#i am happy to go into more detail given a lot more time

[ionianodyssey]

I think the ai talked about in the post where you said you hate ai bc you are in tech industry, is talking about stuff like video game enemy ai & pathfinder. And what about ai finding cancer while still in its early stages & saving lives?

When a tool for solving problems is used for good. It's good.

To get into a little bit of detail: AI is a very large and ambiguous set of tools that can be used to solve problems. Depending on who you ask, they'll give you a different definition of AI. Even if two people gave the same definition, neither of them could come to a consensus of what problem solving tools are AI and which ones aren't. A big part of why it has such an ambiguous definition is that what constitutes "AI" 100 years ago was literally just the 1920s version of a computer. With each generation, there's a general trend of "the problem solving tools our parents created aren't actually AI, so let's make new and better problem solving tools and call them AI." If you asked an AI researcher today if they consider video game pathfinding or video game AI to be AI, they would probably tell you no.

A lot of AI research in a nutshell is some very smart people trying to find new and hopefully better ways to solve problems. But for the past few years AI has become more and more of a buzzword in the business sector, which has leaked its way into research, and now a lot of very smart people are throwing their head at the wall inventing things that already exist. But because they can call it "AI" because it uses more recently developed ideas, it's considered Good and Very Cool. I don't really agree with this, and I've seen university professors and deans that are so absorbed by the AI bubble that they're trying to make everything under the sun run on AI. Reinventing the wheel. This sort of creates a feedback loop where software engineers are taught that anything called AI is The Best. And so they try and make everything AI. And this slowly trickles down into the corners of the internet and public thought until (sorry for the jump in my reasoning) dudes in their basements start trying to make AI things that are just reinventing the wheel, unnecessary or just outright harmful. And feeling like the one voice trying to say "maybe we give this word far more credit than it deserves" in a crowd of tech bros is just a real drag, you feel? But the difficult part is that there is a bubble going on, and one can genuinely make money from this, fueling the bubble and lining your pockets if you know when to dip. So, under capitalism, everyone is incentivized to invest into this newfangled tech with a very misleading name.

But credit where credit is due. AI, GPTs, and a lot of the new forms of AI being improved and put into use have already found innumerable uses to help people with disability, as well as use in the medical field. Which brings joy to my heart, knowing that enough people have cared about these derpy little machines long enough, believing that one day, maybe they will be able to think. That we were able to create some genuinely interesting tools that would've blown alan turings mind.

TL;DR AI under capitalism is often bad, but it still does good, which is very cool. We're in a tech bubble.

[mimipolo]

hi darling, how are you?

genuinely thank you so much for writing about Nam-gyu, I love him and it's kind of disappointing to see that there are almost no fics or headcanons about him :(

I am honestly in love with your way of writing (⁠◍⁠•⁠ᴗ⁠•⁠◍⁠)⁠✧⁠*⁠。

I would love and be very grateful if you could write something about Nam-gyu dating a girl who is more shy and quiet

thank you so so nuch

have a great day/night 🤍

Nam-gyu x shy!reader

HIII I'm doing good tysm for asking‼️

You gave me the opportunity to listen to one of my softer playlists while writing this so kudos to u

He's tries his best to be gentle with you, almost too much. Sometimes he mistakes your meekness for also being weak. Yes weak willed but not necessarily a complete push over. You just prefer to keep to your thoughts to yourself. He genuinely admires you for it because he could never tolerate someone talking shit to his face.

Speaking of he's super quick to defend you, any word he believes could offend you( it offended him more) is immediately being damned to hell. He's holding you close to his side as he shouts at the supposed perpetrator.

We all know he's a super yapper when given the chance so he loves being in your company and talking to you, or well, talking at you. More often than not he's being spoken over or whatever he's saying isn't being received but it's so much more different with you. You're happy to sit and do whatever you're doing as he talks your ear off. Sometimes when he says something especially interesting you ask a question and he's already giddy and ready to explain in unnecessary amounts of detail.

Feels like he's the chosen one because you chose him out of all the loud bastards out there to be with. He wants to brag and show you off so badly but he has to physically restrain himself because he knows how much you'd hate having so many people you didn't know have so much information about you. Sometimes slips in a comment or two...or more to Thanos, nothing too crazy.

You understand him better than anyone else, when he's about to go from frustration to anger, then anger to violence. You're that voice of reason just behind him urging him to reconsider what he's about to say or do. At some point he realises he hears your soothing voice coaxing him to calm down when you're not there. Genuinely shudders at the thought because you have that much of an affect on him?? Terrifying.

Sometimes he likes to sit in silence with you, the windows open and it chills the already cool room as his head lays in your lap. You're humming quietly to yourself as you make a mess of his hair and he's content on staring up at you blissfully as you do so.

Takes into consideration you don't usually like PDA so keeps most of it at home. But any threat of someone even hinting at hitting on you he's softly grabbing your hand to pull you away, mean mugging the person the whole time. You hate confrontation at all costs, remembering how you jumped in shock at him just shouting at someone haunts him endlessly. Avoids doing so unless very much called for.

One thing you'll always acknowledge is how much he tries to remember all the little things about you, the effort he puts into making sure you're comfortable noticeable in every interaction. Even if it looks unnatural on him, he swears he's trying.

Guiltiest pleasure is purposefully making you flustered. Loves turning your head up to meet his eyes just for you to snap your head away as you shrink under his gaze. Thinks it's the cutest thing ever. Especially if you take hold of his wrists and tell him to stop it but don't actually push him away.

One thing he always makes sure of is keeping Thanos in check when he's around. It'd honestly be easier just to avoid him all together but the man is anywhere and everywhere. Has elbowed his stomach roughly when he was halfway calling you Senorita. Would do it again gladly. Got teased a lot after for being so protective you, Thanos clapped his back like some proud father as if he wasn't the main culprit.

He's your number one defender. If you have no fans he's legally dead. Supports every small hobby you do, and insists you make something big with it. Just wants to see you excited about something.

He's a snappy guy with a smart mouth so he has to tripple check himself every time he's slightly upset at you. It's not that he means to hurt you with his words he's just a little too creative. But due to your lax nature conflicts occur very rarely, a sense of peace only you could provide him with. Even if you did argue he'd be folding immediately after he's cooled down.

"Don't hate me kay? I didn't mean it."

"Speak to me pretty, ya know I said sorry."

Doesn't let up until you give out a short laugh, signalling his success.

[sarahreesbrennan]

Thank you for writing Long Live Evil.

I'm no cancer survivor, so I haven't been through the horror that that must've been, congratulations to enduring and surviving, and my sincere condolences that you had to go through it.

But I am chronically ill (cystic fibrosis, genetic defect) and have so far lived for 5 years longer than my prognosis allowed. My health's been good and stabile for a long time now, but I remember times where I couldn't walk alone, had a 18/6 nasal cannula and a 24-hour IV drip instead of school or a future.

Now I'm working at university, an archaeologist, chipping away at writing stories for years and years, and incredibly glad and privileged to see the world. All this to say that seeing how hurt Rae was in the beginning (and again throughout the story, while also never truly forgetting her true roots and motives) and how she grew around it like a gnarled tree, was like catharsis for me. Having miraculously given a second chance, no matter how hard the fight to keep it will be; I haven't ever read any story talking about this in a way that made me feel seen and understood like this. Thank you also lots and lots for taking the time to mention Rae's appreciation for Rahela's curves — it's been the same for me, since I've managed to get out of the underweight-trap. It means a lot to me, and I guess to many others in similar situations, including you of course. Thank you for sharing this with us, it must've been hard to touch on a deeply personal experience like this in writing that's simultaneously removed from oneself through fiction (at least that's what I'm imagining).

Thank you, and I wish you nothing but the best, health, and lots of good days to come. Deeply curious to see how Rae's story will continue!

Thank you so much for this.

I am so glad you are alive. Thank you for that, too - for living on even when you couldn’t see a way forward and everything was helpless despair.

I haven’t been through what you’ve been through, either, but it’s a privilege to have shared adjoining experiences trapped in darkness, and to share gladness and the wide world with you now. I’m so sorry it happened, and so happy you have archaeology and stories, and the world has you.

I will be totally honest and say it has been hard sharing Long Live Evil with the world, and I’m so grateful to you for knowing that, and for sending this message because you knew. This book is highly personal to me, but it’s also meant to be a wild celebration of messiness, escapism, and finding humour in art and darkness. And that means to some it’s just a joke, and in the words of Joanna Russ, ‘she’s not really an artist and it’s not really art.’ And so it gets dismissed, and it does hurt to see my most important story dismissed sometimes.

I was with other writers in a public space at one point and they were talking about how their books were about serious issues while ‘Sarah’s book is just for fun, and that’s fine too!’ (I had to take a minute before I could lean into my microphone and say ‘My book is about cancer’ in a cheery tone.) I’ve seen readers saying ‘this book’s just fluff, just silly, I’m ashamed of myself for reading it, there’s nothing to it’ about the book I wrote about almost dying.

My Rae, while of course she has bits of me in her (every character I’ve ever written does), and evil queens I’ve loved, and characters with wild hubris going on in the Greek plays I mention often in the book, and readers I’ve seen and I’ve been who are blithely confident they know what’s going on without doing more than surface reading and while forgetting key details… she’s also bits of women and girls I’ve mentored, been mentored by, befriended. And some of them are dead. So seeing the bits that were them particularly scorned or judged, seeing her pain dismissed or the discussion of her body sneered at…

That has been hard.

But.

In the end I believe I am really an artist and this book is really art, and art is there for the wide world to judge - to be mocked and dismissed, yes, as a price that comes with the opportunity to also be truly seen and appreciated, to get to influence real people’s real lives. Art is the gold that comes from the crucible in which we put all our pain and all our love and all our joys. I believe it deepens and transforms.

I wrote this book about how deeply unsympathetic people actually are to sufferers of illness, chronic or otherwise, and especially to women expressing pain. How the world villainises imperfect victims—which means all victims. How the world villainises bodies, and robs us of our joy in them—even when there’s horror in a body, too. I did know that by putting this book out into this world, that attitude would be reflected back by the world onto the book. And that attitude has hurt me in the past, and hurts me when I see it now.

I still think it’s worth calling out that attitude, even if it means getting more of that attitude reflected back onto me - because it means readers like you see it, and know others have been through this, and it was never okay, and you were never alone. While I know there will also be readers with chronic illnesses and/or cancer whose experience doesn’t overlap with mine at all, that only means there need to be more stories. So everyone who needs it gets the map into fantasy lands.

And I do hope some able-bodied readers read it, and think twice about adopting the world’s attitude to the people in their lives who are already going through enough. Some readers have told me the book helped them sympathise with and understand the cancer sufferers in their family and friend circles, and that’s meant a great deal. What do we write for, if not to learn to love each other better?

Long Live Evil has also given me my life back, as truly as chemo did, in a way that makes the pain worthwhile - I think I would have kept telling stories in some form, but Long Live Evil was my last throw, for as far ahead as I could see. Now since the book’s done well so far I’m hoping I can write more books, and my life can be the storytelling shape I always wanted it to be.

I read your message and I regretted nothing. I remember the pain and the way so many of us laughed or tried to laugh our way through it, and I know this was my way. Jokes, like stories, are the golden thread we follow through the dark labyrinth of our own agony and incomprehension.

It really has been hard, and it’ll stay hard. But like living, it’s worth it.

Please know two things.

I am so happy I wrote this book. Ultimately more than any other feeling I had so, so much fun writing it, and I’m having even more fun seeing the book be read by the people it was meant for.

2. This book was written for you.

[raven-at-the-writing-desk]

I doubt I’m the first person to come barging in saying this, but I’m not happy with how Malleus’s consequences played out. Obviously we don’t have a full translation to work with so this should be taken with a massive load of salt, but he’s really getting off with just the temporarily broken horn?

I understand why the writers did it. You can’t take one of the main cast out of the game for an extended period of time lest you impact the gacha money. And the rest of the overblot guys had but a slap on the wrist too so nothing was ever going to happen.

But still, isn’t it too convenient that there just so happens to be a precedent for Sage’s Island to excuse this exact situation because Malleus feels bad? At least the other guys had the argument that their overblots were relatively contained.

But maybe it is a fitting punishment that Malleus lost the usage of the one thing he used as a crutch. That he needs to learn how to use more than brute magical force to handle his problems. I guess I’m just bitter that Malleus always seems to get away with much more than the other characters, and here he seems to be doing it again.

Sorry if this is repetitive.

[You can read my thoughts on the book 7 finale here!]

To be fair, they did say the broken horn would take an estimated 100-200 years to grow back + would require monitoring. In his current state, I believe Malleus isn’t able to use his UM or similar “disaster-level” magic. It seems he can still use the rest of his arsenal of spells?? It looked like he used magic to mass deliver invitations and to help Lilia use his UM for the party. But we’ll have to follow-up to see for ourselves what the true range is, since we didn’t see Malleus use a lot of different spells at the end of book 7.

