#i also don't typically post a lot of my sketches

[kanomitri]

major spoilers for reverse: 1999, chapter 7: vereinsamt

also best understood if you've finished chapter 7! but with that all said:

(cw: suicide)

so anyways they make me sad :]

[lethesbeastie]

Hi, I saw your post about practicing drawing fat people and I was wondering if you could compile like a list of resources or references?

It can be difficult to find resources for drawing the wide variety of forms fat bodies can occupy, so I've done my best to bring together some resources I've been able to prove have some degree of diversity in the references they offer!

My primary resource recommendation for drawing fat people is Morpho Anatomy For Artists: Fat And Skin Folds! It does a wonderful job breaking down where fat accumulates on the body, how it interacts with the familiar landmarks of human anatomy, and what sort of shapes it tends to form under the influence of gravity. It's a phenomenal reference and my top recommendation for anyone seeking to improve at drawing fat people!

When it comes to finding decent photo references for fat people, the pickings are frustratingly slim. Most sites that specialize in pose references either don't have fat models or have all their images behind paywalls. Of the resources I looked through, the best sources for pose references were Adorkastock and Line of Action.

@adorkastock actively seeks to provide an incredible profile of pose references with diverse body types, and as an added bonus you can access a lot of their images for free on their site/Tumblr or join their patreon for early access to images! Line of action is a site aimed towards practicing figure drawing, providing images and a timed function to challenge artists to sketch within a set time limit. I took the time to go through roughly 300+ images and was pleased to find that during my session around two-to-three out of every ten photos were fat models. The only caveats to this was the fact that most of the images were of the same individual, limiting the applications for studying the variants of fat bodies. Still, it's an amazing tool that has a free mode and allows you to filter the types of references you want based on age and level of nudity.

Beyond sites that specialize in art reference photography, there's also the ever popular Pinterest, which is the site where I typically seek references for my personal studies. Due to the nature of Pinterest's extensive collection, there's a vast variety of references for different fat body types that includes a lot more "everyday" people. The primary issue with Pinterest however is the rampant reposting and lack of proper credits for images, which can make things dicey depending on how you wish to use the references you find. For personal studies this isn't really an issue, but for any sort of professional or paid work is something to be aware of just for the sake of accountability.

* For those who are 18+, porn photography of real people also offers an incredible wealth of visual resources for fat bodies and how they interact with gravity/movement/etc. The variety of positions and angles offer many opportunities to study human anatomy, and it's a pretty well-known fact that drawing NSFW art can be an important learning experience for those struggling with drawing anatomy. In the end, it depends on your personal level of comfort with viewing/drawing explicit images, but it's not something you should completely overlook.

Last but not least, look at the work of artists you admire who draw fat people! While I typically recommend sticking to photo references for learning anatomy, studying artist's portrayals of fat people is also incredibly helpful for learning different tactics for simplifying and/or stylizing fat bodies to better fit ones own style. There are also plenty of artists who've crafted tutorials detailing their approach to drawing fat folks, so I highly recommend you check them out as well! I hope the resources I've linked here can help you in your studies, and feel free to drop another ask if you have any more questions! I'm planning on posting a tutorial on how I do studies for fat people soon, so that will be an additional resource for you once I've got it posted!

[cacodaemonia]

I've had this in my drafts for months, and I just saw a post complaining about fan artists (while having the nerve to start out with, "I love fan artists so much but...") who draw characters this way or don't draw them that way, so I figured it was about time to share this.

You know that unwritten rule in fandom that says you shouldn't demand that fic writers cater to your tastes? "Don't like, don't read"? Here's a reminder that the same goes for fanart.

Sometimes, I see complaints that fan artists don't draw character A exactly how they look in canon/in a particular slice of canon/according to someone's specific headcanons. Sometimes, I see complaints that character A is being depicted, say, without enough body hair, or with the wrong body type, or as a different age than they appear in canon.

If you find yourself getting upset with fan artists over things like this, I hope you'll take a moment to:

mind your own business

consider how fucking hard art is

I think a lot of people who haven't spent time in the art trenches have absolutely no clue how difficult it can be to draw a human, period—let alone human features you haven't already practiced a million times.

This can be especially true for artists who don't have a lot of drawing experience. When I was a kid, I mostly drew women, so learning to draw more typically masculine features was a challenge, and it took me many years to even get okay at it. It takes a lot of practice to figure out how to draw a variety of facial structures, body types, hair styles, ages, etc.

For a example, I have never known an artist who doesn't think drawing children is a bitch and a half, and wrinkle placement can mean the difference between drawing something that looks like an elderly human versus a shriveled apple.

Simply drawing body hair can be very time consuming. You also have to understand hair growth patterns and direction and take into account if the person's body hair is very curly or more straight, etc. If I just want to do a really quick sketch, maybe I don't feel like spending 10-20 minutes adding body hair. Maybe some people don't like body hair so they don't want to draw it. Maybe some people have carpal tunnel syndrome or medial epicondylitis and the extremely repetitive motion of adding body hair to characters is physically painful. You don't know. And it's not your place to tell them they're wrong.

Fanart, just like fanfiction, is about drawing the things we like—NOT catering to what other people want or think we should be making.

So feel free to talk about how much you love it when fan artists draw characters in ways you like! But don't be a jerk by demanding people draw what you want, and don't put down those who don't cater to you. You can have all the personal preferences you want in fanart, but it's rude and entitled to force those preferences on others fans or act like you're a better person because of your tastes in the appearances of fictional characters.

[silverlining-ships]

Music comms are CLOSED!! Check out the waitlist here!!

Ok y'know what, screw it. My brain seems to require three-four pieces at one time (genuinely cannot figure out why that is), and with the fact I only have two queued up right now and the game I'm composing for doesn't need any tracks at the moment, I'm getting composer's block again. So we're OPENING my music requests!!

I'm actually stunned at how many people seemed interested in getting a piece of soundtrack music for their f/o. I'm opening it to non-mutuals, and it's totally free! If you're concerned about paying/tipping for work, I'm always happy to receive content for my selfship, but I will not accept any money, and there's no pressure to tip content anyway. Again, this is for fun!

This is how it works:

Fill out this google form with the title of your ship, some songs you like, instruments, etc etc.

You can message on Tumblr or Discord (@/slipperson on Discord) on top of submitting the form too! I'll reach out myself once I get started on your piece.

I'll sketch out a draft, which is exactly like sketching out a basic pose for art - it'll typically only use piano/minor percussion. Sometimes I'll even give a simple concept before I flesh out a draft. I'll send it to you for approval.

If changes are needed, I'll refine the draft and re-update. If not, I'll go on to fleshing out the instrumental - this means adding instruments, changing volume (for example, in my first example, I used a lot of "dynamics"/volume changes to simulate the swelling of instruments). This is like adding the flat colors in a piece of art!

I'll send it to you again - I'll make changes upon your request, but if approved, I'll finally go ahead and mix the final draft. This means putting it through an audio program (audacity if you're curious!) and polishing the sound. This is like rendering the lighting!

After it's done, I'll send it to you for once last listen. Upon approval, I'll post it to Soundcloud, link it on Tumblr, and tag you in the post!

Important bits:

No comship/proship/aged up-or-down/RPF ships. Live action characters are fine as long as it's not the actual person. Familial/platonic ships are totally okay!

If you are a minor/ageless blog, I'm willing to write a piece for familial/platonic content, but not QPR/romantic.

Downtime is 1-2 months after I first open your request. I may finish it sooner, but no later than 2 months. This is because music generally takes awhile--30 seconds of music can take me 4-5 hours to concept! I also tend to work on 3-4 pieces of music at a time.

I will give frequent updates. Don't be afraid to reach out if you're curious on the status!

My work is never cleared to be used commercially or in AI programs. We're a bunch of selfshippers on Tumblr, so I know we all hate AI, but it's worth the mention. I tend to be strict on copywrite - it'll stay under my name, all rights reserved - however, you are free to use your piece wherever you'd like as long as it's not commercial use, used in a monetized campaign/video/form of media, and not used in AI.

I may put these tracks on a streaming service at a later date - not on Spotify, as the service is TERRIBLE with allowing their work to be remixed into AI. Something like Bandcamp or Soundcloud for Artists. If you are uncomfortable with this, please let me know.

Examples:

I will have my queue/completed list on my carrd here.

Thank you so much for your interest!! I'm actually so stunned I got so much love for this, and I'm excited to celebrate your ships with you!

heart border

[starrysharks]

ok, i will do a drawing tutorial i guess!

first, i start with what i call the "exoskeleton" - basically a rough of the pose/anatomy of the character. i don't like to get too exact with it, so it's pretty rough. typically i just draw out the torso as one or two shapes and add arms and legs!

also, shapes typically change based on the body type/gender of the character i'm drawing. i tend to draw guys more top-heavy, and based on the chest size i use either a sort of rectangle or circles. but you can mix and match and do whatever! (i can do a full post on how i draw body types if anyone's interested.) but universal traits for any gender that usually show up in my art are long legs and "cankles"/larger ankles!

anyway, after the exoskeleton is done i draw the character sketch. then the lineart, which is sometimes just a cleaned sketch. i try my best to use lots of flowing lines to avoid "chicken scratch". like this:

lines can be sharp or rounded depending on the character design. sometimes i don't clean up at all!

after that i put a solid color over the entire character and color off of that. like for rio, i used orange as the solid color - using a color that's in line with the tone you want the piece to have is really good for a cohesive pallete imo.

choose an off-white and use that for all of the whites of the piece, that also helps with cohesive-ness imo. using a group of 3-4 similar colors and 2-3 contrasting colors and building off of that is also good for larger pieces!

i would explain in more detail but i'm super lazy and tired and dumb, but if anyone asks any more specific questions i'm happy to answer :]

[choochooboss]

Submas sketchdump! Vol. 1

April-June 2022

Literally dumping all the presentable works as promised, whether I'm proud of them or not! This is where I started, even before the first thing I posted online (That subway station one). Many of these are not on Twitter yet so there's lots to see!

The top piece above the header is my very first digital Submas artwork!! I never finished it bc I didn't know how to pull my vision of as I wanted & started modeling the train and didn't finish that either, whoops! I really want to remake this later and make it super cool!

