#i also just think shes a sort of...misunderstood or like

[resolvebound]

@quiiscnt im taking the opportunity to do 3 😅 so here's #1/3

Send ⭐ for a sample of a new muse I am thinking of writing // accepting

The soft sigh she let out would have come across as exasperated to some, yet those who had come to know her well would see the touch of a smile and the warmth in her eyes. She watched Wendy fall deeper into sleep, marvelling at the way the girl could rest on the floor as she was. Even with the pile of blankets they’d amassed for their ‘movie night’, it wasn’t particularly comfortable on the floor of the lounge.

Charle suppressed a yawn and eyed the movie Lacrima that continued to play softly. Would Wendy wake up if it was turned off? Perhaps she’d wait a few minutes more, just to be sure it was safe. Wendy deserved a good rest, after all. They’d had quite a day of travelling, finally returning home after an extended mission together. Tiring as it had been, it was…nice to not be involved in some world threatening danger for a change. Did they dare get used to it? She supposed she could channel her prophetic powers if she really wanted to know…But the future was too fluid, she knew, nothing could really be certain.

What she did know for sure, was that Wendy would wake up with a stiff neck from the position she was curled in now. Really, she should be moved to her bed, or at least the couch.

Another sigh slipped from Charle as she adjusted herself to stand, paws brushing invisible dirt from her clothes out of habit. Closing her eyes, she focused her magic and allowed it to wash over her, the transformation sending a warmth through her body. Now considerably taller than she was (though her ‘human’ form was still hardly tall), she opened her eyes and peered down at her dearest friend, watching for a moment to see if she remained asleep. Reassured for the moment, Charle quietly shifted closer, glad that she had pushed herself to gain new magic so that she could be of more use. Stronger (and longer) limbs certainly made gently scooping up the young dragon slayer now a lot easier, after all.

With Wendy’s slight form in her arms, she carefully lifted her to the couch and eased her down on the plush surface. Certain the girl wouldn’t wake, Charle straightened up watched her for a moment, a fond smile playing on her lips.

She then turned and picked up one of the blankets from the floor, draping it gently across Wendy before moving to sit upon one of the nearby armchairs with her own blanket. Content for the moment, she allowed her eyes to close and peace to seep in.

And that was when the vision struck.

[shigayokagayama]

What are the biggest losses between the manga and anime? I just finished watching mp100 and I'm curious what the manga has!

ok biggest losses are kind of hard to define because like. anime and manga are two inherently different mediums and there are a good amount of cuts that improve pacing and then a good amount of cuts that people sort of argue over the merit of so im just going to go for biggest differences. i would also highly recommend reading the manga just because it is a pretty different experience tonally along with the minor plot differences and cut scenes + theres a bunch of omakes that both flesh out characters that dont get too much focus and have some really good bits in them. putting the rest of this post under a cut bc i ramble

mogami arc

this one is kind of inescapable i feel like but the anime version of the mogami arc had a LOT of things trimmed for a couple different reasons. season 2 already got an extra episode in order to do the fire scene as a cliffhanger so with the way things shook out the director had to choose between a. cutting a bunch of stuff out of separation arc to make it one episode so mogami arc couid stay three episode or b. cutting a bunch of stuff out of mogami arc so separation arc could stay two episodes. imo they made the right choice, whats even the point of adapting mob psycho if you dont get confession arc right, but some of the cuts to mogami arc will be dearly missed and others will be fought over to the end of time. cuts include:

minori being established as a brat in a video everyones shown and the video being part of how reigen deduces shes possessed (reigen deducing her possession in the manga is generally just a lot better done and after you read the manga the scene in the anime feels so awkward because you know whats missing

the psychics deciding to band together to beat this little girl to death to save themselves and shinra stepping between them to protect her and getting utterly thrashed, not by mogami, but his fellow psychics

reigen trying to convince mob to leave without him and call for help while he distracts him which leads to this

the general mogamiland section lasting a lot longer and being more brutal (notably the stray cat mob feeds getting killed in front of him)

mob getting fucking torn to pieces by spirits during the fight instead of ambiguously dying offscreen

generally would recommend if nothing else reading the manga version of this arc and confession arc because i feel like these are the only two where you lose like. a significant amount of the story and themes from the cuts. speaking of....

2. WHY THE FUCK DID THEY CUT THIS I WILL BE MAD UNTIL I DIE

maybe its just because i reread this arc on its own probably 50 times before the anime came out but this is the only arc where the cuts actively piss me off because there is absolutely no reason they had to do it. they cut a bunch of important shit, left in things that didnt need to be there, and added scenes that contribute literally nothing to the overall point. if they just did any one of those things or combo of two of those things i wouldnt be as mad but it feels like they put a bunch of filler in then speedran the actual story

cut #1 that pisses me off: HOMOPHOBIA?????

THERE WAS SUPPOSED TO BE A HEART IN HIS EYE. WHY DID THEY NOT INCLUDE THIS. THIS IS THE CULMINATION OF TERUS ARC. THIS IS HIM SEEING THE PERSON HE HAS IDOLIZED AND DEIFIED IN HIS HEAD AT THEIR LOWEST AND STILL CHOOSING TO LOVE HIM, AND THROUGH THIS HE IS CAPABLE OF BEING LOVED EVEN THOUGH HES NOT PERFECT BECAUSE NO ONE IS. WHY WOULD YOU CUT THIS?

cut #2 I NEED WHOEVER CUT THE DIALOGUE FROM THE FIRST PANEL IN PRISON

the lack of inclusion of the first panels dialogue along with the cuts to the mob and shigeo conversation (WHICH WE WILL GET TO) make me think the person who adapted this arc fundamentally misunderstood what was happening. this line. is. THE POINT. THIS ISNT SOME SEPARATE SCARY THING. THIS IS MOB. HE IS CHOOSING TO DO THIS BECAUSE HE IS SCARED AND ANGRY AND HURT BUT HE IS IN CONTROL OF HIS ACTIONS AND ALWAYS HAS BEEN.

cut #3 HE DOESNT WANT TO BE HELD ACCOUNTABLE FOR HIS ACTIONS

this entire conversation is so good and i was looking forward to watching it voice acted for so long and its just. gone. for me the "i am shigeo kageyama who are you" reveal felt like a gut punch because the opening being "i knew i would be needed" made me go "oh hes like possessed or his powers are sentient or something" and this conversation was the slow unraveling of my view of these as two separate people and instead as a scared, traumatized teenager who has convinced himself that the parts of himself he hates are something else outside of his control instead of an intrinsic part of who he is because if he's convinced that the parts of him that are able to feel desire and frustration and anger and malice are him then he'll lose all these relationships he's worked so hard to cultivate as his perfect, non confrontational self. and of course that isnt true. all his friends and loved ones are making their way to the center of a damn hurricane because they see he's in distress and want to help him. but he cant see that so he pushes them away. ugh. mob. protagonist of all time.

cut #4 WHY WOULD YOU CHANGE THE COMPOSITION OF THIS I CAN LITERALLY SEE HOW THIS WOULD BE ANIMATED IN MY MINDS EYE W

can you imagine how beautiful this would be in motion. just. god.

cut #5 HE WAS TALKING OUT LOUD. REIGEN HEARD ALL THIS

:(

cut #6 the bowling arc

so the scene where reigen takes his shoes off is supposed to be a lot more solemn bc like. taking your shoes off before killing yourself is a trope in japanese media (ive heard it started in media and bled over into real life but i might have it backwards?). reigen knew he was probably going to die. anyway i cant take this scene seriously because of this edit

the bowling arc.

cut #7 WAAAAAAAAAAAA

WAAAAAAAAAAAA *sniff* AAAAAAAAAAAAAAAA

cut #8 homophobia again

rip pensive fruity tea sip

cut #9 mob threw the cake directly in reigens face on purpose

i literally experienced every stage of grief realizing this got changed. why. its so perfect. why would you change this.

3. World Domination arc

so WD arc is in a very interesting place where it had a lot of scenes cut but unlike the other two most of the cut content youre like. yea probably best not to include that. ill start with the good content that got cut then go into the weird content

serizawa got his power drained by toichiro. i am quite sad this scene didnt make it in because its sorta heartbreaking

teru fighting off the claw assassin is shown and we see that teru can both make shadow clones AND hold a barrier while attacking, he seems to be the only esper with this ability!

the reason dimple could tell mob's family was alive is that there was no sense of grudge at the house which would have been left behind by people passing in a violent manner

mob briefly goes unconscious during the start of the toichiro fight and dimple possesses him and says "shit"

dimple possessing mob shoots shibata with a gun

we get mukai lore.

it doesnt make any sense and just raises more questions but we get it.

toichiro has a team of telepaths to recap where everyone is because this arc took an entire calender year to update

literally everyone shows up to fight shimazaki. i cannot stress enough how many people show up to fight shimazaki. it would be faster to list espers who dont show up to fight shimazaki

the middle school delinquents show up and start fighting the claw grunts literally completely out of no where and this is never brought up or referenced ever again

when mob and ritsu get home ritsu says all their stuff is in boxes and they need to hurry and redecorate the house before their parents get home which implies that shou packed the entire households worth of belongings into boxes and hid it somewhere before lighting their house on fire which is such a funny mental image that i cant even be mad at it. loony toons ass plot point.

4. other random interesting cut things

takenaka is just generally more of a bitch during alien arc. "ah i think they took him" remains one of the funniest goddamn panels in the manga

peak

alien arc overall is a lot funnier in the manga, i have a slight preference for the manga version just bc theres a lot of really good bits that didnt make it to anime but the anime version is so heartfelt and nostalgic it makes me happy

between omakes and small things that got cut or changed for the anime teru just feels way more fleshed out in the manga. like. anime teru is a completely different person. its hard to explain if youve never read it.

the all girls school part originally went right before the ghost family stuff and was the beginning of mob's existential crisis about why spirits and people get different treatment but tbh it works well where it is i just wish it werent. like that.

the scene where ritsu and teru shake hands was teru draining ritsus power which he seems to have learned to do from encountering ???%

teru.

ow

thats all i can think of off the top of my head, im sure ill realize i forgot something some time after posting this but. yeah. read the manga its good

[seullovesme]

need your attention » nakamura kazuha

pairing ⥬ kazuha x f!reader

genre ⥬ fluff

summary ⥬ you pay the le sserafim girls a visit after one of their stages and your time spent with a certain member was misunderstood by kazuha

sorry to my dear anon who requested this, ive been neglecting this for so long 😞

the attention of the le sserafim girls was caught when a member of the staff quite loudly questioned you, asking who you were and why you were trying to get inside.

the first one to recognize you was eunchae, she was surprised to see you and got the attention of the leader sitting beside her, telling her to tell the staff to let you in. "unnie! look it's y/n, tell them to let her in!"

the other girls heard your name and turned to see you standing at the door with a face mask on being talked to by some staff. chaewon got up and rushed to go and assist you while the members all smiled at each other.

she pulled the face mask off your face and grabbed your wrist, dragging you to where everyone had been sitting and she sat you right beside sakura before claiming her spot beside yunjin.

"y/n!" the eldest cheered as she hugged you as tight as possible, making your face turn a shade of red as you felt the air leave your lungs. "hey, stop hogging her!" eunchae yelled as she also lunged toward you and you yelped when she squeezed you too.

