#human verses are the same as the original ^_^

[gr0ovygh05t]

um. kitty cover of Gitchee Gitchee Goo by Phineas and the Ferbtones. if u even care.

Meow kiss-a meow meow

That’s what my kitty says

Meow meow meow

And my cat starts purrin’

Lick-a-lick-a-mew bop

Never gonna stop

Scritch-ee-scritch-ee mew means that I love you

My kitty’s got her own way of talking

Whenever she says something sweet

And she knows it's my world she's a-rockin'

Though my vocabulary's incomplete

And though it may sound confusing

Sometimes I wish she'd give it to me straight

But I never feel like I'm losing (losing)

When I take the time to translate

Here's what I'm talking 'bout

Meow kiss-a meow meow

That’s what my kitty says

Meow meow meow

And my cat starts purrin’

Lick-a-lick-a-mew bop

Never gonna stop

Scritch-ee-scritch-ee mew means that I love you

Well I don't know what to do (I don't know what to do)

But I think I'm getting through (I think I'm getting through)

'Cause when I say I love you (when I say I love you)

She says “I scritch-ee-scritch-ee mew you too!”

Scritch-ee-scritch-ee mew you too

Scritch-ee-scritch-ee mew you too

Scritch-ee-scritch-ee mew you too

Don’t need a dictionary

Meow kiss-a meow meow

That’s what my kitty says

Meow meow meow

And my cat starts purrin’

Lick-a-lick-a-mew bop

Never gonna stop

Scritch-ee-scritch-ee mew means that I love you

I said meow kiss-a meow meow

That’s what my kitty says

Meow meow meow

And my cat starts purrin’

Lick-a-lick-a-mew bop

Never gonna stop

Scritch-ee-scritch-ee mew means that I love you

Scritch-ee-scritch-ee mew means that I love you

Scritch-ee-scritch-ee mew means that I love you

Kitty, kitty, kitty (kitty, kitty, kitty, kitty)

Scritch-ee-scritch-ee mew means that I love you

[inexplicably-spookified]

diversity win! this witch is bi... lingual?

[fiepige]

How many changes can you make to a charatcer before they become an entirely new charater instead? Asking for a friend...

[reinemichele]

⚠ Flashing lights warning and also volume warning . like 5 seconds in there's a scream <3

I'll put a read more for my rambling and also add... my preferred translations, since I didn't want to go with the 480p Moira concert, but ever since I first saw this post

(Bad screenshot; I was focusing on getting both of them visible but the text says "there's nothing left of us")

I've been trying to figure out what it reminded me of, and it finally occurred to me that it's the Greek duet between Thanatos and Elef in Doreitachi no Eiyuu 😭

(Translations are here & here)

Have you gotten used to the unbearable pain of loss? There's nothing left for me (you)... [Τιποτα δεν παραμενει σε με, σε μενα εμενα...] No hope at all for me (you)... [Ελπίδα δεν παραμένει σε, σε μένα εμένα...] Life is something to be lost... The Sword of Hades Elefseus, the Harbinger of Death [Ἅιδης ξίφος Ελευσευς, ὁτῶν φόβος σε θάνατος] The Lone Wolf Elefseus, Bringing Hellenes to Thanatos [Μονος λυκος Ελευσευς, φορτεἝλληνες για θάνατος] [...] “How long will we repeat this?" “O, Moira!” Even though humans are all but pitiful slaves of fate, For a slave like that to own another slave Is truly dry humor at its finest! Don't give up, keep struggling! You don't like being powerless slaves, do you? If you have the courage to take up the sword, then come with me! The Sword of Hades Elefseus, the Harbinger of Death [Ἅιδης ξίφος Ελευσευς, ὁτῶν φόβος σε θάνατος] The Lone Wolf Elefseus, Bringing Hellenes to Thanatos [Μονος λυκος Ελευσευς, φορτεἝλληνες για θάνατος]

[thedailyplatypics]

ARTISTS, STOP POSTING TO DEVIANT ART

(Gen Ai/BDS)

Learned today that DeviantArt is owned by Wix, an Israeli company listed under boycott by the BDS Palestinian human rights organization.

Under Wix, who acquired DeviantArt in 2017, DV has been pushing Israeli occupation propaganda and allowing Generative Ai to completely takeover the platform and be sold on it.

It’s clear that under Wix, DeviantArt DOES NOT CARE whatsoever about the art or the artists it was originally created to cater towards. It only cares for profit.

Even if you are not well-versed on the current politics surrounding the Israeli Occupation and the erasure of Palestine for some reason, everyone can agree that Wix has changed DeviantArt for the worse and the best case scenario is that they sell it to someone who actually cares for art, not profit.

I absolutely adore to death so much of the art there, but for now I will stop posting my art there and I suggest that other artists do the same. They DO NOT DESERVE YOUR ART.

Please transition towards using alternatives like Tumblr, Insta, Twitter, and Newgrounds. Newgrounds especially is the best alternative to DeviantArt. Please suggest other alternatives as well.

[harzilla]

ohh. Brain rot time.

Long lost sibling AU. Except Yuu is the lost sibling of one of our dear Twst boys. Like through magically shenanigans Yuu is pulled from the twst verse as an infant or toddler(or in Malleus' case an egg) and ends up in a magicless world. The world has no magic so they're forced to fit whatever the constraints of that universe are. So if for example, they were Riddle's sibling. They simply lack magic. But if they were a mer, beastman, or fae, then they not only lack magic but they were forced to become human. Yuu has no memories of twisted wonderland, no memories of their previous life. They only know the life they've lived with their adoptive family. Things like fairies, mermaids, and magic are nothing but fairy tales.

Until the day they woke up in the coffin at NRC. Okay, so turns out magic is actually real! Hey, Yuu's actually handling it okay(I swear game Yuu is extremely mentally stable if they're handling all the shit so well). The mirror, for whatever reason can't accurately read their soul. So they still think they don't have magic and want to go home to their magicless world.

Even if Yuu looks strikingly similar to their sibling, maybe nobody makes the connection because, duh, Yuu is from another world. Like even if Yuu looks like Leona or Azul for example, it must be a coincidence because duh, Yuu is human not a beastman or a mer. Nobody actually figures out Yuu is actually from the twst universe until whatever magic that caused them to be sent to another world as an infant and stripped them of their original identity finally wears off.

Like maybe something triggers it. Maybe fighting their sibling's overblot and saving their life(since an overblot can kill the mage it's attached to) is what triggers the magic to break.

Book two, after Yuu is knocked out by the spell driver disk and wakes up in the infirmary. Everybody is so focused on Leona that they don't notice that Yuu has sprouted a pair of lion ears on their head. Yuu doesn't even notice until they realize that everything is so much LOUDER and why does the room stink of medication so much?

Imagine book 3 and Azul's overblot has been defeated. Everybody's beat up and then Yuu suddenly collapse and they're having trouble breathing. People are panicking and then somebody notices that their skin is starting to change to grey and black and that the seams of their pants are starting to tear because SOMETHING is moving inside Yuu's pants. Maybe it's one of the twins who figures it out and yanks up Yuu's shirt and sees that they're sprouting GILLS on their torso. Poor Yuu is picked up and tossed into one of Octavinelle's tank where they finish transforming and surprise. Yuu almost looks like a carbon copy of Azul in that form. Even their hair changed color to the same shade as his in this form. Like maybe Azul and Yuu were the only two survivors of their clutch, but Yuu was lost or stolen and the lost of one of the only two children they have left was what finally triggered their parent's divorce.

Oh oh. Like imagine with Malleus. Insert shenanigans where Yuu ends up in their world much more down the line so they age at the rate of a human instead of a fae(or maybe they age like a fae but still look like a human so their family thinks they have some kind of medical condition that makes them age slowly, poor Yuu is the big family secret until they're old enough to be on their own). Let's say there's some shenanigans and Yuu and Malleus were twin eggs. The two of them when the eggs are close together they can communicate with each other(maybe if you listened closely you could hear the faint cooing or squeaks of the baby dragons in their eggs as they talk to each other). Yuu's egg is stolen and has just disappeared. Poor Malleus spends so long calling out to his other half, he's just a tiny baby in his egg and he doesn't understand why his sibling won't answer him anymore. Maybe as he grew he always knew something was missing. Even if he wasn't told about his sibling. He just KNOWS somebody should be there. Maybe that's why Yuu in that universe doesn't fear him. Because the both are naturally drawn to each other as their other half. Perhaps Yuu ends up waking up one day with their head hurting because somehow they're sprouting horns and their skin peeling because surprise! They've got scales starting to sprout all over their body.

Maybe book 6 Poor Yuu's hair just suddenly burst into flame when facing Idia's overblot because they're in S.T.Y.X. and there's so many phantoms and so much blot around that it finally overloads their system and triggers the curse to finally manifest in them. Poor Yuu went from a normal haircut to a ball of blue fire for hair.

Imagine going from being an only child or having maybe one other sibling to finding out you're actually Kalim's sibling and oh yeah, You actually have 30 other siblings. Kalim's taking it great and can't wait to introduce Yuu to their long lost family but it might take them a bit longer to process.

Being Riddle's sibling, Yuu might actually feel grateful they ended up in another world if they have decent parents because they're not sure they're ready to face Mrs. Rosehearts when they find out she's their bio mother.

Can y'all see my vision here? So much angst potential but so much comedy potential as well.

The shenanigans from the more emotionally constipated cast trying to navigate this new found relationship. Or trying to figure out how they're going to introduce Yuu to their family.

Then you got ones like Rook. Poor Yuu, hope they're good at learning French.

