#i am talking about fanfic here but

[lisavetbathory]

it’s not my fault that most of the fictional problems i create can be solved by emotionally charged make outs

[binomech]

some opinions on fanfic trends for Disco Elysium on AO3 for the past 2-ish years; i address racism, ableism, jean and kim tropes, accesorization of harry and the way the game themes appear to have warped.

some of you may know i've been reading every fic published on the disco AO3 tag chronologically since 2019 for a little over a year and jotting down some trends (not a proper statistical study, just some tracking of when certain tropes are introduced and when and how they reproduce because i like observing that kind of thing.) there's been an uptick in trans(masc) Kim and Jean character studies since late 2022-early 2023, among many others, but these ones were like overwhelmingly prolific once they were introduced.

harry, kim and jean are overwhelmingly the characters with most fanworks in the tag. and having read a little over 4k works it turns out that people engage in a very distinct way with them for the most part that tracks with the growth of the trans Kim and Jean character studies as a trend.

the disco elysium fandom's english-language writers are, according to my cursory snooping, overwhelmingly trans, some flavor of gay, white and from north america and western europe. given personal anecdotes, i also suspect they are upper middle class (though not as statistically huge as the previous things) and struggle with mental health. in the past decade or so a lot of fanworks have followed a trend of exploration focused on catharsis and personal relatability.

now, kim and harry appear so much in the text with so much detail that there's plenty of personal details to pull from to write them, where as jean's total presence in the game (rarely achieved in one run but i'm taking into account all his mentions and lines) is smaller so it follows that people need to fill in some gaps and there's more characterization freedom. jean is white, younger than both harry and kim, canonically depressed, non-canonically confirmed by his character player an amphetamine addict but presented as a functional person during the game, and covers a very specific narrative hinge that i understand as relevant: he's a bridge between pre-Martinaise Harry and his Martinaise self.

he's objectively a very comfortable character to play with because he's mostly a blank slate except for his relation to Harry and his vitriolic grief towards him. so logistically i understand why people who struggle with mental health, are white, are anywhere between 17 and 35, are functional and able-bodied and may or may not have a complicated relationship with a close person who struggles with addiction or other health issues might go "YES, GOOD CATHARSIS NARRATIVE FOR ME". but the sheer amount of works that value Relatability over engaging with the characters or the themes has resulted in a very strong ripple. which leads to trans kim.

the game paints a deep and vivid image of kim, both from within harry's own perspectives and the objective things he says out loud. he's a walking contradiction, he's alienated from his body and selfhood, he beat himself into submission to stay alive. he's a walking reminder of his assasinated communist parents, the people who killed them paid his salary, his body (racialized, disabled) is both a hindrance to his assimilation and a tangible proof that he could have belonged somewhere but doesn't, that no matter what he does it will be considered first. so he watches his words, his movements, his appearance. so he partakes in hypermasculinity. he's canonically gay, mixed race, diasporic seolite, and disabled. and somehow, the only one of this that is recurringly explored in most fanworks is his homosexuality, usually in the form of being a guiding figure to harry or as a Fellow Gay Cop to jean, or eyes, or someone else.

now, we have the trans kim trope. my opinion on the trope isn't relevant to the point i'm trying to make, but i will say i think transmasc kim is something i enjoy in theory, i think it's a worthy exploration that works very well with the hauntings of embodiment and perception that exist in kim's canon self. but it's very jarring when all of these tales of gay trans kim refuse to engage with race, or with physical disability. like, after you've read 800 trans kim fics you start noticing how solid that avoidance is, how big the elephant in the room is, and i can't help but think that, coupled with the explorations of Jean, the issue is: the white ablebodied writer is unwilling to engage with race and disability.

my charitable reading of this is that the white ablebodied writer doesn't want to write about what they don't know, they don't want to overstep. my neutral reading of this is that the white ablebodied writer doesn't consider how sexuality and gender's material realities are tied to race and ablebodiedness in the real world because they are the Default Categories and it didn't occur to them that kim's experience of them might overlap. my least charitable reading of this without directly falling into the assumption of ill intent is that the white ablebodied writer is uncomfortable with the idea of the fact that their experience of gender and sexuality isn't universal and it's not as emotionally cathartic to think about how they might be racist and ableist because they put on horse blinders and they're trying to write things they like, and understanding this is unpleasant and doesn't belong in their feel-good hobbies.

people love to talk about kim's body without acknowledging the way asian masculinity and femininity exist in relation to whiteness when it's harry or jean in the room. people love to talk about kim's body without engaging with the power relations that exist in many disabled people's sexuality.

the tropes' strength lies in the relatability factor (very high) and the willingness of both author and audience to engage with the canon material for the characters they are writing (very low). and so you end up with a lot of jean character studies about his feelings towards harry (when everyone but kim in the game also knows both harries, but jean is prioritized consistently) and a lot of character studies about kim (that ignore most of the lived experiences of him because they're directly tied to his and his parents' race and alienation that are not particularly cathartic for the white author and reader)

one of the big themes of the game, if not the biggest, is failure. specifically it asks the player to think about what to do when you have failed and you know there are no blank slates, and asks you to empathize not only with harry, whose every thought you're privy to, but to everyone you talk to that has the same rich landscape beyond your brief interaction. when relatability is prioritized in fanworks, this question falls apart, the purpose becomes to find ways in which these characters are like you (the author, the reader) so you can afford them the level of humanity needed to feel emotions about them.

harry's tropification follows four large trends: self-loathing, aggressive addict, psychic omniscient prophet, overwhelmingly emotional and adoring puppy. some authors sometimes are capable of depicting both, usually as if they are unrelated and it's a harry-esque contradiction, but it's truly baffling how rare it is to find stories that engage with all of them or with multiple of them as inextricably bound together like canon material does. harry needs to be relatably lovable (heartbroken, self-loathing, fixable by love, fixable by the universe, capable of change that gets exponentially better) or relatably hateable (physically and emotionally abusive, manipulative, unreasonably needy).

most fics in the relatable lovability fall on the kim/harry ship, most fics in the relatable hateability fall on the jean/harry ship. here's where it ties into the big tropes for kim and jean: the fanworks about a game that asks a question about failure and questioning certainty become stories about inevitability.

jean's vitriol in the game comes from the same place as harry's self loathing: a visceral response to decades of failure. they're not objective truths (i'm thinking about the mirror reveal being intended as a way to make the viewer realize harry isn't a reliable narrator at all, but especially about himself: you see a regular guy, conventionally handsome but clearly in pain and growing old and sick. he calls himself horrible shit, however).