"guys stop! look at her, she's gonna pop!" they both let go of you to take a peek at your face and you gasped for air. "one more second and you may have actually suffocated me." you say in between small breaths, smiling at the affection of your friends.

"not our fault, where have you been? we missed you!" sakura said, going in for a much softer hug. you took your eyes off her and glanced at kazuha who was crossing her arms, looking disinterested. did she not miss you at all? you looked away and coughed as you noticed that the rest were all patiently waiting for your response, wondering if they saw you peek at the ballerina.

"w-well, i've been busy working at this new company and i actually got paid yesterday, so i was hoping that i could treat you guys out for dinner!" when you made the offer, the girls all got up and began squealing in excitement. it was nice finally seeing them again, you enjoyed watching them be so up and active, just being so cheerful. especially zuha.

but she didn't get up like the rest of them had. she just kept sulking in her seat. you could tell something was off about her and that she was thinking really deeply, but you chose not to say anything. you knew that she would tell you what was bothering her sooner or later, she always let you know what was on her mind.

they began discussing places to go and what foods they were craving. you watched them happily, ecstatic that you were able to treat them after all the times they treated you. you continued sneaking glances to kazuha, hoping to catch her looking at you as well, but her eyes were locked onto sakura. you turned to sakura and realized she had been talking to you.

"mm? sorry, say that again i wasn't listening." you laughed nervously and rubbed your neck.

"oh i was just asking if you had any preferences like what kind of food you wanted, or if there were any restaurants you were interested in going to."

you shook your head in response. "no, it's up to you guys. i'm not picky." sakura nodded and went back to chatting after you gave a small smile.

you looked back to where kazuha was sitting, but she was gone. you searched the room for her, eventually spotting her sitting at a vanity, mindlessly going through her phone. thinking back, she didn't have any input about food. was she not hungry?

you got up and walked over to her, hoping this was the chance to talk with her one on one and hopefully ask her to go out sometime, just the two of you. she didn't look up from her phone when you stood there awkwardly, sort of ignoring you.

"hi." you were going insane on the inside, your braincells going into a code red as you lost the ability to think of what to say. she put down her phone and made eye contact with you through the mirror, waiting for you to continue.

you cleared your throat. "so... did you not have any food suggestions? where do you want to go?" you asked, your voice a little shaky.

"hm. i don't know, why don't you ask kura unnie?" she said while she broke eye contact, picking at a thread on her shirt.

"what?"

"you should ask kura unnie, sure seems like she has a lot to talk to you about." she mumbled the last sentence, but you heard it clearly. you spun her chair to face you directly.

"what's going on? is everything okay, kazuha? you can talk to me, you know i'll hear you out." zuha sighed and leaned back in her chair as she crossed her arms. you pulled up a stool and when you seated yourself, you were a little shorter than her. you put a hand on her knee and gently stroked it as an attempt to comfort her.

"well, she's been hogging all your attention and you didn't give any to me. you didn't even say anything to me until now." she just looked away, embarrassed to have admitted her need for your attention out loud. "but i guess i understand, she's really pretty and all. honestly, i guess i'm.. glad she feels the same." she finishes hesitantly, her words lacking sincerity.

with the way you couldn't understand what she was talking about, it was like she was speaking another language. who feels the same about what? and she just wanted your attention? you blushed at the fact that kazuha flat out said that she was upset you didn't give her attention. she was adorable.

"what do you mean? sakura feels the same? about what?" you questioned.

"don't play dumb, i can tell you like sakura!"

you tried not to, but you laughed. "i do not like sakura, where did you get this from?" kazuha huffed and pouted, annoyed by your reaction.

"you were all over her earlier! you were basically giving her heart eyes." you scoffed at her response, rolling your eyes with a smile.

"heart eyes? all over her? oh please, we had two conversations."

"what about when she hugged you? you seemed to enjoy it a little too much."

"she was squeezing the life out of me, what do you mean?! plus, eunchae hugged me as well."

"well," she thought about another argument, but she didn't have anything else to say. "whatever." she went back to playing with the thread on her shirt, feeling kind of silly because you were right after all. there wasn't anything weird about what you were doing her member, but it still bothered her. just watching you talk to her when you hadn't even tried to talk to her once this entire time affected her tremendously. she felt frustrated with all these mixed feelings.

and you could tell. you saw that she was bothered, and she was even saying it out right that she was upset about your interactions with your other japanese friend. the only thing was that you knew how she felt. "zuha, you don't think you're a tad bit jealous?"

it was her turn to scoff. "jealous? of what? the fact that you like kura unnie and not me? pshh, no way." kazuha frowned slightly because she was, and it was making her say these stupid things. curse her stupid heart and it's stupid feelings.

"oh, kazuha." you lifted her chin, initiating eye contact but she just pouted, scared to look you in the eye.

"i told you, i don't like sakura that way. in fact, it's quite the opposite." she finally gave in and stared into the windows of your soul.

"she is pretty," you observed the twitch in her eyebrow when you said that. "but i think you are the prettiest girl out of everyone in the world." her jaw just fell and she watched the corners of your lips curl up.

"i'm sorry i didn't give you any attention. i know i usually do so i understand why you were bothered. you weren't used to it, were you?" kazuha shook her head, and you smiled as she eased up the tension in her muscles. you just needed to let her know that you understood, that's all.

"how about this, i give you my undivided attention for as long as you want this upcoming saturday, just us. does that sound better?" you offered and she was dumbfounded.

she uncrossed her arms and nervously rubbed her palms on her thighs, feeling the heat of your gaze cause her to sweat a bit. "are you.. asking me out?" you just nodded and watched as kazuha's eyes lit up. she clapped her hands together and flashed her sweet smile, and it felt like you were watching an angel spread it wings for the first time. it was just a beautiful sight to see.

"then yes! it sounds much better." she took the hand you had resting on her knee and held it tightly. you swooned over her touch, enjoying the way she shined. "i don't want any other girls to have you, you're all mine."

you raised one eyebrow at her words which kazuha picked up as you teasing her, and she hit your shoulder in response. you snickered, interlocking your fingers with hers and tugging her, pulling her up to stand. you gave her another smile and brought her back to the girls who were finalizing their choices.

you sat where zuha was sitting previously and pulled her onto your lap, wrapping your arms around her waist. the four of them turn to you two and carried on with planning like it was the usual. because it was, it was always you and kazuha, kazuha and you.

everyone knew you and zuha were like two peas in a pod, and it seemed that the only ones didn't were the people in question.

literally took me so long to finish one fic, wtf is wrong with me rn😒

[liketwoswansinbalance]

In the modern publishing landscape, these days, I think like we do not have many (if any) point-of-view characters with low social motivation for whatever reason.

Sure, there are lots of characters with social anxiety or other perceived or legitimate foibles to overcome, there are many YA villain origin stories, and there are many unpalatable, traditionally "unlikable" men in classics, but disregarding those, who else do we have?

Can the state of openly being alone (and content) rarely be presented as morally-neutral or as the end result of a narrative? Must it always be that either being alone is the starting point, so there's room for "personal growth," or that being alone is seen as "undesirable" and/or an indication that the person alone has a "problem" or something otherwise wrong with them, like a deficit or moral failing that in some kind of karmic way gives them "what they deserve," which is being alone and discontent with it?

Characters with society anxiety, any differences in communication, or other reasons that interfere with forging connections "don't count" because they may still be motivated. Traits such as these only stand in the way of gaining relationships, as plot obstacles. They aren't intrinsically tied to indifference or to low motivation. So, these characters clearly are not experiencing a lack of interest. And they are not the ones rejecting others. Thus, they "don't count" as far as the archetype that I'm looking for goes.

Characters who undergo villain arcs or otherwise negative arcs may want to maintain their relationships or gain them, so some examples are immediately disqualified (hence not having low social motivation), even if they are the type of character most likely to alienate themselves by a story's end, conflicting with what they wanted.

(Unfortunately, Coriolanus Snow, who is quite close to the type of protagonist I'm searching for "doesn't count" because he has some drive to keep people in his life.

Rafal Mistral partially "counts," and is satisfying as a character, but also doesn't count because he temporarily makes "friends" or allies, depending on how you look at his exploits. Yet, despite all this, not having friends isn't exactly framed as a morally-neutral state either, so he is also disqualified by the end. Basically, he does have low social motivation, but his narrative lacks the conditions that would make the natural consequences of that low motivation play out for themselves. He is always surrounded by people, even if he hates every last one of them.

And, generally speaking, the usual, moody-broody, "misunderstood" YA love-interests very easily "don't count" because they have a desire to get closer to their object of affection.

Even Katniss Everdeen, an overall good person, who usually views herself as "unlikable," befriends others, originally for pragmatic, survival purposes. However, she does start with low social motivation, so that's something in her favor.

And yes, I'm aware that we need other people in this world—I would just like to see someone prove that supposed truth wrong once. And perhaps succeed in their world, if that's not too much to ask for.)

Also, are there any instances of characters who progressively alienate themselves from others, in which that progression is not inherently seen as negative? Like, what about non-corrupt misanthropes? Are there few of those in literature? (Maybe—Eleanor Oliphant from literary fiction counts, but something about that book did not appeal me and I didn't finish it.)

Classics guys sort of "count," but I haven't really seen examples of any comparable protagonists today since many authors and readers write and look for "relatability" in blank slate everyman figures oftentimes.

(I'm not done with Crime and Punishment yet, but Raskolnikov is very tentatively looking like a safe bet for a character who may end up alone and who may not be completely malcontent over such a fate, even if I'm expecting tragedy. I'm that not far along, but I also wouldn't mind it too greatly if he died, I suppose.

And even Sherlock Holmes has Watson as his constant, even if he's notoriously asocial! So he "doesn't count" either.

Carol from Main Street also comes close, but still ultimately desires approval from others.

Maybe no one is truly immune to humanity and I should give up on this notion?)

How many pov characters out there are 1) apathetic toward the masses and 2a) either alienate themselves as the plot progresses or 2b) do not make any friends? (I will allow them making friends and consequently losing them though because that still ends in net zero!)

Indeed, this "gap" in protagonists I've been running into lately, especially with coming-of-age arcs and protagonists whose arc is some form of "getting out of their shell," is: why do we (almost?) never see protagonists who just flat-out don't progress in terms of connecting with fellow humans?

Wouldn't having even a handful of those types be reflective of reality? (We as a society are more disconnected than ever, to be fair, despite constantly having access to one another via technology.)

Or I would completely understand it, if it were narratively impractical to have a plot in which a protagonist makes zero friends. Maybe, it's a near-unwritable form for a story?

So, my question is: does anyone have book recommendations, which present a character whose end goal is not to make friends or forge connections (any other ambitions or motivations are fine) and whose state of being friendless both lasts and is regarded as morally-neutral or as not outright evil? Any genre is fine. High fantasy is preferable. I am stumped.

(I also wouldn't mind recommendations of books in which the protagonist is vilified due to being alone, even if that is not my primary query here.)

[lsgv]

Prompt #15

“What is it? What’s wrong Sidekick?” Hero rushes to shacking sidekick.