Edit: I've expanded on the idea more here https://www.tumblr.com/harzilla/761475981811777536/original-post-found-here?source=share

[darqx]

If you didnt come to party [get the hell out of this club]

In which there's some links to old art - I've been getting a number of asks that are already technically answered so that's just what I'm gonna be doing if i can even remember what RAD they originally came from lol.

❗️For commonly asked qs please see my BTD FAQ

UNFORGIVEN.

Yes he can speak at least two demon languages (commons and a more specialised one).

Not really cos the ichor will eventually disappear if it's not in contact with Rire for a while lol. You ever wonder how someone could mysteriously drown whilst not being around anything they could have drowned in? Yeah.

I have drawn several such instances a long time ago. But it's not really Rire flirting with Ren it's more him being like...subtly condescending to Ren since Ren's submissive level is not very interesting to him |D

I...think you may have possibly mistaken me saying Rire might cry if he was in severe pain to mean that's the only time he could cry XD; To answer your q, yes Rire can cry from emotions - the point is he would choose not to (esp in public) as that would be a weakness.

🤔 You could probably get away with the same dress design but in black, tbh (if it was Lady Rire). Since the outfit design is 1930s/1940s based Rire's equivalent would be like...a 3 piece suit with a long overcoat/trench coat.

Got you covered bro [from a suit meme I did before]

Rire has a very long life span, but he's not immortal XD;

Tbh I don't really have thoughts about any of other peoples headcanons. Like I'm generally quite neutral towards headcanons because I primarily deal with the canon; the extent of my thoughts would be like "hm i wonder how they came up with that" lol.

This is actually in my FAQ :d but good of you to check for permission! If it's your own artwork then yes it is ok to make fanmerch of Rire. Similarly Gato allows fanmerch of her BTD and TPOF characs as long as it's your own art you are selling (and not like, our art/someone else's fanart that they didn't give permission to turn into merch).

It would be in Cain's best interest not to.

Cain is literally saying Olé Olé because i happened to be listening to this song at the time.

I can barely keep up with my ask box as myself let alone do it while pretending to be a charac lol, so no 😅 You can find a bunch of the most common qs in the FAQ pages though.

No and not really - though he is a bit more sensitive to light compared to a human as he has much better night vision than a human. He may also be able to see more colours than humans 🤔

There is technically no "stereotypical" demon in my 'verse, there's a bunch of different species each with their own looks/powers, so if he was another species then he'd have their physical characteristics. Rire's species is considered "plain" because outwardly they can pass more easily as a human than say; Izm's species (who have a really noticeable Glasgow smile-esque mouth as one of their physical features).

Yes he was born a demon...to his demon parents...|D;

He's the king of his sector and his sector is pretty well-to-do, I think you can draw your own conclusions from that lol.

Maybe, depends on what the human in question does with that.

Your second q has two answers depending on what context I answer them in, so I'll reply in the BTD context keeping in mind a charac like EP's Cain :d Basically yes Rire would be able to sense them like he does other demons. It's not a specific sense of "THIS CHARAC IS AN ANGEL" but more like "this charac is not human" and depending on what else he gets from it a "in your best interests to not engage".

Something big with long black fur and yellow eyes, maybe like a Norwegian Forest Cat or a Maine Coon.

[tsukinoiri]

"you can't accept anything when i didn't propose!" he knows his words went in one ear & out the other but still! the audacity! "& who said it'd be silly, huh?! cloud deserves a star for all the shit he went through!" was he a little biased? maybe. he gripes & grumbles as he drags his partner, more than a little weary at the fact dazai is just going along with it, even if his mouth hasn't stopped running. "who the fuck would even come to that? you don't have any friends!"

( maybe one day, it could happen, when they were both six feet under & stepping into a new life not covered in blood or nightmares )

"well, you can't do that because you've just proposed to me, and i'm accepting." he shrugs his shoulders carelessly as he waves a hand idly through the air. "besides, buying a star and naming it after cloud strife is just silly." his hand gets smacked away and he pouts, rubbing his hand, even if it didn't really hurt. if chuuya wanted it to, it would. still, it doesn't mean he can't be dramatic about it. he parts his lips to continue his speech about cloud when chuuya begins to drag him out. he puts up no resistance, instead beaming. "oh? are we going to the court house to get married? personally i would prefer having a small, intimate gathering."

[ukelele-boy]

I was rereading some of my posts from 2021 and was reminded of how much meta I used to write so imma share my crazy headcanon/ theory which i thought up as plot for a revolution fic:

RR verse is on the "Olympus will fall" timeline and Zeus' actions are speeding it up.

In the recent decade there has been several great prophecies back to back. And people have remarked how weird it is that there have been so many. What if the reason is because of Zeus?

Remember, in greek mythology there is a major theme of how Your Fate Cannot Be Defied. And Zeus, king of Olympus, has a major Fate: being overthrown. However he managed to "defy" it by eating Metis.

My idea is that he has been forcefully clawing out a future where he is still king of Olympus. By doing this, he is literally changing the flow of fate. And obviously fate wants to correct itself, so the harder he fights it, the more counterforce he triggers. All prophecies meant to lead to his overthrowing are suddenly sped up. Olympus begins to lose power. Zeus is aware of this. He is also aware how people are becoming suspicious. And he needs a scapegoat. And who better than the god of prophecy who is also a threat to the throne?

Apollo mentions that Zeus blamed him for his oracle revealing a prophecy "too early" and therefore causing it to happen early. However, everyone knows it's not possible to actually cause a prophecy to happen early...so why would Zeus even have this weird line of thought? everyone probably dismissed it as Zeus being irrational, but there a juicier theory this ties into:

Apollo being the one to overthrow Zeus.

The idea of "fall of the sun, the final verse". What if this is the final prophecy that is meant to happen before Zeus is overthrown? And what if the fall this speaks of is actually when Apollo fell close to chaos? When he pulled himself together there?

What if he reformed different from his original godly form. He was literally almost gone, his body was disintegrating. Maybe he pulled himself together using the energies of chaos. Apollo himself isn't aware of this, due to a suspicious memory gap between him clawing up from the cliff and him waking up next to Artemis.

And this adds to another headcanon of mine, the fates choose Apollo to be the god of prophecy on purpose. At first glance, this is a horrible match. If they wanted a good servant, why would they choose someone so closely tied to his heart and so likely to fight fate? Someone who dares get them drunk just to extend a human's lifespan? UNLESS... they WANT him to eventually try and defy fate??

Imagine if fate was a compass and Zeus had forcefully wrenched the needle point at a bleak dark future where Olympus falls with him. And this river direction has been set so deeply in stone and run on for so long, it has worn a grove and become the mostly likely future.

you need someone willing to fight, someone to wrench the needle out. SOMEONE FAMILAR WITH FATE AND Prophecy. Someone who has the power to fight it and win. Someone who has the will. Perhaps a baby god who was willing to fight Python, and who would have likely died there. But if he successfully did take on the powers of prophecy, one day that same godling would fight Python again, would absorb the powers of chaos to recreate himself.

Perhaps not today and maybe not even for the next four thousand years

but one day that godling would stare down at that wretched compass hand and decide to yank the flow out of its place. And maybe, that godling means a chance for Olympus to have a different future.

Anyways that's my crazy theory i hope it wasn't too confusing. It also links up with my other story theme idea about fate, hope and apollo blah blah blah, which i rambled about in a different post.

Edit: just remembered my other crazy thought, what if ZEUS PURPOSEFULLY TRIED TO GET RID OF APOLLO NOT ONLY CAUSE HE IS A THREAT TO THE THRONE BUT ALSO BECAUSE AS THE GOD OF PROPHECY HE IS MOST LIKELY TO REALIZE SOMETHING IS WRONG AND THAT ZEUS IS MESSING WITH FATE?!???? Basically pulling a imma say you're the murderer before u realise im the murderer. (i cant remember the actual saying Lmaoo)

[bitchlessdino]

demon's play 2 : devil's intervention (m) TEASER

coming May 31st 7pm cst Original - Demon's play Pairing: devil!wonwoo x demon!seungcheol x demon!chan x afab human!reader Genre: smut tags: plot heavy, some fluffish moments, perpetual fear, ikea employee!reader, dom!wonwoo, sub!reader, verse!chan, verse!seungcheol, cum drunk!demons, violent graphic imagery (death, lashing, sacrifices), mentions of blood, voyeurism, biting to the point of blood, MLM themes that is not based off of any implications of reality, hair pulling, choking, spitting, double fem head, biting, [+so many more] Summary: it's some time since Chan and Seungcheol abandoned the underworld for you, a simple human. The ruler of the underworld does not too kindly to distractions, even ones so prettily packaged such as yourself. It was time he took matters into his own hands. If you want to be tagged please let me know by interacting

“You’re starving aren't you,” Seungcheol growled. “I could smell your arousal for me before you even entered the apartment.”

“Tell me about it,” Chan joined, immersed in the air around you wafting in his nose. “There’s lust in these veins of yours,” his tongue swiped over the blood on his lips. “Don’t tell me you’ve been thinking about this all day…We fuck you every waking day of your life, and that’s still not enough. Isn’t that right?”

A “No,” barely made it past your lips before they were crushed under the weight of Seungcheol’s, and then you were the one starting to taste iron. Its aroma was as strong as they claimed, and Wonwoo fell under the same impression.

Chan tucked your hair behind your head, tugging you in his direction as his teeth skins into the base of your neck, his cock exposed in an instant and hugged between the plush felt of your ass. Your eyes retreated to your skull, trembling as Seungcheol’s cock pressed against your stomach. A shatter sigh broke out from your throat and you let them take over control of your feeble body.

“What is our…arrangement?”

You exhaled, sipping your drinking and hearing the obnoxious slurp of your now empty cup, and somehow your throat was still dry. “I think its pretty obvious.”