^^^ My reaction to breaking 500 likes & 100 followers in a single day with my first tweet (the battle subway one) all the way back in May!! I was completely floored by all the attention, oh how it skyrocketed my excitement and anxiety! Crazy times, I was so super nervous to be there with so many amazing artists and doubted if I could ever survive there ahahah!! Many had joined the community much much earlier than me, so I had arrived with a late train to PLA/neo Submas hype!

Next up is a bunch of stuff I haven't posted before:

One of my fav sketches! Been saving this for so long bc I really really want to finish this one day!

One of the first submas sketches with an actual story behind it! The subway bosses are running late for their flight because they didn't pass the safety check! The irony!! This would never happen as bosses are always on schedule. But Emmet hadn't noticed a wild Joltik hiding under his coat, so he set up the alarm and they got examined and interrogated of smuggling! How embarrassing for them! The bosses resolved the situation by catching the Joltik, but will they be able to catch their flight anymore?? Maybe if Elesa can distract the stuerts performing the safety protocol for a minute!

More sketchbook stuff...

In case you can't make any sense of it, Emmet's dreaming of different combinations of pokémon. Meanwhile Ingo snores louder than the train! HONK SHOO!

Top 7 every submas fan draws at some point!

Submas trademark posing

submas sleeping in a train

sad Emmet

Emmet with Joltik

Ingo with a cool solo pose

Emmet being chaotic & Ingo reacting to it

a bunch of mirrored submas poses

I sure have a full bingo card lmao, most of them you can see here XD

Next up is a sad man...

Stay strong our friends!

My typical sketchbook pages, crammed and messy as usual. x)

Post-PLA exploration:

A few examples of how my pencil sketches evolve.

I've done so much art experimenting with submas. I really like this black & white painting but I don't think I'll finish it anytime soon.

Where did you go?

The way I draw the twins' faces has changed a lot. They started with softer features and somewhat neutral emotions, because I wasn't as familiar with them or comfortable drawing them yet. Now there's hundreds of submas sketches, and they still keep evolving! My style is also kinda hard to pull off well, so their features differ from picture to picture.

This one was inspired by some submas music videos, can't recall their names anymore. The glowing eerie eyes and yellow&orange + black&white color schemes were neat!

I keep telling myself I need to draw more butlers, these twinks look so lean and neat and have more color and are posh with their monocles and have fun tailcoats!

(...why eyeglasses are not called binocles??)

I was there for the vinegar chaos. Good times!

That's all for now, I hope you got something fun out of this! Still got loads more art to share but I'll save them for another time. Next round I'll bring in my first submas comic!

[dianagj-art]

How long do you typically spend on a drawing? Of the ones you've posted, which took the longest? Which was the quickest?

It really depends on what I'm drawing and how "finished" I do them

For example these kind of skectches don't really take me much time to do (specially when the poses are very simple), I can do a bunch of these in a few minutes no problem, then there are the ones when I add grayscale or colors that take a little longer

Then there is this kind of drawing that are finished with lineart, colors and shadows but each of them took me a different amount of time

The Gemini one took me hours to make (how many I dont really remember) I spent a lot of time on the sketch mostly because I was trying to figure out how Leo's arm worked, then spend around 3hrs doing lineart and chossing the base colors, and I had to do it twice because...

reasons...

The bottom left with Coin Toss Michael, took me less, even when it was a challenging pose I managed to figure that out quick enough, the most time consuming part were the chains because I hand drew them. I don't remember how long it took me to do but I did it in one or two sittings, probably took me aorund 5 hours to make (and maybe thats too much, might have been less)

And the bottom right was a fast one too, probably managged to do it in under 3 hours (I think the hardest part was to match proportions with Trainee that is cropped out)

And then there is things like this, I actually have the proccess recorded (minus the sketching and planning) and can tell you that it took me around 15 hours to make these two pages (I might one day edit that and make a speed draw)

But again, it really depends on what I'm drawing because this commission (that aparently I haven't posted yet) that I also have some of the proccess recorded, it took me around 2:30 hours to do inks, colors and shading

Most of the time I dont really time myself, when I know more exact times are when I record my screen for future speed draw videos (that I always forget to edit) or because I was watching something in the background so I know it took me X amount of movies or episodes or youtube videos so... ¯\_(ツ)_/¯

Oh! there is also this lil animation I did that took me 4 hours, I only know that because it says so in my tags

[fantasy-anatomy-analyst]

Uniquely recognizable

a post on making fantasy people species that stand out but still feel enough like their mainstream counterparts that your audience won't get confused.

Like me, a lot of you want to use the standard fantasy people in your projects. gnomes, orcs, elves, goblins, dwarves, etc. But you don't want to use the same old typical designs you see in every fantasy roleplay game, movie, show, book, video game, whatever. Those designs have become iconic and ingrained in the common understanding of what those fantasy people are supposed to look like.

But it gets tedious, doesn't it? Sometimes it feels like the only difference between elves in different media is the size of their ears. Sometimes it feels like every fantasy people group is designed to be as close to human as possible and then their fantasy traits are just an afterthought. You're tired of it! You want to do something new!

But where is the line between a unique looking elf and a personally unique fantasy people that need their own name? How far can you alter the standard orc before it stops being an orc? And what are gnomes, anyway?

in this post, I'll be showing off a few of my own fantasy folks and talking about the balance between a recognizable design and a unique design. Including one of my own folks that began as something typical and gradually became something else, until I had to come up with a new name to avoid confusion.

first up: Goblins! what are goblins? if you asked a handful of random people, what traits would they consider the most typical of a goblin?

small, usually green, big ears, lanky limbs? frequently a large nose, sharp teeth, and yellow eyes? those are all common traits for goblins in media across the genre. here are a few sketches of easily recognizable goblins: (including one of my favorites, the goblin design of @pocketss)

(image description: three sketches of goblins. The only one directly labeled is the pocketss goblin, which is very small, has a round head and thin pointy nose, and large leaf shaped ears. it is wearing a little coat. the other two goblins are more typical of fantasy roleplay and video games, having large noses, crooked ears, and short bodies with long arms. one of them is wearing a mechanic outfit with overalls and goggles. the other is wearing a hooded rogue outfit. end description.)

these are all different from each other, but they're similar enough that you could glance at any of them and say "oh that looks like a goblin!" You've probably even seen similar goblin art from other tumblr artists, or your favorite fantasy media.

so now let's look at how I draw goblins:

(image description: a frog-like goblin standing in a cheeky pose, leaning on an invisible surface of some kind. They're nude, but have no external sexual traits. Their belly is a pale yellow while the rest of their body is light green with darker green stripes. They have a round face, yellow frog-like eyes, a small nose, long whiskers, and big bat-like ears. next to them on either side are lists of traits that are common for goblins in fantasy media, contrasted against the more unique traits of this goblin design. end description)

this is one of my fantasy people that I consider the most recognizable. They've got a lot of standard goblin traits! green skin, yellow eyes, sharp teeth, big ears, lanky limbs, and they're rather small. On the other hand, they also have several traits that make them stand out from the common depictions of goblins.

They're amphibious, they have whiskers and a frog-like vocal sac in their throat. their skin comes in different colored patterns like real life frogs. and they're also hermaphrodites in the scientific sense. my goblins don't have set biological sexes from birth. they change between laying eggs and producing sperm based on various environmental factors.

But I think it would be hard for anyone to take a glance at this design and not recognize it as a type of goblin. it strikes a pretty good ideal between the typical and the unique, in my personal and somewhat biased opinion.

Moving on from this, let's look at my depiction of gnomes. They're kind of on thin ice with that title, I don't think they're as easily recognizable. But at the same time, I'm not sure I can come up with an alternate and more fitting title. Gnomes are weird. I see them depicted in only a limited handful of ways in mainstream fantasy, and far more varied ways from independent artists. Gnomes come from a mythology where their name could have referred to several small fae things, or been easily exchanged with other small fae things and similar creatures. The most common depiction of them is probably the garden gnome, which has little in common with how gnomes are depicted as a playable race in roleplay games. but here are three ways I usually see them depicted:

(image description: three sketches of gnomes. the first gnome is labeled "dwarf lite" and resembles a short humanoid with a sturdy body, pointy ears, and a short thick beard. they are wearing a pointed cap and a durable work outfit with gloves and boots. the second gnome is labeled "mousey" and resembles a small humanoid with a hairy face, larger semi round ears, and a long skinny tail. they also appear to have small claws on their fingers and toes. they're wearing a collared shirt, vest, and simple pants. the third gnome is labeled "elf hobbit" and resembles a short humanoid with pointy ears and long hair, wearing a cloaked adventure outfit. end description.)

common gnomish traits include a larger nose, pointy ears, some form of facial hair, and a short torso with somewhat longer arms. The most common versions in mainstream media are the "dwarf lite" and "elf hobbit" versions, like no one can quite decide if gnomes should primarily be tinkerers or spell casters, and which role they're depicted with determines whether their design is more dwarf-like or elf-like. But the mousey with a tail gnomes are more common from independent artists. It reminds me of some illustrations of the Borrowers, and I do wonder if the artists had them in mind.

here's my gnome design:

(image description: a gnomish woman sitting casually and looking upwards with a smile. she has a pig-like snout and ears, as well as four-digit hooved hands and feet, and a stiff short tail. she is wearing a wrapped head scarf over her hair, an off-the-shoulder shirt, and long pants with a climbing belt. on either side of her, there are trait lists comparing the expected gnomish traits with my own different gnomish traits. end description.)

My gnomes do match the concept of being small, agile, magic using folks with a prominent nose. But mine are also not as small as typical depictions of gnomes, and I've gone the porcine route to connect them with my orcs rather than leaning into the typical dwarf lite or elf hobbit depictions. I would not expect every new viewer to see this design and say "oh, obviously that's a gnome." because the pig-like traits are very atypical for depictions of gnomes. But at the same time, they have enough in common, and gnomes are varied enough in other media, that it doesn't take too long to adjust the audience view so they accept this as a gnome. at least I hope it doesn't lol.

and finally let's look at a fantasy people design where I got too into my unique ideas and had to rename them because they just lost the most recognizable traits of the original thing.

