#i also love over analyzing these scenes

[bearenjoyers]

sorry im just thinking about bcs but like. why not add a few smaller scenes of gus interacting with his own men? why does it seem like, in comparison, mike is almost immediately elevated to a higher status than those two in bcs purely because we actually get to see him having normal conversations with gus? like i understand they might not keep the plot moving as well because of the fact obviously if victor is currently doing something it’s because gus told him to etc. but for the most part all of the smaller interactions gus does have with those two ends up being in a somewhat high stress situation where it feels very tense between everyone. and it’s just like damn! is it always like that?? why do those two even care that much about their jobs if their boss is a bit of a dick? etc. i think even an additional scene or two with those guys (either alone or the both of them) talking with gus in a more normal situation could’ve both added a bit more depth into how gus treats his employees (we got a lot with how he treats lyle and co., but not a whole lot with the illegal side of things), how comfortable vic and tyrus feel around him in a calmer setting, and exactly why they both feel the need to be as loyal as they are to the guy.

and also on the other side of this i don't think it'd hurt to maybe elaborate on their pay just a bit..? i'm not saying to randomly put a number out into the atmosphere but i just mean some smaller things like. do they buy nicer things for themselves? what's their housing situation? what's their car situation? are the escalade / yukon their own vehicles or does gus just use those two for business situations? do they use them when they're doing their own stuff off the clock or do they have their own cars? etc. that can also help with understanding their motivations a bit. don't get me wrong i don't think they should be visibly rich or something because that's not what gus would want but just smaller things! cause it's easy to write their loyalty off as Well they probably get paid super well, which i'm sure is true, but if they don't show a single hint of that then what's the point. even something as simple as giving tyrus a nice watch, or maybe victor having a nicer looking gun, etc. something small like that. because as it stands right now the average 41 year old viewer who watched the show once only knows and will only ever know victor and tyrus as those two guys in the background who do random stuff for gus with no clear motivation. just the personification of "On it boss (salute emoji)". and to be honest this is true for a whole lot of fans who do watch the show multiple times and enjoy thinking about it more in depth, because on screen we barely have anything about the two.

and to be clear i'm not trying to say we should have an episode just for them or something like no i understand they're side characters. i understand we don't need all that. and i understand this is also primarily Jimmy's show. but it's not like these two are on the same level as like, arlo or paige and kevin etc. these guys have been around since brba. victor was literally introduced in the same episode gus was. and they are a huge part of gus's story, especially in brba. s4 wouldn't have been what it was without victor and tyrus. and in bcs, ignacio's situation wouldn't have been the same if it weren't for victor and tyrus as well. and i just personally believe that if their goal with gus in bcs was to go back and elaborate on how everything came to be and show what he was like a few years younger, they could've dragged victor and tyrus into that. and i think his character would've benefited from taking that extra step with those two.

[little-estrellita]

"Oh, I'll just wait for the Sonic The Hedgehog 3 movie to come out on dvd or streaming services. Surely I can avoid spoilers. Everyone at least tags them or puts them under the cut!"

They infact did not. {Most did, and to those people, I love you-}

[itsbrucey]

Need to cement myself as the Darryl Wilson mutual otherwise it'll all have been for nothing

[zevranunderstander]

i love watching youtube analyses of movies and shows and i love when the person explaining something is totally wrong about the thing theyre talking about

[smartzelda]

When the essay/ramblings about canon someone did about a ship you like would be good and fill you with emotions if it didn't betray the author's need to revisit the source material and also undercut the story's message (for the scenes referenced in the essay) as well as one of the characters' actual character development for the sake of twisting these scenes to be all about the ship and nothing else

[yujeong]

Hello there! First of all, huge thanks for providing us with the terms Pete used, I didn't realize he was using such specific ones (he 100% says muay khao, I remembered it but I also rewatched the scene for the millionth time and heard it clearly). Now, googling the term, the result was this: Muay Khao, translating to "Knee Fighter" in Thai, is a Muay Thai style that emphasizes clinch warfare and devastating knee strikes. This approach is characterized by close-range combat, where fighters utilize clinching techniques to control opponents, setting up powerful knee strikes. and while it does hold truth, it misses half of the moves a Muay Khao fighter uses. In this video I just watched, the other weapon they use is elbow strikes once they have secured a clinch. (They also use sweeps, but it's not important for this post.) Now, in regards to the Pete-Porsche fight scene in ep10, all of those elements are included in the fight, however, one thing we have to keep in mind is that Pete doesn't want to fight. He keeps trying to hold Porsche at a distance, as shown here:

(He's calculating all the variables and then tries to get out of Porsche's hold and point the gun at him)

and here:

(He grabs the gun and moves back, pointing the gun at Porsche instead of going closer)

and here:

(He kicks Porsche in the stomach and stays where he is, once again pointing the gun at him)

Only once he sees Porsche can't stay still and stop fighting does he get fed up with the guy and starts engaging in the fight - for a few seconds before Porsche sends him to the ground. With all that out of the way, let's see what moves Pete uses: 1) Kicks

He kicks Porsche in his weak spots - the first one at the elbow to drop the gun, the second behind the knees to make him drop to his knees and the third on his face to make him fall to the ground. He also kicks him in the stomach on the third gif I shared above to make him stumble backwards and away from him in order to create more distance between them to use the gun again. 2) Punch(es)

It's one punch really. It's at the point where Pete wants to end this, hence him using his dominant hand for the punch and punching Porsche in the face. These are all typical Muay Thai moves so far. Let's see the Muay Khao ones: 3) Knee Strike(s)

Here, Porsche made the mistake of forcing Pete into a clinch, a Muay Khao fighter's natural environment so to speak. It makes complete sense for Pete to use a knee strike here and I also included the little moment afterwards, in which Pete is shown to hold Porsche's face titled on purpose - another boxer move from him. 4) Elbow Strike(s)

So, typically, an elbow strike is done either on the opponent's body or face, so I assume what Pete did here - striking Porsche at the back of the head - isn't allowed in an official match. However, he avoided a kick by Porsche and swirled behind him, so an elbow strike seemed like the most logical move from his POV. All in all, I can see what you mean OP. Pete seems to have had this type of training from his father and I love how they implemented this into the fight he had with Porsche.

