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Explore reliable horizontal lifeline systems and fall protection. Safeguard your work environment with horizontal safety lines, fall arrest systems, and rooftop lifeline solutions.
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#horizontal lifeline#horizontal safety line#horizontal life line system#horizontal fall arrest system#roof lifeline system#safety lifeline system#horizontal lifeline cable#horizontal safety lifeline#fall protection lifeline system#horizontal lifeline anchor#roof lifeline#rooftop lifeline system#horizontal fall arrester#horizontal lifeline fall arrest system#horizontal lifeline fall protection systems#roof Horizontal Lifeline System#Horizontal Lifeline fall protection
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my bag đżâď¸đťâď¸ more details in the image ID and more pics below
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I found a small plain black leather backpack at the thrift store for $6 and made it my own :) I used silver sharpie for the swirls and made the buttons all myself with the exception of the metal ones
[Image ID: a small black leather backpack covered in patches, buttons, safety pins, studs and silver and metalic green spirals in the spaces with no patches. There are four patches on the front, an orange patch with a white trans rights symbol sewn on with white thread, and a circular green patch with a simplistic sun and moon drawin on it in black (a mirrormask patch) sewn on with black thread. And on the front pocket on the bottom, theres a dark green band patch with white lettering that says "she past away" sewn on with white thread and a black patch next to it with a red anarchy symbol sewn on the bag with red thread. There are silver spike studs lining the edges of the bag along the zipper and on the front pocket as well as soda tabs sewn onto the front pocket flap with off-white thread. And on both sides of the pocket there are safety pins decorating the empty space next to it. There are four pins on the side of the bag, a light green and white spiral pin, a light green and white "eat the rich" pin, and a metal fairy pin on the top half, and theres a metal frog with an umbrella pin on the front pocket in-between the two patches. Theres also a small orange carabiner on the pocket zipper.
On the left side of the bag, there is a patch on the bottom where a side pocket would normally be. An off-white band patch that says "bauhaus" in black lettering and it's sewn on with black thread, and there are silver spirals around it filling the space. There are some areas I left blank to make the swirls/spirals look like they're hanging down or growing up the bag like vines. There's a horizontal seam above all this that makes the area look like a pocket, and above this seam there's a metal pin with a sun, moon and stars on it.
The right side of the bag, there's no patch where a pocket should be, I instead filled this space with some spirals and more handmade bottle cap buttons. Two buttons, a larger type o negative band button that's black with white thorny vines, and a smaller red band button that says "doom scroll" on it in off-white lettering. Above the seam on this side I drew a bunch of silver spirals that look like they are growing out from behind the seam.
All thread mentioned in this post is embroidery thread, and some groups of spirals drawn on the bag are metallic green. End ID]
Here's the top of the bag as well as the straps that hang down
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[Image ID: the bag has a rounded arch shape, and across the top of the leather I drew a cluster of green spirals in between the silver spirals I drew on the sides. There are some blank spots to avoid making the bag look busier than it already is. The loop at the top for hanging the bag is embroidered with a green leafy vine pattern. The same pattern is embroidered on the right strap that hangs down from the bottom of the bag, and on the right one, a gray barbed wire pattern is embroidered. I plan on sewing some more soda tabs onto the top of the bag at some point for the sake of adding more shiny things and also fill up some of that space I mentioned because while I don't want the bag to be too busy, I think the blank space i left on the top is a little too much blank space. End ID]
#punk#punk diy#punk fashion#solarpunk#solarpunk diy#solarpunk fashion#ecopunk#hopepunk#hatchet mends things#hatchet makes stuff#upcycled fashion#upcycling#sustainable fashion#sustainability#recycling#sewing#embroidery#crafting#diy#fashion#patches#customization#thrifting#art#goth#slow fashion
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Writing Notes: Realistic Injuries (pt. 4)
The Mechanism of Injury
Assists in establishing both the safety of the scene and guides the remainder of the primary survey.
The seriousness of the mechanism of injury is a significant clue as to the potential seriousness of the patient's actual injuries, be they external or internal.
Relaying the mechanism of injury to downstream care providers early in the course of transport helps them be better prepared and have the necessary resources available for when they are treating the patient in the near future.
A patient with a severe mechanism of injury (MOI) warns providers that they may have a patient who requires many hands/tools/teams for treatment.
Getting those people alerted and organized is a great head start for the patient.
MOIs can be divided into 2 broad categories:
Significant Injuries. Some examples:
Ejection from a vehicle.
Prolonged extrication time.
Multi-system trauma.
Motor vehicle-pedestrian/biker accidents.
Motor vehicle accidents where any occupant of the vehicle was killed.
Any fall over 3 times the patient's height.
Insignificant Injuries. Some examples:
Fights or physical altercations without loss of consciousness.
Minor injuries to isolated body parts.
Car accidents without injury or symptoms of injury to any occupant.
The division between these groups is nothing more than the likelihood that a patient with a certain MOI will present with trauma requiring intensive care. Not all patients with an insignificant MOI are free from severe injuries and vice versa.
More Mechanisms of Injury Categories used to Classify Narratives
Caught accidentally in or between objects
Drowning
Electric currents
Explosive material
Exposure to radiation
Fall
Firearm
Overexertion
Poisoning
Suffocation
Head-on collision frequently results in the rider ejecting or partially ejecting over the handlebars. Common injuries include:
Head and neck injury if no helmet in place
Thoracoabdominal injury from handlebar impact (common in children)
âOpen bookâ pelvic fractureâa splaying open (like a book) of the anterior and posterior pelvis from striking the handlebars
Bilateral femur fracture
Skin abrasions, lacerations
Injuries are decreased when a helmet is in place in proper position and if protective clothing is worn.
Gunshot wounds (GSW) are usually intentional (suicide, homicide) but can be unintentional (hunting, gun not in holster, gun cleaning).
Some mechanisms at work with gunshots include:
Yaw: vertical and horizontal oscillation about the axis of the bullet; can result in a larger surface area on impact with the body depending on the position of the bullet on the axis at time of impact.
Tumbling: rotation of the bullet upon impact resulting in some parts of the cavity larger than others as the bullet rotates along the path.
Rifling: spiraling grooves within the barrel of the weapon put spin on the bullet as it exits the barrel; provides stability in flight along the axis.
Hollow-point bullets: deform on impact causing a larger surface area to inflict damage.
Shotgun: multiple pellets within the cartridge; also possible to have one large projectile, such as a âpumpkin ball,â both air resistance and gravity spread the pellets over distance; closer shotgun wounds result in serious large wounds as the pellets remain clumped together.
The bullet does not usually travel in a straight path. This results in the need for exploration as multiple injuries can occur although the path appears to be in a straight line. Intentional injuries may require either psychiatric support (suicide attempts) or safety (homicide attempts).
Stabbings are also usually intentional (suicide, homicide) but can be unintentional, (eg, a slip on wet floor and landing on open dishwasher with knives pointing upward). A stabbing most often:
follows a direct path,
is low velocity resulting mostly in damage along the line of the path itself, and
are of varying depth.
The type of blade affects the wound inflicted, such as straight blade versus a serrated edge.
From a forensic medicine perspective, a stab is deeper than it is long and a cut is longer than deep.
A cut differs from a blunt laceration in that the edges are clean and the direction of the wound inflicted indicates the direction of the force.
Stabs to the chest and abdomen are particularly important to investigate as the angle of the penetration may indicate that the wound crosses both cavities injuring the diaphragm in between the two.
Sources: 1 2 3 â Part 1 â Part 2 â Part 3 â Writing Resources PDFs
#realistic inj#writing notes#writing reference#writeblr#spilled ink#dark academia#fiction#creative writing#novel#light academia#literature#writers on tumblr#poets on tumblr#writing prompt#poetry#writing prompts#writing tips#Il sodoma#writing resources
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2: a sweet brew | din djarin x reader
part 2 of the "brown eyes" series: masterlist and spotify playlist.
pairing: din djarin x reader chapter warnings: none. word count: 6.4k series summary: din settles on the distant planet of lazure prime while seeking a safe-haven for his son. unbeknownst to him, the choice leads him to unforeseen threatsâand a deeper connection he never thought possible. notes: welcome to part 2! i've been having so much fun with this fic, and i hope that you stay with me for this ride... thank you so much for the love on part 1! edit: chapter 1 and 2 have been revised. enjoy!
The walk home is comfortably silent.
Your boots tap rhythmically against the stone pathway when you exit town. Momentarily, you cringe as the sound seems noisier than you'd like in the calm of the afternoon; especially when compared to the near-silent steps of the man trailing inches behind you.
He trots a few paces back, his presence palpable yet inconspicuous, and though youâre painfully curious, you donât once muster the confidence to glance over your shoulder.
And now, you can picture him surveying the area, ever-vigilant within the safety of his armor as you lead the way in nothing but commoner clothes. When you make the mental comparison, youâre urged to turn to him and say: âYou can relax, itâs safe here. When we arrive, Iâll cook you a hearty meal, and youâll feel at home for a whileâ â but you know itâs out of line, so instead, your eyebrows furrow.
Itâs not an appropriate trail of thought to have about a stranger, yet you recognize itâs been years since you got to care for someone the way youâre afforded to now. Picturing it feels more foreign than reality suggests, and so you bite down on your lip to shake the memories away. Another time, you think.
The soft hum of the floating orb is the only thing to break your inner monologue. For that, you thank it silently. You managed to take a single good glance at it when you were handing him his purchase back at the market, and youâve been wondering about the contents ever since.
You catch its sleek, metal exterior from the corner of your eye with a slim line running horizontally along its length, and yet again think it has to be some kind of storage unit. On the contrary, you havenât seen him open it once, even now as five paper parcels crowd his arms.
Briefly, you imagine it to be a weapon. Maybe multiple. You wouldn't put those options beyond a bounty hunter, especially one of his stoic, careful mein.
Weapons. The kind that can hurt or kill you if placed in the rightâ or wrongâ hands.
With that, you realize itâs a tricky game youâre playing, perhaps even dangerousâ yet youâre unafraid. Itâs a small town you live in and if the man were truly out to get you, word would spread fast. In fact, itâs not a scenario youâve been bothered by at any point of your leisurely, albeit unusual, walk. You exhale sharply.
"That⌠floating orb you carry," you begin, but your head doesnât turn to him. Youâd need a load more confidence for that, something you canât be afforded just yet. "Whatâs inside?â
The question hangs in the air, and for a brief moment, you regret asking whatsoever. Perhaps you had overstepped a boundary or poked your uncouth nose into some seriously perilous business, but before you can retract your words, his response comes.
"Something precious," he says, and the modulated voice offers no further detail to your searching mind.
You nod, yet the wonder threatens you to push on it further and ask more, ask more, askâ you donât let it. Instead, you breathe in gradually to soothe the savage beast that is your curiosity.
You offer a small, earnest smile, hoping that even though heâs unable to see it, he might just hear it in the way you speak to him. "Must be important to carry it everywhere."
âIt is,â he counters without a beat, and thatâs the end of it; no further explanation, no jokes, nothing. With just two words he has deemed the conversation over, and you heed it.
You sneak a quick glance at the orb floating beside him, and the answer echoes in your mindâsomething precious. But what could a man like him consider precious, anyway?
But you know better than to ask. Over the course of your life, youâve learned that some mysteries are meant to stay unsolved, and some questions are better left unanswered.
Finally, your house comes into view in the distance, just beyond a thicket: the quaint little cottage you know and adore, standing between two apple trees and greeting you silently with its familiar picket fence. Your pace quickens gradually, legs eager to reach the friendly comforts of home.
The quiet presence behind you feels heavier now, a fact you notice with the manâs footsteps becoming sparse as you approach.
You push open the gate and pause at the threshold, turning to him for the first time since leaving town. His visor turns to you, briefly reflecting the golden sunlight that seeps into your eyes. You squint and quickly glance away, blinking the sunlight from your vision. His helmet remains fixed on you, unreadable as ever, and the silence stretches just a little longer than feels comfortable to you.
âHere we are,â you finally say, your voice soft as you gesture toward the cottage behind you. The words feel a little weak, but you mean themâ itâs not much, but itâs yours.
You stand at the brink of the curb, waiting for any sign of what he might be pondering. Instead, he merely steps closer, the buzz of the metal orb following him.
He halts just before the gate, his visor tilting slightly toward the house before coming back to you. For a heartbeat, you think you see something shift in his stance, some subtle change in his posture, but itâs gone as quickly as it appears.
Your heart skips a quiet beat and you inhale deeply.
Are you⌠are you feeling insecure? Itâs not the first time youâre having guests over, yet something about this specific encounter makes you double-check your whole presence. In the heat of the moment, you choke it up to a fear of the unknown, and leave it at that.
âCome on in, then,â you continue, pushing open the fence gate. It creaks softly, reminding you that its goal has always been a bit more decorative than practical.
At some point during a hot summerâs day, you decided to adorn the wood with an assortment of painted flowers. The job was hasty and improvised, yet the final product looked good enough to snag you a few compliments from your neighbors. Of course, you doubt your new buddy even notices.
He hesitates, and you realize heâs probably waiting for you to enter first. You want to chuckleâ itâs not like youâre exactly a threat to him in your current state, but heâs definitely not one to risk such a thing one way or another.
You give him a tight-lipped smile, nod, then step in. As usual, you hear his quiet footsteps trailing behind you, down the stone path and up the porch stairs. The wind chimes rustle with the wind, and you notice itâs picked up since the morning. Itâd be good to get some rain today, you think, youâve missed the way the air smells then.
