#i actually might continue this as a story by itself.
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Webcomics at Day 100 #8: El Goonish Shive
Pages read: 1/21/2002 – 12/27/2002 & 4/14/2009 – 12/29/2009; about 300 pages (including author’s commentary)
Reason for selection: To be honest I just wanted to read it. It’s best known for its real-time exploration of transgender themes via science fiction technology as author Dan Shive (along with many others on the internet) explores his personal experience with gender.
Current status: Ongoing since 2002 with no major hiatuses; update schedule has varied but is currently three times a week for the main comic.
Content warnings: nonconsensual gender transformations, non-explicit sexual themes with 16-17 year old characters, cultural appropriation (Japanese language; dreamcatchers), period typical sexism and homophobia (early strips only)
Note: To the best of my understanding, Dan Shive uses he/him pronouns, but if anyone has a recent source stating otherwise please let me know and I’ll revise this post.
Overall thoughts:
‘And then Susan was all like "I am NOT your strawman", hit me with a hammer, and developed into one of my most favoritist characters ever in anything.’ (Commentary for 5/29/2002)
On August 1, 2014, as part of a Patreon goal, Dan Shive began going through the archives of his already long running webcomic, adding author’s commentary to early strips. In the twelve years between making and commenting on his 2002 comics, Shive has gone from being a teenager with no formal artistic experience who’s absorbed the sexist attitudes of his culture, to an experienced artist and writer with a vision for his project and an honesty about his process who’s ready to be both excited and critical about his early work.
Shive states several times that his commentary isn’t designed to be read on a first read of EGS, but I personally disagree. Around May 2002 in the archives, I realized I was reading for the extremely compelling commentary and not the then-fairly mediocre comic. Shive’s clear excitement for future storylines and regular references to his improvement as an artist and person gave me the drive to keep reading, knowing the upward journey ahead of me. The commentary also provides an alternate, twisting path through the narrative, frequently linking back to previous comics when they’re relevant to help the reader notice foreshadowing and continuity, which is really helpful for a new reader taking in lots of information at once – and I like seeing an author clearly proud of himself for his hard work foreshadowing, where some creators might be dismissive of the feat or ignore it altogether.
EGS – named for the ‘goons’ hired by supervillains - begins by focusing on regular(ish) high schoolers Tedd, Elliot and Sarah, and top-secret lab experiment squirrelgirl Grace. Tedd has a mad science laboratory in his home where he creates questionable technology, including a laser gun that can change the target’s species and biological sex. The characters form relationships and experiment with this technology. When Elliot gets ‘stuck’ in a female form, an adventure to restore his original form ends in his male and female forms becoming two separate entities, after which point Ellen, the female version, explores her existence as essentially the human form of Elliot’s removed curse, and achieves self-actualization while fighting a giant pile of goo.
Ellen’s identity exploration in October 2002 was when I began to connect emotionally with the comic itself, and I started noticing improvement in the art in November. Shive improves massively in the first year, and even he’s surprised by it – a character casually mentions that he’s gay in June 2002, and Shive’s commentary says that he doesn’t remember this happening so early. 2002’s ‘Sister’ arc, which runs for around nine months, uses a board game metaphor to describe the story beats – it’s a little clunky in places, but I like what it’s going for. By 2009, Shive is far more confident with complex emotional arcs, and with balancing serious/comedic and magic/realist elements in his story, which can only come from those first efforts to improve.
‘You look in the mirror, but someone else looks back. You remember a life you never had, one that cannot be yours. You are the piece that does not fit, you don’t belong in this game. The board has been knocked over, you shall be swept away…’ (Strip title (!!) for 10/02/2002)
Shive is an anime fan and former martial artist, and the comic assumes a knowledge of anime – especially anime fight scenes – that I just don’t have. However, Shive is good at citing his influences, mentioning Ranma ½, Dragon Ball Z, Pokemon and The X-Files as inspiring specific choices, among others. With the exception of an excruciating ‘how dare you not get that reference’ in-comic moment in June 2009, knowledge of Shive’s influences isn’t necessary to enjoy EGS; he’s just giving credit where it’s due.
EGS begins with a typical newspaper format – a horizontal black and white four-panel strip, with a full color A4 strip on Sundays. Although Shive never experiments with animated or interactive elements, he plays around with the strip format and panel size in the early years. In July 2002, Shive uses three-panel strips describing the actual continuity, with a fourth horizontal panel below containing events that ‘don’t actually happen’. Shive also tries out using the comic’s title for extra information, as in May 2002’s ‘Jeremy is Juggling Dinner Plates Off-Screen in the Last Three Panels’. By 2009, the majority of comics fill an A4 page in shaded grayscale, a format that carries through to this day. In an August 2009 author’s commentary, Shive considers how a scene would look if animated, but doesn’t express any desire to actualize on this.
My favorite thing about EGS is how Shive discusses his characters. In his commentary, he addresses ‘past me’ with criticism like ‘you should at least have a decent reason if you're going to make Grace upset like that’, or says he ‘honestly didn't want to write commentary’ for a strip where Ellen was upset, showing a really strong emotional connection to the leads. He also addresses the characters directly in commentary, and discusses them as though they have agency beyond his own, for example, ‘I gave Tedd access to something he could totally abuse without anyone knowing, and he didn't’. He’s very interested in alternate universes of his own story, claiming to be an Elliot/Tedd shipper since 2002 despite their not being canon in the main comic, and creates the EGS: NewsPaper subcomic for non-canon storylines.
Among literary writers and critics, it’s very unfashionable to discuss characters this way, but a lot of mainstream and hobbyist writers (including me!) have had these experiences. I think it’s human instinct to connect with other people, and it’s a strength that we’re able to create the idea of a guy and see them as real, like when we see a face in the clouds or in raindrops running down a windscreen. It helps with having compassion for real people we’ve never met. And while it’s definitely not the only way to look at characters, an author being so excited and invested about their own OCs definitely helps me get excited about them too.
The first villain introduced in the comic is a sentient pile of goo, accidentally made by Tedd in science class. The goo, which can mold and change shape, becomes a recurring enemy – an ultimate shapechanger for a story that’s so deeply focused on transformations. It’s a story about malleability and getting the chance to physically shape yourself into the person you want to be, and at its start, it’s definitely a wish fulfilment comic. That applies to lots of things that a young person might think is cool – the existence of an ‘anime martial arts’ class, getting a squirrelgirl gf who walks around your house naked, breaking in to government facilities to steal jewels – but applies especially to the transformations.
Actually, no, the title of this comic [‘The Real Reason for the Male/Female Options on the TF Gun’] is such a liar. It is lying super hard. I don't care if that's a spoiler. I'm just gonna say it. Liar liar, metaphorical pants on all SORTS of fire. I'm not 100% sure, but I think this is yet another example of me basically saying "not that that sort of thing interests me and has been on my mind for nearly literally as long as I can remember" (and only "nearly" because I think my earliest memory involves looking out at a porch or something and I'm pretty sure I wasn't thinking about being stuck as one sex at the time and how that was not a preferred state of being). (Commentary for 5/28/2002)
Relevance to Homestuck: [spoilers for Act 6]
‘Alright, someone send a message to past me to send a message to his past me telling past-past me to get back to me in regard to…’ (Commentary for 8/28/2002)
Both Homestuck and EGS are known for causing fans’ queer and transgender awakenings, which leads to a particularly powerful personal connection between the fans and the comic. Both feature characters with uncommon experiences of gender and sexuality, and characters who begin life as regular humans but develop animal traits. Both also feature multiple versions of the same character spread across different timelines and universes, and both even use the terms ‘alpha’ and ‘beta’ to distinguish between these versions. They explore identity in similar ways, including a focus on whether one version of a character can ever be the ‘true’ version, and the different potential versions of ourselves we all have the power to become depending on what choices we make, thereby exploring free will as it relates to identity formation. In both cases, this broader theme is explicitly connected to how characters choose to express their genders.
Also in both, the theme of gender is obvious from early on – before the authors themselves were fully aware of it. The exploration of this theme does date both comics, as understandings of gender among online queer communities have radically progressed in the past decade, but both are attempting to reflect changing understandings – Shive uses sex and gender interchangeably in early EGS strips, but becomes attuned to the distinction as time passes – and both are radically ahead of the mainstream media of their time. I’d also argue they better represent trans peoples’ real experiences of gender, instead of the ways we might describe our genders to cis people – but others might disagree.
Both comics start off with a very fast update schedule, which rapidly slows down over the course of the story in response to the author’s changing schedule – in both cases this dramatically affects the pace of the story, and storylines which would finish in months instead take years. EGS’ ‘Sister’ arc includes 158 comics released over 9 months in 2002-2003, while ‘Sister II’ includes 133 pages over 21 months in 2008-2010. This means that in-universe time passes far slower than real time, Homestuck famously taking two and a half years to cover a single in-universe day, and EGS taking nine years to cover eleven in-universe weeks. In Homestuck, Hussie is already much older than the characters at the story’s start, but in EGS this has major implications for an author who began as a peer of the characters aging much faster than they do – this has been softened by an in-universe timeskip.
Both comics contain occasional author-driven retcons; while Homestuck’s famous examples concern the characters’ race, EGS’ concern better characterization, and Shive is more open about them. A June 2002 comic contains an altered line of dialog from Susan, as well as a link to the original version, and the explanation ‘If I had to somehow explain how both the new and original version could be canon, my explanation would be this: The original was what Tedd imagined Susan was saying!’ (commentary for 6/27/2002).
There’s also some clear differences. While Homestuck becomes a collaborative project over time with Hussie moving into more of a director role, EGS continues to be one person’s very weird, unedited vision, with little outside input. It also primarily contains actual foreshadowing, instead of the ‘retroactive foreshadowing’ described by Hussie in their end of Act 2 Q&A.
Q: Is Tedd REALLY a guy? A: Yes! Well 99-- um, make that 95% certain. 90%. Yup. 80% certain he's a guy. Totally. ...65% certain. (EGS FAQ, archived on 2/13/2002)
Continue reading? Definitely. It’s not without problems, but I think EGS is important to the trans community, and I think Shive is an attentive, dedicated and gifted storyteller with a deep love for his own work, which is rare to find in something so long-running.
#webcomics 100#egs#el goonish shive#i did originally want to do these fully in character but later hs (and just later years in general) tends to be Very relevant#this post is sorta from 2002 and 2009 and 2014 and 2024 all at once#which is very homestuck in itself tbh#chrono
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"Listen, I can be evil and OSHA safe as well. I want my cute and adorable henchmen safe and healthy while working, so world domination can be satisfying.
I want to see that when I take the throne as the empress of the world that my henchmen, who have stood beside me the whole time, can see that their dedication and loyalty to me have not been for nothing! That our dedication to each other is not one-sided, and the days of wonder while building this empire of evil and sorrow doesn't have to end after the empire is complete. I want them to know that even after I reach my inevitable goal that they will still have a place beside me as one of my most trusted advisors and closest friends. While we may not have the titles or riches of the future, I shall start showing our greatness and my appreciation by giving them the best of the best to work with!
They shall only have the safest of work conditions and protection from the elements! I shall protect them from vying hero's who wish to harm them by giving up to code work uniforms and compensation when they get harmed on the job and give them free access to in lair healthcare. I shall show them by giving them paid vacation and maternity leaves! I shall give them a henchmen paradise to show them that I want them to know they are the best goddammit thing a villian can ask for! And when the day comes that they may have to leave, I hope I leave them with enough good memories of us for them to remember the days of our evil fondly.
My dearest henchmen, I can not give you fame or power just yet, but for now, I show you dedication to you all and your loyalty by giving you somewhere safe to turn back to. Because even when you are bumbling about foolishly or falling hilarious from the cat walk, I will always make sure there is a cushion to protect you from the sharp spikes that are meant to be the demise of some wretched hero and a good friend to tell your worries to.
We will be great my minions, but for now, we start with an OSHA approved workplace."
After hearing the monolog from the great villainess, SHATTER POINT, to her minions (who listened intently from bellow them as she announced from the balcony), the wonder man, CAPTAIN REVER, couldn't help but think that maybe it was a bad idea to be disguised as an OSHA inspector.
As the disguised hero internally panics, the actual inspector beside him was in awe at what was around them. They have never seen such a perfect place before.
Almost every stop was pulled on the workplace safety list. This place was even safer than the OSHA office itself. Somehow, this absolute pure essence of evil, villainess, made death traps safe. As it turns out, SHATTER POINT only allows henchmen with stuntman licenses to fall hilarious from the cat walks, there are safety nets installed in their landing zones so that they land safely, and their work mandated uniform is enchanted by the wizard department so that they don't take any damage if they miss the net.
Their labs keep chemicals secure, and all experiments involving radiation are held in a separate secure section with protective clothes provided and kept clean. Shelves are bolted to the walls, and all of the tools are safely put away when not in use. The floors are clear of any obstacles, and emergency exits are clearly labeled and easy to access.
The offices are kept tidy, and the break rooms are open and completely stocked. The offices are kept separately from the labs and other potential fire hazards. The workshops follow safety codes to the T, and employees are trained to handle the equipment and weapons that are provided from there safely. The villainess even had ramps and elevators installed for the minions who need mobility aids.
With how things are looking so far, the inspector can safely say that this place is better than the hero alliance guild building. The hero guild is purposed entirely for aesthetics and lacks safe functionality from what the inspector has seen.
The inspector couldn't just leave this place after finding such a gem.
"Do you perhaps have any jobs available?"
The villainess smirked.
"Why, of course. Recently, someone on our maintenance team retired to our retirement commune by our private lake. we already had someone promoted to team leader, but we need one more person to fill in the spot. Of course, we advertise these opportunities, but no one 'morally upstanding' is eager to work for a villain. But if you could follow me, i can get an application for the spot if you are interested."
"Of course, I'll have it mailed in by next week. While I complete my last two weeks."
"Very well, please keep in mind that we are an organization, so if you decide it is your time to leave later on, you can put it on your resume."
The disguised hero looked on in horror as the villainess seemingly converted the inspector to the side of evil. He felt like he had to save them before it was too late, but before he could blow his cover, a short plump man jogs his way over, sweating, cheeks rosy from exhaustion and huffing for air.
"Here are the papers, boss."
The villainess eyes sparkled at the man.
"There is my favorite henchman! Come here and let me give you a big hug"
Strutting quickly over to the man, the villainess grabbed him up into a hug and sprinkled little smooches all over his face, leaving lipstick all over his face.
"I'll take those from here, Thank you for your hard work today, my dearest. Go on, return to what you were doing previously."
The extra two watched the short man skip off with mixed reactions. The hero, in horror, couldn't believe what happened in front of him. This human incarnation of wretched evil that has done nothing but cause pain in the city had smooched up the face of one of her henchmen like some sort of love sick puppy. How was this the same person who leveled a whole town with the flick of her little finger?
'Forget this,' the hero thought to himself. 'As soon as I'm out of here, I'm backing out of this mission. YOraim, can do this instead.'
The inspector was slightly shocked compared to the terrified, disgusted hero. The sight was simply adorable and slightly scary. It would have just been adorable had the woman in front of the them not been one of the highest ranking villainess's in the world, but that was simply not the case as seeing the most dangerous villains being sappy would be scary for anyone. Boy, was the inspector glad that she wasn't on the villainess's shit list.
The villainess sighed dreamily before turning back to the two following her.
"You didn't see that. You didn't see anything."
The two averted their eyes away from her stare.
"See what?"
"Smart move."
Handing the papers over to the inspector, the villainess started to explain the additional papers that came along with the application. All while walking them to the door.
"The application is the paper on the bottom. I do highly recommend you read through the fine print first before filling out the form. Each section is color coded for your convenience. The blue pages are details on what the job entails. All details pertaining to your job are on those pages. Things such as the location of materials you may need, offices related to this department, and how to fill out reports or request sheets. This also includes personal housing. If you take this job, you would have to move in lair to avoid any personal attacks on personal property due to simple associations to me and my organization. Of course, you will have hands-on training on all processes listed before dropping you into this, and you will be shadowing a senior in this field. Your previous experience in this field will be taken into consideration, and after your probationary month is over, we will place you into a slot that best suits your skills. The green pages are in regards to pay, vacation, and scheduling. Once again, because of your previous experience, your pay may be affected for the better. This also includes a list of banks that will accept you as most banks have an issue with working with villain henchmen. If you want to work here, I do recommend you look into those banks. Next, the yellow pages. They are a list of potential outside liability. While we try to be as safe as can be in the lair, I can't fully guarantee protection from heroes. Hero fights are, unfortunately, part of the job. It is also covered under workplace injury on the first yellow page and how you will get compensation for such things depending on injury. Finally, the purple pages. They include in lair groups and clubs you can join. I highly encourage you to join the self-defense club if you don't know what to pick. That way, you have some ways to defend yourself from heroes when the time comes. It is mandatory to join at least one club if you decide to join us. Any extra details will be talked over in the in-person interview. Please also bring your resume so we can go over it. Do you have any questions?"
Semi stunned, the inspector shook her head no.
"That's fine. If you have any questions, feel free to contact me via information on the application."
"Thank you! It has been a pleasure being here!"
"Oh, the pleasure is all mine. Even if you decide against joining my forces, feel free to drop by as a friend. You will always be welcomed here."
SHATTER POINT firmly shook the inspectors hand and sent the duo off all that was left behind was a passing safety grade and a great first impression.
As the huge door shut, she jumped for joy!
"MY MINIONS! PREPARE FOR A FEAST! WE HAVE PASSED THIS INSPECTION WITH FLYING COLORS!"
A roar of cheers rose from the crowds as the excitement spread. They were just barely at step two in the world domination plan, but SHATTER POINT was not worried. Rome was not built in a day, and the future won't fix itself.
OSHA inspection of a supervillain lair. The supervillain actually requested it.
#i want my henchmen to know that I love them by providing safe and healthy conditions to work and live.#writing prompts#i would kill everyone for my henchmen#OSHA approved villan#NELLFY'S grimore#yes we also have applications available#nellfy's shitposts#i actually might continue this as a story by itself.#Shattered reverence
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Playing Bomb rush cyberfunk has been a crazy experience so far because i feel like I've been enjoying the game just as much as I'm not doing so
#which is crazy because i went in with the impression that this would be jet set radio but better#and really? the biggest thing is doing for me rn is making me wanna play old-school Jet set radio again#who the fuck looked at Jsr and thought “Hey you know what would make this game even better? 300 different inputs”#which makes it impossible for me to play this solely on the controler (the main way i play games since i suck ass at the keyboard)#because it just doesn't have that many buttons#so at times i gotta be fucking double welding this shit with both the keyboard and the controler and it's awful#because I don't have that good of a motor coordination or whatever the proper term is#on top of that. why did we need a fighting mechanic? that's so fucking unnecessary when Jsr already had a gret way of dealing with that#which was by integrating the grafitti mechanic with the fighting by having it be the way you damage opponents#just adjust that to make it take more hits/graffitis in the fight and boom. you're done. perfectly functional#all it does is take away 3 BUTTONS in a game that already has a shit load of inputs#and ik these same buttons are also used to doing tricks on rails but like. that's such an useless addition#because I'm not actually doing anything like this isn't pulling a move on a fighting game. no skill is needed. I'm just mashing buttons#so you might as well not have both of these machanics and have the buttons be set to do other. more important comands#like the one to manually continue a combo on the ground after getting off of a rail. i gonna hold control on the keyboard and move#my joysticks at the same time whenever i need that and it fucking sucks#so yeah whenever i play it again I'm definitely gonna try mapping my controler to my liking and we'll see how it goes#unrelated to the gameplay i just gotta say. sorry but the songs are so mid#if i knew how to mod things i would replace every single one of them songs from jsf and jsrf. absolutely no doubt about it#like the songs in the jsr games are so unique and distinct from one another. even the ones that have a similar style. which makes them#incredibly memorable like i still remember a good chunk of them from the top of my head and i haven't played that game in months#bomb rush cyberfun songs just feel so samey and forgettable#a similar thing can be said for the environment designs and especially their colors imo#everything within the same area feels incredibly samey and not memorable. and you may think “Carol it's a whole area of course it's gonna#look similar to itself“ and to that i say. yes. cohesion is important but take a look at Kogane and Bento from jsr and you'll see#how despite being the same area and having the a coherent color pallet and overlay applied to it their locations are distinct from eachother#and memorable to the point where i can recall how to traverse thought each area and where they lead to easily#in bomb rush it feels like I'm just looking at the same place everywhere in the map#on a good note! i like the story so so much it's definitely what's gonna cary me through playing the whole game#because jsr really needed more story and fleshed out characters that aren't just different designs you can play as
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Can you post something about different kinds of soulmates? The name on the wrist or red strings are nice but a little overused, maybe. Idk. Do you have anything different?
50 Types of Soulmates in Literature
The soulmate trope might feel pretty cliche to most but I love exploring them (great short story material, esp if you want to twist it into horror/thriller/non romance). Thanks for the ask! I hope this list is what you were looking for:
Fate-Driven Soulmates
1. Shared Dreams – They meet in their dreams every night/[idea] after they turn [age].
2. Reincarnation– They reincarnate in every era and are destined to meet each time.
3. Aura Bonds – Their auras [change] when they’re near each other.
4. Mirror Messages – They see the other’s face in the mirror when they turn [age].
5. Starbound – Their soulmate’s birth constellation forms on them after their first meeting.
6. Heartbeat Match – Their pulses sync when they meet and get more uneven when they’re apart after that.
7. Shared Memories – They have flashbacks of past lives together.
8. The First Words – Their first spoken words to each other are tattooed on their skin.
9. Fragrance – They recognise each other by a unique scent only one’s soulmate carries (i.e. in the world you can only smell roses on your soulmate).
10. Scars – They have matching scars in the same place since their birth.
11. Colour - They only start seeing colour after meeting their soulmate. Can be changed to sound, touch, smell, etc.
Cultural Soulmates
12. Mehndi Marks - In Indian/Middle Eastern cultures, your soulmate’s name appears in your mehndi/henna.
13. Karmic Threads - In Buddhist traditions, invisible karmic bonds pull them toward one another.
14. Feng Shui Alignment – Their energies perfectly balance according to the Feng Shui elements.
15. Ancestor's Blessing – Their names are revealed through a ritual that summons past ancestors.
16. Name in Flames – In some folk traditions, a fire ceremony reveals their soulmate’s initials in the embers.
17. Feather Match – They exchange feathers that later glow when their soulmate is near.
18. Shared Songlines – In Aboriginal traditions, their paths align on the same Songline.
19. Palm Reading Prophecy – Their soulmate’s features or initials are foretold in their palm lines.
20. Dance of Fate – In certain cultures, a soulmate is revealed during a traditional dance when they naturally pair up.
21. Persian Tea Leaves – Their names appear during tea-reading rituals.
Object-Based Soulmates
22. Lock and Key – Everyone is born with a keyhole shape. When you turn [age] you’re blessed with a key that only fits into your soulmate.
