to say. no matter what any human does in their life, no matter how they try to hurt or help the world, they all die in the end. hey, light, they all die in the end. once dead, they can never come back to life. and the seasons turn. and the world rejoices. and you say "goodbye"...
that's all.
no analysis of death notes overarching theme would be complete without nears final monologue, the definitive roast of light, the "you're just a murderer" speech: "what is right from wrong? what is good from evil? nobody can truly distinguish between them. even if there is a god." if we take this as talking about the actual god in the room (ryuk) as well as light, then near admits that humans will never be able to withstand these overwhelming forces and that, using justice and happiness and selfishness, they are just scrabbling to find meaning in things they ultimately have no control over.
but of course, near does not stop there. "[...] even then i'd stop and think for myself. i'd decide for myself whether his teachings are right and wrong." nears alright with not having control over everything, because near can still control nears own actions. these forces can and do exist, but they have no sway over nears own humanity — unlike light, who caved.
one of the creators of death note said they believe its message is "life is short, so everyone should do their best". the first time i learned this, i was like, thats... nice and optimistic, but an awful reading of the story! "life is short, so everyone should be desperate and striving like light yagami", who literally cut off other ppls lives for his own life? what character in death note are we supposed to strive towards when we "do our best"? they all do awful things with their lives! honestly, maybe they shouldnt have tried their best, if this is what their best is!
but with the view of "mu"... it makes a bit more sense. just a little. maybe.
there is no good and evil. there is only what humans think, and no matter what we do, we all die in the end. it is easy to be crushed and terrified by this in the same way light is, but what is more important than justice and righteousness and finding meaning is... doing your best. not being a person that hurts others too much. not letting yourself get swallowed up by an ideal. not going too far. and simultaneously, trusting yourself.
it leaves a few questions, though... was the currently dead l even a little bit right about his blatantly amoral approach, then? was there a point to this pain, and me slogging through this dumbass manga, and all the people that have lost their lives to a selfish teenage cop's son and the whims of everyone chasing after him? was there a point to any of this...?
the manga** never answers this. it stays clinically impartial until the very end. the musical is anything but clinically impartial (and i love it so much for that), and its ryuk that has the last word.
"there's no point at all."
of course theres no point. none of this was ever supposed to happen. that is what matters more than all the hurt and the crimes and the pain.
and that's... actually okay, because it's over now.
yes, death note has many really important themes present in its story, but its viewpoint is nihilism first and foremost. thats why its so fun and easy to play around with all the other messages, because no matter what fun or torment or awful things or righteous justice or absolute nothingness or sentimentality happens in between, there is always an end.
there is always the end.
#*naomi was killed off bc the author thought shed solve the case too quickly. ironic. i dont think it was meant to forward a theme other than#'light evil! oh no!!!' bc it had minimal buildup and absolutely no repercussions. it is just kind of smth that happens#everything in death note is just smth that happens bc. at some point i just have to admit its NOT RLLY WELL WRITTEN#but it says something. it says many things. and i like balancing the two in my head#death note#personal#**>reduces anime ending to a footnote /j#anime ending: light regrets COMING THIS FAR- not his crimes. he sees l as another regret and dies.#another example of the tragic self (and tragic relationship) ultimately being more important than morals#l would be proud of the torment he inflicted on light if he were not fucking dead#i would also bring up the argument that the way every death note character uses the note is so extreme that its hard to compare them#to real people but lets assume that the author was trying to replicate how actual human beings work as much as possible*#you made it deep enough into the tags would you like to hear about near and mello being nonbinary—#'there is an end so why not enjoy the middle? chain yourself to a hot boy eat strawberry shortcake be bisexual and lie'#*either that or they were just explicitly trying to have fun like they said they was doing#light yagami#sure ill tag my boy#'you cant say the curtains are just blue!' well can i say the curtains were shittily made#norrie if you look at this post ever again ill death note you myself
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warning-heckboop · 2 months ago
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"Why did you make Peri mad at Dev instead of wanting to forgive him?" dunno. Vibes I guess
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wilsonpussyindulgence · 2 months ago
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i think i’m insulted by the fact that my costar in the play isn’t at all turned on by making out with me
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qcomicsy · 6 months ago
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Marvel writer: Then Wade get involved with monsters! And–
Me:
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marblellous · 1 month ago
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i agree that it can be funny to say heehoo matsumura dies and gets no screen time but i love him. but he's also fujita's biggest motivator and seeing fujita's connection to him and drive to be a better sorcerer because of his partnership with matsumura (and also feeling like he, fujita, can never live up to expectations when hes trying his absolute hardest) is just so heart wrenching to me. they were partners and the way their relationship is able to be expressed with one of them dead is really special to me
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skullsandcorals · 11 months ago
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https://www.tumblr.com/skullsandcorals/738285799236321280/im-dyslexic-im-not-stupid
1. Holy shit I am so happy I found another person who gets how smart Percy is, and gets that every instance of Percy looking/getting called stupid is due to his dyslexia or people not telling him anything.
