#how about some relevant tags....
Explore tagged Tumblr posts
unproduciblesmackdown · 9 months ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
been on a rich journey of niche productions of yore, found these production pics ft. will roland as [?] in "zombies, actually....an undead musical" performed at the new orleans fringe festival in 2011
#found this from 1) looking at will's bio on The Bus website 2) looking up the ''we didn't have time to be scared'' production he cites#there from edinburgh fringe festival which is also niche enough a result is a 2018 bio of his on another site mentioning This show#which i'd either never heard of or entirely forgotten about ever hearing of. found from 2 actors' personal sites w/production pics#also found out this was another musical by the fantasy football: the musical? writer. debuted in nymf 2009 but nyu workshop 2011....#rights site saying skip ''must be charming and adorable'' Done & Done. look at this little guy#another review (abt the 2009 show anyway) saying ''ok the Straight Guy(tm) stuff seeming like unnecessary misogyny sometimes'' well;#weary sigh....will's [?] role seeming Affiliated w/rainbow socks look at them laughing together pic 1 lol#maybe that's why he doesn't have to be like Wahoo abt what seems a bit like contexts of impromptu aggression there. bro! hwaet!#which brings us around to ''fr let's watch the 6 min michael park will roland seeing spamalot together vid. he talks abt beowulf''#this AND going ''oh an actor in ff the musical? w/him was in the xmas xtrav w/him! wham! tee guy behind cyril in 1 pic!!!''#AND my about to listen to a podcast with the writer of this & the football show. hope he doesn't say anything key to This Post#how about some relevant tags....#will roland#zombies actually#zombies actually...an undead musical#ya never do know....#oh another couple of sources confirmed the musical comediness of this & that the comedy was landing. know Nothing of other info#also for clarification afaik there's no role called [?] idk what his role's name was. there was like a Tad in the mix (another guy)
6 notes · View notes
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Thoughts and doodles
.
(Please do not use, or repost my works anywhere without explicit permission from me thank you <3)
760 notes · View notes
bloobydabloob · 4 months ago
Note
Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.
Tumblr media Tumblr media
Art I drew related to the subject because I like to respond to asks with art.
But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.
The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.
It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.
Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.
Tumblr media Tumblr media Tumblr media
I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.
I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.
855 notes · View notes
aroaceleovaldez · 5 months ago
Text
I was reading a post about CoTG and I realized: Rick has seemingly started to write every character pairing with the exact same dynamic, and he's not good at writing that dynamic and it doesn't make sense for 90% of the characters he writes it for.
It's that very specific dynamic of one half of the pair who is almost aggressive to the other party - "teasing" them constantly/insulting them, affectionately punching/judo flipping/maiming/etc, seemingly almost always exasperated with the other - and said other party usually just accepts this treatment or blanketly views it fondly, and may generally be framed as more incompetent than their partner and a little bit of a doormat (particularly relating to being insulted/teased/etc by their partner).
We start seeing this dynamic in HoO with Percy and Annabeth, as a sort of semi-inconsistent twist on their rivals-to-friends-to-lovers dynamic from the first series. Then the dynamic pattern develops further with Leo and Calypso. Then Magnus and Alex. Then Nico and Will, particularly in TSATS. And now in CoTG, it's Percy and Annabeth again but even more in this direction.
I know people have talked about Nico and Will's relationship over the series rapidly being shoehorned into Percabeth Two™, and it's extremely apparent in TSATS that Rick's doing it on purpose (including directly quoting Percabeth scenes but minorly tweaking them to be Solangelo). But recognizing it as an overarching trend in Rick's later books honestly reminds me a lot of how Rick started trying to apply the "Percy Formula" so-to-speak to nearly every protagonist in HoO (and then try to replicate similar character archetypes with Magnus and Apollo's narrations - moreso Magnus in being jaded and sarcastic, very much trying to be first series Percy. He only sounds unique because Rick failed at making him Percy 2. Apollo is more akin to later-series Percy characterization of being goofy and incompetent. Apollo [and Zeus] even got retconned to give Apollo a more similar backstory to Percy's). Rick seems to have decided that he thinks the audience wants this specific dynamic but 10 times over, except he's not good at writing it the first time because it's a bastardization of the time he did a different thing okay.