23. Shared Journal – They write in the same journal without knowing how.
24. Twin Trinkets – When born, each person receives a magical [trinket]. Your soulmate has its twin.
25. Compass of Love – A compass always points them toward their soulmate.
26. Two Halves – They carry two halves of the same [object].
27. Enchanted Maps – A map updates itself with their location when they’re near.
28. Eternal Rings – Rings burn hot or glow when their soulmate is close.
29. Song – When they turn [age] they hear a song sung in their soulmate’s voice. (Interesting: in this world, MC hears nothing. They think they don’t have one, rly their soulmate is just mute).
Connection Through Nature
30. Tree of Life – Their world has a special garden you go to when you’re [age]. In the garden, a tree starts to grow when two soulmates are near. Note: if they ‘break up’ or one dies, the tree wilts and dies too.
31. Blooming Flowers – When your soulmate is born, you get a flower bud [different for each]. When you meet the first time, this bud goes into full bloom. If you pass without meeting, it dies. This continues till you actually meet, and the flowers finally [fall off?]
32. Animal Guides – At birth you’re assigned a spirit animal who leads you to your soulmate when the time is right. (Ooh maybe your spirit animals are soulmates too OR hmo: they’re enemies! You haven’t met your soulmate yet because your spirit animals are doing everything to keep you [and themselves] apart).
33. Shifting Shadows – Their shadows always reach toward the other. When you sleep, your shadows break away and meet each other.
34. Bound by Seasons – They only meet during a specific season each year. Kind of like a Divergent ‘born into a season’ thing. (But what if a Summer and Winter end up being fated? But they can’t survive in each other’s seasons. [omg Tinkerbell] lol).
35. Ocean Whispers – It’s said if you go to the ocean’s shore and say something there your soulmate will hear it when they go to the shore. (MC’s soulmate hates the ocean. They’ve never been. One day they finally go, and sit for hours as they listen to messages from their soulmate, who apparently lives by the ocean and has been calling to them every night).
36. Star-Written Names – When you turn [age] only you see a name written in the stars. That’s your soulmate’s name.
Unconventional Soulmate Tropes
37. Memory Keepers – One soulmate is bound to forget each other in each new life, and the other is fated to remember and find them. The other only remembers if and when they meet.
38. Parallel Lives – They exist in parallel universes but see glimpses of each other via [plot].
39. Shared Illness – They feel each other’s pain, sickness, and recovery.
40. Shared Mortality – They can only die when they’re together.
41. The Final Wish – When you turn [age] you get to make a wish and your soulmate has to fulfil it in order for you to meet.
42. The Sacrificial Lamb – One is destined to save the other through ultimate sacrifice.
43. The Time Loop – They’re stuck in a loop, meeting repeatedly until they get it right.
44. Dual Souls – They share one soul in two bodies, feeling incomplete without the other.
45. The Undying and the Mortal – One reincarnates endlessly, always finding their soulmate, if they fail to find them, their soulmate will not reincarnate and die forever. Except, you don’t know who’s the immortal one.
46. Time Stopper: Time stops when you’re with your soulmate. It starts again when you’re apart.
Sense-Based Soulmates
47. Sight: When you close your eyes you can see what they’re seeing.
48. Warmth: You feel physically cold everytime you’re without your soulmate. Your heart turns colder every year, till when you’re [age] you both die if you haven’t met.
49. Colour: You can’t see your soulmate’s eye/hair colour till your first meeting. The issue: they don’t know the colour, so often overlook this change. (Many resort to checking a colour chart every day till they see a new colour).
50. Touch: You can’t feel anything till your soulmate touches you for the first time. Everything simply feels like its weight, not texture.
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In retrospect, four years later, I feel like the Isabel Fall incident was just the biggest ignored cautionary tale modern fandom spaces have ever had. Yes, it wasn't limited to fandom, it was also a professional author/booktok type argument, but it had a lot of crossover.
Stop me if you've heard this one before: a writer, whether fan or pro, publishes a work. If one were to judge a book by its cover, something we are all taught in Kindergarten shouldn't happen but has a way of occurring regardless, one might find that there was something that seemed deeply problematic about this work. Maybe the title or summary alluded to something Wrong happening, or maybe the tags indicated there was problematic kinks or relationships. And that meant the story was Bad. So, a group of people takes to the Twittersphere to inform everyone who will listen why the work, and therefore the author, are Bad. The author, receiving an avalanche of abuse and harassment, deactivates their account, and checks into a mental health facility for monitoring for suicidal ideation. They never return to their writing space, and the harassers get a slap on the wrist (if that- usually they get praise and high-fives all around) and start waiting for their next victim to transgress.
Sounds awful familiar, doesn't it?
Isabel Fall's case, though, was even more extreme for many reasons. See, she made the terrible mistake of using a transphobic meme as the genesis to actually explore issues of gender identity.
More specifically, she used the phrase "I sexually identify as an attack helicopter" to examine how marginalized identities, when they become more accepted, become nothing more than a tool for the military-industrial complex to rebrand itself as a more personable and inclusive atrocity; a chance to pursue praise for bombing brown children while being progressive, because queer people, too, can help blow up brown children now! It also contained an examination of identity and how queerness is intrinsic to a person, etc.
But... well, if harassers ever bothered to read the things they critique, we wouldn't be here, would we? So instead, they called Isabel a transphobic monster for the title alone, even starting a misinformation campaign to claim she was, in fact, a cis male nazi using a fake identity to psyop the queer community.
A few days later, after days of horrific abuse and harassment, Isabel requested that Clarkesworld magazine pull the story. She checked in to a psych ward with suicidal thoughts. That wasn't all, though; the harassment was so bad that she was forced to out herself as trans to defend against the claims.
Only... we know this type of person, the fandom harassers, don't we? You know where this is going. Outing herself did nothing to stop the harassment. No one was willing to read the book, much less examine how her sexuality and gender might have influenced her when writing it.
So some time later, Isabel deleted her social media. She is still alive, but "Isabel Fall" is not- because the harassment was so bad that Isabel detransitioned/closeted herself, too traumatized to continue living her authentic life.
Supposed trans allies were so outraged at a fictional portrayal of transness, written by a trans woman, that they harassed a real life trans woman into detransitioning.
It's heartbreakingly familiar, isn't it? Many of us in fandom communities have been in Isabel's shoes, even if the outcome wasn't so extreme (or in some cases, when it truly was). Most especially, many of us, as marginalized writers speaking from our own experiences in some way, have found that others did not enjoy our framework for examining these things, and hurt us, members of those identities, in defense of "the community" as a nebulous undefined entity.
There's a quote that was posted in a news writeup about the whole saga that was published a year after the fact. The quote is:
The delineation between paranoid and reparative readings originated in 1995, with influential critic Eve Kosofsky Sedgwick. A paranoid reading focuses on what’s wrong or problematic about a work of art. A reparative reading seeks out what might be nourishing or healing in a work of art, even if the work is flawed. Importantly, a reparative reading also tends to consider what might be nourishing or healing in a work of art for someone who isn’t the reader. This kind of nuance gets completely worn away on Twitter, home of paranoid readings. “[You might tweet], ‘Well, they didn’t discuss X, Y, or Z, so that’s bad!’ Or, ‘They didn’t’ — in this case — ‘discuss transness in a way that felt like what I feel about transness, therefore it is bad.’ That flattens everything into this very individual, very hostile way of reading,” Mandelo says. “Part of reparative reading is trying to think about how a story cannot do everything. Nothing can do everything. If you’re reading every text, fiction, or criticism looking for it to tick a bunch of boxes — like if it represents X, Y, and Z appropriately to my definitions of appropriate, and if it’s missing any of those things, it’s not good — you’re not really seeing the close focus that it has on something else.”
A paranoid reading describes perfectly what fandom culture has become in the modern times. It is why "proship", once simply a word for common sense "don't engage with what you don't like, and don't harass people who create it either" philosophies, has become the boogeyman of fandom, a bad and dangerous word. The days of reparative readings, where you would look for things you enjoyed, are all but dead. Fiction is rarely a chance to feel joy; it's an excuse to get angry, to vitriolically attack those different from oneself while surrounded with those who are the same as oneself. It's an excuse to form in-groups and out-groups that must necessarily be in a constant state of conflict, lest it come across like This side is accepting That side's faults. In other words, fandom has become the exact sort of space as the nonfandom spaces it used to seek to define itself against.
It's not about joy. It's not about resonance with plot or characters. It's about hate. It's about finding fault. If they can't find any in the story, they will, rest assured, create it by instigating fan wars- dividing fandom into factions and mercilessly attacking the other.
And that's if they even went so far as to read the work they're critiquing. The ones they don't bother to read, as you saw above, fare even worse. If an AO3 writer tagged an abuser/victim ship, it's bad, it's fetishism, even if the story is about how the victim escapes. If a trans writer uses the title "I Sexually Identify as an Attack Helicopter" to find a framework to dissect rainbow-washing the military-industrial complex, it's unforgivable. It's a cesspool of kneejerk reactions, moralizing discomfort, treating good/evil as dichotomous categories that can never be escaped, and using that complex as an excuse to heap harassment on people who "deserve it." Because once you are Bad, there is no action against you that is too Bad for you to deserve.
Isabel Fall's story follows this so step-by-step that it's like a textbook case study on modern fandom behavior.
Isabel Fall wrote a short story with an inflammatory title, with a genesis in transphobic mockery, in the hopes of turning it into a genuine treatise on the intersection of gender and sexuality and the military-industrial complex. But because audiences are unprepared for the idea of inflammatory rhetoric as a tool to force discomfort to then force deeper introspection... they zeroed in on the discomfort. "I Sexually Identify as an Attack Helicopter"- the title phrase, not the work- made them uncomfortable. We no longer teach people how to handle discomfort; we live in a world of euphemism and glossing over, a world where people can't even type out the words "kill" and rape", instead substituting "unalive" and "grape." We don't deal with uncomfortable feelings anymore; we censor them, we transform them, we sanitize them. When you are unable to process discomfort, when you are never given self-soothing tools, your only possible conclusion is that anything Uncomfortable must be Bad, and the creator must either be censored too, or attacked into conformity so that you never again experience the horrors of being Uncomfortable.
So the masses took to Twitter, outraged. They were Uncomfortable, and that de facto meant that they had been Wronged. Because the content was related to trans identity issues, that became the accusation; it was transphobic, inherently. It couldn't be a critique of bigger and more fluid systems than gender identity alone; it was a slight against trans people. And no amount of explanations would change their minds now, because they had already been aggrieved and made to feel Uncomfortable.
Isabel Fall was now a Bad Person, and we all know what fandom spaces do to Bad People. Bad People, because they are Bad, will always be deserving of suicide bait and namecalling and threatening. Once a person is Bad, there is no way to ever become Good again. Not by refuting the accusations (because the accusations are now self-evident facts; "there is a callout thread against them" is its own tautological proof that wrongdoing has happened regardless of the veracity of the claims in the callout) and not by apologizing and changing, because if you apologize and admit you did the Bad thing, you are still Bad, and no matter what you do in future, you were once Bad and that needs to be brought up every time you are mentioned. If you are bad, you can NEVER be more than what you were at your worst (in their definition) moment. Your are now ontologically evil, and there is no action taken against you that can be immoral.
So Isabel was doomed, naturally. It didn't matter that she outed herself to explain that she personally had lived the experience of a trans woman and could speak with authority on the atrocity of rainbow-washing the military industrial complex as a proaganda tool to capture progressives. None of it mattered. She had written a work with an Uncomfortable phrase for a title, the readers were Uncomfortable, and someone had to pay for it.
And that's the key; pay for it. Punishment. Revenge. It's never about correcting behavior. Restorative justice is not in this group's vocabulary. You will, incidentally, never find one of these folks have a stance against the death penalty; if you did Bad as a verb, you are Bad as an intrinsic, inescapable adjective, and what can you do to incorrigible people but kill them to save the Normal people? This is the same principle, on a smaller scale, that underscores their fandom activities; if a Bad fan writes Bad fiction, they are a Bad person, and their fandom persona needs to die to save Normal fans the pain of feeling Uncomfortable.
And that's what happened to Isabel Fall. The person who wrote the short story is very much alive, but the pseudonym of Isabel Fall, the identity, the lived experiences coming together in concert with imagination to form a speculative work to critique deeply problematic sociopolitical structures? That is dead. Isabel Fall will never write again, even if by some miracle the person who once used the name does. Even if she ever decides to restart her transition, she will be permanently scarred by this experience, and will never again be able to share her experience with us as a way to grow our own empathy and challenge our understanding of the world. In spirit, but not body, fandom spaces murdered Isabel Fall.
And that's... fandom, anymore. That's just what is done, routinely and without question, to Bad people. Good people are Good, so they don't make mistakes, and they never go too far when dealing with Bad people. And Bad people, well, they should have thought before they did something Bad which made them Bad people.
Isabel Fall's harassment happened in early 2020, before quarantine started, but it was in so many ways a final chance for fandom to hit the breaks. A chance for fandom to think collectively about what it wanted to be, who it wanted to be for and how it wanted to do it. And fandom looked at this and said, "more, please." It continues to harass marginalized people, especially fans of color and queen fans, into suffering mental breakdowns. With gusto.
Any ideas of reparative reading is dead. Fandom runs solely on paranoid readings. And so too is restorative justice gone for fandom transgressions, real or imagined. It is now solely about punitive, vigilante justice. It's a concerted campaign to make sure oddballs conform or die (in spirit, but sometimes even physically given how often mentally ill individuals are pushed into committing suicide).
It's a deeply toxic environment and I'm sad to say that Isabel Fall's story was, in retrospect, a sort of event horizon for the fandom. The gravitational pull of these harassment campaigns is entirely too strong now and there is no escaping it. I'm sorry, I hate to say something so bleak, but thinking the last few days about the state of fandom (not just my current one but also others I watch from the outside), I just don't think we can ever go back to peaceful "for joy" engagement, not when so many people are determined to use it as an outlet for lateral aggression against other people.
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Yandere! Demon King Headcanons
You have accepted the Demon King’s marriage proposal!
I wasn't planning on writing a second part, but some of you gave me ideas and I decided on short headcanons instead. The image of a big, buff, evil Overlord lovingly doing house chores for their human was too tempting.
Content: gender neutral reader, monster romance
[Main Story]
The proposal, as you quickly found out, came as a surprise to everyone. Not even the King’s loyal butler knew of such intentions; he’d assumed they were finally going to destroy everything and everyone at once. To him, the dramatic scene of you and his Lord enveloped in flames was anything but a romantic confession. It was your final battle. So one might imagine the poor lizard’s confusion when the Demon King returned with you following behind. “S-sir?” He questioned meekly. The armored creature nodded at his servant. “It has been done. We’ll plan the wedding upon our arrival home.” The what? His baffled expression must’ve given him away, because the Demon continued: “What’re you gawking like that for? Didn’t I ask you earlier how humans forge a bond?” The butler stumbled to search for his words, swallowing dryly. “Well y-yes, your Majesty…I just didn’t expect it to be anything more than curiosity.”
The same speechless reaction repeated itself all the way to the Kingdom. Soldiers, diplomats, other monstrous entities of the unknown Land, they all greeted you in disbelief. So much, in fact, that you began to poke fun at their hesitant response: “I am his mortal enemy”, you’d announce with a dramatic bow. “Spouse! We talked about this!” the Demon Lord would quickly correct you, flustered.
Truth be told, you're not quite sure what made you accept this ridiculous offer. Perhaps a mixture of intrigue and disillusionment. The city you've dedicated yourself to stood no longer, burnt to a crisp along with its corruption and crookery. In a way, the monster had unshackled you from a responsibility you no longer wanted to bear. And if that wasn't enough to convince you, well, the sight of the Ruler himself kneeling before you certainly sealed the deal.
Although it may take a while for you to accept the idea that your worst adversary had actually been infatuated with you this entire time. Were there even any hints? During your last battle you nearly died. You'd crawled out of an enormous crater on your fours, bones shattered and ligaments torn. When you pointed this out to your groom-to-be, he stared at you in horror. "I had no idea humans were that fragile. I was trying to adjust my strength so as to not do any harm." You could only nod, patting away the sweat beads forming on your forehead. Uh huh. Maybe it's better you didn't experience his full range of attacks.
Ever since the devastating revelation, he's been extra careful when handling you. Sometimes he'll awkwardly hover his large hands above you, with a concentrated frown on his face. "What the hell are you doing?" you ask, eyeing him suspiciously. "I'm trying to be gentle." he'll answer. "You're not even touching me." Fair point, but it's better to be safe than sorry.
The Demon King will often ask you about customs from your world as a way to make you comfortable, just in case you get struck by the occasional homesickness. His Realm is very different from what you're used to, after all. Lamentably, his own years spent in the human world were not too fruitful from a cultural point of view. He was either busy stalking you or devouring the souls of the innocent. Now that he has nothing else to worry about, he will gladly listen and even do his best to actively participate.
You wake up shrouded in thick smoke. Overwhelmed by heavy déjà vu, you rush down the grand stairs, searching for the source of the fire. Are you being attacked? Enemies of the Demon King? You elbow yourself against the kitchen door, similar to when you left your home to find the city ablaze. The Demon Lord turns to face you, visibly overwhelmed and exhausted. You gawk at the scene unfolding before you and remember to close your mouth, mainly out of politeness. "It's too small. I'm afraid I cannot use it", he reveals timidly, holding a human spatula between his fingers to showcase the impractical size difference. You glance at the disastrous attempt behind him and manage to deduce he'd been trying to make breakfast. In an unspoken agreement, he steps back and allows you to take over.
"I'm surprised you let him burn down the kitchen", you mention to the butler once you get a moment to yourself. The scaly servant sighs, and theatrically lifts his clawed hands in hopelessness. "Pointless to argue with him when he's like this, (Y/N). In my entire life serving the Family, I've never witnessed a more stubborn leader." He points to the lavish portraits adorning the walls with a faint smile. "And, to put it frankly, he's obsessed with you. I've never seen him in a more deplorable state. Marrying a human?! The shame, the outrage!” he cries out. “No offense intended to you, of course. You must understand." You hum in agreement, a tad uncomfortable, yet sympathetic. "M-maybe it'll tone down after the wedding?" you suggest as encouragement. "Oh, no, I suspect it will only get worse", he bemoans in return. Then, he promptly straightens his back and resumes his duties.
You go on your own way, not wanting to burden the lizard in his work. As you cross the hallway, you find the Demon King himself scanning each room, somewhat agitated. He notices you and his features soften. "I was wondering where you'd vanished." You approach him with the words of the butler still ringing in your ears.
#yandere#yandere x reader#yandere x you#yandere x darling#yandere headcanons#yandere imagines#yandere scenarios#yandere monster#yandere monster x reader#monster x reader#monster x human#yandere demon king#yandere male x reader#gender neutral reader#monster romance#monster boyfriend#yandere oc
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I’ve repeatedly seen you say that you can’t read any Aurora fanfiction “for legal reasons”. I assumed this was a joke and you’d just resolved to yourself not to read any that might change where you take the story (understandable), but the more I see you say it, the more I wonder if there’s actually a legitimate legal reason. So forgive my inability to pick up on humor sometimes— is that a joke? And if it’s not, could you elaborate a bit on those reasons?
I am not a lawyer so I only have a layman's grasp of this, but as I understand it, if I read a fanfic, think "oh that's a cool idea" and consciously or unconsciously integrate it into my future work, that ensnares me and the fanfic author in a terrible tangle of mutual theft.
Technically, fanfiction exists in an extreme legal gray area, and in the early days of the internet, authors were very litigious towards their fans using their work. In the same way that Disney will get on your ass for putting Mickey Mouse in your work, any author has the same legal ownership of their characters, and they can choose to exercise it. Some famously have, like Anne Rice, but most nowadays do not. Fandom is understood to be a beneficial ecosystem for a creator to cultivate. Most creators Pretend They Do Not See It so it can continue to exist.
But suppose you wrote a fanfic about Aurora where something cool happened, and then a few chapters later, your story showed up in Aurora itself. Maybe even with some lines ripped verbatim, for even less plausible deniability. Oh shit - you've been robbed. But your story was fanfiction to begin with, only loosely permitted to exist with the understanding that you didn't own the setting or characters used. In this scenario, I stole your work, but it was work you made out of MY work in the first place. If you got mad and litigious, the legality of fanfiction itself would immediately take center stage in the argument. Do you have a right to your work when you made it out of MY work without permission? Do I have the right to take work that was made out of my work and use it without credit? The fact that I think fanfiction is a great and fun art form has no bearing on the fact that, technically, it is IP theft. And the fact that it IS IP theft has no bearing on the fact that me seeing a cool idea in a fanfic and going "mine now" would still be a shitty thing to do.
But things can get muddier. Suppose you write an Aurora fanfic where events A, B and C happen, and then over the next several chapters of Aurora, A, B and C happen. Did I steal ideas from your fanfiction? Maybe, but it's also possible that I had A, B and C planned out beforehand, and you put them in your fanfiction because you picked up the foreshadowing and prep I was putting down. You could still be mad about it, but there's a very real possibility that in this scenario the only thing I'd be guilty of was Good Foreshadowing.
In this situation, if you got mad and litigious about it, my best defense would be ignorance. I couldn't have stolen your fanfiction because I never read it. There is absolutely no chance that I was influenced by your work; I've never even laid eyes on it.
And that is why I don't read Aurora fanfiction.
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bug eyed
james f. potter x hufflepuff!fem!reader
summary; james fleamont potter’s less-than-normal attempts to get his other-worldly divination partner on a date.
warnings; alice in wonderland coded reader, pure! fluff!, reader is hinted at being a lovegood, reader has blonde hair, reader is described to have bug-like eyes (think ella purnell), reader being a seer, use of y/n
a/n; this is rlly shitty i just wanted to get my first story OUT! this is more a drabble tho
670 words | masterlist ☾⋆
taglist @rafeyswrd @crescentofthegods
James Potter did not like Divination. It wasn’t that he didn’t fare well in the subject, in fact, he did.
It was just terribly boring, and his Professor didn't even allow for the Marauders to sit together. Instead, each of the brothers had been scattered around the cramped, incense-filled room.
Leading to James being seated next to you.
