#historical living

[elizaakatee]

Pockerley Old Hall @ Beamish Living Museum

[frankencanon]

[nkogneatho]

This is a PSA for all the writers who exclusively write only fluff and angst:

we love you. we still read your fics. no we don't care if it doesn't have smut in it. it is still valid and it is beautiful. thank you for existing. have a good day.

[thenordroom]

Historic home in London / more pictures at the source

[marzipanandminutiae]

why are skirts inherently evil and oppressive in historical fiction until men are wearing them

I've never heard anyone going on at length about how Universally ImpracticalTM the garb of a Scotsman or an ancient Roman politician are

suddenly everyone has a concept of situational practicality that previously was not there

[bebs-art-gallery]

The Lamb of God (1432)

— by Hubert and Jan van Eyck

[leahaart]

Soon after his escape, Edwin starts to learn about the things he’s missed.

[ashleyeveerson]

Haven't been able to think about anything other than the victorian/edwardian/WW1 twink and his 80's punk almost-boyfriend for a week, send help

[tvmusiclife]

Tr*mp shot? Biden covid? Largest IT outage in history (so far) thanks to Crowdstrike?

[little-pondhead]

Your Ancient History, Written In Wax

-

Danny knew he should have put better security around the Sarcophagus of Eternal Sleep. It wasn’t even Vlad who opened it this time! The fruitloop was too busy doing his actual mayor duties because for some godforsaken reason, the man got re-elected.

No, it wasn’t Vlad. And it wasn’t Fright Knight, either. Nor the Observants. Who opened the Sarcophagus, then? Danny didn’t have time to find out as Pariah Dark promptly tore open a hole in reality and started hunting Danny down.

The battle was longer this time. He didn’t have the Ecto-Skeleton, as that was the first thing Pariah had destroyed. The halfa had grown a lot over the past few years, and learned some new tricks, but apparently sleeping in a magic ghost box meant that Pariah had absorbed a lot of power. The bigger ghost acted like a one-man army!

Amity Park was caught in the middle of the battle, but the residents made sure it went no further than that. Vlad and the Fentons made a barrier around the town to keep the destruction from leaking. Sam, Tucker, and Dani did crowd control while Danny faced the king head-on.

Their battle shook the Zone and pulled them wildly between the mortal plane and the afterlife. Sometimes, residents noticed a blow from Pariah transported them to the age of the dinosaurs, and Phantom’s Wail brought them to an unknown future. Then they were in a desert. Then a blazing forest. Then underwater. It went on like that, but no one dared step foot outside of Amity. They couldn’t risk being left behind.

It took ages to beat him, but eventually, Danny stood above the old ghost king, encasing his symbols of power in ice so they couldn’t be used again. He refused to claim the title for himself. Tired as he was, Danny handed the objects off to Clockwork for safe keeping and started repairing the damage Pariah had done to the town. The tear he’d made was too big to fix, for now, so no one bothered. They just welcomed their new ghostly neighbors with open arms and worked together to restore Amity Park.

Finally, the day came to bring down the barrier. People were gathered around the giant device the Fentons had built to sustain it. Danny had brought Clockwork to Amity, to double check that they had returned to the right time and dimension.

Clockwork assured everyone that they were in the right spot, and only a small amount of time had passed, so the Fentons gave the signal to drop the shield.

Very quickly did they discover that something was wrong. The air smelled different. The noise of the nearby city, Elmerton, was louder and more chaotic. Something was there that wasn’t before, and it put everyone on edge.

Clockwork smiled, made a remark about the town fitting in better than before, and disappearing before Danny could catch him.

Frantic, Danny had a few of his ghost buds stay behind to protect the town while he investigated.

He flew far and wide, steadily growing horrified at the changes the world had undergone. Heroes, villains, rampant crime and alien invasions. The Earth was unrecognizable. There were people moving around the stars like it was second nature and others raising dead gods like the apocalypse was coming. Magic and ectoplasm was everywhere, rather than following the ley lines like they were supposed to.

Danny returned to Amity.

The fight with Pariah had taken them through space and time. Somewhere along the way, they had changed the course of history so badly that this now felt like an alien world.

How was he supposed to fix this?

-

In the Watchtower, The Flash was wrapping up monitor duty while Impulse buzzed around him, a little more jittery than usual. The boy was talking a mile a minute, when alarms started blaring an alarming green. Flash had never seen this alarm before, and its crackling whine was grating on his ears.

Flash returned to the monitor, frantically clicking around to find the issue, but nothing was popping up. No major disasters, no invasions, no declarations of war. Nothing! What was causing the alarm?

Impulse swore and zipped to a window, pressing his face against it and staring down at Earth. “Fuck! It’s today isn’t it? I forgot!”

“What’s today?” Flash asked. He shot off a text to Batman, asking if it was an error. The big Bat said it wasn’t, and that he would be there soon.

“The arrival of Amity Park. I learned about this in school; the alarm always gives me headaches.”

Flash turned to his grandson, getting his attention. “Bart,” he stressed. “What are you talking about?”

Impulse barely glanced over his shoulder. Now that Flash was facing him, he could see a strong glow coming from Earth. “The first villain, first anti-villain, and the first hero,” he said anxiously. “They all protect the town of the original metas. They’re all here.”

“Here? Now??”

“Yeah? They weren’t before, but they are now. The first hero said there was time stuff involved, which was what inspired me to start practicing time travel in the first place.”

“I’m not following.”

“It’s okay. We should probably go welcome them before they tear apart Illinois, though. The history I remember says that some of them freaked and destroyed a chunk of the Midwest during a fight with each other.”

“WHAT?”

[bixels]

What's K.O. CRISIS?

