#i am not ready for the finale at all

[radieulon]

this is my formal submission to the ii fandom: take these goobers i love em'

[egophiliac]

he did it! 🐍 and it only took...uhhh...well, there probably could've been less punches, but why hold back!

PUNCHES FOR EVERYONE

[poorly-drawn-mdzs]

Cruel and Unusual Punishments (the PSA episode).

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[its-your-mind]

*deep breath in*

the fears 👏 have always 👏 been (in one way or another) 👏 parallel 👏 to 👏 desire 👏

let me explain.

so many of the statements given by actual avatars center around some sort of need that was met by their entity. Lots of them even had a positive relationship with the fear that drove them.

Jane Prentiss is an excellent example - the Corruption has always been about a form of toxic and possessive love, but she personally has a deep desire to be “fully consumed by what loves her,” and finds a perverse joy and relief at allowing herself to be a home

Jude Perry is another - she fucking loved watching people’s lives be utterly destroyed. The Desolation only offered her a power of destruction on a grander scale, and then gave her a more intense rush of joy as she did its work. When she tells Jon that he needs to feed the Eye before it feeds on him, it’s almost as an afterthought; she was happily feeding the Desolation long before it burned her into a new existence.

Simon Fairchild. Every time that old loose bag of bones wanders into the picture, he is having a fucking EXCELLENT time playing with the Vast. He loves showing people their own insignificance, and he loves luring them into situations where he can throw them into the void as he smiles and waves.

Peter Lukas (hell, the whole Lukas family (except Evan. RIP Evan.)) hated. people. all he wanted was for them all to go away, to leave him alone. The Lonely only fulfilled that desire.

Daisy, Trevor, and Julia, all devoted to hunting those things they deemed monstrous.

Melanie, holding tight to that bullet in her leg because on some level, she wanted it. It felt good, it felt right, it felt like it fit right alongside the anger and spite that drove her to success.

Annabelle Cane first encountered the Web when she was a child, running away from home in order to tug on her parents’ heartstrings in just the right way to have them wrapped around her little finger. Later on she volunteered to be the subject of an ESP study. Hell, she’s the one who dangled the “Is it really You that wants this?” question over Jon’s head in S4.

And that brings us to Jon, beloved Jarchivist, the Voice that Opened the Door. Ever since he was a child targeted by the Web, he was looking for answers. He joined the Magnus Institute’s Research Department looking for them, he stalked his coworkers in search for them, he broke into Gertrude’s flat and laptop out of desperation for them. And when he realized that all he had to do was Ask to get truthful answers to his questions? It was only natural for him to jump at that opportunity.

Elias told S3 Jon that he did want this, that he chose it, that at every crossroads he kept pushing onwards, and the inner turmoil that caused was one of the focal points for Jon’s character through the rest of the podcast.

There’s a certain line of thinking in many circles about the power of the Devil: he’s not able to create anything new. All he’s able to do is twist and warp that which was already present, making it something ugly and profane while still maintaining the facade of something desirable.

Jon didn’t choose the Eye. But he did wander into its realm of power, exhibiting exactly the qualities it was most capable of hijacking and warping to its own ends. Jon didn’t choose the Apocalypse. But Jonah picked at him little by little, pointing him towards each Fear individually. Jon didn’t want to release the Fears. But the Web tugged on his strings just so and laid a pretty trail for him to follow until he reached its desired conclusion.

Jon didn’t choose ultimate power, or omniscience, or even his own role as Head Archivist. But he said “yes” to the right (wrong?) orders and kept on pushing for the right (wrong?) answers. He wanted to succeed at the work he had been assigned. He wanted to protect his friends. He wanted to rescue them when they were lost. He wanted to prevent the apocalypse, to save the world. He wanted to know why he was still alive, when so many had died right in front of him.

The Great Wheel of Evil Color that is the Entities might not fit as neatly into categories in this universe - maybe there was no Robert Smirke trying to impose strict categories on emotional experiences, or maybe the ways they manifest in the world has turned on its head (goodness knows many of them have been showcased and blended in some very fun and new and horrifying ways so far) - but their fundamental foundations seem to be the same. Hell, in episode one we learned that there had been enough individual incidents to create a distinction between “dolls, watching” and “dolls, human skin.”

Smirke’s Fourteen isn’t going to be relevant as common parlance, RQ said that already, but I don’t think that means the Fears themselves (and their Dream Logic-based rules) are different - I think it means that the levels of understanding, language used, and personal connections among people “in the know” are going to be entirely unfamiliar

[mermaidsirennikita]

okay but in Armand’s defense it would indeed be extremely annoying to put all this work into gaslighting a broken man into being something resembling stable for SEVENTY-SEVEN YEARS only to live with the knowledge that he’d spin back into chaotic mess with a dude who says shit like “LEWEE WE BELONG TOGEZAIR OUR HEARTS ARE JOINED BY A CORD!!!!” as soon as the dick was back in play

[moonkhao]

hi.

[cissa-calls]

In anticipation of the finale, there are two wolves inside me right now:

1. The hope that it is a gritty, raw opening of love, grief and reflecting on oneself as an individual identity and group. Something poetic about death, longing, memory, and the continuation or breaking of cycles of trauma. However, though it is something that is definitely tear jerking (sob jerking moreso), it is not gratuitously sad to the point that it falls directly into the sapphic trope of tragic love, but still is a testament to the time and trials these witches have faced as outcasts. Answers to questions of what does it mean to want? To long? (And it’s inherent power as they near the end of the witches road and their prizes are within grasp). Is it the pursuit that is most poignant, or the result?