Quick question before I throw myself from the balcony:

In episode 11, does Pete use the word มวยเข่า / muay khao as in 'knee boxer' when he refers to his father's career? If that's the case, can somebody please make an proper analysis of the fighting choreography between Pete and Porsche in episode 10 in order to determine whether Pete followed his father's training regime or not.

[lockheed-martin-unofficial]

Buckle up, folks, and prepare yourself for spoilers!

Because we’re going to be analyzing this scene today. And I’m going to explain why Starscream could’ve won.

After D-16’s initial attack, Starscream falls back to recover, and quickly counters with some skilled aerial maneuvers. Here’s a post so you can appreciate it better. Starscream is taking full advantage of his flight ability here. He’s leading the high guard, of course he’s going to be good at flying.

Side note: we don’t know if Starscream is the official leader of the high guard, do we? Maybe he just claimed leadership after they went into exile. It would be fun to think about.

As an extra note: Starscream is using his thrusters to carry both of them, holding D-16 up by the neck.

Extra extra note: D-16 kicks Starscream between the legs.

Now look at this. Here’s when D-16 transforms his foot to kick starscream off.

It all happens in a split second, but I tried my best to get screenshots.

Do you get what I’m trying to show?

Starscream angles his body forward, with the thrusters still on, before D-16 makes contact with him. He sees the kick coming, and he moves to counter it. When he realises he’s not fast enough to counter, he lets go of right D-16 before the impact in order to make sure he’s flung backwards instead of being injured. If he was still holding on, the damage would’ve been far more severe.

Sure, I find it a little surprising that a guy who can fly would fall in his butt, but I think I can explain it away. The thrusters are turned off when he’s kicked, but they return while he’s flying away. I think that may have been accidental. Maybe he intended to right himself midair and fly away but was unsuccessful, maybe he didn’t mean to activate them.

Either way, it contributes to him landing rougher than he would’ve intended. While I’m here, I want to point out D-16’s little swing off the wall to land next to Starscream. Very graceful.

Right before and right after getting punched in the face. There is momentary surprise, but no fear. He doesn’t flinch, he doesn’t take time to recover. One second of scowling, and then “HIT ME!” He doesn’t even need to catch his breath.

Slowing the scene you can see the punches have Starscream’s neck bent at an over 90 degree angle. Not only does he not react to the pain at all, but he also KEEPS ENCOURAGING HIS OPPONENT.

His body language and behavior is confident while he’s being punched. Only when D-16 turns his attention to the crowd does Starscream attempt to free himself.

He’s intentionally antagonizing his opponent, making D-16 drop his guard and focus on giving the crowd a show, he takes the punches like they’re nothing and only tries to break free when D-16 looks away.

Focus on Starscream’s hands here. D-16 loses his focus, Starscream is very clearly trying to pry him off.

And here, just a few seconds later. First his hand is just… sitting there, not making any attempt to pry off the guy squeezing his throat (presumably very painful) and instead continuing to yell (presumably very painful). And then he Grabs and Pulls Him Closer. This isn’t the body language of a person who’s afraid, Starscream was biding his time and waiting for the opportunity to catch D-16 off guard, use a sudden moment of distraction to his advantage.

We only see fear from him at the very end. Only when he sees the arm cannon which is something nobody expected. Not even D-16 himself. From Starscream’s perspective he was waiting for the perfect moment to strike, to overpower an enemy who is stronger but less skilled and experienced than him, all the while giving the troops a good show. And then the guy pulls out THAT THING to his face.

You can see the moment he knew he fucked up. There’s nothing he can do after that except ask for mercy.

It’s my personal belief that had the battle lasted longer, and had D-16 not discovered his Murder Arm, Starscream would’ve won.

And although I’m not disappointed in this outcome, I would’ve also loved if D-16 had the upper hand physically but still got defeated due to Starscream’s cunning and experience. We would’ve seen Starscream show his talent, and seen that D-16 still has a long way to go.

[deconstructthesoup]

One thing I absolutely adore about Dead Boy Detectives is the immaculate costume design. Specifically, how it perfectly encapsulates who the characters are, both as a whole and who they are in the moment.

From the very first scene of the show, we know immediately that Edwin is a bookish, somewhat stuffy guy from the Edwardian era who attended a boarding school, and Charles is a punk from the 1980's who's most likely the wildcard between the two of them, just going off of the way that they're dressed. Both of them have distinct color schemes and different styles, but the general shape of their outfits is actually relatively similar---both of them have collared shirts (Edwin's dress shirt, Charles's polo), something over those shirts (Edwin's vest, Charles's suspenders), a jacket of some kind (Edwin's suit jacket, Charles's flannel thing), a longer overcoat (Edwin's traveling coat, Charles's peacoat), something around the neck (Edwin's bowtie, Charles's necklace), slacks, and nice shoes. They're distinct, yet matching, two clearly defined separate characters yet part of a set.

Edwin's prim, proper, buttoned-up personality lends itself to the way he dresses throughout the season---in the first episode, he only dresses down when he's in the office with Charles, aka his safe place and his safe person, and he doesn't really dress down like that again for a good long while after getting stuck in Port Townsend (though, if my memory serves me correctly, he does take off the suit jacket while watching TV with Niko). But in episode six, he's changed up his usual look for a cozier, casual-looking sweater and a little bit of collarbone, and in episode seven... well, he's in his nightclothes, and he's about as open, raw, and vulnerable as you can get. Edwin's color scheme is also predominately blue, which lines up nicely with his logical and practical, yet deeply sad and closed off personality, and the only time he really wears anything other than his normal blue-and-brown outfit (willingly, that is) is when he's in that green sweater in episode six. And, uh... all I can say is that it's quite telling how blue and green---or, well, teal---are the main colors of the gay/mlm flag.

Charles, by contrast, dresses down a lot, and that makes a lot of sense when you consider the fact that unlike Edwin, he feels comfortable pretty much anywhere. On any given episode, he goes from wearing his peacoat to just wearing his flannel to ditching the flannel to not even wearing the freaking polo---though, again, the latter is something that only happens when he's in the office with Edwin. Safe space, safe person. And, well, plenty of people have analyzed Charles's polo shirt going from red to burgundy to black over the course of the series, and there being a little bit of red under the collar of his coat that's only visible when Edwin fixes it, and then it goes back to burgundy, and then it's red again when Edwin's out of Hell... for good reason! It's color symbolism at its finest! Not to mention, the red and black not only perfectly contrasts Edwin's color scheme, but it also lines up with Charles's personality---he's a rebel, he's hotheaded, he's bold and brash and loud... and yes, he's angry, but he's also so, so loving.

