#i am saved by the fact that you exist

[heavensickness]

When Harry was sniffing Kim, it was electrochemistry, not perception, that sensed his aftershave because Harry found Kim's scent attractive even if he didn't realize it

[egophiliac]

buckle up lads we're going BACK INTO THE BOOK

[coquelicoq]

Qat lets you search for words matching a given pattern. It is the ideal tool for the discerning setter or solver of crosswords and other word puzzles. Try it now! A French-language version of Qat is also available, with the same search syntax. Essayez maintenant! Qat can find individual words matching simple and compound patterns (much like grep, Word Matcher and similar tools); beyond that, it also has an ‘equation solver’ mode that can find sets of words that simultaneously satisfy given constraints. Using this feature you can, for example, find pairs of words that are single-letter (or multiple-letter) misprints of one another, words that share common segments or that differ from one another in specified ways, words containing the same segments in different orders, and much more besides. See the examples below; a more formal explanation of the pattern syntax appears at the bottom of this page.

oh? my god???

[hikari-m]

"Yesterday was Ohigan, so I went to visit the cemetary."

"Yes. Now I can calmly say {with certainty} that, the parents I have now are 'my parents'.

... But my parents 'in {"Heaven"}' {'Tengoku'} 天国 are also important." {"Taisetsu des!"}

"...What's wrong? ...Gennai-san?... {Gennai}'s making such a {somber} face--"

"Oh, it must be about 'that'..." - Koushiro, before ending email with a long dialogue about the "meaning of being a Chosen Child", among other discussion on the "number of Chosen Children" '{that's expanding}' frequently within numbers of years

{Clip'd by Me} {Do Not Copy} {Do Not Repost to Other Sites} {Do Not Re-produce My Editing Under Any Circumstances without my Permission} (Please ASK to Share)

[leaf-in-a-flower-garden]

yo.. do you envision daleth as a specific species of vulture or just. vulture in general

Ok so it's a little difficult because of the amount (23) of different kinds of vultures. To my knowledge (hardly an expert lol), vultures are split into two (genus?) groups: New World (North, Central, and South America) and Old World (Africa, Asia, and Europe). There are a few physical differences that tend to set the two apart, e.g. old world vultures tend to have longer necks and be bigger (not always), and the general existence of a voice box (Old World has it, New World doesn't). So it's not like you'll be often mixing them up, especially if you're listening for them.

There are a few more things I could talk about, but, if I were to guess, Daleth was *originally* based on old world vultures (bc he's an old man /j) such as: the Indian Vulture, Lappet-faced Vulture, Eurasian Griffon Vulture, Rüppell's Vulture. Also what I like to call 'what you think of when someone says vulture'.

I wanted to joke about how Daleth is a Bearded Vulture, however, despite its beauty, it has a big difference in how the neck and head are drawn and it just doesn't give enough Daleth vibes so :( I also wanna include the Himalayan Vulture as an honorary member because it's one of the largest old world species and among the largest true raptors.

So, while I can't pinpoint exactly what vulture Daleth could be, I'd imagine he'd be something along with those mentioned. Hope this helped! :3

(if I messed anything up here it's because I'm super tired lol)

[the-kipsabian]

fic writer asks: 2, 7, 12, 19 and 22! :3

2. What fic are you most proud of? theres probably others, but right now how i look at you is something i cant explain immediately comes to mind. i still think the romantic vibes and the soft cravings are very excellent in it ough

7. Favorite fic trope? im a simple man. give me hurt/comfort any day of the week tbh 💜

12. What is your "perfect" writing environment? i dont really think there is a perfect one lmao. it depends on the inspiration more than anything. if im feeling it, then we write, not depending on where i am. sometimes i need music or background sounds, but it depends where my brain is on focus mode at the moment. mostly its just me, having an idea, on my couch, with nothing but my keyboard sounds tbh lmao

19. What is your favorite character/pairing to write for? orangekip will always be my beloved tbh. theres just so much untapped potential, and in every version and au and scenario and such they are just perfect no matter what

22. How long have you been writing fanfiction? i was like.. seven or eight when i wrote my first pokemon fics. and im turning 32 in about three weeks. so uuuh. for a while LMAO