But yeah, other than that 😅 Seems like all is fine? Malleus is going back to school, Lilia’s still alive and returning to NRC as well, his grandma seems to be handling diplomatic matters + smoothing over foreign relationships, fae fixed the physical damage to buildings, other countries are settling back into their own daily lives, etc. I guess we should’ve expected this, given the medium and the pattern of letting OB boys off easy. It’s all for the sake of keeping the marketable characters present and still lovable. (Though I do want to point out that, because the story ended sort of quickly, Malleus may not have been granted enough time to show us how he's dealing with the aftermath or what other consequences there were. This could be something covered or expanded on in a future update, or perhaps in the manga, light novel, or anime.)

I think that maybe the new lore surrounding Sage's Island could connect with a future update (there's many theories that it could tie with Mickey or Grim), but its placement here is... I don't know, the framing of it reads as very convenient for Malleus. I'm not saying that Malleus shouldn't be forgiven or granted a chance at redemption (he certainly should, especially if we're giving this to the other OB boys). His OB may have been on a far larger scale than the others' were, but that's no reason to deny him or to think that there's 0% chance he can change for the better. What I am saying is that telling us, "This other powerful mage also did an oopsie and wasn't exiled for it, he only got scolded" feels like we're redirecting attention to someone else instead of focusing on Malleus :/ which doesn't sit right with me.

This really is not helped by the narrative bringing up all these additional details which only seem to minimize Malleus's impact on the world. No one died, no major areas were affected (save for Sage's Island), the only injuries sustained were those of some NRC students, the only physical damage sustained was mainly the Diasomnia dormitory (which was easily patched up with fairy magic), Maleficia + the headmasters are handling the press coverage of the event, there's now a group (the Fairy Dream Life Association) that adore Malleus and want to stay in the dream world, etc. I understand that the point of the big fight against Malleus was to prevent him from doing more harm--and it seems like they were successful, so good for them. I also understand that Malleus's absolute power allowed him to control space and time within his briar barrier (so I guess any deaths that would have resulted from people falling asleep while swimming, driving, cooking, etc. didn't happen?). But that feels... again, too convenient, and gives Malleus another "out" of being forced to realize he's done something truly horrible (since apparently no physical harm resulted + what little harm that did happen was easily fixed), that he potentially has blood on his hands. Does he even truly comprehend the emotional and mental turmoil he put his victims through? Maybe not all 20,000 residents, but definitely a non-zero amount of them. I don't pick up any of that based on how he's acting. Malleus doesn’t talk about or acknowledge any of that.

It doesn't even seem like his classmates hold any grudge toward him for what he did??? Even though NRC students are the exact type of people who would do that??? Yeah, Leona and a few others express shock when Crowley says Malleus is coming back to school, but I didn't see a SINGLE person protest or put up a fight or consider not showing up to Malleus's party. In fact, the first years seem oddly excited to be seeing Malleus again after all of that. It weirdly seems like there was more resistance to going to Lilia's farewell party at the beginning of book 7 (because at least there Leona expresses WANTING to leave early) than there was for Malleus's party at the end of book 7. Is this supposed to show us that the NRC students are now so pro-cooperation they don’t mind Malleus being back?? Even though those same dorm leaders were surprised at the meeting where it was announced? It’s also strange that we heard nothing about upset parents, just that parents conferences were held. You’d think there would be significant uproar from a small portion of them??

On top of all that, he also conveniently gets what he OB'd over: Lilia not leaving, not dying, and reenrolling at NRC. Malleus isn't forced to reconcile with that loss, isn't made to confront mortality for longer. It just gets pushed off to a later date. None of the other OBs are magically given what they got mad over to begin with. They had to work to overcome their own issues, but Malleus seemingly doesn't have to (because he no longer has to currently grapple with the distress of Lilia leaving), so it seems unfair that Malleus is the only one that gets it all. This could be something they tackle in like… book 8? Like I’m sure he must have feelings around him killing Lilia—but right now, he can still enjoy a happy ending and doesn’t indicate having any complications around it.

One of Malleus's horns being injured might be a physical symbol of change and may limit his magical powers (no UM, no disaster-level magic), but he's still a powerhouse seeing as he seems to have helped amplify Lilia's UM for the party + sent the invitations to everyone by magic. He can still have his power, I’m NOT saying he should have no magic or that he should be physically harmed further. But if he's to learn to use more than brute strength or magic to resolve his problems, then why not start with words? Words like, "I'm sorry", and "It was my fault", and "I shouldn't have imposed my will on you", etc. And not just to NRC, which happened in canon, but to the world.

If the story won't commit to actually assigning consequences to the world for what Malleus did, at LEAST let him handle the social repercussions of it all. Show us other students being wary around him so he has to earn back their trust instead of it being handed back to him. And why not have Malleus be the one going on TV (after he has recovered, of course) to apologize to the world instead of having his grandma handle it for him? Malleus apologizing just to those in attendance at the party isn't enough, because that insinuates his actions only affected the guests present, when, in reality, his actions scared so many other people and had them intervening. Have him say sorry to S.T.Y.X., to RSA, to all the other countries he endangered. At least do RSA (since Ambrose is also being interviewed), S.T.Y.X. (since they were largely involved in the containment), and Foothill Town residents. I would have liked it if Malleus told us how he is going to make amends. One party's nice and all, but it doesn't tell me what he is going to do in the long term to make things better.

To be clear: To reiterate, I don't want Malleus to be physically harmed or "further punished". What I want is for Malleus to actually understand that everything he did was wrong, acknowledge that he broke the trust of countless people, and actively take steps to learn and to prove to everyone he is worthy of having their trust. I'm disappointed that it seems like Twst skipped these crucial moments in favor of having a rushed happy ending. If there isn't space to do it now in book 7, give us some lines that imply he's got a plan or some ideas in mind for next update or something OTL He has maybe one or two lines tops at the party, and that's it. We really needed more to close off book 7 in a satisfactory way for his arc of learning to accept change.

Here’s to hoping that book 8 (?) can show us the things book 7’s conclusion didn’t deliver on.

[bigfatbreak]

more mlp au dumps

3 am palette cleanser. tis the season

additional fun for my dorky ass twibra au... twilight's friends mimic the elements of harmony in a way that reflects the magic of their pony selves (bc I said so lmao) and it's what brings her back from the brink after principal cinch grenade tosses her little magical collector in her face and blasts her with equestrian magic

details:

Chrysalis represents generosity specifically because of how she's selfish on behalf of her friends. she's absolutely willing to dupe other people and manipulate them if she thinks it'll help out anyone in the squad, even if the fallout could be cataclysmic. This has led to a really bad reputation following her around, and though its not really unprecedented, her friends still keep her around as she means well. It's a bit hard training her out of fawning over other people to try and make them stay, but she just wants everyone well-fed and happy.

Stygian has the loyalty blessing because he's the real ride or die. He would rather physically staple himself to his friends than possibly lose them, especially since he was subject to losing a friend group in the past which left him deserted at a really bad time. Meeting Tempest around that time was the only thing that kept him going, and now he's fiercely protective of his new friend group.

Spike is laughter because I love him. puppy power

Tempest gets honesty because she's extremely blunt, even though sometimes its to the point of insulting, she genuinely just wants communication to be established at any cost. Her straightforward attitude is very effective at stopping Chryssie's schemes and keeping Stygian grounded, and she doesn't mind being an anchor for the team, especially since she used to be team captain on her volleyball team before she lost her arm. The sense of "these people need me" helps anchor her as much as it anchors them.

Sombra can be exceedingly kind, showering people in gifts and lavish trips, assisting them in whatever programs they're in, and he's more than willing to put the effort in and sacrifice things of his own if it means his friends will benefit from it - but it stops there. His kindness is wonderful only to those in his close circle, and most importantly, to Twilight.

though their dynamic sometimes isn't the healthiest, they're all recovering from friendship issues of their own - some done to them, some because of what THEY did to others - and Twilight's the precious sun they seem to rotate around, as being a shut-in only focusing on her studies has given her zero inclination to have any sort of preconceived notions of other people. For friends with a bad past they're trying to work through, its incredibly refreshing, and they would rather die than lose her.

even more additional details:

Sombra collects pretty minerals, and wears a lot of jewelry as a result. He often compares Twilight to precious stones and seems smug about dating her.

Tempest and Stygian are room mates, but they're not dating, sharing a purely platonic relationship. (Stygian is gay and Tempest is a lesbian. they're each other's beards, basically)

Chryssie lives in an apartment Sombra pays the rent to, but only under the agreement that she stop dating people just to raid their houses. It's worked so far, at least according to CCTV footage

once the magic Twilight absorbed disperses into the team, giving them magic, Spike gets dragon attributes along with being able to talk. This means sometimes he eats Sombra's fancy gemstones and there's absolutely nothing he can do about it because if he yells at his gf's dog/little brother he'll get smacked. Sombra is in hell but everyone else loves it

[hellonerf]

this post is going to be my depository for the caname yandere notes i wrote a while ago and im finally posting. below this line is it. if you want you can just ignore the walls of text for this image of ame as miyuki from you and me and her or read through it for my yandere caname braindead details

straightforwardly, they'd be different in approach. dumb in their own ways 🤤 loosely using yandere here okay i know the meaning has changed a lot okay(snoreee)

for a yandere cana, in context to caname. a mumbling withdrawn yandere… just a general big fan of how it can come off as shyness. well i personally love a really messy sadled-by-internal-conflict kind of yandere… i think there’d be a weird type of shame there. always has the feeling that he’s afraid to be perceived. a weird overlap… with his ame-related frustrations “he won’t even look at me… (seethe)” and “ohhhmygod he CAN’T look at me (shaking)”. like he feels in the right but feels afraid simultaneously. and he knows so much about ame but ame doesn’t reciprocate such effort? unfair…(grits teeth).

he can confidently say he knows everything about ame, and then mumble about how ame barely knows anything about him. i want to him to rage internally about that that it bubbles up (>_>) entitlement and yandereness kind of go together anyways. she’s glaring at her with such intensity and she won’t even turn around to notice… can't she at least have this... she rarely gets anything for herself... at least this... i like any case of someone being yandere for ame where they take on a kind of caretaker role. he’s so stupid he can’t do anything he doesn’t know what’s good for him etc… (happy)(happy anytime ame loses control in some way)(ties him to cana like a balloon). loveee the idea of cana hitting him or something and then doting on him right afterwards like he didn’t cause it. HOW’d you get such an INJURY…… so irresponsible 🤦‍♂️

another thing is cana is more comfortable with femininity than ame. this is factual and ame i’d imagine to be tenser about it. i don’t know what this means guys. anyways i think his feelings build up into a climax more... turned into action! whatever it is he does to ame

a yandere ame is harder for me to put into words. because i okay. i like her a lot. i think he’d be so rage jealous upset internally, but also so much so that he can’t keep it in (i don’t think his control on how much of his emotions leak out is very good, i don’t think he has a good enough lid on it) so he’ll come off very spiteful, controlling, accusatory. she’s keeping track of where you go where she can’t see you. she doesn’t believe what she can’t see. ame’s high and fragile ego i think… deep down he can be insecure and paranoid. it’s frustrating for him to feel unsure at all. especially if it contradicts what he believes he heard. and it’s an insult that someones even making him feel so unsure. she’s like stomping her foot… wants her full attention at all times… she won’t and can’t let you get away with fooling around.

in a caname nationverse… i think there’d then already be a lot of interactions ame would consider “the ultimate betrayal” lol… similar in cana that he’d want reciprocation for the attention given, but i think he’d be 10x more blatant in the rage and entitlement. it'd cause more lashing out to the perceived betrayal i think. he's stuck between wanting affection and being so mad that he's not getting it already. demanding of cana's time loyalty and reciprocation... yandere that seethes that the one they love isn't as crazy about them lol... paired with all this… complexes about doing things “right”. communicating “right”. i think ame doesn’t really have a natural intuition in communication, relying on imitating social customs while not understanding them fully. so it'd be even more upsetting to him that he's "done it right" and he still doesn't get what he wants.

and also with that i think he’d be lacking in self awareness so hard… gets into antics… thennn i think he's more explosive in this, feels a white hot jealous rage and acts based on that, but its easy to forget outside of those moments.

in these descriptions i think cana's works prior to dating... if dating ever starts at all lol i think he thinks of it less like a romance endeavor and more like a... well he's already always right next to him! its been building up for forever... for ame's i think these only really get prominent with something "established". he already demands your time but if cana like specifically promised something, or he had some epiphany, that'd cause all these wants to be much more visible. i feel like he tends to need a catalyst for some feelings to come to the forefront

the switching pronouns is cause saying all this im imagining them yandere girl-like no matter what because i have personal feud with male yandere

[noodlesarecheese]

So Watcher is launching a Dropout (it's not called Dropout but they're clearly using the same template format platform thing idk what it's called, and the same pricing structure), and the reaction so far has been wildly different than what I remember from Dropout's launch. I was curious about why that was or if I was just misremembering the Dropout launch, so I went back to the Dropout launch video to compare them and I think I can see where some of the difference is coming from.

If you want to make the comparison yourself: Watcher's Video, Dropout's Video.

I wanna clarify first though that this isn't a knock against Watcher or the fans who are reacting one way or another or anything like that, I genuinely am just fascinated with how different the reactions are to what seems to be the same business decision. This also isn't a 'wow watcher sucks and dropout is so much better' I'm just using them for comparison because they did the same thing with different results. ALSO this isn't about the business decision itself, just the presentation! Disclaimers out of the way, here's the analysis.

