#i am saved by the fact that you exist

[heavensickness]

When Harry was sniffing Kim, it was electrochemistry, not perception, that sensed his aftershave because Harry found Kim's scent attractive even if he didn't realize it

[egophiliac]

buckle up lads we're going BACK INTO THE BOOK

[eventhoughthestarisgone]

every time someone assumes that sonic and shadow hate each other a faerie dies

[hikari-m]

"Yesterday was Ohigan, so I went to visit the cemetary."

"Yes. Now I can calmly say {with certainty} that, the parents I have now are 'my parents'.

... But my parents 'in {"Heaven"}' {'Tengoku'} 天国 are also important." {"Taisetsu des!"}

"...What's wrong? ...Gennai-san?... {Gennai}'s making such a {somber} face--"

"Oh, it must be about 'that'..." - Koushiro, before ending email with a long dialogue about the "meaning of being a Chosen Child", among other discussion on the "number of Chosen Children" '{that's expanding}' frequently within numbers of years

{Clip'd by Me} {Do Not Copy} {Do Not Repost to Other Sites} {Do Not Re-produce My Editing Under Any Circumstances without my Permission} (Please ASK to Share)

[leaf-in-a-flower-garden]

yo.. do you envision daleth as a specific species of vulture or just. vulture in general

Ok so it's a little difficult because of the amount (23) of different kinds of vultures. To my knowledge (hardly an expert lol), vultures are split into two (genus?) groups: New World (North, Central, and South America) and Old World (Africa, Asia, and Europe). There are a few physical differences that tend to set the two apart, e.g. old world vultures tend to have longer necks and be bigger (not always), and the general existence of a voice box (Old World has it, New World doesn't). So it's not like you'll be often mixing them up, especially if you're listening for them.

There are a few more things I could talk about, but, if I were to guess, Daleth was *originally* based on old world vultures (bc he's an old man /j) such as: the Indian Vulture, Lappet-faced Vulture, Eurasian Griffon Vulture, Rüppell's Vulture. Also what I like to call 'what you think of when someone says vulture'.

I wanted to joke about how Daleth is a Bearded Vulture, however, despite its beauty, it has a big difference in how the neck and head are drawn and it just doesn't give enough Daleth vibes so :( I also wanna include the Himalayan Vulture as an honorary member because it's one of the largest old world species and among the largest true raptors.

So, while I can't pinpoint exactly what vulture Daleth could be, I'd imagine he'd be something along with those mentioned. Hope this helped! :3

(if I messed anything up here it's because I'm super tired lol)

[cluescorner]

There's no feeling stranger than knowing that something is bad but liking it anyways. Not in a 'it's so bad it's good' way. Because that implies that it has become good. I'm talking like this thing is just kinda bad in the normal ways things are bad, but i like it anyways.

[krismatic]

has anyone else been insane over chara undertale for the past decade or is it just me. can anyone hear me. it's so dark in here

[the-kipsabian]

fic writer asks: 2, 7, 12, 19 and 22! :3

2. What fic are you most proud of? theres probably others, but right now how i look at you is something i cant explain immediately comes to mind. i still think the romantic vibes and the soft cravings are very excellent in it ough

7. Favorite fic trope? im a simple man. give me hurt/comfort any day of the week tbh 💜

12. What is your "perfect" writing environment? i dont really think there is a perfect one lmao. it depends on the inspiration more than anything. if im feeling it, then we write, not depending on where i am. sometimes i need music or background sounds, but it depends where my brain is on focus mode at the moment. mostly its just me, having an idea, on my couch, with nothing but my keyboard sounds tbh lmao

19. What is your favorite character/pairing to write for? orangekip will always be my beloved tbh. theres just so much untapped potential, and in every version and au and scenario and such they are just perfect no matter what

22. How long have you been writing fanfiction? i was like.. seven or eight when i wrote my first pokemon fics. and im turning 32 in about three weeks. so uuuh. for a while LMAO

[heavensickness]

Quotes and poems that remind me of Harry & Kim from Disco Elysium

Aimee Nezhukumatathil / @sighcomics /Eden Robinson / Richard Scott / Neil Hilborn / Tom Stoppard / Gabriela Mistral / Of Montreal / Ocean Vuong / James Baldwin