[unproduciblesmackdown]

being alive at the time i gleaned some general elements abt encanto but never actually heard we don't talk about bruno beyond awareness it existed popping off & i think i heard like the title recited off key off rhythm but in a way that indicates speak singing nonetheless lol so upon experiencing it it's like oh but it's the Verses? while the last refrain goes harder but prior to that it's comparatively underwhelming to said verses which feels appropriate like verses / pieces of a larger picture & that a "we don't talk about him" as a disappointing Lid on infinitely richer more characterful & dynamic "but: talking about him" instances. like well personally it'd be like um seven foot frame....anyway besides being able to firsthand go like oh damn Real (the kind of thing you know exists if alive at the time) it's like alright hang on lol. one thing when a core theme is yeah like "is it a refuge if 'especial' vulnerability ultimately gets pushed out rather than made safer" subset like the parties whose even observation of truths (problems) & drawing attention to them is seen as Ruining Things, like if you're painted as Making futures that aren't simply what's desired or reassuring rather than a guidance via just observing & sharing the truth. but then it's like whaddaya mean living in fear of bruno stuttering and stumbling you could always hear him sort of muttering and mumbling lmao like now that's just Association between the Truth Perceiving & Telling behavior & behavior that's just apparently distinctive of the same person. & like Not Accidentally when [what if people were magic] specifics are obviously primarily abt a metaphorical meaning & like, indeed it was made clear like oh this situation isn't Just b/c [boo we hate your prophecies] & that [an Ability that isn't directed towards what anyone Wants / is "weird" even by these magic standards] isn't Coincidentally given to someone who just so happens to already be "weird" in other ways & be set up to have a different perspective & be pushed away due to having the supposed "extra" vulnerability of unmet needs / insufficient support, same as someone who doesn't "correctly" have any kind of magic ability....like yeah banger and also like Oh Yeah Kind Of Devastating re: that metaphorical resonance allowing for like [set the metaphor aside] now hang on with this about this disabled family member lol. misinterpretation to The Ruinerrr / The Problemmm / The Maliciousss etc (i.e. the scapegoatinggg) despite their efforts likely entirely to the contrary. then despite like, efforts aside, Just Existing, always kind of muttering & mumbling like & what of it. & then like oh sorry weird pets. weird [auspicious for adaptable tenacious thriving surviving; either way simply creatures, existing] pets.

truly like As Is The Idea I'm Sure quickly becomes like hands behind back standing at the window Uh Oh Sisters musing on all the [disabled person] metaphorical & already literal elements there. blair witching it in contemplation like We've All Been There whether being so resented for the mere disruption of "existing in a group as the 'abnormal' odd one out" or like people talking shit abt anything associated w/you as soon as you've left the room, which is also made relevant like, this wasn't Only directed at this person when seemingly permanently gone, nor were they unaware / unaffected prior....pacing in the Musing parlor like things don't Have to be compared to billions but i only ever even see so many things & it's like billions sure is like "get scapegoated rword" & then said scapegoating is presented as only beneficial & we hate autists & even beyond that it's like, grabbing billions, Imagine If Things Meant To Be About Something Were About Something. quite a contrast when they are & furthermore like, deliberate thought & Care for [who gets scapegoated & why] & the truth of like, people getting pushed aside & out who have a key perspective & are primed / liable to come through for others similarly vulnerable & the supposedly Ruinous, Problems Generating disruptiveness is actually the strongest effort to make essential changes to a group. & come through with like, it'd be undermining thee point if it was "reassuring" us like oh haha people will be supportive b/c bruno will be more normal, so great that it Didn't like no, no Normality Reassurance(tm), presence of abnormalities(tm), Good, & everyone Can Deal b/c if you don't then it's pushing this person away, is exactly what happens, including even if they're still Around but are being mistreated b/c that is entirely part of that pushing away like anyone's victim blaming is ready to pounce at any time but if someone can't stand to stay / leaves b/c they can't see another option like that's not out of nowhere nor Regardless of what full support & flexibility they were getting lol. these Active Measures everyone loves so much, which are everywhere always & would include Staying & Trying To Make It Work & those efforts would be "disruptive" & resented & Bringing It On Oneself & etccc smh

that is to all say like. Woww when clearly basically the core thread was these beats of like, the crucial site of [thee scapegoated], & why that comes down on someone & how that plays out. endless ideas about how someone weird(tm) & disabled (&/or queer. but there's no Or here lol. & again like it's a Context like, to even be the one person without kids? likely not living up to "full" correct sexuality in that way alone; any oppression's logics of "inferiority" being logics of ableism, ready examples being that "inferior" race, gender, sexuality (& their experiences as people classed as inferior) all being pathologized as disordered) are seen & treated as someone Ruining Things & who cannot belong like whew. bracing. winding. which, i also recall like i was watching with headphones & during this one dialogue pause i was like "?? what's this Extra Sound i heard there" & had to go over it like twice before being hit upside the head like well it Was still the dialogue pause but it was also bruno Stuttering in a very quiet whisper for the duration of that pause before continuing like iiiiiiii x_x

[six-improbable-things]

.

