#i actually had the idea to write a think piece on this all the way back in December

[literary-illuminati]

2025 Book Review #3 – Fifteen Dogs by Andre Alexis

My mother recently retired and cleared out my childhood home, part of which involved throwing out a lot of books. So I have come into possession of a lot of weird literature no one remembers ever actually buying, which is honestly pretty exciting. This was one of them, a tragic bit of literary modern fantasy about the titular canines being uplifted to human intelligence and it ending in general quite badly for them. Not at all light reading, but interesting and very affecting at points.

The plot concerns a wager between Hermes and Apollo, regarding whether a human’s intelligence is a blessing or a curse. To settle the matter, they gift all the dogs that happen to have been left in a random Toronto vet clinic overnight the power of human thought, and bet two years of servitude to the other on whether any of them will die happy. With occasional divine interludes, the story mostly then follows the dogs – first as a pack, and then tracing each life separately with occasional unhappy reunions – from uplift to death.

This is an incredibly high concept sort of book – coming in expecting anything like traditional urban fantasy or contemporary litfic and you will be deeply confused. It is literature in a sense, I suppose – the prose itself isn’t particularly adorned or eye-catching, but it is very concerned with interiority and subjective experience, and in any case there are fifteen different poems scattered throughout the book. But far more than that, it’s philosophical fiction – which is to say, very explicitly theme-first and contemplative of the Big Idea its turning around, with the actual story being basically in service to that.

That big idea if ostensibly about whether intelligence and self-reflection are a blessing or a curse, but it’s at least as much about the degree to which its possible to live a happy life in a world full of misery and where nothing but luck keeps everything you love from being taken from you in an instant. Few of the dogs live happily – they kill each other, they make themselves miserable attempting to regain the thoughtless purity of their prior existence, they become entrapped in toxic hierarchies of status and dominance. And on the other they starve, they’re hit by cars, they eat poison, they’re abused and neglected by the humans they relied upon. It is a book with a very tragic sensibility, all in all – even the dogs with the good luck and character to find happiness always live at the risk of some divine fit of pique. In this the use of the Greek Gods as characters fit very well – Apollo taking one of the dog’s sight and hearing in annoyance with him seems entirely of a piece with how the myths often go.

As for solutions – the book’s later parts focus a great deal on two dogs who have, more or less, good lives. It is, on the whole, very positive about love (at least, a specific kind – affection devotion and most importantly understanding between equals) - but equally concerned with how ruinous losing someone whose thread of life is intertwined so tightly with yours can be. It clearly thinks there’s something a bit noble and sacred to living as a monument to grief, but equally doesn’t think doing so can really be called a good life. Instead – and this is almost too predictable, simply because it’s written by the kind of person who writes elaborate philosophical fiction – the book presents a life dedicated to poetry and art, thought and self-reflection, to beauty however fleeting it is to be the best suited to appreciating life in all its miseries. It is, as I said, quite philosophical about it.

The book also accidentally fulfills any Canadian Content obligations I had for the year. It’s a book set in and deeply in love with the geography and character of Toronto (if often a jaundiced and teasing sort of love). Honestly it talks about the city in a way I usually only see fiction discuss New York or parts of California.

As an exploration of actual canine psychology, it varies between interesting and tiresome. I rather wish any of the female dogs had survived longer or gotten more focus, just for a bit of variety on all the oft-offered opinions about mounting and heat. The fifteen poems included in the book all being the result of a project to write poetry that listening to would have an affect for humans and dogs is, at least, a very cute bit of trivia.

But yeah, interesting piece of fiction. Read if you like these sort of meditations and can take lots of unhappy and dead dogs in your stories.

[doomedclockworkdotmp3]

heeyyy gaaanggg

the pose and the background of the album version (left) are based on oingo boingos only a lad album art. not cause i think he has anything to do with it but just cause ive been wantin to draw that pose for like. weeks and i didnt know who to put there. so why not my latest bug man.

[soobvape]

i need brownies so fucking bad rn

[actuallyjustabiscuit]

I was reading a post about Infinity Train (still salty AF about the cancellation of season 5 and its removal from Max) and “weirdcore liminal space show” has got to be the best way to describe The Amazing Digital Circus.

In fact, there’s a lot I want to talk about regarding the thematic comparisons between TADC, IT, and Over the Garden Wall actually as shows about people not being where they’re supposed to be/not being where they want to be but not exactly knowing how to escape the new reality they suddenly found themselves in.

I actually have so many thoughts right now. Anyway thanks @ickymorto for giving me the idea.

[weezeranitsweezy]

I luv writing fanfic

[acaciapines]

on today's episode of 'acaica's background thoughts for the dess raises kris au': okay but lets be serious do dess and chara actually stay together in the end--

[elftwink]

saw a video about 2 player ttrpgs and one of them was like "this one's about a pretend marriage" and i was like oh? and i looked it up on itch (eyes on the prize, fyi) and it's 50% as of right now and i was like OH? and i bought it immediately & ive read most of it and i am a big fan. and i KNOW that i have friends who would have fun playing it (it's a 2 player or 4 player game; the 4 player variant has 2 fake couples) but asking them is going to be so cringe. yeah we're gonna make up people and pretend to be them and then pretend to pretend to get married and the characters when they start their pretending they're gonna be like "oh we don't have any romantic feelings towards each other this is strictly plot" but then (get this) they will start to develop real feelings for each other. and we're gonna act it out together and pretend to be them but don't worry! we have no romantic feelings towards one another. this is strictly plot. when WE (irl) pretend to be in love it's actually platonic, unlike the people who we are pretending to be to each other. so do you have like 2-5 hours you wanna dedicate to that next week

and the worst part is that's 100% what i want. like i have roleplayed romance before with friends it is literally not a big deal because the whole point of roleplay is that the character ISN'T you. but with a fake relationship the crushing weight of dramatic irony hovers behind me