playing up jean's part as the Bridge is comfortable because it allows the player to separate Harry's failures from their agency as a player (something that greatly drives the point of the game home, emotionally speaking -- you're not that different from Harry. Harry's not that different from anyone else he meets. the irreversible failures exist for all of us, as do the chances to try again.) if jean is right in resenting harry, and moreover, he's objectively describing harry's behavior, harry's failures become logical and inevitable consequences of his Way of Being. if Harry calls kim a slur, or threatens children, or scares civilians, that's just because that's how Harry is (according to Jean and Harry's own brain), so the possibility that one of your tries might be meaningfully good becomes... less weighty. it's a fluke, and you'll fail again, so don't get your hopes up. it's almost an excuse to believe that there's nothing new under the sun and going back to old habits is inevitable, but the conclusion becomes "so nothing i do really matters" instead of "it's hard and painful to try again when you've failed so many times before. what does this say about the person who tries?". and in that way jean is an interesting character because understanding why he resents harry for being able to try more freely than him without the weight of memory is important to the theme. what has to click to start climbing out of the grave? can anyone do it? will i ever do it? why now, and why not when i tried to pull him out?

and similarly, when we write about kim, we have to confront what makes him who he is and not another generic character to write, and the fact of the matter is that being a cop, being visibly of seolite heritage, having PTSD, having a visual impairment on record that interferes with his cophood, his cophood being the only identity he appears to have had a choice over, how he treats harry because he's a cop vs. other harry parallels who aren't, how he treats harry whether harry respects him or not... they're important. and trans kim could be a way to approach these themes but it's currently existing in a vacuum of authorial catharsis, and the refusal to address the real politics that give emotional weight to disco elysium is becoming a worrying, overwhelming trend. i urge you all to think about these things a little.

[krysmcscience]

The Lamb is malicious in a funny way and the Goat is funny in a malicious way. No, I will not elaborate.

Anyway, everyone give thanks to the Lamb for interrupting what was sure to be a very boring and patronizing PSA from their grouchy cat hubby. Truly, they are doing God's work. Granted, the Lamb canonically is God now, so, uh. Mostly they're just doing their own work.

Speaking of their grouchy cat hubby, yes this is absolutely still Narilamb, Narinder is 100% into his goofy-ass spouse always no matter what and we all know it, he just wasn't expecting his brand new adopted kid to share the same single goofy-ass brain cell as the Lamb. :)

[crwndsprkzy]

boyfriends

[hyohaehyuk]

Sam talks about Jacob being 'an exceptional person' and answers what would have happened if Dale interviewed Lestat and whether or not Dale and Louis would be "friends" in The Emsolation Podcast Extras!

Note: Unf this is not the complete video where he answears that question(s). I had to edit it with a few excerpts i found so it might not make much sense. if someone put the whole segment of this question(s) i will edit this with that video

Source: The Emsolation Podcast - Sam Reid talks the FINAL season of The Newsreader, urvampiregirls, loustatsoup, comeappraiseme and pixielayer

------

Him saying that he can't imagine Louis giving two f*cks about Dale 😞 Well the fanfics says otherwise 🙃 i am really surprised they didn't told im about the Louis x Dale fanfics on AO3 🤣

i cant find the tweet now but i swear that i saw someone one twitter saying that Michael Lucas and the lady in the video talked about it a few weeks ago in one of The Emsolation podcast eps.

Anyway, it's funny that Lestat possessed him both times: one (where Sam clearly was able to control him) where he was totally down to the idea of f*cking Dale and in the other where he cant stand the idea of Louis f*cking Dale (Lestat you fake poly. A cheater is what you are) I didn't believed 100% in the Lestat possession allegations until i watch this 🤯

[myokk]

For writers:

What’s your favorite piece of writing you’ve done, and why??

Idk I just woke up thinking about this & now I’m curious!!! & may or may not be compiling a tbr based on your responses since I really haven’t had the time to read any hl fics yet🫶🫶🫶

[freejanee]

Scorbus Fanfic recommendations?? Honestly I just want to yap

pt. 1? 🤔

Hide and Seek by ArdenCallaway,

Its not canon compliant and the rumor surrounding Scorpius has changed but its awesome!! It goes through their Hogwarts years, along with some of the other characters, then some of their adult years. It includes ocs that i’ve grown attached to. The Chimera club my beloved… It really makes you feel a lot of things, be prepared for a rollercoaster of emotions if you read! And if you’re a marauders fan theres some nice hints to some of that fandoms popular fanfics i’ve heard. After this fanfic I had a tough time reading other fanfics because it just didn’t feel right… Also it’s incredibly long, it’ll last you a few if you really take your time with it, let it absorb into ur very skin AUGHHH. I think about this fanfic at least thrice a day, it really did leave a mark on me. Well every fanfic here left a mark on me, but this one definitely is more persistent. I think its because I just woke up everyday and read and read this fanfic whenever I could,, felt so empty after I finished it. Like dhmu…

A World of Darkness by KeybladeJediMaster & Yer_Erster,

This one just HURT ME 💔 Poor Albus, he really gets it in this one. Okay think dark alternative timeline BUT Albus doesn’t stop existing. Scorpius is really trying his best in this but i kept thinking he was an idiot(BUT NOT REALLY BC I LOVE SCORPIUS, never ever… im no traitor…)but really, if I was in his place I would freak out and try to immediately run away with my bestie, ending in us both being killed… yea…

So i think the way he went about it was more logical and better than I ever would be in that situation. I have NO IDEA how he was as chill as he was, if Umbridge was carrying away my best friend/lover I WOULD CRASH OUT.

This fic is technically finished? I think there might be more coming out but the latest chapter could read as the end.

It’s a Potter/Malfoy Thing by Asexual_Enjolras (They also have nice oneshots),

This one was what really cemented my hyperfixation with Scorbus, its so heart warming, WHY CANT LOVE BE REAL?! But also because it was some time ago I can’t really remember much of the details, im going based off some of my journal entrees in where I talk of it. This series honestly made my whole summer of last year (yes yes im very new here). Seeing Scorpius be accepted apart of the Potter family was so adorable, so was the second part with Draco. The scorbus in this made me SOO jealous, their bond is so special 😭💗

Building up like waves by dustyspines,

IM NOT GOING TO LIE, my memory has been getting worse and worse I think I’m going to have to reread all of these. But what I remember of this one was how I felt, its shorter than the other ones but really packs a punch. The yearning is just OVERLOAD and Albus is just the realest in this. The writing is incredible and I swear I was feeling what he was feeling. Its like poetry the whole time and is incredibly clever, it has BANGER lines 😭 Honestly whatever I say cant give it justice (with all of the other ones too), its just a masterpiece. Once I started reading I couldn’t stop, it really does lure you in entirely.