When we first meet Crystal after she loses her memories, her outfit choices feel very deliberate. They're stylish and vaguely trendy, they're arty and a little bit witchy---pretty fitting for a psychic who's also a showbiz kid, even if she doesn't know that last part. But all of her clothes appear thrifted, or at the very least vintage, and the patterns and the general vibe all feel natural and comforting. Her makeup's always fairly simple, her hair's either down or up in a couple of cute space buns... overall, this Crystal looks like the kind of person who'd make you tea when you're in a bad mood, who'll listen when you just need to vent, and who may not always know the right thing to say but will understand what you're going through. But when we see her in the flashbacks, her clothing's flashy and prioritizes high-end trends over comfort, she's either got her hair up or has it straightened, and she not only has dramatic makeup, but acrylics. This is a girl who talks shit about you behind your back, who's bitter and cynical and wants everyone to feel the same way, who makes up for the lack of love and stability in her life via material things. It's also worth noting that Crystal's color scheme has a lot of purple, which is a color that connects to wealth and luxury, but also creativity and magic---which, yeah, fits her two conflicting sides pretty damn well.

You cannot talk about Niko Sasaki without talking about her outfits, and the meaning behind each of them has already been talked about at length. However, one thing that really stands out to me is that the reason they're so iconic isn't just because of the monochrome color schemes, but because they're out there. They're weird, they're eclectic, they're a little mismatched in style sometimes, and they're so unapologetically her. Niko wears heart-shaped sunglasses, unironically. Everything about the way she dresses speaks to how, even though she's a recovering shut-in who initially doesn't want to be perceived, she's still very sure of who she is.

Jenny's design, like Charles and Edwin's, is a design that gives you the key information you need the minute she first appears onscreen. The dark makeup, the silver jewelry, the leather apron, and the hairstyle all point to a person who's tough, doesn't take anyone's shit, and has long since given up on caring what other people think---in other words, she's a badass. But the butterfly tattoo hints at a softer side, a side that we see time and time again throughout the series as she shows that she cares about Crystal and Niko, and even the boys... eventually. Also, Jenny's design is perhaps one of the most clearly queer-coded in the series, to the point where her being a confirmed lesbian is pretty much a no-brainer.

Esther's design oozes camp, from top to bottom. The fluffy coat, the bustier, the boots and the cane and the everything, speak to a woman who's kept with the times and yet has seen it all. There's really not a lot I can fully say about her design, other than what Charles has already said: "She looks like a witch... like, kind of a sexy witch, who smokes a lot." (Or maybe I'm just tired and running out of steam at this point, idk, I love Esther's design and I can't really put it into words.) It's also pretty fitting that her color scheme has a lot of yellow in it---after all, she's always striving for more, so what better color for her than the color of gold?

Everything about the Night Nurse's design speaks to a woman who follows rules and discipline above all else, from the pantsuit to the pinned-up hairstyles to the tie to the heels. She's also the most muted out of the main cast in terms of color, dressing mostly in browns, dull greens, and duller browns---and while I don't have a lot to go into detail about there, I feel like that's kind of a symbol of her narrow-minded and bureaucratic worldview.

And the animal characters... Jesus Christ, I fully forget that they're all being played by human actors. Tragic Mick dresses like a man who's always spent his life by the sea, layered denim and all, and it's never a stretch to see this sad, bushy-bearded, baggy-clothed fisherman and imagine him as a walrus lounging on a beach. Monty, at first glance, seems to only wear black, which would be perfectly fitting for a crow, but when he's in better lighting, you see that he dresses in layers of red and blue, calling to how he envies Charles and Edwin and clearly longs for something more---and this might just be me, but I think that even though his outfits seem fairly normal at first glance, they feel kind of like a costume for Monty more than anything else, like he's trying to emulate a teenager that he's seen on TV more than someone in real life.

The Cat King fits this just as well, with all of his outfits aligning perfectly with whatever his cat form is at the time---when he's a fluffy ginger, it's always sequins and fur coats and clothing pieces that are specifically designed to take up space and call attention, and when he's a black shorthair, it's sleek styles and shiny leather and pieces that are designed to cut an intimidating yet more subtle figure. And while I could go into detail about all of those, what really stands out to me is how clearly queer everything is---more than Jenny's alt lesbian attire, more than Esther's campy coat and corset. From the very first scene he's in, he's wearing a skirt, and it looks natural. Nothing about the way the Cat King presents himself is exaggerated, nothing about the way he dresses is played for laughs---he's flamboyant and feminine and flirty, and he looks so fucking hot while he does it. It's gorgeous.

So... yeah, uh, all the awards for the Dead Boy Detectives costume designers!

[teambyler]

My video "A LAWYER'S EVIDENCE that Mike and Will become a romantic pair in Stranger Things" is out!

Many of you have followed me ( @teambyler ) or read my essays analyzing Byler (I've linked some of the most-shared ones below). I am actually also a LAWYER who has a YouTube channel called RONALD OFF THE RECORD, and I just released my big video on Byler! (I also have another YouTube channel with 45K subscribers that I mention in the video)

I'm prepared to put my professional reputation as a lawyer on the line to comment on a piece of science fiction, because goddammit this is important to me! It is not "delusional" to think Will and Mike will become a couple, and there is nothing wrong with you if want it to happen! This is a video essay I've been planning for at least SIX MONTHS, and I put a lot of work into it. Please share, and please leave comments. Enjoy! =D

0:00 Why this video 1:38 Hate for Byler on the internet 10:16 Case for Mileven 15:21 Case for Byler: Starting premises 17:56 If Will were a girl… 25:30 The evidence! 29:05 EXHIBIT A: The Snow Ball 31:34 B: Mike's reactions to El and Will being upset 34:21 C: Season 3 ending montage 39:16 D: Airport reunion 47:51 E: Rink-O-Mania argument 51:28 F: Heteronormativity, audience expectations 58:25 G: Throwing away the letter 59:55 H: 2nd heart-to-heart scene 1:05:43 I: Mike can't say he loves El 1:13:27 J: Platonic reunion 1:15:12 K: Will's role convincing Mike to say "I love you" 1:20:08 L: Effect of the "love confession" on El 1:39:54 M: The Painting Lie 1:43:22 Honorable mentions 1:45:27 Non-diegetic evidence 2:01:23 Actor statements 2:10:34 NOT how you write an unrequited love story 2:16:07 Why Byler SHOULD happen (queerbaiting, etc.) 2:28:21 A more powerful story 2:35:45 A personal note

I'm now making this my new pinned post, so I'll list a few of my posts here for people to check out.

