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aimasup · 7 months

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Spoilers for The March 2024 Welcome Home Update, LONG post warning:

The Eddie Scene

Let's establish two realities: The Neighbourhood (theirs) and The Show (the humans').

(The third is ours, here, actually real, no black gunk and Welcome Home is just a really cool fictional horror project. Irrelevant, just wanted to bring us down to earth)

I like to believe it's an unaware Wreck-It-Ralph situation: The Neighbourhood exists as The Show because that's how they live and what they were created for.

They have a happy home in the commercials and episodes, interviews with humans and playfully leaning on the fourth wall (via Narrator). And when Playfellow Workshop had a really good influential show, they quite literally brought these puppets to life, perhaps too much.

That's where the trouble comes in; we don't know if the puppets being sentient was ever revealed to the public, or what the black rot even is yet. Personally I can't really even guess how much the other puppets know at the moment, not even Home. All we know is that Wally was the first to 'wake up', likely.

So I'm just gonna say what I think about the Eddie segment at the end of the commercial compilation from his perspective alone (bravo to the voice actors and artists my god).

The Neighbourhood...

The Show.

Here's what I assume: both in the Neighbourhood and The Show, Eddie is being given a break from working so hard. Because I believe the script/special was supposed to end here:

Eddie Dear was happy.

[calm jazz music as the title card fades in] And a Happy Homewarming to one and all! Ho Ho Ho!!

End.

Because it makes no sense why The Show staff would spend extra resources to give the puppet Not Quirky Anxiety and end their Christmas special on a worrying note for general audiences.

I think The Show staff wrapped up that scene and left to go check on the rest of the set or something, and the Eddie puppet was left there, alone in Wally's room set because its job is done. Except it isn't, and Eddie became aware somehow.

He sees Home, his friend, and something isn't right

I don't know what this is: my first thought was that it was Home's hand crank, and Eddie was seeing but not understanding the puppets behind the scenes

"Sources say, however, that this puppet’s (Home's) eyes could move through a hand crank on the other side of the prop facing away from the camera."

-(welcomehomerestorationproject.net)

His friend's eyes look dead but they're moving, I thought. But looking at it again, it looks more like a microphone stand a Show staff is holding? Some sort of set equipment. Speaking of the set

Wally's room is too big and leads to nowhere. Is this a visual representation for Eddie's mental state? Did they literally turn the lights off on set? Or can he not see everything right now because his poor fictional brain can't handle our reality just yet?

His hands are fuzzy but there's something in them. Something was under his skin just now. They don't feel like his hands.

"Eddie was a live-hand puppet who required two puppeteers to operate."

-(welcomehomerestorationproject.net)

I imagine he's in a limbo of awareness, he's seeing so many things and not quite understanding what they are, and he's getting more lost and panicked

Can you imagine how overstimulating it must be to go from a clean, happy children's fantasy reality to a world with the laws of physics?

The clock's ticking doesn't quiet down and it's constant. He's sweating when nothing is wrong (?). Gravy was poured on the tree ornament, he's always helped do that, but now it's dripping onto the floor and it's making a gross mess. Little things like that don't have consequences unless the script calls for it. Eddie doesn't know that, and especially he's freaked out by the breathing and the heartbeat.

Maybe it's Home's, or his own, or both, idk.

What's curious is that Frank and Sally are fine and talking about the day's events. This means that Eddie should've been fine after the episode too, relaxed like normal, but he didn't get to. He probably didn't even know when they got there or when Sally left.

This image right here? I think it symbolises the scary clash between both realities by now.

2 (Eddie and Wally) or 4 (counting Sally and Home) out of 9 neighbours being aware is too many. Frank wasn't supposed to have to comfort Eddie. The episode was supposed to end and Eddie can see all of it.

(and yeah maybe romance is an additional factor here)

We don't know if people remember seeing this scene on their televisions. Maybe the episode ended as normal for them. The cameras weren't rolling, so currently, we only get to witness the puppets' descent into decay because someone behind the television is Letting The Neighbourhood In, bit by bit.

Maybe we'll get to see all the other puppets go through the same awareness crisis as the website keeps updating. Personally, I don't think there's an ulterior motive for Home, nor do I think any of the puppets are under strict supervision to behave a certain way for filming episodes, like celebrities.

What freaks me out is that they banter with the narrator and do commercials for real products. They're aware of the fourth wall but only because the fourth wall let them be aware. And it even got me thinking about the nature of existing as a concept (they're fictional characters. they don't really exist? Not in the same way individual humans do anyway. They aren't really supposed to belong to themselves.)

Sorry this turned into ramble rubbish, these are just my thoughts, could be entirely wrong about everything. Welcome Home is just super neat and the amount of effort gone into it shows. Lemme know what yall think, kudos if you read this far

For your troubles 🍪🍪🍪🍪🍪🍪🍪🍪🍪🍯🥛🍵☕🍶

Extra note: I don't think they require the puppeteers to function outside of episodes either. They just live their lives chilling, don't even know there's a Show. Maybe there's an explanation but for now I'm content with 'it's magic'.

That being said I've seen other theories about the peas and the isolation of Eddie specifically those are real neat

#my post #welcome home #welcome home puppet show #welcome home spoilers #eddie dear #derealization #personal stuff #welcome home theory

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violetasteracademic · 2 months

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I just finished cc3 and I’m worried the next book will be about nesta. Why do you think the next book is still about elain?

Hello my darling anon! Congrats on finishing CC3, you have sent this to a rare bird in the wild who actually enjoyed the hell out of it despite the flaws. So I hope you had a good time!

I'm a bit nervous to show you guys this side of me. Well, I suppose I've been showing it, but to compile it in such a way is quite another ordeal. That being said, I have toooons of links and resources to share why, for me personally, it is so clear that Nesta's story is *not* over, and Elain's book is undoubtedly next. Both of these things are true, but it has everything to do with the direction of the multiverse, which is very tightly woven, and *not* ACOTAR 5/6, which has been in the works for near a decade. Save this. Come back to it. Take your time working through it. I'm giving you everything, anon!

We have two parts at play: ACOTAR and the new series, which I have no doubt in my mind is Twilight of the Gods (more on that later) so lets start with facts before we move on to theory.

I am positive Elain's book is next because Sarah's messaging has remained 100% consistent since signing on the ACOTOR spinoffs in 2016. Moving forward from ACOWAR, she wrote ACOFAS as a novella to "bridge the gap" between ACOWAR and the spinoffs, and set up the future of ACOTAR. That was completely true for ACOSF, where everything that was set up has come to pass or been expanded on so far. The introduction of the Blood Rite, Nesta's mental health struggles, Morrigan being assigned to Vallahan, and the continued escalation of Elain's relationship with Azriel and Lucien's with the Band of Exiles. We meet Emerie, we learn more about the struggles of the patriarchy in Illyria, so on and so forth.

Then, we have ACOSF. The first dual POV romance of ACOTAR. This was only the beginning of a long term plan of dual POV romances coming to fruition. Here is youtube video from early on in the process describing the spinoffs as standalones that feature a different romantic pairing each book, but form a backbone when united.

By 2020, after ACOSF was announced, Sarah reiterated again that the new spinoff series features a new couple each book, with their own miniature plot and romance resolving within the overarching story of ACOTAR. Here she also shares that she plans to write a *lot* more than what she is contracted for, and has a ton of different ships to choose from. You can watch that here.

And now we move to 2021, after ACOSF was released, and Sarah confirms she always planned to write a book about Elain here.

This is actually a great interview and one of my favorites. You can watch the whole thing here. Eva Chen is a real one.

As far as ACOTAR goes, Sarah has continued to confirm in multiple interviews that her initial plans regarding the spinoffs have not changed, and still largely follow that initial outline she pitched back in 2016. And it was always going to be Nesta and Elain.

I will reiterate, ACOTAR is its own series with its own structure. Every ACOTAR book will feature a new couple with their own romance story. ACOTAR will continue to be exclusively a romance series from here on out. A lot of people speculate a lot of things on the future of ACOTAR. That we'll get a big finale with a multi-pov, that the story will end after Koschei, that we'll have a Kingdom of Ash style book. None of this is true. Sarah is going to keep contracting ACOTAR books until she runs out of couples. If you think this sounds odd, keep in mind that SJM herself is a fan of and grew up on Nalini Singh, who has series that started in 2006/2009 and are still going, featuring a new couple each book:

So, this is not strange behavior for the genre, and I think SJM is excited to have an ongoing fantasy romance series like this. And I'm excited for us to read it!

So, no KoA multi-pov finale. No second Nesta book. ACOTAR is an ongoing romance series with an "unspecified number of books remaining."

Okay! Now let's talk about Nesta! Bone Carver voice: Nestaaaaaaa

I'm going to do something just for you, Anon. And whoever catches this in the next week or so. I left titkok as far as booktok/content making and whatnot and privatized all my videos with my face on them (for a variety of reasons. Some fandom/bullying related, some not) but I did a massive breakdown of SJM's publishing contracts and all of the lore for Twilight of the Gods build up. I did get some of my screenshots from other Tumblr accounts, and linked my sources in the caption! Give this a watch (it's long) and pop back over.

Obviously if you spend some time in the comments section, mostly the questions at large are regarding timeline. I'm happy to chat theory, but focusing on Nesta, it is incredibly important and specific that she had her role in CC3 and that she connected The Valkyrie to Midgard, aka Middle Earth in Norse mythology which is where Twilight of the Gods, aka Ragnarok takes place. We have seen Midgard, Hel, and I have no doubt we will see Asgard.

But take a look at the difference between Nesta and Azriel's journey in CC3. Nesta had a deep emotional arc with Bryce. She developed trust and a relationship with her that Azriel didn't. In the HoFaS bonus chapter, Nesta forged a bond and a relationship with Bryce's mom, Ember. Nesta and Bryce's development is what is important here: Nesta has now created the bridge between the Valkyrie and Midgard. Valkyrie are the chosen fighters of Odin in Twilight of the Gods- the war at Ragnarok.

Twilight of the Gods is coming, fam. Crescent City three also revealed that The Mother, Urd, and Wyrd are all the same entity. The Goddess of all creation and fate. She oversees all worlds, and another important but oft overlooked element in the CC3 crossover is the frequency of the conversations about the Gods:

So yes, Nesta still has a huge arc coming up baby! She is not done. No one is done. But the Valkyrie are gearing up to play a major role in TotG, not the next ACOTAR. I believe this also grounds the continuation of the tension between Nesta and Rhys, and these two powers at odds when it comes to making decisions. Rhys will protect Prythian first. Nesta is building the bridges to other worlds, and is willing to fight alongside them. Rhys has no relationship with Bryce and Midgard. Nesta does. And lets not forget the Pegasi!

CC3 was not about Nesta. It was about Bryce and Nesta. Giving the Starsword back to Nesta is simply because that is who Bryce had a relationship with, and will continue to have a relationship with in the multiverse, not because Nesta is getting another book. Honestly- who else was she supposed to give the sword, Mask, and Truth-Teller back to? Twilight of the Gods will feature characters from all worlds. Sarah confirmed it will be emotional to write because of the old faces we'll see pop up in her Today Show interview here. This interview was thoroughly structured and planned, and released on the same day as HoFaS.

Speaking of the Starsword, let's talk Azriel and his role in CC3. Azriel is now the only person we have seen carry both the Starsword (likely Gwydion from here on out) and Truth-Teller. Light and dark. The power that combined to unleash the magic on Avallen, otherwise known as the Prison/Dusk Court in Prythian. Nesta has her own sword, Ataraxia. We have not seen Nesta touch, wield, or use Gwydion. Only Azriel has.

There is only one other character at home in Prythian who has also wielded and used the full power of one half of that pair of weapons: Elain.

Nesta used Truth-Teller to cut off the kings head, yes, but Elain used Truth-Teller to travel through the shadows across a battlefield with no experience and no training. She held that blade, and it worked to her will, tapping into its magic.

Azriel also learned about the corruption of the Cauldron. This was his primary experience in the crossover- discovering that the Asteri, who force mates and curate bloodlines to create powerful offspring which they then churn through a soul meat grinder for food warped the Cauldron to enact their will. Azriel did not form a relationship with Bryce, or Ember, or form any sort of additional connections to Midgard the way Nesta did. His part of the story revealed the problems at home. His (likely) love interest is the only person who has used his blade there, while Azriel is the only person who has used Gwydion. Bryce notes that Azriel must have some Starborn blood in him. Silene confirms that the Dusk Court can only be nurtured and looked after by Starborn heirs.

So while Nesta's compass in the crossover pointed to Midgard and her developing relationship with Bryce, as well as her clear willingness to work with her, Azriel's compass pointed home. It pointed to his lineage, to the corrupted Cauldron, to being one half of Gwydion and Truth-Teller combining, the Dusk Court. All of which points us to...

Yup. Elain.

If this STILL isn't enough for you, I have made a few additional posts regarding The Glass Coffin (aka Sleeping Beauty, which Bryce plays for Azriel in the HoFaS bonus chapter) and some, but not all of the little Elain coded details in HoFaS. You can find those posts here and here.

I could keep going forever. I can reiterate that there was not one but two ACOSF bonus chapters, and both were about Elain. I can talk about about the fact that SJM always planned to write a book about each sister, and ACOFAS was about- duh- each sister. But this is already so long and full of so many links and resources. The wrap up is this- ACOTAR is now an ongoing dual POV romance series. Until she tells us that is no longer true, it is true. A new couple each book. Nesta and the Valkyrie are key players in Twilight of the Gods. Sarah confirmed she was writing Crescent City and Twilight of the Gods at the same time. The multiverse is happening, and it just takes a little bit of exploration to understand where the characters are likely headed.

I'll end on this note. Azriel and Elain are light and dark. This belongs to them. The bridge of connection between them- Truth-Teller:

Now look at how the combination of the Starsword and Truth-Teller is described in HoFaS, and tell me if it looks familiar to you:

And now alllll together again, fam! Who are the only two characters who have properly wielded and/or tapped into the power of the Starsword and Truth-Teller in Prythian?

Azriel and Elain.

I think that's everything. I hope this comforts you. I genuinely don't ever feel worried or confused. It is all so clear to me how Sarah wove this together, and I think it's absolutely brilliant. Eep! I just get so excited! So take a little bit of my excitement and release the fear. Half of the people making content on this blatantly hate one half of the next book and they willfully ignore that she has had one of the most beautiful, breathtaking, well foreshadowed and woven storylines in the history of SJM's writing. Of course that is only my opinion, but honestly, how could you NOT be impressed and excited?!

I can't wait. I just can't heckin' wait.

If you got through all of this, wow. You're the real MVP.

#elriel #pro elriel #elain x azriel #elriel endgame #elriel supremacy

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danieyells · 4 months

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. . .I could've sworn I did Ritsu's already. Apparently not. Yuri's one of my favorites and he's the one I chose in the beginning so I'm saving his for when I'm a little better rested(I have Monday off because of another doctor's appointment, so that's the lastest i'll post it)

RITSU IS SO. . .I LOVE HIM. I'll rag on him a lot because he's so tunnel visioned and just like. . .repressed. And he needs to touch grass(figuratively) but also. . .when you've been set from childhood to work and care only for your work and only know your work. . .it's understandable that he is the way he is. . . .