[unproduciblesmackdown]

being alive at the time i gleaned some general elements abt encanto but never actually heard we don't talk about bruno beyond awareness it existed popping off & i think i heard like the title recited off key off rhythm but in a way that indicates speak singing nonetheless lol so upon experiencing it it's like oh but it's the Verses? while the last refrain goes harder but prior to that it's comparatively underwhelming to said verses which feels appropriate like verses / pieces of a larger picture & that a "we don't talk about him" as a disappointing Lid on infinitely richer more characterful & dynamic "but: talking about him" instances. like well personally it'd be like um seven foot frame....anyway besides being able to firsthand go like oh damn Real (the kind of thing you know exists if alive at the time) it's like alright hang on lol. one thing when a core theme is yeah like "is it a refuge if 'especial' vulnerability ultimately gets pushed out rather than made safer" subset like the parties whose even observation of truths (problems) & drawing attention to them is seen as Ruining Things, like if you're painted as Making futures that aren't simply what's desired or reassuring rather than a guidance via just observing & sharing the truth. but then it's like whaddaya mean living in fear of bruno stuttering and stumbling you could always hear him sort of muttering and mumbling lmao like now that's just Association between the Truth Perceiving & Telling behavior & behavior that's just apparently distinctive of the same person. & like Not Accidentally when [what if people were magic] specifics are obviously primarily abt a metaphorical meaning & like, indeed it was made clear like oh this situation isn't Just b/c [boo we hate your prophecies] & that [an Ability that isn't directed towards what anyone Wants / is "weird" even by these magic standards] isn't Coincidentally given to someone who just so happens to already be "weird" in other ways & be set up to have a different perspective & be pushed away due to having the supposed "extra" vulnerability of unmet needs / insufficient support, same as someone who doesn't "correctly" have any kind of magic ability....like yeah banger and also like Oh Yeah Kind Of Devastating re: that metaphorical resonance allowing for like [set the metaphor aside] now hang on with this about this disabled family member lol. misinterpretation to The Ruinerrr / The Problemmm / The Maliciousss etc (i.e. the scapegoatinggg) despite their efforts likely entirely to the contrary. then despite like, efforts aside, Just Existing, always kind of muttering & mumbling like & what of it. & then like oh sorry weird pets. weird [auspicious for adaptable tenacious thriving surviving; either way simply creatures, existing] pets.

truly like As Is The Idea I'm Sure quickly becomes like hands behind back standing at the window Uh Oh Sisters musing on all the [disabled person] metaphorical & already literal elements there. blair witching it in contemplation like We've All Been There whether being so resented for the mere disruption of "existing in a group as the 'abnormal' odd one out" or like people talking shit abt anything associated w/you as soon as you've left the room, which is also made relevant like, this wasn't Only directed at this person when seemingly permanently gone, nor were they unaware / unaffected prior....pacing in the Musing parlor like things don't Have to be compared to billions but i only ever even see so many things & it's like billions sure is like "get scapegoated rword" & then said scapegoating is presented as only beneficial & we hate autists & even beyond that it's like, grabbing billions, Imagine If Things Meant To Be About Something Were About Something. quite a contrast when they are & furthermore like, deliberate thought & Care for [who gets scapegoated & why] & the truth of like, people getting pushed aside & out who have a key perspective & are primed / liable to come through for others similarly vulnerable & the supposedly Ruinous, Problems Generating disruptiveness is actually the strongest effort to make essential changes to a group. & come through with like, it'd be undermining thee point if it was "reassuring" us like oh haha people will be supportive b/c bruno will be more normal, so great that it Didn't like no, no Normality Reassurance(tm), presence of abnormalities(tm), Good, & everyone Can Deal b/c if you don't then it's pushing this person away, is exactly what happens, including even if they're still Around but are being mistreated b/c that is entirely part of that pushing away like anyone's victim blaming is ready to pounce at any time but if someone can't stand to stay / leaves b/c they can't see another option like that's not out of nowhere nor Regardless of what full support & flexibility they were getting lol. these Active Measures everyone loves so much, which are everywhere always & would include Staying & Trying To Make It Work & those efforts would be "disruptive" & resented & Bringing It On Oneself & etccc smh

that is to all say like. Woww when clearly basically the core thread was these beats of like, the crucial site of [thee scapegoated], & why that comes down on someone & how that plays out. endless ideas about how someone weird(tm) & disabled (&/or queer. but there's no Or here lol. & again like it's a Context like, to even be the one person without kids? likely not living up to "full" correct sexuality in that way alone; any oppression's logics of "inferiority" being logics of ableism, ready examples being that "inferior" race, gender, sexuality (& their experiences as people classed as inferior) all being pathologized as disordered) are seen & treated as someone Ruining Things & who cannot belong like whew. bracing. winding. which, i also recall like i was watching with headphones & during this one dialogue pause i was like "?? what's this Extra Sound i heard there" & had to go over it like twice before being hit upside the head like well it Was still the dialogue pause but it was also bruno Stuttering in a very quiet whisper for the duration of that pause before continuing like iiiiiiii x_x

[tsuutarr]

Yandere!Hero (Chosen One) x Saint!Reader

Being the Hero – the Chosen One – means that the world’s fate is on Elias’ shoulders. He’s long since forgotten how to live for himself, his life belonging to everyone but him. He’s merely a puppet that’s being strung along by the world for the sole purpose of saving it.

At first, he was honored to be chosen as the Hero – it’s a privilege most don’t get. But everyone expects too much – everything – from him. His life is carefully shaped into what others want of him, people only looking at his role and not him as a person.

