#i am going INSANE after watching this movie

[writingtraumaforever]

SONIC 3 MOVIE REVIEW (SPOILER FREE ABOVE LINE, SPOILERS BELOW IT):

I am so mixed feeling’d about this movie right now. On one hand, I loved it. It had such a good telling of Sonic and Shadow’s dynamics and stories and how they view one another, and I loved that and will be elaborating more on this in the spoiler section. The changes they made from the video game were 50/50 to me. Some I get, others I just was really disappointed in. The action scenes are AMAZING. Battles are SICK, and I have admittedly been on the fence about Keanu voicing Shadow, but he won me over completely after watching the film.

Team Sonic’s dynamic is top tier in this movie. Knuckles, Sonic and Tails are the lights of my life, I love these brothers so much.

But if you are going into this film expecting a SHADOW movie???? You’re gonna be disappointed. This is, do not be mistaken, absolutely a Jim Carrey movie. This is a Robotnik movie 110%. Idk if they just couldn’t afford too many lines from Keanu or what, but Jim stole most the screen time. Which was hilarious and all, but it definitely stole from the deeper/darker story that was suppose to be at play. They went the insane/funny mad scientist route with Gerald rather than the vengeful and broken man he was, and this kinda falls flat and makes the whole thing feel less dangerous and life-threatening than it actually is.

I will say that what little we ARE given of Shadow is amazing. Thankfully us die-hard Shadow fans are use to picking up whatever scraps SEGA throws at us with this hedgehog and absolutely running with them. And in terms of that, we were given a MEAL. But Shadow’s story was definitely rushed rather than fleshed out. It’s like they gave us about 4 minutes of background for him and were like “Alright. That’s it. That’s him”. And then we just roll with it from then on. My hopes on the reason they did this is because we’ll perhaps get a Shadow the Hedgehog show or movie in the future where they elaborate on all this even more. But as for this movie??? Just be ready for a LOT of Robotnik.

I still think Gerald should’ve just been dead so Shadow could have more screen time instead of them cashing in on Jim Carrey. The movie as a whole was so unserious because of him.

That’s really my biggest letdown.

The whole plot felt VERY rushed. Like they were too worried about getting to the next action scene to really flesh out the story properly. Sadly this happens a lot when writers just ASSUME we know the story already so not all of it needs to be told when we just REALLY want all of it to be told. It’s also obvious they cut back on some plot points so it could stay kid friendly.

But don’t let this discourage you too much! Like I said, it really was a good movie. And it’s probably still up there as my fav simply because Shadow IS in it and Team Sonic’s moments save it for me. Not to mention Sonic and Shadow’s interactions, though few, are absolute perfection and capture them both so dang well like—

I will cherish those scenes forever. Sonadow fans have a FEAST with the scenes they were given, okay???

I give it a solid 7.5/10. Maybe 8 if they add more deleted scenes later or announce a Shadow show. :)))))

10/10 if you’re only there for Jim Carrey (whom I personally don’t care for).

Now for Spoilers:

Pros:

LIVE AND LEARN WAS USED AND WAS THE ABSOLUTE BEST.

The moon is successfully pissed on.

They very much did their best to make it apparent that Sonic and Shadow are the same but were simply given different fates and it’s SO GOOD BUT SO SAD. Like. Two sides to the same coin very much came across.

Them punching each other across continents was SICK.

Shadow pinning Sonic by his head was GAY.

Sonic pinning Shadow by his chest fur was GAY.

Sonic and Shadow’s talk on the moon is easily my favorite thing in the movie. Followed closely by their Super battle against each other and then their Super battle in space. I’ve recently written in my stories about how being super together creates this special bond between them, and these scenes 100% confirm/reinforce that!

Maria and Shadow scenes are PRECIOUS! Her playing guitar for him, him dragging her around the compound with her in skates, them watching the stars together- it was all beautiful!

I’m really glad they allowed a brief moment of clarity that Gerald did in fact love Shadow and care about him at one point because he’s literally the biggest butt the rest of the movie and just uses him.

StoneXRobotnik shippers will be both elated and heartbroken.

So many perfect Sonic and Tails and Knuckles bro moments omggggg their dynamic in this movie was so dang good I died. From Tails saving Sonic’s butt multiple times to Knuckles putting his angry and fiery disposition aside for his brother and handing over the master emerald— it was perfect. Knuckles is big lovable idiot energy, absolutely, but it’s not overdone. He’s serious when he needs to be and is SUCH an oldest brother. I loved his conflict with Sonic AND how he was the one who saved both Tails and Sonic at the end.

WADE IS THE GUARDIAN OF THE MASTER EMERALD.

Shadow being a feminist with his latinas.

“Vengeful guac.”

Shadow and Sonic fighting together in space and constantly checking in on the other! Shadow asking Sonic where he is and using chaos spear to absolutely annihilate every robot after Sonic ahsjdkglg boyfriends protecting each other vibes.

Tbh, the entire scene where Shadow and Sonic are fighting side by side gives such huge soulmate vibes like oh my god they were VERY MUCH CONNECTED.

Their banter is EVERYTHING.

Shadow quoting Maria “even when the star is gone, its light remains” and then looking at Sonic?! GAAY.

Tom and Maria both poking Sonic and Shadow in the chest and telling them who they are in their hearts and who they choose to be is what counts. THIS being what brings them together?? PERFECTION.

Despite my annoyance at the amount of Robotnik in the movie, Eggman’s sacrifice and message to Stone was very touching.

Tails and Stone are the dream team.

Knuckles is forever scared of ghosts.

Shadow going after Tom ONLY because he thought it was the General and then immediately regretting it and feeling guilty when he sees it’s not and then having to watch Sonic cry over his body while Shadow sees himself crying over Maria is PEAK. BROKE MY HEART.

Sonic revisiting his cave. Shadow HAS to find and live in that at some point.

THE DID THE POSE THEY DID THE POSE

“HOT TOPIC”.

AMY ROSE AMY ROSE AMY ROSE AND SHES SO PRETTY AND STRONG OMG SHES SO SICK I LOVE HER SO MUCH ALREADY it looks like they’re trying to make her appear older than she is in the games, so I’m pretty sure they’re gonna be putting her with Sonic at some point. Which is fine by me cus I ship Sonamy too and to me, movie Sonic would be the one of all the versions of Sonic to want to settle down with some girl one day. I mean. His whole story is LITERALLY based around him finally getting to settle somewhere and have a family instead of continuing to run. Makes sense.

METAL SONIC METAL SONIC METAL SONIC

SHADOW PICKING UP HIS INHIBITOR RING AT THE END

Cons:

Um. The words “Faker” and “Ultimate Lifeform” are not ONCE uttered in this movie, and to me?? That’s absolute slander. That alone brought this movie down a whole point in my 1-10 scale, okay??? Negative 5,000 aura. Disgusting. Maybe the Commander possibly mentioned him being the Ultimate Lifeform, but Shadow never did and that’s just WRONG. This is a whole plot point in the game and in their characters from then on in the franchise, and it’s just glossed over!

Maria isn’t sick. The ARK isn’t in space. She isn’t shot. It’s all kinda dull in comparison to the game, tbh. They’re definitely still after her and shooting to kill because the soldier says “we have our orders” when Walters tries to stop him, but he still don’t shoot her so like— again. Dimmed down.

No Prison Island scenes other than the beginning when Shadow breaks out. Which was. Super disappointing.

It’s all just so unserious. Especially the Robotniks.

Chaos are just Japanese mascots. Which is big sad for Cream and Cheese fans.

No creation of Shadow = no Biolizard

No “Sayonara, Shadow the Hedgehog”. They tried to reference this with a joke from Jim Carrey, but it fell flat imo.

Indifferent/Open to:

Shadow came from a meteor. He wasn’t created. While I hate Gerald didn’t inherently create him, I am also glad this leaves room for the Black Arms to become a thing. It’s also very possible GUN and Gerald were both just lying about this. Because it very meticulously did NOT show Shadow actually coming from the meteor in any scenes. It just showed the meteor crash site and how it had Shadow/Balck Arms coloring. So maybe Gerald still did experiment on a hedgehog and stuff and it’s just lied about because that’s like— not okay??? But also, I noticed it never showed any like. Major accident that would’ve caused GUN to suddenly invade like that?? They just suddenly decided Shadow was too powerful and they needed to kill everyone while in the games, there were multiple incidents where people were hurt or compromised by the artificial chaos experiments before GUN invaded. PLUS Towers had seen and reported Gerald making a deal with the devil (Black Doom). So like— why would GUN just suddenly decide to annihilate everyone in Project Shadow like that??? It would be one thing if they just decided to shut them down, but they were actively going in there to KILL! So like— I feel like we’re missing pieces and being mislead.

Rouge isn’t there. Which I GET because how/why would she be?? By the end of the movie, there’s definitely ways for more mobians to start appearing (Amy is a prime example). So it makes sense that Rouge isn’t there yet because it’s EARTH so how WOULD she be??? And Shadow using chaos control at the end could open ways to other worlds (like in Sonic X when Sonic went super the first time and more Mobians started arriving on earth). But there were SO MANY MOMENTS SHE WOULDVE BEEN PERFECT. So it’s a shame, but understandable. Plus, how could they have made room for Rouge when they barely had room for Shadow with all the JIM CARREY.

I’ll probably continue to add to this as I process this movie over the next few days.

[akayralylegacy]

EMESIS BLUE IS ONE OF THE BEST THINGS I EVER WATCHED

Yeah, this is going to be some sort of analysis bc I am having a massive brainrot about this movie and I HAVE to share my thoughts of it somewhere, so I hope you enjoy reading this huge post ig lmao

Btw, if you're a person who doesn't like spoilers... SPOILERS WARNING IF YOU HAVEN'T WATCHED IT YET (and plan to do so)!!!

First, yeah, for those who didn't know I've been really into TF2 since last month, and being a very new fan, I started watching lots of SFMs and vids in a row to catch up with all the memes and lore, and well, I stumbled across EMESIS BLUE. And, it got me caught up with its plot/concept and the overall movie itself SO MUCH that I will never think of TF2 the same way-

No I mean, I know TF2 is more humoristic and stuff most of the time, the canon comics themselves have lots of funny moments of nonsense and weird situations, and not even counting the zillions of memes the community has created, those being pure gold. I love the comedic silliness from the comics and memes, plus the chaotic vibe from the game itself is just so fucking funny and stupid I always burst into laughter

But, TF2...with... horror? That's a combination I never thought I'd like so much. The whole concept of the respawn machine not working like it was supposed to, making them suffer from physical and/or mental problems after each respawn, creating an eternal loop of suffering, breaking the characters' sense of reality, torturing them by having to wait an eternity within some sort of limbo of "afterlife"...bro that's so...so disturbing yet so amazing at the same time. The fact the respawn machine caused Scout to develop brain atrophy, decreasing his IQ score and causing dementia and schizophrenia symptoms, while Medic developed some sort of split personality and schizophrenia as well, and you know that each time they return it will just get worse and worse, even them reckoning it later on. It's...just, it is simply horrifying.