The way he changes as his affinity goes up is very repressed too. . .but you can still see the change at the end a little. He's a very stagnant character. . .but still interesting to look into the mannerisms of.

Hello: (the first time the game is opened after that character is set as home screen NPC. Only happens once per day, unless the character is switched out and back.)

"Any self-respecting inspector would stay comfortably ahead of schedule—I suggest you get into the habit. Let's go—there's no time to waste."

dude this is the 'you've logged in for the first time today' dialogue why are you assuming that i must be late! rude.

You've Got Mail: (whenever there's something in the inbox, usually Arena rewards)

"Did you check that notification yet? We could have a request from a client, so please do so right away."

Default: (requires no affinity, has no time constraints)

"I have been assigned to Sinostra, so I will not allow them to stand trial, no matter how villainous their actions. That is the Shinjo family policy."

"I shall ensure the Gala is held this year, and that Sinostra will wear the Laurel Crown. I have never made a promise I couldn't keep."

boy i can't wait for that to fall through--he, respectfully, needs the humbling.

"I've read the Compendium of Laws countless times since I was a child. Memorizing its contents is a rite of passage for the eldest son of the Shinjo family."

and somehow it ended up an artifact he can use as a weapon? I really wanna know what it does tbh.

"What business do you have with me? Please keep in mind that I charge 5500 yen per half hour for consultations, tax inclusive."

(roughly $35USD, although it's faster to just think of it as $55--) WE ARE BUSINESS PARTNERS. WHAT ARE YOU CHARGING A MFER FOR.

"As long as I have a notebook, my business cards, a binder, paper, and my voice recorder, I can handle the initial stages of any case."

i need my binder every day too ritsu.

Affinity 1: (between 5am and 11am)

"{PC}. Are you aware of the responsibility your position as inspector entails? I suggest you tidy your appearance and wipe that vacant look from your face."

they do not need to be aesthetically in order to be inspector. as long as they're paying attention it may even be better to look vacant. lure them into a false sense of security. also it's easier to pay attention if you're comfortable, in my experience. . . .

Affinity 2: (between 11am and 4pm)

"You've lost your notebook? Just a moment. ...At 9:04 AM, it was inside the photocopier. Yes, I do have that information recorded."

Affinity 3: (between 4pm and 8pm)

"Have you seen Taiga Hoshibami? Strange... According to my behavioral model, he should be in the casino at this time..."

Affinity 4: (between 8pm and 5am)

"At the end of each day, I compile information about every person I encountered in my notebook. It always proves useful eventually."

yandere adjacent behavior, except it's for everyone and not just one person lolol

Affinity 5: (between 8pm and 5am)

"The vice-captain has asked me to organize some documents. Let's start by making copies of everything in case the originals become lost or damaged."

Romeo has a line that references this as well!

Affinity 6: (between 4pm and 8pm)

"I always have my business cards on hand. It should go without saying—any lawyer who fails to gain their client's trust during the first meeting is not worth their salt."

Affinity 7: (between 11am and 4pm)

"A post-meal coffee must be drunk black. Unnecessary additives only interfere with the natural flavor."

Affinity 8: (between 4pm and 8pm)

"Until the age of three, I spent my days visiting the greatest sights the world has to offer with my mother, as from four my studies would prevent me from doing so."

is that child abuse? i think that's child abuse. you learn the source of ritsu's problems very early on in his affinity--he has had zero normal social interaction opportunities and no childhood. From birth until he stopped being a toddler he was just flying around the world looking at beautiful things, no stability in his location or world aside from the presence of his mother, and then he went home and probably basically got locked away to study law the moment he could sort of read. His whole existence was molding him to work. . .Subaru is similar, even down to what age they were forced to start preparing to work at. But Subaru is at least better adjusted, probably because acting awarded him better opportunities to try and think about how other people think.

Affinity 9: (between 8pm and 5am)

"According to my behavioral model, there is a 29% chance that Taiga Hoshibami is currently at the baccarat table."

Affinity 10: (between 10pm and midnight)

"I review the day's coursework for two hours then prepare for the next day's classes for three— no more, and no less. Six more minutes of silence, please."

WHERE DO THE RECORDINGS COME IN TO THIS. This mans somehow has 40 hour days. Maybe his artifact slows down time or something lol

Affinity 11: (between 5am and 11am)

"Good morning, {PC}. We have a meeting at 3 PM today, so please adjust your plans accordingly."

Affinity 12: (between 11am and 4pm)

"Darkwick Rulebook Article 183: "For the protection of anomalies, unnecessary running indoors is prohibited." This rule has been in place for over one hundred years."

wait how old is this school? how old is the Institute???

Affinity 13: (between 4pm and 8pm)

"All right. We need to organize our notes from today's investigation, so let's relocate to the diner. Our usual booth, of course."

Affinity 14: (between 5am and 11am)

"The content of our classes may be novel, but I topped the year in the scholastic ability test—they are nothing I can't handle."

so among the first years' scholastic ability tests, Ritsu was 1st, Leo was 2nd, Sho was 5th. Considering there are only four new first year ghouls then that must include the general students too. I wonder where Ren placed? Probably not very high. But still, Ritsu is a genius. . .or at least very very good at memorizing information. Lots of book smarts, minimal other smarts.

Affinity 15: (between 5am and 11am)

"As your business partner, I request that you improve your conduct. Please refrain from consenting to any further uncompensated labor."

Affinity 16: (between 11am and 4pm)

"Our Anomalous Law classes are truly fascinating. There is a long history well worth learning about— though of course, I have already mastered the basics."

Affinity 17: (between 10pm and midnight)

"I cannot afford to be complacent, even before bedtime. It's vital that I check the day's notes again to ensure nothing has been missed."

Affinity 18: (between 8pm and 5am)

"I set time aside in the evening to watch opera performances online. It allows me to get my thoughts in order, and provides a change of pace."

when??? what time??? because he has to review all of the audio recordings and notes from the whole day--what time does he have to do anything in???

Affinity 19: (between 10pm and midnight)

"I just finished checking my recordings from today. You sighed a total of four times— is something troubling you?"

i love the vibe of this. rather than silently nothing your sighing and potential exhaustion or scolding you for not caring for yourself, he expresses concern towards you. also, it's so soft yandere. like he already records everything you say and do, to confront you over it on top of that he shamelessly defends his recording and notetaking. . .if not for that he recorded everyone it would really be so yandere lolol. instead it's just his odd and overbearing way of showing he's beginning to care.

Affinity 20: (between 5am and 11am)

"You struggle to get up in the morning? I can contact you each day at a set time if you like, but I'll have to think about how much to charge..."

affinity 20 and my guy still wants to charge for his time. . .we're gonna have to teach him to have A Singular Normal Social Connection aren't we. and we're probably gonna fail.

Affinity 21: (between 11am and 4pm)

"You wish to have lunch with me? All right. We are business partners, so I will accompany you free of charge."

wait maybe i spoke too soon.

Affinity 22: (between 4pm and 8pm)

"This is for you, {PC}— it's the takeout coffee I often purchase. Your performance will decline if your mind isn't sharp."

his increased attachment is shown in the bare minimum of understanding normal human social interaction and caring for you by sharing his things and his time without charge. In trying to make you the best you(from his perspective) that you can be. Because that's what his parents did for him--so surely that's the best expression of love he has, aside from obsessive study and understanding.

Affinity 23: (between 8pm and 5am)

"I feel we made solid progress toward the reinstatement of the Gala today. Let's reconvene again tomorrow and continue working together to realize our goal."

Affinity 24: (between 10pm and midnight)

"Could I ask you to accompany me a little longer, {PC}? I realize it's outside of business hours, but...I would appreciate it if you could make a special exception."

He wants to spend time with you. And he's realizing he can just ask that. But he's so entrenched in legal and business mannerisms he doesn't know how to say "i want to be around you for longer". You're his business partner. It's bad form to request your attention outside of work, it has no value towards your goals and business efforts, but. . .that he's making a sort of formal appeal for your attention outside of work is as far as he can get in terms of expressing his affection right now.

Affinity 25(max): (no time constraints)

"It seems we make better business partners than I would have expected. I look forward to a long and prosperous relationship with you."

kind of comical that his max affinity line is still so formal after a more friendly 'please spend time with me late at night' 24th. . .but also, he wants you to be his business partner for longer. i think that counts towards something! It's a reason to stay with you! Maybe over the course of your business partnership he'll learn how to express deeper feelings. . .he's going to need an heir, after all--

Spring: (March-May) (between 5am and 11am)

"There has been a noticeable increase in reports of suspicious activity of late. More incidents means more business. Be prepared."

(between 11am and 4pm)

"You have a petal in your hair. A little more to the right. No, not there. Just let me remove it. Hold still."

(between 4pm and 8pm)

"Indeed, the cherry blossoms are in bloom. Incidentally, Japan's oldest cherry blossom tree can be found in Yamanashi Prefecture and is estimated to be 2000 years old."

ritsu would probably kill at historical trivia night.

(between 8pm and 5am)

"I had tempura at the cafeteria today. It didn't come close to the tempura I would eat with my father at the historic soba restaurant we used to frequent though."

Summer: (June-August) (between 5am and 11am)

"This one is for my face, and this is for my body. I have six handkerchiefs with me— enough for morning, noon, and night. I cannot let my opponents see me sweat."

why's this giving me ace attorney prosecutor energy. . . . .

(between 11am and 4pm)

"I witnessed a half-naked man running around in this vicinity. Did you see him? He is risking a charge of indecent exposure."

but we saw Kaito in his underwear and you said that meant he wasn't at risk of indecent exposure. . . . . . . .

(between 4pm and 8pm)

"The warmer it gets, the more of a racket people make. Honestly, how were these people raised?"

to relax and have fun during the summer break. . .you should give it a try.

(between 8pm and 5am)

"You want to go and watch the fireworks? A rather childish request, but all right. So? Where would one go to view them?"

FIREWORKS DATE FIREWORKS DATE just don't touch him without getting his consent first that could be counted as sexual harassment and he'll Get Your Ass.

Autumn: (September-November) (between 5am and 11am)

"The weather is much more pleasant for going out on professional errands now. A first-rate lawyer keeps their boots on the ground. Now then, let's get going."

(between 11am and 4pm)

"I object to the cultural assumption that fall is the season of the arts. The arts should be enjoyed throughout the year, regardless of the season."

you and yuri would get along well i think. until you realize the guy is a medical malpractice suit waiting to happen. then you'd criticize him and he would take that so poorly.

(between 4pm and 8pm)

"Once I've perused the relevant documents in the library, I plan on doing some reading. Please excuse me."

(between 8pm and 5am)

"The nights may grow longer in the fall, but daylight hours should not affect the time you rise and retire. I'll see you tomorrow."

Winter: (December-February) (between 5am and 11am)

"I have detected a change in how Taiga Hoshibami divides his time since the weather has taken a cold turn. It has created quite a quandary for me..."

yeah he doesn't like getting out of bed when it's cold. he also eats a lot more, like a bear about to hibernate. shockingly behavior patterns tend to change with the seasons.

(between 11am and 4pm)

"I've never experienced snowfall heavy enough to obstruct my movement, but I'd like to deepen my knowledge of the phenomenon for future reference."

to frostheim then! i'm sure that place is just awful for movement in winter.

(between 4pm and 8pm)

"I'm heading to the diner to fulfill a request from Ren Shiranami. Perhaps I shall enjoy a warm bowl of soup while I'm there."

. . .I wonder if this is an Obey Me!Raphael situation where he has no grasp of that the food is not good. . . .

(between 8pm and 5am)

"People say that hard work is the key to success, but it only took me a year to master German—as was the case with Italian and French."

His birthday: (January 13th)

"Indeed, today is my birthday. I've always celebrated this day by enjoying my mother's cooking, but from this year I am striving for a more self-reliant existence."

MAMA'S BOY MAMA'S BOY tbf up until he was 3 his mother was probably his only social connection and then he was locked away studying so. . .his mom is probably the only one he has like. . .personal feelings and attachment for. you'll be a tradwife too :) but also that he's trying to be more self-reliant at darkwick. . .that really does explain that he's like. not used to any sort of social interaction or doing things he hasn't been told to do by his parents. maybe in his time at darkwick he'll realize how good it feels to just. . .be a person. dedicate time to fun and relaxation. realize that work isn't everything. or maybe he'll be so judgemental towards the lifestyles of others he'll retreat even further into his current habits.

Your birthday:

"Happy birthday. A year older, a year wiser. I have high hopes for your performance in the coming year."

New Years: (January 1st)

"Happy New Year. Let's devote these next 365 days—or 8760 hours—to finding fitting solutions to the challenges that come our way."

what if it's a leap year. can we take the extra day off?

Valentine's Day: (February 14th)

"Thank you for the chocolates. Are you gifting them to me out of social obligation, or is this an expression of affection? Your answer will influence what you receive in return."

(for the uninitiated, that is very much a thing in Japan where on valentine's day a girl give some men in her life--like coworkers--obligation chocolates, which are generally not as nice and most likely store bought, although this practice is losing ground. friends get friendship chocolate and you give people you're actually attracted to or in a relationship more extravagant, expensive, or homemade chocolates to express your true feelings or a desire to be in a relationship with them. Ritsu is essentially asking 'is this because we're coworkers or are you asking me out' because White Day is the day for return gifts in response to given valentine's day gifts, and in the case of chocolates given to someone you wanna go out with they can act as a response to that proposal. presumably if you're asking him out he wants to give you chocolate to agree to get with you, since he's bothering to ask. . . .

White Day: (March 13th)

"White Day has its roots in Japan, having been invented by a certain historic confectionery shop. With that knowledge, please accept this."

'here's some trivia. and some chocolates. we are now in a relationship. should this be as fruitful as our business partnership, we can discuss marriage plans within the year.'

April Fool's Day: (April 1st)

"The spreading of false rumors is subject to strict punishment under Article 233 of the Penal Code. Do you still intend to continue this ruse?"

NO FUN ALLOWED.

Halloween: (October 31st)

"Coercing another party to choose between a "trick" or a "treat" could amount to intimidation. Engage in such festivities at your own risk."

NO FUN ALLOWED PART TWO: ILLEGAL BOOGALOO.

Christmas: (December 25th)

"Religious freedom is guaranteed by Article 20 of the Constitution. If this is a day that you wish to celebrate, then I will accept that."

he can't make you work on religious holidays you need off!!

Idle: (about 20 seconds without interacting with the game) (below 13 affinity)

"Five seconds have elapsed. Yes, that is how long you've kept me waiting."

(13 affinity and above)

"How long do you intend to keep me waiting? As always, I am on a tight schedule today. Please hurry up."

