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indie-ttrpg-of-the-week · 7 months

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Trans made TTRPGs

Due to… recent events that I would rather not talk about, today's post is a highlight of different tabletop games made by trans peeps! These games are fantastic in their own right, of course, but you can also know that they were made by incredibly cool and attractive people

(Also, these are flyover descs of the game, they'll get more in-depth singular posts later, this is because I am lazy)

Perfect Draw is a phenomenal card game TTRPG that was funded in less than a day on backerkit, it's incredibly fun and has simple to learn hard to master rules for creating custom cards, go check it out!

Songs for the dusk is fucking good, pardon my language, but it's a damn good post apocalyptic game about building community in a post-capitalist-post-apocalypse-post-whatever world. do yourself a favor and if you only check out one game in this list, check this one out, its a beautiful game.

Flying Circus is set in a WW1 inspired fantasy setting full of witches, weird eldritch fish people (who are chill as hell), cults, dead nobility, and other such things. It's inspired by Porco Rosso primarily but it has other touchstones.

Wanderhome is a game about being cute little guys going on a silly adventure and growing as the seasons change, its GMless and very fun

https://weregazelle.itch.io/armour-astir Armour Astir has been featured in here before but its so damn good I had to post it twice. AA demonstrates a fundamental knowledge of the themes of mech shows in a way that very few other games show, its awesome

Kitchen Knightmares is… more of a LARP but its still really dang cool, its about being a knight serving people in a restaurant, its played using discord so its incredibly accessible

https://grimogre.itch.io/michtim Michtim is a game about being small critters protecting their forest from nasty people who wish to harm it, not via brutal violence (sadly) but via friendship and understanding (which is a good substitute to violence)

ok this technically doesn't count but I'm putting it here anyways cuz its like one of my favorite ttrpgs of all time TSL is a game about baring your heart and dueling away with people who you'll probably kiss 10 minutes later, its very very fanfic-ey and inspired by queer narratives. I put it here because its made by a team, and the expansion has a setting specifically meant to be a trans "allegory", so I'll say it counts, honestly just go check it out its good shit

https://willuhl.itch.io/mystic-lilies

Mystic Lillies is a game inspired by ZUN's Touhou Project about witches dueling powerful foes, each other, and themselves. Mystic Lillies features rapid character creation and a unique diceless form of rolling which instead uses a standard playing card deck.

https://preview.drivethrurpg.com/en/product/141424/nobilis-the-game-of-sovereign-powers-2002-edition I… want to do a more general overview on Jenna K as an important figure in indie RPG design, but for now just know that Nobilis is good

https://temporalhiccup.itch.io/apocalypse-keys Apocalypse Keys is a game inspired by Doom Patrol, Hellboy, X-men, and other comics about monstrousness being an allegory for disenfranchisement. Apocalypse Keys is also here because its published by Evilhat so its very cleaned up and fancy but I love how the second you check out the dev's other stuff you can tell they are a lot more experimental with their stuff, this is not a critique, it is in fact a compliment

Fellowship! I've posted about this game before, but it is again here. Fellowship has a fun concept that it uses very well mostly, its a game about defining your character's culture, and I think that's really really cool

Voidheart Symphony is a really cool game about psychic rebellion in a city that really does not like you, the more you discover for yourself the better

Panic at the Dojo is a phenomenal ttrpg based on what the Brazilian would call "Pancadaria", which basically means, fucking other's people shit up. Character Creation is incredibly open and free, meaning that many character concepts are available

Legacy 2e is a game about controlling an entire faction's choices across time, its very fun

remember to be kind to a trans person today! oh also don't even try to be transphobic in the reblogs or replies, you will be blocked so fast your head will spin

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ferrstappen · 1 year

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aren't we supposed to surprise you? l Charles Leclerc blurb

pairing: dad!Charles Leclerc x female reader.

you can find more of my version of dad Charles' here <3

summary: you somehow manage to overshadow Charles and Jo's gift.

Charles was an anxious man. Even more so since Josephine was born two years ago.

Yes, people laughed at him but he didn't care, he was going to sprint towards his daughter every time she took a wrong step and fell down, or his system would shut down whenever her lower lip trembled. Charles could communicate with his daughter through her eyes, they told him everything he needed to know in the meantime before she learned how to properly express herself.

They were an unstoppable duo, everybody knew that, but Charles was aware the reason both him and Jo could feel at ease and safe was you, and maybe he didn't remind you enough of that.

His mother and younger brother accompanied him to the various shops around Monaco, Pascale having to fight Charles to let her carry the stroll on the street, Arthur shaking his head at Charles' antics, playfully pitying his niece.

"I am going to make sure to take her to the worst tattoo parlors and pubs when she's older and then I'm showing you the images so you can die of a heart attack," Arthur teased his brother, earning a glare from Charles while being chastised by his mother, but the youngest Leclerc saw a smile on his mom's face.

Arthur winked at his niece and she giggled. Lorenzo had no chance of ever being the favorite uncle.

They entered different shops, not wanting to go for the typical jewelry and overly expensive designer clothing and accessories. No, Charles wanted to give you something you'd truly appreciate, something for you to relax and show yourself some love and distraction. Now it was turn for Arthur to carry Josephine while teasing his brother for being a simp.

A couple of books he thought you'd enjoy, different colored bath bombs, luxurious soaps and candles were some of the goods you were going to receive for Mother's Day.

Dad and baby Leclerc arrived got home greeted by the smell of coffee and some kind of pastry. It smelled like Charles' dream life; his life.

You smiled at Charles and gave him a quick peck on the lips before taking Josephine from his arms, your daughter babbling about papa and maman.

It was past midnight, Josephine sound asleep on her room after both you and Charles read her a short book in Italian, trying to accustom her to the language, all while you marveled at how Charles did the different voices and intonations.

Now it was just you and him in bed, his naked chest against your own skin, while his familiar hand found its place on your thigh, drawing shapeless figures, enjoying the peace of having you with him.

"I have to tell you something," You made sure to not make eye contact with Charles, hiding your face against his neck.

Charles chuckled with your reaction, "What is it and why are you hiding, bebé?" He tried to get you to face him.

"I know this wasn't planned or anything," you began talking but know Charles felt tears on his chest, it got him worried and helped you sit on the bed while assuring you whatever it was, you'd be able to find a solution.

"Babe, I'm two months pregnant," you announced and Charles placed his hand on his mouth in astonishment.

"No, in Bahrein?" Charles blurted out and a smile appeared on your face, of course that would be his first reaction as his brain processed the news.

You didn't know what you were expecting, maybe it was a problem because Josephine was still too young, maybe Charles didn't want another baby, you never really discussed it after Jo was born, but even in the dark his glossy green eyes were shining as his hand found its known place on your neck, his thumb softly caressing your cheek before lovingly kissing you.

those one of a kind kisses, the ones that were special and held so many emotions. neither of you could hide the smile appearing, only smiling at each other, Charles still caressing your cheek.

but suddenly he dropped his hand to your thigh, an unreadable expression on his face.

"But it's mother day and you're surprising me? No, I have this whole thing planned!" Charles protested and this made your eyes tear up, now it was your time to find his lips.

God, maybe it was time for a boy to mimic his dad.

#charles leclerc imagine #charles leclerc fluff #charles leclerc au #charles leclerc x reader #charles leclerc one shot #charles leclerc blurb #charles leclerc #charles leclerc x you #charles leclerc fanfic #dad!charles leclerc #f1 x you #f1 x reader

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strwbrythoughts · 4 months

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the unseen lovers | alhaitham

prologue

Series masterlist | Word count: 749

On his days off, Alhaitham found that the silence in his home was a bit too heavy to endure alone.

He occupied the living area on his own. A pot of freshly brewed tea still piping hot sat on the coffee table, a thick book on quantum physics he was rereading for the seventh time in his right hand and the lack of noise filling his ears. That was what his usual Saturday morning would be like.

Alhaitham never knew he would grow to eventually disdain it.