You, who (somehow) managed to be the centre of James Potter's attention every time he stepped foot into the Divination classroom, only to subsequently lose it the moment he left.
At least that what you believed.
"Oh, and by the way," James began casually, his attention nowhere near the crystal ball in front of him, and your intense focus on that same ball.
You were sitting on your knees, your purple tights in stark contrast to your yellow and black robe and tie. "The boys were planning on going to Hogsmeade this weekend.. and I was wondering if you’d want to c—"
Shhh!
A single finger moved to James' mouth, quickly shutting him up as his eyes trailed quickly behind him to Sirius, who sat with a wolfish grin and a thumbs up.
"Do you see it?" You whispered, your voice light and dreamy, as if you were talking to the crystal itself.
James frowned, turning his attention to the foggy orb. He leaned closer, his dark brows knitting together in confusion.
Whatever you were seeing, he wasn't.
His eyes then trailed to you, losing track of the task on hand as he stared at your messy, pale blonde hair.
He didn’t know when it had started, when his feelings for Lily Evans had morphed into feelings for you.
"Right there." You murmured, leaning so close to the crystal that your nose nearly touched it.
He didn’t reply at first, but let out a yelp as you abruptly grabbed either side of his head and forced him to stare into the ball.
"I'm sorry, Y/N! But nothing is there."
You turned to him with an expression of utter exasperation, as if he'd just declared that the sky wasn’t blue. "You’re not doing it right. Look into the crystal, not at it."
To your surprise, James actually complied. But as he stared into the empty fog, an idea popped into his head, a sly smile tugging at his lips.
"Wait!" He pretended to be shocked, a sly smile lacing his lips from the sound of your gasp.
"I see you. In Hogsmeade."
"Me?"
"Oh, yeah. Totally." He nodded, slightly leaning into your hands; prompting you to move them away.
Ever trusting, you nodded along with his words, your bug eyes larger than normal as you urged him to continue.
James frowned at the feeling of your hands leaving, though, he quickly recovered as he let out a comical gasp. "Well, would you look at that!"
"What?" You smiled cheesily, "What is it?"
Your look didn’t flatter as James seemingly deflated into the velvet cushions behind the two of you.
"I can’t say-"
"What?"
James resisted the urge to smile at your reaction. "I can’t say, it might not come true if I do."
You frowned, your expression as serious as if he'd just insulted the art of Divination itself. "That’s not how these things work, James."
The other boy went quiet, his eyes flickering around the room for effect, then looking back at you.
"I was there."
…
"Oh." Your head tilted to the side, considering his words for a moment. "What’s wrong with that?"
"I.. nothing?"
"Do you want to go to Hogsmeade?" You spoke simply, your fingers absentmindedly toyed with the butterbeer cork necklace that hung around your neck.
James didn’t take a moment to think about it.
"Yes. Definitely." He watched your reaction — which was nothing as if you had expected it.
"Okay." She nodded, her gaze moving to peer through the swirling mist, the image of lightning bolt carved into skin sending a chill down her spine.
"Next time don’t lie. Crystal gazing is a very serious study."
#james potter#james potter x reader#marauders era#james potter fluff#hogwarts school of witchcraft and wizardry#james fleamont potter#james potter oneshot#prongs#marauders era fic
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GB Patch Games: Response About Sensitivity Reader
[Some of you might not have heard of this happening, but I wanted to address it across the board]
Hey everyone,
I want to make a post about the screenshots of comments from one of our sensitivity readers. The situation is that neither me or Rose want people to feel uncomfortable with Our Life: Now & Forever, but Rose hasn’t done anything terribly wrong and isn’t going to be punished.
The comment about OL MCs wasn’t meant to be genuine hatred towards all male players/MCs of OL. Rose wrote a reply about it-
"Hi everyone! This is Rose, I want to address the male MC comment since it was taken wildly out of context and without the lengthy discussion that was after it. I don't hate male MCs, in fact far from it, male MCs are integral to the story in OL:NF as female and trans MCs are. I think the relationship they could potentially have with Qiu could be a great asset in my opinion as they figure out their gender alongside the MC. The discussion itself was about how I noticed players were sticking to heteronormative norms by shipping Tamarack with a man purely out of societal norms than it was genuine thought into the characters and how I personally wished there was more sapphic relationships with Tamarack or just Tamarack with trans characters as a sapphic trans person myself. I didn't mean to offend anyone by it as no one but my friends who understood what I legitimately meant behind my message and it definitely wasn't meant to be seen seriously. I am sorry regardless to anyone I have offended and I love your male MCs regardless."
And most of the comments were about me. I’ve seen screenshots of the full conversations and they’re not as harsh as the cropped snippets made them out to be. It was longer discussions about not including Derek in any base game Moments for no good reason and not having any plus-sized love interests in OL1 because I was afraid players wouldn’t accept it. That’s not a lie, it’s what I decided for the game I created, and it is ridiculous of me. I’m the one who should be feeling embarrassed over how OL1 will forever be that way, not the people who remember that I did that. I’m not perfect and Rose actually cares more about the players than making me feel like I am flawless.
I also don’t want to tone police an employee venting about their boss in private, on their own time. Both the OL games deal with personal, important topics. This is sensitive work, and it can bring up frustrations. Sometimes people do use harsh words among friends, but they wouldn’t ever say it to a person seriously and directly.
I understand if you wouldn’t want to see anyone speak badly of a dev you like, but I promise it’s not a point of contention between me and Rose. I don’t feel mistreated in anyway. Rose genuinely cares about the Our Life series, and that’s why they get fed up with me over certain parts of the game.
Rose has never been unkind or unreasonable to me when working on the project, and their advice is detailed and well-explained. They do care about the game and want it to avoid having content that upsets people because of my own ignorance/shortcomings.
This being shared publicly from a private server is targeting Rose and seems to be a continuation of things that have happened before this. I don’t want this to continue happening. If you do still have concerns over the one comment about the community, you can let me know. But again, I don’t want people being mistrustful of Rose on my behalf for comments about me in conversations with missing context.
Do not send angry messages to Rose about any of this. We’ll do our best so that OL2 will be better than I was before. Thank you to everyone who reads this and participates in the community!
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Man… I’ve been thinking again.. it’s horny thoughts again.. it’s been about a magic dildo—it’s weird but lemme explain!!! Bottom male reader! Enjoy~
A smut fic were reader moves in with some random dude in an apartment. They have a regular roommate relationship for the most part..
Until when you find a dildo stashed in a box in the laundry room. It’s never been there before… Hm, it can’t belong to your roommate.. you’ve heard his.. night stands.. he’s not the one screaming
And you might’ve.. accidentally seen him fucking one of his friends before…
Yeah, he wouldn’t use this dildo.. but you could be wrong. Reader noticed though that the dildo couldn’t have been used ever since there was still plastic around it.
It even had a tag. Ah, this was store bought? A gag gift..? Your roommates birthday was five days ago. Well, if your roommate wasn’t going to use it, might as well… use it yourself?
A bit weird but you’re curious. The dildo is thick.. very thick and a bit long. Curiosity just got the best of you. So one night when you knew your roommate wasn’t home and decided to use the dildo.
It takes a few tries but you’re able to get the dildo inside your ass. It’s a nice stretch, pretty good actually. It’s long enough to easily graze over your prostate. Fuck, if your roommate didn’t want this dildo you’re going to keep for yourself.
You spend the next few minutes just fucking yourself. Moans load and unabashedly with the house being empty (besides your roommates cat)
You couldn’t help your thoughts slowly drift off onto your roommate.. that one time you saw just a glimspe of his cock fucking another man’s ass. His slim but toned frame, long fingers, his bangs that stuck to his forehead while he sweats .
His name just kept rolling off your tongue by now. Your hand holding the dildo that blessed your prostate and insides going faster. You began to lightly thrust back into it—just wishing it was a real cock. It was so hard to control the speed while you continued to lose yourself
But it seemed you weren’t even controlling it anymore. The dildo was just going by itself, but not like a vibrator. It was actually thrusting inside you, reaching your prostate easily. It felt like a real cock.. like someone was actually fucking you right now.
You cried out at the new sudden harsh thrusting but you were way too close to your release to even care that this dildo had a mind of its own.
You came with a shout, soaking the bed sheets beneath you as you sighed in relief. Fuck, you were keeping this dildo. But.. it was still moving?!
Before you could even scream out in horror at whatever the fuck this dildo actually was, your bedroom door slammed open.. and there was your roommate.. looking.. less human than before..?
“You finally found it? What took you so fucking long?”
Apparently your roommate was an incubus.. and the dildo was magically connected to his own dick.. huh, that’s why it moved like a real cock.
Well, you certainly didn’t get any sleep for that night.. or the later nights after that :)
Went off the deep end lol, I do so well with these types of stories.. kinda wanna do more for incubus roommate tho.. it’s interesting~
Tag list: @kiiyoooo @nakedtoasterr @the-ultimate-librarian @chill-guy-but-cooler @mello-life69 @iwishtobeacrow
#bottom male reader#x male reader#smut prompts#smut ideas#mlm nsft#mlm ns/fw#oc x reader#uke male reader#smut drabble
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re: that HEFTY siffrin sweep on id5’s isat favourite blorbos poll — this might sound silly but i do actually think it’s kinda fascinating that isat, as a game so inseparably steeped in (for lack of a better way to describe it) queer fandom culture, managed to so completely sidestep the common Fandom Phenomenon that i suspect was behind the poll in the first place by creating a main character that is also overwhelmingly the fan favourite character for once.
obviously there are any number of factors we could point at to explain the extent to which siffrin nomiddlenames nolastnames manages to grab people and absolutely not let go, but personally i think one of the most interesting ones to consider is the one specific to the medium — that is, how siffrin subverts the “silent blank slate video game protagonist” archetype in such a way that happens to be primo brainrot breeding grounds.
like, when a video game dev makes a silent protagonist it’s usually a bid to maximize immersion by closing the aesthetic distance between player and character as much as possible, right? which is especially true of rpg video games — players find connection in the generic, as that is what gives you the freedom of motion to insert yourself into the story in whatever unique shape suits you best. you are your character and your character is you.
(as ever, post ran long. yall know the drill. tossin in a quick header pic before thoughts on blank slates & blorboification continue under the cut)
and then you’ve got siffrin, who is expressly pointed out to be the taciturn type; who when initially giving the player exposition about their journey so far doesn’t seem to hint at a life or history or even really any motivations outside the journey; whose every thought and action is narrated in second person so as to keep tracing and re-tracing the connection between him and you.
even their design — all darkless and shapeless, bundled up in that big cloak, as if an invitation for you to fill it in with whatever lets you relate to them most! at this point they are their own character for sure, but they also have enough very clear parallels going on with the silent protagonist archetype to feel more than accidental.
of course, as you keep playing you start to recognize that his blankness is much, much more than just a grab at immersion; his apparent lack of backstory, itself a fundamental piece of backstory. this is where he flips dramatically in the player’s perception from “generic vessel for story delivery” to “thoroughly multidimensional character trapped within endless torment nexus custom-built to target and exacerbate all his very specific worst traits rooted in very specific traumas”.
yknow, the good stuff !
but by then you have also been playing enough to be feeling the effects of the thing isat’s design does best of all. i’m talkin bout that ludonarrative lockstep baby. every piece of isat’s gameplay is designed to make you feel what siffrin is feeling — you understand by now that he is not a stand-in for you, but all the same you share in his frustration, his grief, his rare moments of joy and the subsequent heart-in-your-shoes devastation when that joy is inevitably poisoned — and through it all, the desperate grasping for anything new — all as if they were every bit your own.
so in this way the connection is maintained, even if you were someone for whom siffrin’s particular traits & struggles might not otherwise cause you relate to them at all if you had encountered them elsewhere, in a setting where you weren’t actively controlling them as a player. siffrin still gets to carry all the “just like me fr” impact of the blank slate protagonist in the tropes he embodies and in the game mechanics’ design, while totally free to evolve completely into his own character and keep you relating to closely them all the same. now toss back in the fact that said traits & struggles very much ARE of a flavour that a great many people Would Tend To Relate To and just like that you’ve got a perfect storm cookin.
too individual and compellingly written to be an empty vessel for plot delivery. too closely connected with the player’s emotional state to be a story observed impassively from the outside. he has 92 mental illnesses and for the low low price of free u can give him yours to carry too. nobody is doin it like him. congratulations on your well-deserved nose sniffrin nomiddlenames nolastnames <3
#isat#in stars and time#isat spoilers#isat siffrin#sniffrin#been trying to write this post for the past two days straight but it kept escaping me for some reason#luckily we got trapped in airport hell round 2 and apparently there’s just something about these spaces that gets the post juice flowing#& i wanted to be rid of it#shrug#i don’t think i’ve necessarily vocalized much that’s really new here but sniffrin poll just has me thinkinnnnn#also i am making an active effort to not apologize for writing words on the Writing Words website. thank u for ur understanding mwah#atlasisms
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trouble
trouble - coldplay
part 3 of don’t call my name
warnings: angst, hurt + arguing but it’s steamy, drinking and clubbing, some violence (she gets grabbed and threatened but nothing happens), guard dog carmy bark bark, carmy throws hands & brief mention of blood. comfort sex, sappy and sweet but hot, it’s unprotected what else did you expect from me, dirty talk, some drama with claire i’m sorry
wc: 9.0k
a/n: so…i told everyone this was going to be 3 parts when it actually needs 4. i fear i am just too much of a yapper. i love these two and think i needed to do the story justice. so stay tuned for ch4. hehehehe. hope u enjoy!!! (it is going to get angsty)
playlist
carmen berzatto is a shitty communicator.
this we know to be a fact.
it’s just, sometimes when there are a thousand thoughts swarming around his head, it’s easier to not say anything at all. that makes sense, right?
the girl wakes up the next morning to find herself alone. the plush king sized bed almost mocks her with emptiness.
she knows that carmy is a hard worker. a michelin star kitchen doesn’t just run itself. still, it might be nice to get a note, or text, or anything that would reassure her last night wasn’t just some fluke to to him.
the silence of the apartment is almost deafening. she trudges down the stairs and walks to the kitchen, pouring herself what was left in the coffee pot from carmy’s early morning.
she feels lethargic, sore, and a little stung from waking up alone. no text or anything, she thinks.
but there was still time. maybe he was just really busy today. she pushes away the negative thoughts and slaps both of her cheeks lightly, trying to wake herself up. it would be a good day. he would text her or call her when he got a break. and they would talk about it. she puts a smile on her face at the delusion and hops back up the stairs to get dressed for work.
the girl tries to busy herself when she gets there, picking up extra slack from coworkers and bustling around to finish projects. trying to not check her phone.
she goes on lunch break with no text from him.
gets off work at 5 with no text from him.
throws his sheets in the wash and remakes his bed with no text from him.
eats dinner with no text from him.
watches a movie at 9:30 with, you guessed it.
she throws her phone back onto the bed angrily, the false wall of positivity built in her mind beginning to crumble. she’s tired and annoyed, so she shuts off the movie and buries herself in bed, trying to push thoughts of him out of mind so she could sleep.
she tells herself that they can talk tomorrow. but then, tomorrow comes and it’s the same nothing, almost like she didn’t even have a roommate.
three silent days go by until the girl decides she’s had enough, and plans to wait up for him and have a talk. maybe he just wasn’t a texting type of guy, she tries to comfort herself.
she grabs her book and a throw blanket and camps out on the couch, waiting for him to get home.
it’s close to midnight before she hears keys jingling and the lock turning. her heart drops inexplicably but she remains nonchalant and continues reading her book until she hears him take a few steps inside.
she turns her head, watching him talk on the phone as he slides his shoes off. he doesn’t notice her in the dim light of the living room, and his brows are furrowed, hand running through his messy curls.
“yeah. yeah, i’m- i know….sorry again,” a pause, “okay. i’ll see you saturday. bye, claire.”
her eyebrows shoot up at the name, the sinking feeling with in her stomach increasing tenfold. this motherfucker.
carmen makes it halfway into the living room before he notices her on the couch, slightly startling at her presence, mumbling a “shit”
her face feels hot, but not in the good way she had grown accustomed to the past few weeks.
“hey,” he greets softly, eyes looking tired, shoulders slumped.
she just glares at him and goes back to reading her book.
he says her name. she ignores him.
the man lets out a small scoff, stepping closer to the couch, hand on his hip.
“what, you, uh, ignoring me?”
she glances up at him and there’s a small smirk on his face, like he thinks it’s joke or something.
she opens her mouth to say something mean, but stops herself. takes a deep breath. recenters.
she slams her book shut and turns to face him.
“i’m going to bed.”
the man’s small smirk drops, watching as she shoots up from the couch and starts heading towards the stairs. he grabs her wrist to stop her.
“hey,” he says, firmer this time.
she whips around and pulls her arm back.
“what?” she snaps.
his brows furrow at her tone of voice. he pauses for a second, eyes raking down her face, taking in her expression.
“why are you acting like that?” he asks.
the question does nothing but make her feel angrier.
“because you’re being fucking confusing,” the girl exclaims, her throat growing tight.
“how am i confusing?” carmen replies with a surge of annoyance, “you woke me up the other night with…” his eyes dart down her frame, “half your fuckin’ clothes on.” he tries to sound angry, but his voice betrays him a bit. truthfully, it was like his prayers had come true when he opened his eyes to find her straddling him in underwear and a tiny little top that barely kept her chest contained.
“yeah cause i thought you were into me,” she frustratedly sighs, “but you’re just…using me to get over claire.”
the allegation wasn’t rooted in fact. but that’s how the girl felt, and she confuses the two in the moment.
“don’t say that.” he snaps, “that’s not fuckin’ true in the slightest.” carmen had been done with claire for months at this point. if anything, he had been trying to use claire to get over his roommate.
“it’s been three days since we-… and you haven’t said anything,” she sighs, rubbing her forehead, feeling a headache come on.
he knows his, and feels guiltier than she could even imagine. but he also knows she’s leaving in a few short weeks, and doesn’t want to fall any deeper than he already has for her.
“i got busy at work.” he defends. it’s a shitty excuse, but as usual, it’s the first to come to mind.
her eyes brows crease further.
“you have a phone.” she chides.
“i just…i didn’t think about it,” he lies, “i’m sorry.”
she scoffs and shakes her head.
“god, you’re so-,” another sigh, “you know, whatever, carm.” she turns from him and begins to walk up the stairs.
he hates how his eyes glance down to her ass, peaking out from beneath a pair of short shorts.
god he’s a fucking loser, he tells himself.
carmy calls her name again. she ignores him.
-
the girl slams her bedroom door behind her and throws herself onto her bed. she tries to fight the hot, angry tears that stream down her face, telling herself it doesn’t really bother her. telling herself that he’s just another stupid guy, and she can find better. this does nothing to ease the burning feeling in her chest, though, a pair of soft blue eyes flashing in her mind. thinking of the way he was rough with her while still being gentle, kissing her face and calling her sweet names. thinking of how he held her and wiped her tears and assured her that things would work out.
fucking asshole!
she grabs her duvet and pulls it over her head, wrapping herself tightly and burrowing into the pillow. she tells herself that she won’t make the mistake of giving into him again. wouldn’t ever grace him with her lips or fingers or sweet moans again.
she tells herself that she doesn’t need him. she could easily find someone else that would satisfy that same feral craving she had for carmen.
in fact, tomorrow would be friday, and she hadn’t gone out in a long time. she decides on calling up a friend and making a friday night plan to go out. drink, dance, and prove to herself that there’s better for her out there than carmy.
the girl aggressively rubs her face of tears and shoots up out of bed, grabbing her phone to send the invitation to a girlfriend. her phone pings with a quick response, and the girl confirms her plan for the following night, already envisioning what to wear. the thought of seeing carmy tomorrow night before she goes out makes her stomach churn. the thought of seeing him at all makes it churn, actually.
she tells herself that she only has to stick it out for another month or so. then she would go back to california and things would be normal. no more stupid boys. no more heated touches. no more whimpers being greedily devoured by hungry kisses.
she tells herself that’s what she wants.
it doesn’t feel genuine in the slightest.
the following morning she rummages through her closet and picks out a couple of skimpy options. she studies herself in the mirror, holding up the various items up in front of her nude body, wondering what carmy would think of the outfits. she quickly tries to push the thought out of mind. she doesn’t care what he thinks, she reminds herself. her eyes fixate on the finger-shaped bruises scattered about her hips. she thinks of how they got there.
her day at work seems to go impossibly slow. the girl finds herself thinking of carmen constantly, caught between hoping there would be a text from him when she would check her phone and hoping she would never hear from him again.
her mind frequently flashes to the way he handled her a few nights ago. how he kissed her obsessively. how he held her up once her legs had given out. how he relentlessly plowed into her and called her a pretty girl and told her she was made for him.
the thought simultaneously makes her horny and angry, something that she had never experienced so vividly until now. she wanted to slap his face, but at the same time she wanted to kiss him and grind against him and beg for him again.
it’s entirely confusing.
by the time 10 o clock rolls around, she begins to get ready, meticulously styling her hair and applying her makeup. she opts for a sultry, smokey look, accentuating her eyes with dark shadow and liner, glossing her pouty lips with a clear lacquer. the girl tries to hurry the routine, anxious to make it out the door before carmen gets back.
she strips her clothes off and slips into her club apparel, then decorates her look with rings, bracelets, earrings, and a necklace. as she slides her thigh high boots on, she hears the front door open, then slam closed.
“fuck,” she harshly exhales. looks like she would have to see him after all.
carmy racks his keys onto the hook and steps out of his shoes, taking a deep breath at the relief of being home. it’s not until he notices the light coming from upstairs that the relief is replaced with a sense of anxiety.
he knows he needs to fix things between him and his roommate, if he could even refer to her as just that anymore. he had felt like a jackass all week, but apologies were never really his strong suit. he didn’t even know where to start.
the man empties his pockets out onto the credenza, then begins to make his way into the living room. he stops in his tracks when he hears the click of heels descending the stairs.
as he turns his head and catches sight of her, he fights to stifle a groan.
she comes down clad in a tight top and mini skirt, length of her legs emphasized by black thigh high boots. his eyes rake down her body, admiring the curve of her figure and the appealing fit of the clothes. he wishes that she would dress like that all the time, but he doesn’t tell her that, instead just opting for a casual, albeit slightly strained “hey.”
she looks at him, but doesn’t reply, instead sauntering over to their bar cart and pouring herself a shot. he realizes the top is backless, and clenches his jaw a bit, trying to recenter with a deep breath.
“you, uh…you look nice,” he clears his throat.
she throws back the shot and shivers.