âI hope you donât mind the mess, I wasnât expecting⌠guests,â you explain with a polite chuckle, tugging on the door handle and letting it swing open with your weight.
You drop the customs this time around and walk in first, breathing in the familiar scent of caf leftover from your breakfast. As youâre about to offer him some, you remember that a meal is probably in order first and foremost. Besides, considering how long youâve had the box in your pantry, itâs probably better he avoids drinking it at all.
You give him a short glance, then point to the living room area. Itâs quaint, with a soft couch, large loveseat, and a coffee tableâ naturally, on it sits your small audio system, transmitting a rowdy, laughter-filled conversation between two talk hosts.
âDo you know how to use a HoloWave? Itâs not that fancy of a model, but the signal is good enough to reach most of the Outer Rim,â you shrug, untying your cloak and hanging it by the doorway. âFeel free to switch the channel to something you like; my Huttese is pretty rusty, anyway.â
He looks at you, and you offer him a soft smile in return before pivoting towards your stove. If youâve learned anything about your guest, is that heâs a man of very, very few words. You trust him to occupy himself while you do your thing in the kitchen.
You roll up your sleeves and rinse your hands in the sink. The cool water feels refreshing, and you opt to splash some on your face.
In the background, you hear the sudden flicker of the Holo signal. It buzzes, breaks, and you suddenly realise the man mustâve taken you upon your offer.
You hear him skim through the channels, letting most run a few seconds before moving ahead.
A small, satisfied smile creeps onto your lips, and you take a few pots and pans from the cupboards. He hasnât requested anything specific for the meal, and⌠as a matter of fact, he hasnât requested anything at all. The lunch offer ultimately came from you, and the stranger was nice enough to go along with it.
You sigh, then open your cooler. Inside, you spot an open jar of your preserves, some paper-wrapped meat, vegetables, and a large variety of homemade sauces lining the shelves. Youâve always enjoyed cooking, but your meals tend to be simple and homely, which you deem unworthy of a brand-new guest.
You start unloading the contents of your cooler onto the counter when a steady stream of conversation from the HoloWave catches your attention. Two men chat in Basic, discussing something that momentarily piques your curiosity.
âNevarro?â you repeat aloud, echoing the talk-show hostsâ words. You keep your back to the man behind you, who now seems engrossed in the broadcast. âThatâs light-years away.â
You try to recall the rudimentary information you have on the desolate planet. Itâs a hell-hole, for one. Two, it doesnât take too kindly to regular folk. Finally, the Empire dabbles in a ton of secrecy and has long ago claimed it as its special ops base.
He remains silent as the conversation on the HoloWave continues, mentioning recent disruptions on the planet caused by a bounty hunter linked to some infamous syndicate. The details are murky and mostly alien, making you assume the channel might be covering something more specialized or regional. You wonder if your guest was seeking out this channel on purpose.
Could he be connected to this, somehow? No, no. You shake the thought away and deem it unfound paranoia. After all, there was no reason for people of his kind to visit planets like Lazureâ safe-havens for peaceful folk like you to live out their lives in harmony.
Unless he had an active hit.
You never knew much about bounty-hunting guilds, as they were more a figment of folklore where you grew up. Regardless, you didnât need a formal education on this topic to understand that people in his profession made it a point to keep quiet and subtle while on the job. But, you knew nothing of himâ matter of factly, you werenât even certain he was a bounty hunter in the first place.
âWhatâs your name?â you speak out, eyes widening at how stern your voice sounds after your inner musings.
You turn around, hands on the counter as you press your spine against the edge. The man looks at you with a curious tilt of his helmet and seems to study you for a moment before making any haste decisions.
You give him timeâ to study you, to think, to answer at his own pace. The air between you is lax, and although heâs silent, you wait patiently for a chance to listen.
âDin,â he finally sounds out, and hearing his modulated voice after such a long period of your own monologuing makes electricity shoot down your back. Is it a real name, or a clever alias to shield his real identity from a stranger? You decide to indulge the fantasy that he trusts you for now.
Din. You want to test the name on your lips, know how it sounds with your accent, your lilt, yet you abstain for now. Once heâs gone, youâll have all the time in the world to muse over it.
You give him a curt nod before slowly turning back to your cutting board. Once you do, your lips widen into a pleased smile. Din.
Then, you give him your name. Itâs quiet when it leaves your lips, yet youâre certain it reaches him even through the thrum of the talk show. Just like you, he doesnât question it or ask for more; yet you imagine he mutters it under his breath from within the privacy of his helmet. The image, albeit fabricated, makes you warm.
You go back to focusing on your task, unwrapping the meat from its delicate parcel and chopping it at a leisurely but practiced pace. As you work, you let the talk show hostsâ voices serve as a quiet backdrop to your jumbled thoughts. Most of the terminology drifts past you as you tune in, but you listen regardless.
Once youâve finished preparing the ingredients, you hear the channel flicker again, its signal briefly interrupted before fading back into a soft, nostalgic melody.
The instrumental starts with a quiet guitar solo that slowly transitions into a fiery soul piece. The hearty voice of your favourite singer erupts from the Holo, and the lyrics spring to your mind like a mantra. As the robust tune fills the room, youâre instantly swept up in its acquaintance.
As your fingers move deftly across the skillet, you begin to hum along with it, stirring the vegetables as they soften and caramelize.
The chorus begins, and for a moment you shift somewhere far away. The recollection is hazy at first, but soon, you remember it vividly.
Then, it all comes pouring down on you without a warning: your body stiffens as a memory dug deep in your brain begins to claw its way out of the crevices.
You see your old quarters.
Your ex-bunkmate is there, her familiar figure draped in nothing but a fluffy towel, damp strands of hair clinging to her neck as she sits cross-legged at your shared desk.
The air smells of fresh soap. Her brow is furrowed in concentration, chewing absentmindedly on the eraser end of a pencil as she puzzles over a half-finished crossword. Starlight filters through the narrow viewport, casting her in a soft, silvery glow, and in the background, that same tune plays quietly through your old HoloWave. Itâs a different model, yet the music is unmistakably and painfully paralleled.
She hums, her voice breathy compared to your honeyed one now, matching the melody as it drifts through the cramped room. Itâs ordinaryâpeaceful, evenâbut now, as you stand idly over your stove, it feels heavier than ever.
For a fleeting moment, you can almost hear her voice again. If you concentrate enough you know youâll recall the way her lips would quirk up when she solved a puzzle, and the way sheâd look at you afterward with a satisfied grin that made the rest of the universe disappearâ if only for a second.
Your chest tightens, and the hum dies in your throat.
Youâre about to excuse yourself to your bedroom when a voice sounds out from behind you.
âHey,â
When you spin around with wide eyes, you see Din sitting at your two-seat dining table, visor pointed at you, and his body surprisingly relaxed.
âHey,â you greet back with a nervous smile, hands shaking as they return to stirring the pan absent-mindedly. Despite your body going through a sort of shock, you feel your mind slowly withdrawing from the dark as he seems to look at you. You thank the Maker for his timing.
âHow far is it to the capital from here?â he questions, voice pleasantly husky as his gloved palm smooths the surface of the table mindlessly.
You drop the chopped produce into the hot skillet with a satisfying hiss and puff your cheeks in thought. The moisture hits the surface and crackles, the sizzle filling your ears alongside the melody from the Holo. Itâs a different one now, a mellow orchestral youâre unfamiliar with.
âMon Kilim is a three-day walk from Terrine,â you explain, tilting your head to look at him once in a while. âWeâre a bit unfortunate to be cut-off from the main roads, though, so youâd have to make a trek through the forest. Thereâs a river that takes you there if you follow it down-stream, but because the treeline is so thick, it gets real dark at night.â
As the vegetables begin to soften, you open a jar of your preserves. The lid pops off with a soft click, releasing the rich, fruity fragrance into the air. You spoon a generous portion into the skillet, the thick jam coating the ingredients and melding into the sizzling mixture. The scent is mouthwateringâsweet, savory, and just the right amount of spice.
You catch Dinâs helmet tilt downwards as he seems to ponder your words. You sigh sympathetically.
ââŚBut our head merchant, Poiko, has an old speeder at his disposal,â you elaborate, and watch Dinâs visor meet you again. âHe makes a trip to Mon Kilim once every moon cycle, so if youâre patient and good enough at bribery, you might be able to catch a ride with him.â
âWhen will he travel again?â
âWell⌠heâs away as we speak. Left this morning. I think heâs planning to stay overnight this time, too, so youâre out of luck. Sorry, Din.â
He stays silent for a beat. For a moment you worry you might have said something wrong.
âSo itâll be another month until he travels again?â Din asks, and you hum in acknowledgment.
You take a deep breath, savoring the rich scents. Quietly, you wonder if the stranger, still in his helmet, can smell the decadence youâre cooking up for him. Could he smell the flowers in your garden when you stood on the porch? The worn corduroy of your couch?
âAnd before you ask, I doubt heâll let you borrow it. Iâve heard it cost him a small fortune, so heâs understandably a little protective,â you chuckle softly, âPlus, itâs an old Imperial model. The fuel is expensive and the spare parts are virtually unattainable, so most mechanics refuse to take care of the thing.â
You hear Din begin his retort when suddenly, you feel a tug at your skirt. You dismiss it as your imagination playing tricks on you at first, but almost on cue, the pull comes again.
You look down, and your eyes widen.
There, on your wooden parquet floor, sits a creatureâlight green with large, black eyes and comically big ears. It blinks up at you, cooing softly as its three-fingered hands tug at the hem of your skirt.
For a moment, it seems like both you and Din are rendered speechless at the sight. You drop the wooden spatula into the pan and instinctively crouch down to take a closer look at the strange critter.
âHey, there,â you grin, extending a finger towards it. It looks like a youngling, but not one youâre familiar with. For a moment, you deduct it must be one of the neighborhood children, one youâve perhaps omitted.
The child coos at you again, moving one of his grabby hands to your extended digit. His skin is velvet-like to the touch.
âKidââ Din hisses, seemingly awoken from his shock. You catch him in your peripheral, shooting up from his chair and crouching down next to you. âŚKid?
His gloved hands work quickly, grabbing the creature and placing it in his arms. Somehow, you donât feel alarmed. The manâs hold is benevolent from what you can tell, cradling the little oneâs body with an apt softness you wouldnât expect from someone like him.
âIs heâŚâ you begin, suddenly noting the proximity between you and the armored man. The green creature squirms in his hold, looking up at him with what you can only describe as mischief. âIs he yours?â
Dinâs visor levels with you, and you canât help but squint. Youâve never been closer, and somehow you hope to catch a glimpse of whatever is underneath that Maker-forsaken helmet.
Thereâs a moment where everything around you goes silent. Something in the air around you becomes apparent, and you canât quite place it, but it hums underneath the surface, electric and taut.
âYes,â he replies quietly, âheâs mine.â
You canât help but connect the dots. Big eyes, green skin⌠is that what Din looks like underneath all that metal? Where would his ears even go in that helmet?
A chuckle rips from your throat at the image, and you aimlessly try to mask it with your palm over your lips.
His helmet tilts in question, and you shake your head dismissively.
âIâm sorry, I just thought of something,â you explain through your giggling fit, inhaling deeply to recall your calm mein. âHeâs adorable. Snuck up on me without any noise, but I guess he learned from the best, so itâs no surprise.â
Din ponders your comment for a moment, looking down at his child. The little one is glancing at the counter now, reaching his hands towards what you assume he wantsâ the dinner youâve been preparing. You mentally browse your cupboards, thinking whether you still have those child-friendly plastic utensils your friend left over years back.
You glance over at the little baby again, giving him a warm smile. So kriffinâ cute. âWhatâs his name?â
As usual, Din fills the air between you with silence before he speaks. You imagine that every time he does that, itâs because of caution. You know what itâs like, yet it still fascinates you.
âGrogu,â the man finally speaks, placing the kid on the floor again. He looks at his father in question. âHe was orphaned before I took him in.â
Ah, an adoptive son. Your theory was wrong, after all.
âGrogu,â you repeat with a smile, and the child turns to you with a squeak. You canât help but laugh at the reaction, and that seems to urge him to waddle towards you.
His movements are confident, yet the sack wrapping his body seems to restrict his movements enough to make it a hassle. Your hands reach out, and youâre ready to crouch down and embrace him when Dinâs hands wrap around him again, pulling him back into his arms much to Groguâs dismay.
Your grin drops to a lingering smile as you watch Din stand up, his kid tucked firmly under his elbow. âAlright, thatâs enough.â
You follow suit, standing up with a soft sigh before returning to the stove. You bring the meat-filled chopping board to the pan and tilt it, letting the juicy pieces fall into the vegetable medley.
As you stir again, you catch Din walking towards the mysterious orb he had left in the living room. From afar, you watch him tap something on his gauntlet, the metal whooshing open seconds later. He mutters something to Grogu, placing the boy inâ what you now know to beâ a cradle.
âIs he ever a handful?â you tease with a warm chuckle as Din returns to the dining table. He sits back in the same chair, letting Grogu hover beside him in the now-open cradle. You watch the child gaze curiously around the room, his wide eyes drinking in every detail.
"Sometimes," he admits, voice low and quiet.
"You seem to handle him well," you say, glancing over your shoulder. Grogu has his eyes locked on you now, and when he catches your gaze, his little hands reach toward you again, a gurgling coo escaping his mouth.