Now, he fights and saves people due to duty, not desire. There is no sparkle of pride when he helps villagers. Instead, all that is left is another thing checked off of his mental checklist. Now, he just wants to rest. He just wants things to be over.

So that’s why he despised the idea that some Saint from the Church would be his “helper.” Traveling with someone else is only going to slow him down. Not to mention the fact that he doubts the Saint has ever seen bloodshed and disease like he has.

But when he actually meets and travels with you, the Saint, he realizes that you’re actually not that bad. You’re actually kind of nice. He’d expected you to turn your nose at the commoner population, refusing to heal them, but you actively seek them out to help. You’re kind and gentle, but headstrong. Even when you’re visibly exhausted, you do your best to keep going. 

It’s… kind of impressive, actually. He had misjudged you, perhaps.

Even now, you’re helping the knights that were attacked by bandits (which Elias had vanquished), healing not only their bodies but their souls, too. He can’t help but look at you, a raw beacon of kindness that he hasn’t seen before in his travels. 

Once you’re done healing the knights, you look up at him, before a gasp escapes your lips. “Elias!”

He blinks at you, curiously.

“You’re bleeding!”

“Ah.” Elias looks down at his hand, blood dripping down his fingers. He had instinctively grabbed a knife by the blade earlier because he wouldn’t have been able to dodge it in time. “This is nothing.”

“Oh, shush!” you say, approaching him. You push him towards a tree stump, forcing him to sit, which he allows. Carefully, you take his hand in yours, frown deep set on your mouth. Your hand is so warm that it makes his heart burn.

“You’re tired,” he states, bluntly. He doesn’t tug his hand out of yours. “You’ve healed too many people.”

“I can–”

“No.” He shakes his head. “Rest for now, Saint. I am fine.” And he’s right – he’s the Hero, after all. His wounds heal much faster and better than a normal human being. He doesn’t necessarily need your healing.

“Still,” you murmur, looking up at him. “Can I at least clean and bandage it?”

It’s pointless, really, but Elias says, “Do what you want.”

So you do. You disinfect and clean his wound, before carefully wrapping his hand with bandages. For some reason, his heart squeezes painfully as he watches you tend to him so gently. He doesn’t remember if anyone’s ever treated him this kindly.

“There.” You look proud of yourself. It’s kind of cute.

“You didn’t have to,” he mutters without really thinking about it.

You give him a smile that makes his brain stop. “I wanted to. I want to support you.”

For some reason, your words almost make him want to cry. He’s not sure why – he’s seen so much death and destruction to the point that his emotions have become numb. Yet, you bring flickers of his feelings back to him – happiness, sadness, anger, love. 

You make him feel like he has an existence beyond just being the Hero. You make him feel human.

So, how can he let you go? He can’t – and he’ll do everything he can to make you his. Even if it means he has to destroy the world.

[flanaganfilm]

Mr. Flanagan, I’d like to ask a question and I deeply hope that it does not offend or upset you. I am strongly considering canceling my Netflix subscription due to their new password sharing policy. However, Midnight Mass is one of my favorite shows of all time and I know it isn’t available on DVD, and I’m also profoundly anticipating your take on my favorite Edgar Allen Poe story. So I wanted to ask your take on people accessing your work through, uh, other means. If it’s something that’s offensive to you or will harm you or the other people who work so hard on these shows, I’ll happily keep my Netflix just so that I can keep supporting your work. I respect you far too much as an artist to do otherwise.

Again, I really hope I’m not upsetting you by asking this question. Thank you for everything, and I hope you’re having a great day!

(NOTE 6/4/2024: I'm editing this entry because, well over a year since it was posted, some journalists dug this up and used it to create click-bait headlines that are misleading, out of context and artificially combative. While I was of course disappointed over the years that Netflix opted not to release my work on physical media, I never experienced any hostility or aggression in those discussions, and I sincerely regret the manner in which this post was used in the press this week.)

Hi there - no offense taken whatsoever, in fact I think this is a very interesting and important question.

So. If you asked me this a few years ago, I would have said "I hate piracy and it is hurting creators, especially in the independent space." I used to get in Facebook arguments with fans early in my career when people would post about seeing my work on torrent sites, especially when that work was readily available for rent and purchase on VOD.

Back in 2014, my movie Before I Wake was pirated and leaked prior to any domestic release, and that was devastating to the project. It actually made it harder to find distribution for the film. By the time we were able to get distribution in the US, the film had already been so exposed online that the best we could hope for was a Netflix release. Netflix stepped in and saved that movie, and for that I will always be grateful to them.

However...

Working in streaming for the past few years has made me reconsider my position on piracy.

In the years I worked at Netflix, I tried very hard to get them to release my work on blu-ray and DVD.