I will admit that in middle school I was a Twilight fan and I thought the vampires in that series had a lot in common with elves, so I decided I also wanted elf vampires. Cringe, I know. But the elf-vampires kinda got away from that origin as I built up my world and characters, and I just couldn't keep calling them vampires! I had to think of a new title. But I also didn't want to work too hard at that new title, so I just took some letters out of "strigoi" and I'm going to say it shares in-story linguistic origins with the word "drow", so both of these groups were named after an old elvish term for "those who live below/ in the dirt/ at the roots". Stroi and Drow almost sound kinda similar. Close enough to claim linguistic drift, at least! So they are vampires no more, and I am quite happy with how they fit into my worldbuilding.

for comparison, here are a few typical vampire designs:

(image description: three bust portrait sketches of different vampires. First is an undead human, looking like a common human man wearing a coat, but his eyes are red and he looks very tired. second is a nosferatu, who is bald with crooked pointy ears, a sunken face, and big sharp teeth and clawed fingers. he's wearing a dark robe. third is the fantasy dracula, looking more similar to an elf with sharp teeth and red eyes, but his features are more angular and he has more facial hair than the typical elf design. he is wearing a fancy cloak. end description.)

and here's the elf-cousin stroi that just stopped being a vampire a very long time ago:

(image description: an elf-like man with curly red hair and a long tail. He is standing on his toes. His outfit consists of a simple pair of pants, a shirt with a broad neckline, and a slouchy square cardigan. on either side of him, there is a list of common vampire traits and a list of stroi traits. end description.)

vampires are typically some form of supernatural immortal being, usually undead, often having fangs and venom and special weaknesses. They usually have magical powers like shapeshifting and entrancement. They pretty much always survive on a diet of blood and nothing else and they're generally nocturnal.

when I created the stroi as vampires at the start, I designed them as blood drinking elves who came from a cursed bloodline, all descended from some revived dead warriors. In concept, this is a pretty cool idea! but as I got more and more into speculative evolution and fleshed out my world and characters and all my story ideas, I ended up changing a lot of details for these folks and eventually they just no longer resembled vampires! I don't think a single person would look at this design and think "that's a vampire". no, they're more likely thinking "that's a funny looking elf", and they're right.

my stroi are living creatures in a perfectly normal way, though they have long lifespans. Unlike the elves, they live on the ground and are primarily carnivorous, so they do have sharper teeth and they do consume blood as a result of consuming raw or less cooked meat. They are not strictly nocturnal or diurnal, taking their own shifts to be awake at different times of day, taking oddly timed naps as all carnivores do. They can use magic, like anyone in my setting, but they have no powers unique to them, and certainly no special weaknesses. They don't even have venom, unless you count normal mouth bacteria. So you see, they just don't share enough traits with vampires to justify the title. People see the word "vampire", and it gives them some very particular expectations that my stroi simply cannot fulfill. Their lore has changed too much.

and sometimes this is necessary for the creative process. coming up with a new title for your fantasy people when you realize they no longer fit their origin can be very difficult! but it's so much worse to keep clinging to that origin and trying desperately to maintain the traits that people expect to see even though it doesn't work for your project anymore. I couldn't even stick with my idea that the stroi could still be vampiric if they were brood parasites for the elves. it's another cool idea, but it doesn't fit what I'm writing at all.

Learning to let go of your old ideas and move forward with the new ones is an important skill. Maybe you really really wanted to have elves in your story, but you leaned so hard into some new traits, got invested in all of that, and months or years down the road you look back and realize your elves aren't so elf like anymore! you wanted them to be wolf-like, but you got so excited for your wolf-elves that you ended up with something else entirely. it happens! and it's okay to let go of the elves and move forward with your awesome wolf people. maybe you just have to go do some research on wolf people in mythology now and figure out if there are any other non-werewolf creatures you can take the name of and use as further inspiration to flesh out your wolf people. or maybe you'll have to come up with a whole new title from scratch.

the most important thing to remember is that you should be enjoying your creative process! whatever that ends up looking like.

[luv4fandoms]

The Rut (David x Fem! Reader)

It is finally here! The last installment of The Rut series! I am so happy that everyone enjoyed this series, it was definitely fun to write the boys in just complete feral mode lol. I'll definitely be writing for stuff for the boys in the future!

(Also since I've been asked, this isn't really a poly relationship series, this is a "only (insert boy) likes reader" kinda thing).

I really wanna thank everyone who has commented on, reblogged, or just liked this series. Y'all really kept me going when I had writers block, and I couldn't have finished it without y'all. And a big shout out to @auntvamp who came up with the original headcannons about the boys in rut, because without them, this series wouldn't be a thing lol. I'd highly suggest reading that first.

Lastly I'd like to thank @santacarlatourism for their headcanons of each boy's scent on my post

I also got inspired by these headcanons

For this I know a lot of people write David as a rough dom but I wanted to explore something else, I don't think David would always be rough with his mate, I see him having a soft side too, so this is that, and also him slowly losing control lol.

Paul, Marko, Dwayne,

Word Count: 5,376 (of course this cocky mofo ended up with the longest chapter 🤣)

Pairing: David x Fem! Reader

Warnings: DETAILED SMUT! THAT IS ALL THIS STORY IS!! MINORS DNI!!

⚠️ 𝐰𝐚𝐫𝐧𝐢𝐧𝐠: 𝐈 𝐝𝐨 𝐧𝐨𝐭 𝐠𝐢𝐯𝐞 𝐚𝐧𝐲𝐨𝐧𝐞 𝐩𝐞𝐫𝐦𝐢𝐬𝐬𝐢𝐨𝐧 𝐭𝐨 𝐜𝐨𝐩𝐲 𝐚𝐧𝐝 𝐩𝐚𝐬𝐭𝐞 𝐚𝐧𝐲 𝐨𝐟 𝐦𝐲 𝐟𝐢𝐜𝐬, 𝐚𝐥𝐨𝐧𝐠𝐬𝐢𝐝𝐞 𝐢𝐭𝐬 𝐢𝐦𝐚𝐠𝐞𝐬, 𝐭𝐨 𝐚𝐧𝐲 𝐨𝐭𝐡𝐞𝐫 𝐩𝐥𝐚𝐭𝐟𝐨𝐫𝐦 𝐰𝐢𝐭𝐡𝐨𝐮𝐭 𝐟𝐢𝐫𝐬𝐭 𝐜𝐨𝐧𝐬𝐮𝐥𝐭𝐢𝐧𝐠 𝐦𝐞.⚠️

Ko-Fi

"Don't invite him in"

That's what Dwayne had told you when he informed you to stay away from the cave for the next couple of days. You were confused when Dwayne had met you at the entrance the night before, usually David was the first one out and ready to leave, typically smoking while the others got ready. You were fully prepared to spend the night at the boardwalk with the boys and your favorite vampire, but Dwayne had quickly shot down those plans.

"Wait…A rut? Like how animals have ru-"

"Yes just like that" he told you as he walked you back to your car.

"When we go into these we are very dangerous to you, since you're a human and not a vampire like us you're far more…"

"Fragile" you finished, the boys had all told you that before, taking it upon themselves to protect you all the time because you were "like a China doll" in Dwayne's words.

"So that's why you need to stay away for a couple of days," he explained, to which you could only simply nod as you climbed in your car. Your thoughts suddenly taking a turn as you thought of him…they were all extremely attractive…him especially…and you were sure him taking a partner for a quick time was something he had done before…would that happen again? After all, if he was gonna kill them anyways why not? It didn't matter if they were fragile right? But why did that thought make you wanna cry even more in this situation?

"It isn't like that" Dwayne's voice broke you out of your thoughts and you were unsure if he had read your thoughts or could just read your emotions.

"Go home y/n, don't overthink ok, you can come back soon" he told you with a small smile as he shut your car door, watching as you started the car and rolled down the window when he knocked

"And one more thing" he told you while leaning in.

"Don't invite him in"

So here you were, sitting in your room, listening to music and drawing, wishing you could just go hang out with the boys, you hadn't really realized just how much of a staple in your life they had become until now. Night's seemed boring without them…without him. Sighing you sat your sketchbook down on your nightstand after you realized that in your zoned out state you had successfully sketched what was probably the twentieth picture of him that resided in the book. Stretching, you got up and changed the music, putting on your newest Billy Idol album. You had joked to David before that he reminded you of the singer, a comment that although he didn't reply to, he seemed complimented by. You had actually come across David listening to a Billy Idol cassette tape one day in the cave and it only solidified that thought even more for you lol. You began dancing around as White Wedding started to play, losing yourself in the music for a moment, before you heard a gentle knock on your window. Your body froze instantly, shifting your gaze to the closed curtains. You slightly wondered if it had been the wind, but only slightly, you knew that was definitely a knock.

"I know you're in there Sweetheart, no use hiding" You immediately felt a shiver run down your spine at the voice, a deeper tone with a slight growl mixed with it told you he was currently vamped out.

'Don't invite him in' Dwayne's words rang in your head, earning another low growl from outside.

"You don't take orders from him, understand?" Oh shit, he was reading your thoughts. You had made him promise when you first learned what they were that he wouldn't do that anymore. A promise he seemed like he had no problem breaking tonight.

"But.. David…Dwayne said it would be dangerous to-"

"Funny" you heard him let out a dry chuckle.

"I thought I just said you don't take orders from him" You gulped at his tone, a sarcastic David was a dangerous David at times, and you had a feeling this was one of those times.

"Let me in Doll, I'll explain it all better than he could" You hesitated still, true, Dwayne hadn't explained very much, and you were still curious. And if you were being honest, when vamped out David probably had the most control over himself out of all of them, besides maybe Dwayne…Maybe it would be safe if you let him in. Slowly making your way over towards the window you heard what seemed like a pleased…purr? You pulled back the curtains, meeting the golden gaze of the vampire on the outside of your window. His figure looming on your small balcony. You unlocked and opened your window, leaning out to speak to him. When suddenly your lips were captured in a searing kiss, his gloved hands holding your face, softly yet firm as he pulled you closer, fangs brushing your lips as he opened your mouth with his, tongue dominating the kiss. You weren't sure what was making you dizzier, the kiss that was quite literally stealing your breath away, or his scent. David always smelled like a mixture of cigarettes, the cologne he always stole that had a very earthy smell to it, and a scent that you could only describe as simply him. But tonight his scent seemed to be cranked up to a hundred, clouding your brain of anything but him. When he finally seemed to remember you needed to breathe he pulled away, forehead resting against yours as he watched you try to catch your breath, pupils blown and heart racing as you met his gaze.

"David," you spoke quietly.

"You're gonna be a good girl and let me come inside, right?" He asked, watching the shiver that went down your spine at the nickname, a mental note he tucked away for later.

"Right?" He asked again, watching as you slowly nodded.

