#i actually post a lot more than i did

[artkaninchenbau]

People keep on asking for more Baby Robin and Papadile so here is more Baby Robin and Papadile. Now never ask anything from me ever again

[bacchuschucklefuck]

class swap design masterpost for convenience (from top to bottom: bard!riz, cleric!gorgug, sorcerer!kristen, barbarian!fig, artificer!adaine, and rogue!fabian)

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[imerian]

Vr46 academy keychains

Set of five charms that all match in different ways

˚　　　　✦　　　.　　. 　 ˚　.　　　　 . ✦　　˚　

Open for detailed pictures of each one

✩₊˚.⋆☾⋆⁺₊✧ *ੈ✩‧₊˚

ִֶָ 𓂃˖˳·˖ ִֶָ ⋆★⋆ ִֶָ˖·˳˖𓂃 ִֶָ

:･ﾟ✧:･.☽˚｡･ﾟ✧:･.:

˖⁺‧₊˚⭒✮⭒˚₊‧⁺˖

. ݁�� ✶. ݁ ˖ˎˊ˗

I ran out of tags so I'll say it here but i would greatly appreciate a reblog, especially if you share your thoughts on these pieces in tags (⁠｡⁠•̀⁠ᴗ⁠-⁠)⁠✧

(Also i forgot that bez have matching part with luca so I didn’t add that to tags sorry

[goldkirk]

I don’t know how to explain any more clearly that it doesn’t MATTER if it seems legitimate to you. You have got to fact check every single headline and post and claim on the left just like you need to do on the right.

The left is NOT immune to misinformation and rushed reporting. And the more emotionally polarizing or shocking the talking points, sound bytes, and headlines are, the worse it is and more frequently it happens.

Learn to verify through multiple independent sources. If you can’t do that, you can’t trust it.

If you have to wait extra hours for the real information to come through vetted channels—NOT just one individual somewhere everyone links to, and not just one single media source either, EVEN if it’s a major news network—thats just how it has to be. What news outside of genuine local disasters near you TRULY needs your outrage and post-sharing in the next hour specifically?

Misinformation works best by not seeming like misinformation and by fitting in with the rest of what you already expect to see. It doesn’t help anyone to not be able to recognize and avoid the stuff.

[wybienova]

dream visit (nostalgia) - a 2nd anniversary katfl comic

[dailyloopdeloop]

DAY 75: onehat

[icewindandboringhorror]

I know this is just a silly bad quality random screencap of a screencap that I found on facebook lol, BUT it's a succinct enough image to easily describe the concept in a quick/accessible way hopefully :

-

(and of course, feel free to elaborate in tags, etc.! (especially elaborating about other senses as well.. can you "hear" in your mind just as well as you can "see"? taste? etc.) It's an interesting topic to me, as someone who's like a 4.5 at MOST lol. I'm curious what option will be the most common :0c )

[makiswirl]

thoughts on how jotaro shakes in the panel where he discovers his mom passed out in avdol's arms?

UNIRONICALLY I THINK ABOUT THIS SO MUCH ACTUALLY!!!!! THANK YOU TO WHOEVER ASKED ME ABOUT THIS VERY NICHE JOTARO DETAIL.

this actually isn't the only time he does this in sdc either! shaking is a thing that jotaro consistently seems to do when he's stressed, albeit usually very repressed. at the very least with the way it's presented you can assume it's him tensing up badly

he also trembles VERY frequently during the dio fight and i don't think either of the animated adaptations show it nearly as much. it still comes up though once or twice

either way, to answer the original question: i think it's a really neat trait that adds a lot to jotaro's character which really cements that he really is just a teenager who never even wanted to go to egypt and only ever went for his mother in the first place. like i genuinely cannot imagine how terrified he is at all times especially with how often his (presumably, only real) friends get injured. repressing all of that stress and only letting it show on rare occasions has to mess him up badly in the trauma department later

[gods-perfect-idiots]

something something blood-soaked hands cradling your face something something

anyway here's the post btw

[anghraine]

Is there a good post outlining all the evidence against Gaiman? I know the podcast has it and that's what people pointed to me, but considering it has been days I was wondering if someone had gathered it all into seperate post so one does not have to listen to someone advertising their work every few minutes in order to listen to the important parts.