[cluescorner]

There's no feeling stranger than knowing that something is bad but liking it anyways. Not in a 'it's so bad it's good' way. Because that implies that it has become good. I'm talking like this thing is just kinda bad in the normal ways things are bad, but i like it anyways.

[heavensickness]

Quotes and poems that remind me of Harry & Kim from Disco Elysium

Aimee Nezhukumatathil / @sighcomics /Eden Robinson / Richard Scott / Neil Hilborn / Tom Stoppard / Gabriela Mistral / Of Montreal / Ocean Vuong / James Baldwin

[tsuutarr]

Yandere!Hero (Chosen One) x Saint!Reader

Being the Hero – the Chosen One – means that the world’s fate is on Elias’ shoulders. He’s long since forgotten how to live for himself, his life belonging to everyone but him. He’s merely a puppet that’s being strung along by the world for the sole purpose of saving it.

At first, he was honored to be chosen as the Hero – it’s a privilege most don’t get. But everyone expects too much – everything – from him. His life is carefully shaped into what others want of him, people only looking at his role and not him as a person.

Now, he fights and saves people due to duty, not desire. There is no sparkle of pride when he helps villagers. Instead, all that is left is another thing checked off of his mental checklist. Now, he just wants to rest. He just wants things to be over.

So that’s why he despised the idea that some Saint from the Church would be his “helper.” Traveling with someone else is only going to slow him down. Not to mention the fact that he doubts the Saint has ever seen bloodshed and disease like he has.

But when he actually meets and travels with you, the Saint, he realizes that you’re actually not that bad. You’re actually kind of nice. He’d expected you to turn your nose at the commoner population, refusing to heal them, but you actively seek them out to help. You’re kind and gentle, but headstrong. Even when you’re visibly exhausted, you do your best to keep going. 

It’s… kind of impressive, actually. He had misjudged you, perhaps.

Even now, you’re helping the knights that were attacked by bandits (which Elias had vanquished), healing not only their bodies but their souls, too. He can’t help but look at you, a raw beacon of kindness that he hasn’t seen before in his travels. 

Once you’re done healing the knights, you look up at him, before a gasp escapes your lips. “Elias!”

He blinks at you, curiously.

“You’re bleeding!”

“Ah.” Elias looks down at his hand, blood dripping down his fingers. He had instinctively grabbed a knife by the blade earlier because he wouldn’t have been able to dodge it in time. “This is nothing.”

“Oh, shush!” you say, approaching him. You push him towards a tree stump, forcing him to sit, which he allows. Carefully, you take his hand in yours, frown deep set on your mouth. Your hand is so warm that it makes his heart burn.

“You’re tired,” he states, bluntly. He doesn’t tug his hand out of yours. “You’ve healed too many people.”

“I can–”

“No.” He shakes his head. “Rest for now, Saint. I am fine.” And he’s right – he’s the Hero, after all. His wounds heal much faster and better than a normal human being. He doesn’t necessarily need your healing.

“Still,” you murmur, looking up at him. “Can I at least clean and bandage it?”

It’s pointless, really, but Elias says, “Do what you want.”

So you do. You disinfect and clean his wound, before carefully wrapping his hand with bandages. For some reason, his heart squeezes painfully as he watches you tend to him so gently. He doesn’t remember if anyone’s ever treated him this kindly.

“There.” You look proud of yourself. It’s kind of cute.

“You didn’t have to,” he mutters without really thinking about it.

You give him a smile that makes his brain stop. “I wanted to. I want to support you.”

For some reason, your words almost make him want to cry. He’s not sure why – he’s seen so much death and destruction to the point that his emotions have become numb. Yet, you bring flickers of his feelings back to him – happiness, sadness, anger, love. 

You make him feel like he has an existence beyond just being the Hero. You make him feel human.

So, how can he let you go? He can’t – and he’ll do everything he can to make you his. Even if it means he has to destroy the world.