“No-nothing… I-“ sidekick tries to explain, but the sobbing doesn’t let them.

“Come here,” Hero hugs them. “It’s ok, shhh.”

Sidekick lets out muffled cries, they can’t control it.

“It’s ok, it’s ok, don’t worry, everything is fine, you’re all right, you’re safe, shhh, it’s ok, you’re safe here.” Hero reassures, poor kid, something bad must have happened.

“I- I don’t know wha-what to do with myself anymore.” They manage to say, shackling. “I don’t-I didn’t know where to go get help, Hero! You’re my-my only hope, Hero, I feel like I’m dying inside. Please, please help me!” Sidekick cries.

Hero is shocked, they had alway thought that Sidekick was alright, how could they miss this?!

“Hey, it’s ok, I’m here, I’ll help you. Don’t worry, I’ll always be here for you, ok?”

Sidekick only nods and hugs Hero tighter.

“I’ll make some tea, just sit in the couch, feel like home.”

“Th-thanks” Sidekick answers sniffing.

“I’ll be right back.”

Hero prepares both tea cups and returns to Sidekick after it.

“Careful, it’s hot. “ Hero hands Sidekick their cup.

“Thanks”

“Do you wanna talk about it?”

“About what?” Sidekick takes a sip of their tea.

“About why you came here in the middle of the night crying?”

“Oh, that… umm, I had an argument with my mom.” Sidekick says embarrassed.

“Oh, what happened? Was it that bad really?”

“Well, umm… I-I-she hit me with a pan multiple times and then gave me a speech on why I’m a failure and why I can’t be more like my brother and all of that… but umm… I also didn’t come immediately here, I, umm, I was kinda sucidal and cut the veins from my arm, then I realized I’m sort of a hero and couldn’t just die, so I stitched me up -kinda- and now I’m here and I don’t think I plan returning home.”

“What the fuck” Hero murmured. “Are you ok?! Do you need help with your wounds? Why didn’t you start there? I-I’ll go get the first aid kid, do-don’t move.”

“Hero, I’m ok, don’t worry.”

“Too late, you’re getting all patched up.”

Sidekick sighed and took a sip or their tea.

“I’m back, where would you like me to start, in the arm or…?” Hero placed the kit on the coffee table.

“The arm, please.”

“Ok, let me see… Oh my gosh, Sidekick, what the fuck did you do?! This is baaaad.” “Sorry?”

“Don’t be, it’s ok, you’re gonna be fine. Just take a deep breath, I’m going to cut the stitches you made, ok?”

“Ok.” Sidekick took a deep breath and Hero rubbed some alcohol, and that alone hurt a lot. Sidekick grunted.

“Sorry, sorry, sorry. It’s almost over.” That was a lie.

Hero then started cutting the stitches, hurting Sidekick more.

“You know what, bite this down, we don’t want more accidents.” Hero handed a bandage roll to Sidekick.

“Ready?”

Sidekick nodded in agreement. Hero finishes cutting through and cleaned everything to restitch them. Sidekick’s screams were muffled but still awful to hear.

“Ok, done!” Sidekick sighed with relief at those words. “Now, did the pan leave any wound that I can help?”

“I don’t think so, I didn’t feel any blood or anything, maybe just bruises.”

”Do you want me to check?”

“No, it’s ok, thanks.”

“Ok. Come here, I’ll show you your room.”

“Room?! As in my room?”

“Yeah?” Hero was confused.

“Wow! I never had my own room! Awesome!” Sidekick was stunned by that.

“Wait, what?” Hero was shocked, they hoped they misunderstood that.

“Yeah, my siblings and I all slept in the same bed.”

“Oh, I see, well, this is all yours.”

“Really?! Thanks.” Sidekick hugged Hero.

“It’s this one.” Hero opened the door.

“Wow!.” Sidekick was impressed, it was enormous.

“Thanks Hero, really, thanks, thanks, thanks!” Sidekick hugged Hero.

“You’re welcome, Sidekick. There’s clothes in the counter and soap and everything you might need on the bathroom. Do you want dinner?”

“Thanks, but I ate at my house. Really, thanks for all.”

“That’s what friends are for.”

And with that, Hero left Sidekick in their new room.

[ron456]

AHHHHH- IM SO SICK OF THE BS I SWEAR-

FIRST OF ALL-

He doesn't "act naturally" or "normal" because HE'S AUTISTIC-

Will Roland portrays him as AUTISTIC so he's gonna act AUTISTIC-

ALSOOOO- IT'S BROADWAY, BABE- THEY NEED TO BE OVERDRAMATIC AND VERY EXPRESSIVE OTHERWISE THE PREFORMANCE DOESN'T CARRY THROUGH THE WHOLE THEATRE-

AND ANOTHER THING- Jeremy is supposed to be a "loser"-

he gets bullied and is misunderstood by his peers because he is, well, NOT CHILL-

HE'S "CHALANT" AS HELL-

He gets bullied because he cares about things too much, he's anxious, he's loud-

And in regards to the "can't hold a note for too long"- have you heard Loser, Geek, Whatever? Or More Than Survive? Or Two Player Game??? Song where he holds notes for quite a long time- ALSO- to say that Will Roland can't reach the same notes as Will Connolly is just... not true.

And one of the reasons I think some people think Will Roland is "a worse singer" is because, sometimes, stylistically, Will Roland will use a sort of falsetto/head voice (which I LOVE BTW AND IM SICK OF PEOPLE CALLING OTHER PEOPLE BAD SINGERS BECAUSE THEY USE HEAD VOICE- IT'S BEAUTIFUL, IMPRESSIVE, AND REQUIRES GOOD BREATH CONTROL TO MAKE IT NOT SOUND CRAPPY AND WILL ROLAND DOES IT AMAZINGLY) like when he says "hero" and "Rob Dinero" (idk if that's how you spell it 😭) in More Than Survive.

It's not that he's a bad singer, he is taking the brunt of his voice during those parts and also, given that it's this little solo/soliloquy moment for Jeremy, I think that Will Roland's choice to use a light head voice there is perfectly well-placed. It feels kinda personal, I guess. And I love it <3

Not to say that Will Connolly's way of singing it isn't also great. It's awesome! But like, guys, we can't keep getting pissed when a new actor in a show doesn't have the exact same singing voice as the original 😭 That's just silly, guys. 😭

(LIKE WHEN PEOPLE GOT PISSED AT ELIZABETH TEETER'S LYDIA FOR SOUNDING TOO MUSICAL THEATRE-Y?? LIKE. HUH?!? GUYS, IT'S BROADWAY- WHAT DO YOU MEANNN??? Sorry, I have feelings- Also, Shoutout to Elizabeth Teeter, btw, cuz' she slayed <3)

Anywaysss- back to Will Roland's voice- he is very much capable of hitting the notes that Will Conolly hits- if not higher (IT'S NOT A COMPETION THO, GUYS- PLS DONT COME FOR ME). For example, the acoustic version of Loser, Geek, Whatever on Spotify which, I believe, is a key higher than usual!! This man can belt some high notes when the situation calls for it! And also, (these are not really bmc related but whatever) during the harmony or whatever at the end of "Sincerely, Me", that is none other than WiLL RoLaND (!!!) hitting that high E (I'm pretty sure it's an E. I hope it's an E. But regardless, it's still a SUPER HIGH NOTE) at the end! And in "Amphibian" on Joe Iconis' album titled, well, "Album", Will Roland hits some insanely high notes!!! ( EVEN IF THEY ARE HEAD VOICE. I REPEAT, HEAD VOICE DOES NOT MEAN BAD SINGER!!)

Also, as a little additional statement to my "Jeremy is autistic/ autistic-coded so Will Roland played him as autistic"; this is not to say that Will Conolly didn't add some "autistic flare", if you will, to Jeremy. I mean, just yesterday I was freaking out with my friend about a gif of Will Conolly's Jeremy doing the autistic flappy hands :))). And I think that he was a good baseline for other Jeremy's to build off of!

Also, I feel like the people that are saying that Will Roland's portrayal of autism/neurodiversity is "ableist" or "incorrect" or "too dramatic" are sorta failing to understand/acknowledge that autism/neurodiversity is a spectrum. Not every person with autism or another kind of Neurodiversity is gonna act the same. And I think that's something really beautiful that we should all cherish. It is GREAT that we are all different but also, in many ways, the same!

And to see myself and my uncontrolled speaking voice and weird noises and such represented by Will Roland on stage is such a beautiful thing that I think 'ought to be cherished.

[brf-rumortrackinganon]

I don't know if you have enough data to answer this, but I believe that the Sussexes are becoming more irrelevant, people have just lost interest: do you get the same number of rumors nowadays as you did a couple of years ago? Or less?

What's your "sentiment" about this, if you feel inclined towards a little speculation?

I don’t have any quantitative data, this is just based on my observations.

First, the media’s interest in the Sussexes has dropped significantly. It used to be that they had new stories on them daily. Every day, no matter the occasion or what else was happening. Now, it’s about once a week, if that. (Excluding when they’re on “foreign tours”.)

Second, they’re not organic discussions on social media. They aren’t in the algorithms unless there’s a huge PR push (aka $$$) involved, like with the recent ARO product “launches” or the rumormongering about Kate’s health/the Waleses’ marriage. That means people aren’t talking about them until they’re paid to talk about them and then they go to work with trending topics and algorithm manipulations.

Third, there was a huge reckoning during the pandemic that saw an enormous shift away from the celebrity influencer culture of the ‘10s. People aren’t paying attention to celebrities just because they’re pretty or famous or wealthy anymore. People are paying attention to, and supporting, people who have values, who do something, who are meaningful.

That’s not the Sussexes. The Sussexes - Meghan more so than Harry (because Harry still offers purpose through Invictus Games, but he destroyed a lot of it with the whining in Spare) - are trapped in their “famous for being famous” mindset that was the late ‘90s - mid ‘10s. They haven’t evolved as the culture and as society has evolved. Meghan tried, with all those bandwagon trends and topics she spouted 2018 - 2021, but they always failed because everyone could clearly see she didn’t actually care about those things, she was only using them. So people aren’t giving them attention because they don’t fit the current model for our idea celeb. (And that’s why you see a lot of celebs hustling with their own companies and brands or charities now, separate from their acting or music or modeling - the market has shifted from their pretty faces to the contributions they give to society at large.)

Fourth, the Sussexes greatly overestimated the Oprah interview and their “revenge era” against the BRF (the time from Oprah to Spare when they were, more or less, gossiping about the BRF and whining about not having enough privilege). Their expectation was that everyone would be on their side and we would all condemn the BRF with them. They overestimated and misunderstood that the global majority of the world a) respected The Queen as much as we did, b) saw it was completely ducked up to have done the Oprah interview while Philip was literally dying (and also the Sussexes’ claim that “they’re just saying he’s sick so we don’t do this interview” was all sorts of inappropriate), and c) would never air our own family’s dirty laundry in public like that and judged them horrendously for doing that to The Queen and the BRF while their patriarch was dying. That alienated a lot of people and the result wasn’t “all hail Harry and Meghan, Royal Freedom Fighters” (which was the Sussexes’ expectation); it was “who the f@&k do they think they are” (especially after Fleet Street published about all the lies they told during the interview with receipts).