The movie's atmosphere is so well made and constructed that I was tense from start to end, I felt like I was inside the movie, like I was witnessing all the carnage and agony of each one of the characters from up close. Like, there was practically no calm moment during those whole (almost) 2 hours of movie, but at the same time so many stuff happens very quickly, it also seems to go a bit slow but not in a bad way, and the details are shown here and there bit by bit. I like very detailed stories that construct the events based on its slow pace, revealing stuff on its right time, but on the other hand, being mixed with agitation, brutality and things happening in a flash. I hope you can understand what I'm saying? I hope I am being able to explain it well, but I think you get what I mean.

Cinematography wise, everything is stunning. The animation, the effects, the light and shadow, the colors and textures, sounds and background music, everything so well made, if you pay attention you can notice tiny details that make a lot of difference and make it even more agonizing yet thrilling to watch. I was so impressed with it just from the start. I mean, the animation>>>>

The quality being SO. GOOD considering it was animated purely on SFM??? THAT'S SO FUCKING IMPRESSIVE AND JAWDROPPING LIKE THAT'S SUCH A BANGER I COULDN'T EVEN BELIEVE IT.

Dialogue and quotes is something to be noted out as well. Many dialogues made such impact to the movie, some quotes making more sense later on as the movie progresses. I swear, that moment where Soldier is in a black n white room, with all those skeletons sitting around a table, and the sound at the background is a phone call from Jules to Blutarch, where Jules says: "We have about 800.000 corpses on the site," that line hit me SO HARD I CAN'T EVEN EXPLAIN. This is SO. FUCKING. DARK AND MORBID BRO I MEAN WHAT THE FUCK

Not only this one but lots of lines caught my attention and hit me so hard, like:

"You ever get the feeling like you're being watched?"

"Doc, I was at the second floor"

"Some get stuck inside trying to come through"

"You don't want to know..."

"It's eternity in there"

"Longer than you think..."

"Who was there to save me, Jules?"

"And I'm giving you exactly what you deserve"

"See you on the other side..."

ISTG THESE ARE SO??? LIKE, THEY HIT SO HARD AND I GOT CHILLS FROM SOME OF THOSE

Also, the voice acting, OOOH THE VOICE ACTING. Some people say it wasn't that good because many characters were voiced by Chad Payne himself, however I think it shows quite a talent from him to voice numerous characters tbh, even if he couldn't perfectly change the voice to fit all the characters 100% it doesn't mean his voice acting isn't good! I think he did an amazing job :]

And all the other voice actors as well, all of them are so amazing and I loved their acting so fucking much, but shoutout to Jazzyjoeyjr (voice of Soldier) and Cameron Nichols (voice of Scout) bc bro YOU DUDES DID A *PERFECT* JOB I SWEAR-

Talking abt moments of the movie that impacted me so much, I think it was Scout's death, and well uh, many Soldier moments tbh. Scout's death scene was agonizing to watch, I was in total despair hearing his screams at the background while Medic was trying to kill Maynard, I was almost having a crisis I was almost yelling of desperation I was like: COME ON MEDIC PLEASE GO SAVE HIM ISTG

It was SO. FUCKING. SAD. AND UNFAIR. I will never get over that moment.

Soldier's moments? Bro, he was the most sane out of everyone, which says a lot... and he was the ONLY one to indeed survive, without dying at any moment. He witnessed it all, the death of his best friend, Fritz shooting himself right in front of him, the pile of bodies, the truth being revealed....everything.

It even saddens me to imagine what could be passing through Soldier's mind after all those events, he seen gruesome and horrifying shit throughout the movie.

So, long-story short, EMESIS BLUE is a fucking MASTERPIECE that traumatized me for LIFE (in a good way), and I highly recommend you to watch it if you haven't yet, I am impressed with it and it doesn't get out of my head I am so fucking obsessed with it ISTG-

[crossbackpoke-check]

Why I Am Not Coming In To Work Today [abridged], Jess Zimmerman

part one | part two

[coloursofaparadox]

i finally got my adhd med dosage worked out and also for like the first time since upping the dosage actually managed to take it consistently long enough for it to actually kick in over the last few weeks and god damn. that shit is magic.

[spectrumtacular]

On my hands and knees begging the academy to start nominating documentaries based on quality rather than subject matter, I can't take many more of these glorified human interest newscasts

[mukuharakazui]

remembered why the no-fly list thing struck a chord with me: a couple of years ago the whole dhs debacle with anming hu. that random ass canadian scientist in the u.s. who was falsely accused of espionage, whose family was spied on by the fbi (who then failed an attempt to blackmail him) for nearly 2 years, and whose trial revealed that the fbi had used false information to place him on the no-fly list and had no legitimate evidence of him being any sort of chinese spy. and even after that, they declared a mistrial and tried to prosecute him AGAIN, where he was acquitted once more by jury.

while islamophobia in the post-9/11 united states definitely prevails as backing to the no-fly list, i can’t help but wonder what exactly changed in those lists from mid-2018 to mid-2021. the sinophobic effects of the china initiative and fearmongering around covid-19 continue to hurt people with racial, ethnic, and familial ties to china.* i happen to have a plenty white enough name on my u.s. documentation to get by without trouble. this is a privilege which my mother extended to me knowing that it was one she would never have.

it would be paranoia-inducing if it weren’t so exhausting. i’m not self-centered enough that i would assume an fbi agent is watching my every move, but the fact that this very scenario has happened to plenty of people including doctors, teachers, and researchers who were in the u.s. simply to live their lives and/or do their jobs pisses me off to an extent i can’t verbalize. and the fact that it could just as easily happen to any family member or friend of mine (particularly close persian and arab friends, but chinese family travelling to the u.s. as well) is terrifying.

*this is a personal tumblr post, i’m not bothered with showing stats, just take it as a biased anecdote as someone who falls under all 3 if you so decide to

this has been me getting personal on the internet over united states homeland security because i didn’t want to dump this all to a friend out of nowhere or a group chat where a lot of people are feeling pretty shitty already.

[misano17]

Saltburn has altered my fucking brain chemistry.

literally killing and screaming and going insane in my little box.

I need you to understand that I just watched it on a whim after a recommendation from a friend and I have not stopped thinking about it since it ended. LIKE HOLY FUCK. anyways spoilers under the cut, nsfw cuz Saltburn.

THE FUCKING NUTWATER SCENE KILLED ME. Like😭😭😭. Dawg was arching his damn back, slurping it, sucking it, and then bro swallowed. Like damn sir. Anyways something something blood of Christ allegory, Greek hero = god like figure, Theseus and the Minotaur, obsession and love both being allegories for cannibalism and Vice versa, period sex = consuming someone or something. I am going feral and insane. Anyways I need to open up every characters skull and examine the grey matter up there directly.

[catastrxblues]

good morning it is now 4 am and i have just finished watching atonement good night

[cat-eg]

rewatched itsv for the first time in years

[caruliaa]

also hi for anyone who cares omitb is sooo fucking good omg ?? like omg omg i watched it all in the last three days and its literally so incredible im so excited for the season 3 finale

[foeyayshippingweakness]

ME, DESPERATELY SEARCHING FOR EOBARD THAWNE IN THE NEW FLASH TRAILER FUCK ME DUDE ARE THEY GONNA KEEP THAWNE A SECRET? THERE IS NO FLASH WITHOUT THE REVERSE FLASH

[catsbootleg]

★ Hello again, selfshippers of Tumblr! Tell me, what are your plans with your F/Os this Valentine's Day? Are you planning a simple date/rendezvous? How about flowers, chocolates? Or do you have different gifts in mind? Are you making them breakfast in bed, or perhaps even dinner or other things? Is it just a lazy day of cuddling for this special occasion? Reblog and tell us what you're doing for Valentine's Day! ★

(proship dni)

[seiwas]

i maxxed the tags (what did i expect) but!!

what a soft piece ari 🥺 thank you for sharing this hurt/comfort piece w us!! i think satoru will always be a figure of strength—but i think it’s in part because that’s how he brands himself to be around the people he cares about. he’ll never truly share how he thinks and feels about things, will almost always downplay it really. but he’s always worrying, always aware and cautious, overthinking 🥺 and i felt that loads here!!

there’s a shipwreck stuck between your ribs ; satoru gojo

synopsis; three times satoru sees you cry, and the understanding you gain of each other from it.

word count; 4.6k

contents; satoru gojo/reader, gn!reader, the synopsis speaks for itself i think, copious amounts of hurt/comfort, i just think he’d be so good at comforting u :ccc, also fluff!!, he’s addicted to calling u ”baby,” satoru gojo vs human emotion (he loses)

a/n; pls ignore the fact that 90% of my gojo fics are hurt/comfort ok we dont need to get into that <33 the writing in this one might be a lil rusty but im pretty fond of this gojo :’3

dim lights, buttery popcorn, and boredom.

the senses invading his mind are mellow, coaxing, a little tedious. all he can see are the buzzing lights before him, all he can hear is the insistent chewing of the people around him, and all he can feel is just that:

boredom.

satoru stifles a yawn, resting his cheek on the heel of his palm. he’s trying to pay attention — really, he is. trying to pay attention to the movie he picked out himself, after thoughtful consideration, one he’s been looking forward to watching with you all week. he’s trying his best. but, gosh, it’s just so boring.

or maybe he just doesn’t have it in him today — with all these too-dim lights, too-loud popcorn-chewers, and the too-convoluted plot playing on the big screen in front of him. he has no idea what’s happening, anymore, what scene this is supposed to be. some sob-story? he clocked out a while ago.

so, with nothing better to do — satoru decides to savour another view.

that’s how it always goes. no matter the movie, no matter the snacks, whether you’re watching at home on the couch or a nearby movie theatre — eventually, when his eyelids begin to grow heavy, or when his attention span begins to falter, that blue-soaked gaze of his shifts. a moth to a flame, following his instincts. constantly looking over to see what kind of face you're making. 