And Rick also seems aware of that too! Because he retconned Calypso and Leo at the end of TOA, probably because he realized how absolutely awful it was reading when they were written with that dynamic of Calypso just functionally hating Leo and constantly being aggressive towards him! The only time Rick's actually made the dynamic even semi-successful was with Magnus and Alex, because it actually fits within their characters, their dynamics with each other, and their environment. Alex beheading Magnus on the regular works out fine because there are no repercussions to that in Valhalla, Magnus will be fine, so it does genuinely come off as humorous. And Alex has been effectively established to be abrasive at times but have her genuine feelings shine through regularly, and that meshes well with Magnus' jaded-and-aloof-but-quietly-very-empathetic character. And Magnus has been established to, yes, not be great at combat, particularly compared to Alex. They are the only time that flavor of dynamic in that form was effective and cohesive.
Percabeth is no longer rivals-to-friends-to-lovers badasses on equal levels with shaky pasts who finally found some form of permanence with one another. Now it's super smart doting and affectionately aggressive girlfriend and her silly goofy 50%-of-the-time incompetent boyfriend who she judo flips/pushes off cliffs/etc - but affectionately~! Solangelo is trying to riff off of the early series "Poseidon & Athena are enemies" dynamic that Percabeth had but with Apollo & Hades being "opposites" but learning to accept each other, except it ends up with Will just coming off as a huge asshole and Nico being retconned to a complete doormat about it - when prior to that those characterizations would be completely contrary to their established characters (even just from TOA!). Calypso in HoO gets retconned from her PJO characterization to being snooty and aggressive, and Leo's false persona gets merged into his just normal personality except he just also becomes a doormat but more goofy than Nico with occasional haha-dark/depression-humor! Which Nico also got. Which was also a bastardized Percy trait that got redistributed.
It's exhausting. Rick write more than one relationship dynamic you can do it I promise
503 notes · View notes
monarchisms · 11 months ago
Text
Tumblr media
[x]
442 notes · View notes
joshuamj · 4 months ago
Text
Tumblr media Tumblr media
been scribbling out some little comics for my EoW!Zelda Impersonates Link AU!
121 notes · View notes
sonknuxadow · 10 months ago
Text
am i the only one who still thinks that they didnt do enough with rouge in sonic prime. and not in a "she didnt get enough screentime" sort of way but in a "they didnt seem to be putting as much thought into what they were doing with her as they were with the other main characters" sort of way
188 notes · View notes
randomrangerwhite · 6 months ago
Text
Hey, Dunmeshi Ao3 writers. Especially the Labru/Laichuk/Mithbru writers.
You do know you DON'T have to tag Marcille/Falin in the relationship tags of your fics?
Especially if your story is mostly just center on Laois/Kabru or Laios/Chilchuk or etc. If the girls are just mentioned to be dating or something and not even remotely really part of the story you really don't have to clutter up the Marcille/Falin tags with the fic if it's not about them.
131 notes · View notes
ssreeder · 7 days ago
Note
Hi so I'm probably going to reread liab soon and like catch up bc the last thing I remember reading I think they were in BSS and they've probably moved on from there now like I think it's probably been like a year since I've read it I think I remember trying to reread at some point but then I stopped so trust I'll properly do it this time probably maybe but anyway the point is it occurred to me I haven't talked to you in ages so how have you been my beautiful Sreedy?? I miss annoying you and sending you mysterious anon emojis but honestly I like to think I've matured a bit since I used to do that I mean max will probably tell you otherwise but don't listen to her her opinion is irrelevant also don't listen to anything Merlin says ever bc we met in person and they're actually just a little bitch so yeah um ily im going to start liab now and if not now soon and I might put updates in the discord if im feeling it but also im looking forward to finding my old embarrassing comments I used to leave on every chapter so theres that
HELLO AGAIN 👋 LOVE YOU 🫶 I MISSED YOU
HIIIIIIIIIIIII BEAUTIFUL SPYYYYY!!!