"Words Sweetheart" he gave you that little smile as he ran his thumb over your lip.

"You can come inside" you spoke once you found your voice.

"That's a good girl" he spoke, before the next thing you knew you were back inside your bedroom and being thrown onto your bed.

"Clothes off Sweetheart, I'm going to fuck you first, then I'll explain everything" he commanded, staring you down as he slowly took his coat off and laid it over your desk.

"W-What?" You stuttered, looking at him with wide eyes, did he actually just say that so casually? He raised an eyebrow as he looked at you, waiting.

"I thought you were going to be a good girl tonight y/n" he spoke while slowly pulling your chair out and sitting down.

"I-I.." you weren't sure what to say at the moment, voice gone as you got lost in that golden gaze.

"I don't mind punishing you" he warned, and the look in his eye told you that part of him wanted to, wanted you to misbehave so he could. Deciding to play it safe, for now, you quickly took off your top and bottoms, leaving you in your simple lace panties, bra having been discarded earlier in the night. You watched his gaze darken as he took you in, golden eyes turning a bit orange.

"Come here" he spoke simply, but his tone told you that there was no arguing. Slowly you stood from your bed, taking careful steps over to him, stopping once you stood directly in front, your legs lightly grazing his knees. You slowly met his gaze again, those hard features and burning eyes, you knew anyone in your situation would have ran, but you knew David, and maybe some deep twisted part of you wanted this more than you even recognized. Wanted to be completely dominated by this man, this creature. Maybe you should have also not thought those things so loudly, if the absolutely predatory grin was anything to go by.

"Completely dominated huh?" He asked while leaning back in the chair, he watched as you gulped, listened as your heart picked up speed, smelled as a fresh wave of arousal hit you. It wouldn't take much to have you exactly where he wanted you, completely willing, completely his.

"On your knees Sweetheart" he told you with a low growl, and he watched as you instantly fell onto your floor, hands hovering just above his knees before lowering themselves to the ground. Good girl, you already knew to wait for his orders. He watched you watch him, watched as you tried not to show how much you were trying to gain some form of friction against where you needed it most. He could feel himself stir even more at the sight, could feel the inner beast trying to claw its way out, yelling at him to simply take you, stop these foolish games and claim what was his. He hated that feeling, hated losing control. Deciding to relieve both himself and you he tapped his belt buckle, eyes still never leaving you as you looked up to meet his gaze before setting to work undoing his belt and then pants, looking up to silently ask if you should stop or keep going.

"Well? You've been a good girl so far, are you afraid to unwrap your treat?" He smirked, watching the blush crawl up your neck and cheeks as your eyes went back to his pants. He lifted himself slowly so you could take them and his underwear off, pulling the material down to his ankles, stopping only because his boots got in the way. You went to remove them but he stopped you with a hand on your head.

"Those can wait" he told you, sliding his hand from your hair to cup your cheek, running his thumb over your lip before slowly parting them, watching as you wrapped your lips around his thumb, eyes sliding closed as you sucked the digit. David watched you intensely, feeling himself jump at the sight, and knowing that he wanted, no, needed your lips around him, now. Gently pulling his thumb away with the thinning self control he had left he opened your mouth, watching as your eyes met his.

"I have something better for you to use that pretty mouth on" he told you, watching as your eyes moved to finally take him in. He was average length, but pretty thick, a size that had you both clenching around nothing and also afraid of him not fitting. Again, reading your mind, you heard David chuckle.

"That's why we have to get both of us nice and wet, I think you know how to do that, don't you?" He asked, letting go of your mouth and leaning back in the chair, legs opening just a bit more.

"Yes sir" you nodded, sitting up a bit, hands finally touching his thighs, you could hear the low rumble leave him as he stared at you, you had taken a chance by calling him sir, but you had a very strong feeling he had that sort of kink, after all, David always loved being in charge.

"Look at that, I don't even have to teach you manners, you are already trained for me" he smirked, gathering your hair in his gloved hand as you slowly wrapped a hand around his length, feeling it twitch, before lowering your lips to close around the head.

"Already my good girl" he sighed, watching as you ran your tongue along the slit before lowering your head, hollowing your cheeks, and taking more of him in while running your tongue along the vein on the underside. What your mouth couldn't take, you hand took care of as you began bobbing your head, twisting your fist as you stroked in time with your bobs. You hadn't expected David to be a moaner or a talker, so when you only received grunts and huffs you knew not to be disappointed. You let those guide you, noting when he would tighten his grip on your hair, or when he would ever so slightly lift his hips, when he would hold his breath, or when his grunts sounded a bit more strained.

"Teeth" he grunted out at one point, tightening his grip on your hair again. You weren't sure what he meant, so you went off of what you guessed and prayed that it was right, you were doing good so far, you didn't want to fuck up now. Letting your teeth graze against his length you felt him stiffen, and instantly you feared you messed up, but that was when you heard it, the first moan, even if it was extremely quiet. With more confidence you let a little more of your teeth scrape along him as you worked, hearing his breath quicken once more. You chanced a glance upwards and noticed a sight you didn't expect, David with his eyes closed, head slightly tilted backwards, and mouth slightly open. Feeling brave after your achievement you decided to try something else. Sneaking your other hand up, you gently wrapped your hand around his balls, just as you took as much of him as you could and swallowed. Feeling him stiffen instantly, and hearing a clearly strained.

"Fuck" before his eyes met yours, orange gaze blazing before you were suddenly tossed on the bed, watching as he tore the rest of his clothes off.

"Did I say you could do that?" He asked, caging your body with his. You slowly shook your head but David caught your jaw in his now gloveless hand.

"Did I?"

"N-No sir" you replied, honestly a little scared, as well as turned on. David looked almost unhinged at the moment, like he was a breath away from just bending you over, and maybe that's what you wanted.

"So why did you think it was ok?"

"I-I just"

"Just what? You had been doing so well"

"I just wanted to make you feel good" you told him, and watched as he stopped, and blinked down at you. Honestly he hadn't expected that reply. He figured you were tired of playing the good girl role and wanted to disobey, wanted him to put you in your place, wanted him to just take you already…He hadn't expected you to tell him you were just trying to make him feel good.

"Just trying to please your master?" He asked with a smirk, watching as you nodded, eyes wide with an innocence that he knew was false, but God did you know how to play on that. He knew how dirty your mind was, he had read it so many times, times where you would come to the cave, wet and smelling like pure heaven. He wanted, no, needed to know what had gotten you that way, so he'd delve into your mind, needing to know if he'd have an easy kill that night or would it be something else, and what he'd find would cause his own stirrings. Things that you had read about in your little erotic novels, but played out by the two of you. You riding him, which he'd have to be convinced about. Him bending you over his motorcycle, that he could and would definitely arrange. Then there were the ones that filled your mind after you learned that he was originally a gunslinger before he became a vampire. It seemed your naughty little mind lived on the saying "save a horse, ride a cowboy". That heavenly smell surrounded him once again as you looked up at him, muttering such words that had his thin self control on the verge of snapping.

"Always wanna please you sir" you whimpered, slightly wiggling under him, no doubt seeking friction for the overwhelming heat that was bothering you. He decided to take pity on you, at least that's what he'd tell you, when really the beast in him was clawing at his mind for a taste of you.

"Such a Sweetheart" he smiled, leaning down to kiss your neck, chuckling as you leaned your head to the side, already willing to give him access to your blood, but that wasn't the taste he sought, at least not at the moment. Pressing gentle kisses down your collarbone, stopping to give your breasts attention, he swirled his tongue around your nipple before closing his lips around it, fangs grazing your skin as his hand came up to pinch and play with your other one, before his mouth and hand switched. Only when he felt like he had made you a breathless mess did he continue his journey down, hands sliding along your sides as he kissed down your stomach, pressing kisses to your hip bones before hooking his claws into your lace panties. His eyes met yours, a sinister smirk on his lips as you watched him tear your panties in half, the sound of tearing fabric meeting your ears while your eyes never left his. You watched him toss the pieces to the sides of the bed before he pressed kisses to your thighs, so close to where you wanted his mouth but never giving you what you needed.

"Beg" he told you, watching as your eyes met his again, having closed them for a moment.

"Please David" you whimpered, yelping slightly when his hand landed a smack on your thigh.

"Care to try that again?"

"Please sir, please I've been good" you begged.

"Have you? I don't think you have"

"I-I was just trying to make you feel good" you explained again, watching as he stared at you.

"Please sir, I promise I'll be good" you told him, gripping at the sheets, trying to will him to do something, anything to calm the fire that was slowly burning through you. Meanwhile David was fighting with himself, he wanted to tease you, have you a real begging mess, but the other part was clawing at him to just give in and take. This time he decided to give into that beast within and in an instant his mouth was on you, tongue swiping along your slit and watching as you threw your head back, a loud moan of his name tearing from your lips. He decided this time he wouldn't reprime you for it, mainly because he was becoming too lost in your taste, his own grunts muffled as he buried his face deeper, nose brushing your clit while his tongue dipped inside. He felt your legs close around his head, his hands still resting on your thighs, and again he decided to let it slide, instead grabbing your hips and letting himself explore you, commiting to memory every swipe of his tongue that had you moaning his name, every suck that had you gasping, every twist and turn that had your heart beat picking up and the beast in him clawing at the fraying seams of his control. He wanted to slam his fingers in you, listen as you moan at the fact that something was finally filling you, but he knew that his claws and that sensitive of an area shouldn't mix, so he settled on completely devouring you, being careful of his fangs as he brought you closer to your edge. Your legs tightening around him, hips lifting to try and get closer, hands grabbing at his hair while your head was thrown back, eyes shut and mouth open, begging him to not stop, telling him how good he felt and how close you were. He could push you off the edge in just a matter of seconds…could…but wasn't going to. Easily unwrapping your legs from him, he lifted himself away from you, watching as you whined and looked up at him with pleading eyes. Chest rising and falling rapidly as you slowly came down from the high he had built you up to.

"Why?" You whimpered, and David simply smirked as he wiped your essence from his face.

"You still had to be punished Sweetheart" he told you, watching as you pouted, head turned to the side while you tried to catch your breath. He chuckled at your pouting, knew how frustrated you were, because honestly he was at that point as well. He knew that playtime was up. Grabbing your thighs again he pulled you down the bed, wrapping your legs around his hips. He watched you gasp at being manhandled but he knew you liked it, he could smell that you liked it.