after all, your reactions are far more entertaining than any movie could ever hope to be. little sighs of exasperation, jolts and shivers down your spine, or a laughter so bubbly he can’t resist leaning in for a kiss or ten — he loves it. adores it. lives and dies by it. 

so satoru turns his head, and looks at you, knowing you’ll save him from the boredom clutching at his subconscious. 

and something in his chest constricts.

at first, he doesn’t notice it. hungrily lapping over the expanse of your jaw, to your cheekbones, his gaze drinking in everything he can see. scanning your eyes for a hint of emotion; and he finds it. he finds it in something that glimmers in the dim lighting of the theatre, something that has his breath drawing back to the depths of his throat.

tears.

crystalline, dew-drawn, a fresh set of tears clinging to the edge of your lash line. they’ve yet to fall, but satoru sees them — he sees them and he doesn’t know what to do. 

tears. 

tears?

you’re crying.

in the depths of your glassy eyes, he sees a fractured scene — playing against the scope of your iris, as the movie reflects off your pupils. there’s a turmoil there, a sadness, one that has you covering your mouth with the front of your knuckle. and you’re crying.

satoru wants to tease you. he wants to lean over and purr against the shell of your ear, poke fun at you for being so emotional. such a little baby. what else is he supposed to do?

the tricky part is that he can’t. he can’t move, can’t shape his voice into a purr, can’t even speak. he’s frozen in place like a bug trapped in amber, stuck to his seat, unable to do anything but blink at you in what he thinks might be bewilderment.

his breath hitches — and that’s all. 

something about the sight of you makes him falter, makes him stop in his tracks. catches him off guard. he doesn’t know what to do, doesn’t recognize the feeling stirred deep within his chest, something discomforting and foreign. doesn’t understand why his heart feels so itchy, all of a sudden.

then your eyes meet.

and you blink. once, then twice. eyes just a little wide, an embarrassed kind of surprise. he thinks you must be flustered, and he’s proven right when your gaze flees from his.

a mingle of words clog up at the base of his throat. say something, say something, say something. but he doesn’t know what. 

he wets his lips, preparing to part them, but before he can get the first syllable out you're leaning in. close. close enough that he feels your breath ghost against the shell of his ear, close enough that his heart starts skipping the way it always does when you press yourself against him like that’s where you belong.

a whisper. it’s small, hushed, a little frail. but there’s something else, too, laced together with the vowels — amusement. 

”you didn’t tell me this was a sad movie.”

a pout plays at your lips, as you murmur your grievances. but then there’s that amusement; it’s there when you pull back, in the crinkle of your sparkling eyes, the curve of your smile. 

and satoru’s shoulders relax. stiffened bones melting. he exhales a breath he had no idea he was holding, and his heart feels at ease. a grin finds it’s way to his lips, wide, teasing, cheshire and sweet. 

he leans a little closer, bumping his head against yours. gently. ”i think you’re just sensitive, baby.”

his teasing is rewarded with a little huff, as your elbow meets his side. soft. everything you do is soft. 

”oh, shut up,” you scoff. smiling. he’s so relieved that you’re smiling. 

a moth to a flame, following his instincts, satoru brings you closer. an arm around your waist, pulling you into his orbit, until you’re practically sharing seats. searching for your hand — and he finds it, intertwining his long fingers with yours, just to give it a little squeeze.

(for some reason, he feels more protective than usual.)

he feels your gaze. questioning, maybe. but you melt into him quickly, with your head slumped against his shoulder, and his heart settles back into a sleepy rhythm. just watching the movie pass you by.

the dim lighting of the theatre casts a hazy shadow over your face, a tender desaturation, and his eyes stay glued to it when you aren’t looking. the smell of popcorn hangs heavy in the air, salty and buttery, warm and sweet, and he’s almost grateful to feel that familiar boredom tug at his veins.

anything is fine. anything is better than that discomfort, that irritating itch. 

satoru watches the movie flicker by, scene by scene, whispering commentary into your ear and stealing your popcorn with a satisfied hum. chuckling when you whisper-shout at him to cut it out!

he tries not to think of the glittering tears at your lash line, and almost succeeds.

rain clouds, cups of chamomile, and frustration.

it seeps out into the open air, engulfing your living room in a feverish haze. thick and suffocating; the scent of heavy rain, lukewarm tea, and that ugly, ugly feeling underneath his skin.

it pulses. it itches. and oh, how it aches.

satoru hates it. he hates feeling angry, feeling upset — hates when either of those emotions are in connection to you. hates it, hates it, hates it more than anything.

he does everything he possibly can to avoid it; his eyes are keen, always have been, and he can see when that thin line he shouldn’t cross crawls a little too close for comfort. when the rubber band of your patience just snaps. he sees all your buttons, knows which ones not to push. he knows you.

and, more importantly, more than anything — nothing you do could ever make him angry at you. 

(well, at least that’s what he thought.) 

satoru’s anger is a fickle thing, controlled, kept under wraps. it’s a slow process; it simmers, boils, a cup of chamomile brewed too long. and then it all but invades his senses. it never gets the best of him, never, but right now he can feel it — little pinpricks against his skin, a frustration that stirs his guts and has his eyes going cold.

satoru towers over you, like this. full height on display. not slouching or draping himself over furniture, but standing tall, and proud, and menacing. he isn’t smiling, and that’s all you need to know that he’s upset with you. his eyes are layered over with discontentment. 

a sigh spills from his lips, a little gruff, unmistakably annoyed. it slices the silence of the room in half, and a shiver travels down your spine. he doesn’t notice it. his voice has a rough edge to it, something firm. something that doesn’t sound like it could come out of his mouth at all.

”don’t act like such a child.”

a flinch. or maybe more like a jolt; this time, he notices, but it’s too late. he’s in too deep, boiled water licking at his ankles, pulling him down. frustration nips at his skin, and he can’t quite seem to push it away.

and you’re just so, so unaccustomed to it. unaccustomed to seeing him wear anything but a smile, unaccustomed to that cold gaze, usually nothing but warm and fond when it meets your own. this isn’t like him.

it’s not like him at all.

swallowing thickly, you do your best to calm down. but before you can make any attempt to contain it, wetness begins to gather in the corners of your eyes. pooling, little droplets yearning to fall.

satoru notices them instantly. he sees that sad glimmer, framed by the murky darkness seeping in from beyond the curtains, accompanied by the symphony of pitter patter against the windowpane. tears, much like the rain beating down outside.

and his chest goes cold.

a tiny sniffle pushes past your lips, and the dam inside you begins to break — tears tripping over your lash line, rolling down your cheeks. cascading across your pretty face. the air fills with a sense of dread, and both of you seem to be thinking the exact same thing.

(oh, fuck.)

satoru notices, belatedly, that his throat has gone dry. that his heart feels itchy, again. it itches and itches but he can’t do anything to soothe it, and your tears continue to fall. 

his heart begins to crack. right down the middle, like a gash in the reflection of a puddle, right across his chest. it hurts.

an inhale, then an exhale. you’re still trying to keep it all together, grasping for control over your emotions, but it’s not going too well. the little breaths that escape your throat are shaky at best, hands trembling as you wipe the tears away with the front of your wrists. and your voice sounds a little like it’s about to crumble away. 

”sorry,” you squeak, taking a step back. there’s a silent panic in the gesture, one that makes satoru want to get down on his knees. ”i’ll just — i’ll leave —”

he wants to stop you. he needs to stop you. but he does nothing, nothing at all, even as you stumble out. leaving the haunting echo of tiny sniffles and tear-stained cheeks behind you. 

satoru just stands there. once again, the sight of your tears seems to render him completely helpless. useless.

and he's frustrated, honestly. frustrated by the argument, by your tears, by his own guilt. he’s so frustrated he wants to claw his eyes out. he scratches at his forearm, but it does no good. all he can think of is your frightened little expression.

(he scared you.)

satoru slumps down on the couch, head in his hands, running rough fingers through his soft hair. it’s unruly by the time he’s done, and his bottom lip is bruised with teeth marks, and everything in the world feels so meaningless. so out of tune.

(he made you cry.)

a sigh. drawn out, tinged with exhaustion, bitter and battered like the swing of a baseball bat. he feels a little like he could throw up. it’s foreign, this emotion, suffocating. how long has it been since he genuinely felt this kind of shame?

the crack in his heart grows deeper, while you’re gone. more severe. every moment you spend outside of his vision makes him falter more and more, makes his desperation grow. desperate to plead for your forgiveness, to convince you not to leave. to wipe the tears away from your cheeks, delicately, the way you deserve. but he can do nothing but sit there, useless, repeating the same old phrase inside his mind.

he’ll make it up to you.

and when you finally come back, having calmed down a bit, he does just that. you’re embarrassed, he can tell, a little meek. it makes him feel that discomforting emotion, again, that ache. the crack that only ever seems to deepen.

but he covers it all up with a smile. a little sheepish, more than a little forced, but he hopes you understand. hopes you can see his remorse, see a man who loves you, because he does. 

so satoru takes you into his arms, softly, hands finding the small of your back. delicate, protective. a little whisper spilling from his lips. 

”’m sorry, baby. i didn’t mean it.”

and it’s not enough. he knows it isn’t. but he does what he can — even when it just ends up clumsy, teasing, bordering on something that most would interpret as insincere. all he can do is coddle you. shower you in hugs and kisses, gifts and praises. he hands it out like candy, eager hands finding yours, everything spilling out of his chest all at once. 

there’s a desperation to it that isn’t lost on you.

but it works. he’ll make it up to you; he swears. and he dotes on you until you’re too embarrassed to be sad anymore, apologizes until his throat runs dry. until he’s sure you believe him. 

he brews you another cup of chamomile, stirred to perfection, warm enough to make up for the shiver he sent down your spine. the rain beating down on your windows serves as a constant reminder of his failure, and satoru does his best to ignore it. swallowing what’s left of his frustration, focusing on you.

anything to see you smile again. anything to wash away the red tint to your eyes, the puffy skin beneath them. anything to hear you laugh, to get you to feel safe around him again. 

(anything to make him forget the sight of those tears rolling down your cheeks.)

panic, panic, panic.

it’s all he can feel, all he can think, the only emotion his muddled mind can cling to. he’s in pure, sincere, genuine panic, and you aren’t saying a thing. can’t bring yourself to.

arms wrapped around his waist, tightly, you hide away in the crook of his neck. clutching the fabric of his shirt, burrowing your face deeper into his warmth — and you’re not just crying.

you’re downright sobbing.

satoru knew something was off the moment you fell into his embrace, suddenly, tackling him into a hug so desperate it left him reeling. a kind of desperation he isn’t used to, from you.

he knew something was wrong. 

he knew even before he heard it; your choking sobs, those shaky, heaving breaths. muffled into the cotton of his shirt, his uncertain arms around you.

they break his heart.