Some Saturdays, his hatred was fierce enough to propel him to use other rooms. Sometimes he would read in the kitchen but not while eating a bowl of soup. He always told himself it was difficult to read while eating soup. Other times he would read in bed, only to find his eyes more prone to closing than staying open.

Perhaps that was why he found himself in the library now.

This house’s library was somewhat smaller than his late grandma’s, but it didn’t really matter. The shelves were still full of the books his grandmother would read to him — and eventually, he would read them himself when he was grown enough to do so — back when he was a wee little boy.

The light teal lounge chair in the room was his grandma’s favourite. It was never just an ordinary lounge chair; to him, it was grandma’s. Grandma’s chair. The one she sat in from when she was an energetic old lady until she was a sickly and frail one. Alhaitham did not know if he was having hallucinations, but sometimes he swore he could see her sitting there, even after her passing.

His footsteps were light and nimble on the wooden floors. He approached the chair, feeling the soft carpet beneath his feet as he sat down. His body leaned back; he was relaxed. A soft smile played on his lips as he basked in the glorious morning light seeping through his window.

The silence in his home may have been deafening, but right now, he was at peace and content.

— ᯓᡣ𐭩 —

Alhaitham’s eyes fluttered open, his eyelashes that were previously resting peacefully on his face now more energetic than before. He had fallen asleep. The grandfather clock’s needles on his right showed him the time; 1:43 pm.

While he was cradled in the sweet arms of slumber, his left hand had landed atop a thick, hard-cover book on the small table beside his grandma’s chair. His widened eyes scanned the title, how did he not see this book when he came in? He prided himself on being observant regarding things he cared about, which is why he felt this was a bit bizarre.

‘The Star I Aim to Reach’ was written in big, clunky letters on the cover. The design was relatively simple. There were small drawings of stars and planets surrounding the title in white with a black background. Simple it may be, yet it was enough to capture his interest.

Alhaitham flipped the cover carefully after putting the book onto his lap. The words that greeted him were the ones he least expected.

‘Grandma’s Favourite Book’ was written on the very first page with black marker. Beneath it was a message written with a green pen. Neither his eyes nor his mind could deceive him; this was grandma’s handwriting.

Alhaitham’s eyes immediately wanted to read the passage in green. Green was the colour his grandma would use when she wanted to highlight important things to him, as it was the ‘colour of my beloved grandchild’s eyes’, as she always said.

The passage read:

‘My beloved grandchild, Alhaitham.

If you are reading this passage, then I am happier than a man who won the lottery. This is my final wish for you that I could not convey when I was alive. Forgive me, you were too young back then. It would have been inappropriate to entrust this to you when all you wanted to do was read and learn.

Read this book and find the girl whose entire world lies behind the curtains. Find the girl who works tirelessly to ensure others would smile, and befriend her. Should you want to go beyond the boundaries of friendship, I shall not reject her; and if you do not find her suitable to even be a friend, I shall not reject you.

Many kisses,

Grandma’

Alhaitham shut the book close. What in the world was his grandma talking about?

Thank you for reading!

#berry writes #genshin impact x reader #genshin impact #alhaitham #alhaitham x reader #al haitham x reader #al haitham #female reader

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roodles03 · 6 months

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Fuck You, *Genderbends your Alastor*

(Screenshot Edits)

First off, DO NOT REPOST ANY OF THESE. I left out my signature and watermark for the sake of the authenticity of the edits. Basically meaning I want them to look as real as possible. However, I will be forced to add these to future edits if people start reposting them, especially without my permission. (The Hellaverse fandoms are very bad with this) Due to previous bad experiences, I deal with reposting (especially on insta) very harshly. Especially if reposted without credit. I am not afraid to file reports and get uncredited reposts taken down. This is your ONLY warning, and the ONLY time I will say this, so please heed it.

However, you CAN use my Genderbent designs in fanart or your own edits. All I request is credit for the design!

Okay, papa Roo is done yapping. ANYWAY-

I have been having so much fun with these and they're actually really good for learning to draw in the HH style!

Btw I've changed her name from Alastrina to Alice since I got a comment suggesting that Alice would be a better name. Despite that comment's phrasing being a bit on the rude side, I do agree that, yeah, Alice is a better name. So I do genuinely appreciate the critique despite the fact it could've been a bit nicer said. Tbh I just looked up "Female version of Alastor," when I made the edit of Alastor's render and Alastrina was what I got.

I also made a slight edit to Alice's design where I gave her lipstick since I noticed in Viv's OG drawing she probably did have lipstick.

How many people am I gonna make gay/bi/pan/omni/hetero/etc panic over these edits. Like despite these being my own edits, I am one of the people gay panicking-

Disclaimer: These are EDITS. NOT REDRAWS. I did not draw these from 100% scratch, because the point of an edit is to EDIT. Obviously it is going to be traced in some areas (mainly the face and the limbs) because that's what editing is.

Side note: Imo, good screenshot editing actually still requires heavy drawing experience to pull off well. Obviously your tracing in some areas but you're still changing some things, (the entire point) and if you don't know how to draw well, or draw in the show style well, the edit will either look fake or just bad. Edits still require good drawing experience to pull off well, just the same as regular drawing. You just have a templete to go off of. It's basically the same situation as art bases. They might be infamous for often being done poorly, but they can be still be used to make incredible art if the artist is experienced. And this is not to dunk on beginner artists, because I support the practice of edits and bases (as long as proper credit is given and its stated that they used a base or it is an edit) because bases and editing can be used as training wheels for beginner artists, or even profressional artists like me who are learning a new style, (which is what I'm doing rn actually) it's just at some point, if you're someone who does want to improve your art rather then just have fun, you gotta take the training wheels at some point.

Anyway, rant over. I just wanted to talk about my silly thoughts on bases and editing.

Og screenshots

#hazbin hotel #hazbin hotel fanart #hazbin hotel fan art #hh alastor #hazbin hotel alastor #alastor hazbin hotel #alastor #alastor hh #alastor fanart #alastor fan art #screenshot edit #alice hazbin hotel #hazbin hotel alice #hh alice #alice hh

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ashysmultifandomcatdump · 1 month

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another roleswap AU (because i have lost control of my life)

these things. are all i know how to make now.......

ANYWAY it's my take on a wander<-->sylvia roleswap AU!!! i didn't Properly draw sylvia here because i couldn't get her to look right, and she's basically the Same anyway. just without her saddle and with the hat tied around her neck. i don't know if i'm entirely happy with these designs (struggled with the colors for wander and i'm not sure i really like them) but they're all i could think of....and i didn't wanna just copy anyone else's. so that's how they Are for now until i think of something better! (general stuff about the AU and additional doodles under the cut)

for sylvia, i was thinking about her differences in reforming people compared to wander's. while we don't exactly see her do that in the show, she does get Somewhere with villains that wander can't/hasn't tried to do anything with: dominator and peepers. the fact that she almost got dominator to appreciate the beauty of life, someone who is Definitely irredeemable—yeah, i think she could definitely redeem someone, if she tried. how does her method differ from wander's?wander's is precise, time-tested, and based on his analysis of the other person's character; he constantly pushes their buttons to see what makes them tick. while sylvia, from what we see—it's just to mostly...treat them normally. like, relate to them: she has fun brawling with dominator, she and peepers find similarities in Their Idiots. she talks to them. basically, sylvia works from common ground and wander works from uncommon ground. if that makes sense

so, i imagine in wander's place, sylvia's just kind of. Chill! she doesn't have wander's thousands of years of experience, but she has her own down-to-earth attitude, and it's not like her less than thousands of years experience isn't valuable at all. she probably hasn't redeemed a villain before, but she's definitely helped people, and well if they cross paths grop darn it she's going to try. who knows? it could work! it worked with wander, at least. (and like, this is just a small thought that i'm not sure would apply but: mini hater and peepers swap perhaps, not in the complete roleswap way, hater's still the boss, but more like. maybe swapping who's the Main Guy to be redeemed? sylvia's way of relating to people might work more with peepers than hater...but i don't know, i could see it either way)

and speaking of wander: how's our non-violent do-gooder make it to the point of being The Fighter? what got him to abandon his carefree attitude to be The Protector? well! nothing!! he simply never had it in the first place!!! instead of learning to go with the flow and take things as they come...he kinda just Didn't. he never got the hat which to me is what allowed him to start doing that (i have a whole backstory about this but it's a bit long so i'll just move on) instead for the rest of his life continued living in a constant state of anxiety. which is, you know, Not Good for a guy, especially when this lasts thousands of years. i think he still has to help people, but he hasn't gained the courage to go above and beyond or confront villains like in canon. Wander With Survival Instincts, basically. and his main reaction to fear is to run away; but i think, over time, that might not be sustainable, or he might meet someone that convinces him to start fighting back just a bit.