"Now, are you gonna be my good girl again? Or do I have to punish you again?"

"I'll be good I promise" you panted, wanting that high again that only he could bring you to, he'd make sure you knew that, that only he could make you feel this way.

"Good girl" he growled, reaching down to drag himself through your wetness, watching as your hips lifted slightly, trying to coax him in.

"Such a greedy girl" he smirked, before slowly entering you, watching as you threw your head back at the feeling of finally having him inside you. It took him a bit with how tight you were, but once he was fully seated he had to take a moment. Because right then, for the first time he felt overwhelmed. Sure he had partners in the past, but nothing felt like this, as if he needed more proof that you were his mate. And he knew that you probably wanted him to be gentle, but he knew that wouldn't be something he could offer, not this night at least.

"I'm not gonna be gentle Sweetheart" he felt he should warn you, felt you deserved to know before he just took you.

"I didn't expect you to be" you smiled, and he knew you knew enough of what was going on with him to know he was losing the control he loved so much, so he never broke the gaze you two held as he gripped your hips and pulled back, only to slam forward, watching as you threw your head back. He listened to your cries for him, your heartbeat singing as it sped up again. He watched as your eyes rolled back, mouth opened as you didn't even try to hide the gasps, and moans. He found his own eyes closing as he sped up, thrusts now slamming into you as the bed shook, his grunts were drowned out by your cries and that was ok, he didn't need to be loud, it was your job to tell everyone who was making you feel this good. Sir had long been forgotten and he couldn't find it in himself to care, wanting you to cry out his name until your throat went raw.

"Fuck" he panted out through gritted teeth, the feeling was picking up, the knot tightening in his stomach as he felt you grow tighter around him. Shit you were gonna make it hard on him to even fuckin last, especially when you were begging for him, begging for him not to stop, begging for him to make you cum, even begging for him to make you his, as if you weren't already. Your orgasm hit you both by surprise, you suddenly became like a vice around him and he immediately stopped, watched as you shook, you entire body trembling as you flew over the edge, he slowed his thrusts, gently rocking you through it, and also keeping his own orgasm at bay

He watched you blink before your eyes met his, looking up to see if he would say something about you cumming without permission, which, any other time he may, but right now he just knew he needed you to cum again, because you were absolutely beautiful when lost in pleasure. You watched as he unhooked your legs from him, instead lifting them as he pulled out and crawled over you, pressing his forehead to yours as he wrapped your legs around him again, his one hand coming up to hold yours, while his other game up to hold your jaw.

"You got another one for me Sweetheart?" He asked, not breaking eye contact as the hand on your jaw left for only a moment as you felt him enter you again, making you gasp.

"Yes" you whimpered, already lifting your hips to meet his.

"My little mate, always so willing" he smiled, fangs grazing your lips before he captured them again, he soon started thrusting again, and you moaned in the kiss, allowing his tongue to enter and dominate before he pulled back, fangs lightly grazing your lip and drawing blood, to which he quickly licked it up. His hips thrusting forward harshly as he tasted it, the flavor exploding on his tongue and heightening his sense to focus on the precious liquid that flowed just below the skin. He knew it would be dangerous to feed on you while you two were in the middle of this, he could lose any control he had left if he did, and he wouldn't know what to do if he killed his mate. So instead he focused on the other liquid you were producing, the liquid that was currently coating his thighs as he thrusted into you. Your moans were echoing against the walls and in his brain as he allowed himself to slip away, focusing on the feeling of your body sucking him in, gripping him tight in your soaking heat, God you were so hot against him. He knew his temperature was running hotter than normal due to the rut but yours was like fire. He was also losing himself in your scent, not just the scent of your arousal, but the scent that was simply you, a scent that he would never admit, but one that he loved smelling around the cave or against his pillow when you would take a nap in his spare room. He lost himself in how soft your skin was under his hands, how you completely gave yourself to him, willingly submitted yourself to a beast like him even though you had been told it was dangerous. How you were crying out for him, begging him, praising him, God your praises.

"Yeah? Only I can make you feel this good?" He panted against your lips, eyes still closed as he continued to lose himself.

"Fuuuuck, only you David" you told him

"Only I know your body like this" he growled, picking up speed.

"Only you" you panted.

"You're mine" another growl

"Shit..Only yours"

"Completely mine" he grunted

"Fucking…Always"

"My mate" he groaned, and you allowed your eyes to open slightly, expecting to meet gold but instead noticed that his eyes were closed, eyebrows furrowed as his mouth opened slightly, hot breaths fanning your face.

"Say it" he panted, eyes not opening as he picked up his speed again, angling himself until he was hitting that spot inside you that made you see stars

"Your mate" you moaned, eyes closing again as your head fell back as far as his hand would let it, his grip leaving your jaw to grab the back of your head, forehead never leaving yours.

"My mate" he panted, breaking off into a groan.

"Fuck" he moaned against your lips, his control a hair's breath away from being gone, the faster your heartbeat raced, the less he had.

"Cum for me" he groaned, knowing he wasn't going to last much longer. The hand that had been holding yours quickly found your clit, rubbing circles that had to shooting towards your peak.

"Fuck! David!"

"That's it baby, let go" he surged forward, panting against your mouth as moans began to leave him, the sign that he was about to finish as well you realized. Your hands shot into his hair, pulling the locks until his face left yours and buried into your neck. It was something you knew you both wanted, something you had fantasized about, and something you know the rut would most likely want him to do.

"Make me yours" you panted, officially snapping the thin string of self control he had. Instantly his fangs sunk into your skin, drawing a high pitched moan from you as your legs locked around him, your body squeezing him as your second orgasm washed over you, and he was right behind. As soon as your blood entered his mouth he was gone, he knew you smelled like heaven, but you tasted like it as well, and that paired with your even stronger orgasm had him slamming forward, hips stuttering before stilling as he filled you, a deep growl leaving him and vibrating your chest as he pour himself into you, claiming you, marking you, just like his fangs did. He gave a few slow thrusts before he stilled and pulled his mouth away, his fangs leaving your skin as he licked up the blood that trailed out and sealed the wound, the only evidence being two small marks. You both stayed like that for a moment, his face still buried in your neck while your hand was tangled in his hair, the other running along the scratch marks on his back that you didn't even know you had made, he knew though, he quite enjoyed the tiny bit of pain.

"That was really dangerous" he spoke after a moment, drawing your attention to his gaze, now far less orange and far more gold, the red hue having disappeared.

"I think the danger started when I invited you in" you laughed, watching as a smile graced his lips.

"You were told not to, and here I thought you knew how to follow orders" he tisked, causing you to roll your eyes.

"Kinda hard to know which rules to follow when my master says the opposite of others" you smirked, earning a growl that vibrated your chest.

"Always my orders"

"That's what I thought" you smiled, leaning up to capture his lips in a kiss that he happily returned.

"You really like being called that" you joked, causing him to roll his eyes.

"Just means you know your role" he stated.

"Oh? So I'm nothing more than your pet?" You asked with a pout.

"You know you're not, you're my mate" he stated as if it were the simplest thing, which to him it may have been, but to you.

"What does that mean exactly?" You asked, watching as he just blinked at you.

"No like…is that what vampires call girlfriends or.." you trailed off when he started lightly running his finger over the bite marks he made.

"Why do you think I came here even though it was dangerous?" He asked.

"Honestly, I'm not actually sure" you told him truthfully.

"I actually figured you would just go pick up some random at the boardwalk" added while staring at the skin of his arm that you were currently drawing patterns on with your finger. You tried to hide the sad tone but you knew he could easily pick up on it, knew because he was soon turning your face towards him again.

"This doesn't work that way." He started, brushing your hair out of your face.

"None of us have ever been through this before, I'm the first. We just know about it from Max telling us" he explained.

"This rut, it's triggered by us finding our mate. In human terms I guess the closest thing would be a soulmate"

"So I'm…Your soulmate?" You asked, your smile growing.

"Far more than a pet now huh?" He smirked, leaning down to kiss you again. Chuckling when you pulled him closer to deepen the kiss.

"Would this be the right time to tell you that I've kinda had a crush on you for a while?" You laughed, watching as his smirk grew.

"Oh I already knew"

"Wait what?!"

"You think very loudly Sweetheart"

"Wait…How long have you been reading my thoughts?! I told you not to!"

"Long enough" he stated, while lowering his mouth to your ear.

"Now, let's see if you can last for longer than eight seconds Darlin'" he purred, a deep southern drawl ringing in your ears and you knew you were fucked…in more ways than one.

Of course I had to throw in some tidbits about my headcanon that David was originally a gunslinger from Texas lol.

Taglist

@its-monster-mash, @arenpath , @xxx-wounded-angel-xxx , @katpursley94-blog , @theamericanjewitch , @shewhomustnotbenamedsworld , @thelostone91 , @blazeflays , @ilikechocolatemilkh , @babyloutattoo89 , @bigcreatorwombatdreamer , @non-binary-disastrous-mess , @2525sc , @kitteebree , @besas-stuff , @justaspeachy , @faefairi3 , @its-freaking-bats, @santa-carla-boardwalk-1987, @urmothersmistress , @nickangel13 , @lostboysmate1987 , @simpin-for-slashers,

[sapphstuff]

Some comm/patreon changes!