”hey, hey…” there’s a soothing lilt to his voice, awfully delicate. sweet like molten honey, almost enough to hide the panic. ”what’s wrong?”

satoru holds you to his chest, safe and secure, cradling you protectively. as if shielding you from the world — from whatever or whoever got you like this. as if you’d crumble into dust, otherwise.

he tries to calm down, but his mind is spinning like a broken clock, and your silence doesn’t help. you’re trying to respond; he knows you are, but you just can’t get the words out. any attempts only make you cry harder.

a shake of your head is all he gets — and it’s not much, but satoru’s learned to make a lot out of a little. 

so he continues to hold you, hiding his worry, tucking his anxiety away somewhere you won’t be able to see. he curses, inwardly, grasping blindly for conclusions — for some divine guidance. how is he supposed to deal with this?

(how long has it been since he felt so very useless?)

gentle. that’s the approach he takes, finally, hiding his nervosity. he rocks you back and forth, just a little, like he’s lulling you to sleep; his warm hands finding the small of your back, the back of your head. cradling you so close you hear his rapid heartbeat by your ear.

soothing whispers. murmured into your hair, so soft they seem to melt once they slip from his tongue, all honey and devotion. affection so palpable you taste it in the air, from the breaths he exhales. 

”it’s fine. i’m here, i’m here… i’ve got you.”

he doesn’t know what he’s doing, not really, but it seems to work. because you calm down, after a while, just sniffling into his neck and letting him soothe you. sobs and unstable heaves, turning into whimpers and shaky breaths. clinging to him all the while; so desperate for comfort, for him.

it makes him feel so, so desperate to protect you, to wash every single one of your worries away.

it’s unbearable, this aching desire. like a great, insatiable, unnamed something deep within the caverns of his chest, clawing at his ribcage, snarling and hissing, itching to break out so it can open its maw and devour you both.

(it’s ugly. it’s grotesque. it wants to keep you safe so badly it might kill him for it.)

a coo. sad, dripping with care, a comforting tone that he hopes you’ll find soothing. he smooths his palm down the back of your head, heavy, doting. it hurts so much to see you hurt.

”my baby….” satoru exhales, a little shaky. but he smiles, and he hopes you can hear it, hopes it’ll help mend the pain in your chest. ”what’s got you this upset, hm? you're worrying me, here…”

a broken sniffle. the guilt eats at you, gnaws at your bones, and all you can do is hide away in the crook of his neck. apologizing, your voice no more than a tremor of a breath.

”’m sorry…”

and satoru thinks his heart shatters. he can practically hear the crash, feel the broken, useless little pieces dig into his skin.

his arms travel down to your hips, steady, and he lifts you up. just for a second, just so he can plop down on the floor with you in tow — keeping you snuggled into his neck. seated on his lap with your legs around his waist, like you’re his baby koala.

”shh, it's okay,” he soothes, a grounding rumble of his chest right by your ear. he’s got you enveloped, wrapped up in his buzzing warmth, and all you can feel is him. ”you’re okay. no matter what it is, i'll take care of it, alright? you can rely on me.”

a moment passes. 

satoru clears his throat. nervous, suddenly. ”you know that, right?”

all you can give him is a shaky nod, but it’s enough. he sighs, in palpable relief, still rubbing circles into your back. ”okay,” he sneaks a hand underneath your shirt, tracing little shapes into your bare skin. ”good.”

he isn’t sure how long you spend there, on the floor, entirely focused on comforting you. washing away all your sadness, with every gentle caress, every soothing murmur of there, there… every little stutter of his heartbeat next to yours.

and when you’ve finally calmed down, melting under his touch and into his skin, arms going lax around his neck — satoru takes a breath. collecting himself, so you don’t have to. acting like his heart isn’t still a mess of crushed glass.

”you okay now?” he coos, drawing absentminded hearts into the skin of your back. his voice is teasing, but warm, spilling from his tongue and into your ear. deep and smooth. ”almost gave me a heart attack, baby.”

he feels the way your grip around him tightens, just a smidge, and he hears the weak little breath you draw in. your voice is still shaky, and it makes him want to rearrange the world, stitch those broken vowels back together. 

(he doesn’t like how irrational it is, this insatiable something. how it makes him want to bend the rules of the universe, just to see you smile. a dangerous temptation.)

”i’m sorry,” you croak, clinging to him like a shipwreck to a shore. ”it’s not — not a big deal, ’m just…” 

satoru pulls back. just a little bit, making sure your arms and legs stay in their rightful place, curled around his neck and waist. making sure the two of you stay connected.

then he pinches your cheek.

”don’t apologize,” he quips, a playful frown on his face. soft, a vague furrow of his brows. like he’s scolding you. 

it makes you wince, your eyes downcast. you look so meek. a little like a kicked puppy, glassy eyes glancing up at him in search of comfort.

satoru clicks his tongue. ”and don’t look at me like that, either.” 

he boops your nose, playful, doting, and you exhale weakly. it’s small, more breath than a real laugh, but you’re almost smiling, and —

it’s a start. it’s something.

satoru coos, voice dripping with warmth, sickeningly sweet. it seeps from his fingertips when he cradles your cheek in his palm, rubbing circles into the puffy skin beneath your eyes. there’s a mirth in his own, crinkled at the edges, tucked into that blue shade, something glazed over with pure adoration.

”there’s that smile.” 

he leans forward, closer, to press a kiss against the bridge of your nose, eyelashes fluttering. tickling your skin. you fall further into his embrace and he makes no move to resist, wouldn’t do it even if he physically could. even if he had the strength to let you go.

then he broaches the subject. hesitant. tactful, careful, delicate — he tries to remember how it works. how to handle something fragile. he thinks of those boxes you carried last week, little porcelain cups. heavy in his arms. he thinks of the way you jab his side with your elbow; gentle, always gentle, even though there’s never any need.

he thinks of you, and it all comes easy. that’s how it always goes.

”wanna talk about it?” he asks, softly. fingers treading through your hair, scratching softly at your scalp. it makes you melt, a little. clearing your throat.

”it’s nothing, really,” you mumble, tiny, seeking respite in the warmth that seeps from his body. speaking with a raspy voice, a hoarse throat, all tired out after crying. ”nothing big, anyway…” 

a moment passes, before you continue. ”i guess it's just been a rough week,” you admit, a sigh slipping from your lips, tinged with pure exhaustion. ”just little things piling up. ’m okay now.” 

a hum. satoru clears his throat.

”anything i can do?”

(please let me help.)

but you only shake your head. ”you’ve already done enough,” you assure him, leaning into his touch. ”think i just needed to get it all out, y’know?”

a beat. an itch. satoru holds you tight, a little tighter than he should. gentle, he reminds himself. but he needs you close enough to feel the flutter of your heartbeat, close enough to delude himself that you’ve merged together. closer isn’t close enough.

he gnaws at his bottom lip, teeth sinking into the flesh. pulling words out from the back of his throat, uncertain. ”i’m always here,” he settles on. ”if there’s anything you need, come straight to me. okay?”

a frown plays at your lips. you’re silent, for a while, until he hears you mumble beneath your breath.

”i don’t want to bother you so much, though…”

”— it’s not a bother.”

the words spill into the air, a little more firm than he meant to sound. but he means them.

”i’m serious. if you ever need help, with anything, come find me. i’m yours,” satoru inhales, deep, his chest moving in tune with the breath. you’re carried along with it, as if being lulled to sleep, following the steady pattern of his lungs. 

then he exhales. in, and out, and with it comes a promise. ”if anyone makes you cry, i’ll get rid of them.”

he says it casually, so casually that you assume it’s a joke, a bout of breathless giggles pushing past your lips. the sound has his own curling up, and he doesn’t have the heart to correct you. has enough tact to know that this might not be the best moment to let you know that he’s honestly a little terrified of how far he’d be willing to go to keep you safe and happy. 

but you’re smiling, finally, laughing. and that matters more than anything. when he closes his eyes, he thinks he can even feel the telltale signs that his heart is picking itself back up, gluing jagged shards into a shape that resembles you.

"that's scary!” you gasp, amusement bubbling up inside your throat. ”you’d go to jail for me?”

satoru huffs. ”bold of you to assume i’d get caught,” he tuts, a smug smile on his face. it makes you giggle, again, and he feels like a god.

”okay, okay,”  you nose at his neck, breathing him in, strawberry lotion and laundry detergent filling your senses. ”please don’t kill anyone on my behalf, though.”

”no promises.”

”satoru…”

slowly, steadily, his heart begins to stitch itself together. it helps that you’re there, he thinks. helps that you’re pressed up against him, that you’re holding him, like he’s the safest thing in the world. like you trust him.

(the word tastes like molten honey and luscious berries, sickly-sweet on his tongue. he gulps it down hungrily.)

it’s healing. the weight of your arms around him, the breaths that brush against his neck. he holds you to keep you together, intact, to keep himself together. a shipwreck and a shore — he just isn’t sure which one of you is which. but your jagged edges fit just right with his own.

”i don’t like seeing you cry.”

you blink. gazing up at him, with a contemplative look in your eyes. it melts into something a little too close to guilt for his liking. shame.

”— but i still want you to let me see you like that.” satoru smiles, with a tilt of his head. snowy tufts of hair falling across his face. ”is that weird?”

a moment passes. then you hum.

”no,” you exhale, a little breathless. smiling, somewhat weak, but still enough to have his heart skipping a beat. ”i love that about you, satoru.”

”huh?” he gapes at you — blinking dumbly. ”love what? that i want to see you sob into my chest?”

”that you try,” you stifle a yawn, sleepily nuzzling into him, all tuckered out from crying. ”even when it makes you a little uncomfortable.”

satoru stills. 

silence fills the space between you. there’s nothing more to say. his tongue isn’t really cooperating with him, anyhow — all tied up. so he leaves a kiss on the top of your head, and doesn’t say a word about the tremor running through his chest. 

he hates seeing you cry. hates how powerless it makes him feel, how useless. hates the fact that he can’t always protect you from the world, from himself.

but you let him see you like that.

he thinks of your tears, crystalline and glassy, like translucent marbles on a summer shore — and sees the trust instead of the sorrow. he thinks of your tearstained face, meek and feeble, and knows it’ll always be enough to break his heart to pieces. 

he thinks of you, and tells himself that it’s worth it; just as long as he gets to bring that pretty little smile back to life. 

