#historical stories

[mfelewzi]

An interesting story about the real character invented by Robert E. Howard, Sonia la Rossa di Rogatino or Red Sonya of Rogatino, a venetian noblewoman who fought the ottomans in a historical novel. That was fused with other characters invented by Howard as Valeria and Bêlit by American comic artists for reasons that I don't know.

If somebody is interested: The Shadow of the Vulture! Search in the link written in the screenshot.

[pers-books]

🚨 SALE 🚨

The Doctor is a legend woven throughout history… and it's amazing how many people they've met! Grab up to 50% OFF selected releases featuring famous historical figures NOW

(Offer ends 23:59 (UK time) on 25th February 2024)

[timetravelingcourtney]

how are AG books good for growing boys? I just wondered, as a mom myself I think my boys would get bored. what interested them? Also are there any good boy character books out there you recommend?

Thanks for asking! My son read all the historical AG books simply because he loves history. It didn’t matter to him that the main characters are girls. It gave him a common language with his sisters that they all still use. They will ask, “oh, was that Felicity’s time or Josefina’s time?” However, it was the World books (Molly’s World, Addy’s World, etc) that he liked best. That said, my male students all loved “Hatchet”. I highly recommend. For younger boys, “Farmer Boy” is beloved. My kids still wax on and on about the breakfasts in that book.

[lackadaisycal-art]

I'm getting so sick of major female characters in historical media being incredibly feisty, outspoken and public defenders of women's rights with little to no realistic repercussions. Yes it feels like pandering, yes it's unrealistic and takes me out of the story, yes the dialogue almost always rings false - but beyond all that I think it does such a disservice to the women who lived during those periods. I'm not embarrassed of the women in history who didn't use every chance they had to Stick It To The Man. I'm not ashamed of women who were resigned to or enjoyed their lot in life. They weren't letting the side down by not having and representing modern gender ideals. It says a lot about how you view average ordinary women if the idea of one of your main characters behaving like one makes them seem lame and uninteresting to you.

[mplanetleaf]

అపూర్వనిధి - ఆనందజ్యోతి Episode 48 | Anandajyoti Folklore Novel | SMBAB

[marzipanandminutiae]

doing folklore studies on spooky shit is a bit contradictory to my background

I'm like "well this popular haunting story can't be true because if you cross-reference birth and death records from the BlahBlah County Archives with their digitized property records, no little girls died of a FireMurderDrowningPlague in the house between 1880 and 1920"

or "there's no evidence of this supposedly ~traditional~ belief about times for ghost sightings to happen until the 1960s, and that was in published fiction"

or "come on now, that device is just a motion detector and you've got it set up in an abandoned building crammed with hard-to-see flying insects, at midnight, with minimal lights on"

and you might think I'm a skeptic! I get that! makes sense given how I talk about these things!

but joke's on you I'm actually just the most obnoxiously research-oriented hardcore believer there ever was

[sharingstories]

Exploring the Past: How Historical Stories Bring History to Life

History is not just a collection of facts and dates; it's a tapestry woven with stories of human triumphs, struggles, and evolution. Historical stories serve as a bridge connecting us to our past, allowing us to explore different eras, cultures, and experiences. In this blog, we will delve into the significance of historical stories and their transformative impact on our understanding of history, whether we are the storytellers or we read the story. We'll also delve into why stories are important pieces of contemporary history

Craftsmanship Through Time

Storytelling Time Machine: Writing historical stories is like building a time machine with words. It enables you to step into the shoes of people from the past, to see, feel, and understand the world as they did. Through research and imagination, you can breathe life into historical events and figures.

Preserving the Past: When we write stories, we're not just crafting narratives; we're preserving moments from the past. These stories become a part of our contemporary history, helping future generations understand where we came from and the lessons we've learned along the way.

A Window to Yesteryear

Time-Traveling Through Pages: Reading a story  about history is a form of time travel. It allows us to journey back in time, to immerse ourselves in different periods and cultures, and to experience history through the eyes of the characters.

Empathy and Connection: Historical stories build bridges of empathy between the past and the present. They enable us to connect with the hopes, fears, and dreams of people who lived in eras different from our own, fostering a deeper understanding of our shared human experiences.

Sharing Historical Narratives: A Contribution to Present-Day History

Passing the Torch: When we share historical stories, we pass a torch from one generation to the next. We ensure that the narratives, wisdom, and struggles of our ancestors are not forgotten but cherished as part of our contemporary history.

Shaping Perspectives: Historical stories shape our perspectives and influence how we perceive the world. They teach us about the consequences of our actions, the importance of resilience, and the enduring human spirit.

Conclusion: Stories as Timeless Legacies

hisyIn the grand mosaic of history, stories are the colourful threads that weave through time, connecting the past to the present and the present to the future. They are not mere tales; they are vital pieces of contemporary history. Whether we write them, read them, or share them, historical stories breathe life into the past, fostering empathy, understanding, and a profound connection to our shared human journey. So, let us continue to explore the past through the magic of historical stories, for in doing so, we honour our heritage and enrich our collective narrative.

