#i actually can't handle it

[flames-tstuff]

goddammit, Al... I already loved you an unbelievable amount. you didn't have to do this to me 🙃🙃🙃

#canon lee!Alphonse supremacy ✊️

[prlssprfctn]

No matter if you choose to consider that Jason had the worst time ever in the League of Assassins or that, quite opposite, it was more or less okay, I think we all should unite and agree that Jason would be Ra's bane of existence. This boy is a brat. A certificated one, even. He is not an easy boy to handle, never and ever.

Ra's, after locking Jason up away from the society for a few days: Now. Do you realise what I am trying to say to you? You should focus on your studies. On your trainings. Forget about easy, normal life, about teenage shenanigans. Find peace. Throw unnecessary thoughts away.

Jason, yawning: Yeah, okay. Sure.

Ra's waking up in the 5am because someone is blasting NSYNC's Bye Bye Bye on the whole castle: Talia. What is this?

Talia, shrugging: Jason found old music speakers. He says he is... focusing like this. Just like you advised him to.

Ra's with his eye twitching: Is. he. Now.

Ra's: (accidentally trips on his cloak)

One of the Assassins, in their local comms: Chat, clip that

Ra's, frowning: What is that? What had you said? What is this nonsense?

Assasin: Uh, general had taught us—

Ra's: STOP LISTENING TO HIM, FOR GOD'S SAKE

Ra's: Talia, we need to send the boy to All-Caste. I think he needs some time away. From us. From me. Specifically.

(A certain amount time later)

Ra's, sighing in relief: Finally, peace—

Jason, spawning behind his back: Hi.

Ra's, groaning: YOU WEREN'T SUPPOSED TO SURVIVE THE CLEANSING CEREMONY, OH MY GOD

Jason: Wanna check All Blade? It is kinda cool.

Ra's, pausing: ...Yeah.

Ra's farewelling Jason, who returns to Gotham: I have nothing to wish upon you. Be as annoying to Batman as you were to me.

Jason, smirking: Aw-w, I barely unleashed my annoyingness with you, Ra's. Bruce is going to suffer more.

Ra's: ...Good.

Ra's, closing the door behind him: Barricade the castle. Set bombs. I DON'T WANT TO SEE HIM HERE EVER AGAIN!!!

Also Ra's a half of a year later, watching footage of Jason terrorising everyone's life in Gotham, with tears in his eyes: That's my grandson. I am so proud of him.

Talia, raising her eyebrows: You tried to drown him in the Lazarus Pit. Twice.

Ra's: Shhh.

Talia: Then I'll invite him on holidays this year.

Ra's: NO.

[uncanny-tranny]

Fat people deserve mobility aids, too. No matter if it's connected to their fatness or not, because having a mobility issue that is connected to one's fatness won't change that they're still fat and still have the issue at hand. Fat people don't deserve to "tough it out" because fatness should be this divine punishment doled out to those who "deserve" it. Fat disabled people deserve to have the peace of mind that they can exist in whatever way is most comfortable and accessible to them

[starry-bi-sky]

on a completely separate note; shizun luo binghe with a disciple shen yuan who fell into the abyss??? *thinks about LBH canonically stealing SQQ's corpse for 5 years* he'd hallucinate i think. like, like visual and audial hallucinations.

Keeps thinking he's seeing SQQ in the corner of his eyes, or wandering between the trees, amongst a group of disciples. Thinks he hears him calling for him, but its just the wind or another disciple.

Gets Xiu Ya reforged but patently fucking refuses to make a sword mound. Because his disciple Is Not Dead :))) There was No Body. He's Not Dead. And If You keep Insisting That He Is, He's Gonna Skewer You :). He's holding onto Xiu Ya so he can return his most favored disciple's sword when he returns. It's on his hip right next to Zheng Yang where it's supposed to be.

Also this motherfucker?? does not sleep btw. He has the image of SQQ, wide eyed and hysterical and standing at the mouth of the abyss burned into his fucking eyelids. Can't use the dreamscape to escape it either because he keeps trying to save him and either he does and it's an incredibly cruel trick to wake up to, or he doesn't and he gets his heart broken in several different pieces again.

There is no convincing this man that Shen Qingqiu is dead. Absolutely nothing at all. He is buried so deep in denial that moles would be jealous of how deep he is. He keeps making tea for two in the bamboo house only to remember that it's just him. SQQ's fans are hiding everywhere, little reminders of his presence. He goes to wake up SQQ on the mornings he sleeps in-- only to find the room empty.

[mellosdrawings]

So... heat waves are fun (not)

(Bonus : Mama Jamil)

[khaoala]

❝This is your only chance, Ai'Mook.❞

CHANYA AMARIT as VIVI and AYA ORAPAN as KAIMOOK episode 8 of LOVE SEA

[ardenzia777]

Painted Miquella and Radahn Portraits ("omg Ardy this isn't Epic art" Yes yes i know, I do enjoy things other than EPIC, plus i'm proud of these and wanna share them uwu) Gonna do Portraits of Ranni and Rykard and Mohg and Morgott next!