[bonestrouslingbones]

i'm locking in

[derrypubliclibrary]

.

[hermitw]

I swear that weird thing Gojo was doing w his hands was just stimming bc he was nervous but Fushiguro was judging him so hard for it. Even 10 years later

And that the blindfold is a pressure stim

Yuuji eating too much ice cream until he throws up might be stimming, or the struggle to switch between activities, or that he doesn't rly get the "hey maybe it's time to stop eating signal", but I'll guess it's a combination of all 3.

Autism in JJK Part 1 (Isolation and Movies)

Notes before we start.

1) Read the light novels. They are the equivalent of Bleach's CFYOW for JJK. There is a fan translation (Book 1 & Book 2), but I will be citing the official translation from my own copies.

2) I will be mainly using the TCB scans for the manga because of their accessibility. 

3) Read the light novels.

(Click images for captions/citations.)

Preface

Dungeon Meshi is heralded as The ultimate story of incompatible autisms. Everyone recognizes Laois and most of his party as autistic. Each of these characters are able to use their specific types of autism to solve problems throughout the series.

Laois’s autistic traits in particular have drawbacks when it comes to others’ perception of him. To directly quote one of the best Dungeon Meshi text posts on this site:

“Dungeon Meshi is about a quirked up white boy on a quest to save his sister and perhaps indulge his special interest along the way. He's a man of pure heart who has done nothing but help anyone he's met. Then part way through the story you start seeing other pov characters and it turns out every single person who has met him outside his party has read his awkward social skills and love for grilling as a sign of something deeply evil and has vowed to kill him on sight.”

Using Laois as a reference, I want to argue that Jujutsu Kaisen is the penultimate story of incompatible autisms.

Addendum/Disclaimer

I’m heavily drawing from experiences with my particular brand of autism for this analysis, so I’m bound to not properly consider everything. My words should not be taken as gospel since autism is a wide spectrum that manifests differently for each individual. Certain autistic traits will show up for one person and be completely absent in another. (And I personally think JJK does a great job of showcasing this variation.)

There is also significant overlap between Autism and ADHD which I’m not qualified to make connections with. (Basically if you have ADHD feel free to explain how you see yourself in these characters too.) There’s probably other readings that have flown over my head, but please understand I’m not trying to be malicious.

The main traits I’ll be referencing are:

Social Unawareness

Bluntness (and it being perceived as rudeness)

Taking Things Literally

Double Empathy Problem (the non-autistic and the autistic have a hard time understanding each other’s way of thinking and therefore struggle to communicate with each other)

Emotional Blindness/Alexithymia (difficulties with understanding and articulating one's emotions)

Hyperfixations

Special Interests

(Stimming is left out because of Tumblr's 30 image limit. Someone else can make that post for me.)

Mahito’s Autism

Strange title section right? Allow me to defend it. Mahtio’s Domain Expansion (DE) Self-Embodiment of Perfection is localized from 自閉円頓裹 (Jihei Endonka). The first two kanji 自閉 (Jihei) create the Japanese word for Autistic. Where 自 (Ji) is self and 閉 (Hei) is close/shut. The Japanese word for Autism is 自閉症 (Jiheisho) where 症 (sho) means disease. A very literal translation of Jiheisho is “self-shut disease”.

Equating autism to an illness that causes one to shut themselves inwards is flawed in its framework, but not wrong in describing the unique isolation autistic people face. If the kanji used didn’t clue you in, Japanese society is much more hostile to the autistic than English speaking countries. This is in part due to many autistic traits being seen as socially unacceptable for deviating too much from the norm.

There’s been a whole study on this if you want to know more. (This study allowed for self-diagnosed people to participate and included non-binary gender options, so I’m comfortable using it.) Quoted directly from the source: 

“Many autistic individuals engage in social camouflage and attempt to use social interaction to obtain job opportunities and other benefits. The aforementioned ‘need’ of autistic individuals to engage in social camouflage forces them to continuously pretend that they are non-autistic. This is associated with significant manifestations of mental health deterioration, such as depression, generalised anxiety, social anxiety, suicide attempts, and burnout because of exhaustion and fatigue.”

“Markus and Kitayama refer to Japanese and other East Asian cultures as ‘cultures of interdependence’. In these cultures, the primary challenge faced by individuals is to conform without standing out and pay more attention to others than oneself. Thus, the ‘uniqueness’ of autistic people can be perceived negatively, and it can threaten relationships and interpersonal harmony within the community.”

Now what does discrimination against autistic people have to do with Mahito? Well, everything. Mahito manifested as the hatred between humans, making them unique within the Natural Disaster Curses group. This causes friction in their relationships with the other curses, mainly Jogo.

When Dagon dies, Jogo mourns. When Hanami dies, Jogo and Dagon mourn. When Mahito learns about this? They react like this.

Totally not appropriate for the situation. You could chalk it up to them being a curse, but the other curses have already shown they’re capable of caring deeply for each other. 

This isn’t the only instance of it either. In the light novels, Mahito really gets into movies to better understand humans which results in this.

Jogo simply does not know what to do with Mahito becoming a filmbro. 

Jokes aside, Mahito is using movies and other forms of media to better understand people not like themself. And despite their efforts to better grasp emotions, this causes Mahito to become even more alienated from his peers. He’s in his own little bubble and his way of thinking is boon when fighting but a bane for his relationships. There’s something very autistic about that. 

Shared Special Interests

On the flipside, Mahito’s movie and book fascination causes them to create a bond with a blind homeless old man that lives under a bridge. But it’s only because the two of them have this interest in common.

As stated in CFYOW, JJK Summer of Ashes, Autumn of Dust Chapter 3: Allegory in Darkness, Mahito has canonically read Kafka. 

And that line at the end. “It makes talking to you easy.” This is the same phrase Mahito uses when grooming Junpei. Though Mahito’s relationship with Junpei is one of manipulation, it started as something rather innocent—they both went to the theater, saw the same movie, and were annoyed by the people disrupting their viewing experience.

That small connection, their shared interest in movies caused them to bond quickly and Mahito used it for manipulation. (This is not unlike how minors in fandom spaces can be groomed by the adults around them.)

Mahito learned how to be this way in part by studying media and applying it to their actions. They can’t interact with most humans 1-on-1, so their main source of understanding them is media, which gives them this warped sense of reality. Think Plato’s Allegory of the Cave. Mahito doesn’t know better because this is all they know.

It’s no wonder they conclude that humans at the core are creatures that eat, sleep, and rape (Ch 49 Pg 18 Sorry I ran out of image space). Think of how many “the joke is sexual assault” type characters there are in Japanese media alone. (Let’s not ignore how bad it gets in American 80s comedies too.)

Mahito is essentially a blank slate with no frame of reference for morals, critical analysis, or media literacy in general. It’s not very surprising they take everything at face value and then use it for evil.

And that’s why I wanted to discuss them first. Mahito is a reflection of humans and their reaction to media has echoes in how other characters, who are probably autistic, navigate their relationships with themselves and other humans. 

Itadori Yuji’s Autism

When I say Yuji is pure and the goodest boy in the world, I’m referring to the unbridled autistic joy in which he interacts with the world. He’s not much different than Laois from Dungeon Meshi. The way Yuji introduces himself to others is unhinged. He frequently does and says things that are not socially appropriate in the slightest. Whatever comes to mind first he acts on, no filter.

But being unhinged isn’t necessarily autistic. What gives this the ‘tism is the socially inept internal logic that goes into Yuji’s decision making. Dudebros may refer to it as locking in, but it is better known as hyperfocusing. You give Yuji a task and he Will complete it, anything in his way be damned.

Ijichi gave Yuji a task. Figure out if this person is an enemy and make sure nobody gets hurt. Interrupting a convo and pantsing a guy to complete this task is Yuji autistically logicing his way around setbacks. What’s a non-violent way to get someone to leave? Stealing their pants, probably. Things like social rules don’t matter if lives are at risk. 

Don’t believe that’s socially-blind autistic logic? Let me give you this guy from 4Chan and myself as an example. As a child I was told I should never lie no matter what. At 8 years old, I did something that upset my teacher. I didn’t know I had upset my teacher until I was asked to write an apology letter by my parents. So in my little pea brain, I had no reason to apologize because that would be lying. I then wrote something along the lines of, “I’m only writing this apology because my parents are making me.” (I got yelled at for this which confused me even more. What do you mean you want me to lie, mother???)

You can see this kind of logic with the finger eating especially. Yuji took Megumi’s words very literally and ate a mummified human finger because that’s what was needed to save lives. This isn’t a one off thing either, it keeps happening over and over—Yuji taking the most literal interpretation of the words spoken to him and acting on them in the most autistic way possible.

I love the Nanamin alert especially because only Idatori Yuji would think to do that. It also a neat showcase of the double-edged sword that can come from autism. Yes, Yuji effectively and quickly relays important information to his allies, but to their enemies as well. He also does it in a way that gets him bopped on the head by Megumi. Kind of like how going along with Gojo’s plans has him bullied by his classmates.

This happens a lot too—Yuji doing what others tell him to do, filling in the blanks when they fail to elaborate on the how to, and it backfiring.

There is nothing more autistic than doing exactly as you are told and getting punished for it. 

Nanami tells Yuji not to call him Nanami-sensei. But he doesn’t tell Yuji what exactly to call him instead, so he guesses. And since Yuji is socially unaware to a degree, he comes up with Nanamin instead of the Nanami-san that would’ve been more polite.

Megumi and Panda tell Yuji to lie. But lying isn’t in his nature so he really sucks at it. Pretending he doesn’t know who Gojo is because 1) he was told to lie and 2) Gojo is a part of the group Yuji is was explicitly told not show any familiarity with, is peak autism logic.

It’s all a part of Yuji’s charm though. Despite his autistic traits getting him into plenty of trouble, they also are a big reason as to why everyone loves him. 

Yuji’s Autistic Rizz

Yuji seems to mirror other people both to better understand them and because he’s relying on them to show him how he’s supposed to act. (More on that here.) Most of the time this is played for comedic effect, but sometimes it results in instant pair-bonding. I think that’s the autism-to-autism connection being made. (It’s also known as the morphogenetic field if you’ve played 999.)

Just like how Mahito used movies to bond with Junpei, Yuji does it too. But he uses this shared interest for good and provides a counter to Mahito’s grooming.