I wholeheartedly agree about M&M (Merlin & Max) and the fact you traveled all the way to visit Merlin is IMPRESSIVE but now you both need to come visit Max and then roadtrip down to Florida. Mmmkay? & funny story is the boys are STILL in BSS haha. The fic will end in BSS(ish) - so we’re still there preparing for battle haha. I also slowed down quite a bit with updating & spent a lot of time giving the boys some healing and getting through some conversations & building up situation-ships but now would be a good time to catch up considering we’re about the battle it out! Yippieeee
as always spy you’re amazing <333333 you three stay out of trouble haha
20 notes · View notes
bidokja · 1 year ago
Note
I was joking a while back that the actor they have playing KDJ for the orv movie was too handsome for him and a friend who's read orv was like "KDJ is actually secretly attractive!!" And I just felt my soul leave my body right then
SIGHS...
Okay. Buckle in. I'm gonna finally actually address and explain and theorize about this whole...thing.
I'm not gonna cite any exact chapters cause it's like 11:30 and I've got an 8 hour drive in the morning but I'll at least make an approximate reference to where certain things are mentioned. Also, this post is just my personal interpretation for a good bit of it, but it's an interpretation I feel very solid about, so do with that what you will. Moving on to the meat of things:
There is one (1) instance in the web novel that I know of which describes specific features of Kim Dokja (especially ones other people notice). This takes place when members of KimCom are trying to make Kim Dokja presentable to give his speech at the Industrial Complex (after it's been plopped down on Earth). This is when they start really paying attention and focusing on Kim Dokja's appearance since they're putting makeup on him; I still don't think they can interpret his whole face, but they can accurately pick out and retain more features than usual. If I remember correctly they reference him having long eyelashes, smooth skin, and soft hair. These features can be viewed as (stereotypically) attractive.
Certain parts of the fandom have taken this scene and run with it at a very surface level, without realizing (or without acknowledging at the very least) that this scene is not about how Kim Dokja looks. This is, in part, due to not realizing or acknowledging why Kim Dokja's face is "censored" in the first place, and what that censoring actually means. I think it's also possible that some people are assuming the censorship works like a physical phenomena rather than an altered perception.
I'll address that last point first. The censorship of Kim Dokja's features is not something as simple as a physical phenomena. It's not a bar or scribble or mosaic over his face. If that were true it'd be very obvious to anyone looking at him that his face is hidden. But his face is not hidden to people. They can look at him and see a face. If they concentrate on his eyes, they can see where he's looking. They know when he's frowning or grinning. They see a face loud and clear. But what face are they seeing? Because it's not really his, whatever they're seeing.
No one quite agrees on what he really looks like. And if they try and think about what he looks like, they can't recall. Or if they do, it's vague, or different each time. We notice these little details throughout the series. Basically, Kim Dokja's face is cognitively obscured. Something - likely the Fourth Wall, though I can't recall if this is ever stated outright - is interfering with everyone's ability to perceive him properly. This culminated in him feeling off to others; and since they don't even realize this is happening, they surmise that he is "ugly."
Moving on to the other point about what the censorship means: To be blunt, the censorship of his face is an allegory for his disconnect from the "story" (aka: real life, and the real people at his side). The lifting - however slight - of this censorship represents him becoming more and more a part of the "story" (aka: less disconnected from the life he is living and the people at his side). The censorship's existence and lifting can represent other things - like dissociation or depersonalization or, if you want to get really meta, the fact that he is all of our faces at once - but that's how I'd sum up the main premise of it. (The Fourth Wall is a larger part of the dissociation allegory, but that's for another post).
So you see, them noticing his individual features isn't about the features. It's not about the features! It doesn't matter at all which features got listed. Because they could describe any features whatsoever and it would not change the entire point of the scene. Because the point isn't what he looks like. The point is that they can truly and clearly see these features. For the first time. They are seeing parts of him for the first time. Re-read that sentence multiple times, literally and metaphorically. What does it mean to see someone as they are?
This is an extremely significant turning point dressed up as a dress-up scene.