[breezyluna]

Hey guys! Reminder that Knife can technically also possess people now

[livelovecaliforniadreams]

3x3 | 7x10

[pyotrkochetkov]

JACK DRAPER for Burberry

[kacievvbbbb]

You do get the sense that the fallout of Roger's death and the Roger pirates disbanding not so much traumatized Buggy and Shanks indifferent ways but instead generated such drastically different reactions to the trauma.

While the trauma of everything seemed to push Shanks into the future, always constantly waiting for something, putting plans on hold and then later in place, for this great moment, this great coming that he sees on the Horizon. For Buggy it rooted him firmly in the past keeping him trapped in this grief masquerading as anger.

While Roger's death forced Shanks to grow up fast, it kind of arrested Buggy's development keeping him stuck in those same feelings, rooted int that same place.

You get the sense that Buggy's whole east blue schtick is just one long overdue rebellious phase one big fuck you to Roger and his ideals. He's rebelling against Roger's principles. One of their rules was don't steal from innocent people and Buggy was keeping a whole town in poverty. If Roger and Luffy's pirating styles are diametrically opposed to someone like Blackbeard, who might be the most literal pirate in the entire series, then buggy is the parody of that Blackbeard piratism. He is playing up cruelty, being the most piratey pirate possible, hell he's literally a clown on a stage. It's all a show! It's his own special way of trying to "get back at Roger" of trying to discard everything Roger taught him for this overacted, over exaggerated clownish cruelty. Mentally he never left that execution square. He is still 15, alone and scared.

Hell he literally never left either, while I'm pretty sure Shanks' booked it out of the east blue as fast as he could, Buggy never lef, might have never left, if not for Luffy. It's part of why Luffy bothers him so much, he's just like Roger everything that Buggy is trying hard to forget and here comes this kid, whose never even met the Captain but is wearing his hat, shoving it right back in his face.

It makes sense that he never leaves the east blue till Luffy literally forces him out of it (fucking with Luffy gets him captured and imprisoned) and it makes sense that it's Luffy that literally breaks him out of prison, literally sets him free, and on the path to greatness that maybe he was always meant to achieve (even if he trips his way into it). This boy that is tragically so much like his old captain but so beautifully unabashedly himself, is what Buggy needs to start letting go off the past, to start trying to move forward.

Maybe that's why Buggy, at what could arguably be described as his lowest moment, gets the strength to free himself from his own self imprisonment, realizing that even back then he was locking himself away and pinning his own dreams on Shanks. And, maybe for the first time ever, Buggy really own his dream. He declares to his tormentors and his crew and the entire world that; actually He wants to find the one piece, him, as captain of his own crew, this crew, not just a part of someone else's. That's his dream and he's willing to turn the world upside down to do it.

[ryllen]

delivering peaceful judgement

[haec-an]

mark & haechan nct127 japan photobook: mark ensuring haechan is bear

[nightblightowl]

Just some Lilith thoughts:

I do not believe for one second that Lilith is as cool and composed and effortlessly poised as some of the fandom make her out to be. Now this is just personal opinion (and I know we don't actually know much about her) Look at the man she married. Look at the child she raised. I don't think she'd be quite as CHEERY/overly optimistic as Charlie or as goofy as Lucifer. But there is no way that woman is 100% serious all of the time. She's gotta have a sense of humour. I want her to seem as graceful/regal as she appears... and I also want her to be kind of a dork. She gets flustered too, she makes faces, maybe she snorts when she laughs, maybe she makes really really bad jokes... I just like the idea that all of the Morningstars are a lil' silly in their own way. Look at them.🥺

[ruby-red-inky-blue]

So, uh, to recap on the ladies of Andor, the pinnacle of progressive writing according to internet consensus:

Bix: After her character consisting only of "good at mechanics", formerly crafty (in the first Ferrix arc) and "traumatised", Bix gains a new character trait this arc - helpless rage and ✨✨✨drug addiction✨✨✨! Goodie. I'm so mad at this arc for her. We never see this woman happy independent of her trauma. We see her make happy for men - the shopkeep, Cassian occasionally, Brasso and co. in the first arc - but the only time we get an unobserved smile is when she gets her big Girlboss Yay Feminism revenge. And the featurette has everyone going "oh this is her moment", "this scene is about her" - IT'S NOT!! It's about Gorst! It's more trauma porn! Her happiness and functionality once again are dependent on men! She couldn't save herself from her trauma - she needed Cassian to help her get the drop on Gorst (and let's ignore how fucking improbable all that is for a moment, how does he even know where Gorst is???), and her happiness is fully dependent on Gorst living or dying. Her character does not EXIST without him this season. Why do we only ever see her take charge of her life to kill her abusers? The only other positive thing she's done for her life this whole season is to clean up the apartment, and she was doing that to *checks notes* hide her drug habit from her overprotective boyfriend. Feminism!! Please don't read this as an indictment of people struggling to cope with trauma, or substance abuse - I'm just so tired of everyone acting like this is such an uplifting, empowering narrative for this character, because I really, really, really don't see it.