You smile. If it wasnât for Din watching over you, youâd probably be acting on your surge of cuteness-aggression at this very moment.
Din shifts slightly, his posture stiff. "Heâs⌠special," he says finally. "Unpredictable."
You raise an eyebrow, sensing his apprehension to answer. But again, you donât press.
"Oh, yeah?" you murmur, eyes softening as you look at Grogu. Heâs settled down now, content to sit in his cradle, his big, soulful eyes still trained on you. You canât imagine him to be a troublemaker, but again, youâve never taken care of children of your own. Life simply had different plans for you, and you never thought yourself a family gal, anyway.
You turn your attention back to the meal, and when you taste-test a chunk of cooked meat, you finally deem the feast ready to serve.
"All done. Iâm sorry itâs a little plain, I didnât have much to work with, unfortunately," You stir the pot again, "Itâs a quick twist on Karkan ribene, if youâre familiar. This was a hit with my friends back when Iâ" You stop yourself, realizing youâre teetering on private memories. "Back in the day," you finish with a small, tight smile. Youâre a little disappointed, letting something so private come close to slipping out.
No curiousity bubbles up from his lips, and you appreciate it silently. Heâs giving you the same respect you give him.
Din nods, and you start preparing the table. You set down three glasses and two sets of cutleryâ one plastic, bright blue, and adorned with yellow starsâ a fact you hope Grogu is old enough to appreciate.
âHow old is he?â you suddenly question, withdrawing a half-full pitcher of sweet brew from your fridge. Finally, you place two bowls down, omitting your own. The breakfast has been keeping your belly full.
He tilts his helmet to you. âI donât know. A friend of mine speculates he could be around fifty.â
Your eyebrows shoot up in surprise. âFifty?â You repeat, filling each glass with the golden-brown drink. âFascinating.â
Din nods at your comment as you raise the pan from your stove. With the spatula, you fill each bowl to the brim and murmur in satisfaction when you realize youâll even have some leftovers for yourself.
You watch as Grogu attempts the first bite, his small hand knocking the spoon against the bowl with a soft clink.
âIs he older than you?â you question with a hint of mischief, putting the pan back on the stove and taking a seat in the chair opposite from Din. Your hands wrap around the textured glass, and you take a sip.
He tilts his head slightly, the movement almost hesitantâ but your smile stays steady, warm, and inviting, and after a brief pause, he finally speaks.
âSlightly,â he admits, his voice carrying a note of amusement you hadnât expected.
You blink, letting the information settle in, and your curiosity emerges anew.
âReally?â you say, leaning forward just a little, unable to hide the intrigue in your voice. You feel comfortable enough to toy with the idea of teasing him but finally decide against it.
Instead, you let a soft chuckle slip. âWell, heâs doing pretty well for a fifty-year-old,â you joke, glancing over at Grogu as he slurps happily at his bowl of stew.
The kid looks up at you, eyes blinking. His chubby hands fumble with the spoon, barely managing to get a bite into his mouth, but you find his spirit more than makes up for his lack of coordination.
âYou think so?â Din questions, and you struggle to peg the question as serious or otherwise. Still, you let yourself chuckle again.
âOf course,â you nod, eyeing the little creature, âQuite a lifespan he must have. Heâs⌠heâs a baby, right?â
I mean, itâd be awkward to find out heâs actually a grown man after you had given him that cute, star-speckled set of cutlery.
âHeâs still a child, yes,â the man nods, joining you in watching over Grogu as he eats. âHis species can live up to a millenium.â
Your jaw drops. Millenium? Surely, youâve misheard.
âMillenium? Like, a-thousand-years-millenium?â you question, looking to Din with a shocked grin.
You hear a muffled sound coming from his helmet. Now that you think about it, it does obscure his communication just a tad. You donât mind.
âYes, one thousand years,â he affirms, tilting his head when Grogu coos at a piece of meat. âHis species is rare, so thereâs little else I know about his life cycle.â
You nod, taking a sip of your sweet tea. Itâs pretty incredible, youâve met plenty of alien species in your life, yet none of them quite as mysterious as little Grogu.
âMust be a big responsibility, taking care of such a rare baby,â you joke half-heartedly, looking over to Din with a grin. Heâs still looking at his child, fist rapping at the edge of the table.
He shifts in his seat, and though he remains still, you sense something stir behind the visor.
âHeâs worth it,â he says, breaking the silence with his resolute tone. It sends a jolt down your spine.
You meet his gazeâor at least, the blank stare of his helmetâand something unspoken passes between you. Thereâs more to this, you know it, but such is the case in every story. Even your own.
For a moment, you let the air between you settle. The cool breeze sends your thin curtains flying, the scent of your meal lingering warmly in the space between you.
After a few more bites, you break the quiet again, this time with a gentler tone. âHow long has it been since you took him in?â
Din nods, though you imagine thereâs much more he could say if he wanted to. âA while,â he affirms.
You nod, and the weight of his words tells you he probably lost count of the days. If anything, you wouldnât be surprised if he didnât count the days at all, as you couldnât really imagine him crossing squares off a calendar, or worse, writing down important dates for him and his son. 21st, Groguâs birthday. 3rd, secure bounty. Your lips curve at the fantasy.
Dinâs visor turns toward you, and you wonder, for just a moment, what expression might be hidden beneath. Maybe thereâs a trace of a smile on his face, one that mirrors yours.
âHe seems happy,â you hum earnestly.
You feel a breeze stir behind your window, picking up speed and swirling the trees nearby.
âI try,â Din says simply, and the words, yet again, hang in the air as you both watch Grogu slurp down the last of his stew.
The quiet moment lingers, and you glance over at Dinâs own untouched portion. The bowl is still steaming gently, so you look back up at him with a quirked eyebrow. âAre you not hungry?â
He shifts in his chair slightly, glancing down at the hefty portion. For a split second, you hope itâs to his liking.
âI⌠canât,â Din replies quietly, his voice tinged with apprehension.
Your curious eyes connect with his visor, and he takes a moment to collect himself before granting you an explanationâ one he doesnât owe you at all, you realize.
âMy religion demands I keep my face hidden from any living, breathing thing,â he trails, taking a brief glance at his child. The boy plays with his utensils, clicking and clacking them together and glancing up at his dad as if looking for a hint of approval. ââŚExcept him.â
âI understand,â you nod, giving him a reassuring smile. Youâve never heard of such a doctrine in your life, yet the universe holds many secrets, religions, and philosophies. Itâd be unwise of you to denounce something you donât understand in its full capacity.
âI appreciate the meal, but I canât eat with you.â
âDin,â you finally speak his name out loud, and it feels so natural rolling off your tongue. His helmet seems to fix on yours again, more attentive than ever. You repeat your question, this time with a gentle insistence. âArenât you hungry?â
He sighs through the modulator, a sharp, metallic wheeze. âIâll eat on the ship.â
But the answer doesnât satisfy you.
Without another word, you rise from your chair. The old wood creaks softly beneath you as you grab your half-finished glass of sweet brew and look at him with a warm smile. You need not look at his face to know heâs puzzled.
âIâll wait in the garden. You can close the windows, shut the blinds⌠even lock the door, if you like,â you trail, approaching the doorway and sliding into your woven slippers. âAnd if youâre comfortable, take your helmet off. Eat your fill, have a drinkâ take a break, if only for a little while.â
Thereâs a moment of comfortable silence that befalls you after your suggestion drops. His gaze is still on you, watching, scanning, considering.
And finally, when you catch his nod, you smile.
Your eyes gleam when they catch Groguâs, his hands extending towards you in⌠curiosity? Farewell?
From a distance, you glimpse his little face splotched in bits of sauce.
âBye, baby!â you chuckle, raising a hand to wave at the child. Your gaze moves to Din, and the smile on your face softens. âTake your time. Iâll be out front.â
He nods again, watching as you open the front door with a gentle creak. Your stares linger on each other, and youâre almost compelled to stay⌠nope. Nothing good ever came from overeagerness.
With one last look at the pair, you step into the outside world. The air hits your face, reddening your cheeks and mussing your hair.
You take a deep breath, letting the floral fragrance settle around you as you walk down the porch steps. Turning right towards the apple tree, you spot the wooden swinging bench beneath its canopy.
A patterned, purple blanket covers its length, and you grab it unceremoniously with your free hand. With a sigh you settle onto the bench, feeling it rock gently with your weight.
You drape the blanket over your shoulders and shimmy around. The warmth of the fabric is a satisfying embrace, and you take a few sips of your cool, sweet brew to even out your bodyâs temperature.
Your eyes wander over the garden, taking in the verdant greenery. To your delight, the coreberries you planted last season are pushing through the soil, tiny, unripe fruits just beginning to show. The fruit is tart on its own, but perhaps sweetens through macerationâ itâs something you have never tried, but make sure to take a mental note for later.
Inside, you hear the subtle rustle of Din closing the blinds, and you smile when you realize he leaves the window open; perhaps itâs just to let in the fresh, afternoon air, yet your mind likes to conjure another reality, one that makes your heart and body warm.
You sip your brew again, savoring its sweetness. The garden lights begin to cast a gentle, ambient glow as twilight slowly approaches. The soft rustling of the wind chimes mingles with the distant hum of insects, creating a soothing soundtrack that harmonizes with your mood.
You lean back on the bench, gazing up at the sky as it shifts from golden to hues of pink and purpleâ an ordinary end to a most peculiar day.
The glass in your hand is empty now, condensation beading along its rim. Youâre just starting to lose yourself to the soft sounds of the evening when the door to your house creaks open again.
From the corner of your eye, you catch the soft hum of the hovering metal sphere as it emerges. Grogu, nestled safely inside, peeks out at the world with half-lidded eyes, his tiny hands resting on the edges of the crib as though the meal had lulled him into a food-induced stupor.
Moments later, Din steps through the doorway, his armored form unmistakable. You tilt your head slightly, the bench swinging gently as a small, contented smile tugs at your lips.
Din spots you immediately, and surely enough, his helmet is right where it belongs; perched comfortably on his shoulders. Briefly, you feel a pang of dismay at the fact.
âWeâre leaving,â he declares, walking down the porch steps and approaching you. He keeps a distance, but even from your position, you can tell his posture seems lax compared to when he first stepped into your home.
âOkay,â you reply, your voice steady though your heart tightens a little at the words.
Thereâs a beat of silence as Din nods. His visor remains fixed on you, lingering for longer than usual, and you realize your eyes are locked on it as well. Embarrassed, you clear your throat, glancing away briefly to collect yourself. The last thing you want is for this moment to end so soon.
âIâll make sure to prepare this little guyâs favorite next time around,â you chuckle lightly, your gaze drifting to Grogu, his eyes drooping.
âI donât think heâs got a favorite,â Din says, his voice carrying an unusual softness. If you didnât know any better, you might think he was at ease. âHeâs like a womp ratâeats anything that moves.â
You gasp in mock horror, looking at Grogu with raised eyebrows. âA womp rat? The audacity!â
And then, you hear it. Laughter.
Itâs brief, and could probably be written off as a trick of the mind, but you swear by your intuition. Soft, rolling laughter, rich and dark like caf, but oh, so sweet.
âThanks for the meal,â he nods, breaking you out of your haze. You look up at him hurriedly, yelping when the glass in your hand almost slips away.
Youâre stupefied. The sound rings throughout your hazed mind, the soft baritone making you exhale sharplyâ a reaction youâre terrified to overanalyze.
He offers one final nod, and despite your heartâs silent prayer, this time he doesnât linger.
His steps are purposeful as he turns toward the picket fence, long shadow stretching across the yard as the brightest hours of day ebb into the evening. The familiar creak of the gate reaches your ears as he leaves, the sound echoing through the now-quiet pocket of the planet.
As the soft breeze beckons a melody of the wind chimes, you exhale.
The last thing you catch before he disappears behind the thicket is the wide-open, curious gaze of the little green child staring right into your very soul.
â
Dusk slips over the sky, painting it in fading hues of gold and violet, and with a quiet sigh, you finally muster the energy to return inside.
As you step out of your slippers, your eyes fall on the dining table, dimly illuminated by the soft glow of the fading day. Two bowls rest upon itâone messier than the other, but both empty.
The quiet of the night surrounds you as you sit at the table alone, and with every bite you take of your own meal, a gentle smile finds its way onto your lips.
For tonight, this is enough.
#fanfiction#writers on tumblr#fanfic#reader insert#x reader#ao3#ao3 writer#smut#din djarin#din grogu#the mandalorian#star wars#star wars fanfiction#star wars the mandalorian#grogu djarin#grogu#the mandolarian#mando#mando x reader#mando x you#mandalorian x reader#din x reader#din djarin fanfiction#din djarin x reader#eventual smut#imagine#clan of two#baby yoda#baby grogu#the mandalorian and grogu
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biggest pet peeve in sniper art?
Oh boy. A few of these actually. (I'm assuming you mean Sniper TF2 and not general snipers in art...)
Under the cut cuz it's long.
His rifle drawn improperly. The anatomy is very simple and if necessarily, just reference instead of butchering itâeven if you're doing realistic art, he uses a Remington 700, and there's more than enough reference photos online for the most popular sporting rifle ever sold. I've seen people draw it like a handgun. On a similar noteâ
Him shouldering his rifle incorrectly. Or just handling it incorrectly in general. Rifle slots in just above the armpitâwhen your stretch your dominant arm forward while leaning in and bracing your muscles, it forms a pocket at the shoulder just above your armpit between the head of your humerus and your pectoral muscle. This creates a firm pocket that the butt of a rifle will slot into. If it's not in this pocket, you're gonna have a bad time.