[moonymoon90]

In the meantime I discovered that yesterday, in Rome, this happened

[inspectorspacetimerevisited]

While the historical stories are entertaining and often lighter than most on the programme,

wouldn’t it be nice to have something a bit darker and edgier as well as solid science fiction, like during the Classic Series?

[my-darling-boy]

A couple of vintage inspired Christmas cards for our degree exhibition shop!

[bewitched-if]

"A love not so genuine, a love so forced it was made to feel real."

[ DEMO ] ✧ [ RO INTROS ] ✧ [ WORLD LORE ] ✧ [ CWS/TWS ]

Overlooked your whole life, you never had any friends to turn to—except the neighbor's kid, who you could not even call your friend. Even your parents cared about others more than they cared about you. They made it clear that you were the bane of their existence, that they're ashamed to call you their child.

Sometimes, Jules tries to comfort you. They didn't know that they were the reason you were always lonely. Overlooked. Jules embodied perfection, kindness, intelligence—everything you were not. You wanted to be them. You wanted to be loved. Wanted to feel how it's like being the person everyone either wanted to be or to be with.

And now, you find yourself somewhere completely foreign. In a world filled with empires, kingdoms and dukedoms, you were suddenly the beloved heir and child of a highly respected House and Heart Lady's child. You were the so-called saint of the empire, loved and adored by all.

Everything felt surreal, forced. Everyone worshiped you, loved you, no matter what you did, no matter how you acted; they all just turn a blind eye.

You were right.

Stumbling upon an old mage's book, there you face a truth: the body you now inhabit cast a curse—bewitched—everyone—surprisingly affecting everyone but a certain group of people into loving you forever.

What will you do with this discovery? Will you continue to live through this artificial affection? Or will you fight to break the curse, risking everything to free yourself and those around you from this unnatural bond?

In a world where everyone loves you, will you ever find what true love really means?

Play as male, female, non-binary.

Customize your character, your original body and the child of Heart Lady.

Romance any of the six romanceable options; but earn their trust first.

Find a way to break the curse.

Or maybe even meet the original soul of this body?

Buy interactive drabbles in-game using hair pins. [in the works, more info coming soon.]

✧ These are your victims companions throughout the game. Will you befriend them or will you go for something more?

Juniper de Verburgh: Crowned Heir of Kleian Empire - Embodiment of: Jules : [NB] [RO]

Juniper is the Emperor's child and Kleian Empire's future ruler. They are often considered as angelic, intelligent, and attractive. Everyone either wants to be them, or be with them. Their hair is long, straight and red while their eyes are dark blue with porcelain skin. They remind you of your neighbor's kid, untouchable and perfect. Their personalities are similar too; charming, playful and excessively flirtatious towards you. You would think being engaged to someone will stop them from being touchy with Heart Lady's child, let me tell you something: No it won't. Perhaps, it is because they're affected by the spell? Or are they?

Celeste Roselli: Matriarch of Roselli Manor - Embodiment of Beatrice : [F] [RO]

Celeste took on the role of Matriarch of Roselli Manor after her father’s passing. Since then, she’s grown distant, serious, and almost impossible to approach. Her life revolves around work, her sister, and her responsibilities, leaving no room for rest or relaxation. The vibrant person she once was has faded, replaced by someone barely recognizable to those who knew her before the tragedy. She has long white hair that is ridiculously curly. Her skin is a deep shade of chestnut, while her eyes is glowing red. She reminds you of Beatrice, who was a girl who used to watch you get isolated and overlooked. She made no effort to befriend you, instead watched you get pushed around and left out. She was distant, cold, and shy. Celeste needed someone who she could call her home, her rest. Maybe that could truly be you?

Calliope Roselli: Celeste's Sister - Embodiment of Ophelia: [F] [RO]

Calliope is nothing like her sister. She is stubborn, fierce, and foul-mouthed. She often gets into scandals due to her recklessness and short-tempered nature. It's easy to get on her bad side, and when you do, you're in for hell. She shares her father's short, slightly curly hair and blue eyes, while her skin and hair color mirrors her mother and sister's. She reminds you of Ophelia, who was your ex-best friend and the only friend who betrayed you. Ophelia used to protect you from people, and you're not sure if you're fond of their similarities. Will you tame their fire, or will you get burned?

Rhys Stevyn Nicolei: Duke of Vasina - Embodiment of Feliks: [M] [RO]

If Rhys could pick one person who he hates the most in the whole galaxy; it would be you. You don't know the reason for his hatred, but the original soul must've done something to offend him, and it doesn't help that Rhys is suspicious of you because everyone seemed to love you. Rhys kind of acts like Juniper in a way, flirtatious, known for his hook ups and carefree attitude. Rhys has a neck-length, long braided black hair. His eyes is a deep shade of violet with olive skin. He reminds you of Feliks, who was your older sister's best friend and your rival. You and Feliks always tried to one-up each other, and to be honest, Feliks found solace when he found out you were a sore loser, a loner. It only made him joyful. How far will you go to make sure Rhys does not find out about the spell?