[astrxealis]

okay rambles but i started creatively writing in like ... 5th grade? and. oh god just a little encouragement to anyone looking to get into writing or insecure or whatnot, but HELLS, maybe it's to he expected with my (obviously) very young age and inexperience with writing then, but my writing was really. yeah. Yeah. but then i'm what... a lot older now, obviously, and my writing has gotten leagues better. i'm probably not a good example for this bcs childhood years development stuff are different etc etc BUT practicing writing more and whatnot really does go a long way :]

[lesbovalentine]

im thinking about tehanu again

[emeryleewho]

I used to work for a trade book reviewer where I got paid to review people's books, and one of the rules of that review company is one that I think is just super useful to media analysis as a whole, and that is, we were told never to critique media for what it didn't do but only for what it did.

So, for instance, I couldn't say "this book didn't give its characters strong agency or goals". I instead had to say, "the characters in this book acted in ways that often felt misaligned with their characterization as if they were being pulled by the plot."

I think this is really important because a lot of "critiques" people give, if subverted to address what the book does instead of what it doesn't do, actually read pretty nonsensical. For instance, "none of the characters were unique" becomes "all of the characters read like other characters that exist in other media", which like... okay? That's not really a critique. It's just how fiction works. Or "none of the characters were likeable" becomes "all of the characters, at some point or another, did things that I found disagreeable or annoying" which is literally how every book works?

It also keeps you from holding a book to a standard it never sought to meet. "The world building in this book simply wasn't complex enough" becomes "The world building in this book was very simple", which, yes, good, that can actually be a good thing. Many books aspire to this. It's not actually a negative critique. Or "The stakes weren't very high and the climax didn't really offer any major plot twists or turns" becomes "The stakes were low and and the ending was quite predictable", which, if this is a cute romcom is exactly what I'm looking for.

Not to mention, I think this really helps to deconstruct a lot of the biases we carry into fiction. Characters not having strong agency isn't inherently bad. Characters who react to their surroundings can make a good story, so saying "the characters didn't have enough agency" is kind of weak, but when you flip it to say "the characters acted misaligned from their characterization" we can now see that the *real* problem here isn't that they lacked agency but that this lack of agency is inconsistent with the type of character that they are. a character this strong-willed *should* have more agency even if a weak-willed character might not.

So it's just a really simple way of framing the way I critique books that I think has really helped to show the difference between "this book is bad" and "this book didn't meet my personal preferences", but also, as someone talking about books, I think it helps give other people a clearer idea of what the book actually looks like so they can decide for themselves if it's worth their time.

Update: This is literally just a thought exercise to help you be more intentional with how you critique media. I'm not enforcing this as some divine rule that must be followed any time you have an opinion on fiction, and I'm definitely not saying that you have to structure every single sentence in a review to contain zero negative phrases. I'm just saying that I repurposed a rule we had at that specific reviewer to be a helpful tool to check myself when writing critiques now. If you don't want to use the tool, literally no one (especially not me) can or wants to force you to use it. As with all advice, it is a totally reasonable and normal thing to not have use for every piece of it that exists from random strangers on the internet. Use it to whatever extent it helps you or not at all.

[mobbothetrue]

Sometimes when i’m asleep my brain will show me a cool dude and I’ll go ‘goddamn that’s a cool ass dude I wish he was one of my characters’ and then when I wake up I get the euphoria of going WAIT IT’S FREE REAL ESTATE

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[becausegoodheroesdeservekidneys]

Hey. Hi. Hello. Today I learned about the existence of 15th century Welsh poet Gwerful Mechain and that she apparently has a surviving work of erotic poems.

Please. For Christmas. For Yule. Please tell me more because I can't read Welsh.

Heh heh. Oh, Gwerful Mechain is the absolute best.

(Quick housekeeping to keep the post manageable - I previously wrote about things like cynghanedd and cywydds and englyns and such here, so check that if you need an explanation.)

What's fun is that we don't know a ton about her, because not a lot got written down about people in her time. Her surviving work covers a 40ish year span at the end of the 1400s to just into the 1500s, but we don't know when she was born or died or anything like that. We know her parents' names? And that she was from Mechain, hence the bardic name. And that she married a guy and had a daughter, something which actually does mark out her body of work as different from her contemporaries; being a wife and mother, she couldn't do the usual bardic role of travelling the country to spread news and play at courts. This means she doesn't have any of the praise poetry that a lot of male bards produced about the lords that hosted them.

But, there's stuff we can piece together about her. For one thing, she was not just literate (not a universal skill for anyone at that point, but especially for women), but she was astonishingly well-read and had what appears to be a classical education, given her poetic references and traditional Welsh meters. For another, her work often had recurring themes of religion, sex, and women's rights, sometimes all at the same time.