Title and Thumbnail So the Watcher.tv announcement video is titled "Goodbye Youtube" and the thumbnail is Ryan, Shane, and Steven sitting on a couch looking serious, with a dark background. That really makes it seem like they're quitting (which, ok, they are quitting youtube but not quitting quitting). Viewers are already primed to be upset, and it's easier to go from upset to angry than upset to excited, curious, or neutral.

Compare to the dropout announcement video: "How the Internet is Ruining Comedy" - inline with other collegehumor video titles, might make you curious. Thumbnail - Big News! with Sam smiling and a bright background. We know its big news, but he looks happy, and the exclamation point let's us know they want us to be excited. Viewers are primed to be curious and excited.

Tone The Watcher announcement has 2 main tones. The first half is very sentimental, almost sad or wistful at times, and while there are parts that veer into pride at achievements, it's mostly bittersweet and sentimental. The second half is a bit more uplifting, but still quite serious. It reminded me of a tech announcement, like when they introduce the new iphone or something like that. Very professional, sleek, and serious, which isn't automatically a bad thing! But I do think that's not the vibe a decently-sized chunk of the audience expected or wanted. Many people watch Watcher for the cast's dynamic with each other, humor, and the more relaxed/conversational/friendly feel that most of the series have.

Compare to dropout - excited and comedic tone. Still professional, but also fits the expectations of the viewers. People watch collegehumor for the humor (it was in the name, after all). They also poke a bit of fun at themselves, which lightens the mood, shows self-awareness, and alleviates some of the bad feelings about paywalling.

Focus The Watcher announcement focuses a lot on the creative journey of the cast and company, as well as how this move will benefit them. Which isn't a bad thing, that's actually quite interesting! The problem here, I think, is actually more about what isn't here - a solid explanation of how this will also benefit the viewers and why the viewers should be excited. There's a brief description of one new show, and the promise that existing shows will get an upgrade, but we weren't given many specific details about how they'll be improved, and there's only one new show to tempt us into subscribing. Some people will be excited for that, some people won't, and some people will be excited but not enough to subscribe. Having 2 or 3 series (even if it's 1 fleshed out plus a few teasers of what's in production or what is being planned) plus some more details about how existing shows will be improved would've helped. Without that, it really does seem like it'll just be the same stuff viewers were getting for free, but now paywalled, rather than new and exciting stuff. That makes a big difference. I think with the fans not getting as much focus, this also led to some (accidental, I hope) hurt feelings. Based on what I've seen from fan reactions, all the talk about hitting the peak of what they can do on youtube and wanting more, translated for many people to 'youtube isn't enough' which became 'you (the current viewers) aren't enough.' Which I don't think was their intent! But I also don't think fans are wrong for feeling hurt by that.

Compare to dropout: They clearly explain how the move will benefit fans, and reassure viewers that existing content will stay where it is, and only new content will be behind the paywall. (Watcher clarified this too, but in a comment. It's not in the video itself, which is a huge problem.) They include clips of several new (at the time) series that would be premiering on dropout, including things that specifically could not be made on youtube (due to weed, violence, and sexual humor), so the reason for the shift is clear to the audience.

Advertisers Both videos contain the sentiment that being monetarily successful on youtube means working to appease the advertisers, and that over time what the advertisers want and what the creators want drifts further and further apart, putting strain on the creators.

However, I think the message gets lost a bit in the Watcher vid. Instead, it leaves viewers with the idea that the main problem is just ads are annoying instead of advertisers putting constraints on content. I'm not even sure what the specific constraints are for watcher, because they didn't give any examples. And the focus on ads being annoying leaves viewers frustrated because people typically either don't mind ads or they already have an ad blocker.

Timing and Size Okay, this isn't exactly about presentation, but it is still a factor that impacts perception so I'm tackling it. And I'm actually going to do dropout first. CollegeHumor launched dropout in September 2018. Pre-pandemic, but also pre-Sam Reich as CEO. The company was still owned by IAC. It was a Company, and while it wasn't huge it wasn't tiny either. So launching dropout was a Company Decision, a Business Strategy. Some people were upset about, but it wasn't a personal betrayal (generally, anyways). If I remember correctly, this was also not a high point for the company. They kinda needed dropout to do well to keep things running smoothly (which is why they shut it down and sold it to Sam just 1 1/2ish years later), so the sudden shift made sense.

Watcher Entertainment is a company, but it doesn't feel like one. Ryan, Shane, and Steven own and operate things, but they're also the faces, and they're youtubers. Which makes every business decision they make feel more personal to viewers, especially those who have been watching for a long time. They've also seemingly been doing well on youtube, which makes it more difficult for viewers to understand why the sudden change is happening now. They do talk a bit about it, about the company expanding and wanting to do things that advertisers don't like (which I've already covered). However, mostly the choice to start a streaming platform is framed as 'the next big step' without much clarification on why it's the next big step. Plus, it's post-pandemic, and a lot of people are still struggling financially with the ripple effects of that. Yes, $6 isn't a wild amount of money, but there have been some months where $5 absolutely meant the difference between paying all my bills or not, and I know I'm not the only one. This, coupled with a lack of clarity about why exactly they're doing this, leads to fans feeling hurt, betrayed, bitter, and frustrated.

Now, presentation and framing isn't everything. No matter how perfect your announcement is, some people are still going to be upset. It's a big change, of course people will be upset! But I do think a more careful presentation would've alleviated some of the hurt and anger that fans are feeling. While I do think a lot of the reaction we're seeing is due to the decision, I think (based on what I've seen) that some of it is also based on the poor communication in the video itself, and that could've been avoided!

So I'm gonna get a little speculative and describe what I would've done. In this hypothetical, they've decided to launch the streaming service and brought me on just for the announcement.

Firstly, switch the title out. If they're married to Goodbye Youtube then add a (and hello...?) after so it's at least obvious they aren't fully quitting. The dark color scheme of the thumbnail fits their regular vibe, but they want everyone to be excited so they should look excited. Next, let's lighten the tone up. Being proud of what they've done so far is great, but we don't need the sentimental music and bittersweetness. Remember, the goal is to get viewers excited about what come's next - so let's focus on what actually comes next! Talk about specific show plans and mention why they wouldn't work on youtube. Then, take some time to reassure the fans. Predict a few likely worries and address them in the video. Acknowledge that it's a big change, that it will take time to get used to, and that not everyone will be onboard, and let the fans know that it's ok if they aren't onboard.

Like I said, this wouldn't fix everything. There are a few differences in between dropout and watcher that don't have anything to do with presentation. Dropout launched with primarily new shows rather than new seasons of existing shows, and they continued uploading to youtube relatively regularly in addition to the content behind the paywall, which I do think went a long way to keeping fans happy. At this point it's unclear if watcher will do either of those or not. But, while I don't think it would fix everything, I do think improved communication in the announcement would've helped.

[foxyaries]

My Shifting Story That Keeps Me Motivated To This Day

Well hello again! I think it is time I share my own "almost" success story. I know a lot of you might not be interested in reading about my ALMOST success. But trust me... the more I tink about my own story the more I realize how silly it was of me to procrastinate actually doing it for so long. It's almost funny. But let's get into it, shall we?

As I have already mentioned it in my previous posts (please do read them if you haven't already to fill in any blanks that you may or may not have). I have been at a very dark place at that time. And I didn't wanna live the way that I had for as long as I could remember, because I simply wasn't happy.. with my life or my family. And I felt like I was a good kid. And I was! So when I discovered the subliminal world.. I saw it as my escape and a way to finally become happy. And that's when the subliminal "Wake up in your desired family" came into picture.

Like I mentioned before, there were only a couple success stories under that subliminal, but at that time our community was even smaller compared to what it is now. And those 10 - 14k views was more than enough for me to believe that it was a real deal. It's a bit funny to think about it now because these days we tend to pick subliminals that has thousands and thousands and thousands of views? Am I right? :) That's how we decide whether the subliminal works or not.

Anyways.. back to my storytime. I have already mentioned in another post of mine that those success stories that I did see all said the same thing. That for them to start feeling the results it took them a couple months. And if you remember as well as I do. Back then everyone set a limiting belief that for a subliminal message to start working you need to listen to it for at least 21 days. Even tho that wasn't true, I didn't know much about shifting so I believed it. And I also wasn't desperate enough, so since the stories told me it took THEM 1 - 2 months, I figured it'd take me the exact amount of time. And I thought it was nothing compared to the future I was gonna have.

So all that I did for those couple months was listen to that subliminal at least 1 hour a day and sometimes if I could overnight with the idea that I could wake up in my desired family any given moment. Pay attention to that. I didn't set a deadline or put pressure on myself for doing anything wrong. I just listened and knew it was going to happen. When exactly? No idea. How exactly? Not a clue, but I didn't care. Because knowing less was actually more of a blessing than I thought. I had no limiting beliefs. All it did was awaken my inner child and that whole journey felt magical to me and I really looked foward to my results.

Probably a month passed by when I started getting tired around the same time, every single day so I'd take naps. At a time a half an hour nap was more than enough to make me feel rested and I'd get in the state of being awake yet asleep at the same time. You know what I am talking about. The state during which it feels like you are in and out of sleep. When the sounds feel like they are far far away and then they dissapear. It almost sounds like I was close to tapping in the void state, no? :)

So whenever I'd feel tired I'd just have one earbud in my ear and lay in whatever comfortable position I wanted to lay in. It usually was on my side. And I had no intention to shift because I KNEW it was gonna happen either way. So I'd lay down and just have myself doze off listening to my playlist (I had a couple boosters too but then I'd just loop the main subliminal). And then I started feeling unusual sensations and feelings I have never felt before. All I did was just lay there and day dream about how I was gonna wake up in my desired room and I tried imagining it in detail. How I was gonna walk out of my room and see my best friends that I was going to shift there with. And literally all I did was just loop that scene because it made me happy :')

I keep rambling haha I'm sorry. Back to what happened. I was probably a month in when I started to get tired and naking naps around the same time and suddenly my naps were different? I would just mind my own business, think about my future when suddenly I would feel this insanely strong sensation that I was being lifted off of my bed and that my body was turning and flying somewhere?? But because I didn't know exactly what it was it'd freak me out and my body would flinch. That's when I'd recover the feeling of my body back and it felt like I'd literally fall back into my bed. And I mean LITERALLY get slammed back into my body. And this wasn't a one time thing. Same thing kept happening every single day for like 2 weeks (until I got insecure and shifted my focus somehwere else as I've mentioned in another post). What's funny is that I didn't even realize what was happening. I was just like "Oh? That's a new feeling" I was just curious and wanted for it to keep happening so I could understand it better. I only realized what it was when it stopped happening all together and for that I blame myself.

But you know what? It's okay. I've learnt so much since then. And it's insane how all I did every day was look for other success stories to convince myself that this was real. When I had my own very real success story. I KNOW all fo this is real because I experienced it. And I am done looking for a confirmation from other people. I know the truth and that's enough. And you should too. You don't need any of these methods. All you need is to do whatever makes you feel comfortable and happy and that you know works for YOU. Cause what actually matters is that YOU KNOW is gonna work for you. That's all that ANY of us really need.

I know this is a lot, but if you actually read this I hope it helped and made you realize something... anything really. Be your own success story and make your dreams come true.

I believe soon you will hear about my own final success story:) Goodbye for now. Next post will be more about my fairy companion. Do look forward to that!

Much love,

Foxy ♡🦊

[frankingsteinery]

i’ve seen a lot of people in general agreement of the headcanon that victor is on the spectrum, but i’ve very rarely seen someone examine the why, and being the persnickety superfluous person that i am (and not being immune to projection myself) i thought i’d try my hand at it and break down his autistic traits!

disclaimer that this interpretation is speculative and is simply my unprofessional neurodivergent opinion + it’s based on contemporary understandings of psychology, which were not part of shelley's context, however autistic people have always existed even if there wasnt a word for it during that time period, etc etc. you know the drill

without further ado!

-- communication & social interaction

first and foremost, many autistics struggle with socialization. victor’s inclination to attach himself to a single friend (henry) and only talking to those inside of his close circle rather than forming many connections reflects this tendency, and he himself acknowledges his dislike and indifference of strangers. for example:

“It was my temper to avoid a crowd and to attach myself fervently to a few. I was indifferent, therefore, to my school-fellows in general; but I united myself in the bonds of the closest friendship to one among them”

“My life had hitherto been remarkably secluded and domestic, and this had given me invincible repugnance to new countenances… I believed myself totally unfitted for the company of strangers”

furthermore, he lacks relationship degradation (he does not require regular interaction or relationship maintenance to sustain a bond). during the creation process, he (presumably) goes months without writing to his family and friends, which clerval lectures him for:

“Very well, and very happy, only a little uneasy that they hear from you so seldom. By the by, I mean to lecture you a little upon their account myself."

yet upon his arrival at ingolstadt:

"...nothing could equal [his] delight on seeing Clerval."

victor also takes things literally several times and social nuances can fly over his head. he demonstrates this literalism when first meeting elizabeth:

"And when, on the morrow, she presented Elizabeth to me as her promised gift, I, with childish seriousness, interpreted her words literally and looked upon Elizabeth as mine"

and, of course, the infamous i will be with you on your wedding-night scene, when the creature obviously means he tends to harm elizabeth, not victor himself:

“It is well. I go; but remember, I shall be with you on your wedding-night.” I started forward and exclaimed, “Villain! Before you sign my death-warrant, be sure that you are yourself safe!"

he also goes nonverbal and groans/vocalizes instead of speaking when upset. there's several instances of this that i can recall (i believe another is with walton), but i could only find one, where elizabeth has to speak for him during their visit to justine:

"When she saw who it was, she approached me and said, “Dear sir, you are very kind to visit me; you, I hope, do not believe that I am guilty?” ... I could not answer. “No, Justine,” said Elizabeth"

and this is more of a sidenote but he gives walton every. minute. detail. of his story, including his childhood in-depth (which was not particularly relevant to the moral of victors tale, which was the whole reason he wound up sharing his story in the first place) which definitely feels like. Something. reminiscent of infodumping almost.