Absent: (logging in for the first time in 2 or more days?)

"I've been expecting you, {PC}. You weren't planning on breaking your promise to me, were you?"

SUCH A HARD-WORKING, SOCIALLY INEPT LAD. But Ritsu's a lot of fun, I give him a lot of shit and i desperately need him to touch some grass and get a reality check and learn about how others live and maybe experiment. . .but like i love him for being such a little shit. he's so. . .ignorant to the rest of the world and how other people are. . .i love seeing him try and dissect other people's behavior and intentions and coming to the conclusion that they must want the same things as him because he just. . .has no grasp of interests and intentions that aren't his own. . . . It makes me facepalm but also makes me laugh 8'D good boy. quality boy.

#ritsu shinjo #tokyo debunker #tokyo debunker spoilers #datamining cw #danie yells at tokyo debunker #danie yells answers #danie yells with anons

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y-rhywbeth2 · 10 months

Text

Lore Compilations (+ this blog's tagging/filter list at the end)

A WIP of a pinned post table of contents to tidy up the blog while I empty my fixations onto it plus a lore accuracy disclaimer (so I don't have to keep typing one), because why not. I like tables of content.

Disclaimer regarding lore accuracy: If you combine 50 years, 5 editions, 10+ settings, god knows how many novels, and then all the writers who all retcon and contradict each other's work then what you get is a clusterfuck. The lore I show here is compiled from all five editions of the game. You will likely see stuff out there that contradicts some things I say, or stuff I didn't mention/know. That's the lore for you. If you were the Dungeon Master making your own story, your job would be to pick and chose and build your own take on the setting out of it. I, personally, heavily favour older lore. Larian absolutely did this with Baldurs Gate 3 - frankly, I don't think they even know half this lore even exists, and Bioware took some liberties in the original games too. Wizards of the Coast themselves trample D&D into the ground all the time! All D&D is near enough fanfiction built on fanfiction. Therefore, if you find any information useful you may take it, leave it or tweak it to your desire for your own story, because it's D&D lore, and that's how it works.

Disclaimer regarding Larian's canon (and Bioware, and Obsidian): The setting shown in BG3 does not really match up to the setting as presented in sourcebooks (and sometimes novels, previous games, and 'word of god). I'm always talking about the latter and reframing the story and characters within the latter.

Disclaimer regarding asking me for my opinions on how [x] works in canon: I can make an educated guess based on the sourcebooks, but there are many gaps in many places and however educated the guess, unless it comes from a sourcebook, novel, or writer, it's just my own headcanon.

---

TABLE OF CONTENTS [WIP] (I make no promises as to the speed or order at which any of this is produced - and some of these need updating)

Abeir-Toril Why it's called the "Forgotten" Realms

Baldurs Gate: The City #1 | Demographics | Law & Legal System | Aministration & Government | ???

Human Names | Clothes and Fashion | Music | Dating, Sex, Marriage etc [part 1] [part 2] |

Religion How religion works in the Realms, the different pantheons in the world and then individual posts dedicated to the gods as individuals, how and why to worship them and how their churches function

Religion | Priesthoods and Temples | Deities

Death and the Afterlife Dying | Judgement | Afterlives

Arcane Magic

Vampires Feeding | "Biology" | Hierarchy & Powers | Weaknesses & Cures | Psychology

Elves The Complete Book of Elves once said ‘The elves of Toril do not follow the standards of most other worlds,’ which yeah, pretty much. The Player’s Handbook is not necessarily going to be accurate when talking about the Tel’Quessir.

Physiology and quirks | Names & Clans and Houses || Pan-Cultural things: Social life | Time and Age Categories | Art, Entertainment and Technology || Elven 'Subraces' still a wip || Philosophy and Religion & Pantheons || Half-elves | [WIP]

Drow Culture | Other Drow Cultures

Planars & Planetouched Tieflings | Githyanki | Bhaalspawn | Devils

Orcs

Hin - That's "halfling", if you're over 3'4" Overview | Names | Culture | Homelands | Religion

Gnomes Culture | Names | Homelands | History | Religion

---

Tagging system:

Various lore things that don't go in the larger compilations are tagged lore stuff. Things that aren't lore will get tagged babbling.

For sensitive material, such as if I feel like poking at the various delightful topics presented in the game:

I'll use edgelord hours as the generic "reader discretion advised"

The tag villainous nonsense means Dead Dove Do Not Eat.

the family circle is an extra warning for discussing the themes and subtexts such as those present with Bhaal's cult and the Bhaalspawn: including reproductive horror and sexual abuse, including the incest.

If I feel like posting anything I scribbled ("art"), the tag will be the scribbles

When I'm making posts and being negative or complaining about video games and trivial stuff, it will be filed as: griping

Whenever I find or consider something new about the Dead Three and/or want to rant and scream insults at Bane again, my tag is the idiot three

When I babble about my characters, I tag it OCs, and the ocs are also tagged by name. So far I've only mentioned Vel

If I don't want to put my babbling about certain characters into the tags, I'll just put the / in front. /astarion, /orin, /gortash, /durge, etc

When I want to babble about stuff happening in my game as I play it, they're tagged playthrough shenanigans. The original games are bg2 playthrough shenanigans.

When I start talking about my oc's romance with Astarion I'll tag it petty murder boyfriends

#lore stuff

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satoruhour · 10 months

Note

hi t!!! i hope you're well. saw that your requests are open and i'm actually nervous bec this is my first time ever sending a request (⁠๑⁠•⁠﹏⁠•⁠)

may i request gojo being jealous or pouty over reader simping over a celebrity (nct maybe or mark lee especially) (i read that you used to write for nct hehehe) (i'm on nct rabbit hole for the past few days) or or or bassist!suguru teaching reader how to play the guitar maybe?

(am i doing this right? (⁠*⁠・⁠～⁠・⁠*⁠) )

anyway, have a good rest of your day/night!!!

a/n: omg my love im sorry this took so long! i hope you enjoy, i wrote both but ill post it separately :)

five hours. that’s how long your boyfriend’s been sulking and ignoring you and throwing mini tantrums every now and then. all because you liked to tune into youtube a little too much to look at a bunch of boys (“26, mind you! why do they need so many members anyway?” gojo would say) dance and sing at the same time.

“NCT U this, NCT Dream that, what about NCT Tokyo?” gojo paces the room the very first time you explain the whole concept to him — a group of unlimited members while some are sorted into specific sub-groups that represent specific concepts. gojo gets part of it, but doesn’t understand why they needed to be so attractive.

“they do have an NCT Tokyo, actually! newly formed!” you grin, knowing this information would only set him off, and since then, every comeback, every variety show, every photoshoot behind-the-scenes video that you blast on the living room television is enough to get your boyfriend in the most terrible mood.

but one thing that really sets the sorcerer off is your obsession with the canadian singer slash rapper, mark lee. you admired the work he put in — training since he was young and miles away from his family. he debuted at only sixteen and made a name for himself ever since then, always putting in his 200% for everything that he does. mark’s face shows up way more often than the group videos, gojo notices; a lot of the specific fancams that focus on his performance, or those fan-made compilation videos.

it’s not like you’ve been playing videos non-stop, either. you offered gojo to wave his white flag whenever you went to do chores, made lunch, did some reports, but none came.

so you might as well enjoy a few more videos until you break the ice. you reach hour four when you feel a little bad about the glares he’s giving the tv, seated on the far other end of the sofa while you enjoy the fancam videos of fact check.

curiously, out of the corner of your eye, there’s just a bit of change in your boyfriend’s expression, a scowl still deep on his face but his eyebrows are not as furrowed, eyes not as narrowed and squinted as he liked it to be. having dated since high school, you already know what’s going in that head of his — you know he finds mark at least a little attractive, but his pride wouldn’t let him tell you that.

“see anything you like?” you hear the audible gasp of gojo when you call out to him, letting the video go on not because you watched it a couple times already (while not entirely wrong) but you think gojo still outshines any k-pop idol on the big screen.

“no . .” he mumbles, sinking into himself more and more to prevent you from looking at his expression; but the foot-tapping, the secretive eyes, the head bobs all give him away. you know you’ve got him figured out when you scoot over and he doesn’t move, letting you untangle his fortress of shame shown in his body language.

“you can tell me he’s pretty, you know that right?” you giggle, lifting his arm to slot yourself under it. you fit just right upon his bent knees, looking up at the familiar frown on his face. gently, you peel away the blindfold on his face, greeted with the stark blue eyes that you find yourself falling deeper into each day.

“no comment.”

you laugh at his stubbornness, a hand caressing his cheek as you try to contain your smile. even now, he’s not doing a very good job of catching glances at the television and sulking.

“okay, then, i guess i’ll just continue to watch my videos, then, since tomorrow is an off-day.”

“no! i-i mean . . uh,” gojo is torn between admiring your favourite idol and staying jealous, but he can’t formulate words when you stare at him like that; a crinkle in your eyes and just a sliver of your teeth while your eyes sparkle under the apartment lighting.

“ugghhhh . . i don’t know,” gojo buries his face in his hands, “why do you like him so much anyway? do you like him more than me?”

you hum, striking a faux pose of pondering and your boyfriend only whines again at that, accidentally putting down his knees and your support from behind you is made void immediately. if it wasn’t for your arms that hung around his shoulder, you would’ve landed on his lap pretty harshly.

gojo only huffs after also doing his part: an arm replacing his thighs to keep you from falling. there you hang awkwardly, still faced with gojo’s adorable pout, “mark lee definitely couldn’t have done that. i’ll tell you that much.”

you roll your eyes with a big grin, “oh, you big jealous oaf, c’mere.”

without warning you latch yourself onto him, slightly tackling him into a violent embrace with your lips on his and gojo sighs indefinitely like he’s been waiting all day for it. he just lets you have your way with him, letting you kiss him like you’ve never done before. he hums into your mouth, submitting to you as you climb into his lap.

“so i’m assuming you like me more than him?”

your boyfriend teases as you pull away, hands caressing your sides and sending chills right down to your centre.

“do you really have to ask?” you giggle, fully taking off his blindfold, now, brushing your fingers through his hair. through the corner of your eye, you see him play with the left and right buttons possibly to find a spicy playlist you two could get down to (his words, not yours), but before it can even start:

the playlist’s interrupted by an advert for nature republic with mark’s voice that plays through the speakers, panning out to eight other boys on a beach and smiling as if they’re aware of the torment they harboured.

your sorcerer boyfriend merely throws his hands up in frustration (“oh, come on!”), melting into the couch with a permanent scowl while the living room only fills up with your loud laughter.

#euuughhhh idk how to feel abt this but i should be kinder to myself considering i havent written for a whole month #and is currently burning up #it's only up from here ig #gojo x reader #gojo fluff #gojo satoru x reader #gojo satoru #gojou satoru x reader #gojou x reader #gojo x you #satoru gojo #jujutsu kaisen x reader #jujutsu kaisen x you #jujutsu kaisen fluff #jujutsu kaisen gojo #jjk fluff #jjk x reader #jjk drabbles #jjk scenarios

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melanatedkink · 22 days

Text

Pillow Biting

This is a compilation of MHA men getting around your relationship with your trusty pillow.

Warnings: pillow biting, rough language, rough sex, spanking, manhandling, voice kink if you squint, various pet names, anal

Pairings: Bakugo Katsuki x Y/N, Kirishima Eijirou x Y/N, Sero Hanta x Y/N, Todoroki Shoto x Y/N

Bakugo Katsuki

You could be a real pain in his ass sometimes. You had been teasing him all day with your texts. You even sent him a video right as he was heading out the door, saying you didn't want him to "forget what was waiting for him at home." And all of that had started after wrestling you off him when you found out how sweet his dreams were. He knew you would get pissy whenever he left without morning cuddles. But he had to oversee training for his interns. He had to set an example.

But you didn't give him an easy day. And after he got home, there you were, chilling on the couch all comfy and oblivious. He picked you up and hauled you over his shoulder, ignoring you half-assed "But I was watching thaaat". Your little games still didn't end as he kissed you down. With the way he switched from dry and wet kisses over your neck and collarbone, you couldn't possibly tone down your voice. But you didn't want to give the satisfaction, just yet. So you'd just hold back your voice behind an innocent little smile.

This little charade went on until he was ready to enter.

"You know, Y/N," he barked, his use of your name snapping your focus in two," you've been a slick bitch this whole time,"

He cocked his head to the side, baring his neck as his eyes narrowed," But I know you. I know every spot that makes you moan, so unless you been faking, tell me, why so quiet?"

You stared right back, lightly stating," You know why, Kat,"

He chuckled to himself. A cold chill raced through you. You hadn't heard that one, not unless he was about to fight. Oh. Oh no.

Without a word, Katsuki gripped you by the hips, flipped you over, and slammed you into the mattress. As you tried to prop yourself on your elbows to guage your surroundings, Bakugo's chest pushed into your shoulders, and the heel off his hand glued your face into the pillow.

"Since you wanna hold back, I better not hear a sound while I fuck you. Got it?"

You could only handle his initial thrusts. Once he sped up, your resolve crumbled, and moans flooded the crumpled pillow beneath you.

"That's what I fucking thought,"

Kirishima Eijirou

Tonight was a very special night. For your one year anniversary, Kirishima proposed a road trip out of country. It was your first big trip together and you were very nervous. But once you landed and headed toward the city, all your worries floated away. It was a busy day of shopping and sight-seeing, so by the time you had gotten back to the hotel room, and your bags were on the floor, you were expecting a cuddle bug of a boyfriend ready to watch foreign movies together. And, while his arms were wrapped around your waist, there was nothing innocent in the way he feebly asked, "Can I touch you?"

He'd just begun, but Kirishima was finding it hard to concentrate. Even though he made sure to spring for the presidential suite, meaning would be much harder for any neighbors to hear your little escapades, something about doing this in a hotel and not at home made you timid. Kirishima wanted to make sure you were comfortable, so, against his nature, he handed a pillow for you to bite as he laid you down. It couldn't have been more than three minutes, but he felt like it had been forever. And all because of that pillow. He just wanted to hear you, like he always did, but he couldn't risk you getting uncomfortable.

You seemed to notice his eyes darting around, and tapped his shoulder. He slowed to a stop.

"Are you okay?" he blurted in a flurry.

"I'm fine, are you? Do you wanna stop?" you asked," You seem distracted love,"

He let out a shuddered sigh, half chuckling at how cute you were, "I can't do this with that pillow in your mouth," he admitted.

"I know but I don't wanna get us kicked out on our first night,"

He sighed, pressing his forehead against yours, and started back up by slowly grinding into you. He could do this. He could be respectful. He could be- wait were you saying his name?

He grunted, ripping the pillow from your arms. Your hands attempted to replace the pillow, but he was quick to kiss you. You whimpered when he pulled back for air.

"Babe, I can't, they'll hear us,"

"Shh, just keep kissing me,"

Y'all kept it together until Kirishima bit your neck, which spelled your end. And he would join you, unfortunately startling an unsuspecting passerby.