And finally, the biggest indicator that they’ve become irrelevant is the blogs here. Just look at how many blogs have stopped posting or changed their content. There’s a huge group of bloggers that left or lost interest, and the blogs that remain tend to fall on either side of the spectrum: they either love the Sussexes or they hate them. There’s no middle ground anymore, and it kinda does actually suck. It doesn’t mean the neutral/middle blogs and anons and readers don’t exist (they do, they’re here, I see them on my dash and in my mentions) but they’re lurking more than engaging. The people engaging are people that either love or hate the Sussexes, so there’s a lot of “same” being blogged and discussed. (It’s why I’ve not been posting recently - I get bored when we talk about the same things over and over so I check out for a bit until I can think of something (or see something) different to change the conversation with or I get anons with questions (like this one) that scratch an itch in my brain.)

So to that question, yes, the Sussexes are becoming irrelevant. They’ve become quite irrelevant if you go by the media and social media that was happening in 2017 when they got engaged.

For your question about the rumors and theories, yes. There’s been a huge drop off in those as well. I used to be updating my spreadsheet daily with all the gossip and discussions happening, but now, it’s just once or twice a month. I will admit that part of that is because the sources I used have become venomously anti-Sussex or anti-Kate and I’m just not interested in that so I don’t go to those places as much anymore. But another part of it is that there’s just an absence of people talking about it. The people left discussing the Sussexes are, again, either you love ‘em or you hate ‘em and that brings a certain bias to the rumor mill and the conspiracy theories, which can actually become very toxic very easily because there’s no one left to moderate or play devil’s advocate to remind everyone that these are real people with real families and real lives; yes, running away with your imagination is fun but it’s also not a realistic barometer of who these people (the subjects of the gossip, the sources of the gossip, and the consumers of the gossip) are.

And I think when you’re left with the two extremes of the spectrum - haters and lovers - that’s the ultimate show of irrelevance. The “middle” (or the silent majority, if you will) has completely noped out of the conversation and doesn’t have even a rat’s ass to give you.

That’s why all the Sussexes have left is either divorce or reconciliation with Charles, William, and Kate. If either one of those things happen, they’ll suddenly become relevant again. But they don’t either of those. They can’t afford either of those options reputation-wise because both options end with egg on their faces and a global chorus of “I told you so” from family, press, and the public.

So they’ll just stay stuck getting more and more irrelevant because their egos are too enormous to allow being served some serious humble pie.

[pruneunfair]

different medias ways to promote internalized misogyny: an essay.

Do you remember any of those "Me vs other girls" templates that people nowadays use for yuri art? the type that are so painfully cringey that you think whoever made it is just messing around. We think that it just died down when everyone matured but that's not the case, internalized misogyny is still rampant in media that promote it in a subtler way. One of them is of course Otome isekai, the genre of isekai taking place in a fantasy/historical romance book/video game within the stories universe.

everyone knows the good old classic shojo tropes that haven't been popular in years. A female lead who is pure and sweet, a handsome and powerful male lead who will save her with marriage, at least one other guy who will fawn over said female lead, the best friend with the personality of 2016 quirky memes, and of course the evil villainess with a design that is very obviously designed look evil, villains with a Ursula or the evil queen from snow white vibe if you will.

for a long time now in the manhwa community, one of the most popular tropes is an isekai/regression of a villainess who is hated by all. This likely isn't the very first one with this idea but villains are destined to die is one of the most popular with this trope, and it worked. Penelope still retains a level of evilness even with a new soul to keep up with the fact that the OG Penelope was the villain. The og fl Ivonne isn't exactly demonized either, her body is being possessed by a demon named Leila and her soul is stuck in a mirror so no woman is one archetype. VADTD was a phenomenon and it got people into the idea that a villain could be as best a protagonist as a heroine. The community however, had a problem. Even though it was made explicitly clear that Ivonne was not at fault, there were tens of hundreds of the novel readers who still blamed Ivonne instead of Leila. This is not the fault of the author of course but it would be a warning for what would come.

ever since that trope has become very popular due to the nuance it could give. Eventually someone came up with the idea that the typical pure and sweet fl would be the evil one instead, it worked for Cozy Glow so why not here? these fl's ended becoming ogfl's who were pick me's, cruel, crybabies, and most of all: incredibly stupid., this even went to stories that aren't within a novel by using characters who had that sweet angel vibe. They could never hold a candle to the new badass girl bosses because they're old school and like all the other vabid rich ladies. This idea alone wasn't bad but it has been watered down to the point of unoriginality and even writing a mess of a story. They want people to actually hate the ogfl for hurting the misunderstood former villainess and to do that, you'd think they would write them as these calculating manipulators who were not to be fucked with. At the same time though they want to prove how awesome and perfect their new protagonist is and there is a misconception that flaws/mistakes=weak female lead. This results in not just Mary-sues your expected to take seriously but also pathetic villainesses you can't even consider a real threat.

Here's an example of the watered down white lotus trope: Cosette Weinberg from Actually I was the real one. (the manhwa, AIWTRO novel is not as bad)

While not being an isekai but a regression story, Cosette defiantly is meant to resemble the sort of long lost royal daughter who shows up, gets bullied by the "fake" daughter and unlocks her own super epic power to become the best in all the land. In reality Cosette is dead and a demon is controlling her body and being able to use her elemental power is a mere bonus in controlling her body. Since she is a demon you'd think Cosette (or Ragibach) would be a terrifying menace which.. she was portrayed as at first. But she's the basic bitch pick me! so she should never be allowed to win even a small argument, because how else is Keira gonna be a girl boss? it'd be too bothersome to just let Cosette grow even more secretive and calculating so the suspense can actually be felt. The story was so obsessed with Keira being the perfect feminist power girl boss that they forgot that Cosette destroyed the world in the first timeline with ease and grace when they portray her as a screaming idiot who can't make smart decisions. It does the exact same thing that the old style did by inserting a woman to be a foil to the woman your supposed to like. This escalates to even women who support Cosette being villainized even if they don't know what she's like. Such as a maid named Mina, a poor girl picked up off the streets and essentially being used as a tool for Cosette. She commits all these evil henchman crimes for her master with her younger brothers safety and comfort being used as a hostage. Mina ends up getting deported and even suggested to be lashed 50 times for obeying someone who gave her no choice and instead of it being part of the cruel truth of the era, it's just supposed to be karma. Something similar happens to the antagonist of the villainess turns the hourglass Mielle, where she is effectively rendered too stupid to be a threat

This however doesn't stop at the villainesses being dumbed down, the fl Keira suffers the same flaws that the stereotypical shojo fl suffered from. In the novel Keira has no love interest, in the manhwa she has 2 guys, Joseph and Erez, who are into her and she can't decide who she likes more (it's probably gonna end up being Erez). her family was actively shoved to the side for more romance scenes where Keira becomes a crumbling mess. In the novel Zeke had a bigger role. So in the manhwas attempt to emulate the novel they just backpaddled on their efforts to fanfic write it with feminism even though the original was already pretty progressive for Keira.

Now Cosette is a product of the bad writing of a adaptation that feels more like a fanfic given how severe the changes are but at least for the most part, Actually I was the real one was mediocre

There is much worse. If you know me or my account you probably already know who is next. The Infamous Rashta from the remarried empress

Even if you haven't read remarried empress, the trashta nickname became incredibly famous for the white lotus villains of other manhwa. Rashta is a twisted version of the cinderella trope: the poor abused but also very gentle looking girl who finds her prince charming and becomes a queen.

This girl was a slave sold in childhood, and while her backstory is purposely kept in the dark because they don't want you sympathizing with someone they consider a whore who deserves everything that happens to her. It doesn't take much rocket science together to piece what happened. Rashta had been SA by one of her masters and got pregnant with her first child, she gave birth alone and her newborn baby was taken and replaced with a dead baby to emotionally scar her even further, It is implied that she was assaulted again before she runs away and she meets the emperor who makes her his concubine. For the rest of the manhwa her whole story feels like torture porn. Another one of her masters comes back to blackmail her using her child, her value being based on how many babies she can make, everyone basically hates her, her only friend is actively arranging her downfall, her final master becomes known as a sweet little sister of the empress Rashta used to idolize, her daughter is taken away from her the moment she was born, and at long last, she dies alone known as the most evil empress in history. This isn't even mentioning her age. It's never confirmed other than she is an adult but in the eastern empire it's time to debut as an adult at around 17 and given her design with the big eyes which are usually given to the younger characters. So this really sets up even sadder connotations knowing that Rashta could be as young as 17.

Now, how does this story get away with having a punching bag with THIS many tragic elements like this to make the fl Navier look better? well by making her egregiously evil, she can never make smart decisions in street smarts despite it contradicting her rough and tumble backstory, if there's a character your supposed to like getting away with terrible acts, just have Rashta rip out a tongue or betray a friend to entertain the masses! It'd be hard to feel bad when the character in question is going around looking to kill/ ruin the lives of innocents. While the novel did a better job giving Rashta more traits than just "haha I'm a slutty hypocrite" it's still like the manhwa.

I already made a post that goes more into detail about Remarried empresses internalized misogyny that you can check out below, or you could go onto my archive, there's a lot of remarried empress centered posts there too.

Like Keira, Navier isn't as revolutionary as the story wants you to think.

In season 1, Navier wasn't the worst fl ever. She worked hard as empress and while her personality was still a tad dull she seemed to have more character traits then she does now. After that she's just there, she's barely doing anything outside of sitting there looking pretty and getting pregnant with twins. We barley if ever see Navier even doing anything to deliver moments that make her interesting. She doesn't even do anything for her problems even after getting ice powers. It's all her husband and brother that just kill or threaten everyone who criticizes her, Navier barely feels like a main character at this point, she's a side character in her own story. She isn't the badass empress the characters tell you she is, Navier is just another empress who is basically the dream wife for a man in the 50s since she doesn't even need to love the man if she happens not to, she just wanted an empress title so she can feel like she has a purpose. Once again an example of a backpaddling of an attempt at a woman with more than 2 character traits.

The attempts to make you hate a specific character for not being "unique" even come across as embarrassing and even downright childish. Such as the case with her. The trope of the saintess sent as a commoner turned ugly

Diana's case is similar to Rashta's, as in they try REALLY hard to make her hateable even when it starts to lose logic. At first it made sense to call her out on abandoning the common folk when she became crown princess but when you actually read this piece, the hatred for her is centered around the fact that she was upset that a guy who loved her killed for her and she cut him off. Sounds straight out of an incels revenge fantasy. Most of the time Diana isn't even that evil, she has a lot of flaws and certainly isn't the greatest person but she's also not the devil incarnate, yet every time the story tries very hard to make her awful for rejecting a man. She has pink hair, she's angelic looking, she comes across as sweet and dainty yet she won't date the first guy who kills for her? well then that makes her a cruel bitch for not validating the impression she gave off to everyone.

but if you look like the worst gender bent of Therdeo possible with a lot of money to obnoxiously throw around then your super cool and not like the other gold digging bitches! 💅

Hestia is literally what these og fl have been reduced to except she's put in the protagonist position making her 10x insufferable to follow as the leading lady. She purposely provokes Diana hoping to get a reaction out of her so she can humiliate her as revenge in Cael's name without the plot even trying to say that Hestia is not in the right for attacking her husbands ex. The entire point of my derelict favorite is criticizing protagonist centered morality which I would be all here for if they didn't forget all about when writing the supposed feminist icon Hestia who literally attacks a woman and acting like said woman was at fault for her favorite character killing himself, she is literally the pick me girl that everyone claims to hate until she looks like she is a badass when she's not, she's just another case of a poorly made attempt at something "new". Thus Hestia was doomed to teach little girls attacking other women for petty reasons was okay as long as they were basic enough and not into the same boy band as you.