And lookie here, he can even utilize his love of movies to bond with people who aren’t into them at all. Junpei’s mom may not get it, but she’s endeared by it. This unparalleled autistic rizz is fundamental to Yuji’s character. And in my opinion, his relationship with Todo Aoi best showcases this.

Everyone knows that Todo and Yuji’s shared love of tall women with big butts is what brought them together. But what’s most overlooked is the specific tall woman with a big butt that made this possible in the first place. Before Todo even asks Yuji for his type, Yuji makes it known he is aware of who Takada is. (He happened to see her on TV as stated in CFYOW, JJK Summer of Ashes, Autumn of Dust Ch 4 Pgs 89–90. Ijichi is the secret Takada fan.)

Takada is who prompts Todo into asking. She is also the one who appears in Todo’s delusions, guiding him to victory and driving most of the reasons behind his actions. With great confidence I can say Todo’s special interest is Takada. (And most of the fanbase assumes he’s autistic, so I don’t feel the need to explain that more.)

And what’s crazy about his special interest of his is that it fudging works. Takada and his love for manga help Todo create successful strategies. I include his love of manga because his fakeout with Mahito is a Hunter x Hunter reference.

It’s a bit spoilers to discuss how exactly this is genius, but you’ll have to trust me when I say it’s very clever. Rather than simply nodding to the source material, Todo is using the twist reveal from that scene and subverting it to help Yuji win.

This is nearly identical to Laois utilizing his special interest monster knowledge to create victories out of what would be defeats for other characters. Todo weaponizes his autism in a way that works perfect for sorcery.

But when it comes to interpersonal relationships? It destroys them. Everyone who isn’t Yuji hates Todo. 

Todo Aoi is second to Gojo Satoru when it comes to characters considering him the greatest source of stress. (Momo, Mai, and Kamo with Kokichi dedicating pages 43–46 of CFYOW JJK Thorny Road at Dawn, Chapter 2 to how much Todo stresses him out.)

They’re most annoyed with him when he talks about his special interest—Takada. She is a huge reason as to why Todo is such a good sorcerer, you could even call her The Reason he’s so good. People rely on him quite literally weaponizing his autism. But when he starts being autistic outside of sorcery? They don’t tolerate it. 

This is a recurring problem for autistic sorcerers. The very people that depend on their weaponized autism will scorn it the moment it no longer serves them directly. It’s a very Not In My Backyard (NIMBY) mentality. Sure they want all the benefits but keep the drawbacks out of their sight.

Yuji’s Loneliness

Just like Todo, Yuji suffers from social disconnect due to his autism. He feels like he struggles to understand and connect with others on a deeper level. His own feelings and other people’s feelings are sometimes a mystery to him.

On a surface level Yuji seems to be on the same wavelength as Junpei through their shared love of movies. That is until they fight each other. Yuji doesn’t understand that Junpei is acting out of grief at the start of their fight. He says something insensitive at first, but he eventually asks Junpei to spell things out so he can understand what’s going on.

It takes until the end of the Sukuna fight for Yuji to truly connect with someone—Megumi. But it’s only because they both make their feelings known directly to each other. Before that though? As discussed earlier, the autistic traits that make him good at sorcery are often off-putting to others.

I mentioned how Yuji mirrors others in what seems to be an attempt to understand others in that post I linked. In the same one I also discuss how Yuji is able to decenter himself and sync up with just about anyone. With respect to his autism, this really reads like masking to me. 

When Yuji lets that mask slip and indulges his personal hobbies, it’s a toss up on whether or not he’ll be accepted or rejected. The movies that allowed him to pairbond with Junpei don’t work for everyone. Just like Mahito with Jogo…being a filmbro causes friction with Megumi and Nobara. 

Though Yuji otherwise gets along very well with Megumi and Nobara, there is something so very relatable and sad about seeing this particular hobby of his being trashed. What’s worse is that the 2 people who would’ve matched his freak in this regard are both dead: Junpei and the one who intensified this interest of his in the first place—Gojo Satoru.

Gojo Satoru’s Autism

I must confess, this entire post got written because of this anonymous ask I was sent a while ago. I was surprised to get it since I assumed everyone understood Gojo to be autistic by default like Laois Dungeon Meshi. So I’m going to copy and paste this anon’s words because all their observations are correct.

"As someone with Autisim, I heavily identify with how he was raised (the gifted child who is too observant vs the prophesied child who was raised to be a weapon first) and the way other react around him (treating everything he says and does with disdain)

I find the way he clings so strongly to the idea of strong and weak even after Geto and Toji yet still having a sense of justice/ noticing the unfairness of it all, his sensitivity issues, his ability to notice emotional cues yet not having the means to respond in an allistic way, his tendency to take his jokes and teasing too far/ act too close to people, and the general othering of him just screams autism to me. Like can see a lot of those traits which is usually tamped down by society being exasperated because, what are you going to do, he is the strongest, you can't just tell him off in a serious way, not when, in your society, the strong rule.

I see it especially with his students, where he's taken in all the misfits and is so casual with them in day to day life. Even him throwing them in the proverbial deepend with missions is probably how he was taught by his clan before entering jujitsu tech."

And directly from Gege via the special Gojo Booklet. 

"Q25: born and raised as a high-born, he is regaled by both himself and others are the strongest, and he seems to have want of very little, but what would you consider Gojo's weakness?

A25: His personality.

Q26: what would you consider Gojo Satoru's most intrinsic strength, when you put aside his innate abilities, influence, and physical prowess? 

A26: His personality."

Thank you Gege for stating it so bluntly. The part of Gojo’s personality that is both strength and weakness. Something that makes him a great sorcerer and socially isolated. That’s the autism.

Now that we (that anon) has established that Gojo Satoru is definitely autistic, let’s go over how this has affected his interpersonal relationships.

Improper Socialization

The Gojo Booklet has forever ruined me. Deep in my heart, I knew this was going on, but to have everything confirmed so bluntly is something else. To summarize:

Gojo was born and raised in Kyoto by an extremely closed-off traditionalist family. His Clan treated him as an investment rather than a person, focusing on his education as a sorcerer and neglecting him emotionally to create the perfect living weapon. It’s implied he was educated privately and did not attend a school with other people until high school. It’s also implied that the Clan kept Gojo under strict watch while his powers developed because of the assassination attempts. Regardless, the isolation, training, and exploitation he endured was severe enough for him to break out and run away multiple times. His attendance at Jujustu Tech in Tokyo was his first time being allowed to interact with others on his own terms rather than his Clan’s.

This means that until Gojo was 15, he likely never had friends. His interactions with other humans amounted to deification, a type of objectification where he was expected to be a tool to further other people’s comfort. Essentially, up until he met Geto, he only knew how to exist as a living weapon. 

I don’t think I need to explain why this would negatively impact socialization. Anyone raised by extremely strict/abusive parents or a cult will tell you how difficult it is to try and interact with normal society after having social skills deliberately stunted for most of your life. This lack of socialization is only compounded by autism. Not only is a sheltered autistic person inclined to be socially unaware, they have no frame of reference to what is socially acceptable.

I’ll use myself as an example. The only reason I’m not completely unpalatable in conversation is because public school allowed me to observe what normal human interactions and mannerisms look like. Otherwise, I’d be like Mahito—learning about the world through the limited media I was allowed to consume. (And even then I still took it at face-value for a pretty long time.)

Gojo is sort of in the same situation as Mahito. His Clan reportedly spoiled him rotten, so he was probably allowed to have all the toys, TV, movies, books, and games he wanted between obligations. This means that it is very likely his ideas of the world at large come from media. And boy does it seem to have affected the way he is.

Trying to Connect with Others

Nanami directly compares Gojo to Mahito. Megumi straight up thinks Gojo and Yuji are the same kind of person as stated in CFYOW, JJK Summer of Ashes, Autumn of Dust Chapter 1: Kiyujitsu Kaisen.

So like Yuji and Mahito, Gojo will use media he’s familiar with to make sense of the world around him and hold conversations with others. (In the anime they have Gojo do the tornado kick which straight up appears to be him doing an in-verse reference to Code Geass's Suzaku Spin Kick aka the Spinzaku Kick. Please do not ask me how I recognized this.)

And would you look at that. Most people do Not know how to handle this. Not even Geto who is more visibly confused by his Digimon metaphor in the anime.

I can’t really blame them for their reactions either. Gojo is such a special combination of unfortunate circumstances and experiences that you might as well be listening to someone speak an unknown language. 

This goes both ways too. Gojo himself has a very hard time understanding others and tends to take the words of others Very Literally. (Just like Yuji!) This leads to him experiencing the Double Empathy Gap the most when compared to other autistic characters.

The Geto stuff is the most tragic to me. Gojo checked in on him and Geto lied about his feelings. To Gojo, Geto is his best friend. Why would he lie to him? Geto says he’s ok so Gojo thinks he’s ok. (That’s not even getting into the higher ups overworking them both and keeping them separate on purpose.) His upbringing and his autism made it impossible for him to read between the lines, so Geto's betrayal very much comes out of nowhere for him. 

The same happens with Shoko okaying the desecration of his corpse, Nanami calling him a pervert and everyone agreeing. Gojo truly believes that the people close to him see him in a very one-dimensional way and there’s nothing he can do about it. After all, he was raised to be a weapon and nothing more.

Funnily enough, Gojo’s Alexithymia is so bad that parts of the fandom have seemingly done the double empathy gap thing to him with respect to his flower metaphor.

“There was always a gulf between me and other people, even if they adored me. You can admire a flower and help it bloom…but you can’t ask it to understand you.”

To me, all Gojo is doing here is explaining his feelings as best he can. Floral language is a big thing in Buddhism which is probably why he makes the comparison. However…I’ve seen interpretations of this that conclude Gojo believes himself so far above others that they might as well be non-sentient plants. To them, this metaphor speaks to his arrogance rather than a clumsy/poetic attempt to communicate his feelings.

I’ll use myself as an example to explain why I think it’s just the autism in action. I often like animals way more than I do other people. Snakes, birds, lizards, spiders, and scorpions are amongst my favorites. Sometimes I compare people to these animals.

What I mean: I think highly of you! You share traits with my favorite animals and that makes me happy.

What others can hear: I think you’re stupid (lizard/bird brained), untrustworthy (a snake), and lesser than me (a bug/arachnid).

Now I could be projecting because I see my autistic traits in Gojo, but I do find it fascinating that how you view Gojo’s flower metaphor is highly dependent on how you feel about him.