-- repetitive behaviors

victor shows both repetitive motions and repetitive language to such an extent that it'd be ridiculous to put them all here, particularly when he is distressed and agitated. some of these motions include clasping his hands, covering his face with his hands, and gnashing his teeth, which he does on walton's boat, after finding out about william's death, in his confrontation with the creature, during his time at the orkney islands, etc. the use of certain phrases/verbal repetition  include his many "great god!"s and "begone!"s, which he usually says in reaction to the creature or while grieving a loved one. these behaviors are arguably self-stimulatory (stimming) and done to cope with overwhelming, stressful situations.

-- fixations/spinterests

ths one's perhaps his most blatant characteristic. victor has a highly focused, intense interest, initially in in the workings of the world itself:

"It was the secrets of heaven and earth that I desired to learn... still my inquiries were directed to the metaphysical, or in its highest sense, the physical secrets of the world."

"The world was to me a secret, which I desired to discover;"

"I have described myself as always having been imbued with a fervent longing to penetrate the secrets of nature"

this is to the extent that his education is noticeably different from his peers, both in acceleration in the topic of his choice and neglect of other, more typical studies due to the intensity of this focus:

“I confess that neither the structure of languages, nor the code of governments, nor the politics of various states possessed attractions for me.”

“…but by some fatality the overthrow of these men disinclined me to pursue my accustomed studies.”

this early fixation eventually narrows into a special interest in ancient alchemy, after victor finds one of agrippa's works and a "new light seems to dawn upon [his] mind," upon which he proceeds to acquire all the works of agrippa and other authors:

"When I returned home my first care was to procure the whole works of this author, and afterwards of Paracelsus and Albertus Magnus. I read and studied the wild fancies of these writers with delight; they appeared to me treasures known to few besides myself"

this remains his special interest until he is a teenager, upon which, after finding out ancient alchemy has been disproven, he takes up mathematics until his arrival at ingolstadt. then, his interest shifts into a fixation on natural philosophy, particularly chemistry, which becomes his "sole occupation":

"He concluded with a panegyric upon modern chemistry, the terms of which I shall never forget... one by one the various keys were touched which formed the mechanism of my being; chord after chord was sounded, and soon my mind was filled with one thought, one conception, one purpose"

"I read with ardour those works, so full of genius and discrimination, which modern inquirers have written on these subjects... the stars often disappeared in the light of morning whilst I was yet engaged in my laboratory. As I applied so closely, it may be easily conceived that my progress was rapid. My ardour was indeed the astonishment of the students, and my proficiency that of the masters"

which, of course, develops into an interest in physiology and the structure of the human frame, which leads to his obsession over the secret of life, followed by being "thus engaged, heart and soul, in one pursuit" during the creation of the creature.

-- intense, volatile emotions; resistance to change

in general, victor is very emotionally demonstrative, and has difficulty managing these emotions. he also experiences quick fluctuations in emotion. this is something he has experienced since childhood, and is something he maintains as an adult, when he acknowledges that:

"My temper was sometimes violent…"

some examples of these shifts in emotion:

"My heart, which was before sorrowful, now swelled with something like joy..."

"Sometimes he commanded his countenance and tones and related the most horrible incidents with a tranquil voice, suppressing every mark of agitation; then, like a volcano bursting forth, his face would suddenly change to an expression of the wildest rage as he shrieked out imprecations on his persecutor"

hand in hand with his emotional dysregulation, he shows resistance to change and has strong reactions to this change. the most obvious example of this is during the animation of the creature:

"The different accidents of life are not so changeable as the feelings of human nature... but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart"

"Mingled with this horror, I felt the bitterness of disappointment; dreams that had been my food and pleasant rest for so long a space were now become a hell to me; and the change was so rapid, the overthrow so complete!"

but it also occurs when moving to ingolstadt, suggesting a discomfort with unfamilarity and a need for stability:

I threw myself into the chaise that was to convey me away and indulged in the most melancholy reflections. I, who had ever been surrounded by amiable companions, continually engaged in endeavouring to bestow mutual pleasure—I was now alone.

-- black-and-white thinking

this aspect is most clearly shown through the way victor thinks about, and drops and gains interests and relationships. he spends years studying ancient alchemy and it is his principle interest, and then drops it on a dime and suddenly looks upon this passion with contempt:

“By one of those caprices of the mind which we are perhaps most subject to in early youth, I at once gave up my former occupations, set down natural history and all its progeny as a deformed and abortive creation, and entertained the greatest disdain for a would-be science which could never even step within the threshold of real knowledge. In this mood of mind I betook myself to the mathematics and the branches of study appertaining to that science as being built upon secure foundations, and so worthy of my consideration”

later, he spends four years with his mind filled with "one thought, one conception, one purpose" studying the processes of life so intensely he forgoes adequate food, water and rest. this culminates in the creation and subsequent animation of the creature, which he again turns around and abandons this interest immediately, to the extent that he cannot bear to think of natural philosophy:

Ever since the fatal night, the end of my labours, and the beginning of my misfortunes, I had conceived a violent antipathy even to the name of natural philosophy.

it's a very polarized, all-or-nothing approach that is mirrored with his relationships, too, which he alternatedly neglects -- he cuts contact when he goes to ingolstadt but abruptly picks it up again when henry comes into his life; when the creature flees victor's apartment, victor treats it as if he never existed entirely; his family only comes to the center of the narrative again when he gets the letter from alphonse about william's murder, despite 2 years having been passed at ingolstadt, etc.

and finally;

-- low empathy

victor repeatedly focuses solely on his own internal emotional experience, and struggles to fully comprehend and understand the depth of feelings of others and respond with compassion in conventional ways. during justine's trial, for instance, he elevates his own suffering above justine's, even as she faces her literal execution:

I rushed out of the court in agony. The tortures of the accused did not equal mine; she was sustained by innocence, but the fangs of remorse tore my bosom and would not forgo their hold.

Despair! Who dared talk of that? The poor victim, who on the morrow was to pass the awful boundary between life and death, felt not, as I did, such deep and bitter agony. 

similarly, victor dismisses ernest's grief after william's death, he frames it in terms of how it affects himself -- telling ernest to "be more calm" to avoid causing his own discomfort:

Ernest began to weep as he said these words. “Do not,” said I, “welcome me thus; try to be more calm, that I may not be absolutely miserable the moment I enter my father’s house after so long an absence.

this detachment suggests not deliberate cruelty (victor very clearly loves his family, and he's said to be kind several times) but a limited capacity to process and respond to other's emotions. this is a detachment that extends to his views of the dead. during the creation of the creature, he refers to the corpses he utilizes as only "materials" instead of once having been fully-fledged human beings, and he does not contemplate the lives or dignity of the deceased.

aaaaaand thats it! thank you for indulging my. headcanon projection land. let me know what you all think...

[chimggukchim]

2024...A Look Back At Jikook

As we bring in the new year and all the possibilities and hope that it brings, I thought I'd reflect on the year that was 2024 and all that we received from Jimin and Jungkook. Here are some of my favourite presents!

Are You Sure? - Duh! Lol. How else would I begin this list? I don't think there was anyone who could have ever predicted that we would be getting a reality series with just Jikook. Like...THAT HAPPENED! We literally got to spend 8+ hours with Jikook and their dynamic. Added to that...MERCH?! So I'd say it was a pretty rewarding year if we'd just gotten that.

MUSE - I'm sure we all felt a bit dejected when FACE's promo time wasn't that long due to most of the guys needing to release their stuff before their enlistment date in December. This is not meant to be a fighting point (I don't care to entertain mantis). Anyway, it was a joy to not only see him release another album, but also have that album and it's HUGE single be given an adequate amount of focus time. I personally enjoyed MUSE more, as the songs were more to my taste and...BLONDE JIMIN!!! I was completely obsessed with his look for this album. And I love that even though a lot of English was incorporated into the album, there was still a very big presence of Jimin in its creation. Jimin is so creative, it isn't even funny, and I personally look forward to him being more involved in BTS' music production and lyricism.

WHO - Listen...when Seven came out and did THOSE numbers, my mind was blown. Just look at the records it took from BTS and Dynamite/Butter! I was like...how can that ever be topped? Well, Park Jimin had something to say about that, apparently. I cannot even begin to tell you how many times I was simply dumbfounded that Who was not only keeping pace or was close to what Seven did last year, but surpassed it in so many key areas! It isn't that I doubted Jimin or anything. But certain patterns have been established; Jungkook has, for years, been arguably the most popular member just based purely on a consumption factor. So his releases would have done numbers. And Seven was a very heavily promoted single. Not to mention, Jungkook himself was present to do a promo run (which is why it got radio for those who don't understand how radio deals work in the US). So what Who has achieved without all of that (especially without Jimin to physically be here to promote) is absolutely incredible. And it shows me that, like Jungkook, Jimin would absolutely kill a solo run whenever he so chooses in the future. I am like a proud mama seeing what Who continues to achieve to this day, and am happy that he has the support.

Who Is My Heart Waiting For - Yes, Jimin. Who was your heart truly waiting for? lol. I won't go into much analysis here because there are amazingly detailed, cohesive, logical takes on the Who MV by others, so you can check those out. What I will say is that there is not a doubt in my mind that those are Jungkook's eyes in that billboard, and that this MV was done deliberately. Jimin and Jungkook have, over the years and on numerous occasions, put a bit of each other into their art, and just enough to have our heads scratching yet not be overtly obvious about anything. Kings of subtle yet loud, I would say. And this MV for me, was another example of that. Sure, one can debate that we can't be 100% certain it's JK but to that I say...to each his own. Because it wasn't just the eye thing. It was the entire MV. And the link to Taeyang and his ENL mv, I don't think is a coincidence. He is one of Jimin's biggest influences, and they did spend time together. I truly do think that Jimin used this opportunity to tell us who really has his heart.

Jikook are a MUSICAL DUO FORCE to be reckoned with - Potential relationship aside, looking at Jimin and Jungkook from a purely professional standpoint, what 2024 has shown me is that if these two were to ever be given the opportunity to become a sub-unit in the future...they would conquer the musical world. They have both shown with their music, that they have the support to be absolutely successful, and with the release of AYS, and how it was received, there is an indication that they are a very popular duo within the fandom as well (don't let keyboard trolls on social media gaslight you into thinking otherwise). Plus, the stage presence they have individually, and the chemistry they have together is otherwordly insane. So if there is one wish that I did have where jikook are concerned, it would be that BigHit see the potential there and give them a shot at a sub-unit at some time.

Jikook continues to Jikook - No matter what anyone comes on here to say (anti, solo, akgae, denialists etc), 2024 has shown us that Jimin and Jungkook continue to go very strong. They enlisted together for a reason, and it seems that they are happy they did so. These two continue to be the 'You Are Me, I Am You' duo that the universe conspired to put together. They are happy together now, and I cannot wait for them to be happy together come June, 2025.

Anyway, those were just some of the little gifts that I was happy to be given by these two this past year. I'm sure I missed some stuff, so you are most welcome to share your thoughts too.

HAPPY NEW YEAR, EVERYONE!!!

[most-normal-eccles-cake-ignorer]

Good Omens: Lockdown and Crowley not mentioning his living situation in S2*

*till S2E6 when he asks if he can have his apartment back bc he's bored of living in his car but Aziraphale doesn’t hear bc mentally he’s in Alpha Centauri.

Having read the 'Crowley doesn't tell him' Neil Gaiman ask close to when I first listened to Lockdown (I lived under a rock until recently), my initial thought was HAS HE BEEN LIVING IN HIS CAR FOR YEARS?! but I think he was still in his apartment in 2020:

as far as Hell knows, Crowley just had a pool party in holy water (the holiest) so the higher-ups are probably willing to give him some space (plus Beelzebub is busy going on pub dates w Gabriel)

while there should be ~8 months between the end of Season 1 events (The Very First Day of the Rest of Their Lives on Sunday, Aug 25, 2019) and the Lockdown phonecall (on or near the 30 year anniversary on May 1, 2020), I can't imagine that's a very long time for Hell, especially if you're understaffed and busy dealing with fallout from Almostgeddon / going on pub dates

Shax dropping off mail and asking about the boiler seems like something one does in the first few months of living somewhere, not ~3 years in (if S2 is in 2023)

That said, I think the phone call underlines why Crowley never directly tells Aziraphale that he is living in the Bentley in S2, and it's just a great conversation (all hail Gaiman) sooo I wrote about it:

***Note: This post analyzes the Lockdown phonecall from Crowley's perspective only. Our heroine is feeling quite emotionally vulnerable at this point in time so things are going to hit him harder than they normally would.

