#how did this get so long so fast?

[letsplaythermalnuclearwar]

Homer!Odysseus and Epic!Odysseus would try to kill each other if they ever met

[nebuladreamz]

A little different than last year's, but here we are again. To say that this past year hasn't been absolutely wild would be a lie, cause HOLY SHIT MAN

This year's birthday is. A little different for me, but you already have the silly comic to show that so I won't make like a broken record oops

But, despite the changes and hills that life's decided I should climb or throw at, it hasn't changed the fact that I'm so genuinely fucking thankful to the people that I've known since joining this fandom. I'm not even kidding when I say that being here has actually changed my life for the better. I know I said something similar last year, but this time, hoo boy it sure turned up the AMP and test how far I could go.

So, to everyone, both new and old; thank you for being here :D

@garbagechocolate @darkxsoulzyx @smoljeanius @bunmuffin @skizabaa

@tuzesdays @sleepykas @fernzwing @kandidandi @starsketchez

@just-a-drawing-bean @notdysfunk @ilsole @amberluvsbugs @cloudyvoid

@nomsthecat @alfinefalf @nosleepygay @theblog-with-thestuff

@cacaocheri

(Edit: ty kibbits for informing me of the. Fuck ass tagging system)

AND TAGGING OTHERS BECAUSE. POINTS. BONKS WITH HEAD. GETTING TO EITHER INTERACT OR TALK OR WHATEVER IS ALWAYS A DELIGHT

@ohno-the-sun @kibbits @ink-yy @saltyfryz @kaprisvn

@hierba-picante @sunny-sophies-garden @cookiiemancer @sneeblbop @justaduckarts

@pepethehumanz @crystalmagpie447 @woolysstuff @mocha-illustrates @duhsty1

@sanchensky @pillowspace @victarin @witherfide

[I DEFINITELY GOT SONAS WRONG AND THESE AREN'T ALL THE SILLY PEOPLE I KNOW BUT IM SITTING HERE AT 2:30 IN THE MORNING JUST KNOW YOU'RE THERE IN SPIRIT HANDING YOU ALL POPTARTS WAUGH]

[doomedclockworkdotmp3]

heeyyy gaaanggg

the pose and the background of the album version (left) are based on oingo boingos only a lad album art. not cause i think he has anything to do with it but just cause ive been wantin to draw that pose for like. weeks and i didnt know who to put there. so why not my latest bug man.

[c6jpg]

Hunters fight not for fame, but to aid the people whenever they are summoned.

[myokk]

my favorite bookworm

[muffinlance]

Read "Suki, Alone". Liked it in general. But can they please, please hire someone who knows both the show's actual events and how to follow through on a character arc? Because guys. Guys. That comic is not implying about Suki what they meant it to be implying, and all because of literally one line.

So like. From a writer's standpoint:

What they meant to do: show Suki as a community-oriented person who cares for her people, and believes in everyone succeeding together.

As opposed to (spoilers): the thief girl they set her up in contrast with, who's pretty upfront and consistent on primarily looking out for herself. She betrays Suki for one (1) corn chip to improve her own life at the prison, no surprise.

But the problem is: they give Suki an inspirational line to the effect of "we're all working together and we'll all break out together"

You know

The thing she does not do in the show

So if both the show and this comic are canon, then instead of setting up a compare/contrast with the thief girl, they've just set up a comparison. One were Suki is arguably worse, because she's been leading a significant number of prisoners on with her "we'll all fight and win our freedom together!" business, only to straight up cut them out of the escape loop and abandon them, whereas the thief is only leading Suki on in the sense that Suki keeps telling her what it's morally correct to think and confuses snide replies with agreement

My dudes. My fellow writers. You people actually being paid for this. There were so many ways to fix those awful implications against our girl's character, the simplest of which would be to not include that line. Or they could have, you know, made it canon compliant with what actually happens in the show, so that this comic doesn't set Suki up as a betrayer instead of a community builder. Like... just send all her good prison buddies off to other prisons in the wake of the warden finding out they're colluding. Have it timed to be right before the next new prisoners arrive, thus setting it immediately before the Boiling Rock episodes, so Suki didn't have anyone left in the prison she'd want to take with her on a breakout. For bonus points, include a page or two of her and her Kyoshi warriors opening up the cell of one of her prison friends post-war, thus implying she's tracking down and actually fulfilling her promises. Maybe even show her doing the same with thief girl, who was established as being imprisoned on false charges anyway, and also showing that Suki is A) the bigger person, and B) willing to acknowledge her own role in mistakes (because I cannot emphasize enough how much thief girl was not hiding her own priorities, and it was Suki who approached HER with all this, not the girl ever doing anything special to weasel her way in) (this would also open up an opportunity for paralleling Suki's earlier in-comic mistake of not listening to one of her friend's very valid thoughts and feeling, which lead to the girl leaving their island alone pre-canon; a "seeing people as they are, not what you want them to be" moment)

Anyway yeah enjoyable enough for a quick read but another one for the "this can't be canon or the characters are So Much Worse than they were in the actual show" pile

At least Aang didn't promise to murder anyone in this one

[dykedvonte]

Honestly I see Jimmy's refusal to put Curly out of his misery less about his weird feelings of envy or his delusions but the fact Curly is all but stated to be a shield to Jimmy from his actions and people seeing the worst in him.