“Obvious? You give me too much credit.”

“Well, you’re here for furniture but have yet bought any.”

“Does that culminate a dispute between you and I?”

“Not exactly, but–”

“And aren’t you paid regardless if you spend time with me?”

“Yes, but–”

His laughter was light, a hint of mischief lingering. “Then I don’t see the issue. You enjoy my company, you get paid to do your job. Win-win.”

He reunited with your lips, exploring you deeper as his hand wrapped around the stands of your hair and gripped, and you swallowed his grunts. “How many times have you released in their presence? A hundred? A thousand? A million? It’s never enough for you either, is it?”

You shook your head weakly, eyes begging for more as you were already addicted, feeling him awaken something in you that can’t be sated.

“I’m an all immortal being, so I know. Just like I know you wonder what I look like beneath my clothes…what I taste like…how I’d fuck you.”

OUT NOW!

[whispering-clan]

The Costal Valley Territories

I made a map of the Whisper-verse clan's territories!

These clans live alongside the sea in a small valley split by a river!

Note: this map is more representative than entirely accurate, I just tried to show the basic idea of what the territories look like.

Descriptions of the Clan Territories below!

Moon Island:

Moon Island is both the gathering place for the clans on the full moon, and the place where the majority of the clans (excluding Whisperingclan) go to speak to Starclan. In the middle of the island where the trees form a circle around a large stone, the leaders will perch for meetings. This is also where cats wishing to speak to Starclan sit- under the light of the moon and stars.

...

Age/origin: Youngest clan; formed after the founders were banished from Roaringclan for a coup against the new leader.

Whisperingclan:

Mood Board

Territory: the tallest mountains, rocky, though with some trees, grass and bushes interspersed with the stone. There are a few small creeks and pools running through the mountains due to rain and snow run off, there are also several caves within the mountain. The winter is the worst here with the high altitude and high snowfall.

Camp: the Whispering Cave, a large cave filed with mystical glowing crystals which seem to whisper with the words of the Starclan ancestors. There are several pools above the cave, from which small streams of water fall through cracks in the stone into the cave.

Borders: the River marks the border with Roaringclan and SIngingclan; the border with Growlingclan is only marked with scent markers, though the change in territories can also be seen in the mountain peaks becoming lower and sharper in Growling territory.

...

Roaringclan:

Age/Origin: One of the oldest clans, formed at the same time as Singingclan and Echoingclan; territory was once larger, but was taken over by humans.

Territory: grassy, hilly, plains. Notable features are small patches of trees and bushes, a lake, a muddy/ soil patch by the river, and many little burrows to be found amongst the hills.

Camp: the Abandoned Burrows, a circle of empty fox burrows surrounded by trees and bushes.

Borders: the River marks the border with Whisperingclan; the creek marks the borders of Singingclan and Weepingclan; and on all other sides a human fence marks where their territory ends and the Human Farms begin.

...

Weepingclan:

Age/Origin: Second youngest, though still far older than Whisperingclan; formed from Singingclan separating into two clans, not from any all out fighting, but the realization that there were two obvious separate groups (in skill and personality) in the clan that could survive better in the separate territories.

Territory: marsh lands and dark forests made up of willows and oaks. The forests have soft thick wet peat, though there are some rocky places. Tall grasses and reeds grow around the marsh giving good cover.

Camp: The Weeping Grotto, a large cave opening within a rocky area of the forest of which is surrounded by the largest and oldest weeping willows of the territory.

Borders: the border with Roaringclan is marked by the creek; the border with Singingclan is marked by scent markers, though the change in territories can also be seen in the change in types of trees; the small piece of border with Echoingclan is separated by the river at it's widest, though both clans lay claim to half of the row of stepping stones which could connect the territories; the border which is not shared with any clan stops where human trails (hiking trails) begin, farther from there are human dens and farms.

...

Singingclan:

Age/Origin: One of the oldest clans, formed at the same time as Roaringclan and Echoingclan; originally encompassed Weepingclan as well, but they amicably separated into two clans for better survival.

Territory: forests made of oak and birch along with meadows filled with wildflowers and grasses. Through the center of the territory runs the River and a small creek shoots off through the territory as well. the river is banked by reeds and other water plants.

Camp: the River Hollow, a space surrounded by trees in the center of the island in the middle of the River within their territory.

Borders: the border with Roaringclan is marked by the creek; the border with Whispering and Growlingclan is marked by the River; the border with Weepingclan is marked by scent markers, though the change in territories can also be seen in the change of types of trees; and the border with Echoingclan is marked with scent markers, though it is easy to tell where it is, it is where the sand begins.

...

Echoingclan:

Age/Origin: One of the oldest clans, formed at the same time as Roaringclan and Singingclan; originally encompassed Growlingclan as well, though unlike Weeping and Singing, the separation was born from civil war, the losing side being Growlingclan.

Territory: a beach, almost entirely sand with only costal plants growing in the territory. There is a cliff line which is made up of rock, at the higher end of which the beach is mostly rock with tide pools, weathered stone arches, and the opening to a system of sea caves. This territory seems small, but the sea caves stretch out underneath for large expanses, and even under Growlingclan's territory, Echoingclan lays claim to all of the cave system even under other clan's terriotories.

Camp: the Sea Caves, mostly the large cavern formed at the front opening of the Sea Caves but some cats may even make their own dens in smaller off shoots of the caves as well.

Borders: most of their borders are at the sea's edge, though their borders with the other clans are marked with scent markers; it is easy to tell where territories end however. the border with Singingclan is where Singing's grass begins, and the border with Growlingclan is where the mountain's stone begins.

...

Growlingclan:

Age/Origin: Third youngest, though still far older than Whisperingclan; formed from Echoingclan separating into two clans, two factions in the clan had formed and went into a civil war, Echoing won and banished the losing side to the far less hospitable side of the territory.

Territory: Truly one of the harshest territories, the lower levels of the mountains, rocky sharp lands that end with cliffs along the sea shore that are too high to dare try to reach the sea. There are small groups of shrubs and small trees, but little else in the form of plant life. there are some small pools which are cherished as they are the only certain sources of water.

Camp: the Broken Crag, a cliff face which is broken in places revealing small caves where cats can make dens.

Borders: the border with Whisperingclan is marked with scent markers though the change in territories can also be seen through the mountain peaks becoming higher in Whispering territory; the small border with Singingclan is marked with the river; the border with Echoingclan is marked with scent markers though it is easy to tell where the border is, it is where the sand begins.

[slowd1ving]

EAT MY HEART, I'LL EAT YOURS ⁺ 　 . ✦ MOZE

Seek the answer ‘neath the tides,  Madness shall prosper, forget her wiles,  The moon grins once again tonight.  He hates you. He hates your plans, how you talk, how you work. He loathes being stuck with you: detests it to his very core. But that's great, because the feeling is mutual with you! Tied to an ill-omened crow of your own, what's there not to abhor? continuation of tales of a disgruntled corvid art by @ RMavio on x!! pairing: moze + male reader warnings: blood, death, violence, yall HATE each other bro, v slow burn, pre established relationship (if you don't count the relationship of HATING each other's GUTS) wc: 6.3k

HONKAI STAR RAIL MASTERLIST

MASTERLIST ・゜・NAVIGATION

Copper defiles the carefully manufactured oxygen that circulates this tiny starship. Its stench pervades the past the clean air, past the distinctly alkaline tang of bleach, and past what little protection your visor affords you. In fact, the clear nanocomputers pick up on a distinctly sanguine hue to the air: labelling tiny crimson specks as biological matter—human blood (tentative). 

“Adult Foxian male, died approximately forty hours ago,” the man crouched before you narrates, oblivious to the you who stares up at the ceiling of the small room—as if the gesture could possibly shield you from the horrifying reality at your feet. No matter how many times you’ve stepped into a situation like this (too many to count ever since your career path practically merged with the Shadow Guards’), you don’t think you’ll ever get used to this. This is Moze’s sphere of knowledge: Moze’s work that intimately twines and dances with the very cesspit of vice and umbrage. 

“Died from presumably loss of blood caused by the deep lacerations across his abdomen and throat,” he continues—the details, unfortunately, seep into your brain as you try your best to tune him out. Thank you, Captain Obvious, you’d bite out, but unfortunately opening your mouth in these conditions would make you sick. “Or at least, that’s what the perpetrator would want us to think.”

There’s viscera splashed even on the very walls. Messy streaks of scarlet contaminate the aged wallpaper in the small room: capricious strokes, as though a child painted them, form characters and seemingly random lines of verse that register as unusual on your visor. That’s your area of expertise. 

Like clockwork, your gaze remains unwavering on the riddle presented on the structure. That’s how you’ve dealt with being in such proximity to Reapers: by pretending the wall is a block of stone and its red ink is precisely that—ink. That’s how you separate yourself from the victims of these gruesome cases; bit by bit, you’re slowly growing accustomed to the nauseating reek of metal that wafts before you. 

And so, when you finally glance down at the glazed-over eyes of the latest victim, it is with startling impassiveness that you assess his cadaver. He’s gone, you accept. Your little ritual has worked, as it oft does. 

“Same sigils as the other bodies.” You finally regain your voice, and the silver-haired man turns his sharp gaze up at you. “But the last line to the verse is different.”

Seek the answer ‘neath the tides, 

Madness shall prosper, forget her wiles, 

The moon grins once again tonight. 

The characters rest heavy on your tongue—foreign meanings straightening themselves out as you slowly sound out the snippet. It’s a verse from a children’s book of poems: a short tale about an obsolete, oceanic planet and its restoration by few brave souls. 

“The moon slumbered tonight,” you mutter the original line to yourself. This ancient script doesn’t suit the naïve phrases, but it’s commonly used for rituals—both antique and modern, you’ve unfortunately found. 

