#how little movies i have seen

[malicemismanager]

Guillermo Del Toro is basically the only person whose movies I will watch without knowing anything at all about them beforehand. I'll just be like 'oh it's Guillermo Del Toro? don't mind if I do then!' and you know what I've been right every single time.

[xlunart]

uhmm barbie girl in err uh barbie world ???

[the-sage-libriomancer]

Rewatched Princess and the Frog today and honestly it feels more like a celebration of Disney's 100 years than Wish. A classic fairy tale respun in interesting ways while still being undeniably Disney? Check. A traditional story with modern twists and a (narratively) strong female protagonist? Check. A return to 2D animation in a time when the medium was dying out? Check. Hell, it even takes place in the same time period (1920s) that Walt Disney released the first animated feature film and started a hundred years of magic. There are multiple references to older Disney movies, from classics like Pinocchio and Sword in the Stone to (then) recent films like Aladdin and The Little Mermaid. It features the fucking wishing star! In a more narratively sound manner than Disney's actual 100th year celebration!

And even beyond that, Princess and the Frog feels like it pays tribute to the magic of magic - the power of believing in stories, of having a dream, of working hard to reach your happy ending while never losing sight of what's really important. There is so much effort put into this movie and it shows: the animation is gorgeous, the story is creative and structurally sound, and behind the scenes reveals that the producers put their backs into making sure both the African American aspect and the New Orleans cultural aspect were accurately depicted. It was the first Disney movie in over a decade to return to the Broadway musical format, and they literally had to dust off the abandoned 2D art tools because the company hadn't used them since 2004.

Princess and the Frog was a labor of love through and through, a heartfelt tip of the hat to Disney's legacy while still being its own story. I don't know what could be more celebratory of Walt Disney's dream than that.

[man-down-in-hatchet-town]

One of my favorite things about actually joining the Starkid fandom after so many years of loving Starkid but not being a part of the community is seeing how much love and enthusiasm for Starship is still out there. Like, ya'll really love the silly alien-bug-Little-Mermaid musical I was obsessed with twelve whole years ago and it warms my heart so much <3

[frogwithfeelings]

hello ive decided to share with you all a list of films i consider 'silly horror'

'but what is silly horror?' i hear you cry! well shut up im gonna tell you

the criteria for silly horror is that it should have at least 2 of the following:

good practical effects and/or shitty cgi

goofy creature design

at least one point in the film that makes you think "what the FUCK is going on :D"

ridiculous ending or plot in general

cartoonish violence and/or unrealistic gore

a generally goofy vibe

(bonus points if it's from the 80s)

these are mainly comedy horror films that have what i consider the absolute silliest vibes however there is opportunity for a serious film to fall into this category unintentionally, unfortunately tho i havent come across any yet :( (if you know any send them my way :3)

ok so without further ado my silly horror films

REANIMATOR & BRIDE OF REANIMATOR

EVIL DEAD 2 & ARMY OF DARKNESS

BRAINDEAD (also known as DEAD ALIVE)

THE FRIGHTENERS

FROM BEYOND

THE TEXAS CHAINSAW MASSACRE 2

LITTLE SHOP OF HORRORS

KILLER KLOWNS FROM OUTER SPACE

ok thats all i have so far if you have any recommendations please tell me i love these films :D

[mezucore]

i made a short visual novel-style retelling of some re-animator scenes in extremely rudimentary html for my website. i'd appreciate it if you checked it out <3

[andromeda3116]

people actually went on about how game of thrones made it socially acceptable to be a fantasy nerd, as though the lord of the rings movies hadn't been released less than a decade earlier and left far greater cultural ripples and i am just

got may have made the adults feel better about liking fantasy, but lotr got into the kids' heads when they (we) were just young and impressionable enough to be absolutely transported and emotionally rewritten by don't you leave him, samwise gamgee and my brother, my captain, my king and and rohan will answer

lotr was rewriting entire generations' brain chemistry long before asoiaf and so obviously it's not fair to compare any post-lotr fantasy novel to it, and each book series was trying to do different things within their own spheres and so that also is not a fair comparison, but in terms of the cultural impact of the adaptations that came out within a decade of each other, saying that it was game of thrones that made fantasy mainstream is baffling

game of thrones could only run because the lord of the rings movies laid the path, and i will die on this hill

[clover-46]

the writers on here making the miguel fics need to remember his fangs inject paralytic venom hes not a real vampire it was just a joke in the movie 😭

oh but i still want him to bite me don’t get me wrong idgaf if they have venom 🤷🏾‍♀️🤷🏾‍♀️