Regardless, it does a great job at illustrating how isolated Gojo feels from others. Sometimes my autism makes me feel like I’m a completely different species because I can’t interact with people normally. And in Gojo's case, he can't even refer to himself as a human. The disconnect from others and his dehumanization is so strong he feels he can no longer identify as human.

No one’s autism is exactly the same, so this rift can even exist between autistic people. This is how you can get Yuji and Gojo bonding over their shared autistic traits but not fully understanding each other and feeling isolated for it.

But it’s still really sweet that they connect with movies so well that Gojo’s filmbroness rubs off on Yuji.

It’s also a little concerning that Gojo refers to these movies like a catalog for emotions. Like the proper way to experience emotions is through media and not in person.

The training Gojo subjects Yuji to with movies is likely how he was trained as a child. This suggests that for the first 15 years of his life, movies and other media might have been his only frame of reference for everything not Jujutsu Sorcery. And I mean Everything.

Combine this with The ‘Tism and this could possibly explain exactly what is wrong with Gojo Satoru. (You already know where I’m going with this.)

Gojo’s Racism

Here’s a list of movies for sure Gojo has watched. And for no reason in particular I’m going to include if they have a black person (like myself) in them.

Sourced from a Gege Interview.

Léon: The Professional (1994): Yes

The Descent (2005): No

The Host (2013): No

The Emperor's Naked Army Marches On (1987): No

Deep Blue Sea (1999): Yes

Extra movies from the anime. (Aka probably canon.)

Juggernaut (1974): No

Lord of the Rings: The Fellowship of the Ring (2001): No

That's only 2 movies with black people in them. I went ahead and watched them to confirm my suspicions...

Léon: The Professional (1994)

Not much to say about the black characters here. From what I saw and the IMDb list, they're all men and they're all background characters. Also I couldn’t finish the film because of how creepy it is towards the 11 year old actress. (It's really bad. Like really, really bad. Traumatized the actress, Natalie Portman, kind of bad. Wish I had a content warning!)

Deep Blue Sea (1999)

Gojo wasn't lying, the heroine died spectacularly. However in terms of spoilers, he glossed over the actual twist death. There's also someone who dies by being bit in half by a shark. And the way those legs looked like Gojo's...

There are 2 black characters in this movie. One is a jovial goofball chef who somehow survives to the end. (Miguel calls this trope out specifically in JJK 255.) There are so many points in this movie where he should've died. His name is Preacher and he has a parrot that is a Red-Crowned Amazon by the way. The other is a rich investor played by Samuel L Jackson who does Not fall into the Scary Black Man trope for once. Preacher doesn't either, he's more of a Gentle Giant.

Both of them function in the film as a subversion of the Magical Negro trope. And after watching this movie, I think Gege was inspired to make Miguel Odol fill this role too.

Anyways, the takeaways from this are 1) Black people are underrepresented in media. 2) What is representing black people in popular media isn't all that varied.

This means if media is your only exposure to black people, those representations will be internalized if you're uncritical about it. (You're reading this on Tumblr I assume you believe racism is real.) It's unconscious most of the time. People usually don't actively go, "Wow black people are all like this!" What happens is they run into a black person irl, are reminded of their impressions via visual similarity, and then say or do some out of pocket nonsense. (I have personally experienced this at the hands of Japanese tourists.)

And what does Mr. Gojo Satoru say to Miguel first? He says Miguel looks like he’ll be trouble. Later he says Miguel's strength and build are because of his race and what makes him dangerous even though Gojo knows several Japanese men with similar physiques. 

If he's never met a black man irl before...he must have gotten that idea from somewhere else. He does mention knowing the MMA star turned comedian Bobby Ologun (a big strong and goofy guy) when comparing him to Miguel.

Bobby Ologun is Nigerian. Miguel is Kenyan. Do you know how pissed East Africans get when lumped into the same category as West Africans and vice versa? (For the less informed please see Western Europe’s hatred of Slavs and other Eastern Europeans.)

But as far as Gojo knows from his media, black men are big, strong, and funny. The media he consumes also doesn’t bother to distinguish the different cultures of Africans. Dark Skin=Black and that’s it. And his dismissal of Miguel's distress over the loss of his rope only highlights that apathy towards individual cultures.

All this has terrible consequences for Miguel in the form of Benevolent Racism. This is where a prejudice that can be perceived as positive has negative outcomes for the target. Aka Gojo commits a racially motivated beatdown because of his ignorance that was fueled by the media he consumed growing up. (Miguel's Cursed Technique reminding Gojo of Toji not withstanding.)

Now I’m not saying autism makes you racist. It’s that Gojo’s isolation from the outside world, being raised by emotionally distant conservatives, and consuming media uncritically with his unique brand of autism creates the disaster that are the words coming out of his mouth.

Gojo being this kind of racist. Where he idolizes a type of strength in black people he learned from stereotypes in his movies, is great actually. I really like that Miguel calls it out and is sick of it. He even sarcastically tries to throw back the stereotypes about Japanese people to make his point too.

And guess who else only knows of black people through movies? Sukuna. He’s an art freak, there’s no way he didn’t watch some of those films Yuji was watching. And Miguel can smell it a mile away. Sukuna gives him that look and Miguel is already done with it. Honestly the way Miguel enforces his boundaries is great. He knows his limits both with risking his life and tolerating racism.

Anyways, Gojo Satoru has been running on 3 hours of sleep, sugar, and Reverse Cursed Energy like a madman for years. I don’t think he’s ever sat down and gone, “Huh? Why do I think the way I do? Why do I believe this?” Miguel is probably the first person to ever tell him, that’s racist my dude. (This is an explanation not an excuse btw.)

And that’s kind of the problem. Gojo is willing to learn and do better, but he hasn’t had the time do it on his own. Some outside force has to tell him bluntly, “Yo this isn’t socially acceptable.” (Think of how Geto influenced his morals and manners by telling Gojo exactly what he should do.)

This leads me to believe his mind is a hodgepodge of things he’s uncritically absorbed as a child and that has influenced his questionable beliefs/actions as an adult in ways he’s unable to recognize.

Gojo’s Other Problems

Outside of racism, Gojo’s most unpleasant traits include mild sexism and child endangerment. The sexism comes from how he speaks to Utahime and how treats Shoko compared to Geto. Though he otherwise does not outwardly discriminate against them, it is sus that he sees Rika, a girl transformed into a cursed spirit, and goes "Dang, women are scary." (The child endangerment is self-evident.)

For some reason, Gojo truly believes for some reason that the woman (Shoko) in his life isn’t emotionally capable of being on the same level with him as a man (Geto). This could just be a strength-based thing since Geto told him that’s why they can’t be together anymore. It’s really hard to tell. But if it really is a sexism thing, media in general being misogynistic could explain it. (On top of being raised by a traditionalist family in a society that is very sexist.)

Well-rounded female characters whose complex emotions and inner lives are explored in depth can be very hard to come by, especially in popular media. (If you want media that primarily focuses on female characters GO READ UMINEKO NOW.) A lot of the movies and manga Gojo consumes treat women as love interests first and people second. And since you’re reading this on Tumblr, you’ve probably seen posts that complain about this and how this feeds into irl interactions.

This idea comes into play with Utahime in a different way. Gojo doesn’t understand that Utahime actually hates him. This is a bit odd given that he usually takes people’s hostility towards him to heart. But a place where he could get the idea that her anger is secretly affection is���the tsundere archetype in the mangas he’s so fond of. (Gojo reads a lot of Shonen Jump, it’s no wonder he has negative rizz with women after they get past his good looks.)

Yuji does it, Todo does it, Mahito does it—they use the media they’ve consumed as a baseline for sorcery. They’re the best at what they do for it. There’s no way Gojo isn’t doing the exact same thing, especially when he’s teaching his students. He tries to fit the quirky mentor archetype who uses tough love to guide his students. (His blindfold might be an actual in-verse Kakashi Naruto reference.) And he falls into faulty logic where everything will work out if he leaves it all to his students which fulfills most Shonen story beats.

The stunt with Megumi that kickstarted this series is a 2-for-1 special. Gojo eating sweets is needed to maintain his technique. Him eating them is acting as a responsible adult. However, getting them several hundred kilometers away from his student who is in a dangerous situation is irresponsible. It may speak to how much he trusts Megumi to handle things on his own, but as an adult in charge of a child? This is very poor judgement on Gojo's end.

I also understand that Gojo's upbringing and Japan's culture (aka it's generally safe for a child to be outside alone) is probably why he's so comfortable leaving a roughed up looking child by herself. But like...he should've called someone for Hana. Maybe he did later? (Another case of is this Gege underdeveloping Hana/Tsumiki or is Gojo truly that careless towards little girls...)

Shonen is pretty notorious for uncritically putting children in situations. It probably doesn’t help that Gojo’s own family was violating multiple Japanese labor laws when putting him to work as a kid. I’m not joking about that either.

Per The Constitution of Japan (May 3, 1947) Chapter III Article 27 Paragraph 3: 

“Children shall not be exploited.”

What constitutes child labor exploitation are outlined in Japan’s Labor Standards Act (LSA) or Act No. 49 of April 7, 1947.

Per LSA Chapter IV Article 56 Paragraph 2:

“…an employer may employ a child of at least 13 years of age in an occupation…which involves light labor that is not injurious to the child's health and welfare…”

Additional protections for workers are outlined in Japan’s equivalent of OSHA, aka the Industrial Safety and Health Act (ISHA) or Act No. 57 of June 8, 1972. 

Per ISHA Chapter VII-2 Article 71-2:

“An employer must endeavor to create a comfortable work environment in order to improve the level of safety and health in the workplace by continuously and systematically taking measures as follows:

measures to manage the maintenance of a comfortable work environment;

measures to improve work methods for work in which workers engage;

providing and streamlining facilities and equipment for workers to recover from fatigue suffered in the course of their work;

the necessary measures to create a comfortable work environment, beyond as set forth in the preceding three items.”

I think it’s safe to say that Gojo not including any of his Clan members in his afterlife scene and being so overworked that he doesn't have hobbies or think much outside of sorcery is proof of this exploitation. Gojo’s self-reported best years of his life were high school and those were still exploitative as hell. The man is a walking and talking human rights violation.

The only time we see child Gojo is from the perspective of assassins staking him out. Gojo himself never willingly recalls his childhood, only his teenage years. He looks so serious and miserable compared to his older self too. (It kind of reminds me of how I was a very quiet, obedient child that blossomed into the yappy evil creature I am now thanks to obtaining legal rights and freedom as an adult.)