With a heavy sigh, you pull out the gun in your holster; it’s warm, humming to life which seems terribly ironic to you, considering where you are. You’ve not used the weapon for quite some time: the flickering it emits seems both familiar and unfamiliar. 

“What do you think you’re doing?” His clipped speech warily assesses the ease with which you handle the arm you never seem to use: preferring the glassy, almost invisible blade currently strapped across your back when in combat. 

“Xiaoze,” you sigh tauntingly, infusing the firearm with quantum energy that briefly glows indigo in this dim room. “Shut up and let me do my job.”

“Ew,” his face sours almost immediately at the nickname, embittered by both how it drips with condescension and no real affection, and how off putting it is for you of all people to be adding things to his name. “Don’t do that.”

“Then shut up.” You line the sights experimentally, having successfully blackmailed the Shadow Guard into keeping mum for a few minutes while you turn the qualitative verse into quantitative data. Perhaps he does feel threatened by the promise, for you only feel his heavy stare on you and not his words. 

The bullet careens and phases through the wall where the verse is located, and with a shimmer of data, the strings of numbers behind the verse reveal themselves: meaningless to all but yourself. It’s a temporary display, containing important information about the very foundations of this riddle. Or, at least, it’s a shortcut since the verse has already been decoded. 

Seek the answer ‘neath the tides: a reference to where the power ‘current’ of Madam General Feixiao is absent. Or at least, these murder locations point to that; they’re in the areas least looked over in the Alliance: namely, not aboard the Flagship. 

Madness shall prosper, forget her wiles: a crude depiction of Moon Rage, as well as the shedding of a ‘Foxian’ identity. Considering all these victims have been Foxian, it’s no far-fetched assumption to think that these have all been building up to something sinister. 

The moon slumbered tonight: a reference to the plaguemark hung over the Yaoqing—a moon left behind by Yaoshi. Past tense. Sleeping.

But that had all changed with this particular murder. Whatever goal the perpetrator hoped to achieve was finally coming into fruition with the awakening of this ‘moon’. 

The data transmitted onto your visor is as elapsed: the time of writing, the exact coordinates relative to the Flagship at the time of writing, as well as some background noise of little relevance to this current predicament. These numbers are duly inputted into one of your pre-created ‘equation’ sheets: linking abstracts together in their own relationships to receive a divinatory variable. It’s one of the few successes you’ve had with qualitative equations; linking energy and mass and speed is easy, but linking feeling together is not. 

In this case, tying down the exact time and coordinates to a specific intention. Any organic creature or ingenium leaves behind a trace of intention, whether it be through actual thoughts or a pre-programmed function. But in this case, the result comes out void. 

Thirty-two hours since verse was written. 

“How long did you say the man has been dead?” you ask, urgently. Moze snaps back to attention at the specific tone in your voice. 

“Forty hours,” he answers. When it comes down to the bloody aspects of this job, he returns to his laconic, reticent ways—it’s truly a shame he can’t keep it up in other aspects. 

“You’re sure about that,” you probe, half a question in your voice.

“It’s my job,” he deadpans, and you scowl as he uses your words against you. 

“Well, this verse appeared about eight hours after the man died,” you comment wonderingly. The strokes of the characters for grins once again appear a bit messier than the rest—almost like a map. Well, it’s not a deduction; your visor picks up on the strange wording right before you do. “Unlike the others that were written manually by a perpetrator.”

“So, this sacrificial lamb was finally the success,” he mutters darkly. 

“But the trail is no longer dead.” You sheathe your pistol back into its holster with a touch of relief, because finally this set of murders is coming to its conclusion.

⁺ 　 . ✦

You take back whatever compliments you had of him focusing on his job when it came down to it. As you pilot the star skiff along the trail of data outputted from your visor and the crude map from the bloody drawings, he’s practically talking your ear off about the garbled string of answers you sent him from your visor. 

“And what is beef’s relevance to this case?” he asks, each syllable drawn taut with what could only be mockery. 

“Typo,” you grit out, tilting the control wheel starboard. Now is not the time. 

“Egg, too?” he taunts. 

Your eyes flick to the top left of your visor, where you did in fact merge the contents of your grocery list with the file meant for him. 

“Use your common sense,” you bite on the inside of your cheek, hard, to prevent any insults from slipping past your lips. “You do still have that, right?”

“So what’s for dinner tonight?” He leans back against the co-pilot seat, and you can feel his gaze prick your face—much like you feel the tiny, irritating smile he wears. 

“I will crash this skiff if I have to, and you’ll have to explain to the General why the cryptologist exploded into itty-bitty pieces, Xiaoze,” you seethe. 

“Not if they don’t find your body,” he returns—far too accustomed to the patronising name for someone who blanched at its usage just an hour prior. Worst part is, he’d definitely make do on this vaguely-worded threat. 

“Madame General and A-hua would know it was you.” You propel the stern forward, if only to feel his hands grip the sides of his seat tighter. He courts death daily as an assassin, but wouldn’t it be a treat to die because of reckless driving. It’s not like you can entrust the programmed visor to him (and it’s not like you want to send the decoded map to the skiff). 

“Would they, though?” He pares away the dirt beneath his nails with his knife, and you hope the sudden jolt in the vehicle gave him an injury. 

“Jump.” A single syllable, gracing the space with your tender command. His brow raises minutely. 

“No one will miss you,” you add. 

“Since you’ve got no friends,” you tack on with an air of finality. 

⁺ 　 . ✦

He hates you. He hates you: hates the way your hands deftly turn the control wheel on the skiff; hates the way you trip and stumble through life, leaving countless messes behind yet still managing to have Feixiao’s approval to work with him; hates your facetious and conniving and sly insults. But most of all, he really fucking hates your plans. 

“This is so stupid,” he mutters in your ear; invisible to all but the tell tale outline on your shrunken visor. You’d reply, but you’re already conspicuous enough in the tailored suit you’ve donned—all sharp lines and a cut too bittersweet for your home planet. So actually, fuck that, then—there’s no point in being all Spy-like and Inconspicuous any longer. 

“Shut the fuck up,” you hiss, adjusting the cufflinks beneath the rich jacket—then subconsciously running a thumb along the edge of your fake identification card that’s pinned to your collar. Unlike that weirdo, you can’t turn invisible—so you’re left firing quanta bullets at the hull of this rig right outside Yaoqing airspace (or technically, space-space) and gleaning whatever information you can to assemble a persona for yourself. 

 <Doctor, Who is slightly Strange> how do I look < 1:34

The message pings to him from your visor, and you know he’s seen it—from the caustic sigh that leaves his lips, because if he ever blows his cover while he’s invisible, it will have been because of you.

< Weirdo > 1:34 > Focus on the damned mission.

Lukewarm, you scoff, brain sounding out your response. How… do… I… look, you type out once more.

1:35 > Terrible. 

Aggravated, you clench your fist, and you swear you can hear the space behind you warp and distort when he snickers. Terrible! What a joke, you seethe—jabbing the code into the airlock that you’d worked out by the little tones left on the verse, as well as reading the intentions left by people at this door. 

Your job is simple—getting to the bottom of these long-standing murders while also planting a bug on the ship that would allow the Seat of Divine Foresight of the Yaoqing to monitor the situation. Nothing more, but maybe something less if something went wrong. This was only a two-man operation, after all. 

Of course, you neither kept optimistic nor pessimistic. Though there were only two objectives,  those that underestimated the simplest missions oft suffered the brutal brunt of defeat. And of course, the former term being negotiable showed just how difficult it was. Or at least, if you managed to find the office of the higher ups, the data you stole would allow you to reconstruct the space virtually—though what you needed were concrete files that pointed to clear motives. 

No—not the office. 

You squinted as a rough plan of the building popped up from the continuous data you fed your visor—a general prediction of where the lab and computer room would be located, which were simulated as being in the same wing as the office. Perfect. 

<Weirdo> 1:40 > Done all your shopping already, or are you just tired of steak?

You grind your molars as you travel past the small throngs of borisin and humans alike: you don’t look entirely out of place as they’re dressed in a medley of different outfits, from IPC uniform replicas to Penacony garb to even the long robes found on Herta’s Space Station. Point is—your Earthwear doesn’t stand out, and there’s enough people that your badge does not go noticed. 

<Doctor, Who is slightly Strange> gonna shoot you how about that < 1:40

It takes the time of twenty-seven heartbeats to stride through the corridors (tunnels) that make their way around the aircraft. Twenty-seven heartbeats, three checkpoints and one smile shot at presumably a ‘coworker’—before you finally make it into the final stretch. He knows, though you don’t, because he’s counted: listening to the rhythmic beat of your organs as you calmly navigate the ship like you know what you’re doing. 

It’s devoid of souls, except for the two of you as you pad down the corridor. Even the very lab and big office seem abandoned—but Moze’s urgent text alerts you of the presence of someone in the office, just not the lab. 

Guess we’ll start there then. 

A quick swipe of your falsified keycard, and you were in—slipping on one of the freely available lab coats and extending your visor to cover your eyes at the entrance. You do respect lab etiquette, after all; erasing even your thoughts about food and drink as you press through the automatic glass doors. 

<Weirdo> 1:43 > You almost look like a scientist now.

You can hear his exhales—they’re so obviously deliberate, because no way would he blow his cover by accident. He’s snickering, that sod is. 

I am a scientific doctor, you senile fuckwad. < 1:44 

1:45 > Thought your default display name was just a joke. Did you hit your head and hallucinate some credentials?

You seethe, since you can’t exactly scroll through endless files to locate your dissertation on ancient science and qualitative formulae. Over sixty-thousand words, reduced to mere mockery by this cretin. 