yes, i am sneaking in just one other swap here: screwball and lil bits. this might seem strange and it kinda is. i'm still kinda workshopping it, like maybe screwball should swap with ryder instead...but i dunno, i've always just associated screwball and lil bits with each other. two villains specific to wander and sylvia respectively, whom the other is not able to understand as a threat throughout their debut episode. i think it would be funny. and screwball being a bounty hunter when swapping with bits just Fits, since wander eventually ends up as a bounty hunter before meeting sylvia...of course lending to the idea that they were partner bounty hunters in the past. which works really well, i think

and considering comedy and horror are two sides of the same coin, and that this wander is primarily focused on his Fear, it'd be fun if he had more of a horror theme. a really campy, goofy one. my thoughts are maybe that screwball helped guide wander to lean more towards a Fighting fear response, but eventually scared him away somehow. i don't know how yet, but i'll figure it out. here's a visualization:

and as for how wander and sylvia met, i still have to figure out some parts, but i think that sylvia would notice how anxious wander is, ask him if he's okay, and he would promptly break down, as such:

and from that moment on, wander solemnly swore that he would protect sylvia for the rest of her life, and she's been stuck with him since. (not that she's mad about that)

of course he's still energetic and hyperactive...i think his fighting would reflect that. he's a feral little creature

oh, and for sylvia's relationship with The Hat: she probably found it beat up and bruised one day, with no one around (wander not stealing the hat all those years ago meant a happy ending for No One). yet another thing i have to figure out fully is how she ended up taking it with her, but she did. i don't think she fully understands it, she hasn't realized that it gives you what you need, but she does know that it dispenses items that are sometimes useful (it's a sassy little thing to her) and might somewhat realize its sentience, so she keeps it around, though she's still building trust with it

anddddd yeah that's basically it so far :) i'm always up for questions and suggestions! i hope people like it hehe

#wander over yonder #wander woy #woy sylvia #i don't know if screwball or peepers are present enough to tag....#art #woy #wander sylvia swap au #best tag i can think of #maybe i could give it a fancy name like protectorswap. i don't know #doodles

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randomalistic · 21 days

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hi :3 I saw your recent Wreck It Ralph vid (loved it) and seeing your avatar reminded me that I wanted to do something similar for my own vids? I am. Really bad at wording things my question is what size canvas did you use to draw them? And is there anything I need to keep in mind when implementing my own avatar into my YT vid like yt compressing the video or anything? I hope this makes sense like I said I suck at wording things 😭

Ooh okay!! Good question :] also I'm really happy you enjoyed!!

I am an amateur so idk how useful this info is but Here (dumps everything)

The emotes were made in Krita (any art software will work)

The canvas size was around 1000 x 1000 pixels

Starting out, doing a basic emotion sheet works well. Watching other PNGtuber videos helps you organize how many you may need and what emotions are used the most (expect to make 30 or more drawings, which is A LOT at first, and might take a couple weeks, but once you have them you can use them forever!)

Also start your video even if you're still working on emotes! It helps to sorta do everything at once :)

This grid doesn't cover everything I used (it was a very messy process) but it might be useful so here :)

I think its also a good idea to make a "base" and then mess with expressions from there. This one had a lot of usability. (and also a lot of layers)

Later on I found it most useful to listen to the stuff I recorded, and then make a drawing for that moment specifically. You can then apply that "emotion" to other places where it fits

this is probably my favorite example because i based the expression off King Candy LOL. USING REFERENCES IS FUN !!!!!!!!! And I ended up using this one a lot !

Also expect a lot of rejected designs and struggling w drawing expressions because it's Hard. Developing the style you want takes a lot of time!! (I scrapped these 3 i made early on)

Exporting and YouTube processing was a little tricky but here’s what worked for me:

- I used Davinci Resolve to export the project. My video was made at 24fps, the same framerate as my footage. (The Movie) Earlier on, I kept noticing my audio was too loud and weird glitchy visual artifacts kept showing up. After trial and error I found these settings worked the best:

Main takeaway, i legit dont understand how any of this works but:

ITU-R BS.1770-4 normalization for audio is Good

Lower your finished audio track to -13.5dB. It will sound quiet, but YouTube likes this and will make it a normal volume

H.265 encoding with .mov format (aka QuickTime) is Good

And that's probably enough infodumping for now. Its okay to feel overwhelmed and unsure where to start but making a video is SO FUN and i encourage it more than anything :))) Take your time and learn at your own pace! There are lots of great tutorials online.

I WOULD BE HAPPY TO ANSWER ANY EXISTING QUESTIONS

#pngtuber #ask #YouTube #video editing #wir video #tutorial #sort of?

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1moremilgram-enjoyer · 11 months

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MeMe and Control over One's Own Destiny

Alright I've been holding off on talking about Mikoto until Double releases, but I saw he was on a train and my brain went Silly. Don't you understand how crazy the symbolism is?! (<- Mentally unwell)

So now I have to talk about how MeMe handles the concept of destiny and the control the alters have on the system's future, because it's honestly so interesting to me.

CW Murder

Disclaimer: I'm not an expert on DID, feel free to correct me if I get anything wrong

The first big connection between MeMe and the idea of destiny is obviously the recurring theme of tarot cards. These are used for divination, meaning the practice of trying to learn about the future through supernatural means. In other words, they're deeply tied to the concept of destiny, of future events that will come to affect us, and the ways we may influence it. What's important to take away here is that, regardless of whether or not you believe in it, reading tarot cards is a way for people to try to understand their future so they can take try to take control of it.

Once you make this little connection, a lot of the imagery in MeMe starts to get interesting. To give you an example, one of the opening shots is of a bunch of tarot cards all scattered in water.

So, their future is scattered, it's uncertain, it's messy, etc. You get the idea, I don't think I need to elaborate on why Mikoto's life is a bit of a mess.

However, I think there are two scenes which are particularly interesting in this regard. When Aokoto (host) draws a blank card in the first chorus, and when he gathers the cards in the deck at the start of the third chorus.

So first, we can be sure this is Aokoto because the lyrics not only use 'boku', but also express confusion at the situation, which only really fits the host.

Why am I [boku] here? It must be a mistake? Take a good look at me [boku], until you find me The truth will come to reveal itself I won't forgive you if this is happening to me even though I'm right

Why am I [boku] here? It must be a mistake? Take a good look at me [boku], until you find me

(Note: If there is no clarification on which pronoun is used when I put lyrics here, it's because the Japanese doesn't actually use any pronouns)

What's happening here? As stated, the tarot cards are a representation of destiny and their future. By drawing a tarot card, Aokoto is trying to understand his situation and destiny better. And by stacking the deck up neatly, he's trying to take control of his destiny, of his future. The desire to be free and be able to control his life is a very important part of Aokoto's character:

(T1) Q14: What will you be doing in 10 years? M (Ao): I'd like to work independently and make my own design company. That way I'm free to do what I want.

(T1) Q8: What are your reasons for wanting to work for your current job? M (Ao): I work at an advertising company that's at the top of the business world, you know? Just being able to get to that position is something to be proud of. I worked really hard to get hired there, too.

Aokoto places high value on the work he's done, because that shows how committed he is to having control over his life and his job.

(T1) Q12: How do you get to work? M (Ao): I ride a road bike. It's a hobby of mine, and it's good to exercise too. I don't need to worry about missing the train, but that can either be a good or bad thing.