---
P.S. / Additionally, I'm of the opinion that Kim Dokja is not handsome, and he is not ugly. He is not pretty, and he is not ghastly. Not attractive, nor unattractive. Kim Dokja isn't any of these things. More importantly, Kim Dokja can't be any of these things. The entire point of Kim Dokja is that you cannot pick him out of a crowd; he is the crowd. He's a reader. He's the reader. Why does he need to be handsome? Why must he be pretty? Why is him being attractive necessary or relevant? He doesn't, he doesn't, it's not. He is someone deeply deeply loved and irreplaceable to those around him, and someone who cannot even begin to recognize or accept that unless it's through a love letter masquerading as a story he can read. He is the crowd, a reader, the reader. He's you, he's me. He's every single one of us.
#orv#orv analysis#orv meta#orv spoilers#beso babbles#inbox#there's also the meta that he is described with these (stereotypically) pretty features as they are about to try and 'sell' him to a crowd#which feels to me like a very pointed way to convey how 'beauty' is commodified. how audiences like 'attractive' characters more#note: made some edits to add in a couple of sentences my brain forgot in the moment so make sure u reblogged those if u do#tag edits for further commentary that isnt strictly relevant to the point i was making:#do i think that this face censorship was executed as well as it could have been? nah.#not that it was like. done Badly. it's followed through to a certain point. its established enough for me to make this post at least.#but i do think it is the one thing in the web novel that SS didn't capitalize on.#like. they still stuck the landing but it was not as picture perfect of an execution as the rest of the metaphorical stuff in orv#also. this (not the face censorship specifically but the 'hes just some guy' point of it all) is one of the big reasons i think that-#-visual adaptions of orv can never quite work. they can do the best that they can with that medium but a lot of nuance is lost-#-simply by virtue of it being a visual medium#i personally think the only way a visual medium could work would be one where they commit to the power move of not showing kdj's face#(until a certain point (of view) that is)#his face is always facing away or out of frame or hidden by someone or something else in the way#commit to the fucking allegory or simply perish
349 notes · View notes
allthepandasintheworld · 2 years ago
Text
Tumblr media
bro im so normal about this old man im sooooo normal about him
340 notes · View notes
seaweedstarshine · 7 months ago
Note
Hi! Long time no yap but I've been really bothered by this thing and I know you're just the person I can go to with this (even if we don't always end up agreeing at times).
I got into a tiff with someone in a comments section of a post that was about Amy (Which character do you think deserved to become a villain? or something similar). They brought up Amy's abuse of her boyfriend. I may have tried to defend Amy (key word is tried. I am officially rubbish at debating) but then I may have said something? Because they said that I (and apparently a lot of other fans) was excusing Amy's abuse because of her trauma. It got me stumped because isn't young Amy's treatment of Rory rooted in her trauma? Did I miss the memo where we separate trauma and abuse? Am I missing something?
That statement bothered me a lot because if there's one thing I never want to do it's defend an abuser. So here I am, humbly asking and hoping to clear the muddy waters.
Your really confused and disturbed moot, Tia 💌
TIA!!!!! Thanks for the ask 💌 , and I send you all the hugs.
Discussion of abuse, trauma, ableism, infidelity, and unhealthy relationship dynamics beneath the cut.
(First off… while I really appreciate your faith in my explaining skills <3 <3 <3 my passion for traumatized characters and mentally ill+neurodivergent rights doesn't make me especially qualified to fully clear muddy waters especially not knowing the full context, but I feel you, and what follows is my informed perspective!)
Speaking generally first, harm done in media is best examined by the impact on the audience, with a different lens than harm done to real people. While relatable experiences in media can be useful and validating and incredibly important, you can’t be “defending an abuser” when the abuse is fictional. It's actually normal for traumatized/ND/mentally ill people to project onto mentally ill villains, when villains are the only significant representation for those stigmatized symptoms in a media landscape that excludes and demonizes us simply for existing. RTD can't stop people who hallucinate from reclaiming the Master's Drums and projecting onto the Master, for example — 90% of the best Doctor Who psychosis fic by psychotic authors is about the Master, whether RTD likes it or not. It's not true crime.
(This is speaking generally. Amy Pond is very much not the Master.)