This exploitation of children at the hands of adults in Jujutsu Society is normalized in and outside of fiction in their universe. Gojo can tell something is wrong with how he was treated and doesn’t want his students to hurt for it. But he can’t recognize that child labor in or itself is bad, so his solution is to make them strong enough to stand up for themselves. (Aka trying to make a labor union without knowing what a union is. Still breaking child labor laws though.)

Might makes right is a Shonen staple (please see Dragon Ball Z or Baki the Grappler). And though taking that idea to heart seems to be the most of Gojo’s problems as a teacher, there’s an additional issue this genre has—neglecting emotional development and care for the most part.

Characters in Shonen or action movies will go through extremely traumatic events and have little to no reaction to them. (PTSD who? Unless you're goated like Steven Universe Future or Vinland Saga.) It can give people a false sense of invincibility. They also rarely ever discuss the steps that can be taken to handle these emotions. You’ll see characters have panic attacks but rarely how to coax someone out of it. Heartbreak is rampant, but the solutions are to never let go and let it consume you, never how to move on or mourn. (If outright ignoring it like nothing happened isn’t what occurs.)

You can see these kinds of ideas with Geto. A second love is not possible for Gojo. He was his one and only and will always be his one and only. That’s the type of romanticism that has always been in his media.

If Gojo has relied on media to teach him how to feel out his emotions, effectively and healthily coping with grief and breakups is pretty hard to find. Most of the time when media handles those topics directly, it does so in a way that promotes reflecting on your own experiences instead of instructing you how to deal with it. Something Gojo didn’t really have time for. 

In the light novels Gojo greatly laments his own inability to deal with grief. He wants his students to learn how to do that effectively and even employs outside help with this.

The result of all this is a really overworked weird guy that feels like there’s no way to process his emotions. He puts on a mask when he talks to others and still winds up alienating himself. He’s tolerated for his labor and dehumanized for what makes him good at it. This is all extremely autistic. 

Exploiting Autistic Labor

I want to emphasize again, not all autistic people have these traits. The best sorcerers just happen to all have these traits in common.

Hyperfixating on the task at hand without rest.

Not having a typical reaction to dangerous situations.

Taking words at face-value.

Disconnect from emotions and other people.

Unique perspective for problem solving. 

These are all things that make for the ideal worker. Autistic people are often compared to machines for their behaviors and what is better for the capitalist than a person that behaves like a machine? 

But autistic people are not machines. They’re humans with flaws subject to burnout, emotional dysregulation, meltdowns, off-putting behavior, and isolation.

Jujutsu Society has no incentive to help with these things, especially the emotional dysregulation or isolation. In fact, it encourages this outcome because isolated people are easier to manipulate and exploit. But this also results in the friction these characters have in their relationships.

It’s a situation where they try to have their cake and eat it too. Everyone loves when Gojo is a Jujutsu Pervert in battle. They make him do everything for it. But the second he starts being weird outside of work, they want nothing to do with him. Or they’ll even insult him for the very traits they’re more than happy to use him for. (It’s exactly like Todo. Everyone depends on his battle intuition and reliability. And that all stems directly from his special interest Takada that no one wants to hear about.)

This creates a very uncomfortable dynamic where Gojo is seemingly bears the burden for everyone and everything while the people he’s servicing refuse to acknowledge it. He’s like some kind of public emotional punching bag or hatesink for other characters because they think he can take it as The Strongest. I don’t know if this is because of the autism, but it is scarily similar to how myself and my other autistic friends get treated by others irl. I think this is why I had such a visceral reaction to JJK 269. I too have experienced allistic people exploiting my labor and then acting like I’ve never done anything for them.

And speaking of JJK 269…Kusakabe has always been that kind of dickhole. He’s been in favor of Yuji’s execution since the start. But that’s not what makes him so aggravating. It’s that he’s too cowardly to do it himself. He once again, pushes the burden onto Gojo. He’s not going to be the child killer even though he wants this child dead, that’s Gojo’s job. Gojo is the tool he and everyone else uses to do the things they don’t like. 

This includes the teaching Kusakabe thinks Gojo is bad at. Per that one flashback, Gojo had to instruct Yuta more because Kusakabe didn't do an adequate job. Gojo had to send Yuta to Kenya to be trained by Miguel because neither of them were doing enough for Yuta. Gojo recognized his own limits and enlisted help. Kusakabe projected his own shortcomings onto Gojo and waited for everyone else to find a solution for him.

I also want to remind everyone that Kusakabe is wrong about Yuji needing to be executed. Yuji and Sukuna were Kenjaku’s backup plan. Kenjaku would’ve sealed Gojo and started the Merger anyways. In fact, Gojo, Yuji, and Sukuna are the only reason Kenjaku didn’t win. Plus the remaining Sukuna fingers were getting stronger All By Themselves. This means that Kusakabe would just be kicking the can down the road and making it a problem for the younger generation. Gojo was the only adult with enough foresight to do something that would solve the problem.

We’ve also got Ui Ui calling himself the MVP of the Sukuna fight while failing to acknowledge the only reason he could warp in and out without dying was Gojo exhausting Sukuna in the first place. Gojo’s contributions seemingly don’t count because he’s not a person. He’s a tool they used. So all his labor counts as theirs instead.

And because he’s dead, Yuta really is the new Gojo. Please see how Yuta was treated before and after Gojo’s death side by side. 

(I can’t tell if this is character assassination or the point. But the only person here allowed to criticize Yuta is Todo as far as I’m concerned.) 

Yuta is their new Strongest hatesink who happens to be autistic as hell. And yes, Yuta’s autism is second to Gojo Satoru’s. 

(Yuta's leans much more into socially unaware straightforwardness and taking things literally. He doesn't have a special interest or infodumps at people and I think that's neat.)

Everyone grills into Yuta so hard over his plans for the Sukuna battle that he experiences the quintessential autistic experience as described by Twitter User PenGwenWithLC:

"The autistic trait that bites me in the ass most frequently is my impenetrable belief that if I show people the truth they will believe me."

Mind you, Yuta is the main reason they won after Gojo died. This boy had Back Up Plans A through Z and they worked. The only person who had valid input on his planning was…Gojo (and possibly Todo). The finger resonance with Nobara was Gojo’s idea (JJK 267 Pgs 4-5...Also let's talk about how if Gojo wasn't a hopeless romantic and scheduled this fight a day or even an hour later, he might have lived based on Nobara's wake up time.). Once again, these are all autistic characters using their unique ways of thinking to solve problems others are too cowardly to address.

And then these same people turn around and disparage them without acknowledging their efforts or emotions. Sure you can call it lashing out because they secretly care about them. (Aka tsundere behavior.) But both Yuta and Gojo take other people’s words at face value. They don’t understand that this is a very fudged up display of affection and internalize it. Gojo died convinced everyone except maybe 3 people hated him and even in death he couldn’t escape it. 

This is also why Gojo leaving Yuta in Miguel’s care was a good thing. Miguel seems to be the sole person in this series who knows how to avoid labor exploitation. Nanami may see work as nonsense and have an overtime mechanic, but Miguel simply does not work overtime. He sets his boundaries and sticks to them.

It’s very ironic that Yuta took flack for respecting the boundaries of a black man that refused to be exploited by the very people that would treat him poorly.

How to Not Exploit Autistic Labor

CW: Discussion of Suicide

The last time I examined the tragedy of Gojo Satoru I wanted him to live and be loved. But I’m not sure if I want that now. It doesn’t really seem like the systemic issues that caused his exploitation have been addressed, and the people he’s helped refuse to acknowledge they are standing on the shoulders of giants. Him becoming suicidal over this exploitation and choosing death because he saw no end to this is a particularly harsh reflection of what happens in reality.

Yuji notices that Gojo is acting out of character during his final talk with him. The arrogant, self-aggrandizing chipper he's used to has been replaced with this timid optimism. Gojo tells Yuji and everyone else to forget about him because he's confident they'll be living longer than him. Before this, previous chapters have shown that Gojo went around apologizing to others and preparing letters in the advent of his death. These are all warning signs associated with an imminent suicide attempt.

When Gojo tells Yuji this is confidence he's never had before, it seems like he means both his plans to go through with dying and that everyone really will be fine and better off without him.

Gojo also makes sure Yuji doesn't catch on to this. (Probably why he didn't do the soul swap too.) Even with his suicide, he's doing his best to make sure it doesn't negatively impact anyone. His final letters to Megumi and Nobara being so unserious is another attempt to make sure their hearts don't break. ...And nobody he devoted himself to in life or death noticed.

This rather bleak ending for Gojo does have a purpose I think. It’s an example of how hypercapitalist work culture doesn’t value your life. You can bend over backwards and put your all into work, but in the end, you’re just another cog to be used. Gojo’s dehumanization was inevitable under this system. This man was born to be used as a tool and discarded once he served his purpose. And because he’s not a person, people get really mad when he does anything outside of what benefits them directly. Since to them, it’s like a machine malfunctioning.

It’s unlikely these people will ever mourn him properly, let alone even acknowledge his efforts (outside of Yuji and Yuta that is). His closest “friends” in death thought of him as a self-serving pervert you know. (Once again, not sure if that’s character assassination or showcasing what Jujutsu Society does to people, but wow does it suck to see.)

But you know who did acknowledge Gojo as a human who did his damned best and is worth remembering? Sukuna.

Sukuna stopped the whole battle to lavish praise on Gojo and mourn him. He’s done that for everyone who has put up a decent fight against him. The other sorcerers? They do no such thing, even after the battle.

And you know who takes the time to cherish and mourn his comrades no matter what? Jogo.

I excluded Mahito from the autistic labor exploitation discussion for good reason. The natural disaster curses treat Mahito better than most humans have ever treated Gojo. Jogo doesn’t exploit Mahito’s autism, he embraces it. And despite their weird behaviors and beliefs stressing him out most of the time, Jogo does nothing to stop Mahito from being themself. He expresses his distaste, sure, but Jojo otherwise acknowledges those traits are what makes Mahito good for their cause. Mahito is his equal, not a tool.

Jogo doesn’t tell Mahito what to do or feel. He rolls with their shenanigans while wearing his heart on his sleeve. He takes time to mourn his comrades no matter how dire the situation. He acts with their interests in mind at all times—even in death his first concerns are his comrades. 

Even though Mahito is alive, Jogo worries for them while still having faith in their abilities. He looks forward to seeing Mahito again via reincarnation. I cannot say the same of Gojo’s allies. 

I’m not really sure how to end this discussion since I’m continuing it in another part. But if there’s anything you take away form this incomplete analysis, please let it be this one thing:

Jogo is best girl.