Using the wrong arm to support the rifle vs handle the trigger. I've seen horrors. While Sniper is implied to be ambidextrous, he shoots right-handed. This means the rifle slots on his RIGHT shoulder, and his RIGHT trigger finger is on the trigger. His LEFT HAND is used to support the weight of the rifle at the forestock. On a similar noteâ
Ambidextrous Sniper is cool and I love seeing left-handed Sniper when it's done properly. Downsideâhis right eye is his dominant eye, so unless his right hand is injured in a way that he can't pull a trigger with that hand, he would not be shooting left-handed.
Speaking of dominant eyesâyou look down the scope with your dominant eye. The eye NOT looking down the scope is called your off-eye. YOU DO NOT CLOSE YOUR OFF-EYE WHEN SHOOTING. OFF-EYE STAYS OPEN. Firstly it's for safety, because if your off-eye is closed you can't see what's happening in your immediate vicinity. Two, it's for performance. You can't change targets as easily with your off-eye closed. Any sniper worth his salt, especially a professional, is keeping his off-eye open. This is hunting 101 and something Sniper, former outback hunter of dangerous game, would know and practise religiously.
Speaking of scopesâeye relief. You do not put your face right up to the scope. There should be 10cm or about 4 inches between your face and the scope. Otherwise when you fire you're going to get a black eye when the recoil makes the scope hit you in the face. You'll take your eye out, kid.
People who draw him with his comics hair and call that a mullet. Almost none of you know what a mullet it. A little tuft of hair at the nape of the neck isn't a mullet! Those who give him an actual mullet when you say that shit, I love you
People who draw his scars incorrectly. They make them look freshâwith the sutures still present. Sutures aren't permanent and are removed after a week to a few weeks, depending on healing and how deep the wound is. Once SCARRED he wouldn't have horizontal lines through the scars. He'd just have long scars and dotted scars alongside where the sutures used to be. And looking at my own scars, in most places you can't see the dotting from the sutures since the holes heal easy and don't often scar.
Skinny twiggy Sniper that looks like he's about to drop dead of malnutrition. Have you not read the comics? Do you not know what lean, functional muscle looks like? Fuck's sake.
Ok reckon that's all of them for now.
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Miller's Mountainous Adventure Park - A Secret Springs Activity!
Joel Miller x F!Reader Words: 1.8k Mature (references to sex - minors DNI please!) Tags: Joel Miller!Adventure Guide, Rope Climbing, Tree-top Assault Course, Protective!Joel, Flirty!Joel, Shameful Flirting, Joel is an ass-man in my canon, References to Sex, Reader is definitely scared of heights, and Joel fkin knows it, Explicit Language.
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My contribution to @secretelephanttattoo's Secret Springs project! Submitting a short one-shot showcasing our beloved Mr. Miller being a treetop adventure park guide for week four's prompt, 'See, Stay, & Do'. Big thanks to our mayor for giving me this prompt! Enjoy! đĽ°
A/N: This was heavily based off a recent trip to a similar adventure park I went to not long ago, in which I sustained rope burns on my arms from going down the zip-line a bit too quickly. I also got stuck in the middle of one of the horizontal lines and was suspended mid-air for a good 20 minutes while a member of staff had to come rescue me. Alas, it was not Joel who turned up...
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Millerâs Mountainous Activity Park
âClimbing walls, bungee jumps, and zip lines - Millerâs has it all! Come along for fabulous views, a day of laughs, and fun challenges for all!â
The advert for this place seemed appealing at the time when you booked it. Youâd been wanting to challenge yourself to try different things, instead of your usual tendency to resign yourself to your own little bubble of introvertedness. Thatâs what this whole trip was about, anyway. Booked on a bit of a whim after your recent breakup, you had told yourself that this time you were not going to allow yourself to wallow in self-pity, and instead youâd have fun as a singleton.Â
But now, several rounds of activities later, you felt like you were ready to throw in the towel and say fuck new experiences. You were tired, exhausted after an afternoon of group orienteering activities, climbing walls, treetop walkways, and rope courses. Your legs felt like they were about to give way after youâd just climbed your eighth rope ladder in the last hour, and youâd never felt so unfit in your entire life.Â
Which was great for your self esteem, as you stood panting at the top of the platform, panting like a dog in heat.Â
âFuckinâ hell,â you whispered to yourself while you caught your breath, but you took relief in the fact that it was almost over. Standing up tall, you were finally at the highest point of the course. From here, you could see out across Secret Springs, and admire the views - the tops of every building, filled with all the independent businesses youâd ventured to throughout your stay here this summer; the rolling hills and stunning views that surrounded the town; and even the mayorâs office, who you understood took great pride in the community theyâd built - a pride you felt with them. You knew that the pain from this activity park was fleeting, but the memories youâd gain from being here were forever.Â
Part of you never wanted to leave.Â
âYâallright, darlinâ?â came a sultry drawl from behind you that made your hair stand on end. You jumped slightly, then turned to meet eyes with the instructor who had been taking you and the rest of your group around the whole park - Joel.Â
âSorry, just admiring the view!â you said, smiling sweetly at him. He nodded, stepping closer to you, holding onto his guidelines and keeping them secure.Â
âYou sure thatâs all it is, doll?â he asked.Â
Your eyes danced down to watch him fiddle with the clasps on his safety lines, twisting the caps on one line at a time before re-attaching it to the line you were also fastened to. He coughed subtly when he noticed your wandering gaze and a lack of response.Â
âI-uh, yeah! Why?â you asked.Â
Joel shrugged, chuckling to himself as he finished detaching his lines from the rope ladder safety guideline and securing himself next to you on the platform. He was now able to get closer, and he approached you slowly, bringing one hand up to rest on your shoulder in a kind of comfort.Â
âJust a hunch. Iâve done a lot of these tours - you wouldnât be the first person to chicken out of doing the final zip wire,â he said, a small grin on his face.Â
He clearly loved his job, but he perhaps loved watching how you squirmed underneath him even more. Even in spite of how unfit you felt, and who knows how God awful you looked after hours of physically demanding challenges with a group of people you didnât know, Joel had kept close to you the entire time. At first you thought it was just because you werenât here with anyone else, with the rest of your group being made up of couples, or small groups of friends. But the more youâd gone round the course, the more heâd hung back to chat with you; all the while throwing in small physical touches, flirtatious banter, but never overstepping.Â
Youâd be lying if you said you hated it. In truth, it was rather welcome.Â
âOh! ThatâŚ,â you trailed off, your eyes now moving to dare look down at the final challenge remaining. Youâd been so distracted by the views that youâd completely missed every other person already completing the 200-metre zip wire that stood between you and finishing the course. It was now just you and Joel stood here in the trees, the distant chatter of the rest of the group unbuckling themselves from their harnesses and heading off being just a faint noise.Â
âYes, that,â he chuckled, âNervous?â.
âA little, I guess. But Iâll be fine! You go ahead, Joel. Iâm sure the rest of the group are waiting for your instruction,â you smiled. Joel squeezed your shoulder slightly harder and shook his head, his eyes never faltering.Â
âTheyâll be fine. My brother is on hand at the bottom to get everyone out. You, darlinâ, are my priority,â he said.Â
You felt a shiver run down your spine, and you werenât entirely sure if it was the anxiety of the oncoming zip line, or horniness from that damn pet name he seemed to only use for you, which somehow lit a fire underneath you in a way your ex had never quite managed. Either way, you were nervous.Â
âI am?â you stammered.Â
âYeah,â he drawled, âThat okay?â.
âY-yes,â you swallowed, hard. Even if he did just mean from a professional point of view, that he couldnât legally leave you up here alone, you didnât feel like that was where he was coming from.Â
âGood,â he said. âTell you what, Iâll sweeten the deal for ya,â he said, his hand now dropping to the fastening on your harness. His fingers glided over the buckles, tugging them slightly to make sure they were still in their proper place after so much activity. The force moved you ever closer to him, and suddenly you found yourself mere inches from his body. The only thing that snapped you out of the trance of watching Joel, and made you realise heâd asked you something, was the sound of your safety lines clanging together on the guideline above you.Â
âHow so?â you asked. Joel winked at you.Â
âYou get your cute butt down that zipline in the next two minutes, and Iâll take ya out for dinner, darlinâ,â he chuckled.Â
You couldnât hold back the small giggle as Joel began detaching your safety lines one by one to the main zip wire, taking extra care in making sure that they were attached properly. Heâd given everyone a crash course on fastening their own lines before you even started, and everyone had got the hang of it by the time you reached the main course - so this extra attention was definitely not because he didnât think you could do it. No, he wanted to make sure you were secure himself.Â
And something about that was quite arousing.Â
âI have a cute butt?â you asked, acting like you werenât relieved youâd picked the good leggings to do this course the second youâd seen how cute your instructor was. Joel laughed lowly behind you, with you now facing the descending zip-line, him tugging on your lines to make sure you were fastened in properly.Â
âSure, thatâs what you focus on,â his words skimmed the shell of your ear, and his strong hands landed on your waist from behind. You sucked in a breath at the closeness, and the feeling of warmth that seeped into your body from his touch. It was a kind of comfort mixed with a desire to say screw dinner, come back to my hotel.Â
âYes, you have a cute butt. But you also have a beautiful smile, a gorgeous laugh, and a personality Iâd very much like to get to know a bit better,â he said, his voice now lower and almost a whisper behind you. âIs that alright?â.Â
âJoel, Iâm only here for another week, and then Iâm gone. Whatâs in it for you?â you asked.Â
âDarlinâ, Iâd like to make your last week here the most memorable. Pay no heed to âwhatâs in it for meâ. I wanna spend time with ya, and live in the moment a bit more, starting with taking you out tonight. How does that sound?â.
The smallest bit of guilt crept into you at the thought that Joel was willing to spend the next week with you only to then potentially never see you again. There was a nagging voice in your head that still wanted to say no to him, even after heâd made it clear that he didnât care about the âwhat ifsâ and what would come after you would leave for home next week.Â
But then you remembered why you came here. To push yourself, to live outside your comfort zone - the old you might have insisted on saying no, but you did wonder how many opportunities youâd missed in your life by playing it safe.Â
âOkay,â you said, âIâd like that, Joel.â
You turned your head to smile at him, and were greeted with his soft brown eyes firmly on yours. He flashed a cheeky grin back at you, then leant in and quickly gave you a peck on the cheek. The scruff of his facial hair brushed against your soft skin, and it was over far too soon.Â
âGood,â he chucked, âNow, off you go!â he said, tapping your ass and pushing your lines down the zip wire, setting you on course for the ground. You screamed and laughed as your body dipped off the platform and you were sent careering down the line at a rate of knots, the wind rushing through your hair and the horizon disappearing behind the treetops as you got closer to the landing platform on the ground.Â
You could hear the faint laughter of Joel in the distance as he unclipped his wires and got ready to go down after you once youâd landed, and even while rushing down the line you could feel your cheeks burn as a teenage-like crush began making itself known. It might not be anything, but you wouldnât know until you tried.Â
You crash landed at the bottom of the line, your heels digging into the bark-coated flooring to slow you down, but you still unceremoniously landed on your ass. With nobody around, you let yourself flop down onto your back, still attached to the line, and let out a laugh. Your whole body ached, and youâd now definitely need a shower before going out with Joel tonight. But you didnât care about that. You were happy.Â
And, for the first time, you felt free.Â
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#pedro pascal#fanfiction#fanfic#joel miller#the last of us#secret springs#see stay and do#writing challenge#writing prompt#fluff#flirty#the last of us fanfiction#pedro pascal character fanfic#joel miller x you#joel miller x reader#reader insert#pre/no outbreak
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Itâs time to get kinky! Welcome to Criminal Minds Kink Bingo 2024.
The goal of a bingo challenge is to get a bingo on your card, either by crossing out one line, two lines, or a blackout (full card) by creating fanworks for the prompts randomly provided on the card.
This could be a written piece of a minimum 500 words, a piece of finished art, or another kind of fanwork of your choosing.
Please note that this challenge and blog is for people 18+ only.
Timelines/Deadlines
Until sign ups open, we are accepting kink nominations to be included as options via our ask box. We have a list already, but we will add to it if something is missing.
Sign ups start on May 1st 2024 and will be open until May 15th.
Individual cards will be issued by May 22nd, and the event officially starts on May 26th (you can start creating as soon as you receive your bingo card).
As soon as the event starts on May 26th, you can post fanworks whenever theyâre created, in whatever place you prefer. You can tag your fills, bingo updates or WIPs with #cmkinkbingo2024 on tumblr. We also have a collection on AO3 for your works here.
You have until July 31st 2024 to complete your bingos!
How Bingo Works
Lines can be made by crossing out squares in any direction - horizontal, vertical, or diagonal. To cross out a square, use the prompt on it to create and post a fanwork.
You will choose from a large list of potential prompts, marking the ones you would be happy to have generated on a 5x5 square bingo card. This will also allow you to exclude prompts you would not be happy to have to create for.Â
While that does mean you could create the perfect bingo card, we encourage you to select upwards of 25 prompts, to allow for some randomness in the challenge.