2. Which book/chapter is this from? I need to bookmark it ASAP and start shouting it from the metaphorical tumblr hills.
3. We really don't talk about how good a mom Sally is? Like yeah she's badass and gentle but like. She respects Percy. When the school system failed Percy, she's the one who still not only believed that he was smart but still acted like it and probably taught him too. Queen mom Sally Jackson right there.
1.) YEAHH EXACTLY. Or his ADHD 😭 It drives me NUTS whenever Percy is treated as the dumb + comedic guy. Like I get what they're saying and why they're saying it, but sometimes his character gets reduced to JUST that and it hurts my soul. I get that he's funny as a narrator and as a character and sometimes he can be a little "clueless" but it just feels like some people like to think of that as either all he is or a huge part of who he is. I believe I've also seen Leo get this treatment despite literally being insanely smart at such a young age so. that's...fun. They can be funny and smart too 😞
2.) It's from the 10th Anniversary edition of The Lightning Thief! It's Rick's cover letter for the first readers of the manuscript & a note from the narrator. I don't have a copy of that edition myself, but I've seen some pictures of it on Rick's blog and someone posted one of the pages on Reddit (where I got it from).
Here's the full page from Reddit (source) & the picture from Rick's blog where the page is visible (source):
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3.) YEEEAHHHH I LOVE HER SO MUCH!!! What I would do to get adopted by her rn. The way she talks to him makes me kinda teary-eyed because she's just so...you can just tell how much she loves Percy and that she would do anything to make sure he grew up resilient and kind in a world that's always out to get him. She believes in him so much that it just makes me lose my mind a little. It's just so sweet and I can't help but feel so moved by it.
I'm not sure if you've read Chalice of the Gods, but there's this scene where (spoilers, kinda) Sally talks to Percy after the whole thing with Hebe and honestly this scene makes me want to sob and cry and weep
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“You are a lot of things, Percy. But helpless isn't one of them.”
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jichanxo · 1 year ago
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raiden + tongue piercing for a friend [from june/2023]
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sonchiildren · 4 days ago
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Beerus happens to be one of my favorite Dragonball characters and I fully ignore ANY of the dumb decisions the Super Anime made with his character at times.
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hanzajesthanza · 5 months ago
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this looks like a long time but initially it said 1 MONTH 15 days
#i think i will just have to grab cutscene footage from online... im not waiting for that sh... lmao#this has me admitting that i'm not a gamer and left that identity behind some time ago... which is kind of sad but ok#thoughh when witcher 4 drops... 😈#oh my god i typed witcher 34 instead of witcher 4. i think that already exists on the internet LOL#i'm actually not as excited for w4 as i am for the remaster of the first game#i also don't have any saves and i need footage of like some late-quest stuff (just for a mention of lore inconsistencies LOL)#like what do i do go beat tw3 AGAIN just to get a clip of ciri facing the white frost#...................... well........#ok ngl actually a shot of emhyr in the beginning of the game would be better to explain 'lore inconsistencies'#because that's probably more aggravating to me than the 'we changed the white frost so you can fight it' thing#that thing is understandable. that's like basic video game logic. antagonists can be fought...#and though i don't like that messaging that forces of nature can be fought...#i understand this is a AAA game with outcomes that need to be written as endings. it's not an experiential VN#emhyr in tw3 though has just annoyed me and has actually annoyed me ever since i found out his character from the books#after all that you're gonna take him and pretend he just wanted to be a better dad and have a good heir on the throne...#well ok he did want a good heir on the throne. to be fair. just. not ciri but her child ... ahem#tw3 just dropped that pregnancy plot like a hot potato 😭 because it's so uncomfortable#without vilgefortz to decapitate in the end and the lodge actively plotting around i admit it loses its meaning#also to be fair tw3 does not have that throughline about reproduction and destiny that the books do#like the begetting of progeny is a huge huge huge theme in the books and so ciri's storyline is just one of a few ways it comes up#without geralt and yennefer specifically being angsty at the start about children it doesn't really work as a plot for ciri later on#the elbow-high diaries
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mishy-mashy · 5 months ago