“thanks,” her response comes dryly, walking over to grab her purse, “i’ll be back in a few hours.”
carmen feels his brain stutter, processing what she said, his eyebrows furrowing.
“wait you, uh, you’re going out dressed like that?” he can’t help but feel a bit protective, even if she is pissed off at him. the girl scoffs.
“i can’t really go to the club in sweatpants, carm.”
he rubs a hand over his face, trying to keep calm.
“you could, uh….at least put a fuckin’ jacket on or something though?” he tries to suggest kindly. his tone betrays him.
“yeah?” she turns towards him, “why the fuck do you care?” bite in her tone.
his eyes fall over the multiple hickeys that litter her neck, then flicker over her face, realizing how striking her features look accentuated by dark makeup. she looks angry. a little hurt. he wants to say something soothing.
“cause i-fuck,” hand threading through his hair messily, “because i know how guys think.”
nice. real soothing.
“yeah? n’what do they think?” she challenges.
that anyone would want you. that you look fucking hot wearing those tight little clothes.
carmy opts to not respond so directly, and walks closer to her.
“i just don’t want you to get… hurt.” his tone is firm, jaw set tightly. she lets out a sardonic laugh at this. at the fact that he’s her biggest source of hurt at the moment.
“what, you think it’s funny?” he barks, “you could get fuckin’…picked up or drugged or something.”
she rolls her eyes.
“that’s not gonna happen. i’m going with a friend.” she snatches her purse off the credenza, fumbling through it to make sure she has her id. he takes a few steps closer. until he can smell her sweet perfume.
“well, let me drive you guys then.”
she shakes her head.
“no. we’re getting a cab.” zipping up her purse and hanging it over her shoulder.
“fuck, then call me when you get there. and when you’re leaving.” he snaps a bit, becoming a bit fed up with her attitude.
“not gonna fuckin’ call you, carmy,” her face scrunches up in anger, “i’ll probably end up going home with someone, anyways,” she fibs, locking eyes with him, unintentionally leaning in a bit.
“you what?” he angers, moving even closer to her, their faces mere inches apart.
she can feel the shot she took now, eyes darting down to his lips. fuck his deodorant. the smell of it makes her want to give in.
“‘mgonna find someone tonight,” her tone lower now, lids low, “‘n they’re gonna fuck me better than you ever will.”
he scoffs, blood boiling at her words, shaking his head, eyebrow twitching.
“yeah, uh, that’s not gonna fuckin’ happen.” his hand comes to wrap around her hip, squeezing. his face comes closer, lips nearly ghosting hers.
“yeah?” she challenges, actively fighting to keep from diving in, eyes locked on his lips.
“yeah,” tone firm, “tell your friend you’re staying in tonight.”
she doesn’t know why she feels so turned on. still pissed off, yes, but mostly aroused.
she rolls her eyes and lets out a laugh to hide this, but he can tell. he can always tell by the slight flutter of her eyelids and the way she’ll part her lips. he knows that she likes when he talks to her like that.
the girl channels all of her strength and steps away from him, opening the front door.
“see you tomorrow,” she chimes, walking out. he calls her name as she walks away, but she ignores him. he tells himself he’s too proud to chase after her, but really he wants to do nothing more.
as she makes her way down the hall, his eyes rake down her exposed back, settling on her shapely ass.
this girl was going to drive him fucking crazy.
-
carmy berzatto (2hrs): you make it there?
missed call from carmy berzatto (1hr)
carmy berzatto (30min): call me if you need a ride home.
the girl shuts off her phone, shoving it back in her purse and strutting to the bar counter. sure, now he cared enough to send a text.
jealous motherfucker.
it had been a girls night out until her friend went home with an ex boyfriend, leaving her all alone at the club. she leans over the counter, pushing her hair over her shoulder. her feet are sore from the boots she had picked out, coupled with an hour or so of nonstop dancing.
the girl had planned to leave as soon as her friend did, but made the mistake of passing through the main room where they were playing 2000s music. she couldn’t just not dance to 2000s.
the bartender works quickly to accommodate the numerous orders. she feels the drink she had been sipping on affecting her, comfortably bathing in the multicolored lights of the club. it was packed with people, and she had been noticing eyes on her all night.
the girl feels a hand on her lower back, and she turns to meet the eyes of a tall man.
“hi,” he says.
“hey,” she softly replies.
he was admittedly handsome, and his muscular stature didn’t hurt to look at either.
“can i buy you a drink?” the man asks.
the girl softly smiles and nods. he raises his hand to flag the bartender. she was planning on getting a water, but since she wasn’t paying for it…
the stranger makes small talk with her, the two having to practically yell into each other’s ear to hear over the bass of the music. jobs, what part of town they live, compliments. not that she really cares about any of it, though she tries to.
as he leans in to ask if she’ll dance with him, he places his hand on her waist. she tries to ignore how it doesn’t feel right.
he’s cute, she tells herself, and i needs to stop thinking about carmy.
the girl takes a long sip of her drink and nods softly, taking his hand and leading him to the dance floor. they squeeze through the crowd of bodies, and she turns to face him, hand on his chest. he places a hand on her lower back, and they begin to move to the beat. she takes another long sip of her drink, closing her eyes, coming closer to the man, swaying her hips. his deodorant doesn’t smell as good as carmen’s does. doesn’t comfort her like his does.
she takes another sip, and she circles around, moving her hips, facing away from the man. the music resonates through the whole building, lights flash and change color, making her movements feel dreamlike. he places his hands on her hips.
she wishes that she liked how it felt.
the man presses his hips into her backside. she imagines it’s carmen, and the thought makes her bite down onto her lip. her head falls back against his chest. she thinks of her roommate’s strong arms. his tattoos. the way his face scrunched up when he fully engulfed himself in her. the girl lets out a breath. her skin feels hot and sticky in the muggy club air. she takes another long sip of alcohol, feeling lips on her neck. they feel strange and unfamiliar. it doesn’t set off that tingling sensation in her lower stomach. she groans out of frustration.
“mmm you like that don’t you, pretty girl?” the man slurs into her ear.
the name makes her heart drop, and all of the sudden she feels like she needs to throw up. she shoves the stranger’s hands away and stumbles forward, pushing her way out of the crowd. the floor feels like it’s tilting on an axis as she cringes at the feeling of other sweaty bodies touching her. she gets shoved into by a big group and loses her drink.
it’s suddenly hard to breathe. the girl feels her throat tighten, her chest burning, wiping hot tears away. she fights and pushes and weaves through the crowd until she finally breaks free, making a beeline for the glowing red exit sign. the girl shoves the door open, almost tripping over the frame, and stumbles out into the cold night.
the frigid air helps alleviate some of her nausea, skin rising in goosebumps. she trudges along the brick wall and leans her back against it, focusing on taking deep breaths. her hands run through her messy hair, pushing it out of her face, closing her eyes, trying to stop the steady flow of tears.
this night was supposed to be fun, but all she wanted to do was go home and sleep this booze off. all she wanted was carmen.
her hands fumble through her purse, grabbing her phone. she drops it, muttering a “shit,” and crouches down to pick it up. she squints her eyes at the light of the display, struggling to navigate to the uber app. she enters her address, cursing internally when she sees the friday night surge prices. instead, she exits uber and finds her contacts, hovering over the number of a cab company. her eyes glance towards carmen's contact, right below.
she doesn’t want to call him. he was being an asshole, and she hates how easily he was able to get under her skin. so she dials the contact for the cab, listening to the line ring. and ring. and ring. almost infinitely, then a automated voice of “your call cannot be completed.”
“fuck,” she curses, terminating the call.
her eyes fixate on his name, pausing and contemplating.
she rolls her eyes and dials it. the line rings twice and gets picked up with a raspy greeting and a “y’okay?”
she stays silent for a second, not sure what to say. he says her name.
“did you know that you are-” she hiccups, “s-so mean?” it’s the only thing that comes to mind.
“are you drunk?” he asks.
“no. m’not” she argues, wiping a stray tear.
“you sound drunk,” he retorts, “where are you? i’m coming to get you.”
“you’re so fucking…rude. ‘nyou think you can just do whatever you want because you’re so-” hiccup, “hot… and big…you irritate me, carm,” she slurs into the line. she opens her mouth to say more, but he cuts her off by saying her name sternly.
“you at prysm? tunnel?”
“yeah. that one.” she hiccups again.
“tunnel? okay, stay right there. i’m getting in my car now.”
“ok but i’m still mad at you,” she murmurs, leaning against the cool brick. he scoffs, and starts saying something about her bad attitude, but she cuts him off by hanging up, harshly exhaling and closing her eyes tightly. the tears continue falling, so she just tries to focus on her breathing.
a cool breeze causes her to stiffen, wrapping her arms around herself, shivering. it’s uncomfortable, but grounding. her head stops spinning so much as she begins to breathe deeply. the tears come to a steady stop, but the aching in her chest doesn’t. she wishes carmen would hold her and kiss her head.
around fifteen minutes pass before she hears the back door of the club open. the girl keeps her eyes shut, hoping whoever it was wouldn’t bother her. though it seems she’s not so lucky tonight, unfortunately.
“hey, you,” a deep voice says. she snaps her eyes open to find the same tall man she was dancing with earlier standing in front of her.
she just stares at him silently, crossing her arms in front of her to help provide some modesty.
“listen, i think we get along well. and you’re really hot,” he explains drunkenly, “why don’t i help you get home?”
she feels icked out, trying to refrain from rolling her eyes.
“m’not interested, sorry. i have someone coming to pick me up.”
the man scoffs.
“you were plenty interested earlier when i bought you a drink,” taking a step closer to her, “c’mon. don’t be a tease.” he has a smirk on his face. she feels her heart begin to pound against her chest.
carmy was right, it was a mistake to come out. she tries to take a step away from him, blocked by the hard brick wall.
“seriously, i’m not interested,” she tries to sound assertive, “my boyfriend will be here any second so just leave me alone.” she hopes he can’t read through her lie.
“your boyfriend?” he asks, smirk turning into a grin, “you’re a naughty girl, aren’t you? someone should fucking straighten you out.”
her heart drops to her stomach, and she feels sick all over again. she steps forward to shove past him, and he grabs her waist, slamming her back into the wall.
“don’t fucking touch me!” she yells, grabbing his wrists and digging her nails in. he doesn’t let go. tears begin to stream down her face, heart hammering against her ribcage. she sees headlights from down the street and prays that it’s carmen, continuing to struggle against the man.
the car speeds up to the curb and jerks to a stop, door flying open. she shuts her eyes tightly and digs her nails in hard enough to draw blood, giving a final attempt at trying to get his hands off of her.
the girl is suddenly released as the man is jerked backwards by his shoulder. her eyes snap open and graciously land on the person she’s been wanting to see the most.
everything happens so fast—watching in a haze as carmen practically decks the guy in the face, sending the stranger stumbling back, gripping a bloody nose.
“you muverfuckr!” he slurs, words muffled by a dripping hand, lunging forward again. carmy shuffles back, then throws another jab square in the face. the man falls backwards onto the ground, sitting on the concrete, looking entirely disoriented. the girl gasps, feeling partially sobered by the scene.
she watches as the stranger’s blood drips onto the pavement, then darts her gaze over to carmen. his eyes look crazed, jaw tightly locked. he begins to stalk towards the man, clenching his fists that were spotted with red.
the girl reaches out and grabs his arm. he turns to look at her and his features immediately soften, taking in her tear-soaked cheeks and swollen lips. without thinking, he grabs her arm and pulls her into a tight embrace, arms wrapping around her in a protective bear hug. she clings to his shirt, and cries. he kisses the top of her head.
he smells so good. smells so safe.
“s’okay. i got you,” he soothes, “you’re okay.” the man says this as a reassurance to himself as well, rubbing her back, feeling his throat tighten and eyes water a bit.
the stranger lay flat on his back now, clutching his bleeding nose, mumbling incoherently.
carmen pulls back from the embrace, but keeps an arm wrapped tightly around her, ushering her to the car. she stumbles a bit, holding onto him securely. she wishes the tears would stop, but they don’t. she feels so scared. so relieved. so fucking grateful.
he gets her into the car, shutting the door and walking around to the driver’s side. she doesn’t want to look at him when he gets in, so she hides her face in her hand, elbow leaning on the arm rest. he doesn’t say anything for the duration of the drive home either.
she feels embarrassed, tired, and still a little mad at carmy. the whole reason she had wanted to go out and meet guys in the first place was because of his stupid situationship with claire. it was like it made her go into defense mode.
they had been driving for about 5 minutes, before she feels a dull throbbing in her head, stomach growling, alcohol in her system making her crave greasy nasty salty food.
she raises her head from her hand, looking at carmen. his eyebrows were knit together tightly, jaw clenched. she leans her head against the headrest as she stares at him lovingly. she loves how protective he gets over her. how strong he is. how blindingly handsome.
but she’s still mad, of course.
he catches her gazing at him in his periphery. he looks over, features softening as he catches her eyes momentarily.
“what’s up?” he asks, voice low.
she just looks at him. her lip pouts a bit.
“you hungry?” comes his question, perfectly timed.
she allows a soft smile to grace her lips at the accuracy of his guess.
“mmhm,” she nods, “a burger sounds really good right now. and french fries.”
he lets out a quiet chuckle, nodding his head, glancing at her again.
“let’s get you a burger and french fries, then.”
he turns his signal on and moves to make a quick left, pulling into a drive-thru after a few minutes.
they sit in line waiting for the order to be cooked. she glances over at his face. she wants to kiss him, a little.
“d’yknow what the ultimate hangover food is?” she asks softly.
he turns to face her, eyebrows raised in question, a look of amusement on his face.
“an all american breakfast,” she murmurs with a smile.
“yeah?” he asks, “like…pancakes?”
she nods, biting her lip with a smile. he lets out a soft laugh at this.
“and bacon and eggs. and hash browns. fuck,” her eyes are closed, like she’s imagining it in front of her. this makes the man laugh a bit harder, hand coming to smooth over his face.
“good answer,” he tells her once he stops smiling as much.
“what’s yours?” she asks, gazing at him a bit longingly.
“my what?”
“your hangover cure food.”
“uh, probably…saltines?”.
the girl lets out a laugh.
“the alcohol upsets my stomach,” he admits.
she laughs harder, burying her face in her hands.
“you are so cute,” she amuses.
he fights the heat that rushes to his face when she says this, and they pull forward to the pick up window.
the girl takes her first bite into the greasy burger that carmen insists on paying for, and it makes her feel more human than she has all night.
-
carmy parks the car in his assigned lot, then gets out to assist his roommate out of the car. the food helped her feel much more grounded, but she still has to cling onto his arm to be able to walk straight through the building.
neither of them say anything. this lasts until they get back to their unit, and carmy locks the door behind them. he watches as the girl stumbles out of her shoes and crashes onto the couch. she throws an arm over her eyes and tries to push away the nausea that comes with laying down.
“thank you,” she murmurs into her arm after a moment.
“mhm,” he responds, “told you to call me when you needed a ride, though,” shrugging off his jacket.
“i did,” she argues.
“no, you called me… way after you needed one. and you stood outside waiting for me,” his tone grows harsher.
if she wasn’t so nauseous, she’d roll her eyes.
“i was trying to get away from all the guys that were trying to take me home,” she retorts. she means it to be teasing, but it’s clear he doesn’t take it that way by the peak she steals through her arms.
“y’know, you-,” he scoffs, “i’m glad you think it’s fuckin’ funny because i-fuck…i was worried about you” he throws his keys onto the table, feeling angry, feeling scared.
she throws her other arm over her face. her cheeks are hot with embarrassment. her throat suddenly feels tight at his words, like she’s going to cry again. she doesn’t say anything out of fear of her voice breaking.
carmy chides her name, stalking over to the couch. he stands over her, expectantly waiting for a response, jaw clenching with annoyance. he nudges her arm. she moves it, revealing her tired bloodshot eyes.
“can we not do this tonight?” she begs hoarsely, “m’so drunk.”
“you fucking scared me,” he exclaims, grabbing his hair, “what would’ve happened if i didn’t get there in time, huh?”
“i know,” she sobs, tears now freely flowing, hiding her face in her arms again.
his heart breaks a bit, watching her cry like that. but he feels so angry that she put herself at risk like that.
“you-” he stops. takes a deep breath to recenter. “you’re right. let’s not do this tonight.”
she peaks at him through her arms, feeling completely pathetic. she watches him turn on the small lamp by the couch. he drapes a throw blanket over her before turning to walk upstairs.
tears continue inexplicably trailing down her cheeks, as her deep breathing begins to lul her into sleep.
an hour passes.
she shifts to try and get comfy to no avail.
30 more minutes.
everything was so uncomfortable.
she sits up quickly and shoots off the couch, beelining for the stairs, desperate to get the crunchy makeup and scratchy clothes off.
she falls up the stairs in her sleepy scramble, knocking against the wall loudly. slowly stands up, holds onto the rail, and exhales before continuing to ascend much more carefully.
as she walks down the hallway, she unashamedly begins to strip out of her clothing, leaving a trail that leads to the bathroom, telling herself she would take care of it later. she feels sick and lethargic, needing a shower immediately.
the girl leaves the bathroom light off as she draws a cold shower and steps in right away, drenching herself in the frigid water. she tenses, letting out a sharp exhale, feeling almost immediately soothed.
it’s as if the water washes away everything bad from the night. she meditatively goes through her routine, cleaning herself. cleaning away everything that happened tonight. cleaning away the man who touched her on the dancefloor, outside of the club.
the shame and embarrassment that begins to seep in as the alcohol wears off doesn’t wash away as easily. she needs to apologize, she knows that.
the girl dries herself off and wraps her hair in a towel as she walks back to her room, feeling more of a pep in her step following the refreshing shower. she bends down to pick up the strung out clothing she left behind, feeling like she was going crazy because her underwear was nowhere to be found. it would just have to wait until tomorrow, she supposes.
she’s moisturized and laying in bed, trying to fall asleep. tossing and turning. taking a deep breath. softening her face, muscles. thinking of nice things.
drifting off. mind flashing back to the man grabbing her and slamming her against the brick wall. thinking of what would’ve happened had carmy not come to her rescue.
her eyes snap open. she sharply inhales and sits up, hanging her legs over the side of the bed. it was going to be impossible to get sleep like this, heart beating way too fast to try and relax.
she just wants to feel safe.
without a second thought, she stands and begins walking to carmy’s room.
she knows he’s pissed off at her. knows he’ll probably tell her to get out. even so, she’s so desperate to get some sleep. so desperate to ease the anxiety that had been festering inside of her all night.
his door is closed, and she hesitates for a moment before twisting the knob and slipping inside.
it’s dark—the curtains drawn when they usually aren’t. he lay shirtless on his side, facing away from the door, clutching a pillow in his arms.
the girl peels back his sheets and slowly slips into bed, resting her head on the soft pillow. she stays there for a moment before scooting closer and laying her face against his back. he’s so warm, and his skin smells safe. her eyes fall shut. she feels him shift.
carmen wakes up unexpectedly to the feeling of warmth behind him. he knows it’s her without having to look. when she had noisily stumbled upstairs and into the shower, he went to go check on her—almost knocked on the bathroom door, but refrained once he heard soft cries from within.
he feels her face nuzzle into his back, and he reaches his arm back behind him, wanting to feel where she lay. he touches her hip.
“hi,” she greets softly.
“hey,” he returns, voice raspy, “y’can’t sleep?”
she scoots closer to him, hand splaying over his back.
“just a little… freaked out still…” she whispers. her tone wobbles.
he shifts at this, and turns around to face her silently. in the low light she can make out the worried furrow of his brows.
she feels guilty for being the subject of his worry.
“i’m sorry,” the girl confesses, biting back tears.
carmen’s brows crease further at her apology, immediately wrapping an arm around her and pulling her into his chest. she tucks her face into his neck, shutting her eyes tightly, smelling his skin.
“y’got nothing to be sorry for,” he plants a kiss atop her head, “wasn’t your fault.”
“it was my fault,” her voice breaks, “should’ve listened to you,” her arms come around his neck, and she presses her body flush with his.
“it wasn’t,” he asserts, “that guy was a fuckin’ creep.” his tone is hushed. his arms wrap around her as if he’s scared of losing her.
“are you still mad at me?” she asks. her breath tickles his neck.
“i wasn’t mad,” he admits, “just scared.”
“me too,” matching his hushed tone. “thank you carm,” she whispers, pressing a kiss below his ear, “feel so safe with you.” she shuffles closer, pelvis pressing against his.
“you are,” he buries his nose in her hair, “always.” hiking her leg over his hip to bring her closer.
the girl kisses his neck again. and again. pulls him in closer. his smell is completely addicting, and with the angle of her leg she can feel his erection growing against her core. she hopes he can’t feel the wetness that begins to form beneath her shorts.
his big palm spreads over her ass and squeezes, desperate to hold every inch of her.
the girl deeply exhales, bothered by how easily he’s able to rouse her.
the man harshly exhales at the repeated feeling of her bites and licks and kisses, holding onto her with an urgent desperation. trying to wrap around her as if he were keeping her from the world.
the room becomes hot, and the two shuffle the duvet off.
carmen calls her name, trying to break her attention. he wants to apologize. wants to confess his shortcomings. wants to look in her big eyes and tell her he’s not enough and never will be. but she ignores his beckon and continues enthusiastically biting and sucking and kissing, hand pressing against his chest.
he forces his eyes to stay open, weight of his bottled apology heavy on his tongue.
“hey,” he tries again, voice strained from the pleasure.
“can you put it in?” she breathes into his neck.
“fuck,” he groans, surprised by her forward request, feeling himself pulse against her wetness.
“please,” she whines, hiking her leg further up onto his hip, trailing her kisses along his jaw, up to his cheek.
he squeezes her ass again, fingers slipping under the fabric of her tiny shorts. her skin was so soft. so hot with arousal.
“let me play with you,” he strains, “get you ready f’me.”
the girl makes a sound of protest, kissing his face more, hand coming to his neck.
“m’ready,” she whispers earnestly “wanna feel you so bad,” another kiss, “please, carm.”
he lets out a strained breath and removes his hand from her ass, shoving his boxers down just enough to free his erection. she moves her thigh higher up his hip, and carmen slips his fingers beneath the fabric covering her core, hastily pulling it to the side.
“yeah,” she exhales desperately, edge of her lips touching his, trying to watch him press his cock into her opening.
carmen pushes forward, sinking into her tightness. he lets out a groan at the way her wet heat engulfs him. the girl releases a sound of appreciation, her nails indenting the skin of his shoulder.
he takes a deep breath and begins slowly rocking his hips, turning his face to catch her lips in a hungry kiss. he greedily swallows her sweet noises, catching the edge of her shirt and bunching it up over her chest, exposing her breasts.