[dandeyrain]

i genuinely don't mean this in a like. condescending way. but reading people talk about how Confusing and Nonsensical and Overpacked boy and the heron is make me feel insane. every single plot point is clearly spelled out; frankly, one of my only critiques of the movie is that i wish they'd left some of it LESS clear. yes, the second half is rich in dreamlike fantasy, but the story never breaks its own rules, and before every major reveal in the fantasy world theres an extremely obvious explanation — almost too on the nose to even call it foreshadowing — from somebody. like i just don't understand how anybody finds it impossibly confusing and weird and bad to engage with

[weregonnabecoolbeans]

When Tony asks Peter why he does what he does and he says the iconic line:

“When you can do the things that I can, but you don’t…and then the bad things happen…they happen because of you.”

Fourteen-ish year old Peter Parker, in one sentence, with so much ease, made the simplest case for why Tony arguing on the side of the accords is entirely for his own self interest.

If “the bad things happen” and Tony makes his own decision not to interfere then he will inevitably feel guilty.

Signing the accords means handing over the responsibility of deciding when he will or will not interfere. In his mind, this means he can no longer be held accountable when “the bad things happen”

[the-meme-monarch]

my brother and i have been going on walks a lot lately and have been checking out public buildings if only to see them, and in one it finally happened where someone thought my brother and i were a couple. even though Earlier in the conversation i mentioned ‘our little sibling’ like twice while gesturing to my brother and i both times. this wouldn’t have been so horrible and i could have easily brushed it off as her just not having caught that, if not for the part where after clarifying We’re Siblings she said “well even if you did have kids…” and kinda trailed off and didn’t complete that thought. she was talking to us about our futures/careers bc this was the town hall building so she probably meant it like If We, Individually From Each Other, Have Children but. i didn’t press for clarification but was ready to Leave after that. she was talking for a while still, after saying that. i had a cold soda and it was room temp by the time we finally left

[todayisafridaynight]

whatever og text i had in mind for this post about ko shibasaki looking like sayama in this movie is completely cancelled on account of utsumi (this character)'s first name being kaoru and i only found this out cause i was looking up her name just to be sure when making this post

like jesus christ i legally have to make this post now

[gwinverarrouz]

Folktale week 7: Found

This one is very loosely inspired by The Wild Swans, by Hans Christian Andersen (and also a call back to day 1: Lost, of course~)

[softquietsteadylove]

It’s time to read more about tomb raider! Let them meet again after the almost drowning incident and let there be teamwork fighting against a group of treasure hunters! :D

"Will you stop?!"

Thena - surprisingly - stopped squirming behind his back against her own binds. Her chair stopped rattling against the floor as she stilled. She huffed. "I'm sorry, were you trying to get some sleep?"

He joined her in her frustration. "I just mean conserve your energy. We don't even know how long we've been down here, let alone how much longer we have ahead."

She went quiet, and he was quite sure he was more uncomfortable with it than she was. Thena spoke two languages: yelling, and sass. He was unfamiliar with any quieter sides of hers.

"I'm sorry."

The simple words gave him chills. He whipped his head around but all it did was hurt his neck, and he couldn't even get a glimpse of her anyway. "What?"

"They followed us all the way out here and I had no idea."

"I didn't either," he interjected.

"I was the one who came up with the plans. The next time they come down here, I'll tell them I can guide them, but only if they release you." Now she was really talking crazy.

"What the hell are you talking about?" he grumbled, now starting the game of fruitlessly tugging at his binds again. "You think I'm going anywhere without you?"

"We may not be afforded another option," she bit back, also turning her head. He could feel her ponytail against the back of his neck. "If at least one of us makes it out, there's a chance of escape."

"There's no way you believe that if you cooperate they won't hurt you," he snorted.

"I didn't say I believed that."

He jerked his shoulders, attempting to get a look at her again. The backs of their chairs clanged together, although they were still technically bolted to the floor. What little movement they did get on them was from the general state of the ship's disrepair. "Don't be stupid, Thena."

She didn't even have a scathing retort about him assuming such a thing about her Ladyship.

"Once they come back, we'll reason our way through this." Sure, he didn't totally believe what he was saying either. But it was a better solution than Thena giving herself up as a bargaining chip for his life. "All they want is the bounty, right? Your plans were solid, and I doubt any of them can dive for as long as you can. We'll-"

"Gil."

She was right, there were few options they had which might lead to their escape. They knew the risks, running in the circles they did. There was always a risk.