[flanaganfilm]

Mr. Flanagan, I’d like to ask a question and I deeply hope that it does not offend or upset you. I am strongly considering canceling my Netflix subscription due to their new password sharing policy. However, Midnight Mass is one of my favorite shows of all time and I know it isn’t available on DVD, and I’m also profoundly anticipating your take on my favorite Edgar Allen Poe story. So I wanted to ask your take on people accessing your work through, uh, other means. If it’s something that’s offensive to you or will harm you or the other people who work so hard on these shows, I’ll happily keep my Netflix just so that I can keep supporting your work. I respect you far too much as an artist to do otherwise.

Again, I really hope I’m not upsetting you by asking this question. Thank you for everything, and I hope you’re having a great day!

(NOTE 6/4/2024: I'm editing this entry because, well over a year since it was posted, some journalists dug this up and used it to create click-bait headlines that are misleading, out of context and artificially combative. While I was of course disappointed over the years that Netflix opted not to release my work on physical media, I never experienced any hostility or aggression in those discussions, and I sincerely regret the manner in which this post was used in the press this week.)

Hi there - no offense taken whatsoever, in fact I think this is a very interesting and important question.

So. If you asked me this a few years ago, I would have said "I hate piracy and it is hurting creators, especially in the independent space." I used to get in Facebook arguments with fans early in my career when people would post about seeing my work on torrent sites, especially when that work was readily available for rent and purchase on VOD.

Back in 2014, my movie Before I Wake was pirated and leaked prior to any domestic release, and that was devastating to the project. It actually made it harder to find distribution for the film. By the time we were able to get distribution in the US, the film had already been so exposed online that the best we could hope for was a Netflix release. Netflix stepped in and saved that movie, and for that I will always be grateful to them.

However...

Working in streaming for the past few years has made me reconsider my position on piracy.

In the years I worked at Netflix, I tried very hard to get them to release my work on blu-ray and DVD.

It became clear very fast that their priority was subscriptions, and that they were not particularly interested in physical media releases of their originals, with a few exceptions.

While companies like Netflix pride themselves on being disruptors, and have proven that they can affect great change in the industry, they sometimes fail to see the difference between disruption and damage. So much that they can find themselves, intentionally or not, doing harm to the concept of film preservation.

The danger comes when a title is only available on one platform, and then - for whatever reason - is removed.

We have already seen this happen. And it is only going to happen more and more. Titles exclusively available on streaming services have essentially been erased from the world. If those titles existed on the marketplace on physical media, like HBO's Westworld, the loss is somewhat mitigated (though only somewhat.) But when titles do not exist elsewhere, they are potentially gone forever.

The list of titles that have been removed from streaming services is growing.

I still believe that where we put our dollars matters. Renting or buying a piece of work that you like is essential. It is casting a vote, encouraging studios - who only speak the language of money - to invest more effort into similar work. If we show up to support distinct, unique, exciting work, it encourages them to make more of it. It's as simple as that. If we don't show up, or if they can't hear our voice because we are casing our vote "silently" through torrent sites or other means - it makes it unlikely that they will take a chance to create that kind of work again.

Which is why I typically suggest that if you like a movie you've seen through - uh - other means, throw a few dollars at that title on a legitimate platform. Rent it. Purchase it. Support it.

But if some studios offer no avenue for that kind of support, and can (and will) remove content from their platform forever... frankly, I think that changes the rules.

Netflix will likely never release the work I created for them on physical media, though I'll always hold out hope.

Some of you may say "wait, aren't The Haunting of Hill House and The Haunting of Bly Manor available on blu-ray and DVD?" Yes, they are, because they were co-produced with Paramount, and I'm grateful that Paramount was able to release and protect those titles. (I'm also grateful that those releases include extended cuts, deleted scenes, and commentary tracks. There are a number of fantastic benefits to physical media releases.)

But a lot of the other work I did there are Netflix originals, without any other studio involvement. Those titles - like Midnight Mass, The Midnight Club, and the upcoming Fall of the House of Usher - along with my Netflix exclusive and/or original movies Before I Wake and Gerald's Game - have no such protections. The physical media releases of those titles are entirely at Netflix's discretion, and don't appear to be priority for the studio at this time.

At the moment, Netflix seems content to leave Before I Wake, Gerald's Game, Midnight Mass, and The Midnight Club on the service, where they still draw audiences. I don't think there is a plan to remove any of them anytime soon. But plans change, the industry changes.