Every card will have a free space in the middle, where you have the option to choose a prompt yourself.Â
You can request additional bingo cards if you complete a line, 2 lines or a full house and want to try for a second win!
Rules/Guidelines
No plagiarism, art theft or AI generated content will be tolerated in works for this challenge. Participants/works will be excluded at our discretion in these circumstances.
You can post your fanworks wherever you prefer.
Just like kinks are not always sexual, works do not have to be explicit to be entered. As long as it relates to the prompt, SFW content is entirely allowed.Â
Some of the kinks utilized in this challenge will fall under âreal worldâ kinks, and others under things considered a kink in the context of fanwork creation.
You are responsible for how much you stick to the spirit of the challenge - ultimately this is meant to be fun, and to spur people to be creative, and create content for a fandom we love!
Safety/Your Kink Is Not My Kink
Some of the kinks listed may indicate extreme, upsetting, triggering content, or content you personally find immoral, or that âsquicksâ you. You are ultimately responsible for the content you consume - if something is not for you, scroll past and/or use the necessary blocking/muting features to exclude this content from your feed.
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You can add any fills posted on Archive of Our Own to the collection here.
Please check out the Frequently Asked Questions, or send us an ask if you have another question!
#criminal minds#fanfic#fanart#writing#kink bingo#spencer reid#aaron hotchner#derek morgan#emily prentiss#jennifer jarau#david rossi#penelope garcia#elle greenaway#alex blake#ashley seaver#luke alvez#tara lewis#jason gideon#matt simmons#stephen walker#kate callahan#cmkinkbingo2024
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Madness - Chapter 19
Surpriiisee. I'm done with the next chapter.
And thank you, you are all so supportive. â¤ď¸
Enjoy! :)
In response to the Great War, dragons claimed the western lands and gryphons the central ones, abandoning the Barrens and the memory of General Daramor, who nearly destroyed the Continent with his army. Our allies sailed home and we began a period of peace and prosperity as the provinces of Navarre united for the first time behind the safety of our wards, under the protection of the first bonded riders.
âNavarre, an Unedited History by Colonel Lewis Markham
What. The. Hell.
Itâs as if everyone in the room has turned to stone, but I know that canât be true. I can see Violet as she moves away from the guy who holds her. I can feel the guyâs warm hand in my hair, his skin malleable under my fingers as I shove his hand away from me.
AndâŚI just stand there. What the hell?!
âQuickly, we need to move!â I wince at Viâs hoarse voice as she breaks the silence.
Complete, unearthly silence.
The clock on the desk isnât tickin. No one breathes. Their gazes are frozen. To the left, the woman I sliced open is hunched over, and the man I stabbed is leaned against the wall on the right, staring in horror at his thigh.
I mark time in thunderous heartbeats as we stumble into the only open space in the room, but our path to the now-open door isnât clear.
Xaden fills the doorway like some kind of dark, avenging angel, the messenger of the queen of the gods. Heâs fully dressed, his face a mask of veritable rage as shadows curl from the walls on either side of him, hanging in midair.
For the first time since crossing the parapet, Iâm so fucking relieved to see him that I could cry.
Violet gasps beside me â and chaos resumes.
âItâs about damned time.â Aon rumbles.
Xadenâs gaze snaps to mine, his onyx eyes flaring in shock for no longer than a millisecond before he strides forward, his shadows streaming before him as he stands at our side. He snaps his fingers and the room illuminates, mage lights hovering above us.
âYouâre all fucking dead.â His voice is eerily calm and all the scarier for it.
Every head in the room turns.
âRiorson!â The manâs dagger clatters to the floor who held Violet.
âYou think surrendering will save you?â Xadenâs lethally soft tone sends goose bumps up my arms. âIt is against our code to attack another rider in their sleep.â
âBut you know he never should have bonded her!â He puts his hands up, his palms facing us. âYou of all people have reason enough to want the weakling dead. Weâre just correcting a mistake.â
âDragons donât make mistakes.â Xadenâs shadows grab every assailant but that man by the throat, then constrict. They struggle, but it doesnât matter. Their faces turn purple, the shadows holding tight as they sag to their knees, falling in an arc in front of me like lifeless puppets.
I canât find it in my heart to pity them.
Xaden prowls forward as though he has all the time in the world and holds out his palm as yet another tendril of darkness lifts a discarded dagger from the floor.
âLet me explain.â The man eyes the dagger, and his hands tremble.
âIâve heard everything I need to hear.â Xadenâs fingers curl around the hilt. âShe should have killed, but sheâs merciful. Thatâs not a flaw I possess.â He slashes forward so quickly that I barely catch the move, and his throat opens in a horizontal line, blood streaming down his neck and chest in a torrent.
He grabs for his throat, but itâs useless. He bleeds out in seconds, crumpling to the floor. A crimson puddle grows around him.
âDamn, Xaden.â Garrick walks in, sheathing his sword as his gaze rakes over the room. âNo time for questioning?â His glance sweeps to us as if cataloging injuries, catching on my bloodied face.
âNo need for it,â Xaden counters as Bodhi enters, doing the same quick assessment Garrick had. The similarity between the cousins still gives me pause. Bodhi has the same bronzed skin and strong brow line, but his features arenât as angular as Xadenâs, and his eyes are a lighter shade of brown. He looks like a softer, more approachable version of his older cousin, but my body doesnât heat at the sight of him the way it does around Xaden.
An illogical laugh bubbles up through Violetâs lips, and all three men look at her like sheâve hit her head.
âLet me guess,â Bodhi says, rubbing the back of his neck. âWeâre on cleanup?â
âCall in help if you need it,â Xaden answers with a nod.
âAre you okay Vi?â I turn to her and gently grab her arms.
Oh my god. I have a terrible nasal voice. If that man wasnât already dead I would kill him for breaking my nose.
âIâm alive. Iâm alive. Iâm alive.â She repeats it again and again.
âYes. Youâre alive.â Xaden says as he steps over the bodies toward Violetâs armoire with her daggers in his hand.
Garrick and Bodhi haul out the first bodies.
âI didnât realize Iâd said that out loud.â She says and starts shaking like a leaf.
âItâs the shock.â I say gently and move her toward her chair. âSit. Itâll be better, just breathe.â
âAre you hurt?â Xaden asks while whipping Violetâs cloak from its hook and retrieving a pair of boots. His words are clipped.
Silence.
âCome on, Violence.â His cajoling words are at odds with his terse tone as he folds the cloak over his arm and brings the boots through the remaining bodies heâs left on the floor. âPull your shit together and tell me where youâre hurt.â
That nickname again.
âYouâre breathing like crap, so Iâm guessing it has to do withââ
âMy ribs,â she finishes before he can guess. âThe one by the bed hit the side of my ribs with the sword, but I think theyâre just bruised.â
âMust have been a dull sword.â He cocks a dark eyebrow. âUnless it has something to do with why both of you sleep in your leather vest.â
âTrust him,â Aon demands.
 âI have trust issues if you couldnât tell. Itâs not that easy.â
âIt has to be for now. And I burn him alive if he ever hurts you.â
âItâs dragon-scale.â I say and move so that the light shines on it. âMira made it for us.â
 He glances between our bodies, his mouth tensing before he nods once.
âAnd you, Sunshine?â He asks before moving in front of me. âThatâs a lot of blood.â
âYeah, well not all of it is mine,â I shrug. âAnd maybe I pissed one of them off a bit, and he broke my nose.â
âYou and your big mouth, Sunshine.â He sighs in exasperation.
Before I can argue that point, his gaze shifts to my face and narrows at what I imagine has to be incipient brusing. âI should have killed him slower.â
âAnd your ribs? He hit you really hard.â Violet asks from her seat.
âSunshine?â Xaden asks with a raised eyebrow.
I sigh. Fine. âIt hurts a little but my face is worse than that. Not worth mentioning.â
âNever lie to me.â He says it with such ferocity, bit out through gritted teeth.
âI would promise, but there are secrets I canât tell you.â I whisper and I can hear the sadness in my voice. âSometimes I have to put my life first. Secrets can kill you in the wrong hands.â
He looks at me with an indecipherable look, then nods.
âThen be honest with me when you can.â He says quietly and his gazes softens.
My heart flutters.
âMy nose hurts, and my ribs too.â I admit.
âLet me see.â I open and shut my mouth twice. I donât know what to say and I simply nod. Iâm tired of arguing. I let him do what he wants. At least tonight I donât have to control everything.
Two other men walk in through the open door, Garrick and Bodhi following closely after. Theyâre allâŚdressed. Fully clothed atâI glance at the clockâtwo a.m.
âTake those two, and weâll get the last ones,â Garrick orders, and the others get to work, carrying the last of the bodies out through the door. I canât help but notice they all have rebellion relics shimmering up their arms, but I keep the observation to myself.
âThank you,â Xaden says, then flicks his hand and the door shuts with a soft click. âNow, let me see your injuries. Weâre wasting time.â He turns to Violet. âAnd you⌠go and get dressed.â
She must be quite shaken up because with a glance at me she goes to her armoire and does as he said.
 I swallow, then nod.
He cradles my face in his hands and tilts my head to observe my face. I flinch when he lightly touch my nose.
âSorry, Sunshine. But itâs not that bad.â He slowly drops his hand. âNolon can mend it in the morning. Now let me see your ribs.â
I sigh. Better to know now if theyâre broken anyway. I turn my back on him, but I can see his face in the full-length mirror. âYouâll have toââ
âI know how to handle a corset.â His jaw flexes once, and something that reminds me of raw hunger flitters across his expression before he locks it down, drawing my hair over my shoulder with surprising gentleness.
His fingers skim my bare skin and I suppress a shiver, locking my muscles so I donât arch into his touch.
What the hell is wrong with me? Thereâs still blood on the floor, on me and yet my breaths are tight for the entirely wrong reason as he makes quick work of the laces, starting at the bottom. He wasnât lying. He absolutely knows his way around a corset.
âHow the hell do you get yourself into this thing every morning?â he asks, clearing his throat as inch after inch of my back is exposed.
âIâm freakishly flexible.â I answer over my shoulder and laugh at him. Our eyes meet, and warmth flutters through my stomach. The moment is gone as quickly as it came, and he pulls my armor apart, inspecting my right side. Gentle fingers stroke over the abused ribs, then prod carefully. Then he repeats it on the other side.
âYou have one hell of a bruise, but I donât think theyâre broken.â
âThatâs what I thought. Thank you for checking.â It should be awkward, but somehow it isnât, even as he laces me back up, securing the ends.
âYouâll live.â He says as I turn around to face him.
âIâm ready. Where are we going?â Violet asks, and I can feel myself blushing.
Oh my god. She saw it all.
âWell⌠I should go and get dressed to. Iâm not exactly decent.â I look at my corset and short.
âWe donât have time.â Xaden shakes his head. âHere, put it on.â He says as he shrugs off his flight jacket and gives it to me.
Without a word I take it from him.
âLetâs go.â He helps me put it on, like Iâm something precious. Now I know Iâm hallucinating it because Iâm anything but precious to Xaden Riorson. He grasps my hand and tugs me into the hallway, Violet following us. His fingers are strong as they curl around mine, his grip firm but not too tight.
He gave me his jacket. Itâs huge, and it has such a nice smell. Itâs his scent. Mint and leather.
Every other door is shut. The attack wasnât even loud enough to rouse the neighbors. Weâd be dead by now if Xaden hadnât shown up, even if we managed to get out of their hold. But how did that happen?
âWhere are we going?â The hallways are dimly lit by blue mage lights, the kind that signal itâs still night for those without windows.
âKeep talking loud enough for others to hear, and someone will stop us before we get anywhere.â
âCanât you just hide us in shadows or something?â Violet asks.
âSure, because a giant black cloud moving down the hallway isnât going to look more suspicious than a couple sneaking around, and youâre so small Violet, that nobody will notice you if you stay behind us.â He shoots us a look that keeps us from countering.
Point taken.
Not that weâre a couple.
Not that I wouldnât climb the man like a tree if presented with the right set of circumstances. I cringe as we make it to the main hallway of the dormitory. There will never, ever be a right set of circumstances when it comes to him.
But in my defense, and in a sick, twisted way, his rescue was pretty damned hot, even if he is hauling me down the hallway at an untenable speed. Even if he only did it because Violetâs life is tied to his. My chest screams for a break, but thereâs none to be found as he leads us past the spiral staircase that leads up to the second- and third-year dorms and into the rotunda.
Our boots against the marble floor are the only sounds as we pass into the academic wing. Instead of turning left, toward the sparring gym, he takes us right, down a set of stairs that I know leads to storage.
Halfway down the steps, he pauses, and I nearly run into the sword strapped to his back. Then he gestures with his right hand, keeping mine in his left.
Click. Xaden pushes on the stones and a hidden door swings open.
âHoly shit,â I whisper at the expansive tunnel revealed before us.
âHope youâre not afraid of the dark.â He pulls me inside, and suffocating darkness envelops us as the door closes.
This is fine. This is absolutely fine. Just breathe.
âBut just in case you are,â Xaden says, his voice at full volume as he snaps. A mage light hovers above our head, illuminating our surroundings.
âThanks.â The tunnel is supported by arches of stone and the floor is smooth, as though itâs been traveled more than its entrance lets on. It smells like earth but isnât dank, and it goes on for what seems like an eternity.
He drops my hand and starts walking. âKeep up.â
âYou couldââ Violet winces. âBe a little more considerate.â We trudge after him.