This one isn't as terrible as the last 3 but I'm the queen in this life is a subtler but still an example. Isabella is the deconstructed trope of the favorite child rich girl beginning her new exciting life with handsome men and easily the best into turning into a villainess thanks to the spoiled upbringing and at first... It worked until it flopped just two chapters later.

Like Cosette and Mielle, Isabella is supposed to be this really smart white lotus who manipulated her way into the top but now.. she's just a spoiled brat who cries whenever she can't get her way. She isn't even utilized. While Isabella is pure evil it's the fact that OTHER characters are condoned or given proper moments to shine as smart villains who can get the job done or even be seen as sympathetic and shippable. Ceasre is a good example too because even though he teamed up with Isabella in the last timeline, the later chapters are implying that it was only Isabella and Ceasre was just manipulated. They even give me daddy and mommy issues at the same time so now the commenters think he deserves a second chance even after he SA Ariadne. In fact... I don't there are any other female characters in this comic who are complex, stay alive and are not Ariadne. There was Arabella and Margarete but they got killed off, Sancha isn't so bad but she's still just a follower with nothing much left to her, Lariessa is just there to be the stereotypical crazy ex to make Ariadne look better for not being desperate for a man, Malleta is just a plot device to make things happen and eventually die herself and Lucrezia is basically just Lady Tremaine but worse.

What I meant by not as bad as the last 3, I meant that here in I'm the queen in this life, Ariadne is actually written decently. She actually makes her own decisions, she has a life outside of Alfonso, and she isn't totally insufferable. With her it's more centered around the Narrative trying to say she is ugly to be relatable when it's clear she's not.

quite a few times characters will point out how big her boobs are and how "scandalous" it is. Isabella says they hang like a cows udders, they become a prominent point of scandal when her dress tears at a ball and for some damn reason Isabella gropes her own sister.. So why is all that weird attention to detail even there? Because they want more ways for Ariadne to be sympathetic but they still want her to be conventionally beautiful so there goes any chance at actual relatability when it can easily be interpreted as Isabella just being jealous that she is flat chested.

The only other female characters that aren't leads or pathetic villainesses in this genre are typically the maids whos only personality is being a perfect yes-man that validates jumping on women they don't like either by yelling at them for not going head over heels for their boss or by assisting in ruining their lives.

and if the maid isn't a bland character with blind trust, they're written to be comically evil because once again, their jealous women who only want what the lead has.. and well. This ends up being justified

So is manhwa the only forms of media Internalized misogyny and double standards that runs rampant?

Personally, I am a firm believer that Miraculous ladybug played a role in instilling young girls with this kind of mindset that any girl who isn't a yes-man to you is lying, bratty and general evil bitch thanks to Thomas Astruc's gross views on what feminism is. He's the kind of guy who thinks that if you put a woman in pants and write her as the best hero of all time then that's feminism. First of all, Marinette's entire personality devolves into a rabid stalker for Adrien which is justified with ass pulled trauma in season 5 yet Chloe, who is a terrible person with trauma and chances to grow is somehow worse than a god damn domestic terrorist. 2nd of all, any woman who is also into Adrien is basically hunted down by Marinette like a PG-13 yandere, Kagami is targeted by Chloe and Marinette for being with Adrien and her relationship with him dies almost immediately not to mention that the fandom called her cacagami for months after season 3's release, hell they even pair her up with "I'm just a misunderstood boy with a dead father" Felix who looks identical to adrien.

Lila wasn't even doing anything worthy of Ladybug humiliating her. She lied about being related to a superhero and being besties with Ladybug, got close to Adrien and talked smack about Ladybug. Shitty but not worth Marinette transforming for the sole purpose of embarrassing Lila for daring to try and take Adrien from her as if he's a object. They can't even utilize the girl later despite being allies with Gabriel. Zoe isn't even a damn person, She's just someone's wattpad self insert to show up, be the perfect new girl and replace Chloe using the power of kindness.

but the men? Gabriel is destroying Paris as Hawkmoth and abusing Adrien as a dad? Oh it was just for his wife, remember him as a tragic villain who was trying to be a good dad. Felix tries to forcefully kiss Marinette and gives all the miraculous to Gabe? He's got daddy issues let him live happily with Kagami. Andre is a pos father and abuses his power for either his or his daughters gain? He wouldn't be like that if Audrey didn't use her womanly charms to force him to give up his dreams to be a Politian. See all the damn excuses put up. Not to mention Ladybug rejecting Cat noirs advances is considered her being harsh and mean thanks to the proof of sad music playing and the constant shipping of the two by other characters.

One of the most popular webtoons that is universally hated now as well

Leuce was the first wife of Hades in Greek mythology whom he loved until her death and she became a poplar tree in Elysium. In Lo, Leuce is bastardized as this gold digging nymph who wants to ruin a relationship. She exists for the purpose of making Persephone look better because she home wrecked for superficial reasons therefore Hades grooming Persephone is fine because at least it is for "love"

Persephone's kidnapping was the literal center of Demeter's Hymn on the pain mothers at the time felt when their daughters were kidnapped and sold to marry powerful men and while it is often rewritten in a way where Demeter is over-protective and Persephone just wants freedom, LO does it the worst. The worse part is that it is pretty well known that the relationship between Hades and Persephone is inspired by Humbert and Dolores from Lolita given that some panels are eerily similar to the Lolita movie. Somehow Demeter is still the most evil one since she isn't making it easy for Blue Humbert to get with her 19 year old daughter. To give you an idea how big the age gap is, Hades was already thousands of years old when he gave Demeter a gift for her baby shower...

And Minthe, who in Greek myth was a mistress of Hades that got too cocky and was turned into a mint plant by Persephone, was the first girlfriend of Hades who got treated like shit by his family members for being a nymph. She gets emotionally cheated on and is considered crazy when she gets upset about it. Everyone rubs it in her face that Persephone is with her boyfriend even after she stopped getting it on with Thanatos the moment they became official. She still gets turned into a mint plant and the trauma Persephone caused her had no consequences.

all 3 women pit against eachother, 2 demonized for not being the "good" kind of woman and 1 being actively groomed and taken away from her mother and it's supposed to be a positive moment.

Its all this and more that has damaged the thinking of hundreds of thousands of girls and women into suspecting that any other woman is out to get them if they feel inconvenienced, it encourages the pick me girl mindset that pits women against eachother while the men who encourage it sit back and watch and it downplays the shitty actions of abusive men while blowing womens flaws out of proportion. Nowadays if a female character is introduced that isn't the lead or a loyal maid, readers are already out to call her a bitch and wish for her downfall. Helena from kill the villainess is an unfortunate victim of these consequences.

We could all do so much better if we realized how stupid it is to constantly pit women against eachother for no reason.

Thank you for sticking around for my little essay.

[cherries-in-wine]

I love ur posts on lolita the book- what are ur thoughts on the movies?

aw tysm anon mwah <3

(Made a few edits because my perspective changed a little)

I don't really like the movies- in fact comparing them to the masterpiece that Vladimir Nabokov wrote feels like an insult. Sometimes art can only exist in a certain medium and when you take it out of that medium it loses its integrity. Lolita is art that can only exist as literature. This is what I used to believe but to be honest even as literature it's being misunderstood a lot so it feels as if no matter what medium lolita exists in, it'll always be interpreted wrong.

It took Vladimir Nabokov 5 years to write lolita because writing from the perspective of a pedophile is tough- it's using the abuser to tell the victim's story but in this case the abuser is our unreliable narrator, he had to make Humbert Humbert charming or at least intriguing in a fucked up way enough that the reader would be compelled to read further (lolita will disturb you but you won't able to put it down) but any competent reader would will be able to figure out that Humbert Humbert is just spewing his delusional bullshit.

It feels as if Vladimir Nabokov predicted the romanticization of Lolita as soon as we started putting girls on the book covers- he intended on lolita being faceless

So much of what makes the book incredible lies in reading in between the lines to figure out what's actual going on. Think of it as Humbert Humbert is forcing his heart shaped rose coloured glasses onto you like "see it's a beautiful tragic love story" and it's your responsibility to take them off to see things as they are, a 12 year old child being abused constantly.

Unreliable narrators in general are hard to portray on screen (it's not impossible ofcourse, gone girl, 500 days of summer and black swan do it really well) but extra difficult in this case because lolita and Dolores are 2 different people entirely. Lolita is the persona, Dolores is the person. Lolita is the nymphet, the seductress that only exists in Humbert's twisted mind, Dolores is the 12 year old child. Humbert sees lolita, he wants you to see lolita, but you need to focus on Dolores.

Lolita 1962 was laughably inaccurate, they made Dolores look like an elegant woman when even Humbert Humbert describes her as a messy tomboy. Lolita 1997 is better I guess, it follows the book a little more accurately. The movie is definitely pretty to look at and I don't have a problem with Dolores being an icon or people taking fashion inspiration from her. In my opinion she is an icon, it isn't fair to reduce a victim's identity to their trauma and abuser. Also she's so funny and is constantly insulting Humbert so mwah love her so much plus I relate to her a lot as I went through similar things. I think some scenes of Humbert Humbert being an unreliable narrator were translated really well, for example this argument-

Humbert gave a short description while the movie is more of lo's point of view, it's all screaming and shouting and absolutely devastating, Dominique Swain did an amazing job.

Both of the actresses were 14 during filming and that's just so unsettling to me. Sure you're using a body double for explicit scenes but isn't that just content for actual pedophiles, the closest thing to CP that's legal?. There are many older actresses that look younger but honestly that scares me more, because now there are no restrictions to the scenes they can film, which usually ends up underage characters in extremely exploitative scenes (think euphoria).

My feelings are sort of all over the place on this, I simply can't reach a satisfying conclusion- I don't think it's impossible to adapt lolita into a good film, black swan is one of my favourite movies ever and nina sayers is as unrealiable as a narrator gets, so it's not impossible to portray Humbert Humbert on screen but it will be difficult. On the other hand I just know that people will find some way to romanticize the movie- no matter how well it's written like in the novel it's so obvious Humbert is a pedophile that he might as well get it tattoed on his head but people still think of it as "aw tragic beautiful love story". But part of me thinks that if they write it kind of like gone girl, you believe nick is the murderer in the first half then amy's scheming is revealed in the second, just like that if lolita is shown in the first half but after dolores runs away her perspective is shown to audience, how she's so miserable and gives an accurate depiction of Humbert Humbert's abuse, maybe showing that horrifying reality of the story will end it's romanticization once and for all.

[zenosanalytic]

Something that really struck me about Scavengers Reign(***SPOILERS*** Btw), and which is REALLY RARE to see in any sort of media, is how it presents facility with violence as something Dangerous and Bad, and incompetence at/refusal to use/hesitance with violence as a generally sympathetic quality.