Abuse is a behavior, and there can be many reasons for it, but reasons based in trauma don’t make it not abuse (some forms of generational trauma can propagate abusive parenting styles, when the parent thinks abusive parenting is normal, or lives entirely vicariously through their child). This absolutely should not be taken to mean trauma correlates with abusive behavior; rather that abusive behaviors from traumatized people are more likely to present in specific ways.
Abuse is also a targeted behavior, based in control — not consistently displayed C-PTSD symptoms as seen in Season 5 Amy Pond through many aspects of her life. Mental health symptoms don't become abuse just because they hinder one partner from meeting the other partner's needs. Any life event can do that.
Without knowing the context of the arguments, this is the aspect of their relationship I've seen you talk about before (which I also feel strongly about), and what I assume is what you were debating? So, here I will talk specifically in regard to Season 5.
We all know Amy — she's never attached to Leadworth because she never wanted to leave Scotland, no steady therapist because none of them stick up for her, can't stick with one job yet her first choice is a job that simulates intimacy because her avoidant behavior (a known trauma response) isn't sustainable to her wellbeing. Rory knows her fears of commitment stem from her repeated abandonments, it’s why he’ll always wait for her, and it's why he blames the Doctor “You make it so they don't want to let you down.”, who apart from having caused a lot of her trauma, has actively taken advantage of her being the “Scottish girl in the English village” who's “still got that accent,” because he wants to feel important, so yeah, I think interpreting Amy's issues (and how Amy and Rory transverse them) as Amy abusing Rory indicates a fundamental misunderstanding of their relationship, as well as a misunderstanding of the (raggedy) Doctor’s role in Amy’s formative self-image (which of course she works through in Season 6, but I am sticking to Season 5).
Abuse is always based in control. That just doesn’t fit here. While Amy's detachment from her real life includes things like calling Rory her “kind of boyfriend” (which she is upfront about to his face; differing commitment levels isn't abuse, though it can be a relationship red flag for both parties IRL) — her Season 5 disregard of Rory’s feelings occurs only in response to the fairytale embodiment of her trauma. It's never a response to Rory; it's a response to the Doctor, who stole her childhood and led her by the hand to her death. She cheats on Rory with the Doctor in her bedroom full of Doctor toys, drawings, models, she made from childhood to early adulthood.
(And yes, like many repeatedly-traumatized people, Amy is prone to being sensitive and reactive. Take her “Well, shut up then!” line in The Big Bang; but given Rory responds to this by hugging her, clearly he doesn’t take it as her actually dismissing him. He knows her better than that.)
And by no means do I meant to imply this is fair to young Rory, poor Rory, who's left struggling with the feeling that his role in her life is in competition with the role of her trauma (aka the Doctor). But not every unhealthy relationship dynamic is unhealthy because of abuse. Labelling Amy's treatment of Rory in Season 5 more accurately isn't the same as excusing her harmful choices — but making mistakes is part of being human, Amy's mistakes are certainly understandable, and she works through them out of love for Rory.
If there's one thing to say about Moffat women, it's that Moffat allows his female characters the same grace that the male characters *coughTENcough* have always had, to hurt and struggle and make realistic mistakes and overcome those mistakes and to heal without being demonized.
Amy isn't perfect, but she is a fully realized character, and her story gives us a resonant depiction of childhood trauma.
#abuse#rtd critical#anti rtd#im NOT really anti rtd but im tagging it that because some people block that tag and uhhhh this post strays into rtd critique#maybe he does regret how he wrote the master! we'll never know because rtd is very anti-admitting-his-own-mistakes#words by seaweed#anyways tia i am. SO relieved you’re not upset with me about our last disagreement?#i high key jumped to conclusions after the lack of reply to the last DM? so thank you for this ask it's great to hear from you#sorry you were in a debate about this! that sounds extremely awful.#anyway i'm gonna WAIT at least a week to tag Amy and Rory to avoid this showing up in the character tags right away haha#because I am KINDA scared the anti-media-literacy ppl will find this (I had to include the first part tho its important)#(lack of distinction between harm to audience *in fiction* and irl harm *to actual ppl* leads to problematic public apologies where-#-public figures apologize to fans they let down *instead* of the people they actually hurt. no it doesn't work like that)#(parasocial relationships are not more important than real victims agency or privacy)#and I am planning to make a post at some point about the nd aspects of Amy+the Doctor's connection which this stuff IS relevant to soooooo#am I going hard on specifying Season 5 Amy to under the assumption that the uncharacteristic Rory-slapping isnt whats bein talked abt?#maybe. its not in character.#editing to say..... yanno what? ive come to terms with not all the posts with the following tag been about the doctor#(eleventh) doctor is neurodivergent tag#editing again to add character tags:#Amy pond#Rory williams
23 notes · View notes
orcelito · 11 months ago
Text
Like OK so I've been reading a fic with trans wolfwood in it that is so. HONEST. About how it affected him and still affects him. In a way that's very much not an average cis writer portrayal of a trans character.