Belatedly (given that at least three other women have accused him since my post), there are some. The best of the original ones is probably "Manufacturing Consent" by Annabel Ross, but there are also transcriptions of the original accusations that, iirc, weed out some of the editorializing and focus on the raw material (which is, just be warned, very raw).

This (long) thread provides the important links in terms of the accusations conveyed by Tortoise, I think (a more to-the-point list is here at muccamukk's Dreamwidth account). I included the long thread because I'm in strong agreement with the final person in the chain that, Tortoise's many failings notwithstanding, they provided enough evidence for the SF/F community to judge and respond more appropriately than with a collective blanket of silence punctuated by occasional cavalier or desperate dismissals of the accusers, before the other accusations broke.

In all honesty, I'm pretty appalled by the idea that, well, now there's enough to start talking about it with a modicum of decency and respect but wasn't before, because apparently it was okay to use trans people (who had nothing to do with any of this) to justify defending a cis guy beloved of fandom from very thorough rape accusations.

I particularly feel this way about the parts of the community dedicated to publicizing news and major ongoing discussions that simply said and did nothing. Scalzi's "I'm horrified, might take awhile to process, here's a link to RAINN" personal statement was fine (Vernon's wasn't), and I don't think every random author was obligated to make their own statement as such. But spaces that exist specifically for covering ongoing discussions and news in the SF/F community not saying anything at all—even that the allegations existed—was far worse and really disheartening. So I wanted to link to a discussion that acknowledges how very few people lived up to their stated principles when there was solid evidence against an influential, popular man in their own circles who knows the right catchphrases and terminology.

I was particularly unimpressed with Mike Glyer's handling of discussion at File 770 and, as far as I could tell, Tor only acknowledging the whole thing on their German-language site. The German article seems to be very good, but ... they're based in NYC and Gaiman is an English-language writer, why was their only commentary for weeks shunted away from the English site? US law should absolutely cover acknowledging the existence of the accusations.

There was, let's say, a lot of disappointment to go around, so I'm also grateful for the other women who kept the ball rolling, awful as it is that they a) had similar experiences and b) had to reveal those to get the whole thing taken seriously.

[kaeyachi]

One of the probable reasons as to why Kaeya didn't arrive on time for Crepus and Diluc when they were attacked was because he, and the knights with him, had no vision, and thus, cannot use a teleport waypoint.

Him receiving his cryo vision when he was supposed to get scorched by Diluc was genuinely the biggest slap to the face given to him by Celestia. It arrived just in time to save HIM.

Even now, the vision only heals and shields him alone as a manifestation of his desire to keep living from that fight... but he can't use it to help others.

[wonder-worker]

Thinking about Elizabeth Woodville as a gothic heroine is making me go insane. She entered the story by overturning existing social structures, provoking both ire and fascination. She married into a dynasty doomed to eat itself alive. She was repeatedly associated with the supernatural, both in terms of love and death. Her life was shaped entirely by uncanny repetitions - two marriages, two widowhoods, two depositions, two flights to sanctuary, two ultimate reclamations, all paralleling and ricocheting off each other. Her plight after 1483 exposed the true rot at the heart of the monarchy - the trappings of royalty pulled away to reveal nothing, a never-ending cycle of betrayal and war, the price of power being the (literal) blood of children. She lived past the end of her family name, she lived past the end of her myth. She ended her life in a deeply anomalous position, half-in and half-out of royal society. She was both a haunting tragedy and the ultimate survivor who was finally free.

[around-your-throat]

my ass is not getting into heaven with these pink haired pete wentz pictures on my computer dawg 🤣

[scorpiusmalfoylovesoscarwilde]

I've said it before, I'll say it again, and I'm sure it won't be the last time. I AM SICK AND BLOODY TIRED OF THESE MFS, HALF OF WHO DONT EVEN CARE ABOUT CURSED CHILD, BITCHING AND MOANING ABOUT AN ANGSTY TEEN DARING TO BE AN ANGSTY TEEN, I WILL FIGHT THE LOT OF YOU