Sero Hanta

When were they going to leave? This was just his luck getting you hot and bothered at a house party you were invited to. It was a sort of initiation into the Pro Hero inner circle. All his friends had been invited along with him, but he was absolutely floored once you walked in the door. You'd hinted you'd be fashionably late. It wasn't until he had snuck you into one of the guest rooms that he found out you were up to nothing good. He lowered you underwear to find a lavender nub peeking from your ass. It just took one look, and he got the message.

Just as he was beginning to feel like the luckiest man alive, a thump sounded outside the door. He'd barely bottomed out when he went rigid. He internally groaned as he defiantly turned his attention to your position beneath him. You looked like you heard it, too, but you never told him to stop. So Sero would manage shallow thrusts as he listened out for any cock blockers. But the sounds of your whines were making his eyes cross and his hips stutter. He caught a glimpse of you hiding your face in the pillow. Somehow you'd twisted your body away from him. And that just wasn't going to do. He was finally getting to have his lover, and he was going to get all of you.

Without breaking pace, Sero pried your arms from the pillow and wrapped them around his back.

"Scream for me, make me your pillow, baby. That's right, bite me,"

Turns out Denki was right, Sero had left with you.

Todoroki Shoto

You two didn't even make it to the bedroom. If you hadn't put your foot down about a "at least a shower, baby" then Shoto would've had you on his lap as soon as you got home. It was obvious he was feeling needy. You were fine with that, until you found yourself facing the reflection in the TV, holding to Shoto's thighs like a lifeline. You thanked God Shoto was too distracted with sex than undressing you properly, as you were afforded the sleep shirt that was currently keeping your squeals somewhat concealed.

Sadly, that didn't matter. Once Shoto had you throwing it back, it was over for him. His whimpers and incessant whines harmonized with yours beautifully. His arms snaked around your waist in an effort to keep you moving when your hips started to falter. The sound of his hips and his moans had your jaw dropping. Your shirt tail fell just as you reached your end. Shoto managed to slow down at the sound of you straight up mewling moaning as you finished beautifully on his thighs and couch.

He pressed his lips into your neck as you tried to catch your breath.

"Didn't know you could get so loud," He guided your jaw until you were looking him in the eyes,"Do it again, darling,"

#melanatedkink #mha #smut #drabble #denki kaminari #denki x y/n #kirishima x y/n #kirishima eijirou #bakugo x y/n #katsuki bakugo #imagine #Shoto x y/n #Shoto todoroki

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bonefall · 1 year

Note

do you have a quick link to information about Brokenstar, Runningnose, and Skypelt? I'm curious about the story behind Runny's acorn necklace and I want to read about Brokenstar becoming SkyClan's guardian, and how he was able to follow Firestar/help him restore SkyClan. i've been having a hard time finding it

I need to finish (or at least *reasonably complete*) the SE where Fire and Broken go to resurrect SkyClan. That is called Firestar's Quietus. Brokenstar's origin, which completely replaces Yellowfang's Secret, is called Brokenstar's Cataclysm and that's another one I need to complete.

The exact story has undergone a lot of revision SO I'm gonna take a quick break to try and compile some Best Hits of BB!Runningnose's and BB!Brokenstar's dynamic to get you up to speed, and make a definitive list of what's currently canon to Better Bones

And, because this is DEFINITELY the change that raises the most eyebrows and it's a good opportunity to make an intro,

"Elder Bones, what's all this I hear about your Not-Totally-Evil Brokenstar?"

He's still evil lmao, but he's not BORN evil in BB. NO ONE is.

BB is a story about culture. It's about a lot of things, family, anti-authoritarianism, xenophobia... but at its core, Better Bones is about how people impact culture, and how it acts on people.

Something I realized early in this process is that Canon Brokenstar, who is a born-evil punishment for SkyClan's exile (this is CANON, go re-read Yellowfang's Secret if you don't remember!), only made worse by abuse and enabling, does not effectively tell a story about culture.

Depending on your reading, Canon!Brokenstar is either a cosmic horror story or one about abuse. Could Yellowfang have saved him (and ShadowClan) with love? The book implies no, it was his destiny, just the medcat den was hers.

But looking at Canon!Lizardfang who let him get bullied*, and Canon!Raggedpelt who enabled him every step of the way as Sagewhisker held Yellowfang back, you could also read it as someone who was treated so horribly that he did horrible things to others. That he wanted respect and this is how he got it

So, okay, you could read that it's the fault of this bad woman, bullying, and this overly permissive dad that he became a baby killer. Problem solved?

HOWEVER... the Erins also refuse to actually write about people who unironically love his philosophy, because they don't want Brokenstar to be systemic. Blackfoot, the posterboy for a Broken-supporter, gets to reckon with how sad his childhood was and how he was only ever a mislead kitty who Truly Loved His Clan, as opposed to Brokenstar, who was Born Evil And Did Not Truly Love His Clan.

Blackstar's greatest flaw wasn't xenophobia, or hatred. He wasn't groomed by a society that glorifies violence and pushes a might-makes-right mentality. He just followed The Bad Person. With the death of The Bad People, society is fine :)

This is a recurring dichotomy. Leopardstar was good all along, Tigerstar was bad all along, Needletail was good all along, Darktail was bad all along. The Erins are not telling a story about how Clan Culture produces villains, or how it makes good people do terrible things, they tell stories about treacherous Evil People who always had a seed of badness inside of them.

-Onestar's Confession, Page 704

This is their guiding philosophy, and it's what Better Bones sets out to reject.

So, Brokenstar.

I realized while drawing him this one time that I was making him look too much like Tigerstar. Charismatic and puffed up, ready to twist the code to fit his own ends. Then it hit me-- why am I telling the same story twice?

BB!Tigerstar is the inheritor of Thistle Law, apprentice of Thistleclaw, with a backstory where he was a lonely, abused child and seeks respect to fill that hole. He's getting all sorts of reduxes to explore him, and the way that violent ideologies recruit (and prey on) angry and lonely people. Why should I just... have two Tigerstars, but one of them is explored less?

AND, I would waste the fascinating idea that Brokenstar is a manifested curse. Why remove something so cool, when instead, I could lean into that...? Then I started to realize...

Why didn't they ever connect Brokenstar to the resurrection of SkyClan, if he is this manifested curse?

So, enough preamble. Come below the cut and I'll tell you about the story in Better Bones so far...

BB!Brokenstar is not born evil. He is born angry.

He was ALWAYS going to happen. His birth, his ambition, and his fury were inevitable.

This is a curse that was laid generations ago, at the end of Ripplestar's Rot.

The last-ditch attempt to save SkyClan was literally crushed by StarClan itself, blasting the base of the blighted 5th Tree of Fivetrees and sending it toppling down to smite Ripplestar.

That tree was the symbol of SkyClan and their place in the forest. All the love, comfort, and memories that they had ever put into that oak had a power of their own-- and they took form on that night.

Brokenstar is not the only "entity" of this type. Star Flower, eons ago, was another. BB contains many new types of entities beyond, and even adjacent to StarClan. Gods, curses, guardians, other religions of equal standing...

But he needed to be born to someone. In return for Dawnstar's kindness, taking in Cloudstar's young children (Re: Ripplestar's Rot), ShadowClan would be the eye of the storm.

And it would be a Cleric who bore him, just like Larkstripe, who had been cruelly separated from her only kitten.

Yellowfang, Shroompelt at the time, this was before her Dishonor Title, saw when he was born that he was furious. She'd never seen a newborn look so angry.

In Brokenstar's Cataclysm, she only gets the opening chapter. It's enough to establish how Sagewhisker pressured her into the role, the lengths she went to in order to keep this secret, the reason for his name despite it not matching his tail.

NOTE: Brokentail's name, Kanochswash, means Broken-in-half-tail. He has two breaks in his tail, making three segments. It matches the way the oak was broken, once at the base, again against the rock, but it is actually obvious in Clanmew that his name does not refer to his tail.

Or, it's obvious to Lizardstripe at least... who is VERY different in BB. Old followers will know, she is a very loyal friend of Bluestar herself, and a member of her inter-Clan friendgroup, the Forget-Me-Nots.

She really doesn't want to be in this situation, doesn't LIKE being a mother, and Mudfoot is unhelpful... but she's the most perceptive of the Forget-Me-Nots. She hears that name, sees Shroompelt's distant eyes, and it clicks. She sometimes looks for things to complain about so Shroompelt has an excuse to stay in the den for a while.

But Lizardstripe is not raising Brokenkit. Raggedstar is. Raggedstar is Brokenkit's Mi, and Raggedstar alone. He's pointedly adamant about that, and as soon as Brokenkit doesn't need round-the-clock suckling, he started sleeping in the Leader's Den with dad.

Unfortunately, being the golden child of the leader did not pair nicely with Brokenkit's short fuse.

And he made a little friend.

What first drew Runningkit to Brokenkit was that he was very large. Runningkit LOVED pissing off one of his siblings, and then hiding behind his bestie who was younger than them but already as big as a stump.

When Lizardstripe tried to do anything about this, Raggedstar would get pissed off at her, insisting that his son needed to be with his friends.

Together, the two of them learned they could do whatever they wanted, as long as they stuck together. With Runny's brain and Broken's brawn, they weren't even a year old and already unstoppable.

And their idea of "unstoppable" was... mostly getting seconds when they'd already eaten and pushing against the horrors of bedtime. Sneaking out and collecting acorns. Being allowed to practice with the warriors.

Even better, since being the leader's kitten meant everyone tended to be extra nice to Broken to butter up to Ragged.

If they got what they wanted, they were sweet to adults. But from watching her son, and from being friends with Lizardstripe, Shroompelt knew that they could be vicious when they wanted to be.

And from a young age, Brokenkit knew that he needed to become Brokenstar... and Runningkit promised he'd get him there.

You might be noticing something.

Brokenstar was always loved, very, very much.

Spoiled? Absolutely. A little bully? You bet.

Not yet more than the sort of things angry, spoiled kids get up to.

The point I'm meticulously building here is that BB!Brokenstar WAS LOVED, and he loved in turn.

It won't stop what is about to happen.

Brokenkit was only a few months old when his father became leader, after Cedarstar was killed in the war with WindClan. Heatherstar wanted the Mothermouth Moorland; a floodplain just beyond the Carrionplace, which grows flax and many other medicinal flowers.

It was something the two clans had fought over before, that IS the code's Right of Challenge, but Heatherstar wanted all of it. She'd even killed the practice of tunneling to dedicate all of her forces to take it.

If you are not strong enough to keep something, you do not deserve to have it. This is what the Code says.

And strength is what Brokenkit quickly learned.

Taking extra bowls of food means nothing in the fall when the prey grows fat, but ShadowClan's marsh freezes fast.

You can't whine up a second bowl when not everyone even got a first.

Do you defend your territory? Or focus on survival? When the challenges are frequent, you have to go without eating to defend them.

And yes, you're hungry, but it's for a reason.

Brokenkit wasn't out of kithood when he saw his first death, because people were already dying before he was born.

In skirmishes, in hunting accidents, to infection because they didn't have enough herbs. Starvation in winter.

From a very young age, he was taught this is the way of Clans, and this is because of WindClan.

And his ambition to become deputy only became stronger. Runningpaw hatched a plan to get into the Cleric den, against Shroompelt's will.

Brokenpaw got into fights at Gatherings over ShadowClan's honor, enthusiastically bowled into battle against WindClan raids, became Raggedstar's best little rat hunter.

And he saw clanmates he loved dying.

Over many years, through his warriorhood, into his deputyship.

Cloudpelt, Foxheart, Toadskip, Nutwhisker. Lizardstripe was killed during an event called Heatherstar's Last Stand, her neck snapped by the WindClan warrior Flytail.

Heatherstar died, and her much more reasonable and peaceful deputy, Tallstar... continued to keep the Moorland she won.

ShadowClan went through that last winter, again trying to win their land back, but beaten so hard they couldn't mount a resistance. More cats collapsed in the snow, Mudfoot was one of them.

WindClan won. The land was theirs now. Out of his magnanimity, Tallstar reached out to Raggedstar and made him an unprecedented offer. He would give him a tax of rabbits, for peace. ShadowClan would stop attacking, and formally acknowledge that WindClan was the victor of the war.

A peace deal, a surrender.

Tallstar didn't have to do that. If his Clan won, it was his land in the eyes of StarClan. He had no obligation to reach out in this way, and Raggedstar acknowledged that.

But it made Brokentail SICK.

He couldn't believe that Raggedstar was going to buy this, let WindClan keep THEIR LAND and just send them back some of their own rabbits. What happens next?? What if WindClan decides to come further south, what then? What will Tallstar ask for next? What price will his warriors pay for the blood they spilled?

And this is the moment that Brokentail kills his father. On his last life, frail and weak after an entire life of fighting, he decided that the last kindness he could give him was a quick death, preventing him from taking that deal.

Runningnose sprang into action as soon as he'd been told about it; helping him to cover up the murder.

And together, they turned to TOTAL war.

Once, as an apprentice, Brokenstar recalled the words of a warrior at a Gathering. A parable of thistles-- how they don't care what attacks them. They don't hold back. How they will choke out the whole field who they can thrive.

Is that not the conclusion of Might Makes Right? If you can, you must, before they do it to you.

An apprentice becomes a warrior-- stop that from happening.

Don't let your enemies escape to fight again-- kill them when you have the chance.

Their herb stores are just as limited as yours-- dwindle them with infection and poison.

WindClan Must Pay, every single one of them. All the Clans are tomorrow's rivals, they have to go too.

Everything is for ShadowClan, and he was LOVED for it.

well.... by many.

This is about Brokenstar and Runningnose, but I must mention that there's also a lot of people who oppose him. Who realize this as evil. Nightpelt, Cinderfur, Deerfoot, Dawncloud and Stumptail are some of them.

And, importantly, Shroompelt was one of them. Whenever she learned of some code-breaking thing they'd done, she would make waves about it.

The word of a Cleric has an immense amount of weight, and it prevented Brokenstar from ending this war once and for all.

So Runningnose, as always, constructed a plan. Brokenstar decided it was a sacrifice that must be made.

Marigoldkit and Mintkit (kits of Rowanberry and Clawface) were in the Cleric's den for an infection.

Marigoldkit was a blind girl, and very fussy about taking her medicine.

Shroompelt would serve it to her in a berry capsule, either knout or rasp, a naturally red berry one.

Runningnose simply swapped her medicine with yew, and made sure that Mintkit was able to witness his sister being fed red berries over many days.

When Marigoldkit died, Mintkit was a distraught child who could only communicate that Shroompelt fed her "Red Berries," like the ones he'd been taught to stay away from.

Shroompelt IMMEDIATELY turned on Runningnose, accusing him of killing a blind kitten.

And he turned it on her. She'd fallen right into his trap. "You did this! You've been wanting us to stop fighting WindClan, and now you've stooped so low that you're trying to get rid of StarClan's only other messenger! You've killed your own nespring!"