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#LOOK AT HIMMMM#i feel like im the only person going rabid over this guy#look at him hes so cute#hes so cute but also really hot too#look at that lip. THAT SMILE. HES CUTEE#the most normal guy on the vestige lineup bc everyone who wields ofa is crazy somewhere in them#meanwhile bruce could actually have been collateral damage with kudos OFA time#figuring out how it works? bruce come here. pass it back and forth. oops. you got your factor absorbed into this one#tho bruce did pass it on so really. even tho hes collateral he did end up holding it at the end#everyone with ofa can have some screws loose but bruce is just a normal guy#[my common sense] vs [Leader's rabid willpower and ideas] became [the last thing Leader left and entrusted to me before his death]#and its the embodiment of yoichis will. now its yoichi and kudos combined will#spoilers#bnha#boku no hero academia#my hero academia#mha#bruce#meme#bruce is normal but also crazy in some places too. he just acts and looks normal and we didnt get to see him enough to have it visible#bc bruce had immovable will himself and acted suicidal whenever kudo got involved#[Oh im gonna fight AFO in this closed sewer when i know i have no chance bc Leader is shocked and too close]#mister [Leader and the rest of the resistance is dead. i must fight AFO myself]#sir im pretty sure there was some suicidal feelings involved in that decision#man kills your friends so you pass on what Leader left you so you can go find that guy and try fighting him too?#SHINOMORI ADMITTED HE KNEW THE MOMENT HE GOT THE FACTOR HE STOOD NO CHANCE. IMAGINE BRUCE WITH HIS WEAKER VERSION OF OFA#AND HE STILL RAN OUT TO FIGHT THE STRONGEST MAN IN THE WORLD WITH MAYBE 2 FRIENDS#HE WAS CRYING THEN. BRUCE HAD TO HAVE BEEN SOME BROKEN MAN OR SOMETHING#he was the probably the last one to survive in the resistance. imagine being him. id feel suicidal too#maybe bruce was just out with the last members and AFO found them in search of the Factor. or while erasing everything kudo left behind
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whoblewboobear · 4 months ago
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*sigh* Okay yeah, sure. Porter piss kink and Jace desperation kink 🙄✌️Perv!Porter a lil bit too cause I love he~
~ They’re a match made in heaven bc Porter gets to be sooo mean about not letting Jace go. They might be cuddling or something and Jace is like “I’ll be right back, gotta pee.” Porter doesn’t let him, but he does hold him a little tighter, pressing on his bladder until Jace is practically begging to go. Porter just flips them over and holds Jace on top of him by his hips and just says. “Go.” And Jace is squirming, he’s so confused bc Porter.. said go? But didn’t loosen his grip.. and looks like he’s waiting for- And then it dawns on Jace and he’s beet red, so embarrassed, so humiliated, but so fucking desperate so Porter decides to be a little nice and presses on his bladder again until Jace is just covering his face and letting it all go. He’s so lost in how good it feels, he starts rolling his hips, and Porter is in fucking heaven. Jace is also in heaven but still mortified by how much he’s into it.
Porter wastes no time to double down on this. He’ll tell Jace he just needs to make a quick trip to the store and get Jace to join- listen I think Jace is the kinda dude that no matter what if he’s going anywhere he pees first bc once in his adventuring days he didn’t. He got knocked out with a full bladder and woke up in a puddle bc his body stopped holding the minute the lights went out. His party had a good laugh about it but he didn’t, so he takes the precaution. Porter knows this story, he LOVES this story. He can still sweet talk Jace out of skipping his bathroom break by saying they’ll be in and out in no time. But by the time they’ve started driving further out of town it hits Jace. He knows what Porter’s doing. He didn’t need to go yet, he’s not bursting. He knows Porter will keep driving until he is.
They’re on their 6th stop and Jace is fighting for his life to pretend he’s fine but Porter made it back to the car in time to find Jace curled up so awkwardly and he just leads with his soft voice because even though it’s hot he knows Jace is probably extra pissed off. Jace looks over and frowns and just asks Porter to take him home. Porter carefully pulls Jace into his lap and kisses him so soft and sweet and tells him he’ll take them home but Jace knows what to do if he’s uncomfortable. And he is but he’s so flushed and still so into it. He’s already got his face buried in Porter’s neck, rocking his hips desperately against porters thigh. He’s just waiting for Porter to say it. He rubs Jace’s back and tells him to let go. Porter is in love with the feeling and the sounds that Jace is making and when Jace is empty he shudders and cums so fucking hard. He mumbles “now take me home,” casts a prestidigitate to clean up the mess and Porter drives them home, painfully hard. Because he needs more room than just the inside of his truck for how hard he’s gonna fuck Jace once they get back. 🥰
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