"You have connections on the mainland," she continued to talk him through things like she was coaching him. "Tell them that they can collect your bounty if they return with you."

Rather then killing them both and leaving them somewhere.

"And what about you?" he just barely dared to ask.

She took a damn long time to answer, twisting his gut all the way around itself. "Karun and Druig always know the risks of our field. They have instructions should I fail to return one day."

Gil scoffed loudly, rolled his eyes, shook his head--all of it. Anything to convey to her just how ridiculous this was. "I am not going to just leave you here, let alone with those-"

"Gil-"

"They slapped you, Thena," he reiterated, since that didn't seem to matter to her as much as it did to him. "They backhanded you across the face. I'm not exactly counting on them to uphold a gentlemanly agreement."

He leaned forward, pulling at the legs of the chair, still bolted to the floor by a couple of rattling brackets.

"It wasn't how I saw our collaborative efforts ending," she tried putting on a lighter tone, as if that would distract him from the gravity of all this. "But I must admit, we make a good team, Gilgamesh."

He huffed, leaning as forward as he could, "don't 'Gilgamesh' me."

"Could we not spend what might be our last time together arguing?"

He paused in his efforts, partly to catch his breath, and partly to twist his neck again. "I thought you loved arguing."

"I love anything at which I can win."

Well, there was the Thena he knew and tolerated.

Her tone changed again, and he felt her hands move from being tightly balled up fists. Her fingers fluttered around, as if searching for his. "But arguing with you was always a byproduct of the job. Your company from the same side is far preferable."

If he didn't know better, he could think she was admitting to some fondness for him. But he did know better, and beyond that, this was not going to be the pre-burial-at-sea confession she thought it was.

"Who said you could talk?!"

The door slammed against the back wall. All the hinges in this place were falling apart. The men filtered into the room, fully armed and just as dark in expression as when they had found them.

Thena glared at them of course. "You didn't gag us. I don't see how you expected us to remain silent."

"Silence might do you some good." The same one who had struck her before raised his hand again, just barely in Gil's periphery.

He jerked in his chair, "don't touch her!"

They all laughed at his noble effort to protect her. The hand changed from an open palm to grasp her chin instead. She jerked back like a caged animal, but he grabbed harder. "Is she your pretty little treasure?"

Thena practically growled at them even with her cheeks smushed.

"That's all you want, right--the artifact we got sent here to find?" he clarified, doing everything but snapping his neck right off his shoulders to try and see what they were doing. "I'll take you, but only if she's unharmed."

"Relax, big guy," another one instructed, even slapping the grabby one's hand away from Thena's face. "The bounty from the artifact is only half of it. There's also the matter of you two."

Thena must have made a face, because they glared at her again. "We have no insurance policies on us, if that's what you're after."

"Not at all, girlie," he chuckled at her. "The museum will pay his ransom, surely. And as for you...you're sitting on an old family estate, aren't you? That will do nicely."

Gil was desperately trying to think of something but if anything, Thena relaxed. He kept his mouth shut though; they hadn't mentioned Druig or Karun, which meant they didn't know about them. They hadn't done reconnaissance on them or anything, they just happened to be their lucky catch of the day.

"You're right, you will guide us to the artifact." The men began gravitating towards the door again, one with his hand already on it. "And when we have it in our possession, then you'll make the ransom call for us."

The grabby one rattled the handle in his grasp. "We might have to rough her up some, just to make it believable."

Gil launched forward. The chair came clean off the floor as he cried out in his rage. He hunched forward, swinging the legs around as a line of defense. He turned, charging at their captors.

His shoulder jabbed into the most dominant one, crushing him against the handle of the door and doing some good damage to his back. He slumped down. He turned as fast as he could, using the legs of the chair to do some damage to the other two.

The grabby one grunted as he got hit in the gut. Gil positioned himself better, throwing himself back and ramming the legs into his shoulders. He screamed at the top of his lungs but Gil did little more than grimace. "Relax, it's not like I stabbed you."

He tried to get a sound out, but the wind had been knocked out of him. Gil looked down at him, holding out at a hand as if to plead for something. Unfortunately for him, that was the hand he'd used to slap Thena, and Gil wasn't feeling particularly forgiving.

Thena winced as he rammed the chair leg into his open mouth. "I never took you for the sadistic type."

But he didn't have a witty retort for her. He knelt down, feeling around the mess of bodies for a knife. "I'm tired of him yapping."

Thena sighed as stood again. "I suppose it's a better option for us. We still don't know how many of them are out there."

"Let's not be tied up when we find out," he groused. He walked back around her. "Got it?"