5) How To Avoid Bullies; A Series by QueenKatelynTheAristocrat,

Now I barely remember what happened in this because its been SO long, but it is in my favorite Scorbus fic list in my journal, as all these are… But its basically Scorpius and Albus making up a list of rules on how to avoid their bullies. Im going to reread this after I write this because GAWD ive been meaning to. Like I need some co dependent scorbus avoiding their bullies right now instead of being in MATH CLASS. Its not finished and is on the shorter side but I still recommend this 💗

Something worth taking the Time

(Not scorbus, but its focused on them and is incredibly good!), anonymous author

This one isn’t finished yet but so far its been soo promising!! This fanfic is like all i’ve been searching for and more, i’m so thankful I found it when I desperately needed more content of my bouys 😭 I regularly re read recent chapters because it gets me stimming and all happy, scorpius and albus being trapped in a past time period (Golden era or marauders era) is like my favorite genre (SHOULD BE A GENRE I HAVE A PETITION). I hope to eventually make art for it, as well as some other fanfics but i’m just a TOP TIER procrastinator. ITS GONNA HAPPEN THOUGH. It will… mark my words..

I also think about this fanfic like thrice a day. I read it while walking to school everyday too, really gives me the energy to get through the day. Seeing how Albus interacts with his father never fails to make me laugh, or ANYONE really, I swear its like he has a stick up his butt 24/7 I LOVE HIM. But the reason why he’s that way makes me cry, GAWD. Like he’s been acting like he’s in a war before he even came to this past time period and he never lets his guard down because of all the bullying he’s been through, but he’s slowly learning to trust people beyond Scorpius. It just breaks my heart its some people that died in the second wizarding war, LIKE THATS NOT RIGHT. I wonder constantly how he’s going to be in present time without them (yes im being vague, but its a simple process of elimination LMAO). I can continue but I think I might give it its own post at some point ;p

and i see black (while you see white) by inkwellhell

i really don’t remember, Im going to have to re read but I STILL RECOMMEND. Its on my faves list so im sure that it made me feel indescribable things, TRUST MY JUDGEMENT ON THIS even if its been a long time and can’t really say anything besides it being a short recount of hpcc from dark timeline onwards by Scorpius pov ^_^

The Tea Time series by ellizablue,

Not completely finished. I haven’t read the one that hasn’t been finished because I didn’t want to be heartbroken but I know i’ll eventually get to it, I’ve only heard good things of it! I loved Put Your Curse in Reverse, I just finished it, so this will probably be a little more detailed than the others. Honestly Iset was my favorite side character, she deserves SO much more. Everything in this fic just feels so… real?? Like god, everyone was so awesome and had amazing characterization. I wasn’t just looking forward to scorbus in this, everyone had their own stuff going on and it does a really good job at making you care. At some point I just kept waiting for Iset to appear, I WAS #1 FAN. I needed to know what was up with her. Her and Rose are so adorable too. Kills me that shes an oc, SHE NEEDS TO BE CANON NOW!! Sorry this became more of an Iset thing than a Scorbus thing, don’t worry their still very much the focus of this series!

Hope anyone who hasn’t read these who will read them because of this likes them c:

Plus im really desperate for people to discuss these fanfics, I WILL NEVER MISS THE OPPORTUNITY TO YAP ABT MY FAVE FICS. Which is why this exists. Because I saw an opportunity. And I took it. (๑❛ᴗ❛๑) looks at you with my beady innocent eyes.

(this makes more sense because originally this was a reblog but I just decided to make it a post instead, but I don’t want to delete this part so wtv…)

OK SCHOOL OVER, TIME TO GO READ MORE FANFIC BYEEE

[the-blue-eyed-firebender]

In Ishval, Riza stopped counting birthdays. 

Instead she counted bullets, bodies. Scribbled the numbers on her field reports and turned them in, crisply folded. She became familiar with the space between heartbeats, the squeeze of the trigger, the wet sound of a bullet finding its mark. She grew accustomed to the tang of spent gunpowder and the bruising kick of a rifle butt against her shoulder. Through the grime of her scope, she watched orange tongues of flame roar against city streets and cloudless sky, her level crosshairs hovering over the broad-shouldered silhouette that commanded them. Her father’s ink sank deep into her blood, a poison, slow and fatal. Still, the Hawk’s Eye carried out her duties with mechanical precision. 

- Hourglass

[azriona]

Not a Fairy Tale Kiss, Chapter 41

Pairing: Bucky Barnes/Avenger!OFC (2nd person POV)

This Chapter word count: 2.4k ~ Total Story count: 149k ~ This chapter is rated Mature. Chapters are posted on Tuesdays, Thursdays, and some Sundays.

Summary: When you and Bucky are both accidentally hit with sex pollen while on a mission, you're determined to keep your relationship status at friendship, even if you’d like it to be more. Even if you think he feels the same. Even if you accidentally end up pregnant. Even if it kills you.

(Spoiler Alert: it might actually kill you. Good luck with that.)

Trigger warnings include discussion of abortion, failed pregnancies, deaths of both mom & baby--not the MC! Full warnings on AO3. Happy ending is guaranteed, despite warnings. Please see AO3 for full A/N and tags.

Chapter Summary: In which you and Bucky engage in some pillow talk. Complete with a pillow.

“I just want it to be like we were before,” you say, almost desperate. “Except with more naked. And a baby in a few months.” “For the record, though. If this were seventy years ago, you’d already be my best girl.” A little bit of something melts in your heart, and maybe you shift a little closer to him. “Really?” “Mm-hmm.” He shifts closer too, his naked body warm against yours, his nose nuzzling your forehead, liking he’s angling for a kiss. “What do you think of that?” “I think… if I’m your best girl, I kinda have to wonder who your next-best girl is. Or your worst girl. How many girls do you have anyway, Bucky?” He draws away with narrowed eyes and thin lips—your favorite of his exasperated glares. You grin at him. “I mean, I know the history books say you were a hit with the ladies, but—” Bucky tickles you, and you collapse into giggles. “Changin’ my mind about worst girl here, darlin’.” You snuggle closer against him, feeling his arms wrap around you, holding you close. Wrapping you up under the blankets, next to him, safe and warm and… Oh. His. He wants you to be his.

Read the rest (including the pillow) on AO3.