Like:

Sam has his knife and he reaches for it allot, but mostly he uses it purely as a tool. IIRC(and I might NOT be), he only uses it as a weapon twice and the first time he absolutely gets his ass kicked(tbf: he's fighting a sealouse the size of an elephant at the time), and the second time, while he Murks an Aquatic Murderlemur like a Boss, he's, effectively, (and again I really cannot emphasize this enough: ***SPOILERS***) an Undead Super Soldier being driven around by a parasiteseed latched into his heart&nervous system, and it tries to take advantage of the situation to infect Ursula. So like: this historically good dude's facility with violence, while it saves Ursula from being drowned and eaten, is IMMEDIATELY followed by something deeply sinister.

In a flashback we see a rando named John using a rifle to hunt food, and he turns out to be under the influence of the same Parasiteseed Sam is, so once more we have capacity for violence being narratively near to something sinister about the character.

Ursula uses violence(I think?) a grand total of Once in the entire season, during the aforementioned Giant Sealouse Fight while it's feeding on Sam, and she totally gets lucky with it: She flings herself onto the Louse's back, manages to grab onto Sam's knife sunk there, then flips the louse on its side and guts it before it can get up again.

Azi is interesting because at the start of the story she's well-equipped, including a homemade Guandao(which: Respect u_u), and quick to use violence but she's ALSO presented at this phase of the story as Kind of a Dick, spcl to Levi, her robot companion. BUT!!! She still sucks at fighting. She tries to use the Guandao to take on some Giant Tonguecrabs and they just kind of bully her out of the way until she manages to get one of Levi's flares and deploy it(and blow her and Levi up a little). She uses it a second time to fight Hollow(a psychic monkey thing that Just Wants Some Food, Guys, he's cute and misunderstood and Did Nothing Wrong, Guys <:[ ) and she's not AS incompetent this time, even manages to get a hit in, but she still gets her ass totally handed to her, and almost dies. Later she attacks a REAL asshole named Kris, succeeds, and IMMEDIATELY gets bonked in the head with a rock for her troubles. Her most successful confrontation is near the end, confronting Kris for the final time when, in the process of threatening her with a knife, Azi chooses to stop and appeal to her better nature instead. It doesn't change what Kris is going to do, but it convinces Barry, and they both leave to save Ursula and the Passengers.

Barry loathes violence and conflict, tries to talk people out of it when it comes up, and is good at throwing rocks to stop it.

Kris is one of two(three?) characters we see being consistently competent at violence, and every single time she does it's presented as something sinister which alienates her from others and herself. She's unambiguously presented as a selfish, lying, self-damaging, manipulative villain, and she very much gets the end you'd expect from that.

Kamen is another of the two(three?), and he uses that most human of super-powers, The Ability to Throw Stuff, to kill a bunch of animals and feed them to Hollow. This Does Not Go Well. Kamen's presentation becomes more nuanced later in the series, but for most of it he's presented as a selfish, angry, corner-cutting fuckup and his use of, and facility with, violence is presented as part of this.

Hollow is the Third(?) of the Three(??) shown to be competently violent, and he is presented as an Unambiguously and Terrifying Antagonist in the later half of the story, and wildly Destructive to the "protagonists". He even "Kills" Levi; the sweetest of Robots! BUT! It's ambiguous what's really happening here. To begin with, Hollow doesn't commit violence until having watched Kamen do it Allot to feed it, and when it DOES it's first violent act is done to save Kamen's life(though even then it's a pretty sinister scene). Secondly the extent to which Hollow compels Kamen to violence is ambiguous; Kamen's initial killing spree DOES occur while his eyes are glowing(a sign of Hollow's psychic influence), but Hollow is FLABBERghasted by being presented with his kills; they still EAT them, but if Hollow was compelling him to kill, that he killed wouldn't be so surprising. It's possible Hollow compelled him to "get food"(this seems to be what Hollow's species does; compelling animals susceptible to their influence to pick berries and nuts they can't reach for them, and that's the first food-related thing Kamen does for them), and Kamen interpreted that into hunting when getting fruit was too hard for him. Third, the closer to Kamen Hollow gets, the more violent it gets, and the more protective of its connection to Kamen. Fourth, while Hollow is psychic, it's not really clear how much it understands human minds and thinking. The initial impulse is to assume psychic things are smart but I think it's important to remember this is just how these creatures eat. While WE see the visions Kamen experiences to manipulate him, for all we know Hollow is just Pushing Buttons and Pulling Levers in there. Clearly it knows the image and voice of Fiona, Kamen's ex-wife, but does it understand what those things mean to him, or what it's "saying" to him through those things, or is it just inducing emotions and impulses? A good example of this is its destruction of Levi. Levi was programmed by Fiona, and she gave it her own voice(which: they did this real cool and subtle gender thing with this which I loved :>). Kamen's motivation throughout this is his anguish over Fiona and desire to save her, so why would Hollow destroy Levi? Is this an act of jealousy, or does it only understand that this voice causes Kamen pain, and attacks it as a threat? The series never clarifies. After Avi's final confrontation with Kamen/Hollow leads to their separation, she scares Hollow away by just... throwing a rock near it like it was a raccoon or something. The question of how much of Hollow's actions are intentional vs instinctual is never clarified.

so Anyway:

I just Thought This was Neat :>

[clairesjointshurt]

hi babe!! do u think u could write abt protective/jealous!julien with reader? like maybe they could be dating or married but it would just be so hot and i would literally eat it up🙏🙏

love this idea 💡

also the vibe is like a very high tension friendship where you both like eachother but hasn't said anything

protective julien baker

yet again going to be blurbs bc paragraphs are hard🥺

cw: at bar with men (ugh)

even when you where just friends she already was protective of you. julien always had a sort of close knit group and she kept her favourite people close to her. she was always loyal and caring to the people she loved most.

you went out to a club with the boys to celebrate a finished tour after not seeing any of them for months. and all had been well, you got to talk with your best friends again and just let loose. she lost sight of you for a couple minutes and she could feel the panic seep in through her veins. she had just gotten back after being away for months and all she wanted to do was hang out with the people she loved the most and see the woman she is in love with. she emmediatly starts looking around franticly, she asks the boys where you where and thankfully Lucy had seen you last when you had headed off to the bar to get some drinks for the group. julien looks around and spots you and emmediatly is relieved, she is covered by a wave of calm as the panic goes away. but then she looks closer and notices a grubby slimy little man (juliens thoughts) hanging off of her precious little angel. she feels a scowl creep onto her face as her shoulders tense, and makes her way over to you while she contemplates how she probably shouldn't be as jealous as she is, but once it's started she can't really stop. maybe she would be more justified if she had actually asked you out four months ago when she had the chance but who cares because you are so clearly uncomfortable with that sweaty man hanging off of you. she can almost smell the vodka on his breath all the way across the room and she notices the way you try and politely brush him off with a smile as all of your politeness is misunderstood as interest.

you feel the warmth of someone behind you as julien wraps her arm around your waist. "hey babe" she says with a cheery smile and peels his hand off of your thigh. "hi honey" you say back as butterflies explode in her stomach as you wrap your arm around her shoulder. "who's this friend?" she stares at him out of the corner of her eye,still with her signature puppy dog smile and scoots his chair away to a propper distance with her foot. "um, not quite sure" you reply and place your head on juliens shoulder. "oh well we better get going sugar, the girls are waiting for us" she says as she kisses the top of your head(you're sitting short stuff is standing) and gently pushes your hip from behind to nudge you off the barstool.

"you ok y/n?" julien asks with a cautious smile. "yeah I'm good" you say with her arm still around you. "what was that all about though?" she pulls you a little bit tighter to her. "he was a smelly creepy dude." she shrugs. "maybe we should have gone to a gay bar" you joke as she scoots into the booth seat after you that pheobe and Lucy had gotten. "yeah." she says with a faint chuckle as she places her hand comfortably on your knee. except she knows she doesn't want to go anywhere with you that has other people. if it where a gay bar she would just be jealous but surrounded by women. she just wants to be with you, surrounded by you. it doesn't matter who's hitting on you because they aren't her.

a/n: pls request more

also I have no idea if I should post the request with the actual peice

[marukrawler]

Bakugan it's one of the few franchises we're they didn't hesitate to show hate towards it's first main female lead (Runo)

The show never gives her the recognition she deserves minimizing her achivements and the same anime jokes about her body using Julie as a better example

And it's worse on season 2 were the joke still prevails and I think the anime treats her like if she isn't pretty like the other girls I think the anime never gives an indirect comment about her beauty like the other girls received.

Add to this, season 2 treated the og girls like jokes who can't defend themselves or even flandarized their true personalities (Runo and Alice) so they won't interfiere with the "real team"

And the cheery at the top, fandom treats her like a homewrecker in regards of dan/Shun or like the worst person on earth for being a teenage girl who tried to defend herself with what she knew and called out the bs of dan

The character deserved more respecto from the source...

Localization truly affected the perception the audience has on her...

Quite normal for any female lead...

Oh, Runo, Runo. My precious little summer child.

Runo is certainly one of the most underappreciated, misunderstood, and demonized characters in the show. Even I, a passionate Runo defender, had a preconceived notion that Runo was loud and abrasive before I had even watched the show properly (all thanks to my vague childhood memories.)

In universe, her brawling skills are looked down upon, her appearance is ridiculed, and she’s often made to feel as if she does more harm than good. In fandom spaces, she’s mischaracterized as being an unreasonable, stubborn, and argumentative loudmouth who’s always mean to Dan. Despite being one of the nicest and most considerate characters in the show, everyone, including the writers, seems to have it out for Runo in some way.

When it comes to Runo’s appearance, it’s hard not to feel as if the writers find some sort of twisted pleasure in constantly pointing out how Runo’s appeal as a girl falls short in comparison to her peers. The Misaki Café was all but deserted until Alice showed up and the customers (grown men, mind you) don’t hide how disappointed they are whenever Runo is left as the only waitress. This, of course, makes Runo feel inadequate since she’s the daughter of the owner and yet, she hasn’t contributed to the popularity of their restaurant.

Julie’s comments about Runo’s body can also be viewed as the writers further cementing that Runo is unappealing because of her physique and lack of traditional femininity. This is something that is proven repeatedly with every new waitress that’s more popular than Runo. Alice, Julie and Mira are all more physically developed and are shown to be desired by many boys, unlike Runo who constantly gets the short end of the stick and is made fun of.  

Hell, Runo can barely get a decent compliment from Dan on their first date! He’s made inappropriate comments about her weight on at least two occasions, and was checking out cute girls right in front of Runo, two episodes after she risked her life to see him. The show will never give her a fucking break.      

Also, the “Runo is a tomboy” thing just doesn’t make any sense. She wears skirt and dresses, her room is full of pink furniture, she owns a dollhouse, and she seems very interested in jewelry. And yet, the show (and the English dub more so) attempts to portray Runo as if she’s ‘not like the other girls’ when that’s the furthest from the truth.  