Many cats of ShadowClan had completely lost patience with her before this, and were now shocked to see that she'd do such a thing. While some suspected the truth, in the end, Brokenstar's word is law.

And his law was that he would show mercy on an ex-Clanmate. But from here on, her name was Yellowfang, so that the world may be forewarned that StarClan rotted her teeth from so many lies as she walked in exile.

Brokenstar's Cataclysm ends on the WindClan Massacre. A bloody event where well over a dozen cats are slaughtered, and Brokenstar resurrects an ancient practice at the bellowing request of his warriors-- Kitten Stealing.

(The only time BB!Brokenstar uses a child soldier is during this battle, apprenticing Badgerpaw early so that he can participate in the all-out assault.)

With WindClan gone, he turned his sight on the other two. The Clans were cursed to die as they lived-- overpowered by a stronger, more bloodthirsty tyrant, violently driven out just as SkyClan had once been.

From there, the rest is very close to canon. Brokenstar is deposed by a coup, one that NEVER would have succeeded if it wasn't for Bluestar and her apprentice, Firepaw. The Curse is thwarted by change. Cats of different Clans working together in the name of righteousness.

Bluestar could have gone, grabbed the kits, and come back, but she knew that WindClan would never be able to return if Brokenstar was still in power.

This time around, ShadowClan's plague was intentional. Runningnose infected Nightstar on purpose.

He wanted to eliminate a weak leader... and a treacherous rogue who had defied his own.

Collateral damage was acceptable, if it eliminated as many of Nightstar's supporters as possible.

And yet, his brother Deerfoot survived. Sentimentality? Just luck? Who knows.

If Runningnose has any regrets for anything he's done, it's only this. That he cleared out ShadowClan for Tigerstar's rule.

He approved of him at first, interpreted signs to benefit him, even killed for this old ally of Brokenstar...

but Tigerstar's goal was to abolish ShadowClan, and make a TigerClan of his own. Brokenstar never wanted this, and neither did Runningnose.

What Runny really wants, more than anything, is what Brokenstar wants. Destroying WindClan is a bonus, eliminating all of their enemies is anger that they were able to obstruct him. Runningnose thinks he loves power, but what he REALLY loves is his ability to get Brokenstar what he wants.

Everything he's ever done has been in pursuit of that goal. He doesn't care that he'll be going to the Dark Forest in the end, that's where Brokenstar is going to be. Hell is wherever he isn't.

In life, neither one of them knew anything about the curse, or destiny. Brokenstar reconnects with memories in his death.

And he started having dreams of SkyClan, which he communicated to Runningnose through channeling.

I'm working on the full outline of Firestar's Quietus right now so I'm going to be a bit more brief;

Runningnose got Firestar involved on this quest because he's a little goody two shoes. Of COURSE he would agree to help... that's who Firestar is.

He brings him to the moonstone, where a scene similar to canon plays out where StarClan tries to encourage him to go back to his Clan and ignore what he now knows.

And, of course, he tells them to shove it.

Firestar's Quietus is a book about righting wrongs. Brokenstar as a curse means that what he needs, in the end, is peace.

The peace he needs is the knowledge that SkyClan will be saved, and that it will survive.

Runningnose is willing to let him go, in order to get what he needs. He passes off an acorn necklace to Firestar, so that he can channel him with ease on his journey

In this gesture, it becomes real that he will go to an afterlife without him. After all he'd ever done and been through.

So, he hesitates before handing it off, but makes Firestar promise to take good care of it.

On this journey, Brokenstar and Firestar do a lot of bickering about how SkyClan should come back. The sort of values they should have, who should lead it...

But in the end, Brokenstar realizes, they will be something new. They'll choose their own path in life, because that's what it means to be alive.

And his final action is to face The Rats, now supernatural creatures of their own, finally dispelling the threat that faced SkyClan.

Having done his job as a Guardian, he can finally rest. His necklace is buried overlooking the Gorge, returning SkyClan's guardian to them.

Eventually he falls during AVoS, in Darktail's attack, killing several of the kin and their rebels and allowing Leafstar and co a chance to escape.

For more on Skypelt, see this little guide I made on the afterlife locations. Hopefully one day I can clean this up into its own entry.

More stuff to check out (that I found while searching for other posts but are cool and I'm re-sharing);

Jaggedtooth isn't a villain anymore

"What's your favorite ShadowClan-adjacent change?"

First post I made on Tigerstar's Paws

Brokenstar's two honor-kits, Littlecloud and Rowanclaw

On curses and anger

"What does Runningnose think of the other TPB Clerics?" Hates em!

A rundown on all ShadowClan leaders post-Ripplestar

Cedarstar sketch

First post on StarClan Technicality Brokenstar lmao

IN-DEPTH QUESTIONS ABOUT SKYPELT

Some specifics on the religion/entity/magic mechanics in BB

#better bones au #Brokenstar's Cataclysm #BB!Brokenstar #BB!Runningnose #Firestar's Quietus

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slavghoul · 1 year

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Phantomime is the band's third album of covers, after If You Have Ghosts and Popestar. Cover songs are usually the preserve of young, inexperienced bands. Is doing covers a way to maintain a link with your formative years and not forget where you come from?

Tobias Forge: Absolutely. I think it does that. It serves as a return to the roots, in the same way as for... I don't know, let's say someone who practices martial arts, who starts in a certain dojo and ends up changing it. If you want to become a good fighter, you have to move and train with different people. It's the same for a footballer: if you play with the same team all the time, your team might be very good, but you always have to play against others. I think the same logic applies with covers: it can help to go back. You don't necessarily have to release them. We chose to do a real album, but in parallel I worked on other songs - not only Impera music, but other covers. We selected the best ones, and said, "Let's put these out; this looks coherent and presentable".

How much did learning to play other artists' songs contribute to your formation as a musician? What were the most formative songs in your youth?

The answer to the first question is yes. Listening and playing at the same time is very formative. I've never really been... A lot of guitarists, especially, take the time to read tablature and learn how to play something very precisely, and in my opinion, theorise the music too much. I can't say that I'm not theoretical; I just don't follow the rules or the classic terminology. I try to categorise and understand the logic, but I do it in my own way, based on what I have learned over time. I never spent much time with tablature; I just played to the music. I would put the music on and play. I wasn't trying to learn how to play the song in the same way as the band. I would play as if I were invited to play with them. So my style is very free, because I played The Doors as well as Kiss, Slayer and DJ Bobo! It could be anything. Whatever I heard, whatever I listened to, whatever song I could get my hands on, I would play it. I think the chaos of it all made it... When you understand that, you understand the way I write, the way I do things, and why I sometimes seem to be a bit scattered.

That's what may surprise you when you listen to the EP: you can find Iron Maiden as well as Tina Turner...

Yes, I grew up with both, so it's not strange to me. But of course, in order to go from just wanting to do something to a homogeneous work that is supposed to have some commercial appeal, you have to make decisions. One of those decisions was, "If we're going to do this Tina Turner song, it really needs to be punchy." It's supposed to be a rock EP, it's got to be set to 10. I think that's what sets this cover apart from the moose. By the way, thematically, I didn't think of it as 'a Tina Turner cover', but as 'the Mad Max song'. It fits with the times we're living in.

Phantomime features a cover of Iron Maiden's "Phantom Of The Opera". Two years ago, you also recorded a version of Metallica's "Enter Sandman" for the Blacklist compilation. In rock, people like to pit the Rolling Stones against the Beatles, and I think the metal world tends to do the same thing with Metallica and Iron Maiden. Do you feel more affinity with Metallica or with Maiden?

[He thinks] Good question. I'm trying to formulate a coherent answer. I think... It's so fifty-fifty. Both. Not just in terms of inspiration, but in terms of their whole careers, especially when I was a kid. In many ways, like many fans of both bands, there's a cut-off date where my interest in new music started to wane. But I have such a love for everything they did before that it doesn't really matter. The limit is basically the Black Album and Fear Of The Dark. I mean, I like The X Factor, and Brave New World was an absolutely great comeback album. But as a kid and a teenager, settling down with Live After Death was such an inspiration - not just for what I was hearing, but for the tour dates and everything to do with that. Same with Metallica and the Black Album. That was the first time I saw them, and it was the first time I was confronted with commercial greatness in metal, when a band is on top. It's happening now, they're the biggest band of all time. They're playing in such and such an arena, but when they come back next year, they'll be doing such and such a stadium. Even back then, I had a hunch that not only were they great, but they were doing well in life. These guys are getting richer by the hour [laughs]. That's the kind of thing that matters when you're twelve. "And imagine all the girls they get!" That kind of nonsense.

And of course, these bands inspired me musically and professionally and brought me a lot of joy, but they also became mentors in my professional life. I have so much gratitude and respect for those two bands. If I were to be super picky and specific, I would say that since we are a more melodic band, we are probably closer to Maiden. Metallica is more of a "speed" band, I think. To be honest, what I've always liked most about Metallica, and especially on my favourite albums, which are a lot of people's favourites, is not the speed. The speed and the violence on those albums are just added value. The reason their music was so great in the 80s was because it was so melodic. It's the melodies. What changed in the 90s was that they stopped the melodies. They became a blues band, and all of a sudden all the movements were different. It wasn't neoclassical like in the 80s or on the Black Album. I'm very neoclassical myself, that's why I feel so close to the melodic side of Metallica. On the other hand, I spent my teenage years listening to death and black metal, so I love big riffs and speed and stuff like that, but that's not what we do with Ghost.

For a long time, fans have been asking who could be the Maiden or Metallica of tomorrow. Considering the impressive success of Ghost, do you think you have an answer to that question?

Obviously, I know that George Lucas and Steven Spielberg will die one day, but I don't think Wes Anderson or Quentin Tarantino can be considered as a replacement. These directors don't have that much in common, but you know what I mean, I hope. I don't see us as taking their place. You know, I try to be as transparent as possible. What I do is very much inspired by those two bands. I try to do it in a different way, and with respect. But of course, from a practical point of view, when the day comes when there's no more Iron Maiden and you want to see a rock concert with staging and solos, you can come and see us. It's a very curious concept, but it's obviously relevant, because we live in a time when the previous generation is disappearing one after the other. I think Lars [Ulrich] and James [Hetfield] have spoken about how the physicality of their music is not the same as the Rolling Stones. Charlie [Watts] playing the way he played when he was seventy-nine or eighty, it's nothing like what's expected of Lars. And what is expected of James is also very different from what is expected of Keith Richards, with his very open chord style. The meticulousness of James' riffs and Kirk's solos can be difficult to achieve at eighty - and they're approaching sixty. Kirk already has them, by the way. So, as much as I don't want to think about it or remind people, nothing lasts forever. Sooner or later, fans are going to have to decide which bands they want to go see, because a lot of the people they grew up with won't be around anymore.

Your cover of "Enter Sandman" was very "ghostified", while "Phantom Of The Opera" is more faithful to the original in comparison. How do you decide how to approach a cover? Are there songs that offer more latitude in terms of arrangement and appropriation, and others less?

There are several factors, which differ from song to song, and the result can therefore be different. If you go back in time and take "Waiting For The Night", for example, I always thought that song in its original form... Obviously it's cool, but I thought there was a bigger song underneath. In the original, it's diffuse, vague, underlying. The chords are just hinted at, and the vocals suggest that you can build something bigger around it. When I did the cover with Dave Grohl, he asked me, "Can we do a really slow version of it like Trouble?" I said, "Yeah, that sounds cool." And of course, working with Dave Grohl, it seemed like a good idea at the time. In the end, we thought it was too slow, too heavy and too long. It was a good idea, but the result was not very convincing.

Enter Sandman' and 'Phantom Of The Opera' were conceived in two different ways. If someone had asked me to do a Metallica tribute, I would have accepted, but I would never have chosen 'Enter Sandman', in the same way that few people would choose 'Paranoid' or 'Smoke On The Water'. You automatically try not to pick the biggest hit. But in this case, it was Swedish television that asked me to play. It was for a music award, and they said: "Since Ghost and Metallica are close, you are seen as friends, so you should open the show. And we want you to play their biggest song, 'Enter Sandman'." I asked, "Do I have a choice?" And they said, "Not really! We want you to do it, otherwise we have to rethink the whole show. Could you think about it?" OK, I'll think about it and see what I can do. So I started to play the song and see what I could get out of it. The original structure of the song is very simple, and the melody, like "Waiting For The Night", suggests chords that they don't play. All I had to do was see which chord suggested the melody and fill in the gaps. I ended up with a five-minute arrangement. If I sing the melody with a guitar, this is what chords it suggests. That's the somewhat academic version of the song. I was at the stage where I had a completely different version of the song, and I recorded it and thought, "Fuck, I hope James doesn't hate it..." Because I don't want to disappoint anyone. It's supposed to be a tribute. My version was like, "You guys have all my love, but I was forced to do this! And in the end, the result was great.

"Phantom Of The Opera' was a bit different. I knew I wanted to cover a Maiden song, but not just anything, of course. I wasn't going to do 'The Number Of The Beast'. I've had fun with 'Phantom' in the past, because it's a long song and quite complicated. As a musician, it's quite common to sit on the couch and try to figure out a riff. What are they doing there? [What's the rhythm? How are they counting? Because I couldn't hear the beat. And suddenly, once I understood how the beat works in this song [he sings the riff while snapping his fingers], I thought: "Wow, you can't hear that at all on the record. You can't hear anything, it's just a controlled mess." I managed to figure out how to play other elements of the song, and I was like, "Now I have a reason to record it. Not because I want to improve it, but to come up with a different version where you can clearly hear the different parts." First of all, it was a personal experiment in the studio. I wanted to record it to see what it sounded like, and suddenly, after working on it for a few hours, doubling the guitars, adding the drums and playing everything perfectly with metronomic precision, the track was different and a bit updated, so to speak. So I said to myself, "I'm going to take the gamble of covering this song, and see what happens. It seemed like a good reason. I'm not saying my version is better, I'm just saying it's different. There's a bit more contrast and fluidity, you can hear the different elements better. It underlines how good the song is.

Phantomime's covers also include Genesis' 'Jesus He Knows Me'. Genesis is a rather peculiar band, which started out in progressive rock and ended up with huge radio hits. Do you find yourself in this ambiguity, in this duality?