âIâm not going to baby you like Aetos does,â he says without turning around. âThatâs only going to get you killed once we get out of Basgiath.â
âHe doesnât baby me.â
âHe does and you know it. You hate it, too, if the vibe Iâm picking up on is any indication.â He falls back to walk at our side. âOr did I read that wrong?â
âHe thinks this place is too dangerous for someoneâŚlike me, and after what just happened, Iâm not sure I can really argue with him. I was asleep. Thatâs the only time weâre supposed to be guaranteed safety around here. I donât think Iâll bother sleeping again.â she shoots a look sideways at his profile. âAnd if you even think about suggesting that you sleep with me for safety from now onââ
He scoffs. âHardly. I donât fuck first-yearsâeven when I was oneâlet aloneâŚyou.â
Ouch. There goes my fantasies. Iâm a first-year after all. But deep in my heart Iâm glad, that he is not attracted to Violet.
âWho said anything about fucking?â She fires back. âIâd have to be a masochist to sleep with you, and I can assure you, Iâm not.â
âMasochist, huh?â A corner of his mouth quirks into a smirk.
âYou hardly give off snuggly morning-after vibes.â A smile curves on her lips. âUnless youâre worried about me killing you while we sleep.â We round a corner, and the tunnel continues.
âI have zero concern about that. As violent as you are, and skilled with those daggers, Iâm not even sure you could kill a fly. Donât think I didnât notice that you managed to wound them and never went for a kill shot.â He shoots a disapproving look her way.
âIâve never killed anyone,â She whispers like itâs a secret.
âYouâre going to have to get over that. All we are after graduation are weapons, and itâs best if weâre honed before leaving the gates.â
âThatâs enough, both of you. You argue like children.â I roll my eyes. âIs that where weâre going? Are we leaving the gates?â I ask Xaden. Iâve lost all sense of direction in here.
âWeâre going to ask Tairn what the hell just happened.â Xadenâs jaw flexes. âAnd Iâm not talking about the attack. How the hell did they get past the locks?â
Violet shrugs but doesnât explain.
âWeâd better figure it out so it doesnât happen again. I refuse to sleep on your fucking floor like some kind of guard dog.â
âWait. This is another way to the flight field?â I do my best to mentally wall off the pain in my face. âWill you be there too?â I ask Aon.
âNaturally.â
âAre you going to tell me what that was in there?â
âI would if I knew.â
âYes,â Xaden says, and the path curves again. âItâs not exactly common knowledge. And Iâm going to ask you to tuck this little tunnel into the file of secrets you keep on my behalf.â
âLet me guess, and youâll know if I tell?â
âYes.â Another smirk appears, and I look away before he can catch me staring.
âAre you going to promise us another favor?â Violet asks. The path begins to climb, and the ascent is anything but gentle. Every breath reminds me of what happened less than an hour ago.
âHaving one of my favors is more than enough, and weâve already reached mutually assured destruction status, Sorrengail. Now, can you push through it, or do you need me to carry you?â
âThat sounds like an insult, not an offer.â
âYouâre catching on.â But his pace slows to match ours.
âWhat were you doing tonight anyway?â I ask curiously.
âWhat makes you ask?â His tone clearly insinuates that I shouldnât. Too bad.
âYou made it to Violetâs room within minutes, and youâre not exactly dressed for sleeping.â Heâs strapped with a sword for crying out loud.
âMaybe I sleep in my armor, too.â
âThen you should pick more trustworthy bedmates.â
He snorts, a flash of a smile appearing for a heartbeat. A real one. Not the fake, forced sneer Iâm used to seeing or the cocky little smirk. An honest, heart- stopping smile that Iâm anything but immune to. Itâs gone as fast as it appears, though.
âSo youâre not going to tell me?â I ask. Iâd be frustrated if I didnât hurt so damned much. And Iâm not even going to touch why he needed to haul us all the way to Tairn when obviously Violet can chat with him anytime she wants.
Unless he wants to talk to Tairn, which isâŚballsy.
âNope. Third-year business.â He lets go when we reach the stonewalled end of the tunnel. A few hand gestures and another click sounds before he pushes open the door.
We step out into crisp, freezingly cold November air.
âWhat the hell,â I whisper. The door is built into a stack of boulders on the eastern side of the field.
âItâs camouflaged.â Xaden waves a hand and the door closes, blending into the rock as if itâs a part of it.
Thereâs a sound I now recognize as the steady beat of wings, and I look up to see the four dragons block out the stars as they descend. The earth shudders as they land in front of us.
 Tairn steps forward and Sgaeyl follows, her wings tucked in tight, her golden eyes narrowing on me.
âWhat have I done?â I ask Aon.
He stands next to Sgaeyl and snaps at her.
âDo not worry about it, little one. Sheâs always so grumpy.â
I try to disguise my laughter as a cough.
Andarna scurries between Sgaeylâs claws, galloping toward us. She skids the last dozen feet, paws digging into the ground to stop just in front of Violet, bringing her nose to her ribs.
âWhatâs so funny?â Xaden looks at me.
âAon. He said Sgaeyl is always grumpy. But so is he.â I smile at Aon. âThey siblings after all.â
Sgaeyl turns her head and shots a menacing look toward Aon, before she lowers her head and stares at me.
Sheâs so close. I have never been so close to another dragon. But I keep eye contact with her. Iâm not weak.
She huffs a breath in⌠approval?
âNo broken bones,â I hear Violet, as she strokes her hand over the bumpy ridges of Andarnaâs head. âTheyâre just bruised.â
âAs sure as I can be.â She forces a smile.
âYes, I want a word. What the hell kind of powers are you channeling to her?â Xaden demands, staring up at Tairn like he isnâtâŚTairn.
Yep. Ballsy. Every muscle in my body locks, sure that Tairn is about to torch Xaden for impudence.
âHe saysââ Violet starts.
âI heard him,â Xaden counters, not sparing her a glance.
âYou what?â My eyebrows hit my hairline, and Andarna retreats to stand with the others. Dragons only talk to their riders. Thatâs what Iâve always been taught.
âItâs absolutely my business when you expect me to protect her,â Xaden retorts, his voice rising.
Tairnâs head swivels in that snakelike motion that puts me on alert. Heâs more than agitated.
âAnd I barely made it.â The words come out clipped through clenched teeth. âThey would have been dead if Iâd been thirty seconds later.â
Tairnâs chest rumbles with a growl.
âAnd Iâd like to know what the fuck happened in there!â
I inhale sharply. âXaden!â I shout and grab his arm. âDo you want to get yourself killed?â
Iâve never seen someone so much as dare to speak to another riderâs dragon, yet alone yell at one, especially not one as powerful as Tairn.
âLet him go. If Tairn wants to kill him, let him do it. I donât want to look for another rider.â Aon steps closer to us.
âI knew that you love me.â I wink at him. âBut I canât watch it. All four are connected to each other. And Violet is important to me.â
âJust her?â
âWe need to know what happened in that room.â Xadenâs dark gaze cuts through me like a knife for a millisecond before he glares back at Tairn.
Tairnâs mouth opens, his tongue curling in a motion I know all too well.
I pull on Xadenâs arm and I step in front of him.
âIâm so sorry that heâs rude to you, Tairn.â I say in my most polite voice. âHeâs just a little freaked out. Donât scorch him, please.â
In awe, Violet blinks up at the navy-blue daggertail as Xaden moves to my side. âShe talked to me.â
âI know. I heard.â He folds his arms across his chest. âItâs because theyâre mates. Itâs the same reason Iâm chained to you.â
What? They canâŚtalk to each other? My chest hurts. Theoretically I knew it that they have a connection, but hearing it⌠it hurts.
I step away from them and I go over to Aon.
âWhy am I here?â I ask him. âI mean I canât hear half of the discussion.â
âI wanted to see you, to know that youâre all right.â He lowers his head and nudges me with his nose. âAnd unfortunately it seems the wingleader cares about you.â
âWhat? How do you know that?â I ask as I pet his nose.
âSgaeyl likes to gossip. Now concentrate on the conversation, little one.â
I look at him in disbelief, but I nod and walk back to the others.
âYou make it sound so pleasant.â
âItâs not.â Xaden turns to face Violet. âBut you and I are exactly that, Violence. Weâre chained. Tethered. You die, I die, so I damn well deserve to know how the hell you were under that manâs knife one second and across the room in another. Is that the signet power youâve manifested with Tairn? Come clean. Now.â His eyes bore into her.
âI donât know what happened,â She answers honestly.
Violet pivots to face the golden dragon, repeating what she said to us. âNature likes all things in balance, thatâs the first thing weâre taught.â
âWhat is that supposed to mean?â Xaden asks Violet, not her.
Guess that means he can hear Tairn, but not Andarna.
âFeathertails shouldnât bond because they can accidentally gift their powers to humans,â Violet continues. âDragons canât channelânot reallyâuntil weâreâŚtheyâre big, but theyâre all born with something special.â
She relays the message. âLike a signet?â She asks out loud so Xaden and I can hear.
âSgaeyl said, that no,â Aon tells me. âA signet is a combination of our power with your own ability to channel. It reflects who you are at the core of your being.â
Andarna sits up and tilts her head proudly.
âBut I gave my gift directly to you. Because Iâm still a feathertail.â Violet repeats again, staring at the smaller dragon. Almost nothing is known about feathertails because theyâre never seen outside the Vale.
Theyâre guarded. Theyâre⌠I swallow. Wait. What did she say?
âYouâre still a feathertail?â I look at Andarna in desbelief.
She blinks slowly and then cracks a yawn, her forked tail curling.
âYouâreâŚyouâre a hatchling,â Violet whispers.
Oh. Gods.                      Â
âSheâs a what?â Xadenâs gaze swings between Andarna and Violet.
âHow much faster?â Violet gasps. âSheâs two years old!â
Sgaeyl chuffs at Andarna in obvious disapproval.
What an interesting conversation. I canât hear half of what they say. Whatever, I will ask Vi later.
âHold on. Is Andarna yours?â Xaden walks a step toward Sgaeyl, and the tone in his voice is one Iâve never heard. HeâsâŚhurt. âHave you hidden a hatchling away from me these last two years?â
Sgaeyl blows out a blast of air that ruffles Xadenâs hair.
I look at Aon questioningly.
âHer parents passed before hatching.â He answers.
Tairn grumbles.
âUnpredictable?â Xaden questions.
âGods, no. I could barely control it as a first-year.â Xaden shakes his head.
Itâs odd to imagine Xaden ever not being in control.
âI would never!â Violet shakes her head.
Andarnaâs head flops against Tairnâs leg. How could I not see it before now? Her rounded eyes, her pawsâŚ
âOf course, you wouldnât know. Feathertails arenât supposed to be seen,â Aon says.
âIf leadership knew riders could take her gifts for themselves, rather than depending on their own signetsâŚâ Xaden says, staring at Andarna as she blinks slower and slower.
âSheâd be hunted,â Violet finishes quietly.
âI wonât,â Violet promises as she looks toward the dragons. âAndarna, thank you. Whatever you did saved our lives.â
Her mouth drops open into another jaw-cracking yawn.
Violet stares at her and wobbles.
âWhat did she say?â Xaden asks her.
Tarin grumbles.
âTell me what she said. Please.â His mouth tightens and I know that last bit cost him.
âShe can pause time,â She forces out, stumbling over her words. âBriefly.â
Xadenâs features slacken, and for the first time, he doesnât look like the stalwart, lethal wingleader I met on the parapet. Heâs flat-out shocked as his gaze swings to Andarna. âYou can stop time?â
âIn small increments,â Vi whispers.
âIn small increments,â Xaden echoes slowly, like heâs absorbing the information.
âAnd if I use it too much, I can kill you,â Violet says softly to Andarna.       Â
Silence, then Violet breaks it.
âIs Professor Carr going to kill me, too?â Every gaze whips toward Violet.
âWhy would you think that?â I ask her with concern.
âHe killed Jeremiah.â She says in a trembling voice. âYou saw him snap his neck like a twig right in front of the whole quadrant.â
âJeremiah was an inntinnsic.â Xadenâs voice lowers. âA mind reader is a capital offense. You know that.â
âAnd what are they going to do if they find out I can stop time?â
Terror freezes the blood in my veins. Â âTheyâre not going to find out,â I promise her.
âNo one is going to tell them. Not you. Not me. Not Aelin. Not them.â Xaden motions with one hand toward our dragons. âUnderstand?â
âBe safe, little one.â Aon says as they all bend slightly, then launch, wind gusting against my face. Andarna struggles, her wings beating twice as hard, and Tairn flies up underneath her, taking her weight and continuing on to the Vale.
âPromise me you wonât tell anyone about the time-stopping,â Xaden asks Violet as we head back into the tunnel, but it feels an awful lot like a command. âItâs not just for your safety. Rare abilities, when kept secret, are the most valuable form of currency we possess.â
My brow furrows as I study the stark lines of the rebellion relic that winds up his neck, marking him as a traitorâs son, warning everyone that heâs not to be trusted. But so far he has proven to be more reliable than my own father.
âWe need to figure out how unbonded cadets got in your room,â Xaden says.
âThere was a rider there,â Violet tells us. âSomeone who ran away before Aelin arrived. She must have unlocked it from the outside.â
âWho?â I halt, taking her elbow gently and turning her toward us.
She shakes her head.