Now, on to the treatment of Runo, Alice, and Julie. It’s no secret that season 2 was horrendous when it came to those three, for the specific reason of convincing the audience that keeping the girls away from the plot was for the best. They were either not strong enough, not confident enough and/or they constantly screwed up somehow. Let’s see:

Alice was:

Tricked by Lync and inadvertently helped him get back to New Vestroia, thus enabling him to spy for and help out Spectra with his plans.

Scared of brawling even though her whole character arc in the previous season was about accepting that part of herself.

Made to feel weak for losing to Shadow and for allowing him to destroy her grandfather’s lab.

Julie was:

Written as overly flirty towards a boy that wasn’t her boyfriend, all to fuel a pointless one-episode love triangle. (Though, the repercussions of this episode’s writing on her character were immense.)

Made to feel guilty about how Billy inadvertently exposed the Brawlers’ location to the Vexos by visiting her.

Runo was:

Written as a lovesick fool who almost got herself trapped between dimensions trying to see Dan again. This had a ripple effect on the Resistance’s otherwise promising momentum, allowing the Vexos to go to Earth, the Resistance to get split up and captured and as mentioned previously, almost got Runo killed.

Willing to endanger herself again by leaving Marucho’s house so she could oblige Dan’s request of eating homemade curry, causing Mira to go after her and subsequently lose her Subterra energy to Mylene.

Runo lost all sense of reason whenever Dan was involved, Alice’s character development had seemingly regressed, and Julie immediately dropped the boyfriend that she had real feelings for. It’s frustrating to see this when they all had such great personal growth and meaningful storylines in the first season. Remember when Runo learned that she shouldn’t let the fear of losing her loved ones take control of her life? When Julie learned that she shouldn’t compare herself to others and that she doesn’t have to be great in order to matter? When Alice realized that she liked to battle and that it wasn’t something to feel ashamed of?

I understand that the narrative focus couldn't always be on Runo, Julie, and Alice. There are new characters introduced every season who deserve a chance to shine as individuals. But that doesn’t mean that our existing characters should get worse. Runo was more worried about not being near Dan 24/7 than she was about Tigress being captured! Masquerade was somehow still present inside Alice’s mind and telling her to fight despite previously disappearing to let Alice stand on her own two feet as a Darkus Battler! Julie is still used as a tool for instigating useless love triangle plots that accomplish nothing except for making it seem as if she jumps from guy to guy! This isn’t just limited to those three (Chan Lee, Elfin, Mira) and it’s just. infuriating as hell to see.

As for the fandom, Runo's character seems to garner mixed responses. Some hate her and some don't. She seems to be well liked on Tumblr but not as much on Reddit (go figure.) When it comes to Shundan fics, I skimmed through the majority listed on AO3 to see how they portrayed Runo. Here's what I found:

(I recommend clicking on the images for an easier reading experience)

Out of the 28 English-written Shundan fics listed on AO3, there were 5 fics that depicted Runo in a negative way, 10 fics where Runo was mentioned but her characterization didn't stand out in any particular way and the rest didn't mention Runo at all. There are Shundan fic writers who unfortunately portray Runo in a bad light to prop up Shun as "the better option" but it looks like they're in the minority.

I genuinely wouldn't be surprised if much of the hatred towards Runo stemmed from Dan fans being upset over how she constantly calls their golden boy out lol. Either that or because of the English dub, as you mentioned. I have previously talked about this and shown some examples here where Runo has completely different reactions to certain situations depending on the dub. It’s no wonder why we’re given the impression that Runo is unreasonable or mean or argumentative when this is how the English dub presents her to its western audience.

[nekropsii]

Atomic Ask Bomb... 2!!

Hello, all! We are back in the mines immediately, because you all love me and my inbox so much. I still have 200+ more asks to sort through after this and that is not hyperbole!! Oops!!

Content Warning: Long, and Cronus is There.

You can be both. I am both. I think Terezi's easily in the Top 3 of Best Written Homestuck Characters, no competition. AND she compels me.

Mituna Fans and Terezi Fans flocking together like how Gays and Lesbians are supposed to.

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He doesn't have a Recuperacoon. He doesn't NEED a Recuperacoon. Who needs a Recuperacoon when you have a bathtub? You pile a bunch of slime in there, and then you can pop the drain open in the morning and take a shower right there where you just got up. It's convenient. And not at all sad. It's not sad guys.

Let's pretend for a moment that either Vantas would have regular bathing habits for the sake of this joke.

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Even if that's the case, it really doesn't change anything. Insecurity doesn't justify literal actual sexual harassment and sexual assault. What?

People will do anything to excuse random shitty men for being shitty. Sympathy is the favorite weapon in Fandom Misogyny's arsenal. So often will fans pull some random bullshit out of their ass just to say that it's fine that a male character is abusive, especially if it's to women, because "He's Sad", so he should never face criticism or punishment for his actions.

We should all start putting people in blenders. We've let these arguments go on long enough. People are far too bold in their abuse apologia. We need to kill them.

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Yeah. Like, he interests me a lot, he's one of the characters I take the most interest in out of all of the Alpha Trolls. I literally write sov!Cronus. I hate his guts, though. It really is just that easy to be a fan of a character and also fucking hate them. Not once have I ever made an excuse for him. The goal Hussie set out for when writing him was making him inexcusable and irredeemable, down to Cronus literally knowing what he's doing is bad and hurts people, and simply just not caring.

Cronus is genuinely fucking evil. That's the whole point. If you make him misunderstood, if you make him mean well, if you make him lack self awareness, if you make him sympathetic, if you give him any redeeming qualities at all... You are missing the point completely. If you want a sympathetic asshole character, you want Vriska. The point of Cronus is that he's The Worst Character In Homestuck, and that he has zero redeeming qualities and trying to fix him or redeem him is a Hopeless venture. He is beyond saving. Don't you dare even think about trying - to try to make him palatable is to erase Violent Bigotry, Incest, and Child Sexual Abuse. Just don't. Enjoy him as he is, do NOT defang him.

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He truly is the worst! I think we should explode all depictions of fanon!Cronus. Forever.

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Yeah, there's a huge reason why I do not say I'm a fan of Cronus or call him a favorite character of mine or anything. It projects a certain... Image. The wrong one. There's just such a strong precedent for anyone saying they're a Cronus Fan or calling him their Favorite Character being a person who just completely fucking ignores everything about him, or even pardons it, saying it's fine, actually, because He's Sad, or that it's Not That Bad, actually. I can't stand it.

I'm aware there are Cronus Fans who are totally normal, but I cannot help but immediately be wary of them, or flinch for a moment even when they offer the reassurance that they know better. It's a natural response, having been here for around a decade and having been a Mituna Fan the whole time.

Liking characters who are terrible people is fine. Based, even, in some cases. But... It's truly difficult with Cronus, because so much of that fanbase relies on excusing/minimizing/condoning abuse and bigotry. I don't have any qualms with people liking characters that suck, but when a fanbase for a character is so heavily focused on pretending that character isn't a horrible, terrible, awful person who abuses people - even children, even people they're related to, even children that they're related to - for nothing but their own sexual gain... I start having issues. That sets a pretty dangerous precedent, to me.

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It's crazy to me how so much of the apologism is because he's hot. Because he literally isn't. You all have terrible taste.

Let's all appreciate for a moment just how fucking ugly he is. The fan art is lying so bad. He needs a haircut. His shirt doesn't fit him, and honestly looks like women's clothes - you know those women's shirts that have the sleeves that stop halfway down the damn shoulder? He looks like a 16 year old. He's so skinny, and his shoulders are so... rounded and small - which are fine traits to have, but literally every piece of fanart portrays him as broad-shouldered and ripped when the literal opposite is true. You just know he has too much product in his hair. His actual sprite is even worse.

The way his fly doesn't even go all the way up. The way his hair clips into his face. The way he's slightly yellow for literally no reason. The shitty belt. This fucking sucks. He's so ugly. He isn't even hot.

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Mituna having Memory Loss as a result of his TBI is literally a myth invented by Cronus to emotionally manipulate Mituna and perpetuated by Cronus Fans. I think if they were friends in the past, Cronus's actions would be worse, actually.

Could you imagine getting sad that your friend doesn't remember you because of a Traumatic Brain Injury, and your response to this sadness is to abuse and sexually assault them on the regular? What, is that Just Bro Things now? Cronus literally says he targets Mituna because he thinks he can get away with it due to his struggles with communication. The thing about them being buddies in the past was one of his trademark Lies. Because he is known to do that, specifically to manipulate people. Because he is known to manipulate people. Emotionally. Because he is abusive. And terrible. And not redeemable. This isn't rocket science! It isn't rocket science to say that pushing the fault of Mituna's abuse onto Mituna is Victim-Blaming!

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Positively fucking ridiculous that so many people did not recognize their romance within the comic. If they were boys, there'd be no god damn question about it. It'd be up there in everyone's OTP list alongside DaveKat.

I think they're adorable. They're one of my favorite pairings.

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It's great in the source comic, especially during earlier phases of its existence, but the quality deprecates drastically the further you get from that point. I hate it in Fanon and in Dub/Post-Canon.

It's a great off-screen pairing for a lot of lore reasons - namely it being great to let Dave slowly allow himself to love and be loved in private, with no fear of eyes on him. He's never really been able to have privacy before, with all the cameras and eyes on him all the time, and he's never been able to really let his guard down and be vulnerable. He's never been able to love and be loved, safely. I ultimately think they should've kept their relationship mostly private, even after Dave's recovered quite a bit, because sometimes having something just for yourself without that need to perform it is healing in itself. Mental health maintenance.

In Fanon, it seems like pretty standard yaoi, though. Boring. Tired. Literally everywhere. Voyeuristic as always.

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Thank you! My Inbox generally really isn't that bad at all, honestly! Most people are pretty cordial! Anon Hate for me is pretty rare. Thankfully, the Delete Ask button exists, so I don't have to worry about those Anons for very long, lol.

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I hate to say this, but back in my day, plenty of people actually did do that. In fact, people only knowing Homestuck through fan material and then still calling themselves a fan is a big reason why old Homestuck fanon was so bad and so far off the mark!

I have a name for those kinds of fans, because it was such a frequent occurrence it begged for a title. I call them Secondaries. Like "Secondary Source"!

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World's most based triad, I think. Should be real. It's real to me.

7H15 15 MY 91RLFR13NF, L47UL4. 4DN 7H51 15 7UL45 9R1LFR13ND, P0RR1M.

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I think everyone should start watching actual horror movies. I think these people should watch Re-Animator and Bride of Re-Animator. I think this would fix the fandom, because a lot of people are just posting about horror movies without realizing they're posting about horror movies. Go watch a horror movie. They even have more and, frankly, more interesting gay representation than... Whatever Dirk and Jake have going on. Sorry.

If you're a gay man, get some hair on your chest and watch a bunch of horror movies. There's more in this life than anime twinks and skinny white pixel men. There's BlackRom Old Man Pet Play (The Lighthouse, 2019), there's Tormented Huge Dirty Bear (The Texas Chainsaw Massacre: The Beginning, 2006), there's The Bisexual Psychological Torture + Betrayal Chamber (Saw, 2004), there's Dysfunctional Gay Marriage Disputes (Re-Animator, 1985, Bride of Re-Animator, 1990). And way more other ones than I can really list. Expand your horizons.