(this is gonna be a bit long and probably incoherent so sit down and fucking listen to me 🔫 stick with me because I'm not just complaining about albus haters)

eVERYBODY wants cOoMmpllEeXx relatable HUMAN characters - and then SHIT themselves when the flaws a CHILD has isn't just 🥺 uwu im socially awkward and traumatised 🥺. that's why scorpius doesn't get this fuckass treatment, because his terrible human flaw is that he's a bit shit at conversation and gets sad about his dead mum (generalised understatement, but this post isnt about him. dont come for me i love him 🫶🏻)

god forbid albus, who feels unloved and unwanted (with valid evidence for a teenager), albus who feels completely out of place and outcast from his entire famously-close-knit family, ablus who is well known by the world by default via Harry and hates the attention and high expectations, albus who then gets targeted and bullied by his peers because he's not as perfect and brilliant as his father, albus who is then isolated from his one friend because Harry is making irrational ptsd fueled decisions, albus who tells Harry completely sincerely that he knows he's unlikeable but he'll try and change himself and be more like his siblings because he genuinely believes that's what Harry and everyone else whos had the misfortune of meeting him wants, albus who spends the entire play trying to prove himself and fix things via idiotic childish decisions BECAUSE HES A WHOLE UNSTABLE CHILD

god forbid that CHILD doesn't react like a patient, supported, well adjusted, level headed adult. god forbid he reacts outwardly. god forbid he reacts at all, my bad. clearly he should just sniffle a bit as if he doesn't feel suffocated and helpless by everything in his life, because obviously hes just a spoiled brat who doesn't know what real suffering is. god forbid he complains or feels anything negatively, or doesn't quite grasp that other people are struggling too because he is too busy trying so hard to deal with himself and his declining mental health the best he can with basically no support or understanding. god forbid he isn't completely perfect.

you all sound like some fucking boomer telling teenagers they don't know what real struggling is, they aren't mentally ill, they dont have any problems because they have a roof over their head, they should all go to war kids are too soft these days 😫😖😱 fUCKING‼️SHUT UP‼️

he does things wrong but he knows he does and he does everything he can to fix it! and he is fourteen!!! do none of you remember what being fourteen is like 😭😭 I swear half of you have got to be basically fourteen yourselves cmon man

cause I'm seeing this fucking pattern a lot recently. not just for albus, not just in this fandom, everywhere. ‼️ no one can fucking handle flawed characters anymore ‼️ the only thing any character is allowed to have wrong with them is trauma apparently, otherwise they have to be perfect, and I'm getting sick of it. characters and stories are meant to reflect real life, they're meant to help shape our world view, why are you expecting everyone to be fucking perfect??? what happened to nuance? what happened to understanding character development? you are all acting like characters and people are so black and white. either they're perfect or they're insufferable and evil. I won't lie, the most common victims i've noticed of this are women. but the flawed women are typically demonised, whereas the men are typically turned into uwu baby boys who actually aren't capable of doing anything wrong and then fanon goes nuts making them into ittle wittle victims. and I'm so fucking sick of all of it, I hate this. (obviously this is not a strict rule. Albus Potter, and also Albus Dumbledore now I mention it, are demonised beyond belief)

BRING BACK FLAWS AND BRING BACK NOT COMPLETELY WRITING OFF A CHARACTER BECAUSE THEY DARE TO BE HUMAN

I AM FED UP, ALBUS POTTER GET BEHIND ME

[loverofstufflof]

36 Questions Shadowpeach AU

HEAR ME OUT HEAR ME OUT—

Okay now we got a mood set

I keep hearing them… when listening to the OST… and I blacked out…

(36 Questions is a musical about an estranged couple trying to repair their relationship by meeting each other all over again, for those who don’t see the vision)

Some minor character assignments I’ve decided on:

FFM monkeys as Henry (the duck)

Xiaotian Quan (Erlang Shen’s dog) as the “golden retriever” Jase petsits when meeting Natalie

Camel Ridge Trio as Natalie’s parents (in terms of plot device, not… you know…)

Celestial guards as “men in suits”

The Not Mayor as Lisa (Jase’s ex-wife)

Bai He as Cooper (Jase’s kid)

And special shoutout to the biggest character assassination: Ruyi Jingu Bang, for being demoted to the phone Judith records everything on, because how else am I meant to represent the catalyst for everything going wrong?

Not sure who to assign Jase’s moms as, so if anyone has any suggestions, I’m happy to hear em. Give me the dumbest ideas you can think of!

Really just all of the fucked up past Judith talks about I’m replacing with Wukong’s Havoc in Heaven; makes things easier.

A lot of the established LMK timeline is gonna be a skewed a bit to fit in with the 36 Q plot. Mac and Shi Hou meet after the Journey, not before, and Shi Hou lies about his name to not be associated with his past self, because redemption! We all know how that ends up, though