[your-unfriendlyghost]

it feels so…… weird… seeing a cishet dude be so chill with queer themes lmao your soda-in-drag moment, the stevepop of it all, even guys with queers in their friend circles can’t bring themselves to partake sometimes lmao 😭 but it’s cool !! refreshing even sjksksndks this is a /pos statement I promise

Thanks lol! I think it’s cos I’m fairly secure. Sorta. (I’m still prone to compensating for things and being a stupid teen boy, but like, I’m aware of it, at least when I stop to think. Yk I’ll still join in on dick measuring contests, but deep down I’ll know it’s dumb and performative.)

I guess I feel a kinship to queerness. I go to art school where I’m sometimes the only guy in a class of girls, and I’ve been the token straight guy in every friend group I’ve been in since freshman year of high school. Beyond that, growing up I was frequently mistook for a girl- I had long-ish hair (post bowl-cut era 😭) and I’m part Asian, I was pretty androgynous lol. People irl have thought I’m gay, or a trans man on testosterone (I mean fine, I guess I am pretty short and hang with a lot of trans guys.) Hell, I did drag on a dare once, back when I was even more secure. (And I was hot asf in drag lemme tell ya. It felt lousy and it’s definitely not my thing, but man if I had a clone who was a girl-) All this to say, I say I’m straight, but honestly I don’t really know. I like girls a lot, but I have seen a buddy of mine in drag, and lemme tell ya I felt something but I’m not gonna examine that rn lol. Straight just feels comfortable, safe, and it’s good for interacting with folks who ain’t so progressive, so it’s what I’m sticking with…but I’ll admit there’s a gray area.

I relate a lot to the guys in the Outsiders, and irl I like to present myself as a tough, cool, Very Masculine guy. Hell, sometimes I play dumb about stuff because it’s “feminine” and a guy like me shouldn’t know about it. I act a lot like how I write Steve Randle, he’s my guy I like to project on lol. Honestly, I’ve got a fair amount of internalized toxic masculinity. But I think because I know how silly it all is deep down, I can interact with queer themes in art without feeling like I’m not “man enough”. Idk, I suppose it’s an outlet in some ways. Who knows maybe in 2027 I’ll come out as bi or something, but don’t wait up.

idk, I guess what I’m trying to say is that I like exploring queer themes, not because they’re queer necessarily, but because they’re human and I relate to them. And that’s hard not to partake in, y’know?

[zephyrsobsessions]

The dorm internet went down so instead of being normal I wrote fanfiction physically. No clue how much, but I've got about 2 pages front and back full of words. My hand HURTS.

[indigospyder]

The worst thing about getting into a fandom long after the source material has ended is that you literally cannot look for fanfiction EVER because it’s ALL SPOILERS

[watercolor-hearts]

Heart Rates in MotoGP 🫀

There’s this post about the doctor in the movie Faster (2003) comparing Valentino Rossi's and Max Biaggi’s heart rates, and Vale’s maximum being only 125 bpm while Max’s was 170 bpm was a bit unbelievable to me so I’ve decided to do some research because those who know me know this is one of my favorite topics.

What I found when searching for this topic was a gold mine for people who are interested in hearts, so I thought I’d write a post about it because I think it could be interesting for everybody, especially for new fans (like me) who don’t already know about these heart-related things in MotoGP.

Important information: I don’t have a medical background, I’m just a cardiophile/someone who’s interested in hearts so this post isn’t about the medical side of this topic, it’s only to share the interesting stuff I found.

So, according to this article (which is basically the copy of this but I found the other one earlier), the riders’ highest heart rate is typically around 160-170 beats per minute. But what makes this really interesting is that I’ve discovered that there are a few riders that are an exception because of their extreme cardiac output like Maverick Viñales, whose highest heart rate barely exceeds 130 bpm, or like Jorge Martín, who’s the opposite extreme with his heart rate reaching 200 bpm during the highest points of qualifyings and races. Both of their resting heart rates are around 40 bpm, which is surprising because I expected Jorge's to be higher.

View this post on Instagram

A post shared by Maverick Viñales (@maverick12official)

MotoGP began broadcasting the live heart rates of riders in 2019 with Maverick’s being shown first (as he writes it in the caption of the post above) and that was when his heart became a sensation because of it beating significantly slower than the hearts of other riders. The video above is him doing a hot lap at the 2019 Japanese GP weekend. That was when they discovered that his heart was different from the other riders’ hearts and in this video, they asked him about it because some people doubted if the monitor was accurate. (After seeing this, Vale's 125 bpm from the beginning of the post doesn't seem that unbelievable anymore.)

As you can see above, in 2020, during the Austrian GP weekend, they compared Maverick and Jack Miller’s heart rates, to which Jack’s reaction was, “I don’t know what Vinales is, a snake or something, or his heart is not working!” (jokingly) “I just saw they did a comparison and I am sitting at 160 and Vinales on 120-something. I’m sure mine wasn’t even at the highest point when I was doing those laps.”

And then Jack talked about his heart rate a bit more:

“I’ve never been in the 200s, I think the most I had in a test – and this was 3 years ago – was 199. If I’m training on the bicycle it’s 175-180. I think the best I have had on the bicycle has been 188. I think the start of the race, the lights, would be the highest point for me. And if you're in a fight especially in the first couple of laps it’ll be through the roof. Then you can sort of stabilize it around 160.  I know with the motocross bike it stays around 172. That’s my normal average for a 25-minute training moto.  Like I say, it’s not like I'm blowing out of my arse or anything like that, it’s just that Vinales is a bit of a ‘snake’! His just doesn’t work in the same way as mine… He’s got a bigger stroke, less rpm!”

And something worth mentioning here is that Maverick posted about his pre-season medical check-up and someone in the comments asked about his VO2 Max result and he answered the question in a video posted in his Instagram story (you can see it below), which was really surprising to me because I don’t usually see people openly sharing information like that.

(For reference, the average for people his age is 31-41.9, good is 42-49.9 and >50 is excellent. So his results of 64-70 are incredible.)

And some other things I found while doing some more research for this post:

Jorge talking about having an overheating problem and a heart rate of 230 bpm during the 2023 Indian GP.

Álex Rins racing with an average of 190 bpm (remember, the maximum is 160-170 bpm usually) during the 2024 Japanese GP (and finishing last despite trying really hard to get a good result).

And here is a video of Marc’s start in the 2012 Moto2 Valencia GP where his heart rate goes above 200 bpm. In this interview, he said he usually doesn’t monitor his heart rate during a race, but he did during this one. I think it was a good idea because it shows us how his heart behaves during the start, which is one of the most stressful moments of the race.

-

I really enjoyed writing this post and getting to know the incredible hearts these riders have. I hope I could show something new and interesting to those who didn't know about this. Thank you for reading it! ❤

[goldyluna]

That's how my writing goes

[thetomorrowshow]

the night got deathly quiet

a secret side storyline is resolved in this update. Can anyone tell me what it is?

cw: violence, mild gore (lots of dead people), death

~

They hadn't expected the war so soon.