It’s a triple entendre < 1:45 And I’ve got the creds < 1:45 prick < 1:45 

1:45 > moron

He types this lightning quick, not even pausing to stop walking—not even pausing to capitalise and punctuate his stupidly mocking text like normal—and you can still hear him because he’s letting you hear his normally silent steps, he’s letting you know he can fulfil the mission while shit talking you to your own face.

this is why you have no friends < 1:46

1:47 > this is why you don’t have friends outside your job. no one actually likes you

You rummage around in the large filing cabinet besides all the gleaming equipment: large centrifuges, safety cupboards, fume hoods, and weird display cases filled with samples of what can only be blood. Swiftly, you snap several photos of the evidence with your visor, then mindlessly write a response. Talk about a call coming from inside the house, you think. 

name two people who voluntarily spend time with you < 1:49 [<Doctor, Who is slightly Strange> sent index.finger.pointing emoji] < 1:49 [<Doctor, Who is slightly Strange> sent laughing.crying emoji] < 1:49

He’s no longer in the peripheries of your earshot; so you know he’s gone off to investigate the other areas of the small lab—beyond the equipment and into the computer room. Good, you exhale—at least he respects lab protocol. 

1:51 > name a time feixiao actually talked to you outside of work

I will…. lend you… my gun so… you can shoot…. yourself, you type, then quickly hit backspace before you can send it by accident. 

yesterday. eat shit xiaoze < 1:52

1:52 > that was charity work don’t flatter yourself

Hastily, you scan any files in the weird stronghold that look even remotely related to borisin and Foxians and especially the one you cradle: labelled only with the icon of a moon and containing eerily similar rituals to the crime scenes you found. 

oh you want to talk about charity work? lets ask the crowd bro < 1:55 everyone who interacts with you is doing charity work.. < 1:56

1:57 > ok at least my job wanted me

Wow. Wooow. You stare incredulously at the message—he’s dragging the Intelligenstia Guild into this, knowing you got put on leave for ‘engaging in querulous behaviour’ and ‘lacking in real life experience’. Low blow. 

…and no one else did so what now < 1:58 name a single friend you have < 1:58

1:58 > .. 1:59 > Jiaoqiu 

Jiaoqiu. How cute, you scoff, resuming your hate typing while you flick through the last few files hidden around in drawers and cupboards. 

idk how to tell you this but you are NOT the friend bro you’re the test subject… < 2:00 I think he pitied you or smth.. < 2:01

2:02 > ew 2:02 > don’t call me bro it’s sickening 2:02 > we are not alike

it’s exposure therapy < 2:03 since you don’t have any friends you don’t and probably never will be called anything endearing < 2:04 aren’t I so nice < 2:04

Pausing, you glance up at where the glass doors lead right to the computer lab; a dim glow washes over the space. Nothing much to worry about, you think—copying data is a far less burdensome task than rifling through pages upon pages of reports and then arranging them back into their rightful place. Though, if you were worried about anything, it was that the virus and bugger installation would take longer than they had to. 

Maybe it’s the paranoia getting to you. 

Or maybe, maybe, it’s the faint click of footsteps against linoleum floors—getting louder and louder and louder. As does your heartbeat: thundering deafeningly in your ears. You can’t turn invisible. You don’t get the luxury of slipping into the shadows like your colleague (to put it very politely) does. 

And so you swallow—tongue thick and leaden within your suddenly too-dry mouth. There are two courses of action you can take (hurry, the steps are getting louder): the first being to hide away in the little storage cupboard and take the escape from there. You will not be able to fool a scientist who knows their colleagues far more intimately than the grunts in the lobby. Moze has worked alone before. He’ll figure out how to get the virus downloaded and the data copied before the person even gets close to noticing him. 

Or—and your eyes flick to the computer room clearly visible from the lab—you could put on an act to save both your life and Moze’s time. You could… probably do that, right?

Heart moving renditions…. Never mind that your heart was pounding right out of your chest—never mind that your glassy sword could not be wielded in this narrow hallway, never mind that flipping the switch on your gun was not quite something you were prepared to do. 

They were almost at the corner, and you made your decision to step out into that narrow corridor. One hand in your pocket and the other raking across your face as you yawned. The epitome of casual. 

And Moze’s ears pricked as he watched you; though you’d never know, and he’d never admit that he did so. He heard the sound of sharp shoes, and was honestly expecting you to turn tail. 

But you didn’t. 

You’re taking lazy strides as he hears the researcher approach—counting on the secrecy of this organisation being tight enough to operate on a need-to-know basis. In other words, you’re operating on the high-risk gamble: that this particular person would be unaware of changes in personnel. There’s no time to read the data streaming from their steps. Ordinarily, from their intention you could figure out their rank in the pecking order—but you are plumb out of luck. 

He rounds the corner: wearing a suit far more well cut than yours, though his tie sits loose at his throat and his jacket is slung over one shoulder. From one glance, you can tell immediately. You’re screwed. Still, it’s too late to run now: far too late to leave Moze to figure out how to download the data faster. 

“Who are you?” The drawl is heavy with a cadence far too confident. Just your fucking luck, you momentarily scowl—of course the lab would be frequented by some clear higher-up. Not a regular degular scientist you could simply sweet talk, but someone not in the lower strata of this shady organisation.  

He’s handsome: black hair that sheens prussic, eyes glinting practically amber even in the frigid lighting that washes over this space. Something you’ve unfortunately learned while traversing the galaxy is that this guy cannot possibly be a grunt; and if he is, there’s something seriously wrong with the corporation. He’s eye candy—which makes this situation so terrible. You are screwed. In that moment, your lazy smile wavers somewhat; you are utterly and irredeemably fucked. You could shoot him, but that would no doubt put the rig on immediate lockdown with the sound of the gun. 

Fuck. You want to slam your head against the glass, but that would no doubt screw you over even further. 

You’re not built for this. 

“Oh, are you part of the research team too?” Naive. Your qualifications have just landed you this position, and you’re not quite capable of discerning if you should be divulging that information or not. That’s the mindset you centre this particular character around: just some random guy who’s a bit gullible. 

“Just got transferred,” you lie through your teeth, shamelessly. It’s a sin to lie, but you’ve committed bigger ones before. 

“No wonder I’ve never seen a cutie like you here before,” he murmurs—leaning in as though to inspect your face. And so, you freeze; naturally, this was not the direction you thought this conversation would take. Maybe sweet talking is not entirely off the table, but you sincerely doubt you’ll actually get away. 

You swallow. How much longer do you have to stall for? Is Moze done? What the fuck do you say next?

“Uh.” Thanks? I guess? You’re pretty cute too? You find your hand inching towards your holster—minutely, of course—while potential replies whirl through your mind chaotically. Miniature storms wrapped up in slimy brain matter and miniscule neuron connections. 

It’s only when he lets out a short laugh that you realise that you might’ve let out your thoughts, and you curse at yourself in your mind. 

“Wow, you’re bold,” he comments, closer: until you can almost taste the lingering iron and manufactured scent he has. Like wood. Earth pine. A bitter pang goes through your heart at that: someone from the surviving fallout of Earth, here of all places. In a clean, sterile lab dedicated to sacrificing Foxians—for what? Money? Stupid credits? Humans are rotten creatures, cut from a cloth macerated in cesspits. On Earth, it was no exception. 

Still. Your lips press into a line at his clothes, the particular way the tie is knotted. You’ve never seen another survivor prior to this. 

You may also be completely mistaken. Penacony and doubtless others have the same strands of fashion—but this. This is wholly Earth. 

“People do tell me that,” you return, unbuttoning your lab coat since you’re no longer in the lab boundaries. Moze, hurry the fuck up. You’re already regretting it, but you need to confirm it. Alien everywhere, what other choice do you have?

His eyes don’t widen like you expect, and you feel a stupid ache at the realisation that you’re once again alone. But rather, they flicker to your breast pocket, where your falsified keycard peeks out. Closer. His fingers pluck the plastic as though it were a flower, and you’re much too astounded to stop him. 

“What a shame…” he murmurs, and only the nails digging into your palm remind you fitfully of just how near he is—practically tasting the fucking lies on your breath. 

“Sir, back up a bit,” you grimace. This sucks. The perks of keeping the guy from witnessing the glow in the computer room is slowly fading away the longer you keep this up. Should’ve left Moze to get caught. 

“O strange doctor, do movies of the bygone era really interest you so?” 

You freeze. Shit. Shit. You’d let down your guard—attempting to gauge his reaction to your attire and getting caught out yourself. Really, was there any spy worse than yourself? The falsified card was hastily put together with the help of your visor; of course it autofilled that stupid alias. 

It’s not the first time your mistakes have cost you. 

“You…” This guy. You should’ve run. You suck at gambling. 

“How odd. I should’ve been aware of one like me being transferred.”

“Who the hell are you?” Cautiously, you take a minute step back. He notices—of course he does. 

“The head of the research department, who else?”  Fuck, fuck. Your heart is entering arrhythmia: pounding flush against your eardrums like some goddamn hammer against piercing nail. You’re dead meat. 

“It’s unfortunate that I can’t buy you a suit to replace that cheap one—if you hadn’t infiltrated, we might’ve been good friends.” He’s still putting up a front, but you can tell he’s close to a fight. It’s the snarling instinct of a cornered human—fight or flight activating almost immediately at every minute movement of his. Each shallowed breath, each minute shift in sinew. All of it. 

“No, definitely not,” you retort in disgust. “Most people from that planet sucked.”

It’s true, but your heart twinges blue just the same. Millions of years, all for that stupid molten iron planet to just cease. None but you—all alone amongst the cold, dead stars. 