At the point Gwerful was active, Welsh bardic culture heavily featured ymrysonau. An ymryson is like... well, I hesitate to say "sort of like a rap battle" after the way everyone and their dog now thinks that's what the Mari Lwyd does, but they were like a cross between a rap battle and the publication war between two rival academics. A bard would write an englyn and publish it in the local parish newsletter. Another bard would see this, and write their own englyn about how stupid the first bard's englyn was, and publish it in the same newsletter. The first bard would see this and retaliate. The second bard would retaliate to that. And on and on it would go, like a printed tennis match for all the parishioners to enjoy, until someone wrote a conclusive verse OR until someone went "Lol, you got me good there" and bowed out with dignity. Sometimes, these things were fucking vicious; but other times, they were just banter between two bards who knew each other and were enjoying the chance to keep their poetic skills in tip top condition.

Now, Gwerful was an active and enthusiastic participant in ymrysonau. We have many examples of her work from these. There are two of particular note that I'll list here, each against a different bard:

Dafydd Llwyd o Fathafarn. Mathafarn and Mechain are not so distant from one another, so no real surprise that these two locked horns a lot, but the impression I always got from their ymrysonau is that they were good mates, actually. These fell into the 'banter' category more often than not. Dafydd was a Welsh Nationalist who was hoping for a Welshman to rise up and throw off the yoke of English oppression, and most of his work is about that, but he turned up the filthy erotic shit for any ymryson with Gwerful because BOY HOWDY was that her specialty. IIRC she did occasionally poke fun at his Welsh Nash leanings, especially his obsession with Mab Darogan (OLD Welsh idea that translates to the Son of Prophesy - the Arthur-style figure that will one day drive out the English overlords), but mostly their ymrysonau were incredibly beautifully-written odes that could be summed up as "Dafydd, my man, my good friend, I mean this sincerely: suck my entire clit".

She often won.

Ieuan Dyfi. God, what a fucking asshole. This one was not banter. Gwerful played for blood with this prick.

We actually would know nothing about Ieuan Dyfi if not for Gwerful Mechain, because it was her poetic response to him that meant his only surviving poems made it to the modern day; that, and the record of him being brought before a church court where he admitted adultery with Anni Goch, a married woman. Oh, and the record of him being brought before the law courts at Liverpool, accused of domestic abuse and gambling? If I remember right?

Two things to know that set the scene for what came next:

One of Gwerful Mechain's surviving poems is an englyn considered to be possibly the oldest extant poem about domestic violence written by a woman: I’w gŵr am ei churo (To the husband who beats her)

Dager drwy goler dy galon - ar osgo I asgwrn dy ddwyfron; Dy lin a dyr, dy law’n don, A’th gleddau i’th goluddion.

There are a lot of translations for this one to try to keep its poeticness, but this one is pretty good:

Through your heart’s lining let there be pressed, slanting down, A dagger to the bone in your chest. Your knee smashed, your hand crushed, may the rest Be gutted by the sword you possessed.

She has others, too, that deal with sexual assault, and something scholars often note about Gwerful is her remarkable knowledge of the law as it pertained to women's issues. So she was not, you see, a woman with a high view of a man accused of domestic violence anyway.

But then Ieuan Dyfi wrote five poems about Anni Goch, the married woman he'd fucked, each more "Wow dude, she said no" than the last, culminating in I Anni Goch; a full cywydd of misogynistic Medieval-incel bullshit about how false and evil women are, which listed all the false and evil women of history including classical and mythological figures.

And. Well. Gwerful had some views.

Her responding cywydd - I ateb Ieuan Dyfi am gywydd Anni Goch - basically blasted the guy back into his own impact crater and disintegrated him. What she did with it, essentially, was to mirror his cywydd. Where he'd gone "Isn't it so true how great men throughout history have always been brought low by women, amirite lads? Here's examples", Gwerful went "Isn't it so true how 'great men' throughout history have behaved appallingly and fucked up through their own actions and then somehow managed to blame women, amirite lads? Here's examples." Where his examples had been historical figures, so were hers. Where his had been classical, so were hers. Where he went Biblical, so did she.

And what's so interesting about that last one is how pointed she was with it - for some reason, in his big list of evil women, Ieuan Dyfi did not go for the most obvious and low-hanging of fruit (no pun intended) - he doesn't cite Eve. In response, Gwerful also sidesteps the most obvious and low hanging of fruit - she doesn't cite Mary. In so doing, she makes it clear that she doesn't even need to.

There is no record of him responding to her. IIRC, there is a record of him doing three years in prison.

But! Outside of all of that, the big thing Gwerful was known for was her erotic poetry. You'll be unsurprised to hear that it wasn't written for shits and giggles - much like today, women of the time were told that most of their value was in their looks, and they had plentiful insecurities about their bodies. Gwerful wrote her erotic stuff to confront those insecurities and shine a light on the issue. There are so many examples of this, but far and away the most famous is definitely Cywydd y Cedor - roughly translated, 'Ode to the Vulva'. Though I have also seen it titled Cywydd y Gont - Ode to the Cunt. It's such a shame that the English language is literally, physically not capable of cynghanedd, because it means unless you learn Welsh you will never understand the beauty and the lyricism of the piece, and how it elevates and undercuts the content at the same time; but it's a joyful, masterful, irreverent work that uses the fancy language male poets were forever dedicating to the rest of a woman's body and applies it squarely to the vulva. In fact it basically opens with "Men are cowards, describe more cunts or gtfo" before launching into its main subject matter. The last line is pro-pubic hair, too, like I really must stress how much Gwerful Mechain would have to offer Tumblr if you could speak Welsh. This is probably her most widely translated piece, though, you can definitely find English versions. Although you can tell how blushing and reticent the translator is - and therefore how sanitised their translation is - by whether they've called it Ode to the Vulva/Cunt, or Ode to the Pubic Hair.