âAt some point, you and I are going to have to start trusting each other, Sorrengail. The rest of our lives depend on it.â Fury swims in Xadenâs eyes. âNow tell me who.â
âTell us, Vi. You know I will always believe you.â I say softly. âWho else was there?â
#fourth wing#fanfiction#fourth wing fanfic#the fourth wing#violet sorrengail#xaden riorson#oc#the empyrean#xaden x oc#xaden riorson x oc#tairn#sgaeyl#dragons#andarna#madness
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Bojure snuggles. Theyâre so cute together, donât you think? Did you have any thoughts about that tonight?
Oh, I had thoughts. So many thoughts. 630 words worth of thoughts, in fact.
He knows his reputation. Muca. Cat man. Sunshine. Jure is even man enough to admit he quite enjoys them, even plays up on his monikers on more than one occasion. Always a smile, always lands on his feet. Well, mostly. There was that incident in Dublin. And the hunting tower. And the time with theâ
He knows. The others know. They know him well enough now to keep the metaphorical door open, because just like cats, Jure will choose his moments of intimacy. Heâs just as likely to â quite literally â hang off any of them, as he is to withdraw, to be happy and content in his little bubble.Â
Itâs a balance, and his scales seem to always be a grain away from tipping this way or that. Jure doesnât mind, not usually. Not so long as the step from one to the other is easy. A hug, a touch. Spending precious freetime in his garden, phone turned off. They are gradual, he can always feel the shift, can prepare, can plan.
Itâs worse when the pendulum swings too far, too fast. Jure loves what he does, would not choose anything else in the world, no one else to share it with. And itâs fine when itâs euphoria, when itâs love like light and energy in his veins and Jure flies high and thinks maybe this is the time he can stay.Â
(or at least not crash)
Itâs fine. Until it isnât. Until he is horizontal on stage, tired to the bone. Until he needs a week away from everything. Until he needs closeness like heâll perish without it but canât find the right words to ask for it.
âStay.â
Bojanâs hand on his shoulder is gentle, sending shudders through his body. Everything is happening so much, so quickly, and itâs exciting. New single, new tour, hype and excitement. And Jure is so, so, so tired. The idea of driving home has been haunting him for the past hour as they wrapped up another long day, but home is home.
Quiet.
His own bed.
Too quiet.
Alone.
âKris has a family thing tomorrow, heâll stay at home,â Bojan continues, voice gentle and even. âCome over. You canâ Donât feel like you need to drive back home tonight. It was a long day for all of us.â
Jure hesitates, pauses in his efforts to tidy up something that has been in order for a while already.
âI donâtâŚâ
âPlease. Please, stay.â
Maybe he and Bojan are the same in a way, Jure thinks as he nods, finally looking up to meet Bojanâs gaze. Fine until they arenât. How many times have they not ended up seeking each other out for comfort, equally tactile when their moments align?Â
So, he goes. Follows Bojan home, follows Bojanâs lead, follows follows follows until within the safety of four walls two arms open and take him. Jure could melt when fingers gingerly thread through his hair, fingertips digging into his lower back and his spine seemingly unlocking vertebrae by vertebrae. His nose pressed against the crook of Bojanâs neck, the warmth and scent there familiar and comforting. From far away, words filter through, slowly unfolding meaning and intent, lining themselves up to lead him home like lanterns in the night.
Easy.
Easy.
Easy.
Like the nap shared on the pullout sofa bed.
Like Bojan clinging to him in tears after Martinâs last gig with them.
Like too many nights in Hamburg, in London, on the bus; wordlessly seeking comfort, always finding arms that will open.
Like now. The steady thump of Bojan's heart, fingertips drawing meaningless shapes from the nape of his neck down his spine and back up. Itâs closeness like he needs it. Jure sighs, long and slow, and drifts off to sleep.
#Bojure#whether platonic Bojure or romantic Bojure is your cup of tea#this should do it#the softest sweetest and probs shortest thing I have written#and with that I am off to bed#Bojan CvjetiÄanin#Jure MaÄek#Muca
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Post- Below Zero outfit concept
I wanted to make an outfit more befitting a maze-like homeworld. The PDA draws from locally available materials after all. I think this Robin is a bit more serious than what we see in SBZ.
Design Notes:
This outfit is designed with terrestrial travel in mind. While I do think a two-piece would be more practical, every subnautica protagonist and several NPCs wear a body suit. Being on an alien planet I feel she still prefers the practical safety a reinforced suit like this provides. Push comes to shove she can wear a tank and tie the upper portion around her waste.
Went with purple and green for two reasons: We see past Robin wearing purple, and they are Al-Anâs colors (to imply his role in designing it).
Most promo art depicts Robin with her blue and red wetsuit which looks quite heroic and serves to illustrate her strong will. I think itâs fun to think of those colors as likewise symbolizing her conflicted relationship with her sister. Sam wears exclusively blue from what we see, Robin always strives to be her opposite. Red is the color of passion and aggression, a pretty fitting for the ideal Robin holds for herself as Samâs opposite. Red is also the most notably characteristic of bird robins, which I think is just kind of cute.
In my headcanon purple symbolizes Robin when sheâs at peace with herself. Itâs a mix of red and blue, symbolizing that shes not as estranged from Sam as she sometimes believes. We see her wearing purple at her most comfortable in the picture with Augstrobite. A muted purple is also useful in showing a Robin thatâs more reserved following the trauma of 4546B.
The diagonal lines also serve to reference her alliance with Al-an. Her most notable wetsuit is constructed with bold horizontal and vertical lines, very squarish. Diagonals better suit to illustrate a character that is âoff-balanceâ so to speak. Being on an alien planet thousands of light years away from humans after losing possibly your only family member is probably enough to shake most peopleâs sense of balance.
I also think that because Robin kept her hair long during the events of 4546B that she probably just likes it long. Imagine how impractical it would be maintaining long hair on an oceanic planet for months on end. Not to mention, at least type 3 hair (Sam seems to have type 4, but itâs not exactly clear what type of hair Robin has. In game she either has braids or locs itâs hard to tell. Either way, not a low maintenance style.) I just think itâs a pretty good symbol of her character, I also think she would let it continue to grow during her time on 4546B and beyond. At some point itâd start getting in the way even in a ponytail. Thatâs why I think she would start putting it in a bun. A changing hairstyle as a symbol of a maturing character my beloved.
(It also gives me an excuse to draw her hair down in the future >:3c)
#subnautica#subnautica below zero#robin ayou#fan design#concept#fan character#fanfic#how we feeling lesbians
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Heya, I've got a question since you seem to know a lot about aviation. So this point is a bit of a 'controversy' among the fans: does Tommy fly both helicopters and planes, or just helicopters? People are inferring the former because of the episode in season 2 where Chimney called Tommy, and then the water-bomber plane came, and, watching this, Chimney thanked Tommy. Now, I find it to be entirely plausible that a) Chimney meant it as a thanks because Tommy organized the rescue rather than being the pilot himself and b) also a minor detail that, while written back then, was never meant to come back in the way it did. Now, however, we have a lot more background info on Tommy, and to me it seems unlikely that he got training for both helicopters and planes, and that he does fly both in his line of work. Also, if he was able to fly planes as well and had access to them at work, why would they take a helicopter to Vegas when a light aircraft would be the better option? (I assume, though I could be wrong). What are your thoughts and your expertise on this?
Thank you for asking! Always love an aviation related question.
One of the first posts I've ever written here is about this very topic. The US Army operates mainly helicopters. Yes, they do have like a hundred or so fixed wing aircrafts for transport and recon missions, but that's nothing compared to the 4000+ helicopters currently in service. You also have to finish your entire helicopter pilot training before you can even apply for fixed wing training program for the Army. Tommy's timeline is already tight enough, I don't think he had the time to learn how to fly a plane in the military. (You need like at least 800 hours on a multi-engine airplane as pilot-in-command to be considered for the CAL FIRE training program for instant.)
But the most damning evidence is that the news reporter in 2x14 actually said the air tanker was with CAL FIRE, so not LAFD, a completely different agency. I imagine Air Ops had their hands tied during that major power outage already, so Tommy had to pull some strings and call other agencies for help. (Shamelessly pugging my own hc of Tommy dating a CAL FIRE pilot in the past here.)
And yes, light fixed wing aircrafts are much more suited for medium range trips. They are also cheaper to rent and more widely available than helicopters. So there's a chance that Tommy has no experience on an airplane at all. Helicopter pilots do have a head start when learning how to fly a plane though, the basics of flight are the same, it's just the mechanical side of things that differs between rotary and fixed wing. For example, you have to closely monitor your air speed when flying a plane, because it generates lift by deflecting the incoming stream of air downward. If you fly too slow, you risk stalling the plane and falling out of the sky. A helicopter on the other hand, actively moves air downward by spinning the main rotor, so air speed is not that important for safety, you can move straight up and down without moving an inch horizontally.
That's not to say it's impossible for Tommy to know how to fly a small airplane. He may simply have more connections in the rotary wing world, or he feels more comfortable flying a friend in a helicopter since he's more experienced. Helicopters also have the advantage of landing straight down in tight spaces, eliminating the need to wait for a landing slot on a runway when traffic is high.
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Got bored and spruced up my mask
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I have a few reusable cloth masks that I thought looked a little boring. I used left over parts from other projects
***I wear two disposable masks under it whenever i wear it just to be safe. WEAR YOUR MASKS!!!!!
[Image ID: four pictures of me with the lower half of my face covered by a black fabric mask. The mask has safety pins pinned horizontally across the seam down the middle of the mask, some pins crossing over each other forming x shapes. There are small spikes lining the top of the mask, five on each side, and a key ring stitched to the middle of the mask, at the top. Four chains hang from the key ring, two draping across each side, and the other end of the chains are attached to jump rings that are stitched to either side of the mask near the ear loops. The top chains are shorter than the bottom two so they drape over the whole mask. I added various small charms to the mask after I took pictures so they're not included but I thought I'd add them to this description anyway. End ID]
#punk#punk fashion#punk diy#wear your mask#masks#goth#goth fashion#goth diy#solarpunk#solarpunk fashion#solarpunk diy#hopepunk#ecopunk#studs#spikes#fashion#diy#hatchet makes stuff
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June 23, 2024 update from the Battleship Texas Foundation
"Happy Update Sunday!
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It's been a couple of weeks since our last update, but we can assure you work has not stopped on this big blue beautiful battlewagon.
The bow has now been 90% painted. All but turret 2 is left to be blasted and painted and work starts on it Monday. The deck will not receive deck blue paint until the wood deck is installed.
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New Navy Blue paint on everything that is supposed to be blue and new black paint on the anchor chains. Deck Blue paint will be applied to horizontal surfaces later. And of course the steel here will be covered by wood.
The steel work in the main mast is nearing completion which includes putting back missing safety railings as well other critical repairs. Blasting and painting on it should start midweek. Gulf Copper's painters have already started putting up protective netting for containment -that's those big black tarp looking things. Once we are done painting there are several things that will get reinstalled bringing the main mast and the ship even closer to her 1945 appearance.
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New safety railing around a ladder way on the main mast. The railings are in the original locations as when they were installed in 1944, they were removed prior to 1989. We are reinstalling them for safety and historical accuracy. It is unknown this area will be accessible for specialty tours in the future.
The steel repairs to the Aft Fire Control Tower, cranes, and smoke stack are winding down as well. The only work remaining on those structures is welding the brackets on the smoke stack for the siren and reinstalling the piping for it and a finalizing a few repairs to the starboard crane. No we are not making the operable at this time.
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Tenting for in preparation for blasting and painting the main mast.
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Stabilization work in the starboard crane continues.
And the wood deck is beginning to be dry fit into place. Starting with the complicated margin pieces that surround structures that protrude through the deck and make up the edge of the deck.
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New margin boards being dry fit on the deck. Every board is dry fit before it goes through final processing and installation.
The red chalk lines show where the new planking will
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With the wood deck pulled up, we have been repairing all the holes, thin spots, and water leaks in the steel that we can find. The grey strip is a piece of new steel that was recently installed, repairing a bad area.
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The contrast between Navy Blue (the chock at left) and Deck Blue (the water at right). Everything horizontal on the exterior of the ship will be Deck Blue -including the top of this chock."
Posted on the Battleship Texas Foundation Facebook page: link
#Battleship TEXAS#Battleship Texas Foundation#Update#USS TEXAS (BB-35)#USS TEXAS#New York Class#Dreadnought#Battleship#Warship#Ship#Museum Ship#Galveston#Texas#Gulf Copper#Restoration#Repairs#June#2024#my post
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Jumping spider inspired powers
- ę°á´Ę ęąá´ÉŞďż˝ďż˝á´Ę-á´ á´Ęęąá´ ęąĘÉŞę°á´á´Ęęą
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Jumping spiders are small, agile hunters known for their incredible leaping ability and sharp vision. Unlike other spiders, they don't rely on webs to catch prey. Instead, they actively stalk and pounce on insects, using their powerful legs to jump up to 50 times their body length. Their large, forward-facing eyes give them excellent vision, helping them spot prey and navigate their surroundings.
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Web generation - The power to create webs out of various kinds of substances/forces.
Silk constructs -> Safety lines - Jumping spiders anchor themselves with silk lines when leaping, ensuring they can climb back to safety.
Total mimicry - User can mimic and replicate absolutely anything and everything that others can do.
Flawless coordination - The power to flawlessly perform any physical act without difficulty.
Hunting mastery - The power to possess extraordinary mastery, talent and instinct in/for hunting all things.