Kieran: Commander of Kleian Knights - Embodiment of Wren: [M] [RO]

As the Commander of Kleian Knights and your bodyguard, Kieran takes his job very seriously. You thought along with the four, that he would be the same and be immune to the spell, but what the hell is this arrangement? The original soul and he have a friends-with-benefits type relationship? Kieran has heterochromia eyes: left eye; gray, right eye; red. His caramel skin is always dirty due to spars, his hair is brown and tied up. Kieran reminds you of Wren, who acted like your protector and close confidant, he always looked at you with longing stares as if he wanted to kiss you. One thing led to another, and you found yourself falling in love and you thought he did too. But joke's on you, he didn't love you. He made a bet with your sister that if he could get you to fall in love with him, your sister would date him. All of it was fake. How are you supposed to know if Kieran is affected by the spell or not?

By falling in love it could either mean: 1) MC fell in love with the idea of being loved, 2) MC had actually fallen in love with Wren.

Zara/Zeke Montclair: The Magician - Embodiment of Zoya/Zivon: [F/M] [ RO ]

Z is known to be quite... an outstanding magician. Often caught causing trouble in many ways, like accidentally setting their own tower on fire, losing valuable items given by the emperor, making kids cry, getting people sick due to their magic... Zara has short lavender hair, while Zeke has a long one. Their skin tan brown, while their eyes are black. Z reminds you of Zoya/Zivon, Your childhood friend who returned to Russia. Zoya/Zivon would always make you laugh when you were sad, always bring you food when you were hungry and starved, would always share their toys with you, would always play with you. Even though they had other friends to be with, they always chose you. But now that they're gone, you probably won't ever experience that happiness ever again. Once the only source of your happiness, now gone.

Kara (rename-able) [IRL] - Your older sister: [F]

Your sister... she's not really the easiest to get along with. Being seen as perfect in your parents' eyes, she got away with everything. Like getting into physical fights with you, humiliating you in public, messing with your stuff, et cetera, et cetera. She makes it clear that she hates your guts, and that she is overjoyed to see you suffer. How would she react when she sees you gone?

Mother [IRL] - Your mother: [F]

Your mother doesn't care about you. Not one bit. She is often away for her business trips, leaving you and Kara alone, but when she does come back, she doesn't even bat you an eye and focuses on Kara instead. She turns a blind eye whenever Kara picks on you, in front of her, unbothered. She probably doesn't even care that you're gone.

Father [IRL] - Your (step-)father: [M]

Your father... you don't have much say on him, honestly. The only time he ever talks to you was when he needs an errand child, or when he joins in on your mother yelling at you for whatever reason. There was one time where your mother asked you to buy things for your sister because she was too lazy, where you walked in on your father making out with some random woman at the back of a 7-11. He threatened to throw away the stuffed bear your biological father gave you if you ever snitched on him. He's probably overjoyed to see you gone.

??? - An otherworldly being: [?]

The voices in your head that make you go crazy, mental, second-guess, commit a crime.

reblogs appreciated <3 | demo: writing prologue; please be patient!

[sansculottides]

pisses me off to no end when people on reddit or whatever complain that the show wouldve been better off without the tuunbaq.....did we watch the same show? the tuunbaq is everything, it held everything together. the tuunbaq is the main transformative element of the terror. the tuunbaq elevates the text beyond mere historical fact and lets it say something about the expedition's broader context of imperialism. it hunted the british men who were trampling on its home as a mere stopover, a side casualty, to finding the northwest passage (for, you know, "trade with china" after britain beat china into submission after the imperialist opium war). silna couldnt complete a proper ritual with it because of the british men - just as british colonizers have historically intruded and disrupted the practice of indigenous culture. and in the end the tuunbaq dies, after all the injuries it's taken from the british over the course of 10 episodes and finally chokes to death on the worst of them. because there's no escaping the reality of colonial history, and there is especially no fantastical escape for the colonizer. there's no proper way for us to move forward otherwise.

good historical fiction doesnt have to limit itself to accuracy - it needs empathy to draw out meanings in history using literary craft. thats what the tuunbaq means to me.... if you wanted a straight depiction of historical record, just go watch a documentary.. TUUNBAQ DENIERS DNI

[chechula]

Sketch for this was in my diary for 6 years. That boy was just so sure that America was a fantasy land so for a moment I also believed him ♥

[chronotopes]

I love you public history people I love you museum people I love you archivists and I LOVE YOU architectural historians!!!

[mplanetleaf]

జలప్రళయం - ఆనందజ్యోతి Episode 47 | Anandajyoti Folklore Novel | SMBAB

[arrimorr]

My ocs, Sir and Ser, aka the eldritch malevolent policemen 😔