ADDITIONS: -28:00 On "We should normalize same-sex friends being affectionate, they don't have to be gay," I should have been clearer. HOMOPHOBIA is the reason for that stigma. Straight friends feeling like they can be affectionate in our society HAS to include normalizing LGBT+ people. -1:16:55 I should've said this more clearly: Will reminded Mike that who HE is, HIS unique qualities, make him worthy of love and make El love him, not dumb luck. And Will of course could convey that because Will loves the actual nerd MIke and everything he is. -1:17:06 Mike making El "not feel like a mistake" doesn't fit El, because she says that Mike looks at her "like I'm a monster, too". Nor did she "push you away because she was afraid of losing you". That's Will, not El. Mike felt love because Will was describing himself. -1:52:36 I forgot to mention that, in the original Nina opera, Nina's lover is ALIVE and DOES return. The Duffers changed the story so that Nina's lover does NOT return, to further suggest Mike won't return! -2:35:22 I'm kicking myself for not being more specific about Mike and Will being heroes in more than one way: I think the theme of bullying from s1 will return, with Will (and also Mike) having to face bullying for being boyfriends in Hawkins.

EDIT: I hit 1000 subs, only to discover THIS VIDEO CANNOT BE MONETIZED. ='( I think I put over 100 hours of work in this video, and this isn't sustainable for me unless I get support. This also means I can't make public videos with the same quality -- using show clips and music makes a stronger impact. I've considered deleting and reposting an edit, but that would losing all the wonderful comments and CUTTING OUT THE LAST SCENE. ='( ='( ='( NO. FUCKING. WAY.

So this is what'll happen: future videos NOT use clips and music to the same extent, except versions I post on my Patreon. And I need Patrons because I don't make money as a social-justice lawyer, and rely on that plus YouTube ads. Here's the Patreon link! (Any future video will be clipped, with the full version on Patreon) https://www.patreon.com/c/theruleslawyer

Some other @teambyler posts:

Mike was saying "I love you" to Will

Questions to ask if ever you have Byler doubt

How the Duffers have set Will up to have a happy ending in Season 5

The most heartbreaking way Byler can culminate (and how I predict it will) (I know this is less likely than an "escape from Camazotz" possession scenario, but I still want this to happen =D )

How the Duffers likely will make the general audience AWARE of Byler and CHEER for Byler

-teambyler

[obsesssedblerd]

MORE SUKUNA WITH HIS LITTLE DAUGHTER PLS PLS PLSSSSS I LOVE THE WAY YOU WRITE ❤️❤️

Picky Eater

Sukuna takes a small breath to calm himself, then picks up the small bowl full of fresh baby food. What is it that you usually say? Third time’s a charm? 

He uses the plastic spoon to stir it a few times, then scoops some up to present to his daughter, who was sitting in her high chair in the kitchen. “Here. Eat.” 

The baby looks at the spoon full of yellow mush with her red eyes, then faces him and whines in disapproval. Sukuna groans in frustration. “You are not making sense, brat. You cry because you are hungry, but you do not eat. You did not want the green food, the red food, or this yellow food. What is it that you want?” 

Her little face scrunches up, and Sukuna knows it’s because she’s about to wail. When the first cry builds in her throat, he reaches forward to grab her from her high chair, putting her against his chest and gently patting her back like he’s watched you do countless times. “No, none of that. Crying will not get us anywhere. Besides, your mother is resting. Waking her up is simply not an option.” 

The doors to the kitchen open, and he sees Uraume there, holding a bowl of purple-colored baby food. “I apologize, Lord Sukuna. I left the other maids in charge of preparing food for the little princess, and they did not follow directions.”

The tiny girl in his arms coos excitedly upon seeing Uraume, and their eyes soften as they reach a hand out, allowing the baby to wrap her entire hand around a single finger. “She prefers when her food has blueberries mixed in it,” Uraume explains. “Lady [Y/N] and I discovered this two weeks ago.”

Without a word, Sukuna sets his daughter back in her high chair, then offers a spoonful of the new food to her. To his relief, she eats it. He exhales, then thanks Uraume as they exit. “So it seems that you are extremely picky,” he says to her as he continues to feed her, some of the spoonfuls far more messier than others. “That is not surprising. I also eat only what Uraume prepares.”

The doors open again, but this time, it’s you; yawning as you walk in, all refreshed from your nap. You analyze the scene in front of you, then snicker as you grab a wet napkin. “There’s food all over her face.” 

Sukuna sees that his daughter’s face is practically covered in messy purple blotches, then shrugs as he looks over at you. “She ate most of it, though. She—” He stops when he hears faint splashing, then turns his head to see the baby playing in the remainder of the food, making quite a mess all over her clothes, the high chair, and even a bit of Sukuna's face. 

“You brat,” Sukuna grabs the napkin from you, and begins to wipe her mouth and hands as you start laughing. “That is food, not paint for you to throw around the room.” Hearing you laugh, the baby joins in. Sukuna rolls his eyes, and you step in, grabbing your daughter from her chair. 

“Okay,” you say in-between laughs. “It was time for her to have a bath anyway.” Your eyes land on the multiple bowls of untouched baby food, then you look back at Sukuna, who was using a damp towel to get any of the purple mush off of his face. “I can tell you’ve been at this for a while. I should’ve told you that she’s picky.” 

“Picky and very spoiled,” Sukuna comments with a grunt.

“Mhm.” You hum. Your daughter giggles, and you kiss the only part of her face that’s not messy as you ask him, “And who is the one who decides to spoil her?” 