Needless to say, the original is not sanitised.

(Actually, I should also say - this one is also a response piece, probably, but in this case to a bard who lived a century earlier - Dafydd ap Gwilym, the absolutely legendary and uncontested king of Welsh romance poetry. He wrote a poem called Cywydd y Gal - Ode to the Penis. I have only just put two and two together on that.)

As a final note, I should say that my personal favourite Gwerful Mechain poem on this subject, mind, is actually I'w morwyn wrth gachu - to the maiden who is shitting. It's an englyn written in Gwerful's customary high poetic form, but it is what it says - it describes a woman taking a shit, and farting as she does. Beautiful and magical and disgusting and banal, all in one go:

Crwciodd lle dihangodd ei dŵr - ’n grychiast O grochan ei llawdwr; Ei deudwll oedd yn dadwr’, Baw a ddaeth, a bwa o ddŵr

Funnily enough, it's hard to find a good translation for this one lol.

My attempt:

She crouched where her water escaped - creased From the cauldron of her heat; Her two holes were arguing, Shit came, and a bow of water

Eh. It's so bland in English. Honestly, if you could read Welsh...

Anyway, if anyone reading this can read Welsh and wants to read some of Gwerful Mechain's stuff - including some of the pieces she was responding to in the ymrysonau - you can find a load here. Otherwise, I hope you enjoyed!

[gloomwitchwrites]

Hello, hope you're a having a good day

Could you write something about 141 x reader where the sparring session turns a little too not your usual sparring (if you know what I mean). The reader and them being all sweaty and shit and like the sexual tension that's been there for a while. This idea has been plaguing my mind since forever. Thank youuuu

Haha! Yes! Omg, I love it. Okay, for this, I didn't go full smut. When someone mentions sexual tension, I tend to hyperfocus on that and want to bathe in it. Give me naughty thoughts and flirting-maybe even some actual physical contact that borders on dangerous territory. Give me the yearning! I want to giggle and kick my feet and think about what might happen later.

So, I indulged in that regard! I had lots of fun with this. Thank you so much for sending it in!!!

For the masterlist and how to submit your own request, click HERE

Task Force 141 x TF141!Female Reader

Content & Warnings (per the warnings MDNI): swearing, suggestive themes, knife play, grinding, rough kissing, caught in the act, training, naughty thoughts, mutual yearning

Word Count: 2.4k

ao3 // main masterlist // imagines & what if masterlist

John "Soap" MacTavish

“Come on. Come at me.”

Soap rolls his shoulders and then brings his fists up in a fighting stance. He makes a “go on” gestured with his hands.

Every muscle in your body is sore. Tired doesn’t even begin to describe how you’re feeling. But you want to best Soap. He’s been on your ass for weeks now—insisting that the two of you should spar together. It’s not the sparring that makes you warm and tingly but the way he suggests it.

Always leaning in. Standing far too close. Bumping your shoulder with his.

Soap waits, but you’re not sure how to proceed. So far, you’ve been completely unsuccessful. As if knowing all your moves, Soap has dodged each blow and kick, effortlessly taking you down to the mat every time you thinking you’ve ensnared him.

Stealth is more your thing. Creeping around in the shadows. Taking out opponents from afar. A sniper scope is your friend. Hand-to-hand isn’t.

You lunge for him and Soap steps back. Fist missing him, you sidestep and go for a jab in the stomach. Soap slaps your hand away, and you want to yell in frustration.

“Sloppy today,” chides Soap, grinning like this amuses him.

It probably does. He’s one for a good laugh.

This time you feign, and Soap takes it, moving in. You’re ready for him, turning out of his swing to duck beneath and then aim for the face. Soap rises to block, and opens a clear line to his groin.

Fucking beautiful.

Lifting your foot, you don’t tap him hard, just enough for his cheeks to go pink. Soap grunts, and you chuckle.

“Shouldn’t have left yourself—”

With an oof, your back smacks against the tumble mat beneath you. Soaps snags your wrists and pins them above your head. You go to kick out at him, but Soap’s knees are between your legs. He shoves them wider.

You’re completely trapped beneath him.

And in a completely inappropriate position.

From where you’re pinned, you notice the small beads of sweat on his brow and how a few pieces of hair stick to his skin. Though his chest is covered by a shirt, it’s snug, with every muscle on display. Those powerful thighs of his press against yours in such a way that you’re imagining nothing between your bodies.

Would he feel this powerful over you if the two of you were elsewhere? Perhaps, somewhere more private. Somewhere without a tumble mat. Somewhere with a bed.

“Can’t harm the goods, love,” says Soap, his voice husky. You’re not sure if it’s from the close contact or from the tap you gave his crotch.

“Then don’t leave them vulnerable,” you reply, almost not recognizing the sound of your own voice. It too is husky as if dipped in desire.

The middle of Soap’s brow scrunches slightly. His gaze travels downward to linger on your lips and then further still until you sense him admiring more than he is observing.

“Soap—”

His gaze snaps upward. “Johnny,” he corrects. “Think we’re on closer terms.”

“Are we?” you ask, as his hips start to relax.

The press of him against you is apparent, and the hardness there is poking at you. Insistent. And you don’t want to ignore it.

Instead, you press upward, grinding against him.

Soap—no—Johnny, makes a sound in his throat.

One moment you’re under him and then you’re in his lap, the two of you sitting up, staring into each other’s eyes. Your heart hammers in your chest, and your hands fists the front of his shirt.