Jimmy had figured they at least had a couple of weeks. It wasn't exactly public knowledge that Scott would be touring Rivendell and therefore not available to make battle decisions, but Lizzie and Joel had both sent extra troops to strengthen Rivendell in case of an attack from fWhip.

And then the attack came from behind.

They hadn't received any reports that Mythland was even doing more than preparing armies, let alone mobilizing them. In order to surprise them, he must have moved fast.

And maybe, that's what Jimmy gets. After all, he's the one who decided to rebuild the Capitol right next to Mythland's border. Of course Sausage was going to attack, when Jimmy's certainly the weakest empire and the least likely to be prepared—and of course he managed to do it without alerting anyone, what with the Codlands right next door.

And when he does attack, it goes badly.

"Codfather, you’ve got to leave," insists Belgio, a senior member of the Cod Council. Two of his advisors had shown up at his door less than an hour ago, out of breath and terrified, to inform him of the coming armies. Emil had left almost immediately, still young enough to fight, but Belgio (old, his scales flaking in places) and remained, in some attempt to evacuate Jimmy.

Someone screams from far away, clear over the shouting of so many warriors—because all the normal noises of the city have gone silent, and even so far from the battle, in his small house at the dock, Jimmy can hear the war.

It calls to him, almost. The screams of his soldiers call for his help.

He isn't going to run from them.

"I can't," Jimmy says firmly, pulling tight the side buckles of his chestplate. "I swore an oath to protect this people—I carried them out of the clutches of the salmon, and—"

"And that is why you've got to be saved," Belgio says. "If you're to save us again, you have to make it out!"

"I can't let them die alone!"

Belgio falls silent, the rings of Jimmy's shout echoing in the small house, floating away like the dust that dances in the window's light.

Jimmy bites his lip, shifts his chestplate a bit.

"Can you get the buckle on the back?" he asks quietly. Wordlessly, Belgio moves behind him, tightens the strap and buckles it.

Jimmy lets his eyes flicker shut for a moment, almost in a wordless prayer. To whom, he doesn't know.

He just begs for the strength to defend those he loves.

"When I first saw you, I knew you were our leader," Belgio says after a moment, patting Jimmy's shoulders and snapping him out of his moment of piety. "We know that you've had lots of doubts over the years. Blood doesn't matter, Jimmy. You're our Codfather."

Jimmy nods, a lump in his throat. He doesn't know what he can even say, what he can do to make any of this situation better.

He's probably going to die, isn't he?

A year ago, he would have been more than happy to die for his country. A year ago, he would have marched out into battle without a care, only hoping to take down as many of Sausage's people as possible.

He wouldn't say he has more reason to live now. Sure, he has Scott. And Scott is . . . Scott is wonderful.

But he's always had his people.

The difference is that now, he knows the price of sacrifice. He knows that if this kingdom falls (if he leaves them without a leader), no Codlands will remain.

He has to go out. He has to try.

If he'd woken in Rivendell this morning, Scott would have stopped him from returning to the Codlands. And what good would that have done? Let it be conquered, let these people be utterly destroyed, and (being an imposter king) have no way to carry on their legacy?

At least if he dies here, he'll die a martyr.

Yet here he is, the noonday sunlight filtering in through his cabin's windows, dressing in the armor that has never seemed to fit quite right, and he wishes he were anywhere else.

He twists the ring on his left hand, once, twice, three times for good luck. He's probably not going to survive. Not a full-scale invasion. Unless he's taken prisoner, which he thinks would be unlikely—he still doesn't have the Codfather head, and his face is a little disfigured from the loss of his scales. As far as he knows, he isn't anyone recognizable. And even if someone does recognize him, the only reason he would be taken prisoner would be to gloat at Lizzie and Scott, or to torture him.

He doesn't plan on being taken prisoner.

With the addition of a wooden medallion that Belgio reverently lays around his neck (Jimmy lets him do so, shrugging away the guilt—if he remembers correctly, it signifies some prayer of strength, and he needs all the strength he can get), he's ready to leave.

He steps into the kitchen, checks his reflection in a pan hanging there. Awkward tan armor, his earfins swirling, his good old leather boots, the patchy scars on his face. Jimmy nods at himself, sweeps a hand through his perpetually messy hair.

This is it.

"I'll see you," he says to Belgio, who looks at him for a long moment before nodding, stepping out of the way of the door.

"At least think about escaping, all right?" he offers half-heartedly. Jimmy tries for a smile.

He's not going to do that.

He picks up the Codfather sword, leaning against the wall in its scabbard, and belts it onto his waist. He swallows back his anxiety, takes a deep breath, and pulls open the front door.

The dock is empty. A scrap of cloth blows through the street, the wind whistling just slightly in his ears.

And louder now, in the distance, Jimmy can hear the clashing of swords and the shouting of soldiers.

He hikes up his chestplate and starts running in that direction.

It doesn't take long at all to find the fight. He runs into some twenty of his soldiers soon enough, regrouping behind a cornerstore. The battle has already nearly reached the square beyond, and Jimmy can see more of his soldiers surging forward through the streets, weapons drawn and captains shouting.

This squadron has paused, their captain organizing them, when Jimmy runs up to them.

"Jimmy!" one of them gasps out, standing from where she's crouched behind the wall. "We thought you'd gone to safety! Why are you still here?"

"I won't abandon my people," Jimmy says, even as her face twists in distress.

"This isn't a fight, Codfather," she says urgently. "This is a massacre. We've sent as many children as we can to the Ocean, please join them and g—"

"I'm not running away." Jimmy pats her arm in what he hopes is a comforting manner, before turning to the captain of the group, identified by the blue ribbon tied hastily in their hair. "What's it like out there?"

"Mythland soldiers crawling all over the place," the Cod replies, giving him a quick salute. "They started with catapults, taking down the city walls. They've been moving in, forms of . . . thirty or forty, I'd say. Just one right after another. It's endless, sir."

"Any weaknesses?"

They shrug. "Their backs are unprotected," they suggest. "They're only in half-armor. But we haven't been able to get behind them."

They're wearing half-armor. Because of course, the Cod Empire isn't enough of a threat to bother with their backs.

It burns at Jimmy to know that they're right.

"Right. Well, we probably shouldn't sneak around behind them, we'd get surrounded," Jimmy says, turning the matter over in his mind. He thumbs the hilt of his sword consideringly. "Maybe a point formation? Break through their front line, then stab them in the back?"