It was a graveyard of the giants: hulking Jupiter, so wretched and broken; stars slowly winking out one by one. Even the massive silhouette of the Sun had finally been conquered. Had the universe ever been so lonely for the wandering?

“Even you?” And now his fists punctuate the empty space with his words. 

“Especially me.”

How foolish. How foolish, as he’s barely breathing on the floor beside you. How foolish, as you let your teeth grind in stupefied frustration. How foolish, that you wanted to communicate with a remnant from that obsolete planet. 

You’re an idiot as you clutch at your side: warmth seeping between your fingers as you prop yourself up against the wall. Shallow, heaving breaths come ragged—though the fight didn’t last even five minutes, courtesy of your visor working overtime to electrocute that fool by your feet. He looks fried, but you don’t look much better: being stabbed does that, after all. 

You don’t know what you’re doing here. 

What were you trying to accomplish?

Iron tastes especially caustic today. Ah, you realise with a start—this stupid endeavour was all to buy time. Maybe it was all pointless. Maybe you’ll slip into slumber here—tripping over the sleeping man at your feet and seeing your planet once more, if only in your dreams. 

The flicker of lights reminds you of your wretched childhood apartment. All concrete and dilapidated structure, but it was your home. A cruel and cold home—though it was also one where the sun touched the horizon just so, in a way that erased pain for a singular moment in time. 

Stupid. All this to fulfil your stupid mission. 

Your legs wobble, and you would’ve slammed right into the wall were it not for the cold arms wrapping around your ribcage—gelid hand splayed on your chest. 

“Idiot.” Moze’s voice is low and angry; practically shaking while he supports your body. He’s pressed right up against your side—making the smell of blood ever more pungent. Slippery, metallic copper—all coming from you and ruining that stupid suit for good. “Are you illiterate too?”

“Huh?” You don’t know why he’s upset; he got the job done, didn’t he? Maybe he’s mad he has to prop you up while navigating the dim tunnels of this building—his teeth are gritting, after all, even if you can’t see him. You can hear the molars grind together. 

“Are your eyes just for show, or do you occasionally read your messages?” he seethes. Your trembling heart is far too loud to register the final death rattles of the man left behind in the corridor—courtesy of a blade thrown right into his jugular. 

“Hah. Muted them to not read your irritating texts anymore.” You close your eyes as he guides you past the chemicals, past the cleaning supplies in the closet that leads to a hidden path outwards. He’s more… gentle than you would’ve expected; grip firm on your arm slung over his shoulders rather than constricting. 

“I didn’t need your help,” he informs you: tone boreal as ever. “You blew our cover.”

Still, you cannot see the furrow in his brows as he peers down at you; neither can you see his lips pressing together. His heart’s pounding weirdly: focused on you rather than leaving this stupid place far behind. 

“I didn’t do it for you—” you grit out, stumbling the last few steps to the concealed star skiff while alarms blare on the ship the two of you leave behind. And he’s grasping your waist as you lean against the rocking vehicle—but you were not going to fall. Blood seeps onto his clothing, though he pays the mess no heed for once. 

“Don’t need your help either,” you scoff, returning his words back to him as you lean against the worn seat. It’s cold. So cold, but you’d rather die than admit it hurts. “Get off me.”

“I’ll drive.” His rich voice finally has a body once more as he settles into his copilot seat. He can visualise the path back to the Yaoqing already—back to the messy, warm place you call home. Where you linger on all those stupid trinkets, the decorations you put up, and the food simmering in the pot on your stove—he knows the route like the back of his scarred hand. 

“I’m fine. It’s not that deep, and Jiaoqiu will take a look at it anyway.”  Jiaoqiu. His lips curl into a sneer as the dashboard lights up—flipping switches with such harsh precision it’s much too apparent that he’s in a terrible mood. 

“Or A-hua,” you add, and his heartbeat becomes something twisted and wretched as he hears the dimmed affection in your voice. You’re tying off the bandage tight around your side—very rudimentary first aid, but the priority is to get as far away as possible from this facility while their systems go down.

“Neither of them will be in when we report to Feixiao.” 

He doesn’t quite know why he lies: syllables rolling off his tongue like a blunder, yet he manages to keep his voice steady. 

“Then I’ll give myself stitches.” So damn stubborn, he thinks. He’s irritated, for reasons unclear to him. 

“No, this was because of me. I’ll treat you.” He doesn’t know why he insists either; one thing he knows for sure though, is that he can’t help but cling onto the scent of your embodiment. Blood and sweat, laundry powder and soap. You. It’s nothing like the damp of his cell. 

“No thanks. You’d probably—hah—use this opportunity to get rid of me,” you wince out. Well, he cants his head in thought—you’re not wrong. He might’ve left you behind: no regrets, no more dead weight. 

“You think so little of me?” 

“Yes. Why else would you come close?” On edge—that’s what he can hear in the tremulous pulse beneath the flesh, all torn and never at ease. It’s not fearful, precisely, but gone is the casual annoyance in your tone—it’s more of a void acceptance, as though you’re stating the obvious. 

To answer your question, he doesn’t know. He’d normally recoil at the sight of the dried blood on his clothes—scrubbing at his skin the moment he could—but he’s absent-mindedly pulling at the threads laved in you with a hand not preoccupied by steering. 

“Anyways. If you keep pushing it, you’ll be permanently dubbed that nickname you so hate.” 

“Don’t care.” He meets your eyes through the reflection of the glass window. One gaze—flinty and stubborn. The other pair of eyes—silent and unyielding. “I’m treating you before we report to Feixiao.”

“Little A-ze is all grown up now, huh,” you mutter, and the prefix you put in front of his name is cold and distant. It tastes quite bitter, and for that reason he doesn’t deign to speak for the rest of the flight. 

For once, he’s truly living up to his description of being reticent. 

⁺ 　 . ✦

“Why’d you do such a stupid move?” With each agonised beat of your heart, the needle jabs into one side of your flesh and extends past the other. This may have been taken as to mean he’s fast with your treatment—but your pulse is as sluggish as barely molten lava, burbling and gurgling like you’re on your last legs. “Look after yourself first.”

The towel he painstakingly placed on your couch is spattered with sanguine. Unfortunately, you’re a bit too lost in delirium to realise the gravity of this situation: Moze, kneeling by your side as he carefully stitches you back up. So delirious, you don’t notice his heavy gaze and scarred hands that reverently handle the tools that pierce your body. 

“A-ze,” you slur, half-conscious as you bring a scalding hand to press against his boreal face. He freezes, like he really is made of ice. But alas, your hand falls back to your side just as quickly and his expression settles back into a scowl. 

“I could’ve escaped,” you murmur, eyes heavy with slumber. “But then you would’ve been in trouble.”

I wouldn’t have been, he wants to say back. You and your idiotic plans. He’s thought it before and thinks it now—he really fucking hates them. 

“Don’t ever do that again,” he instead grits out, tying off the last stitch with the scissors with a clinical professionality that you’re quite astounded then. “Look after yourself, and I’ll do the same.”

“Shut up and get out then,” you retort—and he plucks the roll of bandages you were planning on winding around your side. You blink: taken aback once more. 

“No.” 

No? 

“Fuckface,” you comment bitterly, though there’s a certain decrease in volume as he winds his arms slowly around your torso to wrap the cloth around you. Like this, his silver tufts of hair brush past your chin—strangely clean smelling for an assassin. And when you rest your palms on his upper back to alleviate the tension in your side, you swear he freezes. 

“Idiot,” he slams back; though, there’s a certain rapidity to his pulse as your chest is right in his eyeline. It’s steady, rising and falling with each even breath you have: naked muscle just about grazing his nose. For the first time in ages, his fingers waver in his task. 

“Call Jiaoqiu then,” you shrug. He’s tucking the ends of the bandage into itself, so you miss how the faint flush on his face immediately fades. 

Speak of the devil, and he shall appear. 

“Call who over?”

The foxian stands in the doorway with a pleased, close-eyed smile—much like the cat that finally got the cream. He’s grinning, Moze realises with horror; he saw the vulnerability in his shoulders, even if for a brief second.

Shit. He didn’t even notice. 

“Jiaoqiu?” You take your hand off his shoulder to wave; the man can no longer suppress the irritation in his expression. 

“In the flesh!” 

“Wow, you really don’t look good,” he continues, voice drawing closer as he inspects your bloodied torso. 

“Yeah, because I’m stuck with the fucker who lied about you not being—”

Moze presses his palm against your mouth—heart erratic at the feeling of soft lips against his hand, though it has nothing to do with you. More of the fact that he’s never been so close to someone like this. Yeah. That’s the reason. 

“Why are you here, Jiaoqiu?” he replies in your stead, ignoring how incredulously your gaze pierces into the side of his face. 

“So cold! You two are late to report even though you arrived half a system hour ago! But I totally understand, Moze.” Jiaoqiu’s smile does not quite reach his eyes as his gaze flitters between you and the assassin. That, perhaps, would be the usual description of how the foxian smiles regardless, but especially so today. “He’s injured, after all. Why not let me treat him before the two of you report to our Arbiter-General?”

“Pah–!” With a gasp, you finally wrench his hand from your mouth—glaring at him all the while. “That would be great, Jiaoqiu, thank you.”

Thus, the assassin is left simmering on the other side of your living room: daggers jabbing right into the other man’s back as he finishes your treatment off with a bowl of scorching hot broth. And though he doesn’t outright say it, Jiaoqiu is evidently amused by this turn of events—much like he’s amused with every irritated tell of Moze’s as he inches ever closer to you with his sly smile. 

Sorry, friend, he surmises. Not much of a chance you’ve got. 

It’s a great day for the fox, but not so much for the crow who seethes in the corner. 