It became clear very fast that their priority was subscriptions, and that they were not particularly interested in physical media releases of their originals, with a few exceptions.

While companies like Netflix pride themselves on being disruptors, and have proven that they can affect great change in the industry, they sometimes fail to see the difference between disruption and damage. So much that they can find themselves, intentionally or not, doing harm to the concept of film preservation.

The danger comes when a title is only available on one platform, and then - for whatever reason - is removed.

We have already seen this happen. And it is only going to happen more and more. Titles exclusively available on streaming services have essentially been erased from the world. If those titles existed on the marketplace on physical media, like HBO's Westworld, the loss is somewhat mitigated (though only somewhat.) But when titles do not exist elsewhere, they are potentially gone forever.

The list of titles that have been removed from streaming services is growing.

I still believe that where we put our dollars matters. Renting or buying a piece of work that you like is essential. It is casting a vote, encouraging studios - who only speak the language of money - to invest more effort into similar work. If we show up to support distinct, unique, exciting work, it encourages them to make more of it. It's as simple as that. If we don't show up, or if they can't hear our voice because we are casing our vote "silently" through torrent sites or other means - it makes it unlikely that they will take a chance to create that kind of work again.

Which is why I typically suggest that if you like a movie you've seen through - uh - other means, throw a few dollars at that title on a legitimate platform. Rent it. Purchase it. Support it.

But if some studios offer no avenue for that kind of support, and can (and will) remove content from their platform forever... frankly, I think that changes the rules.

Netflix will likely never release the work I created for them on physical media, though I'll always hold out hope.

Some of you may say "wait, aren't The Haunting of Hill House and The Haunting of Bly Manor available on blu-ray and DVD?" Yes, they are, because they were co-produced with Paramount, and I'm grateful that Paramount was able to release and protect those titles. (I'm also grateful that those releases include extended cuts, deleted scenes, and commentary tracks. There are a number of fantastic benefits to physical media releases.)

But a lot of the other work I did there are Netflix originals, without any other studio involvement. Those titles - like Midnight Mass, The Midnight Club, and the upcoming Fall of the House of Usher - along with my Netflix exclusive and/or original movies Before I Wake and Gerald's Game - have no such protections. The physical media releases of those titles are entirely at Netflix's discretion, and don't appear to be priority for the studio at this time.

At the moment, Netflix seems content to leave Before I Wake, Gerald's Game, Midnight Mass, and The Midnight Club on the service, where they still draw audiences. I don't think there is a plan to remove any of them anytime soon. But plans change, the industry changes.

The point is things change, and each of those titles - should they be removed from the service for any reason - are not available anywhere else. If that day comes - if Netflix's servers are destroyed, if a meteor hits the building, if they are bought out by a competitor and their library is liquidated - I don't know what the circumstances might be, I just know that if that day comes, some of the work that means the most to me in the world would be entirely erased.

Or, what if we aren't so catastrophic in our thinking? What if it the change isn't so total? What if Netflix simply bumps into an issue with the license they paid for music (like the Neil Diamond songs that play such a crucial role in Midnight Mass), and decide to leave the show up but replace the songs?

This has happened before as well - fans of Northern Exposure can get the show on DVD and blu-ray, but the music they heard when the series aired has been replaced due to the licensing issues. And the replacements - chosen for their low cost, not for creative reasons - are not improvements. What if the shows are just changed, and not by creatives, but by business affairs executives?

All to say that physical media is critically important. Having redundancy in the marketplace is critically important. The more platforms a piece of work is available on, the more likely it is to survive and grow its audience.

As for Netflix, I hope sincerely that their thinking on this issue evolves, and that they value the content they spend so much money creating enough to protect it for posterity. That's up to them, it's their studio, it's their rules. But I like to think they may see that light eventually, and realize that exclusivity in a certain window is very cool... but exclusivity in perpetuity could potentially limit the audience and endanger the work itself.

[grison-in-space]

from the number of asinine complaints about how "voting is NOT a form of harm reduction" because harm reduction is for ADDICTS! ONLY! I'm seeing around... all coming from OP blogs I don't recognize and which otherwise don't have much presence... well, that coordination alongside the timing of US politics sure feels like the Russian troll bots agitating again. (Yes, they absolutely infested Tumblr; I think @ms-demeanor had a great post about what the bots looked and felt like somewhere that I will have to try and track down tomorrow.)

The thing is, if you actually do know harm reduction well, the complaint makes no sense. It's not as if the origin of harm reduction is a secret or especially hard to find out more about. I am not exactly an expert in the field: I have a educated layperson's interest in public health and infectious disease, I'm a queer feminist of a certain age and therefore have a certain degree of familiarity with AIDS-driven safer sex campaigns, and I'm interested in disability history and self advocacy (and I would in fact clarify harm reduction as a philosophy under this umbrella). So I have about twenty years of experience with harm reduction as a philosophy basically by existing in communities whose history is intertwined with harm reduction, which means I know it well from many different angles, and I know how the story of the philosophy is generally taught.