I've seen this answer interpreted a few different ways, but personally I believe what Aokoto's implying is that the freedom of not having to rely on the train is both good and bad. Essentially, he doesn't have to stress about missing it, but there's also no guarantee that he'll get to work in time without the reliability of the train. However, he still prefers the bike, because it gives him more freedom.

... Foreshadowing is a narrative device-

There's also the matter of the tarot spreads which appear in that "blank card" scene. There are two distinct ones:

Now, the whole mess is too complicated to get into here (and I actually am holding off from analysis until we get extra context from Double for that reason), but I believe one of these spreads belongs to Aokoto, and the other belongs to Midokoto (Secret Third gatekeeper alter). Which is which doesn't matter, because the card I want to focus on is the card in the "Hopes and Fears" position (EXTREMELY long story), which is I - The Magician (upright) in both of them. The Magician represents (among a fuckton of other things because tarot cards are frustratingly ambiguous by design) power, potential, basically the ability to achieve your goals. Thus, in the "Hopes and Fears" position, it would mean Aokoto wants to be able to control his life and fulfill his potential, and is afraid he might not be able to.

There is also the "Present" or "Self" card being the reversed XII - The Hanged Man. The Hanged Man upright represents (among other things) patience, the hope that as long as everything continues the same, things will turn out okay. Thus, reversed, it could be read as implying the querent is trying their best to change their situation, but are failing at it.

And this is where we get to the second part of the scenes I pointed out before. Because when Aokoto draws a card by itself, it's a blank card. In other words, no matter how much he wants to, Aokoto doesn't have full control of his future. I mean, obviously, right? He himself can't control his destiny when the other alters are also doing pretty impactful stuff. Depending on what theories you subscribe to, he may have ended up in Milgram without even murdering anyone, which is what I believe.

The same can be seen when he tries to put the deck back together. You might notice the deck there is actually thinner than the other time we see it.

He tries to "fix" or "arrange" his future, but he's "playing with half a deck", he's only half in control of his future. In this metaphor, the other alter(s) would have the rest of the deck, would control the rest of the system's destiny. Does that make sense?

Which gets us to the other alter who does tarot reading.

Notice the red mannequin there? The way 0 - The Fool's pouch of food is now a skull? And you can see this alter, heavily implied to be Orekoto, reads a Celtic cross spread with the Fool in the "querent" or "present" position.

Thus, The Fool represents Orekoto, and he too desires control over their future. That's why he's reading the spread, the same way Aokoto previously tried to draw a card to check his future. And I think it's pretty safe to say Orekoto must have killed or attacked at least one person, which is his way of trying to secure a better future for the system. Protector alter and all that.

[Timelines] Mikoto (Ao): Can you hear me talking like this? If you can hear me, then answer me. Why are you doing such horrible things? Hey. It's your fault things have become like this. ……Answer me!! Mikoto (Ore): Ah, ahhh!! Because, I did it for my/your (Boku's) sake…! Because I/you (Boku-ga) would break apart!!

(Translation by Maristelina)

Plus all the other reasons to believe that.

That spread is a bit odd for many reasons, but one thing we can pretty much be sure of is Orekoto's "Hopes and Fears" are represented by VII - The Chariot.

The Chariot (among other things) represents strength of will and control, basically think of it as a more forceful version of The Magician. Thus, Orekoto also hopes he can take control of their life, though he does it through force, and he fears he might be getting too forceful.

If I could laugh, if I could go back I'd play dead even though I'm alive right? If I could end, if I could stop How long would this dream go on?

Assuming it is Orekoto singing here (no pronouns so), it seems he doesn't want to kill, but sees himself cornered, like he has to kill. If he could stop, he'd "go back and play dead even while alive", he wouldn't kill anymore. But when he feels "boku will fall apart", he tries to save him through any means he can, which is likely murder. The exact reasons are as of yet unknown (someone stalking them, stress, could be a lot of things), but that's the idea.

However, you tarot enthusiast might notice a few interesting differences between this Chariot card and the actual Chariot card. This is important, because the meaning of these cards comes from the images, so when the image differs (apart from stylistic choices obvs), the meaning differs with it.

First important difference: the real Chariot has lions, MeMe's Chariot has bikes. This again relates bikes to the idea of freedom and one's own will.

Foreshadowing is-

Second; MeMe's Chariot has the protagonist swinging around a mace, which the real Chariot just has a wand. I frankly don't think this means anything other than MeMe's Chariot explicitly references murder rather than other, non-physical forms of strength and force.

Third, an important part of the real Chariot is that the man doesn't hold a leash on the lions, he controls them through force of will, apparently. Meanwhile, the mannequin in MeMe's version does hold chains to control the bikes, which again I believe simply implies a more forceful and direct version of the meaning. Orekoto doesn't trust his destiny to guide the system in the right direction as long as they're strong enough, he feels he needs to have more direct control.

And finally, the lions in the real Chariot are fine, but in MeMe's version, one of the bikes is fucking exploding.

So what the hell is up with that? Well, let's keep in mind what I said before. Aokoto also wants control of his life. So I believe in a way these bikes represent Aokoto and Orekoto's actions. One of them Orekoto has direct control over (he controls his own actions, after all), while the other is getting hurt by Orekoto's control. Orekoto may want nothing more than to protect the system, but the way he does it is harmful to Aokoto and destroys the control he wants to have over their life. I mean, it landed them in Milgram (according to some interpretations), and it's not like Aokoto likes the murder.

(T1) Q6: Tell us what you hate. M (Ao): Staying up all night working / reptiles / violence

[Double Preview] Hey now, I [ore] saved you right? So why in the hell are you crying?

(I will use the preview as evidence, watch me)

Temporary CW for abusive relationships and rape (Mono Poisoner)

This idea of "love" that hurts the other is also implied by Mono Poisoner, their Trial 1 cover. Though to be clear, Orekoto is not anywhere near as awful as the protagonist of Mono Poisoner, since he isn't intentionally hurting the rest of the system, and obviously isn't actually abusing the other alter(s).

“She belongs completely, entirely to me!” Kissing, sleeping together, everything beyond that too No one can hope to cut this connection between us

After brandishing that poisonous desire to monopolize and having erased YOU completely, It seems like it can be easily embraced, the entirety of that heart “YOU best not get carried away!”

Taking out the really violent and abusive elements out, this does vaguely fit the idea I'm trying to get across.

Temporary CW over

Anyways, the point is that Orekoto wants control over their life, but is accidentally harming Aokoto by taking away his agency.

There is more symbolism of this ‘drive to control destiny’ in the moon which consistently appears throughout MeMe.

As you can see, it’s in the first quarter phase. This is halfway between the New Moon which represents the beginning of a journey and the Full Moon which represents the end or rebirth, and because of that, it can represent a difficult time where decisions must be made, a point where strength of will is necessary. This again fits both of Aokoto and Orekoto, since they’re both making important decisions for their future. Hence also why the moon is half and half, the future is being decided half by Aokoto, half by Orekoto.

Alternatively, you could read it as only Orekoto making decisions, with the other 'half' being "left in the dark" because Aokoto doesn't know what Ore's doing. That would explain why the moon only shows up in relation to Orekoto in the internal world and the murder scenes.

Heavy speculation incoming (more than before anyways)

But hold on a second. I said before the upright Hanged Man, the card on Mikoto's shirt through most of MeMe, is about patience and not doing anything to change their situation. This is somewhat contradictory to The Fool, which is all about new opportunities and taking new risks (long story), and is obviously contradictory to the reversed Hanged Man because that's how tarot cards work. Because of that, and everything else I've been saying, it feels like the upright Hanged Man doesn't really fit either Aokoto or Orekoto.

Which is why it's so convenient we have a third (plot-relevant, there may be more) alter who does want their life to continue as is, isn't it?

The minus energy that I swallowed Hugged me [boku] Maybe it's okay to try to keep on living Split in half, Make that heart beat

This scene is very clearly connected to the aftermath of a murder, and shows an alter that has accepted the "negative (minus) energy" of violence. However, the use of 'boku' rules out Orekoto as the singer. Thus, we have ourselves our favorite Secret Third Alter, Midokoto. And Midokoto says, filling in the blanks, that ‘maybe it’s okay to keep living [like this]’, as long as they ‘split in half’ to ‘make that heart beat.’