“Spoiling her is not my original decision. The little brat has inherited your technique.” 

You raise your brow in confusion. “I don’t have a technique, Ryo.” 

The princess is distracted by the bracelet you’re wearing, because she babbles excitedly as she reaches for your wrist. You smile while watching her, and unbeknownst to you, Sukuna is watching you both. Similar smiles, he notes for the millionth time since you gave birth to your and his daughter. Whether it was you or her, both smiles had the same effect: weakening his heart and getting him to do whatever you wanted. 

“You do,” he says simply. And it’s powerful, he doesn’t add.

[nezz-cringe-crib]

growing up is realizing that dipcifica was actually a pretty damn good ship and holy shit i totally misjudged this pairing.

i never really liked dipcifica mainly because of how it got represented by the fandom, but looking back on it, it would've made a lot of sense and it would've been beneficial for both of them to date each other. and even in a completely platonic sense, their dynamic worked well enough that they could've done a lot more together.

dipper is a very nerdy awkward guy, clearly. he likes solving mysteries and sometimes he gets a little in over his head because of it. and his silly little awkward teenage love life reflects all of these things. that little shrimp was disney's #1 simp, it's actually insane. whenever he'd start to fall for a girl it'd end up going pretty terribly because he'd have no idea how to just act like himself and he'd also become a little bit of a jerk. (i'm not trying to like dog on dipper btw. he's just a kid and these are all understandable flaws, especially at his age and at the time period gravity falls took place in). however, with pacifica, a lot of these flaws are manageable solely because of how they're introduced to each other. dipper hates pacifica at first and wants nothing to do with her, but eventually they're forced to work together and realize "huh. we actually make a really good team." for dipper, this gradual building of a relationship is really beneficial to him. he wouldn't just go head-first into simping for some random girl and he'd also learn to respect her as a person and realize when he's being a little bit of a dick. being with pacifica, platonically or romantically (though personally i think romantically would strengthen their pros more but thats just my personal taste), would've helped dipper become a better person.

this goes for pacifica as well. pacifica's homelife is extremely controlling and it's what groomed her into becoming the mean girl that she's first presented as. as the show continues though, it's clear that she doesn't really want to be mean to anybody. she only acts spoiled because she doesn't know what else she can act like. she wants to connect to people but she's been so forced into this fake rich life that she has no idea how to be genuine with anybody. that's why her having a connection to dipper is so important. dipper is a little blunt, and he especially won't hide that from pacifica because he initially hates her and her family's lifestyle, so this'll eventually help pacifica realize "oh shit. i'm kind of a dick. my family are kind of huge dicks." and we do end up seeing this from her in "Northwest Mansion Mystery". she learns how to be herself, learns who "herself" even means, and learns to stand up for who she is when she figures that out. also pacifica's pretty damn smart???? especially socially???? she could absolutely help dipper do a lot of things when it comes to mystery solving, and with her status it'll most likely be things that dipper could never pull off and never even thought about because that's just what he's used to. they'd both end up learning a lot from each other because they'd be dragged into environments that they're not familiar with, but the other is. and their different perspectives/lifestyles would help the other view their environment in a new light.

not only is their relationship genuinely really beneficial to the both of them, but i also just know that their dialogue and scenes with each other would be so damn silly i can't not say yes to it anymore. i also just personally like headcanoning them both as bisexual so that's a plus for me.

anyways, tldr: i was wrong about dipcifica and its actually really good, i just think people should really analyze their relationship more since the way the fandom presents it (or how ive personally seen the fandom present it) is a little icky and shallow at least in my opinion. yay for dipcifica being silly little goobers :3

[avelera]

Analysis: Why Jayce broke up with Mel in Arcane 2.08

Since the finale episodes of Arcane dropped this morning, I've been going back and re-watching some of my favorite scenes, and I was struck by Jayce breaking up with Mel.

First of all, yeah, he clearly does break up with her, though I missed how formally he does so on my first watch-through. He does it in the Council chamber, just before Viktor attacks. But since they get interrupted, he finishes breaking up with her (after checking in with her) on the balcony later.

But what really struck me about the breakup wasn't in those scenes, but actually back in 2.07, when Jayce is alone in cavern in the darkest timeline. I definitely didn't catch on the first viewing that this is where he chose to break up with her.

In the background, you can hear Jayce in the depths of his despair and solitude starts going over in his mind all the steps that led him to where he is.

Here are some of the quotes he hears:

"I never asked for this!" - Himself to Viktor, trying to justify his actions up to that point just before Viktor leaves him.

"This research is everything, my whole life," a quote from one of his first conversations with Viktor but, more importantly, it establishes Jayce's entire raison d'etre up to that point. Hextech research was his life.

"He was my mentor, Mel, and I betrayed him," obviously is Jayce discussing the coup d'etat against Heimerdinger he orchestrated to save Viktor, but it was with Mel's assistance and urging.

"You must destroy it. It corrupts. Consumes." A quote from Heimerdinger, warning against Hextech. Which must feel especially prescient now that Jayce is stuff in the evil bombed-out future where Hextech destroyed the world.

"I was trying to create magic." Jayce to the Council to defend his Hextech research and save himself from banishment, but, he only mentioned magic at Mel's goading, which I would guess he's beginning to recognize now for what it was in retrospect.

"It's your time now, Jayce." Mel, part of her goading of Jayce into advancing Hextech research and his political career.

"Perhaps it's time for the era of magic." Mel's words on the night she saw Hextech for the first time, after helping Jayce and Viktor break into Heimerdinger's lab.

"You must destroy it." Heimerdinger about the Hexcore, again, probably feeling pretty prescient right now with Jayce literally in the pit of despair in a the evil Hextech future.

Finally, while looking out over the fire while clearly going nearly insane from the isolation, Jayce begins to hallucinate seeing Mel. But then, her image in the fire gives way to Viktor's.

The decision has been made there. It's not just Jayce reflecting on his two closest loved ones (as I thought the first time), rather, it is the moment Jayce makes his decision: he is picking Viktor over Mel. He has decided that the reason he is here in this terrible place is because of Mel, not Viktor. He is choosing his partner, going back to what they had before she became involved in their life. His new course is set.