See, this is a story that starts, as so many stories do, in the 1980s with something monstrous President Reagan was doing. In this case, it was the AIDS epidemic, and Reagan refusing to devote any money or time to what eventually became called AIDS (rather than the original GRIDS, which came with its own baked in homophobia). Knowing themselves abandoned by society in this as in all things, and watching as friends and loved ones died in droves, queers and addicts are two communities who see that they are the only resources that they collectively have to save each other's lives. Queers know that sex, even casual sex, is an important part of people's lives and culture... and people aren't going to stop doing it even if there's a disease, so how can it happen safely? Condoms. Condoms every time, freely available, easy and shameless, shower them on people in the street if you have to. (And other things: this is the origin of the concept of "fluid bonding", for example... both of which were concepts that were immediately adopted in response to COVID, like outdoor socially distsnced greetings and masks and "bubbles." That wasn't an accident. Normalizing sexual health tests and seeing hard results on paper before sex was a thing, too.)

Addicts, too, knew that using was going to happen no matter how earnestly people tried to stop. If it was that easy, addiction wouldn't exist. So: how do you make using safer for longer? If you could stop someone getting HIV before they could bring themselves to get clean, that's a whole life right there. If you could stop someone overdosing once, twice, a dozen times, that's more time you're buying them to claw themselves out of addiction and into a better place. Addicts see, right, needle sharing is getting the diseases spread, so cut down on needle sharing. Well, needles aren't easy to get hold of. Their supply is controlled because people who aren't prescribed needles are theoretically junkies, so taking the needles away makes it harder to use, right— and no one is complicit, and also you see fewer discarded needles lying around where they're unsanitary and unsafe, right? Except that people want to do a buddy a good turn, so they share if there's no other option, and they'll keep a needle going until it's literally too blunt to keep using if need be. So fighting needle sharing means making it easier to get needles to shoot up with: finding a place to discard used ones and get as many fresh ones as you need to use safely!

Making free needles available to junkies and free condoms for the bathhouses was not a popular solution with politicians, for perhaps obvious reasons. Nor was routine testing of the blood supply, because that cost money too. But these things work to stop the spread of disease. Thus the principle of harm reduction: policy interventions in response to communities that frequently engage in risky behavior should focus on whatever reduces aggregate harm by reducing the risk rather than by trying to reduce the behavior. The homos and junkies say look, all your societal judgement in the world hasn't stopped us being homos and junkies yet. You ain't going to look after us? We'll look after our own. And this is the form that takes. Not increasing the pressure to act like people who aren't is, but making it safer to be the people we are while we try to be the happiest versions of ourselves. Even if that means being morally complicit in a whole lot of casual sex and drug abuse.

The thing is, harm reduction is a philosophy rooted in the defiance of people who knew that their society thought they deserved to die painfully, young, invisible and alone. This is not the kind of thing that people come up with and get mad if you adapt it and share it, especially if you tell the story of where it came from. And importantly, harm reduction is not purely the child of addiction: that philosophy, from the get go, was cooked up to apply both to substance abuse and casual sex. It didn't just spread from addiction care; it was born straddling addiction care and queer & feminist health care.

So it doesn't make sense to see actual activists who know harm reduction well complaining that this is a term exhibiting semantic drift when we talk about voting as harm reduction. It's actually a good metaphor: you're reducing the overall risk of the worst case scenario metaphors by voting Democrat, at least until future votes can install a system where multiple parties can flourish on the political scheme. (Democrats and Republicans are essentially coalitions of a pack of arguing factions anyway, and those factions are essentially what would be classed elsewhere as a party in its own right; the US essentially just lumps political granularity rather than splitting it in our political system.) And anyone who understands harm reduction itself knows that.

So it's this wildly inorganic complaint being voiced repeatedly by different sources. Sounds like a pretty good flag for a potential psyop to me.

If you want to learn more about harm reduction and its history, especially from an addiction perspective, I cannot recommend Maia Szalavitz's Undoing Drugs: How Harm Reduction is Changing the Future of Drugs and Addiction (2022) highly enough. Szalavitz has a history of addiction of her own as well as being a clear and accessible writer with an excellent grasp of neuroscience and history. I have a lot of respect for her work.

[cacoetheswriting]

i am weak for shy and nervous eddie munson who fumbles when around his crush. imagine him pining over this girl who he’s never even talked to, (maybe they have different social circles) and he just sees her around with her friends and he is smitten and then one day they accidentally bump into each other and she’s like “you’re eddie right?” and you know he’d be so flustered.

pairing: eddie munson x fem!reader word count: 2.2k

content warnings: lovesick eddie, pining, a little self-deprecation and self-doubt, mostly cheese and fluff, adult language - wildly unedited, oops.

“I hate this fucking school.”