Before we continue, I have to address that yes, I believe Midokoto is represented by the upright Hanged Man, even though he’s the only alter who’s never seen wearing the shirt. Either his back is turned, he’s shirtless, or straight up has a completely different shirt. However, I actually think this makes perfect sense.

It’s widely accepted that if Midokoto exists, he’s likely a gatekeeper alter who co-fronts most of the time, meaning he’s still aware of everything that’s happening even while he isn’t controlling the body (<- simplified version, read more if you’re interested [alter roles] [co-fronting]). Therefore, he’s a constant in Mikoto’s life, and it makes sense for him to always be present in some way as long as any alter is on screen. He’s on the shirt when the other two are there, so when the shirt isn’t there, it’s because the ‘upright Hanged Man’ is the one controlling the body. Does that make sense?

I should note, Mikoto’s version of The Hanged Man includes a bunch of eyes on the background.

Which fits the idea of Midokoto overseeing everything in the others’ lives, and for the inverse in Aokoto’s case could also be interpreted as societal pressure, long story.

Yes, Midokoto's celtic cross spread has the reversed Hanged Man in the middle of The Wheel, but let’s just say that means ‘present’ rather than ‘querent.’ Yes, there’s a Fool portrait in the background of that one scene, I swear there’s an explanation but it’s too long to get into here.

Point is, he’s the one who wants their life to continue as is, and thus the one who fits the idea of ‘patience’ that The Hanged Man (upright) embodies.

But make no mistake. He still has The Magician as his “Hopes and Fears” in the spread which represents him, meaning he does yearn for some control and fears not having the means to achieve it.

However, I believe the type of control he’s looking for is different from the other two. See, while Aokoto wants freedom and control over his life in a more conventional way (good job, free movement, independence), and Orekoto wants control in a ‘no one will stop “I/you” from achieving what “I/you” want’ kinda way (aka safety), Midokoto wants control over the system, not the rest of their life. He wants to keep Aokoto and Orekoto ‘split in half’ because that’s how they can both live as they please, it ‘makes their heart beat.’

That’s why the moon that represents decision-making is split in half. That’s why there’s only two bikes in The Chariot card. That’s why Midokoto never bothers to read a single tarot card. Because the ones deciding where their life moves are Aokoto and Orekoto, all Midokoto does is keep things running smoothly. Though of course, this is all just my interpretation.

In fact, you can even tell based on what we believe each alter to do. Aokoto does the day-to-day work, making sure he has the opportunity to achieve his dream of working independently in the future. Orekoto deals with threats until the system as a whole is safe, which includes throwing away evidence so they don't get arrested. He does a dogshit job at it, yeah, but he's trying.

However, once they get into the apartment, when the external threats have been dealt with, the one who bathes to make sure Aokoto doesn't learn of Orekoto's actions, the one who keeps their lives metaphorically 'split in half', is Midokoto.

Heavy speculation kinda over

So, where were we? I said this was inspired by the Double thumbnail, didn’t I? Well, yes, even if I have very little to say about it in relation to this post. You could say I kinda, uh, went off the rails a bit (<- I am immensely unfunny)

As I said, he’s on a train. And with all the stuff I mentioned before about how bikes are associated with freedom for him and stuff, it makes the imagery of being stuck on a train with the victims (I assume that’s what the mannequins represent, I’ve seen other interpretations) a lot more interesting.

Think about it. When you get on a train, you made the decision to enter it, but you don’t have control over where it goes. And that’s what’s happening here: the alter on screen is in for the ride, and he feels there’s nothing he can do to alter the course. It’s like a railroad.

Aokoto didn’t get on this train. Obviously the scene is metaphorical (otherwise who left their mannequins in the goddamn public train), but we know Aokoto doesn’t use the train. However, he’s on it now, alongside Orekoto who is probably the one fronting here? I assume, given the red light in the background. In my mind it would make sense for the thumbnails to be Aokoto T1 -> Orekoto T2 -> Midokoto T3, but that doesn’t have to be the case.

What I’m trying to convey is the symbolism of the system being stuck in a set path, a set destiny, caused by a decision not made by Aokoto. And if Orekoto is really the one fronting or being represented here, he’s miserable because of the path his actions have landed him on.

If I could break it, if I could change Can I do it, I wonder from when I started to give up

He’s ‘given up’ because he’s accepted he’s ‘on the train’, his path is already set and he can’t change it (“if I could change”). Yes, give me that Orekoto angst!

Anyways, please keep in mind this is all my interpretation of the symbolism and all of this is extremely subjective, especially with how confusing Mikoto's entire story is. I hope you forgive my brainrot at seeing a guy take a train. Take care!

#milgram #milgram theory #mikoto kayano #meme mv #do i tag the alters?#why not #aokoto #orekoto #midokoto

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greetingsfromuranus · 5 months

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I love your art! Do you jave any tips ondrawing in the EENE artstyle?

Thank you!! The best advice I have is to study, study, and then study some more lol. Look at something, try to replicate it, trace over the original to see the underlying shapes, draw the shapes on your own page and replicate it like that, freehand it w/o reference, just see what works! i know it sounds like general advice, but the EENE style, especially once you get to later seasons,is very stylistically and technically complex! You're gonna have to see which aspects of it are intuitive to you, and which ones you'll have to sit down and make yourself learn. I primarily use Raven Molisee's art (lots of stuff on Deviantart and Poshmark more recently) since with his sketches you can see a lot of the underlying shapes and processes! But it would be a good idea to also check out stuff from the rest of the art department, such as Scott Underwood, Jim Miller, and Cory Toomey (you can find a list of em here: https://ed.fandom.com/wiki/The_Creators). Instagram account dawn_of_the_eds has a lot of good references!

You can also study screenshots of the show, especially if you're trying to replicate the colors/linework/movement/etc… I would recommend @ededdneddy-artrefs, as they have a nice tagging system for finding anything specific, but its also a good idea to just look at your favorite EENE clips on YouTube and go thru them frame-by-frame! It helps with understanding how the characters move, talk, express, etc… and you can really nail down the stuff you'd only get a vague idea of from watching the show at a normal speed.

For me, it took me months (minus some breaks) to get to where i am now with drawing the Eds. Someone more studious and hardworking could easily do it faster, but the point is, it takes practice! Practice combined with active, intentional learning! My progress with drawing the Eds has several phases marked by a sudden jump in skill (usually caused by me finally going out and studying some more art, and internalizing what i learned), followed by healthy stagnation, where i get comfortable with the new knowledge and just do the same stuff for a while. If you really wanna get good at drawing them, you can study much more than i do, or have shorter stagnation periods! It's ok to calm down and get comfortable with the characters, have some nice, easy, art making time, its important to not get too stressed or burnt out! But when you're feeling motivated, absolutely take advantage of that!

Some things to remember:

While the characters do have consistent design elements and basic underlying shapes, these are NOT hard rules. REMEMBER AND INTERNALIZE SQUASH N STRETCH! I've tried assigning hard rules to how I draw the eds, and it's VERY difficult. It's definitely important to write down/point out as many design quirks and reoccurring themes/shapes as possible, but just remember that the Ed Edd n Eddy style is extremely fluid and dynamic - and the guidelines you may have thought were 100% true can be shattered at any point. Basically: all rules are optional! Don't draw something because the "rules" say so, draw something because it looks good! Sometimes one rule looks good, sometimes something else looks better! I'll use the teeth as a visual example:

(art in 1st image by Raven Molisee)

Sort of a continuation of the last point - Before EENE, I had a tendency (and still kinda do) to use more symbolic drawing process, the kind of design language you'd use for logos or graffiti, or the kind of style you see in shows like Dexter's lab or Total Drama Island or something - where you get good at drawing the same shapes/lines over and over. The EENE style, especially in later seasons, does not follow the same process as these sorts of styles. For example, I used to look at Edd and say "ok, His head is THESE TWO SHAPES!" And then there would be another, I'd say "okay, 3" and then another, and another and this will keep going on and on and on. Sometimes his ears are at the corners of whatever quadrilateral his head is (like in Molisse's art), sometimes theyre on an edge (like ive seen in Underwood's art), and sometimes you just can't see em! You have to accept that the characters are a lot of things at once, and different things at different times! Like Eddys head is usually a sort of bent pentagon - but is his mouth is enough he's more like a tin-can - but from a more top view he's almost a triangle - you can do this cycle forever.

you can think about it like this: the eds designs (especially their faces) are sort of a collection of features, and the shapes holding them together than be molded and distorted as you please!