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Not much. It's a bit mysterious. Here's what Aranea had to say about Mituna in general, which gives us most of the crumbs we have:

The Heir of Doom was once a powerful psionic. He had much to say when it came to warning us a8out the path of doom and destruction we were all headed for, 8ut no one took him very seriously. 8ut one day he lost all those abilities when he 8adly overexerted himself. It's hard to get any specifics from him, 8ut indications are that he applied every last 8it of energy he had toward some great act of heroism, saving us all from some looming threat. Not only did his exertion permanently 8urn out his psychic a8ilities, 8ut it left him somewhat... er. Incoherent. The entire incident is shrouded in mystery. From his limited and scattered accounts of what happened, it seems very likely that Kurloz was with him at the time, as the only eye witness. And of course it's impossi8le to get any relia8le information out of him. I guess we may never know, sadly.

This does say quite a lot, but not really anything specific. We've got some stuff about how he's the session's Cassandra, the fact that the GAoH was NOT an accident (this is the misconception that pisses me off the most, I think - I hate when people call it an accident), the fact that he was protecting everyone from something... The fact that he DOES remember it, the fact that Kurloz was there, as the only eye witness, and refuses to talk about it.

It leaves plenty of room for speculation. A little too much room for me, honestly, but that's fine, I'm not really pressed about it.

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[bengiyo]

Knock Knock Boys Ep 4 Stray Thoughts

Last week, the boys all went to the onsen to try to bond with Jumper, to mixed results. Almond also remains perhaps more focused on Latte than Jumper because he’s so nervous, and is determined to figure out if Latte has a birthmark on his dick. Thanwa and Peak have been vibing pretty hard, and I’m into it. Thanwa has asked Peak to help him with his job applications, and Peak wants to learn how to better enjoy food. Almond also followed Latte and Lukpeach to the sex toy store and completely misunderstood what was going on. I’m currently suspicious about Thanwa’s financial situation.

As a note, @babyangelsky warned us about extreme toilet humor between 41:30 and 42:33.

I am really enjoying these cold opens to the potential end of the episode. It’s compelling every time.

I feel like we have been in this BL house before. The porch looks familiar.

Latte remains a tease and I love it.

Wouldn’t be a proper foodie if there wasn’t a special story attached to his favorite dish.

Now why did he feed that man like that?

I went to a school with corporal punishment. I’m always surprised when I see it in Thai colleges.

I really don’t want to be disappointed in Jumper lately. I am having fun with the way it feels like he’s flirting with Peak.

Fellas, is it gay to stare into each other’s eyes and search each other’s souls while holding a computer mouse together?

Thanwa’s friend looks like a Pokémon trainer.

Oh, I don’t like this guy promising compensation as he leaves a bill to Thanwa.

I’ve not vibed with a lot of BL choices this year, but I’m glad we’re getting more sexual health PSAs in the shows lately.

I think it’s very good to give Almond condoms. I get the sense he’d be nervous about getting his own.

Almond, why are you so pressed about Lukpeach if you ain’t tryina smash.

Did Seng teach Nokia how to smile like a dork?

Yes, bring Lukpeach to the party. She needs to know that this is not just two college boys on a romance track. There’s a whole house of boys.

Small things that this show earns is Thanwa being the primary cook of the household. He doesn’t come off as bossy when he’s asking Almond to go get stuff from the kitchen while he works on other food prep. It feels natural.

Oh ho! We’ve reached the cold open around the middle.

Now, Latte, don’t get jealous of a moment you helped create.

How old are we? 7 minutes in heaven?? At least they played that well right out the gate.

A game about going into closets together to see what might happen. These jokes write themselves.

Oh no. I am close to the trigger warning. This is about to be the worst scatological humor I’ve been subjected to by Thai BL. I can feel it.

NOOOOOOOOO!!!!!! THIS IS SO GROSS!!!!

Girls….I am disgusted… Trust the warning. Props to Pak, Nokia, and Jaonine for playing that all the way through, but I don’t need to see that ever again.

What the hell is going on in that closet though??

I just know it’s hot as hell in this closet.

I appreciate this show giving me some kisses after that vomit scene. It’s what I deserve.

Okay, I really like this apology and reestablishment of consensual boundaries. Excellent kiss the homies content.

Welcome back, Jane. I hope you give us some answers next week.

This show is really assured, and I’m having a great time with it. I really love when a show has two couples and has them on similarly-paced advancement tracks. It offers up a lot of fun comparison. It’s clear at this point that Almond and Latte like being around each other, and Latte is becoming jealous of Almond’s interest in Jumper. It also works that Thanwa was the one to have kissed Peak already and has been waiting for him to sort it out. That was a really excellent episode. Having Jumper be such a sloppy mess on top of Almond like that is a good way to kill much of the enthusiasm he might have there, opening a lane for Latte. Good shit, Knock Knock Boys.

[seohyun0306]

I’m by no means an expert on the Mahabharata or Hinduism in general (I’d say my knowledge on Hinduism especially is rather limited) but am I wrong in thinking that the game was rigged against Duryodhana from the start?

There’s no denying that he’s far from a saint and some of the things he did were awful but I feel like he’s portrayed as such a completely morally black and bankrupt character when it’s sort of far from that.

Like as far as major characters are concerned, he’s the only one who has absolutely no interest or regard in the caste system whatsoever. There’s like three speeches of his that very very clearly show that. His intervention with Karna at their first meeting, although perhaps partly due to opportunism depending on your interpretation, is one of the most honourable scenes in the entire epic to me.

Not once has he ever even implied that Karna’s caste is of any importance and throughout their entire relationship, there was no one who he treated with more love and respect than Karna. Even in general, it’s well established that his judgements of people are based on their individual qualities and not caste.

Again, not saying that he was a good guy at all but he was also known for being generous and a good ruler. He’s almost always interpreted as a power hungry yet incompetent person but that’s also far from the truth. He was Balarama’s favourite student which means that there was a lot of good about him or why would someone like Balarama even bother with him?

Also, being told that on the day of his birth his uncle told his father to kill him and then his mother saying she should have killed him, is not something that anyone should hear lmfao so I think, in certain aspects, his anger is justified.

It’s also very clear that from the start, Krishna was against him. Every act of his towards Duryodhana was deliberately meant to sabotage him in some way. Even Balarama acknowledged this so it’s basically a matter of fact.

So yeah, I’m not saying he was a good guy or that he’s just some misunderstood pookie but I think that not acknowledging some of his very good traits and the fact that everything was rigged against him since day 1 is a disservice to the whole point of the epic.

I hope I didn’t offend anyone with this. I know for over a billion people the Mahabharata is a religious text and the last thing I want to do is disrespect that regardless of whether I believe in it or not. I’d really like to hear some of your opinions on this take and I’m also really keen on engaging with people about the epic in general <3

[canmom]

reading Brainwyrms by Alison Rumfitt. it's interesting. clearly part of the post-Topside wave of trans lit, with the same 'plugged in to twitter' energy, but way more British about it. which means most of the allusions are very transparent to me. it's a combo of... hardcore kink driven romance as the main arc, in a near-future setting in which TERFism goes further to the point of outright bombings, and a scifi element with alien brain parasites that it's gradually building towards.

compellingly written, I'll give it that for sure - I lay down to read for a bit and before I knew it I'd read like a third of the book. the main character's disaffected, traumatised air is well observed, and the kink doesn't hold back.

I think my reservation with it so far is that it feels a little too much like a polemic blog post about the way things are going. the MC Frankie is a trans woman with a pregnancy kink who survived a bombing at a GIC and now works in social media moderation - it's all stuff that is blatantly Relevant To The Argument, as it were. it's tricky to criticise it for that because it's like, what you're saying is that it's tightly constructed and thematically consistent and that's bad somehow? but I think I've come to feel that I like fiction to bring me something a little new and unfamiliar.

the chapter I most enjoyed so far was actually a more metaphorical, abstract interlude, in which resistance to fascism is cast as becoming 'one mass of queer flesh, which now grabbed and clawed...'; 'faces locked in kisses until they became one face. the cops would try to pull at this mass, but to no avail'. very 'faggots and their friends between revolutions' stuff.

the chapters which are presented directly as social media posts and articles are also sharply observed. i think a lot of fiction in which the internet features heavily suffers from not understanding the internet very well (Hosoda's Belle for example), but for example the chapter 'Curious Cat' where an anonymous person (blatantly Vanya) is sending messages asking for help with a parasite, and getting rebuffed or misunderstood, and the chapter where Frankie relates a murder of an instagram model by a stalker who posts about it to a reddit community devoted to her, read as very real.

a lot of the story is about responding to a terrifying political situation in sexual terms - a flashback chapter depicting Frankie having sex with some terf's pretentious brother ("with each thrust from him, she thought to herself, I am a traitor, I am a traitor to the cause"), or the preface which jokes about how in another world the author would be writing 'cool horror stories about vampires raping werewolves, ones with no subtext at all'. I prevaricate a little on whether this is a compelling examination of a theme that I do find interesting (the mysterious origins of sexual desire) or just edgy for its own sake.

this is an odd novel for me in some ways because while on one level, this is about people who I could very easily be a single degree of separation from were they real, it's also about a facet of life that is still quite alien to me and in many ways I only know about second hand. I've never been to a kink club (that wasn't in an MMO anyway lol), I'm way too much of a nerdy autist shut-in to know what it's like to be someone who would feel put out if she hadn't had sex in a week. so even before the parasite stuff, it's hard to know how much of Frankie and Vanya's stuff is real, and how much is fantasy. is this really how things go between people? it sounds kinda fun, but unlocking the door this far has already taken years.

when I've read books about the crazy lives that American trans girls supposedly live and interesting sex they're apparently having, they've been at a certain remove, the other side of the Atlantic. and this book feels sort of similar, even though I know it's set right on my doorstep. idk, I've never been good at this.

anyway I don't think I want to write fantasy novels so directly about The Discourse of the day, but it's probably good that someone is. that said, it's hard to parse like... ok, it's titled brainwyrms, and 'brain worms' is a common way of describing an obsessive, cultish idea you receive from the internet.

and like if you look at the newspapers, or twitter trans discourse, you certainly could believe that this country is on a rapid slide to putting us in camps. however, my day to day life has been... it's not without hostility, but the average street harasser isn't doing it because of a Guardian or even Mail article. this country has a subculture of deranged weirdos who hate our guts, and a political class who will happily stoke culture war shit to score points, but most normies I've met don't care one way or another that I'm trans - they might mention a family member or friend they know who's also trans. the day to day conflicts are over way more prosaic shit, the landlord vs tenant forever war, or how the kitchen should be cleaned. which of these windows is more informative of the 'overall' state of affairs? not that a more violent terf cult is a bad premise to write a novel around, but a sense of impending doom is a pretty powerful mechanism to keep you scrolling, right?

like in 20, 40 years - will the terfs really be bombing the Tavistock and banning transness, as Rumfitt imagines in her near-future setting preface? or will they go the way of those newspapers in Thatcher's time who smeared the gay movement, just as they smear us today? of passing political obsessions like 'new atheism'? I don't know the half-life of cult shit.

anyway, time to read the rest of the novel, and see how it handles this brew that it's concocted.