“please,” she breaks the kiss to plead, not really even knowing what she was asking for.
“i know, baby” he groans in between kisses, “gonna take care of you.” rolling his hips, hiking her leg further up his hip to bury himself to the hilt.
she wants to cry at how good it feels, eyes scrunched shut and mouth falling open in pleasure, releasing her first breathy moan.
carmy swears he could cum at the sound of it, hand grabbing her ass again, pulling her impossibly closer. his forehead comes to hers and he begins slowly thrusting into her, completely drunk off of her. her smell, her wetness, her whimpers.
“y’so fuckin’ cute,” he growls, “can’t get enough of you.” his admission sends a fluttering sensation throughout her chest, arching further into his touch, beginning to hungrily rock her hips to try and match his thrusts.
the man grabs her hip, holding her still.
“slow down,” he commands softly, catching her lips in a deep kiss, continuing to gently thrust into her.
she complies, savoring the sweet, lazy rocking motion as he holds her tightly. it feels far more intimate than what she’s ever experienced with him, even though the two weren’t even fully naked. it was needy and frenetic, yet slow and gentle.
carmen buries himself deeper, beginning to thrust up into her at an angle. he kisses her with frenzy, tongue swirling around hers, swallowing each and every noise she makes. the room grows incredibly hot, their skin sticky, each trying to apologize to the other using their bodies.
carmy snaps his hips forward, and the girl releases from his lips with a loud cry. her nails dig into his shoulder. it’s so good she feels like crying again.
“y’such a pretty fuckin’ girl,” he growls, “love how you feel, y’know that?”
her droopy eyes meet his. she loves the way it sounds from his mouth. loves everything he does.
“i’m all yours carm,” she gasps, savoring the deep, satiating feeling of his thick cock.
“yeah?” he asks breathily, “all mine?” grabbing her ass, pulling her in time with his thrusts.
“y-yeah,” she cries, eyes tightly shut, “yours. i love-ah,” she’s interrupted by a punctuated thrust, losing her words, head falling back, breathing heavily. he feels so good.
“what d’you love?” he asks, leaning forward to kiss her exposed neck, “huh?”
“love y-how you make me feel,” she cries.
his chest flutters. he bites and kisses the skin of her neck. he wishes she would’ve said something different.
“what else, hm?” a kiss, thrusts speeding up, “what else d’you love?”
“love-fuck, right there,” she whimpers, “i love-ah,” trailing off as if she can’t even think straight.
carmy smiles into her neck, giving her skin a final bruise before pulling away to catch her lips.
“tell me,” he growls, grabbing the side of her thigh and continuing to upwards.
her eyes fill with tears. she’s scared to say it.
“i-,” an gasp, “i love you, carm.” she catches his gaze as she says it, and watches how his expression softens. how deeply he looks at her. the man dives into her lips again, kissing her with a ferocity she had yet to ever receive, groaning into her mouth.
“fuckin’ made for me,” he growls in between kisses, “love everything about you,” pulling her leg further up, “perfect fuckin’ girl.”
he rolls over her and lifts her hips up, continuing to thrust into her.
the girl wraps her legs around his back accommodatingly, dizzy from his words and the pleasure. she slips her fingers down to circle her swollen clit, feeling as if she teters right on the edge of climax, overcome with a white hot pleasure.
“love you,” she cries, nails scratching down his back, “iloveyouiloveyouiloveyou m’gonna cum” she babbles. he smiles down at her, almost overwhelmed by a feral need to claim her.
the man deliberates throwing caution to the wind and cumming inside of her. he knows she wouldn’t mind. he rationalizes the logistics of making her a mom in his frenetic state, drinking in the sight of her flushed cheeks, her wet eyes, her open mouth. he decides he’s in love with her. decides he wants her to be his forever. he watches her cum. watches her eyes roll back and her body start shaking. listens to the sweet harmonic moans that spill from her lips.
“there y’go,” he coaxes, “such a good girl,” kissing her swollen lips, “fuckin’ in love with you,” heightening the pace of his thrusts, feeling himself approach the brink of orgasm. he seriously considers cumming inside of her, telling himself he would if she asked. he looks at the girl for confirmation, but she’s too far gone. he begrudgingly pulls out, shooting thick ropes of cum onto her stomach with a groan, missing her warmth as soon as he leaves.
carmy rolls off of her, grabbing her face and pressing a firm kiss onto her cheek, collapsing on the bed for a moment. he feels spent.
the girl pants, trying to catch her breath. carmen nuzzles into her neck, wrapping around her tightly, kissing her tenderly. they bask in the afterglow, cherishing the presence of each other, an encompassing silence following the heavy words exchanged.
she’s the first to speak. well, complain.
“there’s….cum all over my stomach.” she rasps. he smiles into her neck.
“shower?”
quiet, for a moment.
“i can’t move.”
he kisses her bruised skin with a lazy smirk and sits up to grab her a washcloth.
-
when the girl wakes up alone the next morning, her heart drops a bit, finding the bed next to her empty once again. she shuts her eyes immediately, hoping to be swept away by sleep so she could postpone the disappointment.
that is, until she hears noises from the kitchen downstairs. and smells the bacon.
the girl groggily pushes herself up out of bed, stalking down the hallway. she gets halfway to the stairs before realizing she’s completely naked, stopping in her tracks, turning to carmy’s open door, eyes falling on a t-shirt on the ground. she quickly grabs it and slips it over her head, then continues to curiously make her way downstairs. soft music comes from the speaker in the kitchen, and she slowly descends the stairs to find carmy deftly working over the stove. the whole house smells incredible.
she slips behind him to get to the coffee pot, sliding her hand along his back as she passes.
the man turns his head.
“hey,” he watches as she retrieves a mug from the cabinet, graciously taking in the sight of her wearing his shirt.
“good morning,” she smiles, “smells so good in here.”
as she stretches to get the mug, the hem of the shirt lifts ever so slightly over the curve of her ass. he clears his throat.
“nice shirt,” carmy says, turning back to tend to the bacon.
she lets out a soft giggle, pouring her coffee.
“yeah?” taking a sip and leaning against the counter, “figured it would be better than coming down naked.”
his brain stutters for a moment. he turns to catch the smirk on her face.
“i, uh…. i dunno about that,” he responds, small smile on his face. she shoves his arm playfully and he breaks into a grin.
“no work this morning?” she asks, grateful for the unusual saturday morning presence.
“no, i, uh…m’taking a personal day,” he replies, turning the heat of the stove off, “had some stuff i needed to get done.”
“good,” she replies with a nod, “you deserve a day off. i didn’t take you for much of a breakfast guy, though” she comments, tilting her head slightly.
“i’m not, really,” he plates the bacon over a paper towel, “but i, uh…thought some all american might help with your hangover.”
she feels a pang in her chest, eyes glancing over the assortment of pancakes, eggs, hash browns, and bacon. everything she had told him last night.
“carm,” she whines, “that is so kind. you didn’t have to all of this for me.”
the food looked delectable, plated beautifully and piping hot.
“i wanted to.” he begins to pick up the plates.
she puts her coffee down and helps him set the table.
when she takes the first bite of her bacon and eggs she practically moans at the taste.
“fuck,” she locks eyes with him.
“yeah?” he watches her with amusement.
“yeah,” she breathes, nodding, “that’s…wow.”
he can’t help but grin, hand coming to rub over his face.
“good?”
“yeah.” she nods, “really fucking good.”
he feels his skin heat at the way she says it, having no idea why watching her enjoy his food was so deeply satisfying (and maybe just a little arousing).
“try the pancakes,” he tells her, pushing the syrup closer to her. she nods enthusiastically, slathering the pancakes the maple syrup and taking a big bite.
the girl groans, and her head falls into her hand, savoring the taste. she doesn’t think she’s ever had pancakes so good.
“i could kiss you right now,” she looks back up at him. he lets out a breath of amusement and his cheeks warm with her praise.
“i’m glad you like it.”
“no, seriously, i’m…going to kiss you.” she tells him, putting a hand on the table and leaning over it. she grabs his shirt and pulls him in, kissing him firmly.
the man lets out a soft groan of surprise, enthusiastically reciprocating. she tastes like maple syrup.
when the girl pulls back, he grabs her face and pulls her back in, wanting another sweet taste. it’s better than any pancakes he’s ever made.
carmen loosens his grip on her face and she slowly pulls away, pressing a last kiss to his lips before sitting back down. she gives him a mischievous smile and continues eating her breakfast.
-
“go sit down,” she tells him, taking the pan from him, “you already cooked, let me clean up.”
“we can do it together,” he compromises, “it’ll be faster.”
she shakes her head, making a pile of dishes in the sink and turning on the hot water.
“no. go sit down and relax,” she demands, beginning to scrub.
she feels arms wrap around her waist, feels lips on her neck.
“so bossy,” he chides in between kisses, pressing his hips against her backside. she lets out a slow breath, leaning into his touch. her eyes flutter as she feels his hand creep under her shirt, splaying over her stomach. she’s not wearing anything besides his oversized shirt, and her skin suddenly feels hot from his touch. she arches into him slightly, and he bites her neck.
it feels very domestic, fighting over who would clean up the kitchen. it feels domestic wearing his shirt and being pressed up against the counter by him, skin littered with his bruises, lips intertwined with his name.
carmy begins to lift the borrowed shirt up, kisses trailing up to her ear, hand coming to squeeze her breast.
the girl releases a soft noise, completely distracted by her task of washing dishes. her head falls back against his shoulder, and she leans into his touch.
carmen thinks of telling her to strip the shirt off. thinks of hoisting her up onto the counter and eating her out until she cums. touching her until she cries.
he pushes the shirt up further.
knock knock knock
they both startle and look to the front door. carmen checks the time, and his heart drops a bit.
he pulls away from the girl and runs a hand through his curls.
“who is it?” she asks him, observing his look of stress.
“it’s, uh….fuck. just wait right here, okay?” his hands fall from his hips and he stalks to the closet by the front door, pulling out a scarf she doesn’t recognize.
he opens the door halfway, and she hears a familiar woman’s voice greeting him.
her face gets hot. her chest feels tight.
“claire,” he greets quietly, thrusting the scarf forward, “here.”
“ugh, thank you, carmy. i’m so forgetful sometimes.”
“no problem. i should, uh-”
“it smells good in there,” claire comments, peaking in.
carmen steps back, eyes darting over to his roommate. she stands with her arms crossed, leaning against the counter, staring at him.
“i’m uh…cooking breakfast,” he turns back to claire, “so i should probably get back to that. i’ll see yo-”
“-i was thinking we could talk?” she cuts him off, “can i come in?”
“i don’t know if that’s…,” carmen hesitates. he glances to his roommate to find her walking behind him towards the stairs.
claire’s eyes follow the girl, taking in her attire. carmy watches her expression slightly falter.
his roommate stalks up the stairs. was walking behind him in plain sight a little petty? maybe. but she’s sick of carmy never saying exactly what he means. she undoes the hair tie holding together her messy updo, walking to her room.
she quickly grabs a change of clothes and rushes into to the bathroom to shower, feeling the overwhelming need to leave the apartment.
the front door slams shut, and she hears his steps ascend the stairs.
#carmen berzatto x reader#carmy x reader#carmy berzatto#carmy berzatto x reader#carmy berzatto smut#carmy berzatto imagine#the bear imagine
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i love when Astarion is mean, and i mean like genuinely mean, saying shitty things and lashing out specifically to hurt someone or push them away. i think it really says so much about him and about the specific situations when he feels the need to lash out. i love seeing it with Durge/Tav, but i'm playing a Karlach origin to romance him right now and he's so mean during his first romance scene when he can't even kiss Karlach.
after playing it, i went to look at the parsed dialogue for that scene because i wanted to see if there were any dev notes, and oh boy are there dev notes. walk with me here while i go through them all. (i didn't add alt text to the images below, but i did transcribe the lines i'm referencing in the images below, so all the important information is in the text of the post itself.)
it's the typical Astarion scene, but after his "i've been waiting to taste you" line, he diverges with: "Although your condition means tasting you could be a risky proposition. You're quite the forbidden fruit, aren't you?"
the player (as Karlach) has a few choices in reply at that point, but as long as they pick one that progresses the scene (i.e., not the one where you reject him last minute), he goes down the same dialogue tree. this tree starts with:
Astarion: All denied to us because of what Zariel did to you. [devnote: subtext, thinking about Cazador]
so right off the bat he's upset because Karlach's situation is reminding him of his own with Cazador.
but then his next line is:
Astarion: I - you know, I have no idea what to do with you now. [devnote: Astarion's mask as the flippant libertine is cracking a bit here. He's frustrated but vulnerable here. Because he can't physically seduce or touch Karlach, his usual means of interacting with a person is punctured. He's faced with the reality that he might not know how to handle a situation where he can't bite or seduce his way to the finish line.]
wow. that's a lot in that dev note.
at this point, the player has the option of a few responses, but two options to continue the encounter. the choices to continue it are: "You don't have to 'do' anything. We can just be." or "After the life you've led, I'm not surprised."
if you choose the first option, Astarion is frustrated but less mean. he says:
Astarion: 'Just be' what, exactly? Frustrated? Bored? What do we do, if not... that?
if you choose the second option, he's a little meaner. understandably so, since the player just poked at his painful past:
Astarion: You think you know the life I've led? The experiences I've had? You've no idea the stories I could tell, sweet Karlach. But you - you're just -
then, both the paths converge to the same final statement, which is mean no matter what Karlach has said to this point:
Astarion: Urgh! Why is this so difficult? I'd have already bedded you twice if you were normal.
importantly, there are dev notes for all of his lines here, but the notes are all the same:
devnote: Masking defensiveness with offensiveness. In truth he really does want what Karlach is offering (to just hang out without having sex) but now that it's within grasp he's floundering.
again, at this point the player has two choices to continue the encounter, and one to end it. i'll go down each continue path separately, since they can diverge quite a bit.
path 1
the first choice is to say: "Twice in this short space of time? Doesn't sound very satisfying."
he gets mad. and mean.
Astarion: Karlach! You know what I mean. [devnote: Frustrated] Astarion: Or maybe you don't. Astarion: There may be an inferno in you, Karlach, but at the end of the day you've been frigid for a decade, isn't that right? [devnote: Being mean-spirited in an attempt to drive Karlach away, even though he doesn't actually want to do that.]
the player again has two response options to continue the encounter, and one to end it.
the first choice to continue the encounter is: "You want to try that again? Without being a jackass, maybe?"
in response he says:
Astarion: This is impossible - you're impossible! [devnote: Masking defensiveness with offensiveness. In truth he really does want what Karlach is offering (to just hang out without having sex) but now that it's within grasp he's floundering.]
(at this point, the path diverts to merge with the dialogue tree from the previous branch where Astarion complains about Karlach not being normal. so we'll pause here, and continue down that dialogue tree with the path 2 header below.)
the second choice to continue the encounter after Astarion says that Karlach has been frigid for a decade is to say: "What's really going on here, Astarion? Suddenly you're so vicious."
he replies:
Astarion: Suddenly? Darling, you haven't been paying attention. [devnote: Seething and mean.] Astarion: Listen, it's just - ... I'm sorry, all right? Is that what you want?
again, at this point, he diverts to the same shared dialogue tree as the other response option. that merges with path 2, so we'll continue there:
path 2
to go BACK to the previous branch we went down, where Astarion said he would have bedded Karlach twice already if she was just normal, the other response option for the player is: "I am normal. 'Fucked up' is the height of normalcy."
instead of being mean, Astarion immediately apologizes:
Astarion: Oh no - don't you tar me with your 'normal' brush. My demons keep me extraordinary. [devnote: Karlach has punctured Astarion's bad mood with a joke.]
and then he apologizes, like he does in the other paths, saying he doesn't know what to do without being able to touch her.
Astarion: I - ...I'm sorry, Karlach. It's just, not being able to touch you - having to slow down, it's... I'm just not used to it. [devnote: subtext here is on the slowing down. That IS what he wants. But it's hard for him to see that clearly.]
Astarion: So, can you -... I don't know. Help? Show me what to do? [devnote: First breakthrough. He's asking for help knowing what to do when you can't jump into bed with someone.]
again, at this point, the player has two options to continue the encounter or one to end it.
for the first response to continue, the player can say: "We can just talk. As long as we want. Then we can sleep. Near, but not too near."
Astarion responds to this one pretty positively. he's still a little mean, but it's in his fond teasing way, and not his biting, cruel way:
Astarion: Karlach, champion of the Hells, wants to talk and then fall asleep? [devnote: Incredulous] My dear, you're much more boring than I gave you credit for. [devnote: Teasing] All right, Karlach. Let's try it your way. [devnote: Gently. He's feeling vulnerable, but sees that this might be a chance to feel safe.]
the second response option from the player is: "I don't know either. This is all just as new for me as it is for you."
he doesn't respond quite as well to this one, and goes back to being mean:
Astarion: Well. To quote you: 'Fuck.' Astarion: Why don't we put ourselves out of this misery and just sleep? If I can at least look at you, I won't have wasted my whole evening. [devnote: Peak of Astarion sexy toxicity.]
then, the scene fades to black and it transitions to the morning-after scene with Astarion, where the player first sees his scars.
i also think as a whole, this scene is just so representative of Astarion's early-game state of mind. he's following a comfortable script with all his interactions, but when he's confronted with something new, he flounders.
especially when it comes to sex, which is a touchy subject for him, his first reaction to any vulnerability is to lash out and hurt people. in this scene:
if Karlach brings up his past experiences, he lashes out. ("You think you know the life I've led?")
he blames Karlach for the situation because that's easier than addressing that he doesn't know what to do without his script. ("if you were normal")
if Karlach jokes about him ("Doesn't sound very satisfying") he lashes out even further, calling her frigid and impossible and then even doubling down if she calls him out ("you haven't been paying attention").
but if Karlach jokes about HERSELF ("'Fucked up' is the height of normalcy"), it snaps him out of his toxic bullshit and he's able to take a step back and apologize to her.
then regardless, he's also able to recognize that this is an opportunity to get what he wants without having sex, and recognize that he wants that too.
and then to me, Astarion being mean in that last response choice ("I don't know either") makes perfect sense, given the context of his other lashing out earlier in the conversation. even if the player didn't make those previous choices where he lashed out at them, he can still get mean and toxic on this choice.
crucially, with this choice, he's taken that step of hopeful vulnerability where he recognizes that maybe he does want to just spend time with Karlach without having sex, but he doesn't know how to do it. he asks for help.
if the player says they don't know how to do that either, he immediately puts those defensive walls back up. he doesn't want to flounder around, he wants an answer. he wants to know that it's actually possible to have a positive experience with someone without the script he's always used. the player saying they don't have that answer just pisses him off.
wow okay this post got really long, but i really vibed with the dev notes for this scene, and i think you can see exactly these toxic behaviors from Astarion in other scenes and in romances with other characters as well, but it's just so so clear with the Karlach scene and the dev notes just really highlight that.
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This is going to be very ranty and disjointed, probably borderline incomprehensible post, but with the "return" of Dragon Age Discourse (and really, did it ever go anywhere?) and me repeatedly seeing the complaints and dismissals of DA:I as a "chosen one"-type of a narrative, I just.... I keep finding myself thinking about the relationship of truth and lies within the game.
Throughout the course of DA:I, the idea of a malleable, flexible personal identity, and a painful confrontation with an uncomfortable truth replacing a soothing falsehood, follows pretty much every character throughout their respective arcs.
There are some more obvious ones, Solas, Blackwall, The Iron Bull, their identities and deceptions (of both those around them and themselves) are clearly front and center in the stories told about them, but this theme of deception (both of the self- and the outside world) is clearly present in the stories of the others as well.
Like, for example, ones that come immediately to mind are stories like that of Cullen, who presents an image of a composed and disciplined military man, a commander- all to hide the desperate and traumatized addict that he sees himself as.
Dorian grappled with the expectations of presenting the image of the perfect heir to his father's legacy, the prideful scion of his house, his entire life (he even introduces himself as the result of "careful breeding", like one might speak about a prized horse)- all while knowing that his family would rather see him lobotomized and obedient, than anything even just resembling his vibrant and passionate self.
Cassandra calls herself a Seeker of Truth, and takes pride in that identity- only to learn that in reality, she has been made a liar, a keeper of secrets, without her knowledge or consent, and it is up to her to either uproot the entire organization and painfully cut out the abscess it is to build it back from the ground up into something respectable, or let the information she had revealed sit, and continue to fester.
And this theme continues and reframes itself in, among others, things like Sera's own inner conflict between her elven heritage and her human upbringing, or in Cole being caught in this unconscionable space in-between human and spirit, between person and concept, etc.
The Inquisitor isn't exempt from this either.
I feel like this is where the core of the many misunderstandings of this plot come from, why so many people continue to believe that Inquisition is a "chosen one" or "divinely appointed" type of story, because I think many might just... not realize, that the protagonist's identity is also malleable, and what they are told in the setup/first act of the game is not necessarily the truth.
The tale of the Inquisitor is the exact opposite of that of a "chosen one" story: it's an examination and reflection of the trope, in that it is the story of an assumption that all wrongly believe to be the truth, and thrust upon you, even if you protest. The very point is that no matter who you choose to say that you are, you will be known as the Herald of a prophet you don't even necessarily believe in, and then that belief will be proven wrong, leaving you to cope with either a devastating disappointment if you believed it, or a bitter kind of vindication if you didn't.
There's a moment just after Here Lies the Abyss (when you learn of the lie you've been fed your entire journey in the game) that I don't often see mentioned, but I think it's one of the most emotionally impactful character moments, if you are playing an Andrastian Inquisitor who had actually believed themselves chosen (which I realize is a rather unpopular pick, lol): it's when Ser Ruth, a Grey Warden, realizes what she had done and is horrified by her own deeds, and turns herself in asking to be tried for the murder of another of her order. As far as she is concerned, she had spilled blood for power, and regardless of whether she was acting of her own volition at the time, whether she had agency in the moment, is irrelevant to her: she seeks no absolution, but willingly submits to any punishment you see fit.
And only if you play as an Inquisitor who, through prior dialogue choices, had established themselves as a devout Andrastian, can you offer her forgiveness, for a deed that was objectively not her fault- not really.
You can, in Andraste's name, forgive her- even though you, at that point, know that you have no real right to do so. That you're not Andraste's Herald, that Andraste may or may not even exist, and that you can't grant anyone "divine forgiveness", because you, yourself, don't have a drop of divinity within you. You know that you were no more than an unlucky idiot who stumbled their way into meddling with forces beyond their ken.