The point is things change, and each of those titles - should they be removed from the service for any reason - are not available anywhere else. If that day comes - if Netflix's servers are destroyed, if a meteor hits the building, if they are bought out by a competitor and their library is liquidated - I don't know what the circumstances might be, I just know that if that day comes, some of the work that means the most to me in the world would be entirely erased.

Or, what if we aren't so catastrophic in our thinking? What if it the change isn't so total? What if Netflix simply bumps into an issue with the license they paid for music (like the Neil Diamond songs that play such a crucial role in Midnight Mass), and decide to leave the show up but replace the songs?

This has happened before as well - fans of Northern Exposure can get the show on DVD and blu-ray, but the music they heard when the series aired has been replaced due to the licensing issues. And the replacements - chosen for their low cost, not for creative reasons - are not improvements. What if the shows are just changed, and not by creatives, but by business affairs executives?

All to say that physical media is critically important. Having redundancy in the marketplace is critically important. The more platforms a piece of work is available on, the more likely it is to survive and grow its audience.

As for Netflix, I hope sincerely that their thinking on this issue evolves, and that they value the content they spend so much money creating enough to protect it for posterity. That's up to them, it's their studio, it's their rules. But I like to think they may see that light eventually, and realize that exclusivity in a certain window is very cool... but exclusivity in perpetuity could potentially limit the audience and endanger the work itself.

[grison-in-space]

from the number of asinine complaints about how "voting is NOT a form of harm reduction" because harm reduction is for ADDICTS! ONLY! I'm seeing around... all coming from OP blogs I don't recognize and which otherwise don't have much presence... well, that coordination alongside the timing of US politics sure feels like the Russian troll bots agitating again. (Yes, they absolutely infested Tumblr; I think @ms-demeanor had a great post about what the bots looked and felt like somewhere that I will have to try and track down tomorrow.)

The thing is, if you actually do know harm reduction well, the complaint makes no sense. It's not as if the origin of harm reduction is a secret or especially hard to find out more about. I am not exactly an expert in the field: I have a educated layperson's interest in public health and infectious disease, I'm a queer feminist of a certain age and therefore have a certain degree of familiarity with AIDS-driven safer sex campaigns, and I'm interested in disability history and self advocacy (and I would in fact clarify harm reduction as a philosophy under this umbrella). So I have about twenty years of experience with harm reduction as a philosophy basically by existing in communities whose history is intertwined with harm reduction, which means I know it well from many different angles, and I know how the story of the philosophy is generally taught.

See, this is a story that starts, as so many stories do, in the 1980s with something monstrous President Reagan was doing. In this case, it was the AIDS epidemic, and Reagan refusing to devote any money or time to what eventually became called AIDS (rather than the original GRIDS, which came with its own baked in homophobia). Knowing themselves abandoned by society in this as in all things, and watching as friends and loved ones died in droves, queers and addicts are two communities who see that they are the only resources that they collectively have to save each other's lives. Queers know that sex, even casual sex, is an important part of people's lives and culture... and people aren't going to stop doing it even if there's a disease, so how can it happen safely? Condoms. Condoms every time, freely available, easy and shameless, shower them on people in the street if you have to. (And other things: this is the origin of the concept of "fluid bonding", for example... both of which were concepts that were immediately adopted in response to COVID, like outdoor socially distsnced greetings and masks and "bubbles." That wasn't an accident. Normalizing sexual health tests and seeing hard results on paper before sex was a thing, too.)

Addicts, too, knew that using was going to happen no matter how earnestly people tried to stop. If it was that easy, addiction wouldn't exist. So: how do you make using safer for longer? If you could stop someone getting HIV before they could bring themselves to get clean, that's a whole life right there. If you could stop someone overdosing once, twice, a dozen times, that's more time you're buying them to claw themselves out of addiction and into a better place. Addicts see, right, needle sharing is getting the diseases spread, so cut down on needle sharing. Well, needles aren't easy to get hold of. Their supply is controlled because people who aren't prescribed needles are theoretically junkies, so taking the needles away makes it harder to use, right— and no one is complicit, and also you see fewer discarded needles lying around where they're unsanitary and unsafe, right? Except that people want to do a buddy a good turn, so they share if there's no other option, and they'll keep a needle going until it's literally too blunt to keep using if need be. So fighting needle sharing means making it easier to get needles to shoot up with: finding a place to discard used ones and get as many fresh ones as you need to use safely!