The only characters that Jimmy really interacts with one on one before the crash are Curly and Anya, two individuals he has wildly different relationships with. It's likely that Curly really did most of the talking between them as the pilots and the rest of the crew as staff. They didn't know of Jimmy's more reprehensible behaviors cause they never really had the chance to and Jimmy is subconsciously aware. If they had disliked him more than Anya would have told Swansea earlier or even Daisuke when things got really bad.

It's why he takes the immediate opportunity to blame Curly; He's the shield. He's saved Jimmy's ass more times than he can count and more times than Jimmy would ever admit. Even when he can't really do it anymore, he mentally shields himself from his own faults by putting Curly between them. Letting Curly die puts too much on him because he doesn't know how to function without a safety net.

In the end Curly only lives because Jimmy needs the idea that Curly will inevitably make things better to stay alive, meaning Curly has to live, no matter how much it pains him to do so.

[luck-of-the-drawings]

"And soda; runs off into the street..." "...and soda... is totally okay!"

[tgsilcosynxbelu3]

i finally understood what hannibal means by that. it obviously expressed his desire to see will every day, forever, but why only then would he remember this time? well because it would have been too painful for hannibal if he had to see the painting of will's ravishing beauty in his mind palace while his hunger for will continued to grow, unsated. even after hannibal's gone to florence, had his new life built like something out of a fairy tale, trying to forget every bad memory, he couldn't. not even after he left his broken heart behind for will in front of the altar. he basically just said will's too beautiful for him to NOT HAVE because he can't survive aching for will anymore, because he can NEVER, EVER forget will. not just will's radiance but also the joy of finally reuniting with him, feeling his hunger satiated, are far too great. he can't hang the painting of this moment up if he can't take it down. he can't afford to remember if he can't experience anything of its like ever again. gosh again i'm sick to my fucking stomach they are so wrong yet so right for each other why does this nonsense make so much sense??

(idk who's the creator of the gif but if i find them i'll credit them in this post)

cre: @justanothersillygoose (probably i'm unsure but why not check them out just in case)

[moongothic]

Kinda started rereading Dressrosa and... Although I always chalked up the similarities between Crocodile's plan to take over Alabasta and how Doflamingo took over Dressrosa as nothing but Oda reusing similar plot elements but in a slightly different way (just to show us what could've become of Alabasta had Croc gotten away with his schemes, what Luffy helped prevent from happening to begin with)...

Robin's reaction to hearing the story of Dressrosa and HOW Doflamingo took over the country, that simple little "...!!", actually does kind of speak volumes

Like if you wanted canonical evidence to Crocodile having been "inspired" by Doflamingo, then yeah, Robin would be The Person who would pick up on that, she'd be the person who'd be like "hey, that story sounds awfully familiar to what Crocodile did", since he was her boss

Do want to note that, timeline-wise, Doflamingo only took over Dressrosa 10 years ago, where as Crocodile had been Scheming and establishing his position as the Hero of Alabasta for 16 years. Like Croc's intent to obtain Pluton and create his military nation utopia absolutely pre-dates Doffy's takeover, so that wasn't and can't have been inspired by Doflamingo at all. It's more just the plan and method Crocodile ended up going with (framing the king (through a bloodbath) and putting the country in a position without a ruler where he could just yoink it for himself with ease) where the similarity becomes more obvious. But it is also kind of where it ends. Doflamingo wanted Dressrosa because he felt like he was entitled to the island (as his family had been its original rulers and he was a Tenryuubito), and was using the island for his own gains (Smile manufacturing etc, for his dealings with Kaidou), all while having a great distain and hatred of the world and how he had been "wronged" (=Tenryuubito rights revoked). Meanwhile... yeah, Crocodile wanted to create a "utopia", only targetting Alabasta because he believed Pluton was there and because Pluton would be needed for his ideal military nation. That minor difference and Crocodile's clear and great distain and hatred of Doflamingo combined...

Yeah, I dunno, this is just interesting to me. God I need Robin and Crocodile to have a lil reunion chat

[every-sanji]

[skunkes]

if life is categorized by Before Loss and After Loss then I exist in the before but with a countdown to the after. and the countdown is always always present and debilitating. the loss will be debilitating too but i cant help myself. i will always suffer twice.