I do not think Aziraphale meant to cause him pain (!!) but Crowley can't see that yet and I've written this post in a way that reflects that missing insight. (I explain in more detail in this reblog if you are interested) I am working on a companion post for Aziraphale's side of this conversation and how I think it affects his behavior in S2 because if we know anything about these two, it's that their exactlys are different exactlys.***

Crowley’s habit of sleeping to skip time like an RPG character by a campfire amuses me to no end, but in this context it feels heavy. Crowley already worries about losing time with what he loves and he probably hoped things would be different between him and Aziraphale after the events of S1. But things don’t change much. Then lockdowns start, and Crowley is trapped in his apartment alone, transcendentally bored, and unable to make his brain shut up. Sleeping a month away starts to sound less awful.

But Crowley hasn’t given up yet; he’s still awake when Aziraphale calls, and he’s even giving it two more days. Was he waiting for Aziraphale to call? Is it even possible not to at least kind of wait for someone’s call when you are cut off from everything and the caller has been your only friend and crush for millennia?

Aziraphale asks why Crowley isn't "out and about" tempting people or setting a bad example and he responds:

C: Everyone's so miserable and cooped up right now anyway, and I just… well… don't have the heart for it. A: *glowing audibly* I'm not miserable~ C: Really?

Crowley sounds genuinely surprised at Aziraphale's happiness and quickly assumes it's because the angel has been around people. He's so lonely/depressed/in his own head that he hadn't even considered someone enjoying being 'cooped up'. *sob*

Aziraphale goes No actually I put the closed sign up in the window and I'm having the Time of My Life, never had so few customers, not in 200 years!, etc. Although, he says:

A: …There were a few young lads a couple of nights ago who broke in through the back and tried to steal the cashbox! But they soon saw the error of their ways~ C: *clearly amused* Did you smite them with your wroth? A: Well I certainly gave them a good talking to, and I sent each of them home with cake~ C: *annoyed, swooning* Cake? A: Quite a lot of cake, actually. C: *physically ill from having such a giant crush on this dumbass baker/security guard* eeeekkkgghhh I'm gonna regret asking but.. ...rrgh.. *30 seconds of Aziraphale joyfully describing his baking while Crowley probably tries very hard not to imagine the angel eating each item in sensual slow motion* I stg you can hear him struggling in the background once or twice

A: …And once I've baked them, I have to eat them all myself, which was why I was so delighted— C: To send your burglars home laden with baked goods, yes, nnyeaayeah I follow…

Crowley interrupts, finishing Aziraphale's sentence in his nervous hurry to say the next bit:

C: *loud inhale* You know, I could.. hunker down at your place. … Slither over and watch you eat cake. I could bring a bottle--a case of… something… drinkable…?

He's trying to sound so casual about it but this is someone who was rejected/abandoned by actual literal God after asking what he thought were welcome, uncontroversial questions. Asking makes him vulnerable. He's supposed to be the rescuer, not a demon in distress. He does not feel casual about asking.

Crowley knows it's unlikely but he's so miserable and desperate for company that he can't help but ask, just in case. Even the smallest chance of spending time trapped indoors with Aziraphale—with nothing to do but drink, watch him eat, and talk about things they'd normally avoid—is too tempting.

A: *panicking* Oh I— I— I— I— I'm afraid that would be Breaking All The Rules! *nervous breathing* Out of the question! I'll see you… when this is over. C: Right. gnnehh. I'm setting the alarm clock for July. Good night, angel. *dial tone*

And just like that, Crowley doesn't need two days to decide. The depression nap doubles in length. He doesn't hear how badly Aziraphale wants to say yes behind the fear, or maybe he does and it hurts worse because why isn't Crowley enough for him? You can almost hear the spiralling:

SHOCKING, asking made it worse. It always does doesn’t it? Why even bother? you just embarrass yourself.. SLITHER over? why did I say that *grumble grumble* of COURSE His Holy Holiness, your only friend in the universe, would rather eat cake by himself while everything goes to shit than ~deign~ to have you in his presence. "AsK aND yE sHaLl ReCeIvE" bugger this for a lark im going to bed

(a bit dramatic but we've all been there)

I imagine sleep doesn't come right away. Maybe his thoughts drift to when he sat beside the angel at a dark Tadfield bus stop after a rather eventful Saturday. Crowley must've felt a tiny bit hopeful when he invited Aziraphale to stay with him: Heaven had withdrawn its favor and the bookshop was gone; Aziraphale was like him now. Didn't that mean things would change?

"I don't think my side would like that." Apparently not.

In the end, Aziraphale did ride the bus back to Crowley's apartment and stayed till the next morning when he caught a cab, but only to sell the illusion. Crowley understood that as far as sides went, the angel was still on Heaven's, even if Heaven wasn't on his.

And now this: the entire world is shut down; there is nothing for Aziraphale to do but stay in and read and bake in his magically reconstituted bookshop and he still won't invite Crowley in. Burglars and un-fallen angels only—nobody who asks questions.

So... of course Crowley doesn't tell Aziraphale when he loses his apartment. He already knows what answer he would get; the angel has told him so many times. Aziraphale is a company man first, a companion to one very sad owl when convenient.

If Crowley works up the courage to say 'please take me in, I have nowhere else to go' and Aziraphale goes 'sorry, no, far too political, but I WILL risk being erased from the Book of Life to protect this nude amnesiac former coworker who always hated me,' it's going to be too much. You can't sleep long enough for that type of hurt to go away. Better not to say anything.

"Then nothing has to change, does it?"

[circeyoru]

Hi.. Can I ask for yandere alastor with the reader who owns his soul, ( more questions because I'm curious about this scenario )....

What would it be like if the reader, through guilt, gave her soul to Alastor, like it would be fair for the reader to give her soul to Alastor, since he gave his soul to the reader ( would Alastor see this as a distorted marriage proposal? as a declaration of love, distorted? )

What would it be like if the others at the hotel found out about this relationship between Alastor and reader? What would it be like if there were more than 1 yandere, what would it be like if vox or lucifer slowly became yanderes for the reader, what would happen?

To those that have no idea what this is talking about, check out {Unwanted Soul}

I am not kidding when I say there's a back-to-back request on the first question. So I had to answer in the other request cause this second question's answer's gonna be a long one

For the 2nd question.

Part 1. Basically, Charlie and the other's reaction to finding out about Alastor and Reader's relationship, including the soul-owning thing (but not the details like limited power, or you healing Alastor)

As a baseline, they all unanimously agreed that Alastor was the one completely and utterly obsessed with you, and you just accepted it and made the best of the situation. Niffty: She doesn't see an issue. Alastor had mentioned you to her beforehand. She was also the one to fix up your room before you moved in. She encourages and even asks for your secret. How did you get bad boy Alastor to commit to you? She wants some of the action too. (you told Alastor to keep Niffty away from you whenever she's in that crazy zone, but then you got used it to, somewhat) Husk: He thought he could use it to his advantage. You were the timid and quiet type. So he actually tried to get your sympathy to his situation, Alastor was being threatening, Alastor was being mean. Haha, no go. Because you didn't care. He picked up that your attention and interest is very limited and hard to gain, Alastor taking years to do so even. Now Husk gave up on trying to get you to help his situation, but when he saw Alastor acting that docile to you and you not using your powers against Alastor? He's envious that you weren't the one to hold his soul Angel: Shocked. 100% shocked that Alastor willingly given his soul to a weaker demon (he never saw you battling Adam or your powers and abilities in action). Similar to Husk, he's actually envious that you didn't do anything against Alastor's will, even when you have his soul in the palm of your hands. He saw that Alastor was as free as a bird, really. He also wanted that freedom that Alastor had and the bond you two shared. He's very confused as to why Alastor was that enamoured with you though, you weren't anything special (don't let Alastor hear that). He spoke to you since about it and you agreed without missing a beat. Yeah, he's so confused Vaggie: A bit of Husk and Angel's reaction. She's shocked that you own Alastor's soul and have his affection, confused that Alastor gave his soul to you and acts lovey-dovey with you, and grateful that you were the one to have Alastor's soul. While it was a bit to take in, knowing that you were less inclined to violence and destruction, you weren't a threat to the hotel or Charlie. So that was good. Still, she is aware that your emotions can flip easily and Alastor will act on them faster than you'd stop him or you just won't. She knows you're a landmine and she needs to be careful Charlie: Very very supportive. Her brain literally skipped the whole soul-owning bit. Alastor loves you a lot and you love Alastor in your own unique way. It's like her and Vaggie! She's so happy to have another couple in the hotel. She'd try arranging double dates, if that's possible. Alastor's 100% for it since he gets to spend time with you, but knows you'd rather not have other strangers (Charlie and Vaggie) roped into your hobby and interest. She tries to give relationship advice and ask for some from you and Alastor. The first few times, you let her, but then you got annoyed with it. It wasn't established that you and Alastor were a couple and he didn't mind, with that label also coming out of Charlie's mouth. You were quick to avoid her whenever you wandered around the hotel. Alastor steps in and strictly warns Charlie not to try helping again Lucifer: Very hesitant to accept it, but lets his skeptism go when he sees you were happy and fine with the situation. He's amazed that you got Alastor to give his soul to you that easily, but he's also scared that you might have gotten into deep sh*t with you connection with Alastor. He keeps an eye out for you, sometimes checking in with you too

Part 2. What if there's more yanderes for Reader?

Are you trying to exhaust yourself? Yanderes you mentioned, Lucifer and Vox crave attention and you don't exactly give a lot. Remember, you're a shut-in and you can do without the extra presence around you. Since Alastor is more than enough (he's so happy to hear that). Needless to say, you avoid a repeat of what happened to Alastor. You read and watch anime, you know the signs. The reason why Alastor was let into your life was because he was the one giving you attention and didn't hinder you, plus he grew on you. Another thing, time. It took Alastor 7 years and you still sent him away to the hotel to work for some minor interest of yours. You think there can just be a new yandere? No, no. You're happy to prove that you were no pushover. Alastor is essentially under your command and he will happily take your orders and fulfil them beyond your expectations. So Vox is trying to spy on you? "Cut off his power, Alastor." Yeah, the Vee's entire area was out of electricity for a good few days. Lucifer's breaking into your room? "Alastor, set up a barrier." You're in some form of shadow realm, curtsy of Alastor's power, with all you ever need. You are the type to stick to one extreme and have sides as 'back-up', you can have Lucifer as a friend, but never a yandere since you can't handle it. As for Vox? You don't even know him. At least with Lucifer, you once worked for him. Plus Vox is Alastor's rivial, right? Let them fight, you're sure Alastor can handle it even with his powers limited.

[wandering-trader-joes]

So idk if this is a hot take or not, but I liked the end of TLOVM Season 3.

(More under the cut? Is that what they say?)

TL;DR: this version of Bard’s Lament fixed a problem I had with the original campaign, I think all the wrap up at the end was probably done as well as it could’ve been, and the way it ends with a tenuous semi-resolution is in-keeping with the way that it played out in game, albeit in a more condensed format.

———

The main thing I’ve seen people talking about is the lack of Bard’s Lament (kinda), and I was upset about that idea at first too. But honestly, I think this change does a lot of justice specifically to the relationship between Scanlan and Pike.

A lot of what happened in Bard’s Lament was due to the fact that nobody noticed that Scanlan was struggling, and that’s all well and good except for the fact that Pike absolutely would have.

The only reason she didn’t was because Ashley Johnson herself wasn’t able to be there. Idk about anyone else, but that narrative gap due to “meta interference” has always bothered me. I kind of love that they were able to rectify that in the show, and give us the way that Bard’s Lament likely would have gone if real life didn’t get in the way.

We finally get to see how it would have went down if Pike didn’t have such a Blind Spot, and I love that for her.

———

I’ve also seen people talking about how the ending felt lackluster, and I can see where they’re coming from, but I personally disagree.

I was a little anxious at the start of episode 10 when they started to split up to do a bunch of the previously group-based activities, but I was pleasantly surprised to find that, aside from not getting the group kill on Ripley, it didn’t bother me that much (and we still got the “one arrow in her heart and another in her mouth while she screams”, which makes me happy).

Especially because it gave time to see more of the twins on their own (which I will always take more of) and let Keyleth do her Earth Ashari stuff, which we didn’t even get in the original show as it happened pre-stream (but would’ve felt weird to leave out here given that they haven’t established that). And we finally got EarthElemental!Keyleth. It’s Key-teor time!

It also put her Aramente into more of a focus in her life, which needed to happen at some point anyway. And they still got to be together (kinda) for the final showdown against Raishan, so the conclusion was still there.