“You—”

“Are we interrupting something?”

You and Johnny turn just as Ghost and Gaz enter the gym. Gaz has a towel draped over his shoulder. The water bottle he holds it half-way towards his mouth before he freezes, gaze locked on you and Johnny.

Ghost cocks his head, arms crossed over his chest.

You’re speechless. Lost. Your mind hasn’t caught up.

But Johnny’s has.

With a twist, Johnny rolls and then lightly tosses you off him as if the two of you were simply practicing and not staring into each other’s eyes.

“You want a go, Lt?” asks Johnny.

Kyle "Gaz" Garrick

“You up for another round?” asks Kyle.

The man is grinning like he could do this all day. You’re sore everywhere—ready to collapse from exhaustion. Hand-to-hand combat is not your thing which is why you’re here in the training room with Kyle.

Yes, you need practice, but you’ve also had your eye on him, admiring him when you think no one is looking. It’s an excuse for some alone time.

“I’d rather eat glass,” you mutter, snatching up your water bottle and drinking the last of it.

“Hate me that much?” he teases.

“So much so that I wanted to spend the afternoon beating your ass.”

Kyle bursts out laughing. He snatches the water bottle out of your hand and aims it at you, squeezing. There’s nothing in it. A few measly drops hit your face and then you lunge for him. Kyle jumps back and extends his arms outward.

“One more round.” He winks. “Come on, love.”

He’s being cheeky, and your blood is pumping.

Kyle tosses your water bottle to the side as you stride forward. His arms go up, and then the two of you are nothing but flying fists and feet. He’s faster, blocking every blow you send his way.

Sweat accumulates on your brow and on the back of your neck, dripping down your spine. You lick your lips, taste the salt from the sweat.

You duck. Swing. Kyle snatches your wrist and twists, pinning your arm behind you. With a sharp jab of your elbow, you nail Kyle in the stomach, freeing yourself.

As you spin to lash out, Kyle is right there, in your space, blocking all movement. You try to step back, to allow space in your next strike, but Kyle rushes in. The two of you are twisted up. Falling. Slamming into the mat on the floor.

You shove and Kyle resists, his strength outmatching yours. With cheek pressed into the mat, you have nowhere to go. You’re completely on your stomach, and all of Kyle’s weight is on you. He breathes heavily, chest heaving. You feel his breath against your skin, and the contact only sends your skin into a shiver.

Your mind drifts, lingering in places it shouldn’t. Worse—Kyle is aroused. His hardness pokes at your ass. But whether he notices or not is unclear.

“You’re improving,” he says.

“I have a good teacher.”

Kyle makes a noise that sounds like agreement. Every muscle is tense, and even Kyle’s hold on you seems laced with something harsh. But then it eases. Softens. His grip loosens enough that you roll onto your side, glancing up at him.

He is so goddamn close. Just a gentle tilt of the head and your lips would meet his. It wouldn’t be that hard. He’s right there.

Kyle blinks, and then his gaze trails downward, lingering on your lips.

“We,” he begins. “We shouldn’t.”

“Why?”

His thumb traces along the side of your throat, and your eyelids flutter with contentment. A little moan escapes you, and you hear Kyle’s sharp inhale.

“Fuck,” he mutters. “Fuck it.”

His thumb becomes his whole hand. Holding you in place, Kyle goes all in, claiming your lips with his. It is dominating, and you happily give in to him.

John Price

Your back hits the tumble mat with a sharp slap. The exposed portions of your shoulders and back sting from the contact.

"Again."

Groaning, you push up to a seated position. "We've been at this for hours."

"And you need practice," counters Price.

He's hatless. And shirtless. Only in cargo pants and boots, Captain Price's bare skin glistens with sweat. You won't pretend that the sight of him like this doesn't intrigue you. For months now you've been observing Captain Price in more than just a professional manner. It's hard not to, and the sweat-drenched man before you isn't helping things.

Captain Price runs his fingers through his hair, taking a step back. The casualness to the movement causes your stomach to twist with desire. Your body betrays you, and you have no idea if these feelings are entirely one-sided. Sometimes you think you might gleam a notion of his thoughts, but it always manages to slip through your grasp.

Price offers his hand, and an idea forms.

You extend yours, but don't close the distance. Price is the one that leans forward to do so. It's the perfect opportunity. When your fingers close around his, you tug back, throwing him off balance.

Price tips forward, and you turn to the side as he crashes down to the mat. In one fluid movement, you roll Price onto his back and straddle his stomach.

"Never let your guard down. That's what you always say."

Price's eyes widen slightly before softening. The corner of his mouth twitches into a hint of amusement. It immediately sends heat flaring through you.

"I do," he replies, and it's nearly a coo.

That smirk of his widens into an actual smile, and then it's you on your back and Price straddling. You strike out with an elbow but Price catches your swing, trapping your arms above your head. He bends forward a bit, and it is then that you feel the stiffness against your stomach.

Price makes no move to hide it, and you don’t dare glance downward.

"You need to do better-"

"Captain."

Price immediately recoils, sitting up and releasing your arms. You twist to look behind you, only to find Ghost and Soap standing nearby. Ghost is ever the silent observer, but Soap's head is slightly tilted to the side, the middle of his brow pinched like he's not sure what's happening.

"Meeting starts in five,” says Soap. “Came to find you."

Price coughs and then he's off you, kneeling and offering you a hand again. You don't try to knock him down.

"Just going over some pointers,” replies Price.