The group exchange knowing glances as Eddie sits at the table with a grumble. His lunch tray lands with a low crash, nearly colliding with Gareth’s juicebox and therefore spilling its contents all over. A huff and quick reflexes on Jeff’s part save the group from catastrophe, more importantly, save the homework the boy had yet to finish ahead of next period. 

Eddie however, doesn’t notice the mess he has almost created. Frankly, he’s not paying attention. Even when Gareth tells him to, “Watch it, dude.”. The metal-head flicks his hand to say he’s sorry for whatever it is that his friends are chastising him for, but his eyes are fixed ahead, on the sole reason he’s in such a grumpy mood.

You.

Or rather Steve the dick Harrington, who’s got his arm draped shamelessly around your shoulders, as if he wasn’t just publicly humiliating Nancy Wheeler — since up until mere twenty-four hours ago, Hawkins High thought the blue-eyed girl was the King’s girlfriend, not you.

Eddie’s miserable. When did this happen? How did this even happen?

Last night, Steve and Nancy were all over each other. Eddie knows this to be fact since he saw them together at that party he wasn’t invited to as a guest, but to work because the popular kids always need a fix and he needs to make a living if he’s ever going to leave this shithole town. Anyway, that’s when Eddie saw the “it” couple and yet, now Nancy is nowhere to be seen and you’re snuggling into Harrington.

“I hate this fucking school,” Eddie repeats, sticking his fork into today’s cafeteria lunch. “Everyone is so two-faced and fake. No one has any integrity.”

The guys don’t need to follow his line of sight because they know very well who and what the metal-head is talking about.

“Maybe if you just talked to her, then you wouldn’t be so miserable today.” Jeff notes without looking up from his homework. “Plus, I overheard Charmaine tell Julie that Harrington is continuing to hold a candle for Nancy. This thing over there, that you’re obsessing over, is just friends being friends.”

“Doesn’t look like just friends to me,” Eddie grumbles, then looks at Jeff. “And I tried talking to her. It’s just, every time I do, my mind goes blank.”

Gareth rolls his eyes. “Dude, she’s not some superbeing. She’s a girl from our school. You’ve got no problem talking to other girls?”

Eddie doesn’t say anything because how does he go about explaining to his friends that to him, you’re more than a girl from school. It’s embarrassing enough how he’s never talked to you and yet, you occupy his entire mind and soul. The guys think it’s just another crush. Eddie knows it’s not. He can’t tell them though because they’ll laugh him out of it. Eddie the freak Munson is very much pining after a girl who doesn’t know he exists. Pathetic.

So, as any respectable guy in his situation would, Eddie continues to wallow in his own self-pity. 

He stares at you throughout the remainder of the lunch break, narrowly avoiding your gaze here and there by simply looking away. His downcast humour continues throughout the rest of the day. Since he doesn’t often engage in class anyway, the teachers pay him no mind. Although, their reasons are different: a quiet Eddie Munson is better than one who causes various disturbances. After the final bell ring, he hurries out of the building and blares music the entire drive home, to fizz out his thoughts.

Called into work. Here’s some cash. Go to the diner. 

Wayne

Eddie sighs. The one thing he was hoping for were his uncle's words of wisdom, although it seems that will also have to wait. Eddie slides the note into the pocket of his denim jeans and he is out the door again.

The diner is about thirty minutes away from the trailer, by foot. The metal-head decided to walk it anyway, hoping the fresh air would knock some sense into him because he’s got no business feeling this emotionally shattered. 

Maybe if he wasn’t such a bitch boy around you, things would be different. Unfortunately, for some reason, ever since he first laid eyes on you, Eddie’s default is shy.

Okay, maybe you and Harrington are a thing now, so what? Eddie’s got no claim on you, unspoken or otherwise. You can date whoever, even if it’s Steve the asshole. It’s also not like you and Nancy are friends. Everyone at school knows you two run in different circles, meaning no girl-code is being broken. There is also the possibility of what Jeff overheard from Charmaine and Julie being true: you and Harrington are nothing but friends. Very friendly friends. Touchy, feely. And Eddie would have noticed earlier if it were simply the case of friendship, therefore, he concludes that you are in fact dating Steve the douche Harrington and he somehow has to come to terms with it.

Eddie pushes the door open and makes a beeline for an empty booth. He orders a burger with fries and a soda from the middle-aged waitress, then whips out a notebook from his backpack while he waits. The only one he carries and it’s not for any schoolwork. The numbers scribbled hastily in the margins are easily mistaken for maths, but that’s just business. He focuses instead on the latest D&D campaign he’s working on.

For a moment, the metal-head forgets about today's events. He gets lost in the fictional world he’s creating. The made up monsters replace any harboured thoughts of you with Steve the turd, although one closely resembles Harrington's famous head of hair and he smirks, proud of himself for the immaturity. He figures if girls can write about their demons in journals, he can bring them into D&D. Bring them, then kill them.