Remember that the eds often exist with 3D underlying shapes, not just flat ones! I would highly recommend studying 3d shapes in extreme perspectives specifically. Draw bent cylinders, twisted stretched out cubes, any sort of shape at the most extreme fish-eye perspective you can manage, just absolutely take advantage of them. Bend and distort and break those shapes, dig your foot into their backs and and pull at their corners like you're ripping the arms out of their sockets. Extreme visualization, I know, but Ed Edd n Eddy is a slapstick comedy - there is immense force and stretching and distortion present, you really have to get that energy into your art to replicate the style (even if I'm not great at it yet, it's something I know I must learn).

Specific tidbit that's important & I sometimes forget: The characters limbs can be as long as the pose calls for! They will be fine! If they're holding something above their head, their arms are going to stretch out much longer than normal and it's ok! You can always sacrifice the "accuracy" to the model to get a strong pose/silhouette. Though one thing I've noticed is that their clothes often don't stretch the same way their bodies do! If you stretch double D's arms out 3 yards, his sleeves are gonna be about the same length as always! Except for when it looks better to break this rule, of course :3 basically imagine their bodies are like stretchy rubber, while their clothes are not

(note how his arms are stretched reeeal long in the gif, the look of the action holds higher priority than "correct" body proportions)

Apologies on my lack of notes on Ed specifically, I've drawn him good a total of One time and haven't been able to do it again lol.... Sometimes his head is an upside down triangle, but its bent in a way that i cant find a good pattern to remember it by... though sometimes his head is a square but the bottom stretches downward to become his neck. He's weird as hell, one day ill figure it out!

That's all my advice for now :3 If i think of any more i will add it!

#eene #ed edd n eddy #ed edd n eddy fanart #ed edd eddy fanart

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mauesartetc · 5 months

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What is your opinion on Winx Club and it's art direction?

Honestly I never watched Winx Club growing up, so my frame of reference for it isn't particularly intimate. But just looking at the characters, it's clear there's a bit of Sameface and Samebody Syndrome going on.

The art style's certainly unique for a Western kids' show, and there's a nice variety of bright colors. But man, I hate to think what kinds of messages the show's young target audience took away from these designs. If all kids see in their media are tall, impossibly skinny bodies portrayed as desirable, they'll wonder why their own bodies don't match. And creators should be especially sensitive to this when they're making shows for girls, since media bombards them with a host of beauty standards to measure up to (and it's not like I'm any kind of expert in child psychology, but I'd wager the advent of social media hasn't helped matters). So it frankly didn't surprise me to learn that this show was created by a dude.

Look, I'm not saying men can't be mindful of the effects media can have on girls, nor am I saying men and boys never deal with their own body image issues. But if you're making a show with a majority-female cast, maybe consult some women about their designs-? In the credits of the first episode there are two feminine names listed as character designers (Michele Lilli and Andrea Pulito), but they appear to be outnumbered by twice as many men. (Though apparently those names can be masculine in Italian, so it's possible Michele and Andrea are men as well. Too bad their IMDB pages don't list pronouns for them.)

And according to Winx Club's Wikipedia page, after a pilot that was unsatisfying to the creator, the team hired fashion designers to revamp the characters. At first I thought this would explain the girls' proportions (it's common practice in fashion design to draw slim, taller-than-average figures with elongated legs), but the concept art from the pilot tells a different story. Even before the fashion designers came aboard, all the girls had the same tall, skinny physique.

Not that there's anything wrong with being tall and skinny- hell, I'm a beanpole myself! But when all your characters have the exact same body type, whatever that may be, it leaves out so much human variety and just looks repetitive as a result. It's boring. And on top of that, it creates a visual impression that these characters are interchangeable with little to no individuality. The girls do have their own distinct personalities in the show (I ended up watching the entirety of Season 1 for this post), but those personalities don't come across well in still images.

It'd help if they were posed in ways that showcased their individual traits rather than just... "feminine and vaguely playful" across the board. Where's Stella's cockiness, Flora's kindness, Musa's sarcasm, Techna's logic? I'm wondering if the fashion designers sketched out these poses as well, because they seem much better suited to displaying clothes than demonstrating character.

(To make matters worse, there's a point in the show where the girls look like literal clones. This screenshot where they're all wearing the same outfit really highlights just how little body diversity they have.)

And what's bonkers about the faces looking so extremely similar is that creator Iginio Straffi based these characters on real women-? Namely Britney Spears for Bloom, Cameron Diaz for Stella, Jennifer Lopez for Flora, Pink for Techna, Lucy Liu for Musa, and Beyonce for Aisha. Here's how they all looked around the time of Winx Club's development:

And here's how I'd use the photos as a starting point to make each character's face stand out more.

They seriously couldn't have just leaned in to what made each face unique rather than painting them all with the same brush?

I get it, drawing all the characters with the same base makes it easier to keep them on model (and I imagine it keeps things cost-effective when making toys of them). But good god, you couldn't have treated them as actual characters rather than paper dolls for the fashion of the week?

From what I saw of the show, it's fine. It's passable. I fully accept that I'm not the target audience for it, but it's not bad for what it is. Could use a ton more character development, though, both in the designs and the writing. In any case, I'm glad that present-day animated shows seem to be evolving past cookie-cutter character design.

To close this out, here's something that I absolutely should not be able to get away with:

Recognizing these poses from the DVD cover is a sign of knowledge.

Realizing I switched them around is a sign of wisdom.

#character design #winx club #critique #sameface syndrome #samebody syndrome #media #media criticism #long post #ask #phasedahmer

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breadnabreadd · 1 year

Text

✦ Oh boy! Here we go.

I created a LMK Au just for funsies. A furutistic, high technologic world with cyberpunk vibes! (Because I absolutely love this type of aesthetic)

✦ the picture above is just a quick drawing I did of Macaque in this AU. I will get into details about the AU while showing a few infos of a few LMKs characters alongside with their designs. (Just a reminder I'm still creating the AU and it's my first time making one. It might be a little messy, so I apologize if it gets too messy--)

Oh! And by the way, the characters on this AU follow the same basic formula as the original characters. So it doesnt have much changes, other than the world they live in, their clothes and a few events.

✦ MK, The Monkie Kid

• Its the same thing as our little MK from the animated series, he works at Pigsy's Noodles as a delivery boy, is the Monkey king's biggest fan and is his successor and pretty much the basic stuff.

• He learned about the Monkey king with Mister Tang. He is a huge fan.

• Tho he isn't a great expert, he knows how to how to fix computer cases, machines and vehicles and build stuff by using old pieces (he learned with Pigsy and Sandy, just in case his delivery vehicle breaks in the middle of the road or a something start malfunctioning in the noodle store). As we can see, he works more in the hardware part.

• He likes to collect the old pieces of old devices that people throw away in the city's old graveyard. It's like a type of recycling. (That's also how he find the Monkey king's staff but that is a thing I will tell in details in another day--)

• He loves to draw!!! Hooray!!! He also likes to play games. Is always playing video games with his best friend, Mei, on the arcade or online.

✦ Mei, The White Horse Dragon Girl

• She's a programmer/developer of softwares (Yes I know that in I drawing I said she's a "hacker but a bit clumsy" but actually i wanted to say shes a programmer. I was sleepy, it was 2 am, and my brain wasn't braining 😰😰😰---) with a few knowledge about hardwares. She created her technological helmet system with MK's help. (Her helmet it's similiar to Iron man's helmet from inside.)