———

In the campaign, they had this weird kind of limbo period (the part with Tary) before the year-long gap where they were sort of just tying up loose ends. That felt fine as a game, but would’ve been super clunky on TV. So I’m glad that they found other ways to get the group to the point where it felt like going their own ways for a while was okay and also necessary (though I do wish we had gotten more of the twins struggling with the idea of being away from each other). I just really needed Vax to get his year in Zephrah!

All that being said, I am a little sad that we probably won’t get Tary in the show.

———

The vibe that I always got with the Vecna arc was that the group was pretty much ready to settle into their non-adventuring lives before they had to stop the end of the world again (aside from Scanlan stuff, but I already talked about that). In order for that to be the case, they need to have a period of time where it kind of feels like everything is wrapped up and happy. In my opinion, they were quite successful in this regard, which is impressive given how they were able to get there in only 3 episodes.

Idk I’ve just been wondering for a while about how the were going to navigate this part of the campaign, and I’m quite pleased with how they managed it. That’s not to say it’s perfect, but I feel as content with it as I do with all the other changes they’ve made whilst adapting to a different medium.

———

… also I’ve been wanting to gush over one tiny detail. I love the way that Vax’s interaction with Orthax went. Not only because of how it finally established him and Percy as brothers, but it’s also a cool way to loop in his multi-classing. Orthax specifically talks about Vax giving in to vengeance, and in the campaign he becomes a VENGEANCE Paladin! I thought it was a really fun way to kind of hint at that shift without needing to get into the dnd of it all :)

[staytinyville]

Stay Alive (1)

BTS ot7 x Reader

Magical Creatures AU

Series Masterlist

Warnings: None

A/N I am very excited for this story! It has a good amount of world building that I enjoy doing so much! I took inspiration from Stay Alive by Jungkook/Suga in case you guys didn’t know! The beginnings are of course slow but that’s how most stories are to build up the tension. I hopeful for this story and I hope you all like it! Please feel free to ask if you want to be added to the taglist!

People walk among the same earth constantly. However the thing that sets us apart is the path we all take. Sometimes it's the same, other times it's the opposite. Some of us are meant for higher things while some are meant to suffer until things start to look up for us all. 

In a lifetime sometimes we won’t ever get the chance to see ourselves reach the peak we want. There are struggles we all face that will cause setbacks in the path we are taking. Only the ones who are strong enough to see the road to the end make it out alive. 

There will always be those out there who will achieve their goals in life some way or another. Those are the ones who don’t allow those setbacks to dictate their entire life. And maybe along the way someone will come along to help you grow stronger. Whether it’s one person or a whole group. You will see to the end of your path one way or another. 

“Most often than not you will be working on filing. If we are understaffed on a day, like today, we might send you in to write reports on the medicine we have already administered.” Suho, the lady who was placed as your preceptor, explained to you.

You had a grateful smile on your face, happy to finally get to start working. While it wasn’t the place you had been hoping for, you knew the pay was well for the kind of student debts you had. The pharmaceutical lab was meant to administer different kinds of medicines to the people who would sign up for a trial. They did the test on patients before they were given out to people. 

While you were being placed on the front desk for the most part, you knew you would need to work your way up to the spot you wanted and you were more than happy to reach for it. 

“What kind of medicine do you guys make?” You asked, trying to think about all that you had read on the company's website. 

It didn’t really give much about what they focus on so you found it really odd that they were so wide when it came to the things they were trying to cure. 

“You applied here and don't even know?” Suho frowned, looking at you appalled.

“I tried asking at the interview but they just gave me vague answers.” You explained. “The website doesn't tell you anything either.”

“We are very on top of the things we do here at HYBE.” She began to tell you. “There aren’t many people we trust to be hired onto the team so consider yourself lucky to be apart of it.”

“We make sure that our patients here are taken care of because we are a company that is trying hard to reach their goals. Because of that we are detail oriented when it comes to the patients we accept. Not just anyone can be a patient here.” 

While she did a bit more about the kind of company you were working at, it still didn’t really tell you about what it was you were working for. You didn’t choose to question it, knowing that the paycheck they gave you was a luxury for a lot of people. 

“Here are some of your patients for the day. They have already been given the medicine, it's up to you to check up on them for daily research.” You took the six files the lady handed you, nodding your head. 

You placed them onto the small desk area they had given you before going through them to check on the appointment times and ordering them correctly. The first one on your list should be waiting in the lobby by now so you were quick to take the papers and move along to the waiting room.

“Mrs. Han?” You called, a smile on your face. 

An older woman with a younger one came to a stand, slowly shuffling over to where you waited for them at the door. 

“Hello, Mrs. Han. How are you today?” You asked politely, leading the two women towards the scale. 

“I'm doing great! I'm so excited to share some news about the medicine you gave me.” The older woman exclaimed, a bright smile on her face. 

You hummed, keeping the friendly look as you wrote down her weight on the paper. You told them to follow you to a patient room to speak to her privately. 

“I see it was something for your dementia.” You spoke, moving the laptop in the room closer so you could take down everything the lady would tell you. “Is everything going okay?”

“It's wonderful!” The other lady exclaimed for her mother. At least you assumed it was her daughter from the notes that people already had written for you. Her daughter was the one who was in charge of all Mrs. Han’s things.

“You would not believe it but it's almost as though she's regressed in her illness! Mother was in a terrible state when she was offered this trial medicine. She took it and suddenly it was almost like she went back to before it grew to be terrible.”

You tried to write down what the woman was saying, but you knew there were more questions to ask before concluding the entire meeting. 

“Maybe she can get back to normal if she takes more.” The daughter spoke in a hopeful tone. 

“One step at a time, Mrs. Byun.” You kept the smile on your face so as to not let them think they weren’t going to find the help they needed. “We have to see how long this medicine will last first before giving her more doses.” You explained.

“Also, memory loss is nothing to be overly worried about if it's on occasion. Even I forget something's as well.” You told them. 

If there was one thing you studied, it was medicine. You knew the consequences of taking too much or too little. This company was in the slow movement of developing them so they had to be careful about how they administered their projects. People probably came in thinking they could get more if they worked perfectly the first time. However these kinds of things were tests, not the real deal.

“Of course.” Mrs. Byun nodded in understanding. 

The rest of the visit went by smoothly as you took down all the older woman’s rants and aches about the whole thing. With these kinds of surveys it was really about asking how each patient felt even if it was the smallest of things. You wouldn’t be able to tell if it had to do with the medicine or with something else.

As you told Mrs. Han and her daughter goodbye, scheduling the next appointment, the rest of you patient trickled in one-by-one. 

There was a man who had come in for a bad liver–he was an avid drinker–so the medicine was for corrosion to that organ. While you really tried not to say something about it, you felt annoyed that the man had explained that he still had a drink every once in a while. He was like Mrs. Han, the medicine was doing wonders. 

There was a child who had chickenpox, who’s mother explained that the rash that had taken over her son’s body was slowly dwindling down. Another lady who had come in for amnesia which only said that her memory was returning to before she had gotten into an accident. The others had external injuries like scrapes of their knees or a deep cut that needed stitches. From what you could see they were just given some sort of pain medication. They had expressed that their wounds didn’t hurt and it was actually healing at a fast rate. 

“They really work with a lot of medicine.” You spoke to yourself as you looked over the last file you had. You frowned your eyebrows when you saw the patient was in another level of the building. It was the lower levels, which meant in the basement of sorts. From what you knew that was where the labs were. 

“That's odd.” You tilted your head in confusion but made your way over to the elevators anyway. With your ID card, you pressed onto one of the underground levels, leaning back against the metal wall. When the doors opened, you were met with a lobby that had a couple of different doctors moving about. 

Following the signs, you found the door that led to some of the rooms patients were stationed in. You showed the security guard your ID explaining you were in that level of the building to check up on a patient. He took a look at the file you had in your hand, humming as he opened a door to the back for you. 

Overlooking the file once more to make sure you had the right number, you quietly counted the doors. As you passed by one, you felt a shiver go down your back causing you to halt in your tracks. The number three stared back at you as a weird feeling flowed over your shoulders. It felt like something was brushing up against them, pushing at your form. 

You quickly turned back around making your way to the room next to it. You checked over the file one more time. It didn’t really give you much about the medicine the patient had been given. All it said was that they were someone who was meant to be staying in the building for better observation. There were a couple of papers that you seemed to be missing, you noticed.

Before opening the door, you knocked politely. “Hello?” You softly called as you stuck your head in. 

The only light on was the bedside lamp which illuminated the dark room. You frowned at the aspect of there being no windows that would allow light from outside to come in. As you walked in closer, you let go of the door to have it shut by itself. “Mr. Jeon?”

“Who are you?” You gasped, nearly tripping on your feet from the hard flinch you felt take over. 

You took in the man who was standing behind you, trying to regulate your breathing. He only looked at you with a raised brow, his expression passive. You took up his large form, noticing the blue scrubs he wore were almost tight around his physic. He didn’t wear any shoes–was even foregoing to wear socks. 

“Oh,” You said as your breath returned to your lungs. “My name is (Y/N). Today is my first day so I guess I'll be your new nurse.” You explained to him.

“What are you doing here?” As he took a step closer to you, you subconsciously took one back. “You don't deserve to be here.” His voice went quiet as his eyes turned soft. 

Your eyebrows furrowed as you took in his worried expression, smiling awkwardly as you patted your hands to wipe the sweat forming on them. 

“I needed a job. Got school debt to pay off.” You tried to joke with him. He looked too serious, which made you anxious to touch him for his vitals. “I'm here to do a check up. Would you mind?” You asked, trying to build up the courage to get close to him. 

He didn’t say anything, just poked his cheek with his tongue, moving to the bed. You smiled in thanks, looking around the room to find the equipment needed. You purse your lips when you realize you would need to check his heart rate manually. Finding the padding needed to place around his arm, you made your way over to the man.

He flinched back as your hands moved to touch his arm, causing you to stop. “I’m going to check your heart rate.” You explained, remembering that you were the kind of person to make sure people knew what it was you were going to do. 

As he kept his dark eyes on you, he allowed you to softly touch his scrub sleeve as you moved the fabric up to place the padding in the right area of the arm. You moved your stethoscope from around your neck. “It’s going to be a bit cold.” You whispered. 

As you moved on with the check up, you watched the numbers on the dial move carefully counting to yourself. When you finished getting what you needed, you quickly let go of the air and moved the padding off his arm. As you did that, your eyes seemed to blur over the ink the man had. 

Your fingers gently squeezed his bicep, softly moving down the length of his arm. Your gaze drifted over each color and picture the man had, trying to figure out where one picture ended and the next started. As your fingers glided over his pulse on his wrists, the man involuntarily shivered at the touch. 

“Sorry.” You quickly pulled back, looking back up at him. “Your tattoos are really nice. I've never seen so many.” You bashfully smiled at him. 

He only looked at you curiously, his big eyes taking in your facial expressions. It made you feel flustered as he looked at you so deeply, causing you to lick your lips and look away. 

“You have a very strong heart. Very good blood flow.” You told him, turning away to write down his vitals. He slowly got off the bed and moved closer to you. 

“It doesn't say which medicine you've been taking which is really weird.” You frowned, looking over all the papers that you were given. There were some things missing but you assumed the high ups were looking over it. 

“You're different.” You jumped at the voice that spoke directly behind you. Turning around you tilted your head up at the man.

“How so?” You asked.

“You're nice.” The boy squinted his eyes at you, like he was trying to figure you out.

“Are the others not?” You frowned.

“Not the ones who come down here.” He told you.

You tried to quickly cover up your upset expression, looking up at the doe-eyed man with a smile. “Well I hope I'm able to come down here again.” You took up the paper you had written on. There wasn’t much explanation on what you had to ask him so you chose to go back up and see if you could figure out what else to do.

“Have a good day, Mr. Jeon.” You smiled brightly, waving from the door.

Jungkook tilted his head to the side as a warmth spread through his chest from your words. Not a day had gone by that he wasn't thinking about the dreaded place as though it was a sentence in hell. He had never met someone like you; someone who spoke to him as though he too was a person.

It made him light headed to think about the way your words affected him. He couldn't think of the last time someone had ever uttered those kinds of words to him. It had been so long-alone thinking this was what life was going to be like for the rest of his life. But suddenly things changed in the blink of an eye.

“Maybe.”

Series Masterlist

[losergames]

Chop Shop is strictly 18+ for language, themes, and potential explicit content. 

🔗 - Game Intro | Bug Report | ko-fi

WE ARE LIVE!!! Chop Shop has officially relaunched on Itch.io! Available to play on desktop, tablet and mobile.

Prologue - EP .02 are ready to play - the same as the previous demo - with a new word count of 120k. The choicescript demo will be taken down at the end of the month.

Thank you so much to those who have helped me during this transition period of development! It has been crazy frustrating but I am so much more in love with the game than ever. And thank you to everyone who has been patiently waiting - hope you enjoy all the new bits and bobs!!

PLAY THE NEW DEMO NOW!