He’s just about finished marking a big cross over the doodle of monster Steve when a figure steps in front of the light, creating a shadow over his notebook. Eddie sighs, foot tapping underneath the table in frustration. He’s about to make a rude remark, but when he looks up to meet the eyes of the perpetrator, he’s met with your wide gaze and naturally, he freezes.

“I like your drawings,” you say.

“Uhm, t-thanks,” he fumbles.

“You’re Eddie, right?”

All he can do is nod in response and you smile. Small and charming. Enough to make the brunette’s head spin and pinch his leg because he can’t believe this is happening. Surely, this must be a dream of some sort. He came home and passed out on the sofa. The only logical explanation for why you would be talking to him, complementing his stupid little doodles. The only logical explanation for why you know his fucking name.

“We’ve never officially met,” you begin and reach out your hand. 

Eddie glances at it and without really thinking, he utters, “I know who you are.”

It comes out a little more mean than he intends it to, he knows because you retreat your hand as if you’ve been burned. Eddie’s heart stings. Now he knows it’s real since only he’d be stupid enough to ruin a good thing before it even began. He’s an asshole.

“Sorry,” he mumbles quickly, then straightens in his seat. “Do you wanna sit? I-I have fries.”

He chews on the inside of his cheek for how incredibly pathetic that sounded; fries. You however, don’t notice and you’re also kind enough not to point out how he’s stumbling about his words like a little schoolkid.

“I love french fries.”

And with that, you’re sliding into the booth, across from him.

Eddie watches in disbelief as you help yourself to his food, not just the potato side, as if the two of you have been friends a lifetime. Then, probably to confuse him even more, you start telling him about how your parents locked you out and how it’s nice to see a familiar face, while he’s sitting there in silence, taking it all in, wondering whether perhaps this was some cruel joke Harrington and his band of losers were playing on him.

He wants to ask. Save himself the embarrassment if this does end up being a prank and tomorrow’s gossip: Eddie the freak Munson thought he had a chance. You keep talking, only taking small pauses to take bites out of his food or a sip of his soda, and to Eddie’s surprise nothing happens. No one jumps out screaming, laughing, pointing at him. This is really happening and he is truly baffled.

“Can we get another burger meal and the same soda?” You order from the waitress when she comes around to check the tables and afterwards, turn to look at Eddie, smile ever present. “Kinda ate most of yours.”

“It’s fine,” he manages to say.

For the first time since you sat down, it’s quiet. Now you’re the one staring at him, head tilted slightly to the one side. The smile on your face transforms into something more thoughtful, as if you were trying to read his mind — which is exactly the same thing Eddie was trying to do to you.

“So,” you begin again, “What were you scribbling intently before I crashed the party?”

“Just some stuff for an afterschool thing,” Eddie answers with a shrug, voice a little shaky.

“Mysterious.”

The sparkle in your eyes screams that you want to know more, but the metal-head is hesitant to share. Even though this wasn’t part of some scheme by Hawkins’ finest, it didn’t mean there wasn’t a different underlying reason as to why you were taking interest in him and he didn’t like when people made a fool of him.

Eddie clears his throat.

“Did your parents really lock you out?” He questions.

A brow goes up, it seems you are surprised at his push back. 

“Yes,” you say matter-of-factly, then add, “They do this sort of thing from time to time. They’re big hippies, so it’s not like neglect or anything. It’s weed. They don’t want me home when they’re high because they think it would make me undermine their authority.”

Eddie smirks and you tell him it’s not funny, but he can’t help the chuckle leave his throat. When you throw a fry at him across the table, smiling wide, he’s no longer feeling the nervous bubble. In fact, he’s suddenly quite relaxed.

“I’m sorry that I’m a good daughter. Next time I’ll be sure to pick a less judgemental table” you say dramatically, although the grin doesn’t leave your features.

The brunette lifts his hands in front of his chest in a defence motion.

“No judgement here. My social status requires me to second guess reasons people have for talking to me. I had to make sure your boyfriend wasn’t going to jump me the second we stepped outside.”

“Boyfriend?” You seem genuinely taken aback by the assumption.

“Harrington,” he clarifies, although he’s not sure why he should be.

Until you laugh. It’s soft and tender, but it’s a laugh nonetheless.

“Steve’s not my boyfriend,” you state in between giggles, “He’s madly in love with Wheeler. God, does the whole school think we’re dating? He’s gonna hate that. Poor Nancy.”

Eddie blinks. Seems Julie’s information was correct, but it still doesn’t explain the closeness and the banter the entire cafeteria was witness to. He feels weird for letting this bother him so much and even though he usually has difficulties keeping his big mouth shut, he doesn’t want you thinking he’s some sort of pervert, so he doesn't say anything, simply bops his head.

Although, his silence doesn’t seem to deter you.

“I noticed you staring,” you admit, half a decibel lower. 