Yes, I do. The other band on that level that did something similar is Pink Floyd. In the beginning, their music was really strange, really eccentric, and then they became more and more pop as the albums went on. People still mistakenly think they're a prog band, whereas 'Wish You Were Here' is really just a series of four pop songs stretched to the max. Not only am I very inspired by that, but I also feel an affinity with that kind of thing. You try to come up with variations of the traditional, if you like. You try to change the form, to present elements that people know in a different way. It's a bit like running a fusion restaurant and offering an Asian-inspired onion soup and adding coriander to the dish. It's still recognisable, but you try to make the recipe different. Another analogy is Stanley Kubrick, who told stories that weren't very complicated, but presented them in an epic way because of their façade - literally. It was the choice of set and costume and the attention to detail that made the difference. That's why, as a composer, I always try to go back to the simplicity of the writing; the simplicity of 'Another Brick In The Wall'; the simplicity of 'Comfortably Numb'. It sounds like a huge, epic song, but it's not complicated at all. They have a lot of songs like that. For a lot of songs in the Genesis catalogue, especially in the later part of their career, the only thing that makes it a bit weird is the middle part. In "Jesus He Knows Me", that's one of the things that made me want to... Not only have I always loved that song, but there are three factors that made me want to do my own thing with it. One: it's a very upbeat rhythm. The way they play it is so quiet that it literally sounds like they're playing on the table [he beats the rhythm on the table] with an acoustic guitar. There's a real metal track in there.

Do something with those guitars! [Laughs]

Yeah, but I'm glad they didn't, because that means we can! I'm really surprised that a band like Metallica never covered this song, because it sounds like a song from Garage Days. It has the same atmosphere. So I thought, "I'm gonna make it sound like a Garage Days song by Metallica. And I fucking hate the bridge of the original, when they go into white boy raggae. I like reggae, but this is the whitest reggae in the world! And it totally destroys the song. As much as I've always loved the song as a whole, I've always hated that part. So getting rid of that section and making it very heavy was also on the to-do list. I had to go into Trouble mode on this. And of course, that goes without saying, but the lyrics were also perfect. It's meant as a tribute, even though I spit on that bridge a lot. But they've done a lot of these kind of prog bridges, like "Let's do anything here", and they'll throw in a rumba or something like that. Some people might find that really interesting, but in most of their songs, I don't think it adds anything. But yes, Genesis has a lot of... I like a lot of their older prog music, with Peter Gabriel, although I think they almost became even better after they split up. Peter Gabriel did his own music, and he did it very well - very epic music. And Phil [Collins] came in on vocals and they did their own thing. To me, it was the best of both worlds, even if it sounds sacrilegious to say that. I'd love to see Peter Gabriel come back and sing with them, that would be cool, but their separation brought so much to the music, between Peter Gabriel's career, Genesis' career and Phil's career. That amount of work, man!

It's one of the few cases where the split was a real success for everyone, and the result is as good as the original band.

Absolutely, I think so. The most amazing thing they could do now, especially now that Phil is not in good shape... What I wish they had done, or could have done, or would do one day, is a triple tour. For example, Phil and [Peter] could do a solo show each to start with, maybe just five or ten songs, and then get together with Genesis. That way we could have 'Here Come The Flood', 'Another Day In Paradise' and 'In The Air Tonight', and then a bunch of Genesis. I think everyone would love to see that. It would be the perfect concert. For me, it would be one of the best experiences possible.

You see, that's the kind of idea that made Ghost into Ghost. If you can come up with a plan like that for other bands...

[Laughs] You can always call me before it's too late, guys!

Another band that has come up with sophisticated yet super catchy music is Def Leppard, especially on their multi-platinum album Hysteria. Speaking of which, this year you released a new version of "Spillways" with Joe Elliott on vocals. When you hear him on this track, the link is obvious, especially with the very elaborate backing vocals. Would you draw a parallel between your approach to songwriting and arranging and that of Def Leppard?

On this album, yes, because I tried to emulate elements of... It's something that's been done throughout their career, but especially on their two biggest albums, Pyromania and Hysteria, the length of the songs is remarkable. It's very common these days, especially in pop, to be very fussy about the three-minute limit. In the pop world, there's this need to always get to the chorus very quickly. You have to start with the chorus, go straight to the point all the time. In the 80s, there was more courage in songwriting - a more adventurous side. Songs like 'The Riddle', for example, were very strange, very proggy. There were weird chord progressions and stuff that nobody does anymore. The pop world has been so chicken for so long. Of course, I've always had an ear for pop; I'm not exactly impressed with what I hear today, but in my life I've always listened to the radio and liked a lot of what I heard, especially the 80s super hits. That's totally my thing. And I love Eurodisco from the early 90s. There are a lot of great composers in that scene. Max Martin started in Eurodisco, at least professionally, but before that he was in metal. What makes him such a great composer is his metal ear. He was writing Eurodisco songs, and then all of a sudden he started writing huge pop songs for the Backstreet Boys and Britney Spears. This whole school of Swedish songwriters is made up of former metalheads, former rockers, former guitarists.

So I wanted to challenge myself in my own songwriting, because sometimes I keep it too short. Even though "Square Hammer" is a good example of a well-written song, it was almost frustrating, because I thought, "OK, that's one more song like that. Now I have to stop doing that, because it was almost too simple." It was a very intuitive song; I literally wrote it in ten minutes. I had the melody, I played it, and the song wrote itself very quickly. There's almost no finesse in that song, and I thought I should avoid doing the same thing again, because it would be too easy. I wanted to see if I could write in a Def Leppard way. On Hysteria, there are six, seven, eight singles, a good half of which were huge hits. In 1987 or 1988, they were on a par with Coldplay at the height of their career, that's for sure. How could they write five-minute songs, with like five distinct parts? It wasn't conventional, verse-chorus-verse-chorus writing. It was verse, another verse, pre-chorus, bridge, and then finally, after two minutes, you'd get to the chorus. And it was so rewarding, because it was such a long way to get there. I thought, "This is what I have to work towards. I want to dare to add another part, dare not to follow the path. That was a mental exercise I did on Impera, and I'll try to do better in the future. It's an interesting way to challenge yourself.

When people talk about the length of songs on the radio, I always think of the story of "Bohemian Rhapsody": "This is going to be a disaster, it's never going to be played on the radio!" That's it, yes...

For a long time they called that song "Freddie's thing". It's such an anomaly in the middle of what we've just been talking about. Of course, I don't recommend... For a young band that's just got a contract, it's best to avoid the six-minute "Rhapsody". But if you can find a compromise between 'The Passenger' and 'Bohemian Rhapsody', I think you've got something.

On that subject, how did Joe Elliott end up on "Spillways"?

The story is very simple. I talked about Def Leppard a lot before Impera came out because of the mental exercise I mentioned, and both Phil and Joe had been talking about Ghost for a few years. It got to the point where our respective managements wanted us to do something together. In the modern world, that often means collaborating, as hip-hop artists do. I explained that I was willing to explore the idea, but that for me, a collaboration is a trendy but outdated concept. We do it all the time. In hip-hop, it's almost ridiculous to see... If an artist is hot this week and you go look at the American top 40, it's just "this artist feat. this other artist". I totally understand that one plus one can sometimes be three, but it gets very cynical. I don't want to do things cynically. I sing cynical things, I'm a cynical person, but I don't want to be cynical about my fans or my career. So I said yes, I would discuss it with Joe, but we'd have to see if we could agree on something, if there was romance in the air.

Joe and I sent a lot of messages to each other to try and arrange a meeting. He lives in Ireland, but also in LA. I live in Sweden, but I also spend a lot of time in LA, so we tried to find time to see each other. He was getting ready for his tour, I was getting ready for my tour, and we were just hanging out. And then out of the blue, he wanted to experiment; he went into the studio, recorded some vocal lines and sent them to me. I thought it sounded really cool and I said, "Look, I have nothing but good things to say about what you did. It sounds great. I'm not surprised by your voice, but by the fact that we sound so good together. I like that very drawling vocal, you really added something. But I have no desire to throw this on Spotify and say to people, 'Here's another thing you can buy.'" I asked him, "You know we do little skits to communicate with our fans in a funny way? Instead of posting on Instagram saying we'll be in such and such a city, we come up with little episodes." He had seen a few and said, "Yeah, that's funny. Let's do something funny with that." The gag is the important part, and the end result is a bonus.

It's like what we did with 'Kiss The Go-Goat' and 'Mary On A Cross'. The idea for the episode came first, and then we said, "OK, but we need a song. So I came up with the idea for this 60s-style sketch that was "Kiss The Go-Goat". Then, as I was writing and recording 'Kiss The Go-Goat', 'Mary On A Cross' came up in the process, and I thought, "Great, now we have a B-side! It'll be a physical single." So I put that in the script: "Let's start showing the single, now that it's official." Things work in tandem. Looking back, we now know that the end result was different. It was meant as a joke. There was 'Kiss The Go-Goat', which was the joke itself and was very successful. And then it turned out that "Mary On A Cross" was completely different. That's also what I told Joe: we do this to mess around with the band. My job is to write records and entertain people, but apparently I also have to communicate with my fans, and do all this promotion that I'm not really interested in. I have no problem doing this interview, but I don't want a fucking Instagram account where I post pictures of myself. I don't want to be that person. So, I'm doing this so that people... They're diversions, and sometimes those diversions become cool. "What do you say, Joe?" In the end, we found this way to spend time together and do something fun. Instead of turning our creativity into songs, we turned our creativity into episodes. It became something fruitful and fun, and I think it was a great success.

The title of the EP is clever, as it mixes the terms 'ghost' and 'pantomime'. The latter term is defined as "a type of musical for the entertainment of the whole family". Is this your goal with Ghost? Do you see the band as "a musical for the whole family's entertainment"?

Broadly speaking, yes. Of course, that suggests that the more adult elements and innuendos in our show are suitable for children, which I don't claim. But I would also like to stress that I have never asked people to bring children to our shows. So if the children in question are exposed to jokes involving penises, farts and copulation, that's their problem. I grew up in a very liberal family, where there were very few barriers and no censorship. I think it's possible to have a conversation, if others are open to it. I have no problem with whole families coming to us, as long as no one suffers. So, for me, it is indeed entertainment for the whole family. But I wouldn't sell it as such to most people, because there are still elements that are not suitable for all children.

I remember a Rammstein concert where I noticed children in the audience. I thought it wasn't really a good idea... Ghost seemed a bit more appropriate, but for young children, some things can still be a bit biased.

It's hard for me to have a clear line on this, because I'm not just speaking as a musician, but also as a parent. There's a constant debate about the right age to talk about certain things. Now, with two teenagers, things are more open. But that's one of the weird things about being a semi-public figure, talking openly and publicly about your life and what you do and sharing your opinions. My kids read that, too. They are aware of it. As soon as I say something, especially nowadays, where everything becomes a meme or a clip... People may think what I say is funny, which I don't mind, but my son and daughter, now fourteen, heard it when they were eight or ten. It's hard for me to be a parent and say, 'Go to school! Don't do that", when they know perfectly well that I didn't follow any of these precepts. I'm not trying to lie to them at all. I tell them: "I did this, I don't recommend it. I did this; I totally neglected this other thing. But I was lucky and I got there. My career isn't over, so I don't know if I've really "arrived", but for now, I'm here. It was a bit silly of me to be so confident, to think I could burn all the bridges, burn all the ships and throw the oars. I was lucky enough to make it to land, but I don't recommend this technique. Don't do the same thing! [Laughs]

#the band ghost #Tobias Forge #interview

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inspectorcrayon · 7 months

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It's about time this gets finished- A compilation of Windell's skins that took months to complete. So why did I spend so much time drawing back sides to his skins? It's the skulls, baybe. Its always the skulls. Me rambling about design notes under the cut- It's Very Long.

Nostalgic Windell's design is in part, made to contrast regular Windell's appearance. Windell wears blue and Nostalgic Windell wore a brown jacket.

This is what he wore in his last day on earth, right before he gets yoinked to the Constant. He has a festive look as he disappeared during a trip to a carnival. ------ Windell's Guest of Honour was designed really early on, along with his Survivor and Triumphant. Which was around 2017ish.

GoH Windell never deviated much from his oldest design, I didn't really put much thought on his outfit other than 'Windell, but fancy'. He loves dolling up people but he's not really a fan of partiying himself, that's why he looked really sad here. ---- The Survivor skin was... It was a mess trying to make it not at all cluttered.

I loved the idea of him looking stitched up and sporting a stubble along with other accessories, but I decided to drop that in his more recent designs because idk, I just personally didn't like how he looked in my new style. I'm just very uncertain with this design in general. The stitched pants was something I think is neat ig. ----- Roseate Windell went through a lot of changes because I didn't know what to do with him for a while??

My main problem with his earlier deisgns was I was trying to make him feel 'distinct' like a proper skin from regular Windell. And I just struggle to give him a hairstyle that is not only not a pain to draw every time but also... actually nice to look at??.

I hit that sweet spot in his 2022 design and as MUCH as i LOVE his tentacle-like, spiny coat, it just doesn't look good when I imagine them as dst sprites. (It's not like I'm actually gonna make sprites of this skin but making sprites for his mod made me understand dst's design conventions(?) a bit more??)idk.

Roseate went from 'ew he looks really boring to me' to 'omg a personal fave'.

Also he looks like this without his extra coat ----- Gladiator Windell... Fun fact: His armor is heavily inspired by Killer Queen from JJBA.

It really shows in this old portrait pic. Simplifying his design was painful but it had to happen. I had no idea how to color him back when I first designed him so I just did the easy thing and colored him with Windell's existing palette. I made him grey in his final redesign because again, I didn't want him to look too similar to his usual look, but I doooo think the blue looks better on him ngl... -----

I love Snowfallen Windell (Even if his hair will give me grief one day) He took some inspiration from Elsa frozen.

Though, he did have an older look. As with most of my 2020 designs, as much as I love the older version, his hair just doesn't look like a separate skin. Hence he changed radically in his redesign. The final design is in a way, a fusion between the older designs. ----- Contender Windell is a case of me designing a skin and ending up with a suit. As much as I adore suits, they can begin to look same-y after a while.

I watched some WWE as a kid and I always found it hillarious to see suited people in the ring. Windell's first design here references that. Also there's the steel chair meme. I like the concept but he looked really plain next to the other contender ppl when I drew him fr. The 2022 design is the result of trying to fit him in with the others and I think he looked great. His final design didn't change much apart from the hair to further make him different from Windell's og hair. ----- Magmatic Windell The Magmatic skin set itself is a bit of a mess when it comes to theming. So I just took reoccuring design features and mashed them together for this.

Fire nation fashion, gold(?) accessories and flre-like hair. There's little thought involved in the process. Though, the addition of the red tattoo-like markings on Windell made him better to look at ig. I dare say, this design warmed up to me. ----- So many horror icons... but which one would Windell embody? His Hallowed Nights is the Corpse Bride (but genderbent) and I had fun with this one.

I know, I know this is yet another suit, but he has enough details to offset that. For a dash of irony, he's supposed to have drowned. :) -----

Windell is Irish (Welll, Irish-American to be specific) This is all the notes you'll need-

His final design have better colors :D ----- I decided to go by a theme among my own ocs with the Merrymaker skins based on A Christmas Carol, since Maxwell is clearly Scrooge. Merrymaker Windell is another one of my personal favorites-

He's supposed to be the Christmas Ghost of the Past. ----- Windell used to have a proposed mechanic where each skin has several designs and they get cycled every time he gets ressurected through a certain way.