Now, I want to preface the next part by saying I love Mel, she's a fascinating character, and though I ship Jayvik I also ship/shipped MelJayVik, so this isn't coming from a place of bias. I'm just analyzing the material when I say these flashbacks were Jayce rearranging the narrative in his head and realizing Mel's been manipulating and goading him in his pursuit of Hextech.

Given where he is when this is happening: starving, freezing, in pain, alone for weeks if not months in a stone box, slowly going insane, surrounded by the burnt corpses of people destroyed by Hextech, I'd say... yeah. His need for someone to blame is pretty understandable. He even starts whispering, "No!" in a panic at the memories in response to what she says in his mind.

So when we get to the Council chamber in the main timeline in 2.08, I'd argue that Jayce is spoiling for a fight. He's had months of agony to decide things are over with Mel and that he's angry at her. He wants to blame her for what happened to Viktor, for what happened to him, and he's in pain and he wants to lash out. The relationship is definitely over.

But then Mel is in pain too. And Viktor shows up, with his own autonomy, showing that they all had their shitty parts to play in this drama.

The attack by Viktor adds another element, Jayce was probably also mourning that he had to shoot Viktor at that point, another thing that was painful and made him want to lash out and blame others for this horrible place he's in emotionally and the horrific place he's been in physically until recently.

It's only after Viktor's attack though that Jayce realizes that this situation is complex, it's not all Mel's fault. It would be easier to just pin all the blame on Mel and make Jayce and Viktor her victims, but Viktor shows to him that he has his own agency and Jayce needs to be clear-eyed going forward about who he is saving, because it's not "Mel's victim". Viktor is his own person.

Jayce also remembers some of the care he once had for Mel when he catches her before she falls (in a tender moment I mistook for a full reconciliation between them the first time but no, it's just him remembering he cares for her wellbeing). Jayce can't trust her anymore, after realizing just how adept she was at manipulating him without his realizing, but he does still care for her as a person. And he's cooled off enough to address the pain she is clearly carrying.

(I admit, I do love this moment of him calling himself an ass, because I adore Jayce but it's a lovely beat of self awareness and really shows his growth as a person that he can say this to someone that just hours before he was squaring up to fight against and blame for all his misfortunes.)

But anyway, the moments you really see that it's over between Mel and Jayce:

When he doesn't explain to her what happened to him. That's not for her to know anymore. He's decided that they're not together or intimate anymore. And he's probably still hurting from realizing how she's used what he told her in the past to encourage/manipulate him to her own ends and therefore wary of sharing. This is also a reason for the breakup: he can't share the immense pain he's been in because he can't trust her anymore, and he knows it. It's over.

In the scene on the balcony when he turns away from her instead of towards her before offering his advice. Jayce is very touchy-feely, he always offers physical comfort to his loved ones. But there, he deliberately turns away instead of taking her in his arms and comforting her. Again: it's over between them. But he still respects her. So he reminds her of how indomitable she is, along with offering the slight backhanded compliment born of his distrust for her: she's never the passenger, she is always the one in control. He knows, because he's realized she used to control him.

I've mentioned in other meta that this season deals in a lot of comeuppance for events in S1, and this is arguably Mel's. She'll be ok, she's got magical sun powers and she's the head of a powerful house now. But she doesn't get to keep Jayce in her life as her lover anymore after what she did, because she did manipulate him, even if she had good intentions mixed with the self-interested ones.

The trust is simply gone now. But he cares for her and wishes her well, so, I'd argue they parted on as good of terms as could be done.

[aristenfromwarsaw]

Another gameplay and again I have a scene that I've seen many times and still love it. BG3 has many beautiful scenes, but this is my favorite. It's also my favorite romance scene I've had in a game romance. ❤️ Why do I love this scene so much? ❤️ Let's analyze 🥰.

Note: the scene I am analyzing is the version after defeating Yurgir.

~ I really appreciate romance scenes that are not based on erotica. There is zero erotica here and it is not necessary to show the emotions and feelings of the characters. I think that this scene is very romantic in its own way.

~ Beautiful portrayal of the character's trauma and his attitude towards himself. Astarion has very low self-esteem, he believes that he is not able to offer anything to another person except a passionate night. He is very surprised when Tav hugs him - someone sees in him something more than a one-night sex partner. Also he is not used to this type of touch - touch without any sexual contention from someone who really feels something for him. At first he is paralyzed, he doesn't know what to do next. Later he is calm, relaxed, you can see that he needed this hug.

~ Here we have the real Astarion, without the mask. An elf who has been broken, who doesn't know how to be with another person, he is confused and lost.

~ Neil's acting, his voice breaking when Astarion says that he doesn't know how to be with another person, although he really wants to. By the way I love about Neil that from his voice we can tell when Astarion is putting on a mask and when he is sincere.

~ I consider this scene (and the entire Astarion romance) to be a huge reward for the player. Astarion is in "survival at all costs" mode and he is not interested in others. But you're the only person he's interested in, also he wants to have with you serious relationship. You showed him kindness, interest in his problems. Someone finally listened to him after over 200 years. It's very sad, but also very beautiful.

To all the people from Larian who were involved in this scene - thank you ! You did a great job and one of the most beautiful romance in games ❤️.

[nagaytoe]

THE KID AT THE BACK

-theories

Did i sit down and analyze this game for 3 hours straight because I'm hyperfixated on it? Yes, yes i did.

This isnt proof-read and long as hell so buckle up for a joyride, y'all (by the way, there's another TKATB fanfic in the works as we speak and also some fanart, though I'm not sure wether to post it or not... well, we'll see!)

Some of these might not seem all too thought through (??) Since i was kind of grasping at straws here (and it was like 2 a.m. lmao), so if y'all have questions/need me to elaborate or have theories of your own feel free to share!