You know you're a fraud. You know. The game forces you to realize, as it slowly drip-drip-drips the memories knocked loose by the blast back into your head, that what all have been telling you that you are up to this point, is false. And yet, you can still choose to keep up the lie, and tell this woman who stands in front of you with blood on her hands and tears in her eyes, that you, with authority you don't have, grant her forgiveness for a crime that wasn't hers to commit.
Because it's the right thing to do. Because to lie to Ser Ruth is far kinder than anything else you could possibly do to her, short of refusing to make a decision altogether.
There are any number of criticisms of this game that I can accept (I may or may not agree depending on what it is, but I'm from the school of thought that any interpretation can be equally valid as long as there's text that supports it, and no text that contradicts it), but I will always continue to uphold that the Inquisitor is absolutely not- and never was a "chosen one".
They're just as small, and sad, and lost, as all the other protagonists- the only difference is that they didn't need to fight for their mantle, because instead of a symbol of honor, it acted as a straitjacket.
#squirrel plays dragon age#dragon age#dragon age: inquisition#idk i'm just musing#talking basically to myself here i know#ignore me lol i'm just in my feelings about this game#i might tack onto this the like. 3k word jumble of circular arguments i have written down somewhere#about the moral responsibility and culpability of the vampire spawn in bg3#because i have a lot of thoughts about that too#or the couple hundred words i have in my back pocket about dragon age's unique treatment of godhood and divinity in general
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ᡣ𐭩 ICARIAN
FEATURING: beast dazai osamu
SUMMARY: dazai had known he was flying too close to the sun, he should have stopped himself while he still had the chance. {wordcount: 11.5k; fem!reader, romance & tragedy}
AUTHOR'S NOTES: installment fiveeeee otherwise known as part 2 of installment four LOL! ugh guys i'm dragging myself thru the trenches right now i'm so miserable - i wasn't even up to posting this today i won't lie but </3 i pulled thru </3 if only barely. fun fact this is actually only a 3 scene chapter but the second scene is just MASSIVE. i wasn't up to restructuring so you guys are just going to get it as it is. this is also unedited because i just wasn't up to it so bear with me regarding mistakes. JUST TO REMIND YOU ALL: the last installment is DELAYED - i have 3 finals next week and haven't had the time to finish it. it will be up by the end of may </3 sorry guys. wow this actually is attempt number three trying to post this correctly - i'm so shot
IMPORTANT NOTE FOR 17 & UNDER FOLLOWING THE SERIES: partially copy and pasted from badlands - if you guys read badlands, you know the deal. y'all knew what you were getting into. this is the smut chapter. but again, i'm not going to ask y'all to not interact/read a whole 12k chapter just because there's 4k words of smut, but i am going to say here the smut is in the SECOND scene. there is very little plot development in the smut itself, so i ask you guys, again, to respectfully scroll past it. i'll make the sentence when the smut starts red like this so you know that's when it starts, and then you can continue reading at the next divider. thank you for understanding! there is NO plot development in the smut, i'll reiterate that at the end where i put the summary in badlands, i restructured to make sure none of it was in it.
SMUT WARNINGS: unprotected sex, dazai cries </3 poor baby, sub!dazai, as always pussy drunk!dazai, bit of overstim on dazai's part too, jfhsuhdfsu i will say it starts on the bathroom floor so that might be a bit gross to some of you but dazai hardly even uses his apartment anyway so trust it's clean. bear with me. it just flowed from there i had to go with it. the story writes itself, i'm only the scribe. LOL let me know if i missed anything, i might have
SEE: UNREAL UNEARTH SERIES MASTERLIST READ: BADLANDS SIDE A
Dazai is hardly listening to the conversation at hand. They’ve been going back and forth for thirty minutes about inconsequential matters. Tolstoy is getting increasingly heated as he goes tit-for-tat with Nabokov, evidently the tripartite alliance between the Russian mafias is not quite enough to quell all of the bad blood that’s simmered between them, but something about the situation isn’t sitting right to Dazai. He can feel it in his gut, swirling in the depths of his chest—something is wrong but he doesn’t know what.
Mishima looks equally put out, gaze trained on Tolstoy and Nabokov’s conversation, occasionally looking back at his executives. Cao seems bored, head tilted back against the red cushions of the round booth as he smokes a cigarette; in all regards, he seems relaxed, but Dazai notices the way the fingers of his free hand are tense on the table, as if he’s bracing himself for something.
Something isn’t right.
Dostoevsky is cunning. Intelligent. He’s been lethally sharp in every universe that the other Dazais have encountered him in. He wouldn’t send Tolstoy and Nabokov into this meeting with them at each other’s throats like this without an ulterior reason. Dazai is missing something critical; he knows it’s not something as simple as wanting to give off the appearance of a divided front as means to get Dazai and Mishima to lower their guard. Nothing is that easy. There’s some ulterior motive that Dazai has to figure out.
Cao’s presence. Tolstoy and Nabokov’s blatant hostility toward one another. Mishima’s words from earlier, warning him that something seems to be brewing, that Tolstoy and Nabokov had been on edge since he arrived at the event hall. Dazai’s head hurts, and he can’t focus, not when you’re in the other room without him.
Already, he feels as if he’s been separated from you for too long, he’d been hoping this meeting was only going to last thirty minutes at most, and it’s been thirty minutes already and hardly any progress has been made. If Dazai didn’t know any better, he’d think that…
He’d think that Tolstoy and Nabokov were stalling.
At once, Dazai starts catching onto the things that he missed. The way Nabokov keeps glancing up at the clock on the wall above Cao. The way Tolstoy’s gaze keeps flickering to his phone. The way Cao’s attention seems to be elsewhere.
Cao Xueqin. A Dream of Red Mansions. A scrying ability.
His heartbeat slows and Dazai blinks. Once. Twice. Blood roars in his ears as his gaze twists down to where his phone is laying on the table in front of him, on its face. Tachihara should have texted him to let him know that he got to you. Him or Chuuya. He usually reports to Chuuya anyway, so Dazai figured that Chuuya would’ve gotten the confirmation. He turns his head to the side to look at the executive from the corner of his eye, trying to keep his breath as slow and steady and natural as possible when he realizes that Chuuya is frowning with furrowed brows, looking at his phone. Unsure.
Dazia reaches for his own phone, fingers deceptively steady despite the way his insides are curdling with a sudden jolt of anxiety. His eyes zero in on the top right corner of his phone. No signal. Dazai has been to this event hall countless times in this life and dozens of others—there’s always service throughout the building.
Unless it’s being jammed, that is.
Dazai’s blood runs cold, gaze dragging from his phone to the door that leads to the hallway connecting to the event hall where you are. He feels as if he’s been doused with icy water and lit on fire all at once. For a second, he doesn’t move—he’s not sure if it’s anxiety or fear, or both, but he knows it’s because you’re out there and Dostoevsky is plotting something while trying to keep him out of the picture in this meeting.
He should have known better. Mishima had assumed that Dostoevsky wasn’t in the building—he had his three best scouts prowling the whole building trying to place the real leader of the tripartite but had failed. Nabokov had apparently told him that Dostoevsky had to stay back to handle residual business in Russia, a blatant lie, one that has had Mishima on edge all night.
The one with the overcoat. The clown.
Dazai stills as he remembers the white haired man who hung around Dostoevsky in some of the other universes. Not all of the other Dazais encountered him—in fact, Dazai thinks there were only half a dozen other universes where he met the man, he can hardly remember his name, but when he did…
Spatial linking. Of course Mishima’s men hadn’t been able to hunt down Dostoevsky. Dostoevsky would’ve predicted that the Sun and Steel would seek out the mastermind with their scouts. He used the clown to enter the building without anyone knowing after the scouts finished their hunt.
Dazai had missed a critical piece on the board.
Dazai rises to his feet abruptly, mind numb, eyes distant, and lips parted to speak but no words escape them. Tolstoy and Nabokov exchange a sharp, pointed look, pausing in their hostilities, and Dazai knows. He knows.
Dostoevsky is going after you.
He hears Chuuya and Kouyou calling after him but it sounds like a distant buzz. His throat feels clogged, his heartbeat is erratic and uncontrollable, his ears are ringing. His surroundings are blurry, a part of him doesn’t even know where he is: the event hall, your apartment, in the cafe below the Armed Detective Agency, it’s all blurring together.
This is it.
His vision swims and his head spins. The hallway seems impossibly long, much longer than it was to walk to the room. He can hear Chuuya spitting curses, scrambling out of the room, and he’s sure that his other executives and the other mafiosos aren’t far behind, but Dazai’s mind is on a single track. He doesn’t know how fast he’s moving—fast enough that Chuuya is chasing after him but can’t catch him. Something is heavy and cool in his hand—his gun—numb fingers moving to click the safety off.
This is it.
He might enter that hall and find you dead, slumped over the bar he’d last seen you sitting at, blood splattered across your face. Limp, cold. Just like you were on your bedroom floor. In the booth at the cafe. He’s pulling you from the water. He’s screaming for Yosano when he’s with the Agency. He’s screaming for Mori when he’s with the Mafia. Sometimes he’s alone, and he has no one to call for help, so all he can do is hold you and cry.
It’s his fault. He knew this would happen from the beginning. He knew that being with you would lead you to the same fate that you’ve met in every other universe because of him. He knew that being with you would be your death sentence, but he couldn’t stop himself.
His vision swims again, the red and gold patterns on the walls of the event hall are indistinct blobs, he feels someone try to grab his wrist—Chuuya, probably—but Dazai rips himself free and pushes himself into the event hall.
He ignores the eyes on him and the way people all instinctively move away from the sight of him with his gun out, he’s sure he must look deranged but he’s hardly even keeping himself grounded to this reality. Pages pile around him, every single one has variations of the same scene that’s haunted him for almost eight years written on it; one is being written before his eyes, he can see the words appearing on the blank sheet. He needs to find you before it’s complete. He has to stop it.
His eyes cut across the room, toward the bar he’d last seen you at, and you’re there. You’re there. It’s almost enough to make him scramble to put his gun away, cover up his steep spiral of paranoia even if you are looking right in his direction and see the gun in his hand. He can hardly come to terms with the consequences of this, how you’re seeing him right now, because his gaze tunnels right in on the person sitting next to you and his world comes to a halt.
He lifts the gun. He ignores as people shriek and scramble to the edges of the room. He ignores the look on your face as he moves closer to where you’re sitting with Fyodor Dostoevsky. He ignores the way Chuuya and Kouyou and Piano Man have all skid to a stop somewhere behind him, trying to figure out what to do. Dostoevsky’s hand is mere inches away from brushing against your body, it would only take the slightest movement and you would be dead. It would be a game of who’s faster: Dazai’s trigger finger or Dostoevsky’s ability. Dazai’s always been quick to pull the trigger but now, faced with your life on the line, when he should be at his best because of what’s at risk, he finds himself scared and unsteady.
He can’t lose you. He can’t watch it happen.
He paces toward you slowly, steadily, he swears each step he takes echoes across the suddenly silent event hall. He doesn’t stop until the muzzle of his gun is pressed against the back of Dostoevsky’s head.
“Stand up.” Dazai’s voice is deceptively cold and steady for the rage and fear that’s clawing at his chest, threatening to take control.
Dostoevsky turns his head to the side to look at Dazai, faint amusement in his eyes. “Are you sure you really want to do this here, Dazai?”
The mocking lilt his voice takes is almost enough alone for Dazai to pull the trigger. And if that wasn’t, the way Dostoevsky smiles at Dazai like he’s won is certainly enough to push him over the edge.
Before he can, he feels Chuuya grab his bicep hard.
“You can’t do this here,” he hisses quietly. “If you kill him now on neutral territory, we’ll have all of the mafias in the Eastern Hemisphere coming after you and the government on your ass. You can’t do this here and you can’t do it in public.”
Dazai doesn’t care. He doesn’t care how many mafias come after him for killing on neutral territory when invited as a guest. He doesn’t care that the government will come after him for such a blatant murder. All he cares about is getting Dostoevsky away from you.
“Chuuya is right,” Kouyou murmurs, low enough for only Dazai to overhear. “We can cover this up as is. If you pull the trigger, there’s no hiding what happened here. You know better than this, boy. You won’t be the only person this affects if you do this. Think of her. She will be implicated for coming here with you. Lower the gun and let us handle sweeping this under the rug.”
Dazai can’t even bring himself to look at you. He’s scared of what he might find. But he doesn’t even consider lowering the gun, not until Dostoevsky raises his hands and slips off the bar stool to step away from you. Even when he does, Dazai keeps it trained on him, still tempted to blow his head right off his shoulders.
“I meant no harm,” Dostoevsky says smoothly. “I was intrigued, wanted to know the girl who’s managed to capture your interest. I must say, I see the appeal. Beautiful and intelligent, you have quite the eye, Dazai.”
Dazai’s lips stretch into a smile that doesn’t reach his eyes. It’s not kind, and it’s mildly feral, and Dazai’s pretty sure he must look entirely deranged from the way Dostoevsky’s eyes widen in a mixture of surprise and entertainment, just enough to be noticeable.
“If you ever go near her again, I’ll put a bullet through your fucking skull, Dostoevsky.”
He should do it now. He should. Fuck Chuuya and Kouyou’s warnings, he should put a bullet in his head and be done with it, move onto handling Christie so that both of the major threats to your life are gone. But he can’t. If he takes this opportunity now, if he kills Dostoevsky so blatantly on neutral territory, the Pale Flame and Three Deaths will come at him in full force, and Dazai is sure the Red Chamber won’t be far behind them with Cao’s recent interest in expanding his business into Japan. And you’ll be caught in the crossfire of all of it, Dazai has ensured that by bringing you here. Dostoevsky must have accounted for all of this. He knew that Dazai would be put in a situation where either way, whether he kills him or lets him go, he’d be throwing himself onto a blade.
Is that it? Killing you wasn’t the goal, was it? Exposing Dazai was. Forcing him into this impossible decision.
Did he really just fall into Dostoevsky’s hands so easily? Even with all of the forewarning the other universes have given him?
It’s you. You always make him reckless, his mind is never as sharp whenever you’re involved, muddled with thoughts of you, plagued with spirals of paranoia and anxiety that make him double guess himself. It’s like this in every universe—he becomes stupid, he becomes rash, he becomes careless. It’s you.
You.
Suddenly very hyper aware of your eyes on him, Dazai lowers his gun, gaze turning in your direction. Dostoevsky lets out one last snide comment, something toward you, telling you ‘don’t you see’ but Dazai doesn’t even process it, heart in his throat as he looks at you. He doesn’t know what he expects—fear, betrayal, even anger. He’s not prepared for the emptiness. He can’t read a single emotion on your face, your eyes eerily void of any feeling as you stare at him.
He says your name quietly. His voice cracks. He should be embarrassed, so many people watching the scene play out, so many of his enemies and allies and subordinates, and he’s staring at you like a lost child with an unsteady voice, but he can’t bring himself to care. The fingers of his free hand are trembling, and the ones wrapped around the grip of his gun are so wound so tight that his knuckles are white.
You’ve never looked at him like this before. Not in any universe.
He thinks he might throw up.
You’ve been mad at him before, scowling at him whenever he distracts you from your work and snarling whenever he makes messes that he never cleans up, but your eyes always stay soft in spite of the venom you spit. He’s seen betrayal on your face a few times before, screaming at him through tears when he got a bit too close to a successful attempt, cursing at him for trying to leave you, but you hold him so gently that it makes up for the harsh words. You’ve been scared of him once, when he lashed out so badly during one of his slumps that he nearly hurt you, but even then, you were more concerned for him then you were scared for yourself, speaking to him softly to settle him down.
He’s never seen this. He wants it to go away. Desperately.
“I’d like to leave,” you finally say after a few moments of silence, and your voice is so vacant of emotion that it leaves him feeling even more sick.
Dazai nods, because he can’t bring himself to speak.
He holds his hand out for you, waiting for you to take it.
You don’t.
You haven’t spoken a word since the event hall, and Dazai doesn’t know what to do. He used to find peace in silence—for years, he’d become accustomed to it, isolating himself from everyone around him, keeping everyone at arm’s length. The most he ever spoke was a few sentences to give out orders to his executives; his voice had become hoarse and raspy over the years of self-imposed isolation, unused to being utilized. But the past few months with you have utterly obliterated any semblance of comfort Dazai had found in solidarity.
It’s become entirely intolerable, the silence is making him sick with anxiety; he has hundreds of lifetimes worth of memories with you and he can’t even vaguely predict what to expect from you right now. You’ve been tense and cold since leaving the event hall. Dazai tried to open up a conversation in the car once but found himself promptly ignored. Chuuya tried to say something to you but only received the same cold shoulder. Even Albatross tried to lighten the mood when the four of you got in the car, but all you did was stare out the window with your back to Dazai.
Now, you’re back up in his penthouse with him. You haven’t sat down. You’ve hardly budged from where you’re standing near the elevator—Dazai wonders if you’re scared of him now, if you want to be as close as possible to the only exit in fear of him lashing out at you. The thought makes him even more nauseous.
He doesn’t even know what to do with himself. He doesn’t want to sit down, he’s uncomfortable standing in the living room, waiting for you to say something, and he can’t bring himself to try to break the silence because if there’s one thing he learned very swiftly, it’s that he can’t handle being ignored by you. He’d prefer anger and hate to the stonewall iciness you’re giving him.
He can’t even fathom what you might be thinking right now. You’re not looking at him. You’re staring at the window that looks over the city, he can see the bright flashing lights from Cosmo World flickering faintly in your eyes. It’s so quiet that he can hear the distant honking of horns, police sirens coming from the streets below.
He just wants you to say something, do something. Yell at him. Scream at him. Hit him or punch him. Anything is better than this.
It feels like an eternity before you finally move away from the elevator. You still don’t speak, but Dazai watches raptly as you make your way into the kitchen. You fling open the cabinets, searching for something, and Dazai’s lips part to ask what you’re looking for but he decides against it. You stop with your jerky movements when you catch sight of the numerous bottles of sake Dazai has stored in his cabinets—room temperature, because Dazai can’t stand cold drinks, they make his teeth hurt. He watches you struggle to uncap it and his body itches to move toward you to help but he knows it won’t do any good. It’ll probably just piss you off more.
When you get the cap off, you’re immediately bringing it to your lips. One. Two. Three. Four large gulps before you put the bottle back down on the counter and turn to look at him. The emptiness in your eyes is gone, replaced by something caught between hurt and anger and betrayal. It makes his heart sink, but he thinks it’s preferable to the emptiness.
“You lied to me,” you finally rasp out, shaking your head as you pace behind the counter. There’s a whole length of a room separating the two of you and Dazai longs for your touch but he forces himself to stuff his hands in his pockets and keep still. “You lied to me, Dazai.”
“Osamu,” he corrects quietly without thinking, not liking the switch up. He’d finally gotten you to call him by his given name earlier in the night, he doesn’t want to lose it so quickly.
For the briefest of seconds, the hurt and betrayal in your eyes disappears and only fire rages in them. “Dazai,” you spit out pointedly.
Dazai almost draws back, not having expected that. In all of the other universes, you’ve always been gentle with him even when you’re livid. You speak his name softly, even with a tight jaw and fisted hands—his given name, you’ve never used his surname against him like this before. Probably because most of the major fights he had with you in those other lives, it was months into the relationship; it’s only been a few weeks in this life so of course-
Dazai realizes, a bit dizzy, that he’s about to lose you.
You found out too soon. You found out through Dostoevsky, through Dazai's own loss of control. You found out in the worst possible way and you found out too soon.
Dazai is about to lose you.
“Okay,” he murmurs, not wanting to test your temper anymore, giving in as a means to try to soothe your anger, regardless of how much it might wound him because being wounded is nothing compared to losing you. “Dazai.”
His compliance seems to do nothing to quell your anger from the way you just scoff and shake your head again, looking away from him. You stare out over the city, dozens of emotions cloud your expression but Dazai still can’t predict what you might do next. He feels out of his depth, in murky waters with an anchor tied to his ankle.
“I knew it, you know?” you finally say quietly. “I knew it from the beginning, honestly, but I kept making excuses for you. I mean, the guns. The secrecy. You weren’t really subtle about it. Did you think I was stupid, or something?”
“Never,” Dazai says honestly, without hesitation. He sees your gaze flicker down to the ground at his words, but you don’t make any move to speak again so he takes the opportunity to, in hopes that you’ll finally listen. “You’re the smartest woman I know. I-”
You interrupt him with a sharp laugh, it’s loud and almost cruel, and Dazai turns in on himself at the sound of it. He feels small and unsteady, like a child who’s being scolded by a parent. When you look at him again, your eyes are wide and wild, half-crazed in sheer disbelief. You don’t believe him. Of course, you don’t. It’s plainly displayed on your face. And why would you anyway? He’s given you every reason not to.
“If you think I’m so smart, why didn’t you think I would figure it out?”
He tries to say that he knew you would. That he’s been living in fear for weeks that you’d finally see him for what he is but when he opens his mouth to say it, no words leave him. Like he’s frozen in fear, ice crawling through his veins, stones weighing on his tongue; he can’t respond, and he knows that he’s only condemning himself more. He tries to force something out but he can’t even make the barest hint of a sound. The mindkiller. He’s never responded well to fear, much less when you’re involved.
You click your tongue, as if to solidify that his silence proves your point, or maybe you know what he can't bring himself to say and you just don't believe him. His stomach churns again, and dread spreads through chest when you say: “If I’m so smart, and I was going to figure it out anyway, why didn’t you just tell me?”
“You would have left.” Dazai is finally able to speak, but he speaks the wrong answer, clearly, from the way you let out another humorless, breathless laugh, eyes wide in disbelief. You look at him like he’s the most audacious man in the entire world. Maybe he is.
“Yeah, I would have,” you agree and Dazai flinches. “Without hesitation, without even looking back. And now, I can’t because you made me fall in love with you without even warning me about what I was getting myself into.”
Dazai’s heart should be leaping through the roof at your confession, but if anything, he feels even worse. His throat feels clogged and his chest feels so heavy. You’ve never regretted falling in love with him before. Not in any lifetime.
“I’m sorry,” he breathes out, because he doesn’t know what else to say. The words are still foreign on his tongue, he doesn’t think he’s ever apologized to someone in this life before the last twenty-four hours.
“No, you’re not,” you say bitterly, looking away. “Isn’t this what you wanted? For me to care so much about you that when you finally tell me who you are and what you do, I won’t be able to leave.”