"It could work," the captain concedes, glancing at a tall Cod, who shrugs hopelessly. "We'd need more numbers. Is there another group we can join up with?"

"I saw some running over there," a young Cod pipes up, pointing to the left of them, her too-big helmet slipping into her eyes. "Maybe twenty soldiers?"

"Forty isn't enough to wedge into Mythland's armies," another soldier says. "There's got to be thousands of them."

"If we can get a hundred, I'm willing to try," the captain says decisively. "There should be more on the east side, I heard from Mela that they're holding their own over there."

The east. That's the most populous part of the city. It would be best to head there anyway, make sure there aren't any more people who need to be evacuated.

"What do we know about the towns and provinces further inland?" Jimmy asks, suddenly struck by the question.

The captain shrugs. A soldier looks uncertainly at his feet.

Probably fallen or going to fall, then. There's rivers and canals running through most of the Codlands, so those could be a quick escape if the soldiers of Mythland aren't used to fighting fish hybrids. If someone could warn them. . . .

"You," Jimmy decides, pointing to the young girl. "Take the canals, go warn as many towns as you can that the war has begun. Get them out of there. Queen Lizzie or Lady Katherine will accept them as refugees, whichever empire is easier for them to get to. Got it?"

She nods, takes off at a sprint. Jimmy turns to the others, squares his shoulders.

He can do this. He managed about ten years of peace, which he thinks is pretty good for a war-ravaged kingdom. He can save it again now and lead it back into peace.

He doesn't know who he's trying to fool. He isn't even the righteous heir of this kingdom. Arguably, it's his rule that brought about this war with Mythland.

It was his rule, though, as illegitimate as it might have been. And he swore an oath when he took it upon himself to protect this people.

"To the east!" Jimmy declares, and takes off.

-

The east is chaos.

Yes, there are plenty of Cod defenders in the streets, but there are also hundreds Mythland attackers flooding the area. There's a house burning down (smoke is thick in the air, and those around are choking and tears stream from their eyes), a window being shattered, children screaming and running, someone is dying on his left and someone is killing on his right—

"Jimmy, behind you!"

Jimmy turns around, somehow has the ability to dodge a swing from an axe and draw his sword. He doesn't really know anything about facing off against an axe (his combat instructor had always told him to flee), so he just jogs half-backward, drawing the warrior in, until one of the soldiers in his group can stab the man in the back and take him down.

Then they keep moving, further into the battle, avoiding fights but gathering random Cod where they can, calling for soldiers as they go until they've collected a fairly large group. Probably a hundred, right? That looks like about a hundred.

"Form a wedge!" Jimmy shouts, for once glad of his naturally loud voice. The Cod soldiers obey, and they move down the large main street toward Mythland's advancing lines.

He can see the proper lines of soldiers, now, not just a mob of men in red with shining silver armor roaming the narrow Cod streets. It looks well-directed and terrifyingly intimidating, and surely far more impressive than his own small troupe must appear.

And it goes on forever. There's—the lines are endless, wave after wave of footmen rushing forward, killing Cod and barging into homes and destroying the town.

Jimmy stares for a moment, utterly overwhelmed.

His people are dying. They're being wiped out entirely, all at the will of a power-hungry king. Their culture had barely survived the centuries of subjectivity and war with the salmon. It won't survive this.

Jimmy shakes himself. It could survive this! He just has to . . . he has to save it.

"Wedge formation!" the captain from before shouts, then begins leading the pack, past individual battles and destruction and to the main lines.

It all gets blurry after that. Jimmy runs with them, storming toward the enemy, yelling instructions to his people, ignoring the way his voice shakes.

He fights. He raises his sword against people, stabs some in their unprotected backs, fights some head on. Face after face blends together as Jimmy almost mindlessly swings his sword (he's been training with it every week for the past ten years, and while he isn't perfect he's certainly a force to be reckoned with), one thought running through his brain on repeat: save them. Save them. Save them.

He isn't sure how long it is before he hears calls of retreat. The Cod numbers have dwindled around him, his soldiers collapsing one by one under the weight of just how many Mythlanders there are. And more are still coming—Jimmy looks up at some point and sees so many footmen, so many knights on horses, there's too many the world is going to end—

He falls back with everyone else, weaving into the smoky streets among fleeing and screaming people, shouting soldiers, a fry crying for its mother, all hazy and uncertain—

Then a shout rouses him from the depths of his mind.

"That's him! That's the Codfather!"

He whirls around, trying to spot anyone who might have—there. A smug-looking knight on horseback, pointing to him and shouting to his comrades, and now there are five or six or seven Mythland soldiers moving toward him.

Jimmy curses under his breath, wipes a trickle of sweat from below his ear.

He doesn't really want to die here, but maybe he can draw enough Mythlanders his way that he can distract them from his people.

It's not suicide. Maybe he can get to his cabin, grab his elytra off the hook by the door and get away—or jump into a canal and swim out.

A glance into the nearest canal tells him that others have tried the same thing. Bile rises to his throat; dead Cod are floating, belly-up, arrows piercing them all over, the canal running red with blood.

He hopes the young girl he sent made it out. He hopes she didn't have to swim by any bodies.

He fears that neither hope has any truth to it.

An arrow whistles past Jimmy's ear, and he takes that as his cue to start running.

Sausage's men must have a line of bowmen behind the main advances, and if one has shot for him, it must mean that the endless sea of red soldiers has an end, and behind that end is the archers. If Jimmy could gather another group, sneak in behind the lines, they could get the archers. Bows aren't really made for hand-to-hand contact, so they could probably just take them all out and stop any more airfire from hitting his soldiers.

But then that group would surely perish. Every one of those soldiers would be surrounded. Jimmy doesn't know if their wedge did any real damage—he couldn't tell from the thick of it—but they'd had a way out. Killing the archers would cost more than it would save.

And now he really has to get going, because there are more soldiers coming in droves and several of them are aiming for him.

He turns on his heel and sprints off, dodging the battle at every turn. There are still too many citizens among the fighting, why haven't they fled—there's an older gentleman that he shoves into a house, a child that he picks up with one arm and carries a short distance until he finds a fleeing man who can get her to safety.

He rounds a corner in a winding street (skipping over bodies all the way down, he knows he's headed toward more death) to find two Mythland soldiers fighting one Cod soldier, the Cod's energy clearly flagging. Jimmy leaps into the fight, stabbing one soldier through his unprotected side.

"Go!" he shouts to the Cod, and xe stumbles away, sword hanging loosely at their side.

Jimmy makes quick work of the other Mythlander, kicking her in the knees to get her down before knocking the hilt of his sword against her head. Then he continues down the street, covering his mouth as the stench of smoke grows stronger, until it opens up into a plaza—the plaza that Jimmy knows to be the center of the city.