(There's some inspiration here from other people in the Fandom, most of them from the community section on itch.io which isnt available any more)

Sol knows the player longer than we think

My theory ->

-Fantasia stated that one of her 3 biggest inspirations was the game AMNESIA

-In amnesia the mc loses her memory in an accident. One of the love interests is her childhood friend and also the only yandere in the game (at least from what i could find out)

-She already drew Sol with Forget-me-nots and in the valentines day special the boquet sol gave us also contained Forget-me-nots

-In the book (this gallery thing with all the cutscene images) on the top of sols page is written 'Remember Me' which implies we forgot about him

-Annabel Lee Poem:

+The poem contains the line 'I was a child, she was a child' which furthermore implies that Sol and MC knew each other as kids

+Except for the last two paragraphs the poem is written in past tense, which could be talking about sols POV with us

Perhaps MC had an accident, as mentioned above, and MCs father (highborn kinsmen) tore MC away from Sol to the countryside

+The poem mentions angels killing annabel lee which could also mean something like this: MC doesnt die but, however, gets amnesia. That way, the MC sol knows and loves is dead because MC no longer exists the way MC did before (also the fact that she forgot him)

Some people theorize MCs farm is near the sea and that is the reason why sol hates the sea (i believe the city is near the sea and that's where MC 'died' (maybe MC almost drowned and got Amnesia that way?(apparently its possible for people who almost drowned to get amnesia)))

+"The speaker loves annabel lee to the point of death and even after death" (MCs view how to interpret the poem) (-> Sol loves MC to 'death' (the day they got amnesia) and even after 'death' (after MC got amnesia and 'died' in a sense, as a person))

-sol says he thinks death is beautiful, i didn't really know what to make of that, the only conclusion i came to would be: If MC actually did drown and lose their memories due to that, sol might have been involved in MC drowning (or at least blames himself for that) but viewed MC losing their memories as a 'second chance' with them, since they can start from anew (perhaps he made some mistakes with MC in the past which all eventually built up to MC drowning (it could be that we were already teens at that point)

-sol states afterwards: "But people refused them to let them be together, as if fate refuses them to die together" which supports my theory that MC was taken from Sol by someone (most likely the father after he witnessed Sols behaviour and his final straw was MC drowning because of him) the 'let them die together' could mean something like their relationship 'dying' and then starting over again or perhaps he tried to die with them, who knows (all this is really far fetched i am grasping at straws here lmao)

-in a really quick scene right after he mutters "I'm won't let it happen to me... not again" (some people view this as Sol already lost someone he loved dearly but it could also be the MC who was taken from him

ANOTHER THING I COULD IMAGINE -ABOUT DYING TOGETHER COULD BE:

MC almost died, Sol went after them but they were already saved, Sol just didnt witness that and almost died himself/wanted to die but was saved from that by someone (maybe hyugo? Though, he is an exchange student)

-Another theory on hyugo. It's canon that he is an exchange student, however i do believe he is from this city (since he knows about the hierarchy and his brother Geo apparently is no exchange student), moved away and is now back for business (relating to his 'mafia schemes' but under the disguise of being an exchange student)

Maybe he moved around the same time MC left or some time after that

-Hyugo mentions on the rooftop that we remind him of someone and the pronoun of the person he refers to changes based on the one the player picked for the MC in the beginning. It could mean we remind him of someone else entirely, someone maybe not even related to sol (though i doubt that) or to the MC and he knows them from back then but maybe thought MC died as well and cant believe they actually survived (maybe he want to spike MCs memory by doing that)

-A dream within a dream: MC mentions that this poem, at least to them, talks about the uncertainty about something, like life (which could also imply that they might be uncertain about some things in their mife because they simply forgot them due to amnesia)

-THE SECOND DAY 'THE KINGDOM'

+some people think the kingdom (by the sea) refers to MCs farm and implies its near the sea, however in day 2 we find out about the hierarchy in the city and considering my theory that MC actually is from the city and almost drowned there, i believe the kingdom by the sea is the city. MC does mention in the beginning that they lived on the farm ever since they were a child, however, it could very well be that we moved there right after the incident that caused MCs amnesia (if MC was akid when it happened it would really matter because then it would still fit with the fact that they lived there since theyre a child, however if they were already a teen, perhaps the father moved there immediately to cut off all ties to Sol and told us we have always lived there on top of that (considering the previous theories)

The father also didnt seem fond of the idea that we go to the city (the fact that he is is indebted to someone from high class could imply he might be from there), that could be because he knows how dangerous the city is (and how we could potentially meet sol again)

-maybe the reason for the debt is that MCs father suddenly bought the farm land to get us away from the city as soon as possible and had to take on a loan from one of his contacts in the city

-we know that this is MCs last year at the university, if we say shes minimum 22, and was already in the school for 4 years that would mean she got there at 18. If the 'drowning theory' events took place when MC was a teen (like 16 maybe) it would explain why the father was indebted (i also think 2 years is an believable timeframe a higher class person would give someone to pay off their debt)

-at the end of day 2 sol says he's sorry for leaving us and "i dont know what I'll do if..." which supports my theory that he lost us once (and he blames himself as the reason (again, MC drowning?))

-inspirations:

+ https://www.tumblr.com/sweet-herbal-peach-tea/746168072919023616/tkatb-theories?source=share

+ https://itch.io/t/3749638/whats-the-secret-between-hyugo-and-sol

Another theory:

Sleepy Hollow and The kid at the back

-In the nicknames the boys have for MC (fantasia released that on twitter and tumblr) sol calls MC pumpkin (like the pumpkin of the headless horseman (also in the gallery there is a pumpkin above the book)) and Crowe calls them '(star-crossed) lover'

Star-crossed lovers are people who love each other but can't be together

I believe this might imply that, even though Crowe is the second romance option, MC can't be with him no matter what they do

I also found out that the nickname is a phrase from romeo and juliet (which furthermore implies crowe will die)

We know what romeo and juliet is about: romeo and juliet cant be together because their families are enemies (some people believe Crowes father might be them man MCs father owes money to(i personally doubt thah though but it would support this romeo and juliet situation)) and at the end romeo thinks that juliet died, kills himself and then juliet turns out to not be dead but kills herself after seeing romeo dead

-Jericho Ichabod is a character from Sleepy Hollow, along Katrina (the FMC who owns a farm (what a coincidence)) and Brom Bones (its implied he is the headless horseman). In the story, jericho courts Katrina at a party, she rejects him and on his way home the headless horseman kills him (in the scene where Sol accompanies MC to class he says 'it's always been you ichabod' which could furthermore imply that crowe or his family have something do to with the fact that Sol and MC arent together)

In the library scene with Crowe he asks MC about their opinion on marie Antoinette and when MC says something negative about her, his reaction seems kind of strange. MC also brought a book about torture devices and execution methods and in that book is a picture of 'The Executioner' and he has scars on his arms, wears a mask and a chained collar. This correlates with some of sols features. He has scars on his arms (as seen in one of fantasias drawings), wears a chocker (he also wears a mask when he breaks into MCs room but that's really something anyone who does that would do). This implies even more that he will kill crowe.