I've already talked about this extensively on my Patreon mainly, since this focuses on my Patrons primarily. But I might as well make a post about it here for future Patrons/Commissioners! For the longest time I've had a lot of confusion regarding the difference between my colored sketches and my complete fullbodies other than price. This is partially my own fault lol, I tend to put too much effort into my pieces regardless of sketches or fully rendered pieces. Initially my colored sketches did have less quality when I first started out, so I priced them less, but as time went on I perfected my craft and now both versions take the same amount of time. My colored sketches at this point don't have much difference from the complete fullbodies in terms of quality, the only difference is the lineart brush I use lol. Because of this it led me to taking too much time on pieces and getting burnt out more often, making people wait too long on their rewards/comms. So I'm effectively making sketches real sketches again, and gonna stop tryharding lol, and in by doing that, my other typical commission options are also getting changed. The price of my Patreon rewards aren't changing since they are already discounted to begin with, but I am lowering my normal commissions to match this! I've opened up a bunch of slots for a lil bit of wiggle room with rewards, but these go into effect as of now! It won't charge you until the 1st of October tho so it's a good idea to reserve a slot now ahead of time if you wish to grab something! :3 https://www.patreon.com/marbelle And then even though my commissions are closed/thru Patreon only atm, if you are curious just to look here is my commission page! https://marbelleblog.wordpress.com/ Here are some examples of what I'm talking about, old to new style;

[tarathoughts13]

FIXING BIT CITY - PART 1

okay this is a very long post and i apologise - i didn't mean to have this many thoughts on bit city but i do so i would really appreciate if you read through this whole thing and hear me out completely:

so, i think we can all agree that the smosh main channel right now isn't doing so well, this time last year, most of their videos on main had a good 1 million+ views, especially after food battle. but nowadays, most of the bit city sketches get from 400k - 900k on average views, 2024 youtube sucks is the only bit city sketch to get above 1 million views.

i think a big reason for this drop in numbers is for 2 reasons, 1. the fact that smosh put hold on all their other sketches that they were doing on the main channel for bit city, and took a whole 2 month break for it, for the end result being, well, average. and the 2nd reason being is that, well, bit city as a whole isn't the best show and while it has it's strong points, it's not a good enough show on it's own that will make your average viewer want to tune in and it's also just, not, that good. now im a big smosh fan and i only want the best for the channel, which is why im gonna try and break down the reasons why bit city isn't really working and how to fix it, hopefully if we spread this around a little bit in the smosh fandom here on tumblr, we'll be able to spread some news (ill post this on reddit as well).

okay now the breakdown. let's start with the concept of bit city, from what i've gathered, bit city is basically trying to be the 'snl'/late night with jimmy show of smosh, the all in all sketch show that has a bit of everything (like a variety show). now i don't watch snl much but from what i know of it, snl episodes have a typical format that they fall into, they start with a cold open, followed by a monologue, then 2-3 sketches, then commercial break which is where a lot of commericial parodies happen, then a musical performance, then weekend update, and sometimes an addtional performance by a musical guest, and then credits. and you can see smosh borrowing some of those segments for bit city, now this as an idea is great. i think that smosh could pull it off if they wanted to, they have a whole multiverse (literally) of characters to choose from for sketches, they have multiple cast members who are great at hosting and who are able to carry segments on their own, and they have a good enough budget to pull different parts of these segments off.

however, where smosh breaks away from the snl format is the fact that they have structured their show more like a late night show would, having a host and a guest, now this is where smosh starts to lose me a little bit. not because i hate the idea, but because, late night humour is very different from sketch comedy, late night tv's comedy typically relies on topicality (meaning the current things going on in today's society like politics, pop culture, etc.), interviews with guests and recurring segments (think mean tweets on jimmy kimmel), yes they do have sketches, but the format of the sketches is very different. that being said, i think waht smosh was going for in the end, which was a 'late night' esque show where the 'guests' are characters or impressions by the cast, is a geneuienly great idea.

where bit city starts to fail or let me down is the execution, now they cast chanse and angela as the hosts, which i do actually really like since i think they both have a lot of personality, they both are entertaining to watch, and they have a good dynamic which viewers can watch and be entertained by. so i think it was a good choice to have them be the hosts. where i think bit city starts to really lose me is, well, the bits, the sketches.

so far, there have been 6 episodes of bit city, and so far, the bits and characters that have stayed in my head and that i think are truly memorable include the one direction reunion, the "straight eye" cast, the kardashians bit and the ianthony bit (although i personally was let down by that it was very popular in the fandom so im including it), that is it. every other bit has been either average or forgettable, in fact, the only episode of bit city which i think lands on every level is the straight vs gay episode.

why? let's break it down.

bit city as a show follows a general structure, the show opens with a 'cold open' of sort where angela says something like 'XX PERSON DID WHAT?' and chanse replies with something along the lines of 'yeah bitch' or some one liner response, after that they have a bit of bantering between chanse and angela which goes on either too long or too short, before cutting to their first set of commercials, after that they return with their first sketch or bit which is typically an interview or a reunion with the 'guest' being either an impression or character by the cast, in the middle of the interview they cut to the commericals again before returning to the bit again, after the bit hits it's "climax" of sorts, then they cut to a third set of commercials, before returning for either an improvised segment with members of the cast as themselves playing games ie. straight vs gay trivia. or the 'hot goss' section where they have tommy read off a teleprompter some jokes about modern day pop culture before interviewing another guest (sometimes they cut to commercials here as well but not always), before having the show come to an end with chanse jumping over a car.

now, let's go bit by bit (pun not intended) on every part of this show and break it down bit by bit (okay this time intended).

the cold opens - imo this is one of the weaker parts of the show, i get what they're going for with it, but it just feels so dry and bland, i get that they can't do a full opening monologue and they need something to open the show in that way, but eveyr joke in the cold open section has since fallen flat for me, so really, my only advice here is get better writers or write better jokes.

the banter/improvised section - this is one of the better parts of the show which i do like (althooguh i do think that it does in some cases go on for way too long) but it's mainl because chanse and angela are such likable people that it works, recently they've started adding in some bits to this section like the rib cam and the erewhon taste testing, so i think if i have any real advice for this section of the show, it would be to a. shorten it and not make it drag on as long or b. if you're not gonna shorten it, then at least add more improvised or bits like the rib cam to this part of the show, this would be also be part of the show to bring back segments like smoffice or let's do this on a smaller scale (although ill add more about let's do this later) to have somehting entertaining for this part of the show

commercials - the commercials are one of the most disappointing part of the show to me not because they're bad, but because they could be so much more. like the concept of parody commercials in a sketch show is SOO good, for one, it can help point out flaws in advertising and commercial industry in general, but they can also just be the perfect ground space for character building ro for expanding the smosh universe, but every bit city commercial, the the humour jsut feels so, generic? and it falls so flat every time. and this falls into one of my main critiques of the show, which is, so much of the show feels like such average level humour, like this is smosh, the channel which literally thrives off of characters and over the top bits, so why aren't they utilising that? i can't think of 1 commercial which has stayed in my head or which i would call memorable in this show so far, besides maybe the straight vs gay 'straight boyfriend os' commercial (but even that cuold have been better imo). my real advice for the commercials in the show is a. cut it down, don't have 3-4 commercials in every bit city episode (especially if they're gonna be so average), but b. if you're gonna have this many, use them to expand the smosh universe. have commercials like idk, Mr. Pervert's coffee shop, now hiring, or Fred Dart's new single just launched, anything that will actually add value to the smosh universe and not just be some one off. but if they want to do one off commercials, they could also return to their 'apple product commercial' esque skecthes, like the apple vision pro sketch they did? yeah, do that and split it up into 4 parts instead of all at once, and you have 4 commercials for a bit city episode.

interviews - the interview segments have been okay so far. i liked the one direction reunion, i liked the kardashians one, i somehwat enjoyed the old smosh reunion (but im not that much of an og smosh fan so i didn't enjoy it as much as others) and i really liked the 'straight eye' cast one. i think my main critique for the interview sections of bit city is the same for the commercials in that, it could jsut be SO MUCH more. i for one would love for them to maybe do stuff like a 'smosh the sitcom reunion' with all the characters like kevin, krungle, young sebastian, chosen, etc. or a 'chosen special' where chosen gives us a deep dive into being a chosen, waht it takes to be a chosen, who is or isn't chosen, etc. these sketches in my opinion would be a. more funny than just random pop culture references, and b. interesting deep dive into the pre-existing characters of smosh. and that's not me saying that i think they need to completely erase the pop culture elements of the show, im jsut saying, lean into more of the smosh specific character work of the cast instead of focusing more on the pop culture elements, you can still have reunions like the hsm or the teletubbies reunions (which btw i think were top tier smosh sketches) but just don't make that the focus of the show. also i do think at one point having actual guest features for this section of the show could be interesintg, but seeing how things are going right now, i don't think that will be happening in the near future.

improvised 'games'/recurring segments of the show: so far, what i think they're trying to do in the second half of bit city episodes is try to have one of those 'recurring segment' bits like they have on late night tv with the smosh cast, basically where the cast and host s play improvised games, now this isn't a bad idea but imo it is kinda pointless. liek i don't hate it as a segment, but i think it takes up a lot of run time which could instead be used for stuff like, idk, actual sketches? but if they are trying to do bits like this, i think what would be better is to bring back the 'google search history/watch history' sketches they used to do for this part of the show, since it actually fits quite perfectly. also, my advice for this segment of the show to elevate it a bti more is to really lean into the audience participation part of the show, i think they're trying to do that with the 'crew stories' part but so far they're kinda falling flat/hit or miss, so i think what would be better is to do stuff like have audiecne shots liek they do in real late night tv, play games which involve the audience, or if you wanna involve the crew stories,maybe do it in the format of like in the live show for under the mistletoe (or maybe it was UTI i dont remember) where they have one crew memeber or audience memebr on stage interacting with the cast in characters (like in UTI they had lisa's exes) or just have the crew member tell a story from their life and show them in the audience. that would be better imo.

hot goss - now for every episode where they don't do an improvised game or recurring segment, they do hot goss, which i think you can tell is trying to act as like the 'weekend update' of this show btu more leaning into pop culture elements, which, im sorry, i love you tommy, but this segment is very hit or miss. i don't hate tommy as a host, i think he has a lot of personaltiy which makes him likable and entertaing to watch at times, but this segment is just, very glass half full for me. i liked the stephen king's son episode i think that was well done, but i think my real advice for this segment is the same for the rest of bit city which truly is lean more into the character element of smosh, do stuff like 'deep dive into krungle's dating life' or 'GERALD CAKES TELLS ALL' stuff like that. or if you really want a segment to be about pop culture, then i think a better way to do that would be to maybe bring back the teleprompter bits that they used to do in smosh pit weekly back in like 2016 or so, OR, just get better writers (also cut it down - we do not need like 10 mins+ of amanda being chappell roan and sabrina carpenter's agent - which btw is SUCH a good idea for a character, but as all bit city bits, it fell flat).

--> ,however, i think a better way to do this type of 'weekend update' type show is bring back a smosh pit weekly esque segment - smosh weekly or bit city weekly - and THAT'S where you bring in the topical element of bit city, it's a much better way to do it imo. and you can still keep hot goss if you want to for as i previously siad the character gossip deep dives or the pop culture characters, but alos have this weekly show drive the 'topical' parts of bit city.

chanse jumping over a car - really have no commenrs on this one, i like it as a bit, i think it'll get old really quickly, but for what it is, i like it

@lilac-hecox @smoshkidtv @guessitrunsinthegenes @wazurenaide

[telekitnetic-art]

Hi!! Your art is so fucking cool! Can I ask what the process looks like for form line? Ex. What do your sketches look like when they are really rough? How do you go from idea -> final product. 💕

Hadih, thanks so much for your question!