"Pointers?" deadpans Ghost and you shoot him a look. He shrugs at you, gaze lingering before moving to his captain.

"Give me ten minutes. Shower. Then I'll be there."

Captain Price gives you a quick glance before walking off with Soap. Ghost crosses his arms over his chest and just stares.

“What?" you snap

"Pointers," he repeats.

"Oh, fuck off, Simon."

He chuckles and turns to follow the two out of the training room.

Simon "Ghost" Riley

"Your posture is terrible."

"That's very helpful, Lieutenant,” you deadpan.

"Are you sassing me?"

"No."

Simon shakes his head and sighs. “Can’t throw a knife accurately if you’re hunched like a goblin.”

“Goblin,” you mutter under your breath. “Asshole.”

“What was that?”

You clear your throat. “Seems easy, Lieutenant. You just throw the pointy end at the enemy.”

Simon grunts and then grabs your raised arm. "You won't hit anything standing like that."

You resist his pull but you're outmatch when it comes to strength. With one hand on your arm and one on your waist, Simon shifts you into position.

"Like this," he instructs, bringing your arm back. "Firm grip. Feet pointed forward." Simon releases your arm but his hand on your waist remains. "Throw. At the target."

You let the knife fly. It strikes just right of the bullseye.

"Again,” nods Simon.

"Really?"

Simon slowly drops his hand from your waist, the tips of fingers lingering a second longer than necessary.

Removing a knife from his boot, Simon flips it end over end. "We could hone your skills a different way."

"What way?"

“Grab your knife and find out.”

Stalking toward the bullseyes, you yank out the knife, joining Simon in the sparring ring. He bends at the knee, crouching into a fight stance. You mimic the movement.

Simon lunges first and you sidestep. But he's quick for such a large man. He moves around and behind you so fast he's almost a blur.

Grabbing your wrist, Simon lightly twists and pins you against his front, the knife tip pointed at your throat.

"Again,” he growls.

Simon lightly shoves you away. You spin. Striking out. He slaps your arm down and raises his own, the knife tip pointed at your throat for a second time.

"Again."

Showing your teeth, you charge at him, barreling into him at the middle. Simon staggers but doesn't faulter. He attempts to toss you off him, but you remain firm, grabbing hold.

This unloads him, his weight toppling with you. The two of you go down. Simon rolls you onto your back, his body pressed to yours, knife at your throat again.

"Better,” he says. “Still needs improvement."

You go to shove him off, but Simon doesn't budge. He remains where he is, and every point of contact is like an electrical spark. Even his face is close, balaclava nearly scratching against your skin. There is not part of him you’re not touching.

Awareness settles in.

Simon is all hardness over you.

"Have any tips you can give me?" you reply.

His gaze slowly lowers to your lips. His hips shift slightly, something stiff poking against your inner thigh.

“I have one,” he murmurs.

Bet I can guess.

“How do you want it?” he continues.

"You're the expert," you reply softly, hooking your leg over the back of his.

It's an invitation, one you aren't sure he'll take.

There’s a brief pause, and then Simon hums in agreement. It’s a pleased sound, one that instantly makes you shiver. Without taking the knife from your throat, he closes the distance, lips pressing against yours through the balaclava.

Heat erupts, the knife in your hand forgotten on the floor as you grab at him, fingers digging in.

It's only a tease. You want the real thing.

"What's the tip?" you ask once he breaks the connection.

Simon answers by grinding his hips against yours.

That one. Got it.

“We should—”

A door slams from somewhere down the hall. Simon’s head snaps up. The knife disappears, and then Simon is pushing himself away, kneeling beside you. His head is turned toward the main doors, but no one enters.

“It’s late,” you say. No one should be coming this way.

He turns back to you. “Your knife skills are shit.”

You groan. “I know. Goblin hunch. Got it.”

Simon snorts, and offers his hand. You take it, and he pulls you into a seated position. “Just a few more rounds,” he says, and then with a husky twinge to his tone, “and then I’ll go make sure the locker room is clear.”

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[elexaria]

dating simon riley wasn’t always easy. “i’m a bloody nutcase, eh?” he’d joke when he’d wake up in a cold sweat, taking deep breaths as his calloused thumb rasps against the soft cotton bedsheets, grounding him back to reality. “puts all my efforts to shame when i wake up like this. fuck’s sake.”

therapy is mandatory, especially given his role as lieutenant. the traumas of childhood, the torture. he thinks he’s good at dealing with his problems, thinks therapy is a waste of time. “what, it’s just a bloke sat there starin’ at me? hell, get me a piece of paper with some made up degree on it and even i could be a therapist.” he grumbles after you point out that, in fact, he’s not as good as coping with his trauma as he thinks he is.

“you need to actually give this a go, si. it’s..” you pause, biting the inside of your lip as you make breakfast. his hair is disheveled, wry strands of grey sticking up against the grain. his dark circles only exemplify just how tired he is, especially when he has his night terrors. you shake your head, sighing as you crack another egg into the frying pan. “how can i expect you to stay safe out there when you’re barely able to look after yourself when you’re home?” you sigh out as he grunts, taking a seat at the small dining table, his eyes skimming through the morning paper.

god, he’s such a stubborn bastard. it takes months to get him to at least consider finding a new therapist, to get him to actually care about his mental health. christ, if he can’t do it for himself, can’t he at least try for your sake?

and then, it’s like he has a lightbulb moment. you come home after a long day at work, only to find him sat at the dining table, writing scruffy notes in a ring bound notebook. “mission notes?” you ask curiously, keeping your eye on him as you make yourself a cup of tea. he grunts, shaking his head as he continues to write.