⁺ 　 . ✦

[ossifer]

the paul poll compelled me to just quickly write up my little opinion piece on paul and necromancy in the tlt verse bcs tags are a pain in the ass to elaborate on my opinion in: paul horrifies me. i think that a lot of people read palamedes' interpretation of lyctorhood as being some sort of objective truth and that there is a right way to do lyctorhood and paul is it, but i just don't agree with that; i think in a series rife with unreliable narrators, palamedes' views on lyctorhood should be considered as subjective as any other person's.

“Can one person even be two people? I feel like I’ve only got enough room inside for me, and sometimes like that room’s not even enough.” “Lyctors can,” said Palamedes, “or at least—they thought they could; in fact all they became were half-dead cannibals. I think a true Lyctorhood is a mutual death … a gravitational singularity creating something new. A true Grand Lysis, rather than the Petty Lysis of the megatheorem [...]

what he says here about lysis is in response to nona asking if one person can be two people, and thus it is a very loaded statement when coming from someone heralding from a society where the extreme co-dependence of the fundamentally unequal necro/cav bond is encouraged, especially considering camilla and palamedes are called out by others from that same society as being an exemplary case of co-dependence in that department!

camilla and palamedes are arguably more equal than any other cav/necro pair in series, in part due to that co-dependence, but we even see in NtN that cam does stuff that undercuts that equality (telling pyrrha to lie to palamedes, 'don't tell him i was weak'). and that equality, that love, is shown to be thought of as coming at the cost of freedom: when palamedes says, “I cannot bear the thought of using you.”—camilla responds, “Love and freedom don’t coexist, Warden.”

in the end, every permutation of the necro and cav pairing is irrevocably descended from john + alecto's example and while i think beauty can be found in some of them, they all suffer from the same fundamental imbalance that bond hinges on; nonconformity abates it, but abolishment is required for real freedom from it. the so-called indelible sin of lyctorhood is just an echo of the original sin john committed.

If there was one thing Gideon knew about necromancers, it was that they needed power. Thanergy—death juice—was abundant wherever things had died or were dying. Deep space was a necro’s nightmare, because nothing had ever been alive out there, so there were no big puddles of death lying around for Harrow and her ilk to suck up with a straw.

necromancy necessitates consumption, taking by its very nature: death, especially violent death, is what fuels it—infants producing more thanergy on death is literally a noted phenomena! paul's birth, while it could be seen as triumphant in the sense of it being an act of creation, is literally identified by palamedes himself as a mutual death, death being required to fuel it the same as any other necromantic working. i don't want to say 'necromancy is fundamentally evil' but uh... it is irrevocably tied into john's conception of human nature: "This is the problem, the incorporation, this is the hardest part … It’s the human instinct, to take."

something i always point out about camilla and palamedes' grand lysis is theparallel with gideon and harrow's incomplete petty lysis: both come about as a result of a fully-realised lyctor (ianthe, cytherea) having cornered the pair, resulting in both being threatened with imminent death (camilla critically injured and palamedes facing expulsion from naberius when ianthe re-emerges; harrow necromantically spent and gideon having suffered multiple injuries, both going to die when cytherea breaks through the bone dome). paul's birth only happened as a direct result of the continuation of the lyctoral cycle of violence, with ianthe in cytherea's position; per palamedes, “I am not saying this was our inevitable end … I am saying we have found the best and truest and kindest thing we can do in this moment.”

paul may be the best and truest and kindest thing cam and pal could've done in that moment, but that moment should've never came to pass: the codependency instilled into them through their society, the violence that put them in that position, and the consumptive necromancy that made paul possible. paul is horrifying because they are the most hopeful and kind thing, and they are the product of two people, one sans his own body, undergoing mutual death to fuel their birth.

they're the truest response to one flesh, one end: an oath purportedly coined by cristabel and alfred, who compelled their necromancers to ascend via a suicide pact.

valancy says one flesh one end sounds like instructions for a sex toy. can’t stop thinking about that so can someone stop cris and alfred before the sex toy phrase catches on, thanks.

did the sex toy phrase really need a response?

[drawnfamiliarfaces]

Would Jenny allow Danny to tinker with her? I know robotics isn’t exactly the same as aerospace engineering (and I do be headcanoning that my boy chose this as his major since he wants to be an astronaut), but with all the experience he had from handling his parents inventions I believe he can be trusted with fixing something as complex as a robot. I like to think that Danny was really impressed with how Jenny was made and secretly wanted to take a look at how she works, but was too shy to ask because he knows how it’s like to be treated like an object and not a person (with the whole “ghosts are non-sentient globs of ectoplasm with post-human consciousness” spiel he heard so many times) and didn’t want to make Jenny uncomfortable. I believe it took Jenny some time and getting to know Danny and his engineering skills before she let him fix her when she got something badly broken. It was like a show of ultimate trust from Jenny’s side and Danny was flattered, humbled and very respectful. And super careful of course, constantly asking how Jenny’s doing or feeling while he tinkered, mindful of her. I bet she was touched.

Not gonna lie, this is one of the more fascinating asks I got - if only because its incredibly interesting to read about your take/interpretation of Danny & Jenny's relationship! I hope you don't mind me saying, but it feels like you adore both characters and it's very cute!

Well, now, in HoM AU, both Danny and Jenny are close friends and indeed Danny is one of the few people who Jenny trusts with - well, herself - her mechanical self. Like you, I headcanon Danny as quite mechanicaly gifted - in HoM AU he actually graduated college/uni with engineering degree, so he got education to polish his raw skills! He is one of the first people who would help Jenny in and out of the field, if there is a minor malfunction or an injury of some sort!

But even for that to happen it took a couple of years and a few adventures together.

So to answer the original question, I would have to say that in HoM AU specifically, neither Danny would ask to 'tinker' with her, nor Jenny would probably be totally comfortable with that question if asked. 'Tinkering' would imply a degree of casual poking around, and in this case, both Danny and Jenny have certain life experiences that gave them... boundaries when it comes to their own and others' autonomy. Jenny especially.

(a bit of random background info dump here to explain the reasoning, but feel free to ignore it, since i basically answered the ask xD i just got bitten by a writing bunny, so its gotten a bit long - be warned!)

When Jenny was younger and only just acclimatizing herself with human world and amongst teenagers, she was rather blaze at times with how much access to her body she gave to her human friends and acquaintances.

After all, her mother was rather frank about it - often poking around in Jenny's mechanics and code. But it was her mother, who created her (sort of 'why are you covering yourself, i made you i already know what you have' mother attitude, which is a bit over-controlling and invasive to other's autonomy, but well, Jenny is a robot after all) and it a completely different deal from others.

So, despite her mother's warnings there are instances when Jenny was not very careful. Like when she allowed Brad, Tuck and Sheldon to literally remove and rip out her stuff in pursuit of fashion goals. Or when she dropped her guard around Todd Sweeney and got reprogrammed for her good deed.

And during the events of the last episode, she was once again controlled, by Dr Locus. While not exactly her fault, it still left a lasting impression that any mechanically gifted person could be dangerous to her.

Now, this is where we venture into my personal headcanons for MLAATR that are tied into HoM-verse:

Another aspect of Jenny's developed caution to giving access to her body - is the fact that she is not considered as a real person in the eye of the government/world. She is a thing, a weapon created by Dr. Walkman. She does not have the same rights as a human, and on paper she does not even have rights to her own body. It's all patented Nora Wakeman technology, (secretly) founded by the government.

And she has been fighting it ever since she was a teenager and refused to be called an IT - XJ-9 - and became a HER, a teenage girl Jenny, who also just happens to be a robot.

At first it started as a simple teenage rebellion and she went to school and started to hang out with other kids, but what about later after she graduates? Will she be even allowed to? Sure, maybe her school will give her a diploma, but how legal will it be to give something like that to someone who is legally not a real person? After all, its not like when other kids will turn 18 and can be their own people, not under the legal control of their parents. Jenny is her mother's property, intellectual and physical. For her to be considered a real person in the eye of government, it would require a law being passed about recognizing sentience of Artificial Intelligence.

And sure, she could probably be made an exception, being a hero robot and all, but the problem is, she is not the only human-made robot in existence! What about her sisters, who are prototypes and are not as developed as her? Her brother, who seemed to develop sentiency to the point of turning on humans?? Melody and Killgore?? And its not only in her world (cartoon), but in others (since its a crossover). So the question about AI/Robot sentience, no matter if they are good or bad or how developed they are, would not concern only her, it would be a global debate.

And we all know how the governments of the world would feel about passing laws about sentience of artificial beings that were created to serve the human race. It would be a struggle one way or another.

So, as she grows up and sees the world refusing to aknowledge her as a person, she doesnt have legal rights to finish school and go to college, to get a job, to get married, heck she cant even have a legal documentation that doesnt says 'Dr. Wakeman's creation'. The government says: your body belongs to us, because we paid for Dr. Wakeman to make you - you belong to us, we control you.

That, on top of several unpleasant experiences with other people disregarding her autonomy, will equal to Jenny trying to get some sense of that control back. So she starts to be more cautious about how much access others have to her physical self; she starts to build and reinforce boundaries with other people, starting with her family and friends.

It was one of the darkest days in Sheldon's life, when Jenny started to firmly say 'no' to whenever he asked her about her inner workings and casual access for poking around. xD Tuck was not a happy camper either, that his favorite robot friend became very stingy with all the cool stuff. But Brad got it. And after gentle (and sometimes not) reminders, others became more understanding.

It was a little harder with her mother. Dr. Wakeman truly loved her daughter, but she was a scientist first and mother second. She was so used to casual access to Jenny, in order to keep maitanance that it was hard for her to break the habits. Its still a constant struggle, but she has gotten so much better.