Bringing up Maarva and Kerri as people Cassian failed to protect and nothing else is so telling. That's not even what happened! He was abducted as a child, he didn't abandon his sister, and what was he going to save Maarva from? Old age?? But that's their whole narrative purpose to the writers I guess...

Mothma: Well, I know the constant political downward trajectory is her whole thing, but we really spend the whole arc seeing her do nothing but failing to convince other politicians (mostly men) of anything and being made to look like a fool for even bothering. So far all we've given her this season is being too soft and emotional (which, by the way, is why it's a little odd to me they're pinning the same thing on Cassian - why do we need this narrative redundancy here?). And her one "big moment" (read: over thirty seconds of uninterrupted talking) she gets to have this arc is either a front for Kleya's and Luthen's business or a pointless and reckless lashing out at Krennic's overt imperialism and propaganda.

Dedra: Yeah, she's holding all the strings, but in a weird way, her whole narrative is dependent on Syril now, and I have a bad feeling this is all leading up to him being butthurt about being used. It's a great spy storyline, but just like Mothma's part, great as it is, in combo with the deeply uncool treatment of Bix, it starts to feel like an unfortunate pattern.

Cinta: I actually liked her scenes a lot! Especially the scene in the café - it had an interesting ambiguity, for a moment there I was wondering if Cinta was running Vel, getting back with her to keep her on track on someone's orders. I think I may be giving the script too much credit here, given how weirdly stilted the other two romances were handled this arc it might have rather been a case of "the writer really thinks lovers talk that way". But even if it was an accident, I think that would be an interesting feature in the show, because they're the one couple who genuinely seem to be compatible and on the same page about what they want! And I get that they were making a point to get her killed so uselessly, by friendly fire, on accident. But man, this show refuses to give a woman happiness, even for the span of a timeskip. Whenever any of the ladies seems happy or get something she wants for herself, you can already be sure she's about to die or have something incredibly heinous happen to her immediately after. And the execution of that scene pissed me off, because if that scuffle had even just been relocated to the tunnel entrance, I would have bought it. But no, they're in a really wide, mostly empty alleyway, the blaster was mostly pointed at a wall and trapped between the two men wrestling for it, and you don't even see anyone being close behind them, and yet Cinta not only manages to get hit but instantly killed - what are the fucking chances? And yes, it's a metaphor, but again, with the overall bad aftertaste, it feels targeted and cruel at this point. With how little we got to see of Cinta, it really made her death seem like an afterthought. Like Brasso, this could have packed a punch, but we knew so little about her and had seen her even less, so it just fell flat.

My only positives(ish):

Vel: Her character is really growing on me! She has such a nice, well-executed, subtle development compared to most other characters on this show. She's clearly learned from Aldhani, and she's learning from Mothma and Luthen, too, and her resentment at the life she's leading is so beautifully expressed by her last scene: The greatest punishment she can imagine is recruitment to her cause. Because that's what she's doing to this guy. Recruitment. This is on you forever, this is all your life is now, you owe me and everyone whatever you have to make up for this. That's so heartbreaking, and so real. Am I pissed that Vel is constantly and pointedly denied happiness at absolutely every turn? Yeah! But at least for her, it feels like there is a little more agency, because she chose this life, even though she clearly has options. For her, it feels a little more tragic and narratively weighty, and less like a pointless onslaught of misery.

Kleya: I love her so much. And I could (and should) point out that it feels a little shallow to have her be completely reduced to "being the only competent person among men who are losing their shit at all times". We know nothing else about her, other than that she is Girlboss(TM). But, unlike with Bix, we actually see her be outstandingly competent completely on her own merit all the time, and even though the script neglects her, too, there is an implication that she has actively and deliberately sacrificed the rest of herself to be this spymaster - instead of the writers simply forgetting to give her anything more. And I just think Elizabeth Dulau is KILLING IT. In a weird way, Kleya is giving me the power fantasy that most Star Wars gave to little boys. It's not exactly a win for feminism - it's yet another flavour of "women can either be competent and powerful OR express their emotions and be vulnerable with people" - but I do have a soft spot for her, and her moment at the exhibition was the tensest shit I've seen this whole season. Nothing more gripping so far than watching this woman attempt to turn a screw.

[feroluce]

SCREAMING CRYING SOBBING COUGHING UP BLOOD-

NO ONE GETS BOOTHILL LIKE DAN HENG GETS BOOTHILL

I was so horribly, deeply enamored by this line-

Fun extra bonus:

because not only does it bring up once again that Dan Heng is uniquely capable of seeing Boothill past all his posturing and showboating, that he can peer straight down into Boothill's core and so easily decipher who he is and what he stands for and read the methods behind his madness where so few others seem able to, but it also means that reticent, no-small-talk Dan Heng talks about Boothill to other people-

that I switched my game to the original Chinese text to see what would translate through. And.