Dazai stares at you, lost. He remembers how just the other day he was finding comfort in the way you could read him so easily, knowing he didn’t have to speak for you to know what he needed at the moment. He thinks he hates it now, because you’re finally reading deeper into his soul and seeing him for the sick, twisted monster he really is. Just like he feared from day one. Manipulative. Selfish. Undeserving. His fingers tremble in his pockets, nails biting into his palm so deep that he can feel blood trickling down his skin, but not even the stinging pain can distract him from the numbness spreading through him.
“I didn’t-”
“Didn’t what?” you interrupt him. “You didn’t think I’d be upset? You didn’t think I’d be angry? Or maybe you didn’t think it would happen this soon? Is that it, Dazai? You thought you’d have more time to win me over in hopes that I’d take the news in stride. News flash, Dazai, no amount of time or charm would have made me accept this easily. Accept you easily. How could I ever accept any of this?”
Nausea rises to his throat so suddenly that he almost gags. He feels dizzy, taking a step back so that his back is against the wall, keeping him steady. Your last words echo through his head over and over again, he can’t escape them. The one person who’s always accepted him in every lifetime, the only person he was ever able to find a home in—how could I ever accept you?
His cheeks feel wet, his eyes are wide as he stares at you. He doesn’t know how to respond to that. He doesn’t even think he could if he knew how to respond to that. His lungs are burning and his throat feels so swollen that even just the thought of trying to speak is painful.
You let out a sharp breath, caught between a hysterical laugh and a sob as you press your hands to either side of your neck and pace across the kitchen. “What am I supposed to do, Dazai?” you ask, voice hoarse. “What the fuck am I supposed to do?”
He thinks it might be a rhetorical question, but he still forces out: “Don’t leave me.”
You scoff again, louder and harsher this time. Dazai’s eyes flutter shut as if to futilely minimize the blow. “I wish leaving you was still an option for me.”
Oh. He’s going to throw up.
He wants to blame it on the alcohol he drank earlier in the night. He wants to blame it on the stress of the past few weeks. He wants to blame it on anything but this, even though he knows damn well that this conversation is what triggered the bile that rises to his throat. He forces himself to move, nearly tripping over his feet to get to the bathroom because he doesn’t want you to see him vomiting up his guts.
He hardly makes it to the toilet, crashing to his knees and clutching at the seat as he dry heaves. Nothing comes up—he hasn’t eaten enough the past few days to have anything solid in him, too busy with preparations—but he can’t stop gagging, eyes stinging with tears and throat burning. He doesn’t know how long he stays crumpled at the toilet, losing track of time entirely, a part of him just wants to stay there forever so he doesn’t have to go back out and face you.
Evidently, he doesn’t have to go back out and face you because you come to him.
He’s gagging again when he feels your hand brush his back, hesitantly at first and then firmly. Your touch is warm, and Dazai thinks he must look pathetic as he turns his head to the side to look at you. Your expression isn’t as harsh now, your eyes are still conflicted but your face is softer. After a moment, you take a seat on the floor next to him—you don’t say anything, but you let out a soft puff of air as you slip your arm around his shoulders once he stops heaving.
He crumbles into your chest, body collapsing against yours. You wrap your arms around him, and at once, the numbness starts to fade away. His fingers clutch at your dress desperately, afraid that you’re going to disappear, but you only hold him tighter. You bury your face in his hair, forehead pressed to the top of his head.
“You’re so unfair, Osamu.” Your voice cracks, you’ve lost all of your fire, but Dazai finds no solace in it.
“I know,” he croaks out, throat scratchy and voice wavering. “I know.”
And then words are spilling from his lips before he can stop them, jumbled and hardly intelligible and he’s not even sure that you’re understanding what he’s saying but he can’t stop himself: “I tried. I tried to stay away, I tried so hard, you don’t understand. I knew it would turn out like this, I knew I would ruin you so I tried to stay away, but I’m selfish. I’m so selfish, I’m sorry. I’m sorry, I knew better, I’m going to-you’re going to-”
The panic is returning, the words he wants to say but can’t push out are too damning: I’m going to get you killed. You’re going to die because of me. Dazai is breathing but the air isn’t getting to his lungs, his chest burns, and now even with your arms around him, the numbness is returning. It’s rapid now, spreading from his chest to his arms, down his abdomen to his legs; it’s going to consume him entirely, he can feel it, he can-
Oh.
Your lips press to his. Tilting his head back to angle his face up toward you, you lean down and press your lips against his, swallowing his words, his air, his panic. One of your hands cup his cheek while the other cradles the back of his head, Dazai can hardly kiss you back, his lips feel cold and prickly, but his eyes flutter shut as your lips move slowly and carefully against his.
Not for the first time, he thinks that he doesn’t deserve this. Especially not now. He tastes something wet and salty against his lips—he doesn’t know if you’re the one crying, or if he is, and he doesn’t want to know, so he forces himself to move. His arm feels heavy and clunky, and his fingers feel stiff, but he’s able to bring them up to your face, palms cupping your cheeks as the tips of his fingers tangle into your hair. He kisses you until his lungs are screaming for air, and even as he starts to feel lightheaded, he kisses you still, because your lips are the only thing able to push away the numbness overwhelming him.
When you break away from him, you keep your foreheads pressed together, nose nudging against his. You share the same thin sliver of air and Dazai feels dizzy, he wants to kiss you again but he doesn’t think he’s capable of moving yet, so he only stays crumbled in your arms, waiting for you to grace him with your lips again.
“I wish I still had the chance to be a better man,” Dazai says hoarsely, honestly, gaze searching yours desperately. “I would be. For you.”
Please believe me, he thinks to himself helplessly, because it’s the truth. He would try to be. For your sake. He might fail, he might be too far gone, his soul corrupted beyond salvation and his blood black beyond purification, but he would try. He would try so hard for you. But he can’t, not in this lifetime, not without risking everything he’s strove to protect since coming in contact with the Book. He has to stay the criminal, the monster, the demon so that you and Odasaku can live out your lives here. Until Dostoevsky, Christie, and any other person that could turn out to be a threat to either of you are killed, Dazai has to keep playing this role. He has to.
You don’t respond. Dazai thinks it’s because you don’t believe him and it makes him feel sick again. His lips part to repeat himself but you only press yours against his, as if to silence him.
You don’t believe him, the kiss confirms it, and his heart sinks but he can’t even bring himself to protest, to insist that it’s true. Instead, he decides if he can’t prove it through his words, he’ll prove it through his actions. Even though his limbs still feel leaden and clumsy, he forces himself into a better position, sitting up a bit more and bringing both of his hands up to cup your cheeks. He tilts your head back, leaning into you and slowly pressing you back against the floor and distantly Dazai recognizes that this is not the place for this but the thought is only fleeting, he’s too lost in the feeling of your lips against his and your body pressed to him.
And you let him ease you back against the floor. You let him tilt your head back and when his tongue darts out to swipe against your bottom lip, you part your lips for him. He doesn’t have to knock your knees apart, because you spread them just enough for him to slot his hips between them to keep your bodies flush. He wonders if you can feel how clunky his movements are—his fingers still feel heavy against your face and he can hardly hold himself up above you. He hopes he’s not crushing you with his weight, he might be, but you don’t seem to care.
He pulls back to ask if you’re okay with this but you chase his lips and he lets out a soft, muffled noise when you tug gently at his bottom lip and bring your free hand up to cup the back of his head, fingers tangling with his hair, pulling him back down to you. You drag your lips from his to slide them down his neck to the edge of his bandages. He twitches a bit at the feeling, wondering if you’re going to ask to take them off, but instead, you just trail your lips back upward, nipping at his jaw, and he shudders.
And then he finally hesitates, pulling away and not letting you chase after this time. He weighs his options in his head anxiously. He feels like he should do something, that he owes something—a lowering of a mask, a show of vulnerability, you’re entitled to at least that much after everything he’s done. Aren't you?
You give him a curious look and he tries to respond—he does, his lips part for him to speak but nothing leaves them. He swallows thickly, eyes fluttering shut as he braces himself before trying again, bringing one of his hands to yours and wrapping his fingers around it gently, lifting it from his chest to the bandages covering the left side of his face.
“Take them off,” he tells you, voice hoarse and shakier than he would have liked.
Your eyes widen, and he shudders a bit when your fingers smooth against the bandages, uncertain. “Are you sure?” you ask him softly, bringing your other hand to his opposite cheek, cupping his face in your hands again, eyes searching to make sure he means it.
Is he sure? Dazai doesn’t know. He can’t speak again as he stares down at you; a part of him is nervous, and he doesn’t even understand why. You already know who he is, what he is, but a part of him still fears that once you actually see him, something will change. And it’s ridiculous, so many other universes you’ve seen him without his bandages and you’ve never made him feel uncomfortable about it. But you’ve also never used his surname against him during an argument in the other universes, you’ve never regretted loving him, and you’ve certainly never wished you could leave him.
So, yeah, he thinks the anxiety of you removing his bandages and then seeing him in a different light might be more of a possibility in this universe than any other one. His body is more covered in scars than not, and he knows it’s not attractive; he thinks if he sees your expression shift in a negative way when the bandages come off, it might shatter him entirely.
Just the face bandages then, he bargains with himself, swallowing thickly as he forces himself to nod. You sit up from where you’re still laying back against the tiles, propping yourself on your knees to shift closer to him.
Dazai thinks his heart might be in his throat when he feels your fingers unclip the clasp holding the bandages together around the left side of his face, eyes fluttering shut as you slowly unwind them from around his head. He isn’t sure why he’s so nervous for this part—there are no scars on his face, but he still feels distinctly vulnerable, like he’s giving you a window into himself that might reveal more than he means to. He can barely breathe as he feels the last of the bandages fall to the floor, he can hear you push them to the side.
Still, he keeps his eyes shut, counting each second that passes. He’s anxious, can’t even bring himself to look at you until you cup his cheeks again.
“Look at me,” you say quietly.
Dazai does as you ask, he always does. He doesn’t know what he expects when he opens his eyes to meet your gaze; he prepares himself for the worst, for a twisted expression or thinly veiled pity, but he finds none of it. Rather, your eyes are soft and fond, tracing over his face, looking between each of his. He can feel the pads of your fingers gently brushing over his cheekbones, tracing absent patterns.
“You’re so handsome, Osamu,” you whisper, one of your hands sliding behind his head, intertwining with his hair. “Why do you wear them?”
Dazai doesn’t know how to answer that. His throat feels swollen at your words, eyes a bit misty and fingers trembling against your thighs. Instead, he breathes out, “Kiss me.”
And you do.
God, when you kiss him again, it’s so intense that it has his head spinning. He doesn’t know how long he sits there kissing you, back against the cabinets with you half in his lap. It could be a few seconds, or a few minutes, or a few hours—he has no concept of time whenever his lips are against yours. It’s only when you press your hand against his shoulder, murmuring for him to get up, that he finally pulls himself away from you.
Dazai forces himself to push up to his feet—it’s much more difficult than he thought it would be, nearly tripping over his own feet, but you follow him up to your feet, steadying him when he almost tumbles over. You bring your hand up to rest against his cheek, fingers gently toying with the edges of his hair. He leans into your touch, eyes fluttering shut for just a moment before he forces himself to look you in the eye.
“You’re so frustrating,” you say softly, but all of the fire is gone, replaced by that same soft look you’ve directed toward him—not him—hundreds of times before. “You are so frustrating, Osamu.”
His throat feels tight again, the sound of his name on your lips causing a wave of warmth to spread through him, the numbness slowly subsiding.
“I know,” he whispers, swallowing thickly, and you sigh, gaze averting to the side for a moment before you look back at him. He still can’t fathom what you might be thinking and it scares him.
But then you kiss him again, your other hand coming up to his other cheek and his hands fly to your waist, holding you close. You walk him backward, out of the bathroom and into the hallway. His back hits the wall and you press your body close to his, and this time it’s you whose tongue is darting out to brush his bottom lip, urging him to part his lips for you. He does, and he thinks he might be in heaven when he feels your tongue dip into his mouth, sliding against his tongue. His eyes flutter shut, rolling back just a bit when you trace the back of his teeth with your tongue before sucking gently on his bottom lip.
Your hands slide down from his face to his chest, over his jacket, down to his waist. Your fingers hook in his belt loops and Dazai groans as your lips ghost from his down to his jaw, breath shaky as trail slow, wet kisses to the sensitive spot behind his ear. He can hardly do anything but follow along as you guide him from where he’s been backed against the wall into his bedroom, dazed and entirely consumed by your touch. His head already feels a bit fuzzy, breath hitching as your teeth graze his pulse point, kissing down to the edge of his bandages and then across his throat.
He barely even knows where he is until he feels the back of his knees hit his bed and he topples backward until he’s laying flat on it. His chest is heaving, head dizzy and breath shaky as you straddle his waist. You don’t kiss him again and Dazai wants to drag you down for another but he can’t even bring himself to move. His body refuses to cooperate, nervous that he’s going to make the wrong move.
“Do you want this?” you finally ask after a moment, voice raspy as one of your hands squeeze his gently, as if to get his attention.
Dazai’s brows furrow a bit, lips parting to respond but for a second, no words leave them. You wait with the patience of a saint as Dazai tries to process what you’re asking and respond to it. After what feels like an eternity, he nods once. Of course, he wants it. You search his eyes as if to make sure he’s not just agreeing to agree, and once you’re satisfied, you continue you with:
“And do you trust me?” you ask softly, your gaze gentle as it searches his face for the next answer.
Dazai doesn’t hesitate this time, and he speaks as he breathes out, “With everything.”
He can’t tell what you’re thinking, but your expression is still soft and your touch is still gentle as you run your thumb over his knuckles. Dazai doesn’t think he’ll ever get used to the gentleness you show him. You lift your hand to cup his cheek and he leans into your touch, throat spasming beneath his bandages as he waits for you to say something.
“Let me take the lead then,” you say quietly, his eyes widen a bit at your words. “I want to try something.”
He watches you carefully for a moment, guarded and studying you. He thinks this might be another first, and the thought alone makes him feel a bit giddy because he can’t recall any other life where you’ve ever been the one to take the lead like this, especially the first time the two of you sleep together. You look a bit anxious the longer he goes without responding, so he nods and says, “Okay.”
He’s pliant beneath your touch as you lean down to press your lips against his; he lets out a soft, muffled noise when he feels your hips shift, unintentionally grinding down a bit on his straining cock. He’s more hesitant this time in the way his lips move against yours, unsure of what to do with himself. His fingers twitch from where they're resting on the bed, itching to grab your hips but not wanting to make the wrong move.
This has happened every time one of you tries to take the next step, either he gets interrupted or he ends up getting cold feet because he’s scared of doing the wrong thing and making you uncomfortable. And it’s ridiculous because Dazai has so many memories, he should know at least vaguely what you like and what you don’t like but he thinks having the memories are a double-edged sword because he overwhelms himself if what ifs: what if he assumes you like something and you end up not liking it in this universe, what if he does something that you only liked after the two of you have been together for a while and you’re uncomfortable with him doing it because you’re not as comfortable with him. Maybe Dazai is just overthinking it all but how can he not when you’re involved. He wants everything to be perfect for you.
“Is this okay?” you whisper, separating your lips from his just enough for him to answer your question. Your breath mingles with his and Dazai can hardly think straight; it’s hot, dizzying, there’s something so intimate about it that it makes his body fuzzy.
“Yeah,” he says, eyelashes fluttering as he looks up at you. “It’s okay.”
You kiss him again. His lips move against yours desperately, needy, he’d be embarrassed if you weren’t matching his energy, but you are. He can feel your fingers tugging at his hair, your hips grinding down against his. Every time you start to pull away, he lifts his head from where it’s laying flush against the pillows, chasing your lips.
He needs you. His hands slide from your thighs to your waist, keeping your body pressed to his. He’s needed you since the day he came in contact with the Book and learned about you, since the day he met you at the club, maybe even since the day he was born even if he hadn’t known it at the time. He thinks his entire life has led to this, to the two of you being together; your souls have been entangled since the moment you were born and he isn’t sure how he ever thought a life without you was possible.
“I need you,” he gasps against your lips, hips jerking up just a bit to try to alleviate the pressure building in his lower abdomen, desperate to reach down and unbutton his slacks, but wanting you to make the first move.
Whatever nerves that have made him get cold feet all of the other times the two of you have tried to take the next stop are long gone. You don’t give him any time to wonder if he’s doing the wrong thing—the fingers of one of your hands intertwining with his dark locks, just tight enough to make him hiss into your mouth, eyes rolling back at the pleasant sting. Your other hand slides across his chest, even through his dress shirt, your fingertips seem to scorch through to his skin, leaving his body tingling everywhere you touch.
“You have me,” you tell him, breathless, and Dazai can’t bite back the noise that slips from his lips, wanton and obscene, borderline pornographic—if he was any more coherent, he might be embarrassed but he can’t find it in him. Not when he’s finally getting what he’s wanted after all of this time.
His hands fly down to his slacks, he fumbles with the button and zipper before yanking them down just enough to free his cock and he watches as you sit back on his thighs, eyes wide and lips parted as your gaze focuses in on his cock, watching as the leaking precum dribbles down his length, alongside the vein running along the underside of his cock.
“Please,” he breathes out, fingers biting into your thighs as he bunches your dress up to your hips, another low moan spilling from his lips just at the thought of what’s about to happen, lashes fluttering.
You don’t even take off your panties, clearly driven by the same desperation that he is as you slide them to the side and position yourself above his cock and Dazai gnaws at his bottom lip when he feels the tip pressing against your entrance. He can feel how wet you are already, so drenched that your slick is dripping down the length of his cock. His hips stutter up instinctively, but instead of pushing inside, his cock slides between your folds and he whimpers, arm flying to cover the lower half of his face. You don’t let him, fingers wrapping around his wrist to pull his arm from his face and pin it to the mattress above him.
“Don’t hide yourself,” you say softly.
Dazai thinks there must be stars in his eyes as he looks up at you. You’re so beautiful, lips parted as you pant softly, an adoring expression on your face as you look down at him. He loves you. He loves you, god, he loves you more than he’s ever loved anything in his life; he thinks that nothing the other Dazais ever felt for any of the other yous could ever compare to how he feels for you.
When his tip starts to push into your tight hole, all he can let out is another loud, lewd noise; his head falls back against the pillows. His ears are ringing, but distantly, he can hear you gasp. His vision is blurry as he forces himself to look up at you but Dazai thinks you look otherworldly with your head tilted back as his cock starts to stretch you out, lips swollen and wet from the kisses you’d shared. He thinks he must look insane, pupils blown wide and eyes wild as he tries to focus on the sight of you. All of the clever wheels that usually turn within his mind are crumbling.
His fingertips leave crescents in your thighs as you sink down on his cock slowly—too slow, it leaves his head dizzy as your warmth slowly envelops his length. He’s imagined this so many times before. Dozens. Hundreds. He has so many memories of the feeling of your body flush to his, thighs over his shoulders as he fucks you deep and slow, swallowing your moans, but he thinks that nothing compares to this, the sight of you above him, watching your body tremble and face shift as his cock stretches you out. He barely refrains from letting out a string of strangled curses, barely able to hold his eyes open to watch you.
You give yourself a moment to adjust, and when you do, you look down at Dazai. He thinks he must look a mess—chest heaving, breath erratic, eyes heavy and lidded and entirely glazed over—but he doesn’t care, not with the way your hand slides up his abdomen, fingers tracing patterns along the bandages covering his body. You look beautiful—you always look beautiful—but you look extra beautiful right now, and he thinks he could stare at you forever and never tire of it.
Experimentally, you roll your hips—it’s still slow, agonizingly slow—and Dazai throws his head back, another obscene moan spilling from his lips.
“Fuck,” he gasps, his fingers falling from your thighs to twist the sheets below him, knuckles white. “Feels so good. So good.”
You let out a hum that’s caught between a moan and agreement as you continue the slow rolls of your hips, hands sliding up and down his abdomen in a way that’s deceptively innocent and soothing compared to how his cock is dragging along your walls. His body shudders at the feeling of it, heat pooling in his abdomen so quickly that it has his whole body tensing as he tries to push it away.
“You’re so perfect.” Words spill from his lips, more of a babble than anything else as you lean down to ghost your lips over his jaw, nibbling over the bandages covering his Adam’s apple. It bobs beneath your teeth as he lets out another shaky noise. “S’like you’re made for me. I’d do anything for you. Anything. You know that, right? Anything you want, it’s yours.”
He doesn’t know what to do with his hands, clawing at the sheets and occasionally reaching for your thighs, and he doesn’t know what to do with his body, hips jerking up at an erratic pace, like he’s trying to meet your pace but his body simply can’t match the slow rolls of your hips, desperate for more. He doesn’t know how you’re so put together—maybe you’re not, he can see through a blurry vision how your lashes are fluttering with each roll of your hips, breath shaky, but you’re just not as far gone as he already is.
“Anything?” you murmur, and he can feel your lips curve up against his neck.
“Anything.” His breath hitches, fingers reaching for your hips as he rocks his up into you, a desperate attempt to get you to pick up the pace. “‘d give you the whole world, burn it for you, anything you want, I’d give it to you.”
His hands slide up from your thighs to your waist as you lean down to press your lips against his in a deceptively innocent kiss. He tries to chase your lips as you straighten up but you don’t let him, one of your hands curling around his throat—not choking him, but firm enough that it goes right to his cock, lips parting in a silent moan—while the other braces back on his thigh.
He thinks that nothing could have prepared him for the feeling of you picking up the pace. His breath hitches, he chokes over a moan, stars sparkle in his vision as the tip of his cock presses deep inside of you. You sigh out his name and Dazai thinks this might be the closest he ever gets to heaven: you on top of him, cock buried to the hilt in your cunt, the sight of your blissed out face above him as his head spins.
“Oh, fuck,” Dazai cries out, back arching and hand flying to cover his face again but the hand you have on his thigh flies forward to snatch his wrist before he can, pinning it back above his head. Dazai’s eyes roll back, you’re leaning over him entirely now, leaning most of your weight on the hand that’s pinning his wrist but the new angle adds pressure onto how you’re squeezing his neck, paring his airways just enough to make his lungs burn. “More. Faster, fuck, I-ah-”
His voice falls off into another moan, head falling to the side to press his cheek against the pillow. He thinks drool is starting to pool at the corner of his lips but he doesn’t care, he can’t even think at this point, too lost in the lewd sound of skin-on-skin, the sloppiness of his cock fucking deep in your cunt, your soft moans and gasps, lost in the feeling of your tight walls clamping down on his cock, the warmth, the wetness, your fingers digging into his wrist and the sides of his neck. He wants to tell you that he needs more but the words are garbled, entirely unintelligible.