Now, when it came to her new friends amongst HoMies, she already has built a set of boundaries that allowed her to feel more secure as a person, despite how the world sees her, but she is much more reserved to opening herself up to others, at least compared to how she first approached people when she was younger.

It took a few missions and getting to know them better, for her to start trusting with them with her mechanical self. But now a few years later, she feels comfortable enough with most of them to give her a helping hand when needed!

Of course not everyone are capable of helping her though: Danny, Kim and Zak are three of more mechanically oriented people who can help. Though Danny is the one with actual education in that field, while Kim and Zak learned more by necessity, from Kim's various jobs and Zak to operate the Saturday's equipments.

When Rex joined them, he actually became the second best person for her to come to if she needed help. Not only because he has unprecedent skills in mechanics, but also because of his nanites. (but thats info dump for another time, lol)

Jun has some basic knowledge in mechanics, but nowhere near enough for her to feel comfortable poking in Jenny's insides. Jake is perhaps the least capable of helping, when it comes to engineering, followed by newbie Randy (tho we really aint counting him tbh xD).

Ben is a complicated situation - he has some training and knowledge in engineering and robotics because of his Plumber training, but Jenny has heard horror tales from Gwen about how he treats his stuff (the whole hacking/playing with Omnitrix settings), so she flat out refuses for Ben to touch her. However in emergency/battle situation she would allow Ben to use one of his aliens to do so (like, Grey Matter or Upgrade).

So, we talked about Jenny's experiences and why they would contribute to her feeling uncomfortable if someone asked to 'tinker' with her.

Now, let's talk about why Danny would not ask to 'tinker' with her in the first place.

Like you said, Danny is all to familiar with the struggle of being part of something tat is hardly recognized as a sentient species - he had to listen to his parents dismiss ghost sentience most of his younger life. Of course, they have gotten much better since the... 'finale' of DP, but this sort of racism? xenophobia? (im not rally sure which term to use tbh) prejudice against ghosts would have left a lasting impression on Danny.

So I dont remember if I ever implied it, but in HoM AU - events of DP finale happened very differently and the resulting consequences of it diverged a lot from Mr ButtHurtman's 'canon'.

(Also, I had ideas about it, before a Glitch In Time came out, so events from there were not taken into consideration. )

I don't want to reveal much, because it is kinda one of my planned flashback for HoM, but the events that happened reinforced Danny's ... well lets say regard of people's autonomy? It's kind of hard to put into words.

Ok, let's explain it like this: Danny would not ask Jenny if he could look at how she worked and if he could tinker with her, because it would be like if his Mom and Dad casually asked if they could perform a vivisection on him to see how different he is from a full human.

And while sure, the comparison might sound a bit extreme, since there is a difference when it comes to robots and humans about 'poking around' in their innards. But to Danny - it would be too close of a comparison - because of the whole 'recognition of sentience' thing.

After all, wasn't it just some years ago, his parents cried that ghost are nothing more than lump of malicious energy that have no feelings? They changed their mind after Danny's reveal, which allowed them to actually listen and look into evidence proving otherwise and learn. And here is Jenny, struggling to be recognized as a person, since she is considered nothing more than a lump of metal with no feelings - just a weapon to be pointed in a certain direction.

And Danny would feel like asking Jenny if he could casually poke inside her, is a bit... hypocritical? And not to mention insenstitive. After all, he knows how she feels - she is basically still living his worst imagined life in some ways.

So, I don't think he will ever ask to study how she works by casually poking inside her.

HOWEVER -

At some point, after they became friends, Danny would feel like he should know at least some basics on how Jenny works, just so he could help her in an emergency.

I imagine it happened after a particularly rough mission, and Danny had to help Jenny back home since she was unable to do so herself, so Dr. Wakeman could fix her. After some time thinking, he would sit in front of both Nora and Jenny and ask them for permission if he could learn how Jenny works - from Nora.

After all, Danny does not need to poke inside Jenny to learn how she functions, when there is her mother right there - the creator, the maintanance and doctor all in one package, with access to blueprints and all intricate knowledge, who can evaluate what Danny needs to know in accordance to his passable engineering skills. She could teach him the basics - but of course not without Jenny's permission.

So he asks her, if he could learn, because he is tired of looking how she gets hurt along with them, but unlike most of them she can not be easily fixed with bandages and some time. And Danny, since he is one of the few of them who has the skills, would like to be actually able to help her with those skills. But it is her body - it is her choice, to trust him or not.

And Jenny would be speechless. It would be the first time someone asked her like that. Not even Kim, who is one of her closest friends, asked before (but mostly because Kim was perfectly aware that she is nowhere skilled enough to even think about it).

And you would be right. It would be a show of ultimate trust from Jenny, to agree for Danny to learn. And maybe at some point, simply learning, turned into more on hands learning in some small ways. And Jenny's trust was never betrayed, and Danny always stayed humbled and aware of that.

so, i hope the answer was satisfying, or at least entertaining for you! thank you again, your ask was delightful to read and allowed me to explore some of my own backstory parts for HoM a little bit more!

[nothingenoughao3]

So y'all know how Jeff Combs was doing a theater production which someone involved with Re-Animator saw him in, and how he's suggested that the character he played there influenced how he played Herbert West.

I relayed this to @andalusiapunk and they were like "Oh! That explains it! He's theater-acting!"

I am not an expert by any means, but I did misspend my teenage years in a magnet school as a theater student. I understood immediately what they meant by theater-acting and I'm mad I didn't come up with it.

A lot of this has to do with Herbert's overall physicality. We all love talking about how he's hyper-dramatic, right? How he moves in a particular way that is extremely precise and sharp and, to be on point, theatrical. How he spins the tape recorder in his hand; how he offers Meg's heart in BRIDE; how he fumbles or manipulates syringes in various scenes.

None of that's in the script and it's not necessarily justified by what's happening... unless you're trying to make sure the audience in the backass end of the theater can see you're holding something small, like a tape recorder or a syringe or a human heart. As I observed elsewhere, you can trick the audience into 'seeing' or 'hearing' things that aren't present onstage or screen if your body language insists on its reality.

And, not to get into super-nerdy film history, but: originally theater-acting and movie-acting were one and the same. Early films are blocked like plays, they have extended sequences without constant cutting between shots (like an audience watching a play), and the extremely clear, over-enunciation of a play-actor trying to make sure those poor bastards in the back can hear what they're saying. And like a play, all acting was heavily rehearsed and expected to hit the same points and produce the same results every time.

What changed this was Marlon Brando introducing the idea of improvisation into movie-acting, a choice which also led to a greater flexibility in movie-acting... including delivery of lines. A more "natural", verisimilitudinous delivery became acceptable for films. This doesn't make either style bad, to be clear: each serves its purpose.

Bruce Abbott (to name the most obvious example) is doing movie-acting. He's got some Protagonist Accent going for him, but he has a clear variety of tone and a great deal of subtlety with his facial expressions and delivery. The same goes for the rest of the cast, although David Gale kind of straddles the line between these two styles.

Herbert's delivery is pure theater-acting. When he and Dan invade the morgue, Dan is whispering--but Herbert is stage whispering, which is why he hisses so much. I've made jokes on here before about how Herbert was born on Skid Row in Little Shop of Horrors-verse, and he thinks he's supposed to be in a musical... and, you know, LSOH is a film based on a play, only in that movie, EVERYBODY is theater-acting.

Anyhow, lotta words to find a different way to compliment Combs and the rest of the REANI cast on their acting, because I live for sorcery enjoying these damn movies.

[youngyoo-apologist]

I was thinking about OG!Cale, and like the Thames family in general and I thought it would be cool if the Rings of Life was this kind of unsettling power.

Imagine looking into someone’s eyes, and you see thousands and thousands of circles layered upon themselves, of course, it isn’t really that many, and there shouldn’t be anything in those eyes at all, but the longer you stare the more they appear. You blink, and they’re gone, but the gaze they give you isn’t any less scary.

I’ll be talking about both Jour and OG!Cale in regards to how I think this power affected them. Like idk I just think it would be cool cause being able to see time is such a power, it’s so scary, and it’s so all knowing. I feel like anyone who has it, and uses it often would just have such an unsettling gaze. It’s like their stare is reading you like a book, as if your story is something they can easily unlock with just one glance.

Jour Thames:

I think Jour would have this kind, and calm personality.

She’s bright but at the same time, when she looks at someone she gets eerily quiet which is a contrast to her normal talkative self.

Knowing so much, seeing the fate of others at just a glance is something that would burden anyone. After all, time is not something humanity is supposed to walk hand in hand with. Humans follow time just like everything else does, but the Rings of Life whisper time’s plans into the Thame’s ears.

I think the scariest thing about her would be how casually she would drop some life changing information. She mentions it like it’s just one verse in a poem, short, but impactful.

If you were to ask her what she meant, maybe she would smile and laugh before going back to whatever she was doing.

Original Cale Henituse:

I think in many ways, the Rings of Life would affect Cale like how it affected his mother. He’s committed to doing things right, just like she is. He would do whatever he could to make sure those he loved stayed safe.

No doubt, his gaze would be just as scary and unsettling as Jours. Those eyes stare through your soul and into the very inner-workings of your time and life.

His time is warped. He is an anomaly, someone who technically should have never existed as he did according to the very laws of the universe.

It is because of that fact that he is closer to time than anyone else.

Being close to time himself, I feel like he’d become used to time fracturing like it was normal. For him, that is what he’s seen any time he’s looked at himself with those powers.

Cale would be the kind of person to bring something up suddenly. How it felt like time didn’t work quite right for you, he would look you in the eyes and it would feel like he’s seen everything he needs to know about you.

You would ask him what he meant, but with the way he smiled blankly, it really felt like you shouldn’t pry.