• She built her own motorcycle, again with MK's help. She participates a lot motorcycles race just for funsies.

• Loves to play games. I guess I could say she is quite of a professional gamer? She play to win. But when she is playing with MK or with other friends, she doesnt care losing or winning, she only cares about enjoying some quality time with them.

✦ Liu'er Mihou, The Six Eared Macaque.

• Pretty much same as the original Macaque. (Lost his eye in the past with a fight against Sun Wukong. Omg betrayal. Yknow the deal-)

• Here he is a Hacker/Cracker.

"But what is a cracker?" You may ask. Now it's time for my nerd/TI studant side take over. A cracker it's a mean hacker. The cracker breaks/attacks the systems and webs for their own benefit, which it's for illegal purposes. Now a Hacker it's actually a job, which their purpose its to find the security breaches and ways to how break it, so then they can make the security stronger and prevent invasions/attacks at the system.

With that being said, Macaque is a hacker/cracker. So he makes defense systems to himself and breaks into other systems for illegal purposes.

• He got these gloves that helps him hack things better, he created it himself. He create floating holograms like it's a tablet screen and can hold on these holograms using these gloves. With a simple touch he can steal database from a device and hack it's system. (He can hack machines, computers, tech weapons and even the light system.)

• He got his shadow magic too, same as the original one. Shadow clones, shadow portals... but he kinda makes a fusion between his magic and the technology he invented to himself. (Before anyone say it. YES! I got heavily inspired by Sombra from Overwatch. 😔)

✦ The Monkey King, Sun Wukong

• Yeah, the Monkey king. The great sage equal to heaven. The silly who made a havoc on heaven---

• HE GOT THAT HUGE MECHA WE SAW IN THE ANIMATED SERIES BECAUSE HE DOESNT LIKE USING HIS KAIJU FORM !!!

But he doesnt use the mecha much. It has been CENTURIES since he last use it. Now MK is the one who uses it because he is Sun Wukong's successor.

• That's not his "Monkey King" royal clothes. It just some casual/comfy clothes to use in everyday life.

• He already knew who MK was. MK is a stone Monkey just like himself. Wukong have been watching the kid grow up from far. He grow a bit attached to the boy.

Sun Wukong surely wasn't expecting to MK being able to lift his golden staff, so he think in the opportunity to make him his sucessor and teach him how to use his new powers. (Yes, I was lisiting to "the horse and the infant" song. How did you kn--)

Oh God. That explanation was long.

✦ Welp, that's all for today!

I will post more stuff about the AU in the future. And I still need to think a name for it...

It is clear I got heavily inspired by Cyberpunk, techwear, overwatch, New Gods: Nezha reborn, Arcane and other stuff. I'm sorry, BUT I ABSOLUTELY LOVE THAT AESTHETIC AND VIBES!! HHHHHHH-

✦ I'm a huge nerd. 🤓

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galzydraw · 5 months

Note

Omg where do I begin.

Im a beginner artist and I just found your blog not too long ago. Can you please tell me how you learned to draw character art? And also how/where you learned character anatomy? I’m tired of just drawing shapes, Undertale hearts/souls, and whatever random crap my brain comes up with. I want to draw character art and I thought; Why not ask someone who’s amazing at it. So I asked you!

Hellooooo! :D

Hey, I honestly read your message and it touches my heart. Because honestly, when you mention to me that you like how I draw. And ask me this question about how to draw both the anatomy and the design that I gave when drawing.

Well, just to be clear, I have to tell you that how I draw now does not compare to how I drew years ago. (And I tell you that I have been in Art for 8 years)

Since at first I only drew sticks and circles. I even looked up images to learn from them based on their anatomy and create my own version. And I was literally breaking my head. (It was terrible and I still think that I should improve more and polish my way of drawing since now I am suffering with the section of deepening the drawing)

Then I took online drawing courses and at least I can tell you that it took me the first 3 years to find my own style.

I even forced myself to ask another artist the same thing as you. and I feel happier to tell you this anecdote.

My advice as such that you can follow as I did.

1- Several references are being implemented on Pinterest. It's also acceptable to base yourself on a character's pose. This is in case you have your own creative block.

2- Use the pen if you draw in a traditional way. (This is to prevent you from erasing your anatomy mistakes. "This is how I learned to improve my weak points.")

3- If you draw digitally, use the opposite of the pen with “red”. Here I show you some of my sketches using this method. Yeah! Practice hands and legs "first" since if you master this part you will take away the fear of drawing the rest of the body.

4- Este es el curso que tomé (Página de Domestika): https://www.domestika.org/en/courses/2227-daily-sketching-for-creative-inspiration

5- Utilizo este programa para poner en práctica la anatomía. https://posemy.art/

I hope my advice will serve you. since I appreciate that you take me into account. If in the future you have more questions. I am here to serve you. Postscript: Don't be discouraged. I have always said even though I didn't know anything about drawing… That all artists have their own unique talent even if it takes them more than 10 or 20 years to try. Look at me, I've been here for 9 years and I'm still learning new things.

a hug :3

#digital art #artists on tumblr #undertale fandom

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its-a-me-mango · 2 months

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ART/OC’S Q&A

Do you take requests?

No, but I do take suggestions! The main difference is that I can pick and choose between suggestions for ideas that I like and want to draw from, you're welcome to send in suggestions whenever! Obviously don't take it personally if I never draw your suggestion, they are just drawing ideas to me and I would go insane if I drew EVERY single suggestion I get!

Can you draw my OC/AU?

As much as I love everyone's OC’s and AU’s, I cannot draw for everyone, and to be honest I am a lot less likely to draw someone's OC/AU if I’m requested. Don’t take it personally, I have a weird thing where I would much rather gift someone art rather than be asked to draw it for them, it makes it feel like my idea and therefore I’m more passionate about doing it for them! It’s why I don’t request people directly to draw anything for me. Again everyone's ideas are amazing and I love seeing how creative people are. It's just that I'd much rather gift people art of their OC/AU than be requested to draw it, I will draw things for people when I have the motivation to do so!

Can I draw your characters/AU's/designs?

Yes! You are always welcome to draw any of my characters, AU's or designs! Please make sure to @ me in your own post if you do so I can see it and reblog it! I'd prefer to have any gifts for me be posted instead of sent to my ask box, as asks can sit in there for a while and I want others to see your amazing work ASAP, though I don't mind either way!

Can I write something with your character/AU’s/headcanons?

Yes!!! That would be so awesome!!! You are welcome to come to me to ask for advice on writing about my characters and stuff but yes you are welcome to write for them! I cannot write to save my life (dyslexia/ADHD mega combo lol) so I look up to anyone who can write fanfics and such, you guys are so cool!

Can I use your work for icons/banners/edits/etc.

Yes you can! No need to ask permission, I would appreciate credit being given to me, either to this blog or to my Twitter account, an @ to either account name is enough for me though a link is preferred. You are welcome to edit my work for icons/banners/edits as well, again as long as credit is given.

Can I repost your work?

Reposting is only allowed provided credit is given! Again, either to this blog or to my Twitter account, an @ to either account name is enough for me though a link is preferred. Do not repost my work claiming it as your own, that's weird. If i’ve drawn something for you you’re more than welcome to repost it with credit as well!

Can I copy/trace your work?

Do I really have to say this? No please don't do that, you don't learn from tracing other artists work, use real life references images if you need help learning anatomy. I don't consider style copying to be a thing so I'm fine with people incorporating my style into their own, and sketching over my work to get a rough sketch is fine, just don't line over it and call it your own.

Can I used your work for AI?

No, fuck off.

Why do you tag some of your art as suggestive?

Just to be safe, I know I draw “sus” stuff sometimes and I mainly want to make sure people keep themselves safe when viewing my stuff. My blog will never explicitly post anything NSFW, the suggestive tag on my art is mainly for sex jokes, pinup style clothing/posing or ass. Again it is just to be safe, you’re not obliged to reblogs with the same tag as me, it’s just to make sure people don’t see something they don’t want to.

Who are the recurring characters that keep showing up here?