Wallcrawling - The power to fasten onto and climb vertical and horizontal surfaces without falling.
Spider sense - The user can sense nearing danger, acute danger, potential immediate danger, or impending danger and sense unwanted or hectic threats to their well-being and the possibility to evade it.
Enchanted eyesight - The power to possess a sense of sight beyond that of the peak members of their species.
Enchanted jumping - The user can jump farther than an average person. They can leap 50 times their body length.
Enchanted durability - Users possess physical durability far exceeding that of peak members of their species.
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Traits inspired by the jumping spider
Short height
Earthy tones for suit/hair/eyes
Energy efficiency (they don't have to eat a lot)
Color and UV sensitivity
Curious
Good at problem-solving, route planning and multitasking
Knowing sign language (idk)
Spider powers masterlist | Masterlist
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#shiftblr#reality shifting#desired reality#shifting community#reality shift#shifting#shifting realities#luna's spiders#luna's power lists
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Skunk Worksâ Latest Stealthy Tanker Concept Revealed
The USAF is firming up requirements for a stealthy tanker to fit with its Next Generation Air Dominance ecosystem, which could change dramatically due to cost.
Joseph Trevithick Posted on Nov 6, 2024 7:35 PM EST
Lockheed Martin's Skunk Works advanced projects division has put forward a new vision for a stealthy pilot-optional aerial refueling tanker.
Lockheed Martin Skunk Works
Lockheed Martinâs Skunk Works advanced projects division has put forward a new notional vision for a stealthy pilot-optional aerial refueling tanker. This comes as the U.S. Air Force is refining requirements for a future Next Generation Air-Refueling System (NGAS) âsystem of systemsâ and amid serious concerns about how the service expects to pay for that and other modernization priorities.
Skunk Works provided a rendering of its latest tanker concept refueling a pair of F-35A Joint Strike Fighters, seen at the top of this story and below, to The War Zone. A different view of this same conceptual design was first shown publicly at the Airlift/Tanker Associationâs (ATA) recently concluded annual symposium, as reported by Aviation Week.
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Lockheed Martin Skunk Works
The rendering shows an aircraft with swept main wings and horizontal stabilizers with canted outboard vertical stabilizers. The tanker also has stealthy (low-observable) features, including a chine line that wraps around the forward fuselage and continues on either side behind the wing roots and saw-tooth panel lines at various points. Low observable shaping on its wingtip pods is also evident. Where the aircraftâs engine intakes might be situated is not entirely clear, but there is a single large shrouded âplatypus-likeâ exhaust with serrated edges at the upper rear of the fuselage.
The tanker is shown with a pair of refueling booms extending from pod-like sponsons toward the end of each main wing. The boom refueling method is the U.S. Air Forceâs preferred means of getting gas into other aircraft in flight. It is possible that the booms on Skunk Worksâ new design concept could also be configured to provide fuel via the probe-and-drogue method, which the U.S. Navy and Marine Corps prefer. Probe-and-drogue is also used to refuel Air Force CV-22 tiltrotors, as well as helicopters across the U.S. military. This system is often installed internally on the centerline rear of large tankers, such as the Air Forceâs KC-46 and now-retired KC-10, as well as the Airbus A330 Multi-Role Tanker Transport (MRTT).
Whether or not the booms might be expected to collapse and/or retract when not in use is unclear. Though such a system could offer aerodynamic and radar signature-reducing benefits, it could also limit the strength of the boom. That, in turn, could present potential operational limitations and safety concerns. The booms on traditional tankers have been known to break under the wrong circumstances as happened just earlier this year in a mishap involving an Air Force KC-46 and an F-15E Strike Eagle combat jet, which you can read more about here. The KC-46, specifically, has been beset by various technical and other issues over the years, including a still unsolved âstiff boomâ problem that prevents it from being used operationally to refuel A-10 Warthog ground attack aircraft at all.
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A KC-46 refuels an A-10 Warthog ground attack aircraft during a test. USAF
Aviation Week had reported that Skunk Worksâ notional design is pilot optional, with no clear provision for a crewed cockpit seen in the renderings available. It is possible that a cockpit could be fitted, as required, in place of a faired-over section on top of the forward fuselage. Another variation of the rendering might also exist showing a cockpit.
A pilot-optional design versus a completely uncrewed version does offer certain benefits. The War Zone previously explored this in detail after the emergence of the stealthy Model 437 Vanguard technology demonstrator jet from Northrop Grumman subsidiary scaled composites earlier this year, writing:
âUnmanned aircraft are still quite restricted as to where and how they can operate. A pilot totally changes this massive bottleneck and means the aircraft can be flown wherever it needs to go, to participate in any developmental flights or training exercises, no matter how complex. It can do this unburdened by typical drone airspace restrictions and the need for chase aircraft that can be required in certain situations. Just ferrying to a different location while manned, so it can access airspace where it can fly as if it were an unmanned aircraft, is a giant advantage.â
âFor many tests, having a human onboard can accelerate the speed at which they can be accomplished. At its most basic, initial primary flight testing of the airframe will go far faster with a pilot at the controls. Overall, more risks can be taken when executing autonomous activities with a pilot there to take over and act as a safety backstop if needed.â
Skunk Works has publicly shown a number of other notional advanced crewed tankers in the past, including a boom-equipped one with an almost fighter-esque appearance just earlier this year, the features of which we previously explored in detail. Lockheed Martin has presented variations on a blended-wing-body design concept configured for boom and probe-and-drogue refueling, as well.
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A rendering of a stealthy crewed tanker concept that Skunk Works distributed earlier this year. Lockheed Martin Skunk Works
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A model of a blend wing body aircraft concept that Lockheed Martin displayed in the late 2010s and said could be adaptable to meet future tanker requirements. Joseph Trevithick A model of a blend wing body aircraft concept that Lockheed martin displayed in the late 2010s and said could be adaptable to meet the requirements of what was then known as KC-Z. Joseph Trevithick
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Lockheed Martin art from the late 2010s depicting stealthy blended wing body tankers fueling aircraft using the boom and probe-and-drogue methods. Lockheed Martin
âOur team continues to explore a variety of configurations that deliver mission effectiveness through a connected, affordable, survivable and autonomous next generation tanker capability,â a Skunk Works spokesperson told The War Zone when asked for more details about the newest notional design. âWe look forward to providing the U.S. Air Force with the range and endurance needed to fulfill the future of NGAS as it continues to define requirements.â
As already noted, the Air Force currently describes NGAS as a proposed family of systems, which could include a crew or uncrewed stealthy tanker, or a pilot-optional design, or some combination thereof. Boeing has also been pitching a land-based derivative of the MQ-25 Stingray tanker drone that it is developing for the U.S. Navy as a possible option for NGAS.
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The complete NGAS âsystem of systemâ is also expected to include existing non-stealthy tankers like the KC-46 and the KC-135 with various self-defense and other upgrades. The Air Force has also been actively exploring âbuddy storeâ podded aerial refueling systems that can work with aircraft configured to use the boom, which would also allow other aircraft, including tactical jets, to contribute to this refueling ecosystem.
Uncrewed tankers could be paired with crewed ones in a hub-and-spoke arrangement, with the drones helping ferry fuel to areas closer to the tactical edge while reducing risks to human aircrews. It is worth noting here that Skunk Worksâ new rendering shows a notional design that can be refueled in flight itself.
Other tactics, techniques, and procedures could also help reduce the vulnerability of key aerial refueling assets, including linking up with receivers at lower altitudes below an enemyâs radar horizon. This is something the Air Forceâs special operations community already has experienced doing, including with a pocket fleet of specialized KC-135RT âreceiver-tankersâ that can refuel and be refueled in mid-air, which you can read more about here.
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A mid-air refueling capable KC-135RT about to link up with a regular KC-135 tanker. USAF
The War Zone has been highlighting the increasingly critical need for stealthy or otherwise more survivable tankers for years now. Expanding and evolving air defense threats, especially in the context of potential high-fight with China have only underscored this reality and are key drivers behind the Air Forceâs current NGAS planning.
âEssentially the threat, China again, has reached out with new counter-air systems that could threaten our aircraft, especially tankers, at longer ranges, beyond the ranges which we normally would refuel fighter planes,â Secretary of the Air Force Frank Kendall said in a keynote address at the same ATA symposium where Skunk Works first rolled out its new tanker rendering. âThis put our whole tanker acquisition strategy in question. It is still in question, but we are working to resolve the uncertainty as quickly as possible.â
Critical factors in this ongoing debate are range considerations, which are particularly pronounced in the Pacific region, together with the typically short combat radii of Americaâs current tactical combat jet fleets. This, in turn, puts existing tankers dangerously close to, if not inside anti-access/area denial bubbles near-peer competitors like China have already established and continue to expand.
Stealthy tankers that are not meant to penetrate deep into high-threat airspace, but to persist and operate on the edges of those zones, allowing existing tactical airpower and newer platforms to make it to their targets, could be part of changing that equation. Air Force plans for a new sixth-generation crewed stealth combat jet and Collaborative Combat Aircraft (CCA) drones as part of the Next Generation Air Dominance (NGAD) initiative have been set to have significant impacts in all this, with discussions about their expected ranges (and other capabilities) also tied in with how NGAS evolves. Procurement of a stealth tanker could help trade range and thus the complexity and cost of these new tactical platforms, while also keeping existing ones more relevant. The NGAD combat jet program is currently undergoing a deep review and the outcome of that reassessment will also have direct ramifications for the NGAS and CCA efforts.
In addition, âunfortunately, any new [tanker] design cannot be fielded for several years at best, even if affordable,â Kendall warned while speaking at the ATA gathering, highlighting potential lower cost-near term alternatives, such as upgrading existing tankers.
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An artistâs depiction of a blended wing body concept aircraft employed in the tanker role. This art was produced in relation to a program called Speed Agile in the late 2000s-early 2010s. Public Domain An artistâs depiction of a Speed Agile concept aircraft employed in the tanker role. Public Domain
The Air Forceâs top civilian also added new and even more dire remarks to a growing chorus of concerns about the affordability of a host of next-generation modernization efforts beyond NGAS that the service has previously described as essential for fighting and winning future high-end conflicts.
âThe variable that concerns me most as we go through this analysis and produce a range of alternatives is going to be [the availability of adequate resources.] ⌠to pursue any combination of those new designs,â Kendall said, referring to the NGAD combat jet and CCA drones, as well as NGAS.
You can read more about this brewing budgetary crisis here.
The Air Force is hoping to have firmer understanding of its NGAS requirements before the year is out. At that point, it may be clearer whether or not something like Skunk Worksâ newest design concept is what the service is looking for to meet its future aerial refueling needs, if it can afford them.
Contact the author: [email protected]
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On December 1st 1787, the first modern lighthouse in Scotland was lit at Fraserburgh.
Made by Thomas Smith and Robert Stevenson at Kinnaird Head, the lighthouse was built on top of a 16th-century castle, and is now Scotlandâs Lighthouse Museum.Kinnaird Head near Fraserburgh, built on an 16th Century castle, was the first lighthouse to be put into operation by the Commissioners of Northern Lights, and sustained the most powerful lamps of their time.
The lamps were 17 whale oil filled burners and were said to be visible from 14 miles away.The lighthouse was constructed by Thomas Smith and his son in law Robert Stevenson, grandfather of author Robert Louis Stevenson, with a lantern set at a 120 feet above the sea on a corner of Kinnaird Head Castle. Each oil-burning lamp was backed by a parabolic reflector and arranged in three horizontal lines to produce a powerful beam for seamen working some of the toughest waters in Europe.
Previously, coal fires had generally been used to guide sailors to safety. Mr James Park, a shipâs master, was appointed âKeeper of the lightâ at 1/- per night, The appointment was made on condition he had another person with him at the lighthouse every night, who he was to instruct in cleaning the lanterns and lighting the lamps. Whale oil was brought to Kinnaird Head by Smith, a tin smith of Broughty Ferry, which was a major whaling port of the day.
In 1824, a new lighthouse tower was built within the original castle tower with Robert Stevenson building a new lantern and reflector array.
In 1929, another first was recorded for Kinnaird Head when it took possession of a radio beacon. During WWI, enemy bombers struck the lighthouse only once despite repeated, heavy bombardments on the surrounding area due to Fraserburghâs ammunition works. Records show that on 19 February 1941, two bombs from an aircraft exploded 50 yards from the Lighthouse Buildings. Damage included 41 panes of broken glass.
The Wine Tower at the lighthouse is the only surviving remnant of the old castle, and in fact is the oldest building in all Fraserburgh. Legend tells us that Isobel the daughter of Alexander Fraser, 8th laird of Philorth had fallen in love with a servant piper, and that the laird was not happy about this. So to separate the two the laird had the piper tied-up in the cave under the Wine Tower known as Selches Hole (Seals Hole). The laird then locked-up his daughter in the uppermost floor of the tower and retired to Kinnaird Castle.
Unfortunately for the servant there was an abnormally high tide due to a storm, and the poor man drowned. When Isobel the lairdâs daughter was informed of her loverâs fate, she was distraught and committed suicide by jumping from the top of the tower onto the rocks below. The rock that she fell on is still painted red to this day. It is said that Isobel is seen prior to bad weather, and when the weather is bad it is said that you can hear the skirl of the pipes being played by the ghost of the piper for his lost love
The first pic is from 1850 and shows the Lighthouse and Wine Tower are still there,, but the third tower - the Doocot - was demolished soon after the scene was captured.
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