Like. Either this writer is trans or did plenty of research, but it just feels REAL to me. And it has me thinking about my own way of writing trans Wolfwood.
I'm not there yet. But I've been thinking about it. The ways that what the EOM did fucked him up... but it also acted as HRT that affirmed his gender. So what do you do when you're in a body you don't recognize, but looks much more like a man than ever before? There's some gender euphoria in a way, but dysphoria at the same time bc you didn't grow into this. You didn't watch yourself transition. Suddenly you just Were this, and it's not you, but also it's nice to finally be seen as a man, but it also feels wrong to feel grateful for any part of what they did to you...
On and on and on
You see? This is what I want to think about with him. This is why trans Wolfwood is so compelling to me. It's just so Complicated, he'd have such Complicated feelings about his body and the way he lives with it. He learns this new body, it starts to feel more like his, but he also mourns the fact that he didn't get to watch it grow into this like he should've.
That kind of thing.
#speculation nation#itnl shit#tagging it bc these r things relevant to itnl ww. because. he is trans☺️#TRANS WOLFWOOD MY BELOVED!!!!!!!!!!#i wanna do more research into trans things. ive already done a lot. but like#into the actual physical side of it all. the effects of HRT. all those messy little details that people dont often focus on.#some months ago i skimmed thru this writing guide on how to write trans men. and i think i wanna revisit it#read it more slowly and thoroughly.#bc im confident in my ability to write trans characters. considering the fact that im not cis myself.#but im not a trans man. so there r some Things that i just dont know about by virtue of not having experience with HRT#so. research! supplementing my existing knowledge with the perspectives of the actual people im writing about.#and so it goes when ur writing about an experience that is not entirely your own.#it matters to me to make my writing of trans men as realistic as possible.#even with the messy details that people normally shy away from. Especially them.#i pride myself on my realism as much as is within my means of capturing it.#realistic emotions. realistic reactions. realistic bodies.#i am Going to write a trans wolfwood that is So realistic. as much as possible.#(i keep specifying ww with this even tho vash is trans also just bc vash is a bit more uhhhh not human lol#so the definition of what makes him trans is a bit more loose. still inferred by real life experiences#but he wouldnt have the same sorts of experiences with HRT. or gender expression in general#so i feel less of a pressure to capture it as fully accurate to the real life human experience as possible. if that makes sense.)
36 notes · View notes
longagoitwastuesday · 3 months ago
Text
I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha
I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.
I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.
It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.
Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?
And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.
The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.
These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?
Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.
The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.
After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.