He forces his eyes back open, feeling the tears spilling over his cheeks just from the intensity of it all, the intensity of you. You’re gentle with him even when your hand is wrapped around his throat and his cock is splitting you open—he can feel the soothing circles you rub with your thumb, he can see the way you’re searching his face to make sure he’s okay. Dazai is just so overwhelmed that he can’t stop the way his next moan breaks into a sob; acutely realizing just how deprived he’d been of any type of care or love before meeting you, and forcibly coming to terms with the fact that he is never going to be able to go without this again, without you again. He’d known it to some extent before this, the thought of losing you and the light you bring him has made his stomach churn violently but this…
He’s torn from his thoughts when you suddenly stop the rolls of your hips, halting the spreading heat in his lower abdomen desperately. The noise that escapes him is something caught between distress and betrayal, dark eyes wide as he looks up at you questioningly, but the expression on your face makes his breath catch. Your hand slides up from his throat to cup his cheek, your other hand releasing his wrist so that you can hold his face between your hands, thumbs wiping away the tears spilling over his cheeks.
Distantly, Dazai recognizes that he’s still choking over sobs and that’s probably why you’ve stopped and that only rips his chest apart more because of course, you’re still putting him above you—even when you’re mad, even when you’ve just fought, when he’s betrayed you in a way that should be unforgivable, you’re still kissing away his tears and putting aside your own needs to take care of him
He doesn’t deserve you. Not in any universe, but especially not in this one.
He thinks he could stay here for eternity. Fuck the rest of the world. Fuck the Port Mafia. Fuck his plan. He just wants to stay here with you, your lips brushing his, sharing the same sliver of air. He leans into your touch, groaning against your lips when he feels your walls spasm around him.
“You’re beautiful,” he breathes out, unsure if you can even understand him. “You’re so-”
His words fall off into another moan, and he can’t control his hips as they thrust up sharply against yours, another string of incoherent curses escaping his hips as your breath catches and you straighten back up, head falling back as you gasp his name.
Your nails dig crescents into his upper thighs through his bandages as you brace yourself back against them. You move your hips again—faster, this time, harder, and Dazai thinks his head is in the clouds. He’s so deep inside of you that he can feel everything, jaw falling slack as heat spreads through his body too rapidly for him to get control over. He wants to throw a hand over his mouth to muffle the lewd, pitched moans spilling from his lips but he can’t drag his hands from where they’re clawing at your hips, desperately trying to help you meet him with each thrust.
“I-hah-shit, I’m gonna-fuck-”
He slurs out your name and several obscenities, trying to warn you that he’s going to cum when he feels his cock twitching inside of you and his abdomen tensing, but you only lean down to press a lingering kiss to the corner of his lips and Dazai is gone. He wants to watch you, he tries, but he can’t hold his eyes open, they’re half-rolled back as he chokes over moans of your name, hips stilling as he cums deep inside of you. His body twitches, expression twisted as he presses his head so hard into the pillow that he thinks he might permanently indent it.
His head is spinning, lungs burning, sweat beading at his forehead and hair matted to his face—he thinks he’s never cum so hard in his entire life; all of the nights he spent alone, desperately trying to fuck his hand to the thought of you in attempts to mimic how you’ve made all the other Dazais feel, to give himself some semblance of the pleasure you’ve brought him in other lives to hold him over on particularly lonely nights, they’ve never felt like this.
You don’t stop, even as he squirms and lets out jumbled pleas beneath you, body shuddering at the overstimulation but you’re too lost in chasing your own high now. He spasms beneath you, nails digging into your thigh as you fuck his cum deeper inside of you, bouncing on his cock desperately. He doesn’t care that the sensitivity is pushing his body to the brink, letting you use him however you want if it means he gets to see you like this.
Dazai’s head feels light, pins and needles pricking his body—he thinks he might pass out but he forces himself to hold on, enraptured by the sight of you on top of him with your eyes half-rolled back, lips parted and throat bared to him. Your tits are half-spilling out over the low-cut of your dress and Dazai thinks you’re fucking divine. The only holy thing in this godless world. He wants to spend the rest of his life worshiping you.
“I’m gonna-” you gasp, head falling backward as one final roll of your hips that has your clit grinding against his pelvic bone sends you spiraling over the edge.
Dazai wants to sear the image of you behind his eyelids, watching as your nails drag against his thighs, drawing red lines even through the bandages, back arching, head tossed back—your body is trembling violently as you cum on his cock, expression twisted and entirely blissed out, sobbing over his name. He chokes and gasps at the feeling of your cunt tightening around his sensitive cock again, jaw tight and spots dancing in his vision as he’s so abruptly pushed over the edge a second time, the coil in his abdomen tightening and snapping all within the span of a few seconds.
He’s still reeling when he feels you slump forward onto his chest, burying your face in the crook of his neck, shivering in the aftershocks of your orgasm. He’s only half aware as he instinctively brings his hands up to rest on your hips, rubbing soft circles of your hip bones to try to soothe you.
He shudders when you press a kiss to his neck right at the edge of his bandages, and then tilt your head up to press another on his jaw. One of your hands comes up to caress the back of his head, fingers carding through the dark locks in a way that has his eyes drooping shut.
“We’re not done with this conversation,” you finally say after a few moments of silence, voice soft, breaking the silence. Dazai stiffens a bit, lips parting to respond but no words leave them. “... but let’s just lay like this for a while first, okay?”
He lets out a shaky breath, still not entirely convinced that he’s not going to lose you, so he lets his eyes flutter shut as he nods. He may as well bask in this for as long as he can, and if you notice the way his fingers dig just a little deeper into your skin after your words process, you don’t mention it.
“Yeah,” he murmurs, “okay.”
Dazai wakes up the next morning and you’re nowhere to be seen. The bed is frighteningly cold next to him and his heart is instantly in his throat. He doesn’t waste a second before he’s sitting up in bed, looking around, eyes wild and heart racing. He doesn’t settle down, not until his eyes fall upon where you’re sitting curled up on the chair of the desk he never uses, eyes trained on the dark clouds outside the window, the beauty of the sunrise wilted by a morning storm.
“His intention was to make me leave you.” You’re not looking at him, but you must have heard him sit up. “Fyodor Dostoevsky. The things he told me, they were to make me leave you.”
Dazai doesn’t move an inch, throat swelling. He forces himself to ask, “What did he tell you?”
He isn’t sure if he wants to know.
“It doesn’t matter,” you say—Dazai thinks that it definitely does, but he bites back the questions that rise to his tongue because you’re clearly not about to budge on your answer. “Who is he?”
“A monster,” Dazai bites out, bitterness seeping into his tone as he leans back against the headboard, eyes still trained on where you’re curled on his chair, gaze distant. “You have to stay away from him.”
“Well, I didn’t intend on seeking him out,” you say it so dryly that Dazai nearly finds humor in it. Nearly. The smile that rises to his lips is mirthless at best. You turn to look at him, finally, and Dazai finds only cool indifference on your face; the fondness, the softness, the gentleness from last night are all gone. He wonders if you regret it, but he doesn’t let that thought linger, it’ll only make him sick. “... He doesn’t seem like the type to give up.”
“He never is,” Dazai murmurs, ignoring the brief, questioning look you direct toward him, mind drifting off to all of the Russian’s incessant attempts to take you from him in all of the other universes. “Did he tell you what his plan was?”
Dazai doubts it, but maybe there was something he said to you that shed some light to it.
“He didn’t have to,” you say quietly. “He wants Yokohama, for whatever reason—couldn’t figure that out, I think he’s looking for something—and clearly, he has to get through you to get it. He thinks the best way of getting through you is by taking me away from you first. That’s what I’d gathered from how he was talking at least, what he was saying about you, the way he was phrasing it. I’d put together enough on my own during the night to fill in the blanks. He told me things about what you’d done as… what you’d done as boss of the Port Mafia—things you’ve done to enemies… to allies. He told me that I’d see the real you as soon as you realize that the meeting he set up was a farce; that the mask you put up would crumble and I would see you for the demon that you are.”
Dazai doesn’t respond, jaw tight as he averts his gaze to the window—he’d played right into Dostoevsky’s hands. He can hardly bring himself to look at you; he wonders if you do see him differently now that the cloud from the night before has worn off, but he can’t bring himself to ask. Now’s not the time anyway, there are more pressing matters.
“... He’ll come after me again, won’t he?” you ask quietly. “Getting me to leave you willingly didn’t work. If he’s so set on me being the trigger to your downfall, then he’ll come after me again.”
He would. As he always has. Of course, Dostoevsky would try to get to him through you, he’s tried it in every universe, and Dazai hadn’t been careful enough. He hadn’t been smart enough. He’d known this was going to happen and was still arrogant enough to believe he could somehow prevent it. He was a fool, and he was a fool at the cost of your safety. He doesn’t know how to respond to you, he doesn’t want to confirm your suspicions, he doesn’t want to admit that this is all his fault, that he knew this would happen and was selfish enough to pursue you anyway.
“... I’m scared, Osamu,” you finally say quietly, and you suddenly look a lot smaller from where you’re sitting on his desk chair, hunched over with your knees tucked to your chest. “I’m really scared.”
Dazai’s heart claws up to his throat and he pushes himself out of bed, still dressed haphazardly in his suit from the night before. He makes his way over to you and kneels in front of you, hands curling around your ankles as he looks up at you.
“I won’t let anything happen to you,” he tells you, voice a bit more raspier than he intended for it to come across as. “I don’t care what I have to do to ensure it, how low I have to stoop. I will not let anything happen to you, do you understand?”
Your eyes meet his, and he can’t help but notice that doubt still riddles your gaze as you search his face, as if you want to believe him but can’t bring yourself to. A pit starts to grow in his stomach, wide and gaping as he realizes that this is all really about to happen, and one mistake on his part could lead you to the same fate you’ve met in so many other worlds because of him.
Finally, the doubt slowly clears as you let out a soft breath, nodding, and Dazai inhales sharply, laying his forehead against your shin as he lets his eyes slide shut.
He won’t let it happen. Not again.
again there was NO plot development in the smut - you guys didn't miss out on anything, pinky swear. i restructured the scene to fit the only notable scene (bandage removal) into the part before the smut, so if that felt a little forced, that was why </3 it wasn't supposed to be there. i was struggling trying to figure out how to move it upward a bit. the only arguable "plot" development was dazai letting go of his control freakiness to let her take the lead
#ᡣ𐭩 carina’s archives#dazai x reader#dazai x you#dazai smut#dazai osamu x reader#dazai osamu x you#dazai osamu smut#bsd x reader#bsd x you#bsd smut#bungo stray dogs x reader#bungo stray dogs smut#bungo stray dogs x you
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Head cannon story
"Sebek, it's nice to see you too." Your tone was casual, unbothered by his sudden demand.
SEBEK ZIGVOLT
---
"Move before I make you."
Sebek's sharp glare fixed on you, his eyebrows furrowed deeply as his slitted eyes seemed to burn with irritation. You met his gaze with calm resolve, not backing down. You were at the library, tucked away in a small, secluded corner that you had chosen for some quiet reading time. This was your little haven, far from the usual chaos, perfect for enjoying the novel you'd finally saved enough to buy. Sebek, however, had different plans.
"This is my seat, human. How dare you take it from me," he seethed. Surprisingly, his voice was lower than usual—perhaps a rare courtesy, considering there were many students and even Trein was nearby. You raised an eyebrow at the toned-down Sebek but said nothing about it.
"I'm sorry, but I'm not moving." You gestured to the other tables, all occupied. "Besides, every table is packed. So, I'm staying here."
His eyes narrowed, frustration radiating off him in waves, but you stayed rooted, not willing to give in. For a moment, you thought he might force the issue, but then, to your surprise, Sebek pulled out a chair and sat down across from you, the movement sharp and almost petulant. The textbook he slapped onto the table was thick enough to make a resounding thud, and he immediately buried himself in it, ignoring you completely
"Why?" you asked after a pause, still caught off guard by his behavior.
Sebek didn’t look up from his book, though his scowl deepened. "Shush, human. I'm being generous. I don't have time to entertain your stubbornness. I have a responsibility to achieve the highest marks for the sake of Waka-sama."
His words were tense, as if he were gritting his teeth through his forced patience. You couldn't help but feel a twinge of embarrassment, sitting there with your light novel while he pored over academic texts with such intensity. For a brief second, you wondered if you were wasting your time reading for pleasure while Sebek’s ambitions seemed so focused.
Still, you returned to your book, though your concentration was broken by the odd contrast between you two. The tension between you ebbed slowly, replaced by an awkward yet comfortable silence. Minutes passed, and despite his earlier hostility, Sebek’s focus on his studies remained steadfast—though his ever-present scowl never softened.
You couldn’t help but chuckle softly at his intense concentration. It was almost as if he was battling the textbook itself. His sharp ears twitched at the sound, and he shot you a glare. "What’s so funny, human?"
"Nothing," you said, your lips twitching into a grin despite yourself.
Sebek, however, wasn't satisfied. His eyes flicked down to your book, and he scoffed.
"That book..." he muttered, disdain dripping from every word. "It’s absurd. The story was weak, and the characters—especially the knight prince—were utterly pathetic. A disgrace to warriors everywhere."
You frowned, genuinely surprised. "You’ve read it?"
"Unfortunately." His tone dripped with disdain. "The knights were incompetent, and the relationship between the 'knight prince' and the human was laughable at best. Blasphemous, even."
You shook your head, amused by how riled up he was getting over a fictional story. "I don't think it’s that bad. The relationship between the knight prince and the human is actually kind of sweet."
Sebek scoffed, leaning back in his chair with crossed arms. "Sweet? You find such foolishness sweet?"
"Well," you began, trying to find the right words. "When they first meet, the knight prince is so uptight, so proud. Kind of like you, honestly." You grinned when you saw his frown deepen at the comparison, but continued. "He’s treated as a spoiled, so naturally, his actions come off as heartless. He’s stubborn and selfish, sure, but what I love about the story is how the human doesn’t try to change him. They accepted him for who he is and they know he’s too stubborn."
Sebek’s glare softened slightly as he listened, though his expression remained unreadable. You traced your fingers over the book’s cover, smiling softly as you continued. "It’s the knight prince himself who chooses to change. Not for anyone else, but because he wants to be worthy of the person he loves. He becomes better, for her."
Your voice had grown gentle, your thoughts drifting to the story’s heartfelt moments. Sebek, on the other hand, remained silent, watching you closely. His usual sharpness had faded as he seemed to process your words. For a fleeting moment, his gaze softened, his slitted eyes flickering with something you couldn’t quite place.
"This story," you added with a soft chuckle, "was one of my favorites back in my world. It’s funny how similar the themes are to things here but still different. " You read the title aloud, mumbling something while completely missing the way Sebek’s eyes lingered on you.
The silence stretched on for a moment longer, Sebek’s attention still fixed on your face. He quickly looked away, his ears turning a faint shade of red as he returned to his book. "It’s still a ridiculous story," he muttered under his breath, though the bite in his words had lessened.
"Perhaps," you mused with a smile. "But sometimes, the most ridiculous stories have the most heart."
"Cease your rambling, human. You’re disturbing my study," he shot back, though without much force. You could tell, however, that he was no longer as focused on his textbook as before.
And so, the two of you sat there in comfortable silence once more. The library around you was bustling, but in that little corner, it felt like the world had shrunk down to just the two of you. Every now and then, you caught Sebek sneaking glances at you, though he would always immediately pretend to be deeply engrossed in his book whenever you looked up.
You didn’t mind. After all, in his own way, Sebek was just like the knight prince—stubborn, proud, and trying to become better, even if he would never admit it aloud.
DEUCE SPADE
“Yo, Deuce, you up for some pranks?” Ace’s voice broke through the peaceful quiet, appearing in Deuce’s vision from above, wearing his signature mischievous grin. Deuce, lying on the grass beneath the large oak tree, sighed, shaking his head.
“Too tired to do anything right now,” Deuce groaned, his voice hoarse with fatigue. “Just… leave me alone, Ace. Do something that doesn’t involve breaking the rules, would you?”
Ace shrugged, rolling his eyes. “Lame. Suit yourself. More fun for me,” he said, turning to walk off, whistling as he disappeared from sight, leaving Deuce behind, staring up at the clear blue sky.
Deuce closed his eyes for a moment, feeling an overwhelming sense of exhaustion that tugged at him, both physically and mentally. He wasn’t sure why, but today had been draining in a way he couldn’t quite explain. As he lay there, his mind drifted, thoughts wandering back to memories of his mom, of home, and of the promise he made to be a better student—a better person.
Before he knew it, Deuce felt sleep beginning to pull at him. But when he awoke, it wasn’t peace he found. His body was covered in sweat, his head felt like it was on fire, and his limbs ached as though they were weighed down by invisible chains. He groaned, trying to sit up, but the dizziness hit him hard, making his vision blur. He had no choice but to lean back against the cool grass for support, breathing heavily.
He didn’t notice the approaching footsteps until a gentle, warm hand rested on his shoulder, its warmth contrasting with the cold sweat clinging to his skin. The touch sent a jolt of awareness through his foggy mind, but it was still hard to focus. His vision blurred, the world around him tilting.
The voice was soft yet firm, cutting through the haze clouding his mind His body instinctively reacted to the familiar tone, though his head felt heavy, almost disconnected from his body. He blinked rapidly, trying to force his eyes to focus on the figure in front of him. The sunlight filtering through the trees only deepened the shadows around the person's face, making it harder to see clearly.
“Deuce!”
The voice called again, more urgent this time. He could hear the concern, almost bordering on panic. He strained to make out the face but his vision refused to cooperate, swirling in and out of focus. He tried to stand up buth his legs gave out beneath him, and before he could register what was happening, his body collapsed forward.
Strong arms caught him, cradling him against a firm chest. His head lolled as the person knelt down, their hold steady, keeping him from sinking to the ground. Deuce vaguely felt the press of a hand against his cheek, a quiet gasp escaping the person as they registered just how feverish he was. Their touch, cool against his overheated skin, sent a shiver down his spine.
“Hang on, Deuce. You’re burning up…”
The words floated in his ears, distant and muffled, but there was something about the way they said his name—soft. He tried to respond, but his throat was too dry, his body too weak. His vision was swimming, the world around him dimming. All he could focus on was the scent—something familiar, comforting—surrounding him as they held him close.
Before he could make sense of it, exhaustion pulled him under like a heavy tide. His consciousness slipped away, and the last thing he registered was the steady thrum of their heartbeat, the way their arms tightened protectively around him as they whispered, "I’ve got you."
And then, everything went dark.
When Deuce woke again, he found himself in the infirmary, tucked beneath crisp white sheets. The familiar sterile scent of the room and the faint ticking of a clock greeted him, disorienting him for a moment. It was dark outside, the moonlight spilling in through the window.
He jerked upright, his mind racing. What time is it? Oh no his dorm rules! He wasn’t supposed to stay out this late.
Before he could panic, Professor Crewel strode into the room, his eyes glinting as always behind his thin-rimmed glasses. "You finally woke up, pup," Crewel remarked, placing a bowl of soup on the small tray beside the bed. "You should eat before it gets cold."
Deuce blinked, rubbing his eyes. “What happened? How long have I been out?”
"You passed out from exhaustion and a fever," Crewel said, arms crossed. “Another student found you in time and brought you here. Good thing too. Your body clearly needs more rest than you’ve been giving it. Now eat."
Deuce muttered his thanks, taking the bowl of soup in his trembling hands. The warmth from the bowl seeped into his palms, providing a little comfort.
“And don’t worry about your housewarden," Crewel added as Deuce took a sip of the soup. "I’ve already spoken to him and he sends his well wishes. Focus on recovering. It’ll take a few days."
Relief washed over Deuce as he nodded. The soup was simple but delicious, and the warmth it brought made him realize just how starved his body was. Crewel, satisfied that Deuce was eating, turned to leave.
“Thank you, Professor,” Deuce called softly as Crewel disappeared through the door.
As the days passed, Deuce slipped in and out of consciousness. Each time he woke, there would be a fresh bowl of food and a cold handkerchief on his forehead. Whoever had taken the time to care for him never stayed long enough for him to wake fully and meet them. There was always this gentle touch, a warmth that lulled him back to sleep before he could open his eyes.
One day, Deuce decided he wasn’t going to sleep. He lay there with his eyes closed, feigning slumber when he heard the door open quietly. He tensed when he felt that familiar warm hand gently press against his forehead. The fever had finally broken. Then he heard a soft, familiar voice.
“It’s finally down… good.”
The voice was unmistakable. It was you.
Deuce’s heartbeat quickened, but he couldn’t bring himself to open his eyes. You gently caressed his cheek before placing a fresh towel on his forehead, your touch lingering for a moment longer. He wanted to say something, but the words wouldn’t come. Before he knew it, you were gone again, and he remained there, his thoughts swirling.
By the next day, Deuce had fully recovered. Professor Crewel checked on him once more, deeming him fit to leave the infirmary. As Deuce gathered his belongings, he noticed a small note nearby.
'Congratulations on your recovery.' It was simple, unsigned, with a small doodle of a flower at the bottom of the paper.
Deuce smiled, his chest warm. He didn’t need a signature to know who had left it.
Later that day, you were sitting in the cafeteria, chatting with Grim as he rambled on about some mischief he had gotten into earlier. You were mid-bite when your vision was suddenly blocked by a bouquet of red roses. Startled, you looked up, only to find Deuce standing behind you, his chest brushing lightly against your back as he leaned over.
“Thank you, Prefect,” he said, his voice low, his face a little flushed. "For taking care of me."
Your mouth opened in surprise, cheeks growing warm as his words sank in. You hadn’t expected him to figure it out, let alone confront you about it. "It’s… it’s nothing," you mumbled, looking away, your fingers hesitantly wrapping around the bouquet he had thrust into your hands.
Grim, sitting beside you, looked on with utter confusion. “Huh? What’s going on? What’s with the flowers?”
Ace, who had just joined your table, gawked at the two of you, his brow furrowed in disbelief. “Yuck. What happened to both of you?”
Your face flushed an even deeper shade of red, while Deuce—completely unfazed by Ace’s comment—sat down across from you, a satisfied look on his face. His usual tough-guy demeanour softened just a little, though there was still that hint of bashfulness in his eyes as he watched you cradle the roses in your lap.
Grim shook his head. “This is weird. What did I miss?”
You tried to focus on your lunch, but every time you caught Deuce’s eye, you felt the heat rise back to your cheeks.
And despite the teasing from your friends, you couldn’t help but smile.
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