2. The secret and entirely unrealistic hope that it ends with the coven all reuniting! Agatha gets her powers back, Tommy is found, and a resolution about Nick is reached. Agatha and Rio fall madly in love again and live out their days in sapphic cottage core bliss with Señor Scratchy. Rio reaps souls and Agatha practices magic and gets therapy for the Evanora trauma of it all. They all have weekly coven dinners and even though they all nearly kill each other several times during the meal, wow they’re a found family with a space to freely expressly themselves (not without judgement…they still love to judge each other, but without condemnation). Agatha can’t cook and nearly burns the building down, Lilia and Jen question that out of all mortals, why did Rio pick this one? Rio is like: I’m a divine being, so I don’t need to eat (Agatha kicks her under the table)…and because I love her. Most of the time. Is this silly and only realistic in the realm of fan fiction? Absolutely, but let me live, I already KNOW these last two episodes are going to WRECK me (if episode 7 was anything to go by…)

Either way, I hope to see Agatha and Rio ending the series as it began: beating the ever loving, mother frickin CRAP outta each other. No holding back, just an all out brawl that makes Lucille and Edith’s showdown at the end of Crimson Peak look like child’s play. Nothing says I love you like cutthroat combat <3

[aethernoise]

After the Dawntrail graphic update nerfed Alyx, I used fantasia to change a few features and Cope, basically. Over the last month I'd gotten used to her new face - even come to like it - until I'd get into gpose and try to capture her like I used to. None of the angles and shapes were the same anymore. I'd look at screenshots from weeks prior and feel utterly despondent that the face I knew for almost 10 years was just GONE.

While the actual feature shapes definitely changed (some due to new facial bones, some are just. completely nonsensical choices) I realized through close scrutiny that a lot of the difference was due to the lack of definition in the skin texture. I can't 3D sculpt, but I CAN paint, so I finally took matters into my own hands and manually edited the highlander face 1 diffuse in Procreate. I basically added shadows where they had removed them, and drew in what feels like a brand new version of the old iconic upper lip.

The eyeshadow is still a little funky up close, but I'm literally so relieved and happy I could cry. I almost did last night when I first imported the texture.

She's back. A little bit different, but she looks like herself again. She's back. WE'RE SO FUCKING BACK.

[tapakah0]

I HAVE NO IDEA IF I'M FITTING FOR THIS I HAVE 0 PROFESSIONAL EXPERIENCE, DO YOU KNOW HOW HARD IT IS TO WORK WITH SOMEONE WITHOUT EXPERIENCE?? I MEAN I AM READY TO DO SOMETHING IF I CAN DO IT BUT I HIGHLY DOUBT THAT I REALLY CAN DO SOMETHING FOR IT I HAVE TIME, ENOUGH TIME, I DON'T NEED MONEY, BUT I'M JUST SCARED THAT IT MIGHT BE DIFFICULT DUE TO THE FACT THAT I HAVE NO EXPERIENCE AND LACK IN A LOT OF THINGS I AM AN ENJOYER OF THIS SERIES, NOT A CREATOR, I AM EXITED TO SEE THINGS FOR IT, I DON'T KNOW IF IT IS GOOD OF ME TO GET INSIDE OF IT LIKE THIS

[drivebyanon]

So I am new to the 911 fandom because we just started watching so I have not been committed to a “particular” relationship for years & years (Although I do think they’re adorable). So when Buck & Tommy started I was able to enjoy it very easily without all the history and happily dove back into Tumblr.

Then I heard that it was toxic on Twitter, I thought “How bad could it be?” and kinda pushed it off. But then I did a search on “911 finale spoilers” (Don’t judge me! Bobby & Hen got me in an emotional wreck) and Great Googa Mooga was it inundated with unsaid relationship! But with stuff like “Is Bucktommy bones?” “Tommy will be bones” “Lou is old” “Lou is ugly”. I was soooo wrong, because it is nuts 😬. Yeah, I backed myself out that and back to tumblr into safe tags so damn fast.

[whattheskyknows]

Humongous plot twist, I have finished an entire full draft of the final chapter of 13 Students Remain. I have my fingers crossed that I can post the final chapter soon!!!

[utilitycaster]

It's sort of inevitable in D&D, especially in a game with a lot of calls to the idea of fate and a lot of complex parental relationships, that you'll touch on breaking cycles, but man do Imogen and Ashton seem to be lined up to be some of the most clear examples of it: Imogen, suddenly leaving her home, trying to learn about herself and stop her nightmares and get rid of her powers, becoming frustrated when information is scarce, even flirting with the idea of joining the Vanguard when it becomes an option...but deciding against it, staying with her friends, even finding a different way to ease the worst aspects of her powers will still retaining what's good. And Ashton, also broken and of burning purpose, also seeking power they believed themselves to be owed, but, in theory, fated not to deceive and destroy but share their gifts with someone else and use it to end a cult of personality rather than start one. They are both one really bad experience away from becoming their parents, but they have the opportunity and the information not to make the same mistakes.

[starryluminary]

I said “It might blow up in your pretty face”

I’m not saying do it anyway… but you’re going to

With the title for funsies!!

[thegayestpossum]

The Breaker Whiskey Tumblr Fandom. AKA like 25 of us plus Lauren watching us completely lose our minds

[cozylittleartblog]

long way down

[alackofghosts]

from mysteries, yes by mary oliver