“it’s a diary. supposed to help with your mental health or summet.” he replies, settling his pen down to meet your gaze. you must have had a look of confusion on your face, and it makes the corners of his lips twitch up into a half-smile. “yeah, i know. a bloke like me with a diary, like i’m a bloody teenage girl.” he quips, now grinning as his fingers toy with the corners of the notebook. “writin’ about all the boys i fancy on the field.” he shoots a wink, before continuing to write some more in his notebook.

it’s actually surprising, a smile on your lips as you watch him in his own little world, actually making an effort in his mental health recovery. you come over, settling a warm cup of tea by him before pressing a gentle kiss to the crown of his head, still smiling as you make your way upstairs to give him some privacy. he comes upstairs after half an hour, chucking the diary into his bedside table drawer before sprawling out onto the bed obnoxiously with a deafening groan. you whine and complain when he purposely stretches on you, gently crushing you with his bolder-esque shoulders with a massive grin on his face.

there were still bad days, though. days where he’d hide himself in the garage to work on some of his projects. but you’re both trying, he feels his heart break when you gently knock on the door, holding a plate of snacks and a cup of tea for him, and fuck, it makes his bad day slightly better.

that evening, he curls up besides you silently on the couch, his journal and pen in hand as he clears his throat. you curiously peer down as he begins to flick through the pages of chicken scratch, gently tapping the page as he looks up at you. he clears his throat, and begins to read out the sweetest paragraph, one that makes your eyes well up with tears.

“no idea where i would be without you, love. you make the darkest days of my life brighter than ever. you make life worth it.” he ends his speech , the timbre of his voice cracking with emotion as he looks at you. and right there, you know that through all the trials and tribulations you two will go through, you’re the love of simon riley’s life and he would never let you forget that.

[grimmsbride]

▒ ❀ ̭͡⠀ ❛ SOME ENCOURAGEMENT. NAM-GYU / PLAYER 124

nam-gyu attempts to recruit beloved, timid reader into thanos’s world. all it takes is a little encouragement.

𖥔 ࣪˖ TAGS, nam-gyu is a little pushy (but everything is consensual between him and reader) | unconsensual voyuerism (again everyone is asleep but i don’t wanna make anyone uncomfortable) | ooc characters (first time writing for nam-gyu) | minor degradation & praise (+humiliation(?)) | use of the words slut, good girl, etc. | fingering | minor dacryphilia | just a silly little imagine | nam-gyu is lowkey manipulative | reader is a freak with a thing for fingers/hands | etc.

𖥔 ࣪˖ NOTES, writing smut on company time is actually hilarious, idk why i got this idea during work. but anywho — i hope you enjoy, i tried my hand at his character. as always please ignore any grammar mistakes or typos.

Imagine Nam-Gyu attempting to recruit someone without the advice of his beloved purple-haired leader. Surprising, right? Despite his own issues with inferiority; the ex-club worker just seems to follow behind Thanos like a hungry puppy desperate for a bone— or drugs, for that matter. But no, just this once, Nam-Gyu takes the lead. The numbers are growing closer and even more scarce, fear lacing people’s minds and causing them to hit that dreaded X button. Thanos’s World’s dream is to continue the games to pay off their debts, right?— so it only made sense for Nam-Gyu to turn an X over to the O side.

He couldn’t just pick anyone. Someone far too strong-willed would definitely tell him no, and someone far too weak would just be a curse rather than a blessing.

Who to choose.. Who to choose..

Soon enough the man’s eyes are locking on to you— a contestant he has seen around, yet hasn’t heard much from. Not only were you easy on the eyes but you just seemed like the perfect person to shape into a worthy teammate.

Within minutes he’s approaching you, an easy-going smile in place as your name falls from his lips. Nam-Gyu had heard it said before by someone close to you, another random that he hadn’t bother to think about.

“Yes..?” Your words are slow, lips pursing as you take in the man before you. You were beyond nervous; this was the lackey of that purple-haired lunatic after all. Watching the two fight on the very first day was enough to tell you to avoid them at all costs. Yet here you were, a few feet away from one of them, under his gaze that trailed over you like a pretty piece of jewelry behind a display case.

You couldn’t help but bring your hands closer to yourself, teeth dragging across your cheek nervously.

From your head to your toes, Nam-Gyu’s eyes soon landed on that big red patch residing just under your bosom. With a breathy chuckle he reached over, allowing a single finger to press and trace the X.

“You wanna get out of the games that bad, huh? You voted X twice already.”

Your eyes flicked down to his hand, before traveling back to his face. “Yeah well..” You dragged slowly, watching that harsh gaze return to your features.

“I—I want to get rid of my debts.. but putting my life on the line for it just seems..” You hoped you got your words across perfectly, even without continuing your sentence. Sure, it was hard being hounded for your debts, but death looming over your head just didn’t seem worth it.

Still, Nam-Gyu only shook his head at you, a sigh full of pity escaping his lips.

“Well, that’s where you’re messing up.” Nam-Gyu hummed, stepping just a bit closer, finger still tracing that damned patch. Your attention kept flicking between his face and finger, wondering why exactly warmth was pooling throughout your entire body.

“Worrying too much about dying is what’s gonna get you killed, not anything else.”

Your eyebrows knitted close, a look of confusion plastered across your face. Worrying seemed like the right way to keep yourself alive.. right? Not worrying just seemed, well— stupid. Not that you would say that to his face, obviously.