The plaza is destroyed, entirely unrecognizable as what was surely once a pleasant hub of energy—there's people screaming everywhere, shattered pottery and trampled food and bodies on the ground, a dog barking, soldiers killing without consideration, market stalls burning and in disarray, horses rearing. . . .

There's so much, and Jimmy moves to go forward, eye catching on a Mythlander about to kill a defenseless Cod, when a hand catches his arm, pulling him back into the doorway of a shop.

"Codfather," this new soldier begs him, a Cod instantly recognizable as part of Jimmy's Rivendell guard, shouting to be heard above the turmoil. "Leave! Free us later, you can't save us now!"

Jimmy can't leave, though.

Not when his people are dying before his very eyes. Not when he can save at least one life.

He promised to be willing to die for these people. He has to keep that promise.

Anyone can lead a country—he's living proof. But not everyone will lay down their life for another, no matter their station. And the latter is the kind of Cod that Jimmy wants to be.

He claps the soldier on the shoulder. "You get out," he tells him. "Will you abandon your country in this time of need, or keep fighting to save those weaker than you?"

The soldier looks down at his feet, then back up, teary determination in his eyes, soot and dirt dulling his scales (as if the battle has drowned his light). "I fight with you," he says.

Jimmy grins. "Good. What's your name?"

"Micah."

"You've accompanied me to Rivendell before?"

Micah nods.

Jimmy squeezes his shoulder. "Well, Micah," he says, "maybe we'll both get to see those mountains again."

And with that, he hefts up his sword and charges into the fight.

He dispatches a Mythland soldier immediately, striking down a second one as soon as he gets near enough. Jimmy's blood is pounding in his ears, his heartrate elevated. He knows how to fight. Better than many rulers, probably, forced to fight since before he was even declared Codfather, and expected to defend if there was ever an attack.

He licks his lips, twists his sword around in his hand before plunging it into the back of another enemy. Maybe they can barricade off the plaza, only leave one street open so only one soldier can get in at a time? It wouldn't be permanent, but it might last long enough for them to hold their own until they had a chance to flee, or until some sort of back-up arrived.

There isn't back-up coming, though. Nobody knows this is happening. Nobody knows the Cod Empire is falling.

Jimmy fends off a spearman, knocking the spear out of their hands before slamming the flat of his blade into the side of their head. He's got this. He knows how to dance this dance, knows how to look for weak spots.

This soldier relies too heavily on his shield, blocking every one of Jimmy's hits with it rather than his sword. Jimmy goes for a wide cut on his unprotected side, takes him down, then spins to the side to dodge a swing from a man whose balance is off, feet too flat. He steps in past his range, shoulder-checks him to knock him back, then stabs him through the shoulder.

"The Codfather!" the next soldier greets him, smiling sharply. "I"ll be honored for killing you."

"Not if you're dead," Jimmy grunts, swinging his sword into the soldier's neck and partially decapitating him, his body collapsing instantly.

There's another one waiting behind, and Jimmy steps back to dodge a strike and something rolls under his feet—he slips back and trips, barely manages to catch his feet under him before he falls into the canal behind him. He glances down—just for a moment—and sees the arm of the Cod's body that he'd slipped on—

Then, with a burst of blinding pain, a sword drives its way around his chestplate and into his shoulder.

He gasps a little bit, the world slowing around him.

There's a sword in his body.

It cut through his flesh like a knife through butter, straight into that space between his shoulder and his chest, and there's metal separating tendons and flesh and he's going to die—

The sword is drawn out, and Jimmy stumbles forward with it, the shiiick of the sword being removed echoing in his ears.

He's—he's fine. It's not a fatal wound. It's just—just blood, soaking his tunic, sticking to his skin. He's bled before. It's not too serious to have it outside of his body.

"I got him!" a woman—the person who stabbed him—shouts. Jimmy glares at her, the world around him coming starkly (too starkly, everything just a little too bright) back into focus. Nobody who's smug about it is going to kill him.

He hefts his sword back up, ignoring the pain shooting out from his shoulder, ignoring the slight wooziness that tugs in the back of his mouth.

He swings at her, more precisely and accurately than he expected, cutting down into her shoulder and neck.

She collapses when he yanks his sword out of her collarbone, but her call had brought others. There are three more approaching, lifting their weapons.

Something that Jimmy would say is one of his worst qualities is his stubbornness. Lizzie has got on him time and time again for never backing down from a fight he can't win.

And this is one with no hope.

So Jimmy takes a deep breath and fights.

He takes down two of them before the third gets past his defenses, slashing a sword deep across his thigh.

His leg gives out, spurting blood everywhere, the cut burning somewhere beyond Jimmy's consciousness. He falls to his knees, stabs up under the chestplate of the soldier—and there are four more behind her.

His arm shakes as he stabs the knee of the first soldier, then hits them in the side when they twist downward. He adjusts his grip on the sweat-stained leather of his sword, adds his other (heavy, near-useless) hand to it.

He manages to kill the next soldier before he gets hit again—he dodges, bending to one side, but the sword swinging at his head manages to clip his earfin, neatly slicing off a piece of it that falls to the ground beside him. He aims up, stabs that man through the chin—

His back stiffens as cold metal shoves down in the back of his chestplate and pierces into his flesh, stabbing through his back—through—through—through his body and angling down, in his back and down, and Jimmy can't move, he's skewered on this sword, he chokes on nothing as his eyes go wide and it hurts—

Another shiiick with a tiny little squelch, and the sword is removed with a jerk that pulls a sound from Jimmy's lips that's something in between and grunt and a whimper.

The enemies around him (for they truly are surrounding him, at least five, hazy and out-of-focus) go still, their weapons lowering.

Jimmy's arms drop to his side. His grip on the sword loosens. Someone screams in the distance, distorted by his uneven ears.

No.

No.

One of the Mythlanders—a man with a grey beard, his armor old and unpolished—kneels before Jimmy, puts his hands on either side of Jimmy's head.

There's something proud about the way he holds his chin, something . . . something different in his eyes. Jimmy doesn't know what. All Jimmy knows is that he suddenly feels cold.

"You fought admirably, son," he says, voice low and gravelly. "There are those of us in Mythland yet who respect a warrior, despite the actions of our king. Go into the next life without fear, for you will be honored."

Jimmy stares blankly at him. There's hot blood pooling in the back of his tunic, running in rivulets down his back. He can't move his left arm, blood caking under it. His thigh is wet with the stuff; blood trickles down the side of his neck.

He's so cold.