#It's not that I think everything has to be character driven or take a lot of care about dynamics#Death Note for instance works well without it. There's juice in the dynamic between Light and his father and the role of Matsuda there#and it works well with Light's views and their evolution and the whole Kira situation. It isn't much. It doesn't need more#But Death Note doesn't truly drop something as big as Gojo and Megumi to then do barely nothing about it#('But L and Watari' not the same at all. That was deepened in the anime and besides Watari is not one of the main characters)#Or Megumi and his sister. If we see barely nothing of Megumi and his sister other than shiny flashbacks of her#how am I to feel moved by it all beyond superficial emotions? I don't know. It just feels so like cardboard to me#And it annoys me! It annoys me a lot! Because Jujutsu Kaisen has amazing potential! The dynamics and characters could be amazing!#But I don't trust they'll live to their full potential and the potential existing for nothing is ruining this for me xD#Jujutsu Kaisen#Sorry this time I'm tagging it. I want to find this and see if I was right when I'm finished. I think I'll read the manga too#The condescending filler breakfast comment by my friend was ironic considering the Kramer vs. Kramer breakfast scenes exist#Breakfast can be so telling. And besides he loves the Chainsaw Man coffee scene so I don't get why not breakfast#But truly some small daily life moments can tell us a lot about a character that we could recognise later on in high stakes scenes#such as how they deal in tense situations‚ what makes them snap#how they go about dealing with a problem.#Sometimes it could be smaller moments or conversations what makes characters reconsider things‚ not just having Sukuna rip their heart out#In Pandora Hearts the conversation between Elliot and Oz about the book series they love and their favourite characters becomes key#Oz's development and how he regards things‚ his own person‚ and how he deals with situations will be shaped later on by this conversation#till the very end. The entire main character's development is shaped by a 'filler' conversation.It's not filler. It's just not a fight scen#Shonen manga readers find everything filler except for fights which is ironic considering that many fights in shonen feel unnecessary#Breakfast is unnecessary. Just filler. Fighting thirty seven secondary monsters or chapter after chapter of physical training is not. Okay#Things can be small but plot relevant. If it shapes and fleshes out and deepens a character or a relationship it is not filler#And mainly MAINLY for the love of everything good if you're going to make a fucked up or Meaningful Beyond Everything dynamic#give it time and care. Actually write it. Don't give me two panels and one conversation after some life and death situation. It's not enoug#Especially if I'm to believe they are important. Make me believe they actually are#I don't know... This issue with not trusting the development of very well set potential in Jujutsu Kaisen#has not only been keeping me from thoroughly enjoying the series‚ but actively keeping me from watching for weeks#It makes me doubt if I want to spend my time in this at all since after all time is limited and we can but spend it in a handful of things#A pity. I really love some things and I really think Megumi and Gojo could be everything to me haha the Heathcliff/Hareton vibe gets me
11 notes · View notes
mabaris · 2 months ago
Text
ok so reading the article about world state choices. my take on it is that it seems like they’re specifically referencing choices to create the inquisitor, like that’s the “adventurer” in question? it might be on its own page because that’s when you’re also customizing their face and voice. maybe there will be another page for more worldbuilding because i don’t think there will ONLY be three choices that matter in the scope of the game. the well of sorrows absolutely has to come up in a game with morrigan and the inquisitor and the elven gods right??? i hope??? come on
7 notes · View notes
leupagus · 1 year ago
Text
So I'm sure there's different versions of this
But the one my cantor* told us when we were in Sunday School was this one:
Two rich men go to a cloth merchant's shop. This merchant is known for having beautiful silks, even though he has but a small humble store in the outskirts of town — so small that his infant son is sleeping on one of the chests!
These rich men want to buy these silks, so they demand to see them at once.
The merchant says, "I am sorry, they are not for sale today. Come back tomorrow and I would be happy to show them to you."
The rich men, knowing that this merchant is a Jew, think "ah-hah, he wants more money!" So they offer him a tremendous sum.
"I am sorry, they are not for sale today. Come back tomorrow, good sirs."
The rich men are puzzled, but they double their price. Quadruple it. Anything this merchant wants, they can give him.
"I am sorry, they are not for sale today. Come back tomorrow, if you please."
So, the rich men leave, annoyed, but they present themselves the very next day and sure enough, the merchant goes to a chest and pulls out the most beautiful silks that these rich men have ever seen. And when they offer to pay, he will only accept the price that he himself has deemed fair — many times less than even the first offer these rich men made.
"But why would you not give us these silks yesterday?" they ask, happy but baffled as they (or more probably their servants, but the cantor didn't get into that) pack up the silks to leave.
Just then, the merchant's wife comes in from the back, carrying their infant son. The merchant smiles and says, "Because my child was sleeping on that chest, and I did not wish to disturb his slumber. His peace is more precious to me than all the money you, good sirs, could ever provide."
101 notes · View notes