She did have it, grasping the knife firmly, passed from his hands to hers behind their backs. "You seem confident I won't slice anything essential"

"Like you say, we may not have a better option," he conceded. He strained the ropes tired around him, pulling as Thena attempted to pressure the blade against them. It wasn't a great angle, or a serrated blade. But he continued to pull as she worked, eventually pulling them apart before she could slice through the middle.

The knife clattered to the floor between them.

"Okay," he sighed as he finally pulled his arms around to his front again. They hurt, and usually it would be more ideal to move them slowly. But he swung them around, desperately needing their full range of motion sooner than later. "I've got you."

He worked at Thena's ropes more gently. They were tied tight, but he could see the red irritation in her pale skin more. "Do you know how far out we were when they found us?"

Her ropes snapped apart, and he immediately grasped her shoulders, rolling them forward for her slowly and gently.

"Well, someone was hogging the radar," he commented, and was rewarded with her turning in the seat, skipping over examining her wrists in favor of glaring at him. He grinned, "but I know the jetski you used to get to the boat is still being towed. If we can get to a railing, we can definitely swim under the ship and get to it in time to get outta here."

It wasn't his most risk-free plan, but they both knew the risks--had just gone over them, in fact.

Thena nodded, rubbing her wrists but wearing the usually determined expression he had come to expect. "Lead the way, then."

He planned on it, and not out of some need to protect her or anything. It just made good sense.

They hugged the walls all the way up. He really didn't know how many of them were on board, but he dreaded to think about the possibilities considering the expected crew for any boat this size. He looked over his shoulder and nodded his head.

Thena showed her understanding; they weren't far now.

He held out his hand. She gave him a look but he shook it at her. He wasn't going to let them get separated again. Begrudgingly, she slipped her hand into his. It was cold.

Gil looked both ways before dashing across the deck and to the railing. No life boats, of fucking course. He climbed over the railing while Thena crouched between the top and middle bar. He looked at her. "Ready?"

She didn't reply, but she let her hand give his a squeeze.

"Don't let go." He didn't know why he said it. There was no need, but he held her hand, getting ready to free dive into the water and potentially be chased down like wild animals.

"I won't." That was much more assuring than anything she could have said about them making it. She looked ahead, resuming her usual role of being the one to pull him along.

And despite their rivalry, he would follow her anywhere.

[dootznbootz]

With how I'm planning my fics, since Menelaus and Agamemnon spend some years at Tyndarius' palace, I kind of have them all be childhood friends in a way before Agamemnon and Menelaus take back their kingdom (Aga is around 19, Menelaus 15 when they leave. 5-6 years later they get married.) With how their marriages work out when talking about "Old times", Odysseus is the "odd one out" as he was the only one who didn't grow up alongside them. The poor guy is left out.

Odysseus: "Wait, why is everyone laughing? What does that mean? I don't get it." Penelope: "Well you see-" Goes on about a silly story but the inside joke is dumb. "...You probably would've had to have been there to get it" Odysseus:

[iristial]

Been thinking about how I usually don't have the best first impression of grumpy, aggressive and intense (occasionally stoic) characters - a perception which can last throughout the entire story - and the three to four ways these characters can be endeared to me (though not always):

They get made fun of. It balances out their seriousness and frowny faces, lets me know they aren't taken seriously all the time, shows they're not immune to or above the sillier/nice/mundane things in life. Or maybe they're silly themselves! Though it should be done in a way that doesn't feel jarring to their preexisting characterization or makes me want to cringe. Personally, I don't like being intense all the time; it makes me stressed, anxious and tired. Even bored sometimes. Some examples for me are Geats Michinaga, Zero One Fuwa, probably several others

They're actually very kind. Have a nicer side that counters and even cancels out their less ideal qualities, which can be a byproduct of the stress and frustration their job inflicts which they take very seriously (i.e. LuPato Keiichiro) or a defense mechanism (i.e. Den-O Yuuto). Then I can see their grumpiness and pessimism is part of who they are but it isn't everything to their character. People have flaws and different types of dispositions, which have their own merits

They undergo character development that makes them a better person. They make the effort to change. Maybe they're still grumpy at the end of it, but I'll be okay with it

Circumstances made them what they are. It doesn't truly justify their worse, less-than-moral actions (should they be the type who's also villainous, antagonistic and/or willing to stoop down into the dirt to get stuff done) but I'm more willing to feel sympathetic and be understanding towards them. In this case, an opportunity for change should be given to them and somewhere along the line, the character takes it