The man tips Jimmy's head forward, places a scratchy kiss on his forehead. "Rest easy," he murmurs, before standing, picking his sword back up and turning away into a blur of color.

Jimmy slumps forward against his will, slowly falling onto his stomach, cheek landing against the dusty cobblestone. He doesn't feel the way the fall jostles his wounds. He doesn't feel anything but cold.

The boots that stand in front of his eyes are new, splashed with blood on the toe.

"Finally," the person says distantly. "I've been chasing him for twenty minutes. Fought like a dog."

And then, with a noticeable plop on his back, he spits on Jimmy.

One of Jimmy's other worst qualities, in his opinion, is pride. And somehow, his pride is stronger than the cold darkness pulling at him.

And his sword is still in his hand.

Gathering every last ounce of strength that he has, Jimmy strikes out to the side, slashing through those new boots and cutting into the calf.

The man curses, leaps away. Jimmy can't help but smirk a little, lips feeling numb. His fingers lose grip of his sword, his vision blurs further.

"Why isn't he dead already—"

A boot slams into his head and the fuzziness goes black.

-

"Just roll them into the canal. We'll have the Cods fill it up with dirt."

"Glad we don't have to carry them all the way to the fields. The savages fought hard, I heard they're still loading the wagons with ours."

"Have you heard anything about Daniel?"

"No, haven't seen him. Whose squadron was he in?"

"Twenty-third, Hal's group. He's my wife's brother."

"You'll probably have to be the one to tell her, then. If he's dead."

"And his husband. They'll be heartbroken."

"Mm. Oh, urgh—their weird scale things always grossed me out."

"It's the ears for me. Every time I went to market there'd be one of them selling something stupid. My daughter thinks they're terrifying, would scream when we passed by."

"She's right. They're freaky-looking. I was glad to kill a few."

"Are you two working, or talking?"

"Milord!"

"Working, sire, our apologies."

"Your majesty, what brings you out here?"

"I received an urgent report from one of my captains. You haven't seen a Cod body—hehe, Coddy—with scars on his face? Blond hair, tall, lots of scars?"

"None that match that description yet, sire. If we see one—"

"No need, I'll search with you. Are we just rolling them into this river-thing?"

"Yes, milord. Allow us—"

"Oh—"

"There it goes!"

"Right, and now the next—"

"Oh! Is this the one you're looking for?"

". . . Well. Jimmy, Jimmy, Jimmy. Scott wasn't here to save you this time, was he?"

"Is that. . . ?"

"Friends, this is—or, was—the Codfather."

"Looks like he put up quite the fight. There are so many bodies around him."

"He's drenched in blood. Must have been painful."

"It was supposed to be fWhip to kill him, I think. He always wanted to. He isn't going to be too happy about this, let me tell you!"

"Do you need the body?"

"And stink up my kingdom by bringing back a dead fish? Roll him into the river with the others. But give me a second with him, all right?"

"Yes, milord."

"Of course, your majesty."

"Honestly, Jimmy, I think this look is an improvement! You think Scott is into this, all this blood and guts? You never know, elves are a little freaky! . . . Well, I can't say I'll miss you. I loved messing with you, but I can find a new game. Look, if you get to heaven, tell 'em to let in your old pal Sausage! And if you end up in hell . . . tell 'em the same thing! Covering all my bases, you know? . . . I guess this is goodbye! See ya, Jimmy!"

"It's close enough to the canal, we won't even have to touch it, really."

"Just kick it in."

"You two take care of that! Oh, I can't wait to tell Scott. . . ."

"All right, I'll just—"

"And I'll—"

"There it goes! Which one next?"

"Let's keep going along this way, and when. . . ."

-

That night, the Cod Empire is deathly quiet.

Smoke hangs like a cloud over the Capital, some buildings still burning (pointless from the beginning, yet even after the battle had been won there were celebrating soldiers setting fire to cabins and shops, destruction just a mark of victory). Bodies line the streets, half the canals filled with the dead.

There are some still living. Soldiers who had surrendered, children and caretakers and disabled who weren't able to escape but were able to hide. They do not sleep, fearing what the morning will bring. Will King Sausage order their deaths? Will he move through their land to the ones beyond? Will he demand slavery of them, even the children?

A father bundles up his baby and waits for a change in guard at the docks, then slips into the water and swims away, heading for the Ocean Kingdom. Another Cod tries the same thing and is caught with an arrow in their throat.

Those who remain hide in their homes, curtains drawn, and hold each other, too fearful to try to contact friends and family to see if they still live. They daren't go outside, lest they join the bodies in the streets.

They all know that their Codfather has fallen. That news had been shouted through the town, on every gory street and dock, until all in the town silently despaired and knew that they were doomed.

Lord Sausage, King of Mythland, returns home and writes a gloating letter of conquest, which reaches all of the empires before the night ends. One day of battle, and the Codlands has been conquered. He doesn't write of the fate of the Codfather, relishing the opportunity to tell the Ocean Queen and Lord Smajor in person.

In the canals are hundreds of bodies. An older Mythland soldier on guard frowns as he stares down at the disturbing piles of dead, on top the pale body of a guard named Micah, and shakes his head in disgust.

In the canal near the center of town, under two other bodies, completely submerged in the dirty water, is the body of the Codfather. His hair floats in the water, his face almost unrecognizable, bloated in death, painted with blood and mud.

It's the dark of midnight, not even lit by the moon, only the dim stars twinkling down. The body of the Codfather rocks a little bit with the shift of the water, little ripples coming from seemingly nowhere, traveling down each canal.

Something rumbles, deep underground.

The water picks up, tiny ripples becoming actual waves, crashing against the land and shoving the bodies from side to side, piles spilling over and sending dead Cod flopping to the land—almost as if a storm is brewing, though the skies are clear as can be.

The Mythlanders on guard around the town laugh nervously, step away from the canals, as the bodies seem to thrash in the choppy water.

And in the canal near the center of town, the Codfather lies in the water.

His eyes flash open.

[sherlock-is-ace]

The bottom trans post make me laugh cause I've been on T for like 7-8 years. I am extremely hairy (my grandparents came from rumania lol) I have a full beard and a bald head and the body of a gay bear pretty much. HOWEVER. I am a helpless bottom PFPPFPFPFP

Subverting stereotypes irl I see lol

No, but that's the point! Not every trans masc person is a femboy twink that exists only to be the female reader's surrogate in the story while still keeping it gay...

Obviously people can write whatever they want forever, nobody has the power to stop them, but sometimes it reaches a point where they need to ask why a certain "preference" is the only thing they're willing to explore, and check if their "justifications" are enough.

Or, you know, at least do a little bit of research if they don't know something. Not knowing is fine