Victorian Windell's final design is heavily based on a particular alt of his og victorian design that I liked more. I just added stuff to make him look cooler :B ----- There is little in the way of customization in the Line Cook set. But whatever, he still gets a skull on the back of the fit.

His frock used to be green too. ----- His Halloween Costume is of a tentacle. His favorite mob.

I made his redesign also akin to a little gnome/witch. Also someone called him Gargamel once and that makes me smile to this day -----

Swashbuckler Windell already existed long before Klei released the set. He was part of a pirate au and he's supposed to be a pirate hunter.

So ig he became canon when Klei decided to make that set. His cape had to go though. ;-; His final design was also partly inspired by P from Lies of P. ----- Moonbound Windell was a challenge to design as he's supposed to bounce off from his Tri design. This skin is supposed to be everything that Tri isn't and so his colors will have to be mainly white and I had to discard my first design of him

I loved WX's and Webber's moonbound designs so that also bled onto Windell's. As Triumphant Windell is calm yet menacing, Moonbound Windell is an angrier Windell. Alter whispered forbodden knowledge onto him and that only Pissed Him Off. ----- Maquerader Windell is heavily based on the costumes they wore in Cats (The Broadway one). Particularly Mr. Mistoffelees. I hated doing his lineart, but coloring really endeared him to me. Now, he's also very much beloved. ----- So Klei releases either a Nostalgic skin or a skin that's really out there with it's theming whenever a character refresh happens. This is what Windell would have in that case- Windell's refresh skin would be themed around being a sailor, inspired by Ishmael from Moby Dick. It's kinda a what-if as well. What if Windell decided to confront his fear of the ocean head on, becoming a sailor and joining a group of whalers. He still hyperfixates on the ocean as he does in canon. Also here's an alt design for this particular skin-

----- And last but not the least- Triumphant Windell OH BOY. Man has history- Way before Klei unveiled the triumphants, I had this idea for a really old rp where Windell decides to join the shadows like Maxwell as Their spy in exchange for shadowy powers and stuff. But the twist is, he Looks Like Everyone else to blend in better. I loved the idea, but then when the triumphants came around. Windell just looked so plain next to them and so I drew this doodle and that was before I became inactive in the fandom until 2020.

His 2020 incarnation was from a joke I made about Windell's 'real' triumphant was this jock who is also a bully and he has an eldritch car that he uses to run over ppl in the Constant. Also he's voiced by Bo Burnham :B Shortly after that I released his non-joke Triumphant design, which was heavily based on his 2017 version. He also can turn into an eldritch creature made of needles and yarn. He's called The Yarn Man because of this. More on Yarn Man- (cw: there is body horror) My problem with Yarn Man is, his hair just changes in every drawing because I didn't know how to properly draw it. Until his 2023 version. _____ THERE YOU GO. THE WINDELL SKIN LORE.

#crayo art #dst #dst oc #dontstarvetogether #dont starve oc #dontstarve #long post #very long post really #windell

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jovenshires · 9 months

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You’ve probably been asked this before but what’s like your fanfic writing process?? Like how do you end up writing your fanfictions?

i actually haven't but i'd be happy to talk about it!! i'm actually writing fic right now, so here's what i've done in the past like. hour. im gonna put it under the cut bc its EXTREMELY long but if you ever wanted 'katie's guide to fic writing,' here it is!

i'm pretty easily distracted, so i've gotta make sure i'm in like. The Right Conditions. that means phone face down or away if i can (rn i've got to be on call in case my boss needs smth but you get the gist) bc i WILL just open tiktok or play a mobile game. even just now writing this answer i have picked up my phone and opened pinterest. i cannot be stopped so i try to stay off it and put it down when i catch myself!!

more and more often i cant even listen to music while i write - partly bc i tend to read my work aloud to myself to make sure it sounds right and partly bc my brain will be like "you know this song omg the words are in your brain" or "you should go look at what song this is bc you kinda like it". cannot trust myself even with sound. if i AM listening to music while i write, it's either the specific playlist for that fic, playlists with the right vibes (ex: rivals-to-lovers for iwks), OR anime openings bc. less likely to get distracted when it's not in english tbh.

(huge on all of the senses so i also usually have a candle lit. im super sensitive to smells so if there's an unpleasant smell somewhere around me i will be unable to focus <3)

all that being said about distractions, i think it's important to take breaks - dont just FORCE yourself to write. that's why i'm huge on setting goals for myself - deadlines, word count goals, timed breaks. like "okay im gonna sprint write for 10 minutes and then after that ill watch some of this danny gonzalez video" or "i'll write until 3:30 and then i should go take a break and read a book." im not always faithful to my goals but i try my best!!

as for the actual writing itself, i typically just go for it. i can usually see an image in my mind and i try my best to write that out/describe it as best i can. and then if it sounds wrong i just reword it again and again until i've got it. this is kind of where my reading aloud bit comes in - if it sounds right when you say it out loud, that generally means it sounds right in the text.

sometimes i'll just have a certain scene or just scraps of dialogue and i'll write that out and be like "okay how did they get here." i never embraced writing out of order until recently, but now that i have. no going back tbh i highly recommend it. rwylm and iwks especially had scenes WAY later down the line that i wrote first. just write what comes naturally and go from there.

occasionally i do outlines, but not super often, and when i do they're vague as hell. i think a lot of my iwks outline was just "game" and then "another game but tommy is there this time." i think outlines that go too in-depth kind of take away from the freedom of writing so. if it's for you then slay but its usually not for me

i try not to worry too hard about. the style/grammar/little things as i go. of course im guilty of this and i'll stop and edit my own works along the way sometimes but i've found it's best if you keep writing and then go back later!!

sometimes when i'm writing a new smosh cast member i'll go back and watch videos/compilations of them just to reorient my brain. i've done this a lot with chanse recently!! but i also think. it really isn't that deep too NSDKFNKNK like these are fictionalized versions of fictionalized selves and so on and so forth so don't worry about 'voice' too much im trying to kick that habit myself

EDIT: oh i've talked about this before but. as for ideas/where my fic ideas come from?? i truly try to grab from my every day life. oh i went to the grocery store today? what if smosh member a and smosh member b went to the grocery store. i watched a horror movie and you know who else could do that. otherwise i pull from music/movies/tv shows/other media and be like 'this but for smosh.' i really just be pulling from my life and repackaging it thats all. start small (haircut fic) and work your way up (homoerotic soccer epic)!

and i think that's it?? i'd like to think im pretty chill about the whole thing. (read: i am not chill in any way at all but im trying my best.) anyway, it's something i'm always happy to talk about - thank you for asking!!

#ask #asks #anon #anonymous

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pudding-parade · 11 months

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Get to know you - Sims Style

@rstarsims3 tagged me for this a while back, and I'm finally posting my answers, which took me a while to compile because 1) Blabbity blab blab blab, as usual, and 2) Still needing lots of rest and stuff, so no sitting at a computer for hours on end.

But here we go! I'mma put my blabby answers and my tag list behind Ye Olde Cut.

What’s your favorite Sims death? What an odd question, especially to lead off… Well, I guess if I had to pick one, it'd be the one from TS2 where cloudwatching occasionally brings a satellite down on the cloudwatcher's head. But generally, mine die of old age, if they manage to get that far. I play with long, but realistically proportional, life stages, mostly because I'm almost always playing "experimental" saves where I'm "road testing" rulesets and such, so I need a lot of time to work out kinks and test ideas and stuff.)

Alpha CC or Maxis Match? I land on a combination of more-realistic (but not ultra-realistic) stuff for CAS, but for everything else, like with furniture and deco and stuff, I tend to prefer CC stuff that visually fits in with the EA stuff in terms of style and textures and whatnot, so that the CC doesn't stick out like a sore thumb when combined with EA stuff. In fact, my "go-to" CC for build/buy is stuff that adds on to EA stuff, like more doors/windows that match an EA door/window.

Do you cheat your sims weight? What, to make the fat ones skinny? The skinny ones fat? The skinny ones buff? No. I don't see why I would. It's easy enough to make a sim gain or lose weight without cheating, which I'm assuming means just using the sliders.

Do you move objects? Is there anyone who doesn't? That's a serious question. Is there any one who doesn't? I want to know.

Favorite Mod? I'm leaving aside the NRaas mods because I don't see them as mods so much as things that are just essential to make the game playable in the often-weird ways that I play. There are others that I also consider just essential for when I'm playing in certain styles, especially for more primitive settings. But for ones that are optional and just pure fun, I'd nominate all of @thesweetsimmer111's baby- and toddler-related ones.

First Expansion/Game Pack/Stuff Pack? I know for TS2 it was Seasons. For TS3…For a long time, I had just the base game, which I got when it came out, but didn't play beyond trying it out and then going back to TS2. Then, years later, I got a new computer and decided to give TS3 another try, but I couldn't find the CD or DVD or whatever it was, so I bought a combo pack with the base game, Late Night, and the High End Loft or whatever it is stuff pack, so I guess it would be Late Night. Other than that, I bought all the other TS3 EPs in one go when EA had them on sale for 50% off via Origin, which that combo pack forced me to install. (But which I am now free of again. 🏴‍☠️)

Do you pronounce live mode like aLIVE or LIVing? As aLIVE. Because that is when the game is live. Games do not live, but they can be live. See, this is one reason why English sucks.

Who’s your favorite sim that you’ve made? Here's a thing about me: I don't really get attached to the pixel people. For me, they're just tools. I'm guessing it's because I'm not a storyteller when it comes to Sims, so I don't see sims as characters. Sure, sometimes I find one endearing for one reason or another. Usually, they have traits that make them assholes, and I like to watch them create chaos and ruin wherever they go. One of the founders of the Random Legacy that I will get back to one of these days is one of those. But I find I like other people's sims more than mine, though that's more of a testament to those simmers' story-telling skills than anything else.

Have you made a simself? Only by accident. A few times I've just been randomly moving sliders around and somehow I ended up with something that looked like me at some stage in my life. It stayed that way for a minute or three, before I yelled OH GOD NO! and quickly slidered the horror away.

But to be honest? I find the entire concept kind of creepy, at least in terms of putting a self-sim in the game and playing them as a character. That would just feel weird to me. That said, I suppose it might have been something that would have appealed to me if I had played when I was a kid, but the game didn't exist when I was a kid. Computers didn't exist when I was a kid, at least not in a form that regular people could own and that could fit on a desk. I was in my 40s when I started playing the game. My daughter played TS2 when she was a kid, and she had a self-sim inserted into the stories she would play, so…yeah. Maybe it's a younger-person thing. Or maybe I'm just weird. Yeah, it's probably that second option.

Which is your favorite EA hair color? Probably the black, but even with that I have to add some highlights to it because otherwise the hair just looks like a creature from the void eating the sim's head.

Favorite EA hair? None of them. They all need to DIAF.

Favorite life stage? I don't have one. I have a least-favorite, babies, because they're basically just objects, but once they're actually sims, I enjoy playing sims of all ages equally.

Are you a builder or are you in it for the gameplay? I originally bought TS2 just to build in it, and for a couple of years, that was all I did. I only started actually playing the game later. Now, I enjoy both building and actually playing the game, depending on my mood. Usually, I'll have a binge of building, but I eventually come to a point where I'd rather do anything other than build. Then I play the game. Then, eventually, the urge to build comes back. So it's a back-and-forth.

Are you a CC creator? I made lots of stuff for TS2, mostly object retextures/recolors. I've made a few minor things for TS3, and I retexture hairs and add preg morphs to clothing for my own use, but I wouldn't consider myself a CC creator for TS3. In fact, I'm actively resisting learning how to make stuff for TS3 because I really don't want to go down that rabbithole again.

Do you have any Simblr friends or a Sim Squad? Friends in the sense of "people I enjoy talking to and sharing ideas with and sometimes arguing with here on Tumblr?" Sure. Are those the same as friendships that develop face-to-face in the real world? Nope. But, sometimes I like talking to my Simblr friends a lot more than talking to my real-life friends, so make of that what you will. Y'all are less draining sometimes. LOL

Do you have any sims merch? No official merch, but my brother-in-law is into making pottery, and several years ago he made me a big stoneware mug with a plumbbob on it. Which is ironic because when I play the game I turn off the plumbbobs because I hate them. LOL But I love the mug. It's heavy enough that neither cats nor wagging dog tails nor giant snakes (though he could do it if he focused all four of his brain cells on the task) can knock it off of tables, but not so heavy that I can't comfortably lift it. I use it for eating soup and the occasional mug cake, and also for drinking the awful herbal tea my husband makes me drink, though since the recent surgery, I don't have to drink that anymore! *dances* So now it will just be my soup or cake mug. Or one for tea that I actually want to drink.

Do you have a YouTube for sims? I don't have a YouTube for anything. Well, OK, I have a YouTube account for watching other people's stuff and making playlists of things I want to watch, but I don't post videos on it, and I don't really watch video game-related stuff on YouTube, either.

How has your “Sims style” changed throughout your years of playing? It hasn't, really. I've pretty much always just come up with wacky scenarios to play and see how they go. In fact, for me, coming up with the scenario and figuring out how to make it work in the game and then inventing a ruleset to govern it is sometimes more fun than actually playing the scenario. LOL

And my Sims all look like the game made them because…the game makes all of them. I just poke the random button until it produces something that doesn't look too much like a freak of nature, then I hit up a couple sliders to remove or tone down any remaining freakishness. (Though I confess that I will spend an inordinate amount of time sculpting the titties of those who have them. Why? I have no idea, other than I just like me a nice pair of titties. Too bad there aren't any sliders for male titties…) Then I just slap on a different hair, maybe change the eye color, and slather on some makeup and facial/body hair and shit until they don't look too stupid, and then off I go. From there, they're all born in the game, and I just leave them as-is, mostly because I can't be bothered. "I can't be bothered" is pretty much my philosophy of life.

Who’s your favorite CC creator? I hate this kind of question. I feel like all they do is disappoint and discourage people if they're never picked. I refuse to do that over something so trivial. So, my favorite CC creator is you, the person reading this. Yes, you. Even if you don't make CC. It doesn't matter. You're the best.

How long have you had Simblr? I started my TS2 one in 2013. (I can remember that only because I know that I started it the same year I met my husband. LOL ) I started this one….2 years ago? 3? Something like that.

How do you edit your pictures? Other than basic cropping and resizing and maybe adjusting brightness/contrast a bit if the pic is too dark or whatever, I generally don't. I don't even use Reshade all the time anymore, only in certain situations, though I do have an NVIDIA profile for the game that adds ambient occlusion and better antialiasing and shit like that. Sometimes, though, I'll decide to photoshop scenery pics, and then I just kind of stab at it with various tools and filters and layer blends and shit until I like I how it looks. There's no actual process involved. I'm random like that.

What expansion/ gamepack is your favorite? I gotta go with World Adventures. Bits of it are a bit, shall we say, culturally problematic, but man, I never get tired of doing those stupid, stupid tombs. LOL Plus, I love that NRaas Traveler allows you to "travel" to any world, and I don't think that mod works without WA, so…. Yeah. WA.