Making free needles available to junkies and free condoms for the bathhouses was not a popular solution with politicians, for perhaps obvious reasons. Nor was routine testing of the blood supply, because that cost money too. But these things work to stop the spread of disease. Thus the principle of harm reduction: policy interventions in response to communities that frequently engage in risky behavior should focus on whatever reduces aggregate harm by reducing the risk rather than by trying to reduce the behavior. The homos and junkies say look, all your societal judgement in the world hasn't stopped us being homos and junkies yet. You ain't going to look after us? We'll look after our own. And this is the form that takes. Not increasing the pressure to act like people who aren't is, but making it safer to be the people we are while we try to be the happiest versions of ourselves. Even if that means being morally complicit in a whole lot of casual sex and drug abuse.

The thing is, harm reduction is a philosophy rooted in the defiance of people who knew that their society thought they deserved to die painfully, young, invisible and alone. This is not the kind of thing that people come up with and get mad if you adapt it and share it, especially if you tell the story of where it came from. And importantly, harm reduction is not purely the child of addiction: that philosophy, from the get go, was cooked up to apply both to substance abuse and casual sex. It didn't just spread from addiction care; it was born straddling addiction care and queer & feminist health care.

So it doesn't make sense to see actual activists who know harm reduction well complaining that this is a term exhibiting semantic drift when we talk about voting as harm reduction. It's actually a good metaphor: you're reducing the overall risk of the worst case scenario metaphors by voting Democrat, at least until future votes can install a system where multiple parties can flourish on the political scheme. (Democrats and Republicans are essentially coalitions of a pack of arguing factions anyway, and those factions are essentially what would be classed elsewhere as a party in its own right; the US essentially just lumps political granularity rather than splitting it in our political system.) And anyone who understands harm reduction itself knows that.

So it's this wildly inorganic complaint being voiced repeatedly by different sources. Sounds like a pretty good flag for a potential psyop to me.

If you want to learn more about harm reduction and its history, especially from an addiction perspective, I cannot recommend Maia Szalavitz's Undoing Drugs: How Harm Reduction is Changing the Future of Drugs and Addiction (2022) highly enough. Szalavitz has a history of addiction of her own as well as being a clear and accessible writer with an excellent grasp of neuroscience and history. I have a lot of respect for her work.

[hyperfixating-rn-brb]

The Good Omens Fandom has had a lot of fun recently with the knowledge of Aziraphale and Crowley holding hands on the bus at the end of season 1.

Soo here's everything that went through my head as I learned of it for the first time.

For that entire scene, Aziraphale is really far gone. He's dissociating so hard he can't even realize he's been sitting on a sword. Crowley is probably the only thing keeping him grounded.

They just narrowly stopped Armageddon after a showdown with literally Satan, and still can't let their guard down. For the first time ever, they're completely on their own side. Now they have to orchestrate a body swap to save both of them. They wouldn't just be killed, they'd be completely destroyed. Everything must go exactly according to plan, but how often does that actually happen?

And on top of that, his bookshop, his home, his safe place with the demon he has to pretend not to love is burned and gone.

Crowley is so incredibly gentle and reassuring this entire scene. He's been through so much trauma himself and has spent a lot of his existence shielding the angel from it, hoping to protect some of his innocence and naivete. Crowley is absolutely familiar with every symptom of PTSD and anxiety.

Now he has to see his sweet angel see such a small bit of the horrors of heaven and hell and start to crumble inside. He's going to do his dam best to try and help Aziraphale through it. Speaking softly, ("the bookshop burned down... remember?) slowly and carefully, gradually helping to pull the angel back to reality, reminding him that he's there and will help ground him.

They get on the bus, and sit next to each other. 11 years ago, they sat nearby but separated while Crowley begs Aziraphale to help him prevent the Apocalypse. Now they are sitting together. Both an act of reassurance and unity.

Crowley sits first, Aziraphale could so easily just sit across from him, behind or in front. But he chooses to sit right next to him. And hold his hand. Aziraphale desperately needs to be near to the *former* demon he loves, to hold him, to make sure they won't be separated.

In the book, their famous lines of "none of this would have worked out if you weren't, deep down, just a bit of a good person" and "just enough of a b*stard to be worth liking" came as Satan rose from the earth, as a goodbye in case they were destroyed.