Oh, you mean my children? Let me give a rundown:

Mango (He/They) - Mango is my sona! I use him all the time for answering things and also just in general. He is part Dr Mario and part MLP pony from another dimension that somehow got sucked into the SMG4 universe. He works as a doctor in the SMG4 universe, he’s a bit cynical at times but he’s still a kind and caring guy, he’s just sick and tired of all the BS that happens in the SMG4 universe.

Smug (He/Him) - Smug was originally a weird bootleg SMG3 plushie that got turned into a human somehow, he is still a plushie just much bigger now. He spends all his time scamming people in various ways to get what he wants out of them and has no care or regard for them. He has a friend/partner who’s a bootleg SMG4 plush, however she wasn’t transformed as much as him and therefore is the same as before, she can just move and talk now.

Telly (They/Them) - Telly is a happy little accident that somehow occurred out of nowhere, they are the child of Mr Puzzles! They are a shy yet friendly little child who just wants to make friends and watch TV. They struggle with meeting people due to their speaker not working as they can only make static noises to communicate, but they are adventurous and always looking to have fun! They love and look up to their father a lot, he's their biggest inspiration.

If more get added I’ll put them here, you are always welcome to ask me about any of them! I love talking about them! All of them have their own tags on my blog that are free to be used by others as well!

Do you have any AU’s?

Yes! I have a werewolf SMG4 AU! I need to work on it. Werewolf SMG4 is a version of SMG4 who's been cursed to turn into an out of control werewolf every night, his friends are constantly working to try and find a solution to this curse while 4 is busy trying not to get anyone killed. It's very angsty and sad I promise, one day I will work on it more, you are welcome to ask about it whenever! It might motivate me to work on it more lol.

#THESE ARE FOR MY Q&A OKAAAAYYY :3

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boyswhowawa · 1 year

Text

Artificer Design!!

Or at least me working on it!!

This is the last drawing I did, and I think it really shows off the design well!!!! I really love this design I came up with, and it's with heavy inspiration from @snickerdoodlesart, so a bit more on that, and the design! under the cut

First things first, the reason I chose to take inspiration from Snickerdoodles' design is, because it's just super fucking rad and gender, ajsd;flkkjas;fkldjadkl;sfja

HOWEVER, I understand completely if taking inspiration like this is not okay, and I would be fine with deleting this design and restarting should you say so, Snickerdoodles, genuinely

regardless, some fun stuff!

first things first, I did some studies of Snickerdoodles' design, just simple ones, because I wanted to figure out what it was that I really felt was so like... fantastic about it???

(the answer ended up being "god everything comes together so well, the shapes and the dynamics of the scars and how the explosive things interact with it all just make for such a wonderful design that is like, the PURE energy of the character it comes from, in such a sincere way that I feel like this IS the character in every facet of what they could be")

but what I learned was that like, I wanted to try to have fun with the scars! so that's what I went for!

So then I started sketching, and I had this idea with the face

I wanted the eye scar to be like, totally bright similarly to Snickersdoodles' (admittedly a lot of the face scar comes from snickerdoodles...)

but I knew with some bits *around* the eye I wanted to have these extra little cuts, that sort of just... idk i like doing cheek markings and I thought this was a creative way to do it!! also the eyebrow is just three lines that are sometimes meshed together<3

I really really liked this face, so I keep it going forward

this is the next sketch I did, to figure out where I wanted the scars to be placed!!

this is kind of where I slightly decided I wanted Arti's head kind of hunched forward at all times, big huncho boyo, she's great

I also wanted just, a BIG burst spot on their tail, and like...

then I was like "oh i'm gonna finish this sketch actually"

then I--- inked on the wrong layer. aj;sdlkfja;klsdfjakl;j

so it got stuck like this and I couldn't do anything about it....

I think when I do color my arti properly again, I wanna have it lean over to a reddish dark purple rather than this

also i think the cherry bomb thing being like woven into the spear cloth was too much, and doesn't really work for arti's bomb spears ?

i just messed up a lot, basically

Oh! Also this is where I was like "oh I can put extra little light spots in Arti's scars...."

then I did this to sort of vaguely show what an explosion from Arti might look like, or more accurately, Artificer 'Igniting', rather than just doing bursts, I imagine this Arti revving up and just being extremely hot for a while, letting out bursts of energy still, but not able to do it as easily from a neutral, unignited state

this was SO fun to do, using pink and yellow is really fun when i'm trying to do something with strong energy

this also is where I feel I figured out everything I felt I needed to still figure out with the design, the scar placements, the scar styles, the shapes I wanted, etc. etc.

and then finally, I did a sort of pseudo ref for Arti!

and while I am super happy with this, and super proud

more importantly than that, I want to be sure that this is *okay* with Snickerdoodles, it wouldn't be right of me to just, steal things from your design for my own sake, and it's not like I'm starving for design ideas, I can probably think something else up if I try hard enough, so there'd be no harm done, and if you're at all uncomfortable with me taking inspiration like this, just let me know as soon as you can

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that-wizard-oki · 10 months

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How did you start doing jobs for kingsisle?? I'm trying to break into the industry as an artist, and I have no clue how to approach potential employers, even just for commissions 😭😭

Hey! So I actually work full time with KingsIsle as a character animator- my job year round is to make pets, mounts, mobs, npc's move :D

How I got started here is kind of a wild story. I had been wanting to reach out to KI about possibly interning with them post-graduation- I had a few people I semi knew at the company, and knew I'd have a good portfolio piece to show them from my senior thesis project. However, three days before graduation, a friend from KI msg'ed me that KI was doing summer internships, and asked if I was interested. I spent the next 3 days building my portfolio website/resume & sent it to my friend. A month and two interviews later, they accepted me! Once my internship was drawing to and end, they were able to offer me a full time position.

My #1 piece of advice for folks trying to break into the industry: MAKE CONNECTIONS. NETWORK. Obviously having dedication and building your artistic skills (whether that's character design, animation, story boarding, etc) is a huge part of it- like you can make as many connections as you want, but if you don't have a decent set of skills/a portfolio to back you up, then you might be out of luck there. But I cannot understate the importance of networking.

So, how do you make connections/network? My advice:

-I know everyone can't afford it, but going to an art school/college is a decent way to make connections- not just with teacher's who have worked in the industry themselves, but also with your future artists. Heck, I've been seeing younger artists like myself start their own studios. You can defo still make connections w/o college, but I just wanted to note that.

-Interact with artists/folks in the industry online. comment on their posts, ask them genuine questions. Most folks are happy to answer questions or give portfolio advice.

-Mentorships are a great thing- also something i see offered on twitter a lot. Some studio's like dreamworks have "internship" like programs where people who have recently graduation or are looking for a career change can apply to and learn from. I'd follow companies you're interested in via linkedin, or visit their websites to see if they offer things like this

-Also!! Participate in anijams, gamejams, art swaps, zines- these are all great ways to connect with fellow artists online. My college has an animation club that does anijams twice a year- which is a GREAT thing to put on your resume- it shows collaboration, dedication- things you need to be open to when working in the industry.

-I'd also say that trying to narrow down what you're really passionate about doing (for me, 3d animation just fit my heart the best) and learn more about it. Watch youtube videos, follow tutorials. Practice your anatomy, do gesture drawings from life, draw as many hands and feet as you can, lol. All things to help strengthen your skills! Consistency is key!!

I know that's a lot of info, so I just want to reiterate something: I've been at KI for about a year and a half now, and I am still just as passionate about this game as I was beforehand. That passion is one of my greatest assets. WANTING to do what I do for work makes working a lot easier, and produces a better product. If you have a passion, a drive to do something, you can do the damn thing. Making connections/being consistent as an artists can feel wildly overwhelming. But it doesn't have to be. You're worthy of sharing your art and ideas with the world, and people want to hear them. Baby steps! Start small. Heck talking to me already gets your started with networking :D

Hope that wasn't too rambly/answered some of your questions anon. Feel free to inbox or dm me if you wanna chat more- goes for anyone reading this :)

#oki answers a thing #anon

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