Tagging: I have no idea who's done this, so I'll just tag a few random people, off the top of my head. Feel free to do or ignore, as you choose. No pressure from me! So...@nectar-cellar, @happy-lemon, @erasabledinosaur, @esotheria-sims, @lilleputtu, @littlefrenchsims, @anamoon63, @lazysunjade, annnnnnnnd @papermint-airplane.

#it's all about meeeeee!#memes memes glorious memes

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scratchandplaster · 1 year

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Aftermath of Drugging

CW: discussions of non-con drugging, spiking food, medical whump, overdosing, drug abuse, addiction, death, brief BBU-mention

Using drugs as a whump method is pretty common, and rightly so! As one of my favorite tropes, it was interesting to think about how they could affect the Whumpee after the act itself, be it physical or mental.

That's why I made a little compilation (for me and you), if you feel like agonizing your Whumpee even further. There are also some examples in between, for your entertainment!

The research is mostly relating to any downers, meaning any drug that makes you calm or fall asleep, so anesthetics, hypnotics or sedatives. Examples include ketamine, Rohypnol, GBL, propofol and heroin.

Uppers on the other hand have the opposite effect in stimulating the human nervous system. Some of the effects that are noted below are applicable to both kinds of drugs, but keep in mind that stimulants are more of an afterthought in this list. I'm going to recap the effects of both at the end.

I'm not a pharmacist by any means, but as far as reliable research for creative writing goes, this should suffice. No one is going to fact-check your whump fic, bestie 🤍

・・・・・・・・・・・・・・・・・・・

By method:

Ingestion (forcing them to take pills, spiking their food)

→ General indigestion, nausea, dry mouth

Injections via syringe or continuous administration through an IV drip (e.g. in medical settings)

-> Swelling/tenderness/infection/bruising of the injection side

-> High fever (even days after the injection)

→ Anaphylaxis: skin rash, chest tightness, dizziness, nausea, facial swelling

Anaphylaxis is an all-body allergic reaction that can cause mild to severe and even deadly symptoms (shock or coma). It can escalate and should be immediately treated with a shot of adrenaline. This kind of reaction could be detrimental to Whumper's plans, especially if they intend to keep Whumpee alive for the foreseeable future. So it would be helpful for them to always carry an EpiPen, just in case...

Inhalation (gas or liquid)

→ High risk of choking and (sleep) apnea

-> Irritation of throat, nose and eyes

-> Throat spasms (Laryngospasm)

Includes coughing, difficulty breathing/speaking and the feeling of suffocation. Even though this kind of spasm fades away pretty quickly, they cause severe stress and panic to the aggrieved party, even leading up to lose consciousness again.

Physical side effects:

-> Drowsiness/tiredness, headaches/migraines, tinnitus

-> Dry mouth/throat or excessive drooling

-> Dilated pupils (causing Whumpee to be light-sensitive)

-> Slurred speech

-> Skin rash, itching, hives

-> decreased/increased appetite (give them a little snack...or not)

Motor skills:

-> Muscle relaxation, ataxia (lack of movement control), general weakness

-> Poor coordination

-> Tremors, cramps, spasms

-> Numbness, paralysis of the body or extremities (a local anesthetic would also do that trick)

Vegetative effects:

-> PONV: nausea, vomiting, retching

-> Cold shivers or hot flashes, acute sweating

-> Arrhythmia, low blood pressure and heart rate

-> Labored breathing

-> Vertigo

The physical consequences alone can make the wake-up process a living nightmare for Whumpee. Any after-effects that inhibit them from just getting up and escape are probably the worst in such a situation, making them weak and useless even if no restraints are involved. Imagine Whumpee just breathing heavily and quivering with cold shivers on a basement floor, unable to shake this uncomfortable feeling off. Their whole system is just trying to get the drugs out, but doing more damage than intended. Numb to the world around them, not even feeling if they are hurt or wounded. Or imagine the complete opposite: Them being able to get up and stumble to the exit, only to be overwhelmed by intense dizziness and collapsing back onto their knees. All the while Whumper watches, of course 👀

Did Whumpee eat beforehand?

Prior to any anesthesia, the person has to fast for at least six hours beforehand. Because Whumpees rarely plan their own kidnapping or non-con high, Whumper should wait for the right moment to get it done. Otherwise, they're risking aspiration or choking and therefore dangerous lung damage up to death; surely the most undesired outcome. Who would have thought that drug abuse can be dangerous...

Impure compounds? In my illegal drugs!?!

If your Whumper's stash really was cut with popular diluents e.g. other medication or lactose, the risks are surprisingly low. The threat of overdosing still comes from the main drug agent. However, mixing downers and uppers to cancel each other out can lead to a dangerous cycle, which amplifies the side effects and increases the risk to OD.

Mental side effects:

-> Nightmares, paranoia around food/drinks

-> Depression, anxiety, self-loathing (e.g. for not being careful enough)

-> Psychosis, hallucinations (optic, acoustic, in terms of taste etc.)

-> Dissociation, confusion, disorientation

-> Insomnia

-> Reduced anxiety or inhibitions

Now instead of being afraid, Whumpee could go batshit crazy and make fun of Whumper; spitting, biting and insulting their aggressor. An outburst they will probably regret later, when they're calm again and sober enough to understand the damage they have caused themself.

-> Memory loss/amnesia

Cue intimate Whumper, who just plays the part of a worried friend while keeping their love safe and controlled. Vague recollections of past abuse? No, just take another sip from your tea, it's alright... One could use drugs as a mean of removing memories altogether, I think in the BBU the "drip" is used to erase the whole personality of the Whumpee, making them a blank slate to train however one would like.

Withdrawal:

-> minutes or even days after the initial drugging

-> extreme anxiety up to paranoia

-> nausea, vomiting, indigestion

-> muscle aches

-> flu symptoms like a runny nose, sweating and fever

Depending on the kind of drug and how often it is used, withdrawal can start after just one dosage. "Not even once"-drugs include meth, heroin and crack cocaine. Also, barbiturates have a high risk of dependence. Speaking of it...⬇

Addiction as a long term effect:

-> Organ damage especially of the brain, liver, kidneys and the diseases that follow (including cancer, short weight, heart failure)

-> Loss of interests, behavior/personality change

-> Selling all valuables and ending up in poverty

-> Aggression/violent behavior

-> Shame and guilt

Isolated, financially and mentally unstable, Whumpee's life had been ruined with just a single act. Even Caretaker turned their back on their former friend. But Whumper would love to help Whumpee become sober again, under just a few conditions. On the other side of the spectrum: a Whumpee who finally managed to escape and take revenge on their abuser, they slowly but surely make Whumper ruin themself through their newly developed little habit...

To sum up:

Downers (decrease bodily functions and calm you down)

→ Unconsciousness, weakness, distortion of perception, failure of motor functions, coma

-> Common examples: Xanax, ketamine, propofol

Vs.

Uppers (stimulate bodily functions and mood)

-> reduced inhibitions, more prone to hallucinations, psychosis, seizures, serotonin syndrome (high heart rate, sweating, twitching, mania)

-> Common examples: meth, ecstasy, cocaine

Bonus: How to store your Whumpee!

The immediate consequence of drugging someone is to figure out how to keep them. Get them secluded and ready for whumping:

-> In the backseat, foot space or trunk of a car (use an ambulance, it's inconspicuous)

-> You know these roof boxes people strap on top of their car? Stuff ´em in there!

-> Put them in a box and ship them overseas

-> Basements are classics, but try the attic for a change

-> Just use a coffin, combined with an old hearse nobody is going to notice

・・・・・・・・・・・・・・・・・・・

Thanks for reading 🤍 [Masterpost]

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lil-melody-moon · 7 months

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Hello Mel! I hope you’re doing well 🥰 I’ve seen that you reblogged the album ask thingy. I’m not sure if I have to give you the name of the album and a number or just the album and you answer all of the questions. So, If it’s not too much to ask, can you answer all of the 10 questions about Quadrophenia? I know how much you love that album and I’d like to know your thoughts on that one❤️ Also, you know how much I love to see your posts talking about the music you love hehe. Love ya <3

Hello, I've been doing so so but thank you for asking <3

The thing for it is to give a name for the album and some numbers, but what you ask for is perfect! I was hoping for someone to asking about "Quadrophenia", thank you that it was you! So without further ado.

1. Favourite and least favourite track?

Oh Gosh this will be difficult.

"5:15" is my favorite track of the whole album because of a few things. First being the fact that this was the first song I heard from this album. Funny story, mom wrote down a Depeche Mode song called "Little 15" and she wrote that it is a The Who song so I typed it in and "5:15" came up so we've listened. Mom didn't like it very much, but I fucking vibed - you can imagine my sheer surprise when I've found the album where this song was. Also, The Who's compilation CD I have has three tracks from "Quadrophenia" and "5:15" is one of them. Those three are never played quietly on dad's stereo system, never.

Now to the least favorite I actually don't know if I have one like that. I literally love every track on this album, but maybe I'll go with "I Am The Sea" because it's only an ambient of waves - which is very nice as an opening, considering how the story on album opens with "The Real Me", but ya know. Almost no music.

2. Side A or B? (for later releases: first half or second half; for doubles: A, B, C or D?)

This is a double so I have to choose between C and D - A and B are good too, but the rest of the tracks after "5:15" my beloved <3

And I think I'll go with C so that would include: "5:15", "Sea and Sand", "Drowned" and "Bell Boy". There's just something in those tracks that makes me get lost in music each time I hear them. I'm always missing the point where "Sea and Sand" ends and "Drowned" starts. Either it's so smoothly going from one to the other or I'm just so lost between notes. Plus there's "Bell Boy" come on, how could I not pick this side? XD

3. Thoughts on the cover art/packaging?

Just look at this beauty! Washed from colors, depressing with only Jimmy on the cover while the rest of the band is seen in the side mirrors. The cover speaks for itself. The first time I saw it I just felt I was up to listen to something good and damn, I wasn't wrong. I love the cover so much that I would be glad to have it as a poster in my room. I'm not joking, I even saw a similar big flag to buy and if I had money and space in my room for it, I would buy it - this album is my religion <3

4. Are any of the tracks important/meaningful to you? Why?

Oh God, the whole album is important, but if I have to narrow it to a few songs... I will talk about very personal stuff here.

"Cut My Hair" Now this is like an opening track to the beginning of the story, to see how Jimmy feels emotionally, but the tone and the entire setting of how his life looked, now that is what brought my attention right from the beginning. The guy just doesn't fit in, feels like an outcast and this verse right there:

Why do I have to be different to them? Just to earn the respect of a dance hall friend Have the same old row again and again Why do I have to move with a crowd Of kids that hardly notice I'm around? I work myself to death just to fit in

It reminds me of my days when i tried to fit in the society I live in. Now, I literally don't care how other see me, but I can see that with my clothing, interests, way of thinking I just don't fit in and I probably never will. But I gave up on "moving with a crowd" long time ago. And from here, my dear friend, things started rolling.

"I'm One"

This one is a simple matter, first verse bringing this in:

Every year is the same And I feel it again I'm a loser - no chance to win Leaves start falling Come down is calling Loneliness starts sinking in

Describing the loneliness Jimmy feels is very personal. I might not show it, but I'm a really lonely person, not being able to find the second half, searching for some understanding on that matter. I have the luck to have my mom who understands me because she was going through the same, but ya know. It ain't the same as having a boyfriend. Plus I just love how the last three lines of lyrics in this verse creates that autumn vibe <3

"Drowned"

Just because of the general tone and a call for freedom. The only ones truly free in this world are birds, we as humans are not. This chorus:

Let me flow into the ocean Let me get back to the sea Let me be stormy, let me be calm Let the tide in and set me free

Speaks exactly about it. Just to be free as the ocean's waves, it just sounds so nice <3

"Love Reign O'er Me"

I see this song as a call/prayer for love, for some understanding and affection. On top of that, it's also the emotional conclusion of the whole story, chaotic one, but so good to listen to every time. I think the most beautiful verse in this song is this one:

Only love can bring the rain That makes you yearn to the sky Only love can bring the rain That falls like tears from on high

I had the luck to discover this album and get first stage obsessed with it after watching a documentary talking about Keith Moon's death. I had the luck to fall in love with this song at that time and this verse which I quote here is exactly how I felt back then about it. Doesn't mean I feel differently about this song now, oh no, actually this song is the most meaningful to me from the few I've mentioned. I will sound insane now, but lonely heart searches for replacements and mine found such a one in this lunatic. Yep, I'm in love with Keith Moon. Can't help it, just like I can't help it but connect this song somehow to this weird situation.

5. When did you first hear the album?

UMN... September last year, I'm sure of it. Second The Who album I've listened to, wait a bit. ...23rd of September actually (month after Keith's birthday, can my discovering of The Who and him somehow become even more weird?). I had this album wrote down to listen to later after discovering "5:15" by accident as I've described above. I remember this day clearly.

I was fresh after lunch, excited actually just by seeing the cover. Listened to it once and then it went on repeat. I had to listen to it three times to have enough for one day. And it played for the entire week without breaks. This was just the beginning of my obsession with it tho XD

6. Have your thoughts on the album changed since you first heard it?

Yep they did. From first: "This is great" to the now "Favorite album of the 70s" I had like three stages with this one.

First stage obsession was the first week that it played each day.

Then came the second stage at the beginning of this year, just after I've watched the movie.

To then come to the third stage when I'm playing this album whenever I feel bad or songs from it are stuck in my head. A religion, you should understand XD

7. Are you a fan of other works by the artist/in the genre?

Of course! I will not rank The Who's albums here, but every single one of them has something good in it. Every single one is somehow different. I don't know how did they pull this off, but they did and OH am I so glad for that!

Also, I can kind of call myself a fan of Pete Townshend, especially if it comes to lyrics, I fucking adore how he writes and honestly I can't wait to have free time to get to his solo albums <3

8. A lyric you like from the album

I actually talked about this one in The Who ask, but here, a fragment from "Bell Boy":

Some nights I still sleep on the beach Remember when stars were in reach Then I wander in early to work Spend my day licking boots for my perks

Love Keith's soft voice in this one, I adore it. There are no words that could describe what I feel when I hear him there.

9. How did you discover the album?

Like I've said, through my mom's mistake, but it was a day after I've listened to "Who's Next" that I went to see other songs by The Who and "5:15" started playing randomly. I recognized it immediately and I wrote down the name of the album, just to give it a listen a few days later.

10. Do you own/would you like to own a physical copy of the album?

I don't own a physical copy of it, but I want it, I really want it at home. It's as important to me as getting "Help!" and "Abbey Road" by The Beatles and those two were a must at home. Same with "Waiting for the Sun" by The Doors. All three mentioned are at home already, "Quadrophenia" has to be here as well.

But I will say this. I will feel sorry for my neighbors once I get it. I can't play the three tracks quietly, let alone the entire album XD

#thanks for asking!#this was a lot of fun!#ask corner

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