Honestly, it's sort of hard to explain? I do have some sketches to sort of give an idea though.

This sketch I posted a couple days ago is a pretty good example of what my initial concept sketches sometimes look like.. As you can see, they're pretty chaotic and very rough, and usually these sketches are more about getting the idea down then actually making the formline itself. There aren't formline shapes just yet, although I do sometimes sketch out elements or shapes like eyes or bodies or paws/hands that will usually have an ovoid in it, because those elements tend to be a focus or centerpiece. The sketch is obviously not final, and things can change along the way to account for space and balance as well as what I'm trying to convey. (These sketches aren't entirely accurate of course because they're for pieces that are meant to be fusions of character illustrations and formline art, but they're the best thing I can find on my pc at the moment)

The rough sketch helps me figure out the flow of the piece, and once I'm satisfied with it I try and get to putting down the shapes and silhouette, and it's here where I try to find the balance with my rough sketch and how the shapes can fit and behave in the piece to the best of their limits while also still conveying the message I want to send. The most common shape I start with is the focus shapes, which are usually ovoids.

This rough of my harbor seal formline which I sent to my aunt for review sort of gives a better Idea of what I mean when I say I try and focus on where the centerpoints will be. Ovoids are usually a focus, so you can see them pop up a lot; in the body, the head, the eyes, the tail, etc. Ovoids are so important and probably the most common shape in formline art, and one of the most common feedback I get from my aunt is to adjust how the ovoid looks in any one of my pieces; she often compared them to a loaf of bread! You don't want your ovoids to look like a loaf of bread! (Her words, not mine). I feel like I've gotten better at drawing ovoids though, because she gives it as feedback less and less nowadays. Ovoids usually also have to have a bit of weight/perspective to them; it's hard to describe but essentially the top of the ovoid should usually be bigger/thicker/have more weight then the bottom.

From ovoids, the next shapes are usually circles, u-shapes and crescents, then usually y-shapes/trigons. It can be difficult, because the key is to make sure the shapes flow together and feel cohesive, as well as to make sure the negative/positive space balance feels right. Also a fun tidbit, trigons are most typically used to essentially fill space; it's always important to make sure that they are binding bigger shapes like u-shapes and ovoids and not stealing all the space and attention.

The lines in this stage tend to be very rough and messy, and I always try to go over the next rough draft with a smoother and cleaner pen.

Once the initial shapes are done, I'll usually send the piece to my aunt (sometimes I send them earlier on, when I'm in the middle of working out the shapes) for feedback! I am still a student in formline work after all; basically all of my teachings come from my aunt, who has a lot more years of work in formline art then me. She'll give me feedback and tips of what she thinks I should fix or experiment with. I adjust and fix and sometimes even completely delete and redo parts of the piece with her guidance. The list of things she tells me to change decreases with each piece, so I like to take that as a sign that I'm improving!

Once the black and white version of the design is done, I move onto coloring. Usually I already have a color scheme in mind when I go into a piece, so I'll mess around and put down colors and see how well they contrast before I color it. Typically, a piece will have about 3 colors; one for the background, one primary color, and one secondary color. I use a clipping layer to color the entire formline piece with the primary color, and then go in with the pen tool and bucket tool to use the secondary color. Adding in the secondary color is tricky but important because it once again falls into balancing positive and negative space/colors and the transitions between the two.

Once coloring is done, the project is basically finished! Unless there are some other plans I have for it, ie using it for an overlay in a bigger piece, colouring is usually the final stage.

And that's about it! I hope this helps you understand a bit; this isn't a perfect explanation as this is just from my own artistic POV and other nations and artists have their own process, but I hope it helps nonetheless!!

Edit: I forgot I posted other WIP formlines here before 😭 here and here!! You can sort of see me figure out the flow and balance of the designs in between the WIP and the finished piece!

[bigchumpus]

your pirate au is everything, I just discovered it and. my heartttt </3 /pos your art style is incredible too, the way you draw hair and your design for Pearl's wings are both just. woah. mind blown. gorgeous.

Just want to point out a few things I love!! :)

The quotes from the sketches page: "how do you reunite with someone you thought was dead" <- MY HEARTTTT "almost died" "wings are clipped"

That one instance [screenshot from this post below] of Grian's eyes being depicted as purple after he joins Scar's crew (and presumably whatever incident left him almost dead/"injured and unconscious"), as opposed to the brown they were as a kid? The strong implication that something (or someone? the watchers perhaps? I'm assuming it's something to do with the old crew that took them in as kids) were responsible for it.

"...one day things go awry"

And excuse me again for taking a screenshot [from this post], but the one image in which Grian's eyes are obscured by a bandage, complete with a watcher symbol and a glowing purple eye?? And Pearl's eyes being purple too? And they're both dressed in purple robes... just. insane /pos

The watchers are typically depicted as an oppressive force, and yet they both look happy. IDK. Something something juxtaposition, childhood innocence versus the purple symbolising something that's very widely regarded as cruel or even evil.

All this is to say I really really love it so far!!

and also... absolutely zero pressure at all! but would you perhaps be willing to share some crumbs on the story? :)

SEFJJRHPORDHJ Awww gee! You've made my day! :D Never thought people would really notice the little details

I'm not very good at detailing moth wings which is why I went for more of a starry feel, so I'm glad you like it 😆

And since you've asked so kindly, I could share some ideas rotating in my head,

When you're a kid, I don't think you realize as much the cruelty adults are capable of. Especially when they've been treating you kindly for the most part, and the progression to harsher conditions and punishments is slow. (Pearl would've been the first to notice.)

Grian and Pearl were already stealing to survive, having nothing but each other, so when the given the offer to be spared from their decimated town, and leave as a pirate, they took it. Grian would regret that a lot later :D

I've also been pondering over the idea that no one, including Grian, realized he was an avian, because he wasn't born with wings. So was taken from his nest by hunters who'd thought he'd been stolen (hybrids aren't always treated well, and sometimes hunted down in this au, though by the time they're adults that seems to change a bit), and then taken to an orphanage (which he'd run away from) when they couldn't afford to raise him for very long.

On the other hand, Pearl was born with her traits and would live in hiding with her parents for the first few years of her life, before it'd just be her mother and her, and then just Pearl as hunters had gotten to them.

So when the two met, Grian would often use the fact that they look similar to his advantage, like "Well I'm her brother, do I seem like a hybrid? Then neither is she!"

I think in return for certain protection, Pearl would've taught him some of the basics of the alphabet and reading,

And later when they're recruited to be raised as pirates, maybe Grian would be better at the magic stuff, whereas Pearl would be better at the fighting aspect. Idk I just like the thought that they'd cover each other's bases :D

And during the beginning of the period of time where they're separated, I think there would be mishaps where they expected the other to be there, the way it'd always been.

Something something, survivors guilt and Grian maybe not being as kind and trusting as he used to be, and never making promises. Still loyal although all his presence has ever achieved is death.

Something something, Pearl still clings to the feather he'd once given her, keeps searching because she knows he's alive - he has to be alive, still wonders about if she had just been stronger—

and maybe Pearl sees a bit of her old sun in Gem, and maybe Grian learns to trust in others and himself again with Scar.

Iwouldrambleabitmorebutwe'rekindofinapickleatthemoment-

[frokenkeke]

Making of Ashes to Ashley

Recently I posted my comic Ashes to Ashley, and got such a tremendously kind and loving response that I felt like sharing a little bit more about where it came from.

The story is about a transgender awakening, where the quiet and somber Ash explodes out of the closet as the loud and colorful Ashley. This was always the plan, however the details changed along the way. Quite quickly I realized that I was writing about myself and my own trans journey. I never played in a band and I don't imagine I'll ever grow bunny ears (sadly), but still Ashley is undoubtedly a reflection of myself. I just allowed life to become a stage and gender performance a rock concert.

Above are the first idea doodles I drew late at night in early April. I quite enjoyed giving Ashley lipstick and prominent eye shadow, since I hadn't ever done a character like that before. The idea was a bit of exaggerated femininity that accidentally becomes raw punk expression. One or two people have pointed out the Um Jammer Lammy similarities, and they are absolutely not coincidental. Initially I imagined Ashley would've been more reluctant about her transformation, which is why she looks a bit more annoyed in some of my sketches, but the story became more bright and funny if it was made immediately clear that this all happens off of her own volition.

Some method and color tests. My girlfriend suggested I instead go a lot more raw with it, which is why I ended up adamantly using an ugly sponge brush built into Photoshop. Sapphic Disaster are some form of punk-shoegaze band, so combining rough pencil linework with crunchy texture coloring felt like a fitting visual representation of them. This also side-stepped the biggest problems I've always had with drawing comics – dealing with inking is a boring waste of time, and working digitally always makes me fixate on perfection. By just using pencil on paper I had to stick with whatever errors couldn't be saved by a regular eraser, in fact I dedicated myself to only using an old worn down Bic mechanical pencil and embraced the idea that the comic would consistently look a bit off and amateurish. Of course I allowed myself the luxury of cleaning up my drawings digitally before coloring, but that can only take you so far. This way of working helped me make fast progress and kept each step engaging, I've never had as much fun drawing a comic as I had with Ashes to Ashley.

Here's a before and after from initial scan to finished panel. I often only tidy up around focal points like faces or hands, and allow the rest to remain as it is, usually parts like the legs or Ashley's ears.

Character references and my initial color picks, they went through small changes as I went along. I liked giving all the band members different sorts of rabbit ears to make them all look distinct from each other.

Here's some ideas for the Sapphic Disaster band logo and the comic's color palette, notice how Ashley is more vibrant than Ash.

While working I filled up numerous papers with doodles trying to workshop panels and layouts. It's too much to show all of them here, so I composed a few collages of my favorites.

It was pivotal for me that Ash would always look painfully cute. The sketch of the table scene with Floyd shows a rare out-of-character confident and laid-back Ash. In the presence of Floyd?! Never!

I was very concerned about the reader recognizing the old Ash when first seeing Ashley. She may be all excited about being a girl, but her nervous cluelessness remains. I ended up going back and redrawing two panels in Ashley's introduction to strengthen this impression.