[dullorangepulp]

Hello! My name is Sophia, and I am humanity's companion!

[ratatatastic]

i am cringe but i am in fact free always remember that

[chiropteracupola]

I feel so near to the howling of the wind / Feel so near to the crashing of the waves / Feel so near to the flowers in the field...

[moth and compass is a collaboration with @natdrinkstea!]

[stop-breaking-my-heart-dragonage]

Okay I thought I was done but apparently I'm not. I need to talk more about this banter you can get during the Legacy DLC between Aveline and Warden Carver because it makes me want to scream.

Aveline: I'm glad you found a place with the Wardens. Carver: Well, it's not the city guard, but it'll do. Aveline: Carver... it wasn't the place for you. Carver: No, it's all right. It is. It cost a lot, but I get it. I really was a bit of a tit those days, wasn't I? Aveline: Well...

In my last post, I talked about how Aveline had no place telling the guard to refuse Carver's application, regardless of if he was "right" for the job or not. But I believe he would've made a great guard, and getting that job not only would've provided for him and his family during a desperate time, but would've prevented him from either fate of becoming a warden or a templar. He was unfairly robbed of a chance to prove himself because Aveline believed he wasn't right for the guard.

This is one of the banters I brought up but didn't go too in depth about. At this point, it's been between 3-6 years since Act 1, depending on if you decided to do Legacy in Act 2 or Act 3, and every line here is important.

Carver's response to Aveline saying she's glad he "found a place" with the wardens is so telling. Not being accepted by the guard is still on his mind after all this time. He wouldn't bring it up if it didn't still bother him, and implies that he still would've preferred the guard over the wardens.

Which... yeah. Listen, I'm a dedicated "Carver joins the Grey Warden" player. I don't like leaving him behind to become a templar, and I certainly don't like him dying. For me, the Grey Wardens are the best outcome he has. It’s where he seems the happiest and finds the most fulfilment, and it fits well with how I play my Hawke. But it obviously has some tragic issues.

Like the fact that becoming a Grey Warden only delayed his inevitable death within the Deep Roads. Eventually his Calling will come, and Carver will go back down there and fight until the darkspawn eventually kill him. I'm sure that's not traumatic to think about given he was a soldier at Ostagar and then watched Bethany die at the hands of an ogre. Oh, and there's the whole nightmares and voices thing.

Carver didn't choose this life for himself. It was either this or death, but a "what if?" still lingers in his mind about the city guard.

Something Aveline ruined for him.

And continues to ruin.

Aveline: Carver... it wasn't the place for you.

You hear that? In the distance? That's me screaming.

I must reiterate; what makes Aveline believe it's her place to tell Carver whether or not the city guard was right for him? Why did she think she should get a say in whether or not the guard takes him? What's made it HER call?

And still, after all this time has passed, she believes it wasn't right for him and she's unwilling to consider otherwise. Maker forbid she do some reflection and question if she was in the right for interfering at all, too!

Carver is standing right there before her, proving everything she said about him wrong, and she just doubles down. There's no reason to say this to him unless she's trying to remind him of his place; he's a Grey Warden, and she's Guard-Captain of Kirkwall's city guard. But c'mon, Aveline, he's hardly a threat to your precious guard anymore given the whole dedication to killing darkspawn thing he has now.

Maybe if you paid more attention to the threats within your guard, Kirkwall would be a safer place with less murder going around? Just saying!

But isn't that how it's always been? Aveline putting him in his place, making sure Carver remembers she's always outranked him?

Carver: Did you approve my application? Aveline: I can't make you a guard, Carver. Carver: We were both soldiers. Why won't they take me? Aveline: I was an officer. And I follow orders. Carver: [laughs] No you don't. Aveline: I also think of others before myself. You seem tired of that, and that's dangerous. Carver: Just when it's not my choice. You told them not to take me, didn't you? Aveline: Yes.

That he should remember who he's talking to?

Carver: I'm surprised you still travel with us, Aveline. Aveline: Carver, don't. Carver: You're ever so busy with the guardsmen. It must be a burden to slum with the refugees. Aveline: It's oddly comforting that you insult me like I'm family. Carver: That wasn't... no, I didn't mean that. Aveline: I know. But you should be glad that's how I took it.

That she's in charge?

Aveline: Your form's sloppy, Carver. Stiffen up or the darkspawn will take your blade. Carver: Right. I'll keep that in mind. Aveline: And you're angry, why? Carver: You didn't fare any better than I did the last time we faced darkspawn. Aveline: If they take your blade, people die. That's not happening again. Stiffen up. Carver: Yes ma'am.

Oh, and she used to spy on him [and Hawke].