“I have to disagree..”

Just barely did you hear the sound of the man sucking his teeth, watching the way his face turned to the side, clearly searching for his next few words. You debated on walking away from this conversation, it was clear what his objective was. And whether ordered by Thanos or not, you didn’t really want to know— nor figure out.

Yet for some reason you were practically glued to the spot, blinking up at him and waiting oh, so patiently for his next spiel. And as you watched his face turn back to you, your breath got caught in your throat.

“Okay then.. worry all you want, but you wouldn’t you want someone to look out for you?” Nam-Gyu’s other hand was reaching to your patch at this point, using both thumbs to trace it. “Being on this side, there’s no unity.. it’s every person for themself.”

The two of you locked eyes, a sickeningly sweet smile crossing his face.

“Come with us, and we’ll look after you. I’ll personally see to it too.”

Slowly did your teeth sink into your bottom lip, struggling to maintain the eye contact that he seemed so keen on keeping. The only thing you could hear was your racing heart and the gentle sounds of his thumbs sliding across that red patch. His words were.. tempting. You wondered if he rehearsed what to say, like a video game with multiple endings; did he have it all figured out before he even walked over? Was he so prepared to convert you, using every rejection you had as some silly obstacles the man easily hobbled over?

So caught up in your thoughts, you hardly realized Nam-Gyu had gotten even closer until his breath fanned across your ear in a simple;

I’ll let you think it over, let’s talk again later..

When you thought of later, you initially believed in thirty mins or so. Maybe this time he would bring over his beloved leader to really get the point across. But no, later seemed to be during lights out; when you all should be sleeping, tucked away in the rare bliss these murderous games brought.

And the only talking that was happening was the soft words Nam-Gyu continued to whisper into your ear and the even softer moans of passion that slipped from your swollen lips.

See, Nam-Gyu wasn’t an idiot despite what Thanos seems to think. Quickly he caught on to two things whilst speaking to you.

The first being, you were quite cute when nervous. And two, you just loved looking at his hands.

So what better way to really stretch his point across but using his beloved fingers to stretch you open just how he liked?

“Should have done this from the start, look how cooperative you’re being..” The smile on Nam-Gyu’s face was permanent at this point, the corner of his mouth twitching with each pitiful moan you released. His rings were tossed lazily to the side, his bare fingers now pushing into your sloppy cunt so perfectly. Longer then your own, they pushed and prodded; opening you up and rubbing against your soaked walls. With each breath you were clenching, causing the smile on his face to only grow deeper.

“Scared of dying but not of some stranger finger-fucking you, huh? What a joke.”

You wanted to tell him off, how he was so mean and so wrong. But you couldn’t, not with how your mind was getting complete lost from his movements. Your teeth were grinding into your bottom lip, a metallic taste filling your mouth as time progressed. Deep moans thundered from your throat, muffled by your harsh biting. You couldn’t imagine having your little recruitment interrupted by some poor contestant just trying to get some rest.

But with the way Nam-Gyu was practically ruining you, it didn’t seem he cared much either way. He was so hellbent on coaxing you, his lips right against your ear as that damned thumb came and circled your swollen bud.

“I told you I’d look after you right, where’s my thank you?”

Your eyes widened the moment his free hand rose, pushing at your cheeks and basically forcing your lips to part. The sound you let out was a strangled mix of a moan and gasp, quickly clasping your own hand against your mouth.

Nam-Gyu chuckled on his breath, thrusting a third finger into your wet cunt as he spoke; “What? You scared of the other contestants realizing how much of a slut you are? Shouldn’t worry too much; this messy cunt is making enough noise for you.”

Your eyes were meeting the back of your skull, so fucking mean he was— yet you couldn’t help but enjoy the attention. His digits were curling inside, brushing across that special spot that caused you to shake. Your thighs were clenching harshly around his arm, rushed breaths escaping as your chest rose and fell.

“Th—thank you.. fuck— please…!” You whimpered as softly as you possibly could, glossy eyes staring up at the man. You felt accomplished the moment he drew closer, feeling the cold metal of his chain brush against your heated skin before a gentle kiss was pressed right against your cheek.

“What a good girl.. You wanna come, hm?” The hand was lowering to your throat, fingers simply wrapping around it yet not squeezing. Nam-Gyu watched in pure enjoyment at the way your head tossed back and forth in a rushed nod; how needy you were for him. What a palpable little thing, is what he thought.

“I can make that happen, you just gotta do something for me.”

More words, whispered, tempting; drifting right into your ear and hitting the same pleasurable spots right between your legs. Speaking of, you felt your peak drawing closer; a tight band resting deep in your tummy— ready to burst.

You knew what he wanted, you weren’t an idiot nor were you too fucked out to forget. Your mind was screaming at you, telling you an orgasm wasn’t worth pressing that cursed button.

Yet, for now, you weren’t thinking with your brain, but with your pussy instead.

“P—please let me join! I’ll press the button— I promise!” Another whisper-yell escaped you, desperation clinging to every word as they fled those pretty lips.

With that final confirmation Nam-Gyu was quickening the pace of his fingers, eating up the way your body convulsed, a lost look invading your eyes as you came undone. Your essence trickled down his fingers all the way to his wrist, a sticky residue that he would make sure you clean up later.

For now.. his hand rose from your throat to instead cup your cheek, rubbing his thumb right under your eye so tenderly— so sweetly.

“I knew you could do it.. just needed some encouragement, right?”