Luckily, that didn't happen and they survived. Armaggedon was stopped. But the angel is still so anxious of losing Crowley. So he chooses to reach out, to anchor himself and reassure himself that Crowley is still there beside him and that they are okay, at least for a few minutes.

And Crowley let him. He knows how badly Aziraphale needs him, he needs the angel just as much. He knows how badly he craved an anchor and support system as he was first abused and traumatized by his Fall, then further by Hell. So he's going to continue being there for Aziraphale, doing everything he can to make his angel feel safe and comfortable.

Over the next few years, Aziraphale would become so much more comfortable reaching out and touching Crowley. Leaning into him, resting a hand on his shoulder or briefly touching his chest. Somehow both reassuring himself that the former demon was still there, and reminding Crowley that he's still there for him at the same time.

Then Crowley becomes more comfortable with the touch, leaning into the angel by himself. No longer flinching at a sudden graze of a hand or reassuring squeeze.

That one moment of the two holding hands on the bus cemented so much of their relationship. "The last few years, not really..." all started on that bus the moment Aziraphale chose to sit down next to Crowley.

edited: at first this said "new knowledge" because I just found out about this all the other day, and wrote this up at 3 AM, and didn't really fact check when this knowledge became well known. I've only really been a GO fan since maybe 2021, and only really started being active in the fandom during the last few months, so a lot of info that is fairly well known is still generally new to me. soo yeah this was edited :)

source for anyone asking for it!

[musical-chick-13]

...I am starting to think that maybe the part of my brain that processes fictional works is wired differently than everyone else’s.

[tender-rosiey]

hii! I hope youre doing well ^^ n I have a request!

Fatherhood Gojo, Yuta and Suguru (separate) seeing their daughter have a love interest

let’s say the daughter is like 4-5, just started school with a strong start, one day when they come to pick up their kid— they see a boy that’s also 4-5, giving their daughter flowers or something, how would they react?

(I can imagine mother!reader being delighted at the sight, gojo being dramatic, Yuta being stressed out, and Suguru having a polite smile but yet clenching his fist LMFAO)

“I WILL THROW HANDS AT ANYONE EVEN A KID"

— gojo, sukuna, and suguru seeing their five year old daughter with a love interest (f!reader)

a/n: here you go go <33 i am so sorry bae that I couldn't include yuuta 😭

GOJO SATORU:

your daughter is naturally charismatic.

satoru wholeheartedly believes that it is something she has inherited from him.

you disagree because you can’t remember anybody who remained friends with satoru after actually talking to him, aside from those forced to, of course.

now another thing that satoru believes is that said charisma is a double-edged sword. from one side, his daughter is able to make friends quickly which gives him a piece of mind.

on the other side, the thing that makes his vein pop is the fact that filthy dirt-covered boys approach her.

he thought he had solved that problem when he scared away that last kid during her ballet class , but it seems there are always people who are competing for her heart.

he didn’t expect to run into one today though, especially not one blatantly gifting her a bouquet in front of the school gates.

the kid is a blushing mess as he gives the bouquet to her, and your daughter is nothing less than ecstatic. she jumps around, really happy with her bouquet and squealing about how pretty it is.

the little boy smiles timidly as he fidgets with the hem of his shirt, mumbling something that satoru can’t be bothered to care about.

the only things occupying his mind are two: the kid who dares to even speak to his daughter and you with your cute smile because you’re happy for her.

so, he arranges things as he prioritizes him.

he presses one big smooch to your cheek and squishes you in an ever so love-filled hug.

then he proceeds to make his way to deal with the kid who is making moves on his little baby.

he towers behind the boy, and before his little girl greets him, satoru carries the kid from his scruff and throws him in the ball pit conveniently placed beside him.

the kid screams as he falls into the ball-filled abyss.

hurriedly, he gathers his daughter in his arms and showers her with kisses. he nuzzles his nose into her cheek, “how was your day, honey?”

“it was so nice, papa!” she says happily them gets out the bouquet she was given, “and I even got this bouquet!”

“oh, really?” he hums as he takes the bouquet from her hands into his. he inspects it, distaste filling his expression.

you walk to him with a little pep in your step and place your hand around his shoulder, while you kiss your daughter’s cheek.

she squeals a delightful, “mama!” and throws herself into your arms.

you guys quickly get caught in your own conversations, not noticing satoru quickly releasing his technique blue at the poor bouquet making it effectively disappear from existence.

another day saved.