Aveline: I don't like some of the people you've been associating with, Carver. Carver: Talk to my brother/sister. He/She's the one in charge. Aveline:  Maybe, but I know you get around. This city's full of people who are dead set on ending badly. I don't want to see you end up the same way. Carver: Would asking you to stop spying on me help in the least? Aveline: No.

That's their banter.

But sure, she's glad he found a place in the wardens. I don't think she's being ingenuine when she says that, but I think it's a little more complicated than a mere "congrats on doing well, I knew you could do it."

But Carver's response? Oh Maker's ass. It actually hurts me.

Carver: No, it's all right. It is. It cost a lot, but I get it. I really was a bit of a tit those days, wasn't I? Aveline: Well...

I... what can I even say?

He accepts it, but you can tell it hurts to do so. It DID cost a lot. More than Aveline will ever understand. And it doesn't matter now! He can't become a guard now anyway, so what would be the point in him disagreeing with her? Carver acts as the bigger person here because he does get it, even if Aveline doesn't.

But it's that last part... that last damn part... Don't be alarmed, that screaming you hear is still me.

Here's the deal; Carver acknowledges that he could be an ass back in Act 1. Hell, he acknowledges it IN Act 1. For example, when you talk to him after finding your grandfather's will, he's an ass to you about Bethany no matter what you say.

But y'know what? You can be the biggest piece of shit to him and have Hawke literally call him a "lazy brat with a chip on his shoulder," and Carver will still be the one to be apologetic for what he said and attempt to explain his feelings.

"Brother/Sister... I feel... I don't know. It's like Mother taking things out on us. She was just scared. I don't have a place in the life she's trying to bring back…"

Carver can be an ass, but he's aware of that and actively tries to change his behavior. If you bring him and Fenris with you on the Mark of the Assassin DLC, there's a moment where Carver says, "You still don't like me? I've tried to change." And if you bring Varric, he once again acknowledges that he used to be an ass.

BUT... that being said. If you don't remember, "I really was a bit of a tit those days, wasn't I?" is referencing back to this conversation in the barracks of Act 1:

Hawke: This must be a very different pace from serving King Cailan. Aveline: It's just one more change, though. The real end for me was Ostagar. What about you Carver? You were there. Do you feel something similar? Carver: No. Aveline: All right, then. Bit of a tit, your brother.

Now, I've already expressed my beef with Aveline over insulting Carver in the middle of the barracks just because he doesn't agree with her view point on Ostagar... but consider the fact that Carver says nothing. He just lets her insult him without a complaint! Carver Hawke, who tends to complain! And he says nothing!

Not only that, but he actually internalized that insult enough that years later he's able to repeat it back to Aveline word for word, and all she has to say is, "Well..."

This isn't the same thing as him reflecting on his past behavior and acknowledging his flaws. This is Carver accepting a snide jab Aveline made that hurt him because apparently he was wrong for not wanting to discuss any trauma Ostagar left him with as openly as she does.

Oh, and don't forget that any other companion you brought along dogpiles on, too!

Carver: No, it's all right. It is. It cost a lot, but I get it. I really was a bit of a tit those days, wasn't I? Aveline: Well... Varric: No shit. Fenris: Insufferable. Isabela: Legendary. Anders: Maker, yes. Sebastian: I've heard as much. [If Hawke has a humorous/charming personality] Hawke: Spoiled, annoying, thick-headed, brattish little nitwit of a... oh, have we stopped?

Y'all ever wonder why he's so on edge or hostile with the other companions?

Also, I have to point out that Merrill is the only companion who doesn't say anything in agreement if she's there. In fact, across all their banter, Merrill's never been rude or insulting toward him. All she does is ask him if he's talking dirty to her and compliments him on what a great sworder he is. It's pretty obvious why Carver develops a crush on her, c'mon.

But to wrap this up-

This banter strikes a nerve due to how telling it is about both characters involved.

Carver has grown and done what he can to improve himself, but there's regret that lingers, a longing for a better life he could've had if given a chance. Maybe he would've failed, maybe he would've succeeded. But there's nothing he can do now, so he looks forward, just as he's always wanted to do. He's a damn good Grey Warden who wants to do right.

Aveline remains stagnant. She hasn't changed, nor has she improved, and maybe she would if she could figure out how to dislodge her head from her own ass. She still believes she was in the right to tell the guard not to accept Carver's application despite knowing the Hawke's were desperate and that Fereldan refugees couldn't find work. She knew Carver's a skilled soldier who fought at Ostagar just as she did. The guard wasn't the place for him so she's in the right to deny him any chance. Aveline knows best.

And y'know what, I think all I have left to say is...

Fine, Aveline. You're right. It wasn't the place for him.

Carver was too good for your city guard.