[madwcman]

pairing: tasm! peter x reader

a/n: i’m so back! | inspired by that one peter & gwen scene

peter climbs in through his window, into the bedroom he was wearing his spider-man suit, mask off revealing the cuts on his lower lip, and eyebrow. a sigh escaping his lips, as he looked over to his bed, he couldn’t help but smile at you, you were laying in bed, looking peaceful. peter couldn’t tell if you were sleeping or not, the room was a bit dark, even for him to tell.

“peter, are you okay?” you sit up in bed, covers pulling around your waist as you squint your eyes, the only light coming from the moon and the lights from the city.

he smiles softly at you, his lower lip hurting a bit from the cut. "i’m alright, a little beat up, but i’m fine.”

he quickly tosses his mask onto the small desk, and discards his spider-man suit, throwing it into a random corner in the room, he puts on some baggy shorts and makes his way to your side of the bed, sitting next to you. “let me see.” you whisper, moving closer to him. you examine his face, eyebrows furrowed as you see the small scar on his bottom lip and the cut slightly above his left eyebrow.

not trying to hurt him, you softly pull at his chin, gently, looking over his lips “you cut your bottom lip.” you mumble, placing your thumb on peters lip.

“it’ll heal.”

“you cut your eyebrow, too”

“really? didn’t know.” he smiles, he knows he’s slightly giving you a hard time.

“smartass.” you quickly poke at his ribs, knowing it’s his weakness, he laughs, squirming away from you. “hey, stop that!”

“your cheek is bruised too, stop beating up my boyfriend.” you voice out, in a serious tone, as you place your hands under his jaw, and under his small bruise looking over it.

“i’m spider-man, it’s not my fault.” he mummers, his brown eyes analyzing your face. you’re like an old beautiful painting to him, he could stare at you for hours.

“you’re peter, too.” you lean in, pressing a kiss to peter’s cheek, he leans into it, a sweet and pretty smile on his face. he’s sure that your kisses could cure any cut or bruise he has on his body.

you pull back, and look at him gently. he wants to kiss you until you’re sick of him, he breathes a laugh and leans in, his nose poking your cheek. “come’er”

you roll your eyes and can’t help but mumble playfully. “so bossy.”

he presses his lips to yours, they’re always soft and taste a bit like cherry, from his chapstick, you can also taste the small blood from his bottom lip. you don’t mind when it comes to peter.

he pulls and leans back, he looks dizzy and his eyes are lidded, he must be tired. you push his hair out of his eyes, and smile softly at him, you love peter so much, you’re a sap for him, but you don’t mind. you can’t help but climb into his lap and wrap around him, holding onto him while you hide your face in the crook of his neck.

“i mean it bugboy, be nice to my boyfriend.” you mumble into his neck, placing a soft kiss there.

he snorts, from the nickname. it’s been a long time since you called him bugboy. he can’t help but laugh. “yeah yeah, i’ll take care of him.” he holds onto you tight, kissing your head.

“good, i happen to love, and enjoy him.” peter lights up, a wide smile placed on his lips, his scar spilts a bit with the smile, it hurts, but he could care less. how could he care when you’re here holding onto him tight and telling him you love him? he doesn’t. he laughs, holding onto you tight, bringing another kiss to your head. he might be hurting a bit but truly this is curing him. “i love you too, sweetheart.”

[lottachaos]

GOOD OMENS SEASON TWO SPOILERS

Ok I’m gonna be deeply ranting and analyzing the kiss scene (mostly just the kiss itself) because OH MY GOSH THERES SO MUCH TOO IT

First of all here’s a gif of it:

And also I don't have a gif of it but when Crowley releases Aziraphale, what struck me was that he didn’t make them burst apart he gently and almost sadly just stepped back. And then watched. Now. One of the biggest things I’ve been thinking about in this (because I’ve been obsessively watching it over and over) is how Crowley is kissing him. It’s a long kiss. It’s not sensual. It’s not eating each others faces. It’s intimate and very romantic. Crowley missed Aziraphales lips by a hair and is slightly kissing his chin. Crowley holds him there as they sway back and forth slightly. I can’t see if his eyes are open or not. But the thing that strikes me about this is how much all of Crowley’s body language and everything just scream about how much he doesn’t want to move. He finally kissed his angel and he wants to stay pressed up against him, finally locked in the embrace he didn’t realize he needed for so long. He just stays there. He doesn’t kiss deeper. He just stays pressed against him, not wanting to deal with how Aziraphale will look at him afterwards.

then he has to break apart. He does it gently, but suddenly. Like he had to force himself but doesn’t want to . He wanted to stay, but he knows he can’t. So he steps back with his heart breaking more than he thought possible.

now onto Aziraphale.

Aziraphale is shocked. His eyes go from open to closed to open to closed. He leans back so slightly you almost can’t see it. He doesn’t seem to know how to feel.

And then his hands go around Crowley. It almost seems like it’s an unconscious motion, given how he looks after they break apart. It looks like for a split second, he lets himself melt into Crowley, as his hand wraps around his back and slides across it. But then he hesitates again abd takes his hands away. He thinks he can’t melt into Crowley. But there was the one moment where he broke.

after they break apart, Aziraphale looks shocked, upset, desperate, and to me, even a little disgusted. Probably because he doesn’t know how to deal with it. He licks his lips and moves his mouth around abd seems uncomfortable. But then after Crowley leaves he presses a hand to his mouth. He holds it for a second and starts crying. He realized he liked how it felt. He realizes everything he’s been missing. He loved the feeling of Crowley’s lips on his. Most importantly, he loves crowley.

on the topic of people hating on Aziraphale and saying the metatron did something to him, I disagree. This seems completely in character fir Aziraphale. He’s not an arsehole, he’s in conflict. He thinks he’s not allowed to love Crowley. I get him.

ok Thanks for coming to my Ted talk hehe bye