A fresh burger and fries land on the table, followed by a large Coca-Cola. The waitress mutters something along the lines of enjoy, then walks away to tend to another table.

Eddie doesn’t know what to do next: admit or deny. He’d rather go back to fifteen minutes ago when you were eating his food and he wasn’t talking. Therefore, he slides the burger closer to himself and in one swift motion, lifts it to his lips, taking a bite too big for his mouth. He doesn’t care what he looks like at the moment, he just needs to keep himself quiet before saying something else he’s going to regret.

Across the table, you’re all smiley again.

“Do you think, when you’re done eating, you could walk me home?” You ask, offering him a napkin. 

As he nods, he reaches for the paper cloth and his fingers brush yours delicately. There’s a zap of electricity, but if you feel it, you don’t react. Eddie’s continuing with the shyness, so he looks down at the burger in his hand and pretends nothing happened to him either.

It’s not until you lean over the table, index finger stretched and inching forward to touch his face, wiping leftover ketchup from the corner of his mouth, that the metal-head thinks maybe, just maybe, you feel some type of way about him too because that’s not what a person does for someone they only officially met minutes before.

Afterwards, you say, “I’ll tell you all about how I’ve been watching you too.”, and Eddie nearly chokes on his food.

thank you for reading & please support your writers by reblogging <3

[hyperfixating-rn-brb]

The Good Omens Fandom has had a lot of fun recently with the knowledge of Aziraphale and Crowley holding hands on the bus at the end of season 1.

Soo here's everything that went through my head as I learned of it for the first time.

For that entire scene, Aziraphale is really far gone. He's dissociating so hard he can't even realize he's been sitting on a sword. Crowley is probably the only thing keeping him grounded.

They just narrowly stopped Armageddon after a showdown with literally Satan, and still can't let their guard down. For the first time ever, they're completely on their own side. Now they have to orchestrate a body swap to save both of them. They wouldn't just be killed, they'd be completely destroyed. Everything must go exactly according to plan, but how often does that actually happen?

And on top of that, his bookshop, his home, his safe place with the demon he has to pretend not to love is burned and gone.

Crowley is so incredibly gentle and reassuring this entire scene. He's been through so much trauma himself and has spent a lot of his existence shielding the angel from it, hoping to protect some of his innocence and naivete. Crowley is absolutely familiar with every symptom of PTSD and anxiety.

Now he has to see his sweet angel see such a small bit of the horrors of heaven and hell and start to crumble inside. He's going to do his dam best to try and help Aziraphale through it. Speaking softly, ("the bookshop burned down... remember?) slowly and carefully, gradually helping to pull the angel back to reality, reminding him that he's there and will help ground him.

They get on the bus, and sit next to each other. 11 years ago, they sat nearby but separated while Crowley begs Aziraphale to help him prevent the Apocalypse. Now they are sitting together. Both an act of reassurance and unity.

Crowley sits first, Aziraphale could so easily just sit across from him, behind or in front. But he chooses to sit right next to him. And hold his hand. Aziraphale desperately needs to be near to the *former* demon he loves, to hold him, to make sure they won't be separated.

In the book, their famous lines of "none of this would have worked out if you weren't, deep down, just a bit of a good person" and "just enough of a b*stard to be worth liking" came as Satan rose from the earth, as a goodbye in case they were destroyed.

Luckily, that didn't happen and they survived. Armaggedon was stopped. But the angel is still so anxious of losing Crowley. So he chooses to reach out, to anchor himself and reassure himself that Crowley is still there beside him and that they are okay, at least for a few minutes.

And Crowley let him. He knows how badly Aziraphale needs him, he needs the angel just as much. He knows how badly he craved an anchor and support system as he was first abused and traumatized by his Fall, then further by Hell. So he's going to continue being there for Aziraphale, doing everything he can to make his angel feel safe and comfortable.

Over the next few years, Aziraphale would become so much more comfortable reaching out and touching Crowley. Leaning into him, resting a hand on his shoulder or briefly touching his chest. Somehow both reassuring himself that the former demon was still there, and reminding Crowley that he's still there for him at the same time.

Then Crowley becomes more comfortable with the touch, leaning into the angel by himself. No longer flinching at a sudden graze of a hand or reassuring squeeze.

That one moment of the two holding hands on the bus cemented so much of their relationship. "The last few years, not really..." all started on that bus the moment Aziraphale chose to sit down next to Crowley.

edited: at first this said "new knowledge" because I just found out about this all the other day, and wrote this up at 3 AM, and didn't really fact check when this knowledge became well known. I've only really been a GO fan since maybe 2021, and only really started being active in the fandom during the last few months, so a lot of info that is fairly well known is still generally new to me. soo yeah this was edited :)

source for anyone asking for it!

[heavensickness]

"seeing you on the verge of tears" GOD. Kim really babies him 😭😭😭