AN: CS has had some significant rejigging and rewriting. You can read the authors notes under the cut.

chop shop now has it's own UI! woohoo! (totally did not kill me) this, of course, will come with teething problems and accessibility issues. i am welcome to constructive feedback!

there are a lot of new dialog boxes to explore, especially the dashboard, which includes the PC's profile, inventory, contacts and a glossary page. (the stat definitions page from the old choicescript demo has been scrapped, too much text that wasn't needed.)

chapters are now called episodes! not a huge change but i prefer the vibe yknow.

there have been some extensive rewrites - especially in ep .01, the bar scene got a lot more fleshing out - so i expect typos and grammar errors have slipped through. this doesn't bother me too much but i appreciate any one who spots them to send them in!

there is now an 'end game' scenario in ep. 01. i won't be providing a walkthrough as i think it's relatively obvious given the scenario but it does give you an achievement!

i've kept achievements like the old choicescript demo but it no longer rewards points. maybe i will think of something to reward the player with later down the line?? who knows

i don't want to explain ALL the new details as i really encourage people to go find all the new flavour text and other things etc!!

next -- if you have not noticed, i have added a bug report to the links list. all issues, bugs, and errors found in the public demo can now be reported via the new bug report form.

in terms of writing, i am now porting episode 3. i have had rewrite plans for this chapter for a while, so i imagine this port will take some time. i was in the middle of writing episode 4 when i decided to make the twine jump lmao, so it hasn't been touched for a LONG time, probably since march. i plan to jump straight back into writing when episode 3 is all done!

like before, ep 3 won't be released until ep 4 has a first draft and i'm happy with the shape and direction. so it will be some time before i am able to release new content. but - we ball!

thank you for reading this far and i hope you enjoy the new and improved demo! happy reading! - becky :^)

[solifloris]

on "voyage of the outcast"; a psychological analysis with a look into identity, feelings of inferiority, and the glorification of self-sacrifice.

LONG OVERDUE, THIS TOOK FOREVER ?? mentally im not over his story branch and i think about it OFTEN and i have a LOT OF THOUGHTS.......... this'll actually focus less on the story branch (and the potential parallels) itself, but more on what, personally, i think could be the implications!!! 🥰

warnings :: spoilers, +this is quite long! 😭

i'll preface this by saying that . confession time!!!!!! i didn't expect a lot out of this because mostly because i was initially pretty worried about how they would connect the last time we saw xavier (at philo) with the current point in the story, especially given that we ended on a point of a cliffhanger and xavier's and mc's relationship had not developed anywhere near close at that point. but i'm actually pretty impressed with how the writers handled xavier's branch... and i'm more than grateful that infold didn't fuck it up as much as i thought they would 😭

with that said...

HOLY SHIT DID THEY GO HAM WITH THIS 😭😭

and parallels and references aside, i really am quite happy that they perpetuated something i've been waiting to look into more in-depth for a while—because i feel that in these chapters, we get to see a lot of how xavier's upbringing has really shaped the way that he carries himself. sure, we've already seen it quite a bit in his limited cards, but seeing it in the main story hits more, especially when... there hasn't necessarily been a deep level of relationship development between the two yet.

which, the branch may reference his lightseeker myths and the anecdote "when shooting stars fall" a lot, but i'm glad that this gives the same desired effect even if you didn't get a lot of his cards (especially limited ones). because thankfully it's at least made pretty clear that xavier and mc haven't had the chance to develop their relationship very much past what we know in the main story itself. they're not in a relationship at this point, which, according to the cards, seems to really only get to that point after "21 days"...

so this brings us back to the xavier that we're more familiar with from before that card. the xavier who's still figuring out how to accept the parts of himself that had become a lot more fragmented throughout the years. the xavier who doesn't know how to do it yet, but the xavier who's still trying.

i know i did go into his upbringing and whatnot in some form of detail in my lumiere analysis (here, in case you maybe want to go through that too <3), but i'll expand on that a little bit here!! so how this will go, as much as i can keep it within the outline, is something like background + personality -> relationship. overall, we'll look into how each has influence over the other, and how that ties in to what we see in "voyage of the outcast"!!

++ a lot of these may be a little complex, but with the best of my abilities i'll try to break it down so its easily digestible !!!!!!! but, like... i'll disclaimer here again with this being my own personal speculation, from my understanding of his character hehe <3 so take it with a grain of salt? maybe? whdjsjfhhs

i. background and personality notes.

long-established is the fact that xavier has been depicted as royalty. at his core, he's the prince of philos—heir to the throne, someone who is to lead philos and its people when the current king no longer can.

...but he's also not been very happy about it. he'd distance himself from his family, and his duties, as much as he's able to...

and again, what does mc see when they first meet?

—"they say he doesn't live on campus because his family background is complicated, and many people have seen him surrounded by bodyguards."

—"they aren't clad in all black as one would expect, and they keep a respectable distance away from xavier. still, these people exude an air of oppression. xavier, with his bag, is at the center of their group. it seems he's used to being stared at. the only difference is that rather than being his usual expressionless self, he appears slightly upset."

—"'you appeared to be upset, so i thought you wanted to be free.'"

—"'i wish xavier is free to do what he wants.'"

she says all these things because even she recognizes him to be trapped. this is the mc that doesn't know him, isn't close to him yet at this point—but this is what she observes.

and this is the core of what we'll be looking at this time which i would section off into: (a) the nature of a prince, (b) constraint and psychological resistance, (c) incongruence of identity, and (d) feelings of inferiority. all of that, then, will tie into their relationship as a whole !

because if in the lumiere analysis we zeroed in on how this feeling of being "trapped" affected his identity—which, arguably though, is a big point so we'll get back to it nonetheless under section (c)—this time we're going to try to look into why these issues with his identity mean so much.

i. - (a) ; the nature of a prince.

something i do wish we had (or may get) more insight into is what exactly his life was like in philos x.x largely what we know of can only be inferred, because the story is being told through mc's point of view, and technically mc doesn't get too deep into the kind of lifestyle each of the LI's have.

with that being said... xavier, in his lightseeker myths and the 'when shooting stars fall' anecdote, still does encapsulate typical princely duties. there's the formality of royalty, the responsibility that comes with a higher status... a prince is high-ranking, a prince is a noble, a prince is royalty. there's a certain sovereignty involved with the title, and in that effect—we all know that there's a certain air of elegance and poise that xavier generally carries himself with, whether that be in his swordfighting, or the words he uses (he has pretty eloquent speech sometimes), the books he reads... even little things, like the calligraphy he does, his handwriting, the slow dancing, playing the piano. he's well learned, and it's clear that he's been trained truly in the image of a prince.

and he's calm. collected. for the most part, we've seen him deal with adversities in a way that's almost chillingly calm; and for the most part, he portrays himself in a way that feels as if it's not easy to get him to lose that calm. again, it's why we as the audience tend to be so shocked when he does—maybe incredibly, even, especially with misty silhouette as of late. he gives this image of someone who does not often lose control of his emotions...

but it's never been because he wants it that way.

along with all of these things, comes the duty of being a prince.

a prince is high-ranking, a prince is a noble, a prince is royalty. again, there's a certain sovereignty involved with the title. but more than that, is the responsibility of holding such a high status.

xavier is the crown prince. he's the next-in-line. he's expected to take the throne after his father's death, and that means being able to lead and care for the people of his nation—or, well, planet, i suppose, in this case, philos. that's a heavy burden to bear. he's already likely faced with all these lessons, to exude a princely demeanor, and all that formality, and speciality, and elegance, and poise—and now he has to keep in mind that the satisfaction and the safety of this planet will fall directly into his hands when the time comes.

we know later on in his lightseeker myth that this means much more than we think it does—because it means being aware of, and accepting, and condoning the sacrifices that go into keeping philos safe, for, well... exactly that. to keep the people safe.

—"...I knew you'd catch on. However, it is a necessary duty of the crown prince. It is also the King's responsibility."

—"Xavier! Listen to me. A King cannot act on his emotions or only protect the people he holds dear. Your duty is to protect Philos. You must only do what is necessary."

his duties are outlined. he has to protect philos. he must only do what is necessary.

it may be the topic of another conversation entirely, but the whole debacle with philos is really just that whoever is on the throne has to answer: "which is it that men cannot live without? a blessing that leads to damnation, or a freedom that leads to deprivation?" [joshua rosfield and the ff16 writers, thank you for this quote that lives in my head rent free] and like, hell. that's a difficult choice to make.

it's also worth noting that although the context here is somewhat dark, this is a rule that applies to general leadership—there is not much room to be selfish, because you have to think about the people under your care, or rule, or jurisdiction. it's a responsibility that falls on your shoulders for you to bear, for you to make the right call, the right decision—that is the value that the xavier's father is trying to instill in him.

because he is the crown prince.

because he will soon be king.

and heavy is the head that wears the crown.

...only, xavier has never once been receptive of it.

i. - (b) ; constraint and psychological resistance.

we go back to, again, "when shooting stars fall", and the very clear recognition mc has of his lack of freedom.

because that's what it is.

lack of freedom.

because duty is the enemy of freedom.

and xavier, given his position, is undeniably plagued by all of these duties and these obligations and these things that fall to him-

yet, he's never wanted any of it.

though not explicitly confirmed in the game itself, the setup that's implied leads us as the audience to believe that xavier has never enjoyed his royal duties, never found that it was something he desired. it could be that he wanted many other things, but has never been allowed to enjoy these things. in "when shooting stars fall", he's often lonely; often surrounded by these "bodyguards" and rarely interacting with other people in the academy. he believes that these figures restrict him from watching the meteor shower with mc, too. it's possible to think that he's believed, all that time, that he had no say in the things that he does...

because he has to be molded into the perfect image of a prince.

that's where it comes in: the constraint.

something that limits one's freedom of action or choice.

it may or may not be what happened in actuality, but it's clear that by the time anecdote 3 happens, xavier had developed into a person with the misbelief, conditioned, that he was not allowed to do as he wished. it could be the strict training, it could be the things they might have kept from him when he was little.

but xavier believed that there was nothing that he could do.

in a sense, this brought about a sense of learned helplessness.

learned helplessness is the learned feeling that one has little to no control over a certain situation—and because of the lack of control, feelings of helplessness, or passivity, or a lack of motivation to take action, end up resurfacing. it could mean overlooking opportunities for relief, or change—it means basically accepting the situation as-is, without bothering to try to get out of it. "it is what it is." "i can't do anything anyway, so why should i still bother?"

this is the xavier that we meet at the beginning of anecdote 3.

— "I can't." "Is it because of those..." I hesitate, wondering what to call them. "People?" Xavier appears shocked, and then he nods without saying a word.

— "Don't be sad. I'll just go by myself... I'll bring your wish to the stars when I do. What's your wish?" "I don't have one." "How could someone not wish for anything?"

however...

it changes.

the xavier at the beginning of that anecdote is not the same xavier we see at the end of it.

mc makes various comments; talks about how he's smiling more, and we see him more deliberately avoiding the company of those "people" in favor of being with mc instead. he's found something he wants, and he makes the decision that this is worth fighting for. it breaks him out of that mold of learned helplessness—

only to have it ripped away from him through mc's death.

this anecdote is painful because he realizes that he doesn't have to be trapped anymore... but it's a moment that's short-lived.

and it builds.

it builds.

it's very likely that the end of that anecdote haunts him for years on end, builds up a certain sense of resentment and disdain for the universe, for his circumstances, and builds more of that rebellious nature.

when we see him in his lightseeker myth, that learned helplessness is gone.

and instead, it switches to the opposite end.

xavier is more headstrong. he's no longer passive, no longer the boy who was unsatisfied with the restrictions but sat still and did nothing. he literally walks out of his conversation with the king, and he's seen multiple times in the myth defying what's expected of him.

but because it's gotten to the point where he's at the opposite end of the spectrum...

he'd develop, instead, what would be called psychological resistance.

maybe not the concept in its entirety, sure, but the very core of it—that is, displaying these paradoxical, opposing behaviors in response to what he'd be told to do.

it's, in a way, that xavier would have himself feeling stuck nonetheless; because he's so insistent on rebelling against all of this, that the more he's told he's a prince, or that he has to do this, or that, or help philos, or whatever, he completely turns his back on it. i would argue that at this point he is being less objective of the situations and, going against the expected conduct of a prince, gets overly emotional—at this point, the only thing that matters to him is mc.

we get to see the full extent of exactly why xavier is emotionally unstable, because he keeps fluctuating between the two extremes of dealing with all the constraint he's experienced.

i. - (c) ; incongruence of identity.

it get worse, naturally.

to set the stage for this, i'd bring forth the concepts of "congruence" and "incongruence" of identity.

so when we talk about congruence, this refers to the fact that there is a balance between our ideal selves (aka who we want to be) and our actual selves (who we are currently). this means that we basically accept who we are, either that we feel like we are already our ideal selves, or we recognize that though we might not be at our ideal stage, we know how to work to achieve it. there is no conflict between who we are and who we want to become.

incongruence is the opposite of that, and refers to the imbalance of the self. who we are now is not who we want to be, but we don't like that idea. we don't know how to work towards it. it makes us upset, and we may reject ourselves completely to pursue the sense of idealism.

and xavier falls heavily into incongruence.

there's more to it—

according to james marcia, there are four (4) statuses of identity: identity foreclosure, identity diffusion, identity moratorium, and identity achievement.

foreclosure refers to committing to an identity and accepting it, without exploring other options: you'd rather just blindly accept values and ideas and identities that other people suggest, without bothering to consider other options. it's most clear that xavier falls under identity foreclosure.