RYOMEN SUKUNA:

being the daughter of ryomen sukuna had its perks.

people strayed away and kept their distance. however, your daughter was a natural sweetheart—ironic considering her father but anyway.

that meant that little boys around estate had a tiny little crush on her which they would never act upon since they do want to continue living.

of course, there is an exception to the norm.

and that exception came in the form of a little servant boy presenting your daughter with a bunch of flowers that he had plucked himself.

your daughter was taken back, and she got flustered but accepted the flowers, nonetheless. on the other hand, you were watching from the side lines and were cheering both her and the boy on.

it was an innocent little gesture between kids. no harm done, so there was no need for—

“what the hell is this?”

you feel your husband’s menacing aura, before you hear his words. you turn to him and rest your hands on his chest and say, “d/n got flowers! isn’t that cute?”

“I can see that,” he grumbles, pinching your cheek in annoyance then directing his gaze to the kids, “but why the hell is a little good-for-nothing servant approaching my daughter? in fact, these servants should not be allowed to talk to her so casually.”

“sukuna, it’s not that big of a deal. just let them be,” you huff, “it’s not like she will fall in love with him, and he will convince her to overthrow you when they’re older.”

your husband stays quiet for a few moments. the man looks like he is actually considering the scenario that you just suggested.

and judging by him slowly approaching the kids, sukuna is going to go with the “better safe than sorry” approach.

you quickly run after him and jump on his back, “love, love, I was joking! please don’t kill him!”

sukuna groans, “and why should I listen to you?”

“cause you love me, and I love you? and we’re husband and wife, y’know?” you smile nervously, and he sets you down, so he can look you in the eye.

“I don’t love you,” he states.

“so I don’t love you?” you inquire.

he smirks, “no, that’s different. you’re obviously infatuated by me.”

“no, loving you is an effect of you loving me, so according to you,” you turn your back to him, “I don’t love you.”

he is about to retort when he feels something holding onto his leg. he looks down, and he sees his daughter beaming up at him.

she raises the flowers as high as she could and chirps, “dad, I got these flowers!”

sukuna’s eyes snap to where the kid was and finds no one. he fled, and he didn’t get to memorize his face. he slowly turns his face to you, and you stand there smirking at him.

he quirks an eyebrow at you, “oh? well, I will deal with you later tonight.”

GETO SUGURU:

you were busy watching over your daughter playing with her playdate. the little boy was your neighbour’s son, and, in general, he was good company.

the boy was polite and knew how to treat your little girl right. similarly, your little girl cherishes him very much and always rambles about him at dinner.

now, initially, suguru was okay with it.

he thought that maybe she was excited about her playdate and that it would eventually wear off, but then she started talking about him every single day since she met him.

suguru prides himself on being rational and collected. he wouldn’t stoop down to a level that gojo would. gojo was a manchild, but suguru? suguru is a grown man, a husband, and a father.

so, no, he won’t do anything to the boy.

and he certainly isn’t rushing to the playdate location, so he can stop the boy from making his daughter talk about him more.

one of his curses was watching the kids, and said curse picked up on the boy sneaking a flower behind his back. suguru concluded that he was definitely going to give it to her.

your husband finally arrives, handing you your ice cream and kissing the top of your head, “your ice cream, just how you like it, love.”

“aww, thank you, suguru,” you say as you hug him and pepper his face with kisses. suguru gets lost in your affection, forgetting about his supposed mission.

it’s not until that he notices the boy’s parents standing with the two kids that he remembers it.

“how about we go and see what the kids are up to?” he asks you, a bit urgently, and you nod, knowing what your husband is thinking.

it’s lowkey funny.

the boy’s mother takes notice of you two approaching, “oh hello mr and mrs geto!”

“hello miss c/n! are the kids getting along well?” you smile while patting your daughter’s head.

the mother giggles, “more than well, in fact. our little boy has given little d/n a flower today!”

from the corner of your eye, you can see your husband’s smile tighten and his face get stiffer and stiffer by the second.

you take his hand into your own and slowly rub it with your thumb. it does little to calm him down.

he claps his hand lightly and steps in front of the parents and says kindly, “please take your little shi—”

he feels you kick his foot from the back and quickly corrects his wording, “please distance your ki—”

you discreetly stomp on his foot, and he tries his hardest to keep his smile. he sighs defeated and hangs his head low, defeated as he mumbles, “have a nice day.”

you nod in satisfaction, and your daughter giggles.

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