For those not in the know, shoegaze is a rock subgenre that centers around noisey guitar textures, typically achieved through heavy use of effect pedals at the musicians feet; hence the name. When Ashley plays her guitar she produces a cacophony of strange sounds, the reader will have to imagine what they actually sound like, but I always imagined their opening number "I Wanna Be a Girl" to sound like a couple of amateurs trying to recreate Lush's Blackout.

The page where the band go around looking for Ashley while she's receiving her makeover was shoehorned in at a later stage for pacing purposes. That's why Gabriel is suddenly back to pulling cords after previously claiming they're all set, oops!

One of the core rules to this story is that everyone is always overly supportive of Ashley's transition no matter what. This is what makes the otherwise stern and serious Floyd especially funny, my girlfriend was pivotal in sprucing up his dialogue, adding bits like "have you seen the health care waiting lists?, "I know an endocrinologist who owes me a favor or two" and "give me 35% more danger"

Towards the end I discovered that Ashley and Debbie dancing was apparently the most important panel in the entire comic, judging by how much I tried to perfect it. (For the record, my favorite panel is when Ashley screams into the microphone that she wants to be a girl.) Maybe Ashley and Debbie dancing should've replaced the final full-page panel? Well, we got a lot of cute doodles out of it regardless. Just kiss already!

Initially I imagined Ashley to be standing alone in the "could this be the real me" final panel, but I realized her odd family of friends was equally a part of the real her. She was always right where she needed to be, she just needed to find herself within that place. (I ended up giving Ashley a cigarette because otherwise it looked like she was praying.)

Here are some ideas for the cover illustration, of course in 1:1 format to look like an album cover. Up until last minute I planned for the comic to have You Made Me Realize as its subtitle to distinguish it from eventual follow-ups, which is why the You Made Me Realize EP cover art is paraphrased in the top-middle. I ended up just going with Ashes to Ashley to keep it clean and simple. The title Ashes to Ashley was blurted out immediately by my girlfriend when I first showed her my concepts for the story. It's perfect, she's perfect.

I drew two Ashes and two Ashleys for the cover art and let my fingers smudge all over the latter. While most obviously riffing on the cover for My Bloody Valentine's Loveless, it's equally taking from the Ecstasy of Saint Theresa's Pigment.

And there you have it.

However I never intended this to be the full extent of Ashley's story, just a satisfying and complete end of a chapter. I've already finished writing the next story, Today Forever, and I hope I can get it out to you all soon enough. Your love for Ashley keeps me going.

/Kiki

[genericpuff]

lmao so RS just confirmed she STILL does not, in fact, have a buffer.

FAST PASS SPOILERS AHEAD

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To kick this off, let's be real, 2 weeks is NOT enough time to build up a reasonable buffer.

When she took that 2 week break after the wedding episode went up, I knew 1 of 2 things was going to happen:

She was going to piss away the entire break on social media not getting anything done

Even if she DID get anything done and a reasonable buffer of more than 3-5 episodes built up, the episodes likely wouldn't be very high quality as you can't turn out shitloads of decent quality panels like that in just 2 weeks.

I think Rachel really just needs to acknowledge and take ownership of the fact that she is not good at managing herself, her time, or her team. When she started LO in the Originals section, she even admitted to not having a very strong buffer.

Now yes, in her defense, she hadn't fully transitioned to drawing LO full time when she started, but even still, she seems to treat her FastPass episodes as her buffer rather than creating an actual buffer.

A buffer is not "well I still have 3 episodes locked to the general public" or "I have the next couple episodes sketched up".

A proper buffer is "I have the next several episodes finished and exported and ready for their respective release dates." This ensures that they aren't racing to meet deadlines during the release period after pre-production (which is a surefire way to screw yourself over or write yourself into a corner) and that if anything happens in real life that prevents them from working on future episodes, they can still put out new episodes because they have a cushion of episodes still waiting to be released. Webtoons typically recommends its creators have anywhere from 9-15 episodes of buffer ready by the end of the pre-production phase. That usually means 3 free episodes, 3 FastPass episodes, and at minimum, 9 more episodes sitting on the backend, adding up to a minimum of 15 episodes. It sounds like a lot, but when many WT series run for 40+ episodes per season, 15 is a small number. Especially for a comic like LO which had 90 episodes in its S2 run and 116 in its first season. S3 of LO is already 37 episodes in.

She's also basically admitted to just writing as she goes in the past because most people working on their webtoons in productions like these have at least a decent skeleton of a story going on that they don't have to write as they draw. Writer's block doesn't happen in webcomics unless you're writing as you're going, same as how it doesn't typically happen in animated movies because you should already have a basis to work off of before you start the brunt of the visual work that needs a narrative structure to exist.

Now, all that aside, the reason I'm bringing this up again (as I've talked about her buffer range before) is because I've once again been proven that Rachel doesn't have a shred of a real buffer.

And the smoking gun this time was the horse.

This stupid fucking horse.

Now, besides the fact that we're a little sus this is meant to be an in-comic jab at all the criticism of LO pointing out how Persephone always looks like an MLP character-

-but that pony toy drawing didn't make its first appearance in Episode 241, it made its first appearance on Instagram. Not as a preview for episode 241 or as an official LO drawing, in her own words, 'just a pony'.

View this post on Instagram

A post shared by Rachel Smythe (@usedbandaid)

As always, this is still just an estimation based on what goes out in LO and what Rachel posts to her IG/Twitter, but this pretty much tells me her buffer is STILL only 1-2 weeks ahead of time, because that pony drawing time lapse was posted two weeks ago. When we checked the actual timestamp of the post the day the episode it showed up in went up (Episode 241) it was ten days old.

Not to mention, the timestamps on those reddit posts? A month old. Granted, we had been making MLP jokes in the ULO/antiLO community prior to that, but the fact that this "my pretty pony" gimmick came out so soon after someone did literal art of Persephone crossed over with MLP, it really just furthers the suspicion (in addition to shitloads of other instances) that Rachel is snooping in on these crit communities to try and "clap back" at them through her comic. Which is something she'd only be able to do with a limited buffer anyways as it allows her to change things on the fly in response to criticism or whatever hurt her feelings that week.

That said, I won't be certain of this 1-2 week buffer estimation until we see when cowboy hat Hades shows up.

View this post on Instagram

A post shared by Rachel Smythe (@usedbandaid)

I'm calling it now - it will be showing up in this week's episode which goes up April 22nd.

Place your bets, folks.

[seven-gill]

Hiya!!!! Just wanted to pop in and say I LOVE your art!! You're an incredibly skilled artist, and I desperately wish I had better connection on tumblr so I could look more closely at your designs

I actually had a couple questions! Feel free to not answer if you don't wanna, but they popped into my head as I was scrolling through your art ^^

What's your design process like?

I've noticed a very high interest in SeaWings and especially with your Moray and Shark designs, I was wondering if there were any fish you really want to incorporate into a design but haven't had a chance to yet?

Your pinned post mentions a long list of marine life - could you explain that list a bit more? What leads you to putting something on the list? Is it in a specific order? What are a couple of your favorite entries and why?

Thanks for sharing your exquisite art with the world - I look forward to seeing more!!!

Urgh I wish I could say I had a proper process but I'm a little all over the place. Generally I tend to follow these steps when conceptualizing WoF characters:

a. Read up on that specific character, usually by skimming through the books/reading the wiki. What is the most basal information I can work with. For Listener, I know she is tall, curvy, and looks like a successful hunter. She's got some spunk and spontaneity to her character, although she's occasionally ignorant and air-headed. In the end, she's a devoted friend with a strong sense of justice and empathy. At least, that's my reading of her.

b. Start sketching! Play around with shapes and motifs. What does this character feel like to me? What color are they if that's never been specified? What shape are they? What sort of theme do I want them to have? Can I incorporate their name into their design? How does their personality reflect their visual appearance? Translating personality traits into physical ones is a "whatever feels right" sort of deal for me. Listener felt loose and round to me and I wanted to give her a tom-boyish look with some little quirks that I felt made her endearing and lively. This is also where personal headcanons come in. Now Listener has the equivalent of a dragon bob-cut. Now she has buckteeth, a snub nose, and hey- her name is Listener, so why not give her big ears?

c. Clarify and refine. The original sketch is typically a huge mess of gestural drawing so I'll go over it/redraw it a few times and clarify any details I might have skipped. Sometimes I try a different pose or expression to see if it still looks alright under different conditions. Maybe I flip the canvas lol. I might end up changing minor aspects of the design at this point, or scrapping it entirely if it isn't working. For Listener's design I clarified the shape of her snout, ears, and shrunk her earrings.

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2. Yeah I've drawn a lot of SeaWings by this point, lol. I'd like to say it was a coincidence, but maybe my subconscious would argue otherwise. I think it's because all the SeaWings have such large named families consisting of prominent characters, so if I draw one, then I feel compelled to draw their mother, or brother, etc... As for what fish I'd like to base a SeaWing on, I have no idea! I tend to, rather uncreatively, base a character's design off their name. Although, I've been working on a Indigo design with betta fish inspiration.

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3. OH BOY, the List. The List is actually a Google slideshow I've been working on and off of for the last five years. It's a list compiling aquatic organisms (extant or extinct) that I find strange, whether it be due to their appearance or behavior. Think animals like cookie cutter sharks, giant isopods, stoplight loose jaws, and siphonophores. If it looks weird or does weird things, it's going on the List. I've always had a fondness for unusual sea creatures, and I love to make organized lists! The List serves no actual purpose beyond my own amusement. It's arranged alphabetically and each slide consists of a name (common and scientific), a photo or two, and a brief description of the species and any explanation for their unusual appearances or habits. It's very informal, but I'm working on tidying it up and adding actual scientific information rather than a funny quip from me. Most slides only feature a picture and have yet to receive a thorough description. There's currently 346 entries so it's hard to pick a favorite, but here's some highlights:

Fried Egg Jellyfish (Phacellophora camtschatica) It looks like an egg. It's great.

Predatory Tunicate (Megalodicopia hians) Most of it's relatives are vase-shaped filter feeders, whereas this one is anything but.

Red-lipped Batfish (Ogcocephalus darwini) Just look at this thing. Who put lipstick on it.

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Annnnd that's about it. Sorry for the long posts, I have no idea how to be concise! Thank you so much for the kind words! It's honestly surreal to be here.