(diffusion refers to no identity commitment, and no exploration of identities; there is no strong sense of who you are as a person, neither is there any sense of actively trying to work on it. moratorium includes actively exploring options, but not being able to settle into one identity. achievement is the ideal, having explored options and willingly chosen the identity that feels right to you.)

so we have the xavier who's initial identity was chosen and laid out for him without much of his own say in the matter, and because he doesn't want the identity, because it's forced onto him, he develops such an aversive reaction to it that it proves to be quite harmful to the stability of his mental state.

something i've talked about a lot, is how this state of his identity is a cornerstone to the things we see him struggle with, in the main story and in his cards alike, and especially in his relationship with mc. and it sets the tone for the xavier that we see and interact with, as well as the character arc he has to go through to grow into a better person.

once again, it pulls out the fact that he needs to learn to accept who he is as a whole. what he keeps doing is striving for an ideal, striving to become who he "should", as far away from his princely identity as possible. but it's necessary for him to realize that even the most conflicting parts of him are still.. well, him.

the more we attempt to be who or what we are not, the more we remain the same. but when we acknowledge and become what we are, we open right new possibilities for change.

it's not necessarily a matter of blindly accepting your faults and not bothering to change that, but acknowledging the parts of you that you refuse to acknowledge, because you can't just... ignore who you are. like xavier has been very keen on doing.

i. - (d) ; feelings of inferiority.

i want to preface this section by saying two things: (1) that inferiority is a word that's thrown a lot very casually, but actually means something different than what general media portrays it to mean... and, (2) that all of the LI's show conflict with feelings of inferiority, in very different ways, and this is not limited to just xavier!

and to understand what inferiority really means, we go back to the person who coined the term in the first place: alfred adler.

so alfred adler is this guy who's basically responsible for what we call "individual psychology", and the very very basis of it is that people are driven by a need to feel that they are significant, and that they belong. there's heavy emphasis on the importance of relationships and social environments, and— a person is influenced by how they interpret events that happened to them in the past.

i hope you see where i'm going with this !!!!

when we relate this to xavier... we can recall how under learned helplessness, it was primarily xavier's view of how he was treated, that he developed a sense of passivity. when things change and he loses mc despite finally learning how to rebel a little, his view changes into one stained more with frustration and disdain—so he works against the situation and rejects it.

the fact is that we as the audience don't know how he was really treated. sure, we can make inferences, but we're just about making the same inferences that mc and xavier do. it's a limited perspective. and what matters the most in a limited perspective is how it's interpreted. we can see clearly how xavier has interpreted his narrative, and it therefore results into his behavior.

so where does inferiority come in?

it does get kind of intense, because individual psychology is closely related to early childhood. so the theory goes that everyone's born with a little bit of inferiority—and then, as kids, or as babies because we strive for the attention of our parents to help fulfil our basic needs we develop this kind of habit of striving to get rid of that inferiority. baby wants food (sense of inferiority and dependance), baby cries (tries to get attention to get rid of the feelings of inferiority).

so it goes that if the child gets the proper care that they need, then problem solved. but inadequate nurturing... means the problem gets worse. we'd go back to learned helplessness, because then the child would feel like they have no control over their surroundings. and while this is normal in small amounts, if it isn't addressed, compensation is just not enough anymore.... and then they would strive for even more.

overcompensation.

and overcompensation leads to an inferiority complex.

now, an inferiority complex isn't what you might be thinking, because it doesn't necessarily just mean seeing yourself as... less than someone. in fact, it's not even about comparison, really, it's just... the feeling of not being enough. it's a lack of self esteem where the feelings of inferiority that all this started with just, haven't been dealt with at all. so it's a cycle of constantly trying to compensate, and compensate, and compensate... it's the need of someone to feel special because they can't accept themselves as flawed. (it's unfortunate, because everyone is flawed... including themselves.)

(it gets worse, because if even that gets left unchecked, it develops a superiority complex which is kind of the same concept, but instead focuses on looking for the "easy way out", like borrowing authority or luxury or power from other people and living according to other people's value system)

but, i digress, because in xavier's case, his sense of inferiority stems from the identity forced upon him. given his background that we went over, there's a lot of pressure involved... and it is once again inferred that he does not have, or does not view that he has, a good relationship with his father (one would assume, including his mother, though i don't believe his mother has been mentioned anywhere?). it's a sense of a lack of nurture; the fact that he has felt as if his needs were not being met and instead pushed aside for something like the "greater good of the people of philos", or something along the lines.

he has to do something about it.

it goes back to the cycle.

the learned helplessness is pushed aside, and he keeps doing things because he has to. and it could be due to the belief that it's what will make him worth anything.

he has to.

except instead of directing his determination necessarily towards the planet he was supposed to lead... because he's so aversive to his identity as a prince...

he directs that towards...

mc.

he has to help her. he has to save her. he'd give rise to the whole lumiere thing to save her, even despite how much he despises resuming an identity similar to the prince of philos.

he has to.

(which, side note: i do believe that his sword fighting also somewhat stems from an inferiority complex, because of the line:

"it's not that i like it. it's the only thing i've been good at since i was a child."

(implying; his need to still feel good at something despite a lack of enjoyment... almost as if compensating for something.)

ii. xavier and mc.

so what does all of this mean for their relationship?

evidently, at the time of voyage of the outcast and the general main story, none of these issues are addressed. this is not like the lumiere myths, not like 21 days, no restraint, floral blessing—this is the xavier who's still largely unstable on the inside but trying to put on a brave face.

there's a lot of things he doesn't know how to navigate.

but the one thing he is sure of is:

mc.

always mc.

she's important to him and he loves her and he has always loved her. this is the person who was the catalyst to him believing that freedom was possible.

and we've had this whole thing established, that he's so insistent on keeping her around that—he doesn't know what to be. he doesn't know what to do. he wants her around, he wants her to like him—

but what does she like?

there's too many sides of him, and he recognizes that this mc in this timeline is her own person. what should he be? he doesn't want her near whatever princely persona he's had in the past—but what if that's what she wants? he wants to show her the person he wants to be, but what if that's not what she wants?

how does he navigate that?

it's the baseline of where he starts—why we see him aloof, and vague, and a little cyptic. he wants to be careful with his words not just to protect her and not just for nonintervention principle... but also because he wants to figure out what she wants, and really wants to make her like him.

he doesn't want to lose her. he doesn't want to mess up and have her go to another guy, he doesn't want this to be a timeline where he can't win her heart.

it's there again, the determination—

he has to.

he has to.

he's doing all these things, working in secret to protect her—he can't lose her. and he's not enough, so he has to do something to compensate that. he wants her approval, he wants praise, he wants her to like him.

when we go back to voyage of the outcast, there's still a lot of that same xavier that we start with—he's still struggling with all of these ideals, the interaction of all that he's grown up with and the things that he has to learn how to navigate.

he's still a little vague, still a little cryptic...

but he's trying, most of all.

he puts in an effort.

— "Isn't there something you genuinely want to ask?"

— "Oh... You're asking if I have a hidden side to me like Soren?"

— "You must have more questions."

he's giving her a chance.

even if the way he answers are still lacking in explanation—it's a step forward nonetheless.

and they do talk about it, that sequence by the basketball court has so much to it, because in one way or another, he's still trying to express his thoughts, even if it comes out, again, still a little vague.

"Perhaps it's because he looks like a good student that makes him the best at doing things behind the scenes. After all, people don't write their secrets on their faces. The calmer the water's surface, the easier it is to hide dangerous undercurrents."

even mc recognizes it:

— "Even though I'm so close to you, experienced all these life-and-death situations with you, I still cannot seem to fully understand you."

but why i say he's trying is that, in theory, he understands what he's lacking in. at this point in the story, he knows he's doing things to mask and pick and choose what he shows her, he recognizes that it's not what he should be doing:

"But... the parts of me you think you know and the parts you think you don't know... They make up who I am. All of me, right here in front of you."

it's just that, knowledge is often different from practice.

from the xavier we see here, you get the image that he knows what he should be doing, but he doesn't quite know how to get there. he knows what he wants to tell her, but he doesn't know how to express it properly.

and it's why when we get to The kindled scene, we're pulled back into the xavier that still hasn't come to terms with himself and what he wants, the xavier that falls into the shadow of himself that can't help but be so aversive to his princely duties.

we pull together the insecurities, the incongruence— the inferiority complex.

and we end up with the glorification of sacrifice.

this is something i've always always wanted to get into, and again, similarly to inferiority, it's present in all the LI's, but xavier's really makes you think, you know?

because for being so aversive to his role as a prince and everything that philos has done/has planned to do to queen mc especially, you'd think he'd be just aversive to the role of sacrifice, in general.

(i mean, i know i would be! 😭)

it's like— if i'm already that aversive, then i'd rather find some kind of workaround to it than bother giving into the sacrificial needs of the planet, just to challenge what's supposed to be, you know?

— "A planet that uses... ... ...to survive.... doesn't deserve to be saved." [ <- do you see the aversion? there's so much hatred and disdain in this! ]

and yet, that's not what xavier does.

— "Starfall forest... will stop once it has enough power..."

— "I couldn't... I didn't protect you before. At least... it chose me this time..."

he was very clearly planning on having the forest take him. it's even further pushed by him recognizing mc to be there, but... the bottomline falls to the fact that he was willing to be the sacrifice that was needed instead.

the contradiction is there, no?

he doesn't want to save the planet, not at all, but yet he'd offer himself.

and although this falls to my personal speculation, when you draw references from his background, there's once again the fact that he grew up with all of these ideaologies. his parents were the first sources of influence—and then whoever had been with him through his growth, and trainings, or whatever else as a prince. and he was learning all these things in philos, the very planet that did use sacrifices.

and upset though he always has been about learning of the sacrifices, it's not as if the planet condemned mc for being the sacrifice... if not, well... glorified her, somewhat. they called her the perfect sacrifice—the life force of the planet. they held importance in what they believed to be "true immortality". moreover— "her duty was to save philos, because her existence worked in such a manner."

it wasn't just "whatever" to them, and they surely didn't treat her like shit just because she was a sacrifice.

it feels as if, the theme goes as "you're doing a good job being the sacrifice. your sacrifice will save us and that is worth something to be thankful for."

and even if xavier is clearly averse to the idea... again—the fact remains that he was brought up with the entire theme of sacrifice surrounding him.

we circle back to inferiority.

there's that certain sense of belongingness, or approval, that was never fulfilled in his childhood, so much that he began to resent everything altogether, enough to rebel so much, the way that he did.

but it stems from what he never received.

and while he may not care anymore for approval from the people of philos, what he does care for is mc's approval.

because again, mc is the only one that truly matters to him, the one he focuses on the most, the one he's doing all of this for.

he has to do something to compensate, he has to do something so that she'll love him.

the same line of thinking that we said earlier he'd come to terms with knowledge-wise, that he's trying to be more genuine instead of chasing after compensation and praise and compensation and praise—

but again, in this scene, it falls back.

he's lost sense of reasoning, the evol, the protofield, they're all affecting him... and we go back to that sentiment.

he has to do something. to protect her. to save her. to be...

noble.

the only issue with that is in this moment, he's faced with the prospect of sacrifice. and he's thinking, "fuck it, this will make her happy—i can save her—i can do something—it will give me some worth."

he's sucked back into that shell, and the option in front of him is sacrifice, which he's likely long grown up with surrounded by glorified opinions of.

it's his duty.

he has to.

and it's just so gut-wrenching to think about, because he loves mc so much that it bypasses even every ounce of aversion and resentment (that she triggered long long back), and he would do anything for her.

the xavier that we see in this scene is raw, and lost, and in pain....

he loves her so much that it hurts.

... but, there's beauty in the way that this teaches him firsthand what he's missing, too. he learns to trust her more, learns to rely on her more... enough so that he drops a good portion of the aloof, distant-ish act he'd been generally having after this scene.

— "Your power will keep me safe."

— "It's as if he's already at the finish line with the answers. He's quietly waiting to see if l'll join him or choose a different path."

voyage of the outcast ends on a hopeful note for their relationship, because there is the premise that he's going to start being a little more true to himself from here on.

i think it's interesting to go through this again after floof attack and misty silhouette, but there's definitely a stark contrast and some sort of progression actually involved with the way they're progressing the main story—it does feel natural, not forced, not rushed, because xavier and mc are still at the pount where neither of them are ready to be romantically involved...

but they're getting there. slowly. steadily.

and it's really nice to see the growth, that i can't wait to see how xavier will continue to grow from hereon out 🥰🥰🥰🥰🥰

THIS TOTALLY GOT A LITTLE MESSY TOWARDS THE END.... I SWEAR THIS IS LIKE. THESIS DISSERTATION CORE. I DONT EVEN KNOW HOW LONG ITS GOTTEN WJFJWNBGEJJF BUT IF YOUVE MADE IT THIS FAR TY FOR LISTENING TO MY RAMBLES !! 😭😭😭✋✋✋✋

i think about his story branch a lot but specifically the basketball scene and the one at the end with the lil shared earphones... im gonna sob in the corner i actually want to hold him in my arms so so gently 😭😭😭😭😭😭😭😭😭😭😭😭😭😭