Hey all. Over the past couple months, I've gotten a lot of followers who probably don't know about my OCs and portfolio projects that I'm also working on, so I'm making a quick master-post for it!

K.O. CRISIS is a series of artwork––character designs, illustrations, sketches, and animations––inspired by late-90s/early-2000s anime and Y2K culture.

Set in an alternate-history Los Angeles in the year 2001, the story follows disabled Taiwanese-American Ashley Tang as she fights her way to the top of the bracket in the national augmented boxing championship.

As the youngest female fighter in the championship, she'll have to fight tooth-and-nail to defend her place amongst the heavy-weights. While her rare dual arm prosthetics help even the playing fields, it'll take more than brute strength to prove her worth.

But this isn't a story about an underdog triumphing against all odds. Throughout the story, Ashley will push herself to the limit for the sake of validating her existence under the grinding heel of the sports media machine, in a world that values disabled bodies more than their lives. As the championship rages on, one question seems to linger through the roar: Is Ash strong enough to win, or is she brave enough to quit?

Through the project, I'm hoping to explore representations of prosthetic-users in pop culture as "enhanced superheroes," as well as discussions of trans-humanism under medical capitalism, the fetishization of new technology, and the commodification of disabled people as entertainment.

Accompanying her journey include characters like Noora Balakrishnan, a local transfem prosthetics engineer who doubles as Ashley's ringside mechanical cutwoman.

The project is still in its early stages, especially since I sorta rebooted it earlier this year (meaning I'm no longer using past, outdated art for the project). If you enjoy it, you can find more artwork for the project under the #ko crisis tag!

[alwaysbewoke]

this is chief among the reasons why i have no respect for black republicans.

[chubsette]

Regency AU for Natasha and Aiden, I may or may not be working on a bigger comic featuring them

[temtamtom]

I’ve got 18th century France on the brain again, here he is as a cuirassier ❤️

[ego-meliorem-esse]

July 13th, 1917

Be it from a sense of paternal concern or simply patriotic duty, Arthur made sure to leave his soldiers in the charge of an older Corporal and made his way to the quite pathetic excuse of a medical section where his son was left to rot.

Arthur had heard about the attack. He had been informed the day prior.

He had seen war and famine and sickness, but never like this. Arthur wasn't young, in any sense, and what wonders and strong political oppinions young men had, had left him a long time ago like a ship leaving the harbour in a hury to claim new land. This though, had left shock echoing within his tired, millenia old frame. He wasn't used to this.

Arthur made his way through the trenches with soldiers from every corner of the globe instantly stopping whatever they were doing prior and saluting him as if etiquette and rank mattered in hell. As if it was more importaint to greet the Higher ups than to survive long enough to even write a letter back to family. Arthur did understand that though. Routine and rules were the only thing keeping these poor and wretched souls from being consumed by thoughts of an imminent death.

The path to the section where Matthew was held was quite straightforward and quite familiar. He had marched to and from it hundreds of times and had a sort of automatic rithm in his step. Arthur made his way to the small and damp room with a fast pace indicative of familiarity, only to stop in his tracks in the shabbily built doorframe at the sight that awaited him in the corner.

Matthew sat in the corner of the sad makeshift medical section of the trenches, his back firm against the cold, damp wall.

His once-piercing blue-grey eyes were now clouded over with milky white cataracts, rendering him completely blind. The newly used gas had stolen his sight. His skin, once tanned and healthy, now bore the sickly pallor of a much older man who had endured unimaginable suffering.

Matthew's uniform, discarded in favour of his worn down undershirt, was now a tattered and stained relic of his time in the trenches. The not-white-anymore shirt clung to his emaciated frame as if decency still mattered in hell. The physical toll of the war was clear on his body. Not that Matthew would have to worry about seeing that any time soon. His hands, which had once held a rifle with resolve, now trembled even while resting on his thighs.

Despite his physical and emotional anguish, Matthew remained seated upright, his back pressed against the unforgiving, stained wall. A testament to his resilience if there was any left, a silent protest against the horrors that had taken his sight and left him broken in body and spirit.

As he sat there, his spirit reduced to a hollow shell, Matthew's face bore a mixed expression of utter defeat and complete indifference. His lips were drawn into a thin, lifeless line, and his cheeks were gaunt from the weight of his suffering. His blank, unseeing eyes stared into the abyss, as if waiting for answers and also hoping they'd never arrive.

In that moment, Matthew was not a representation of Canada; he was a young man who had been scarred and broken by the senseless brutality of war. The trenches around him buzzed with activity, but he remained isolated in his silent world of darkness and despair. The young medics job was done. He had patched Matthew up and left him to his own misery. Matthew was grateful.

Arthur stood there silently under the doorframe for what seemed like hours, but was probably only a few seconds. A strange and unfamiliar twinge of emotion plucked and pulled on his conscience. He hadn't felt guilt in quite some time. This feeling was reserved for drunken nights spent in solitude with the doors to the room he resided in firmly locked so that his sliver of self-deprecating emotion wasn't witnessed by any but himself, while he drunk himself to unconsciousness.

He preferred the emotional solitude to this.

Arthur had believed himself to be capable of most things. Especially conversation and confrontation. He was quite good at those as centuries of existence had proved. He believed himself quite skilful with words. Most of the time he knew what to say and when to say it without it resulting in unwanted and unforeseen consequences, while still making sure his opinion was heard.

Arthur had no words forming as he stood in that doorframe. If Arthur was a good man, his reasoning would be that he felt such strong empathy and sadness that words wouldn't be enough to express the sorrow he felt at that moment. If Arthur was a good man he'd run to his son, assure him that this wouldn't happen ever again and that he was safe. If Arthur was a good man he would fall on his knees in front of his oldest son and beg for forgiveness.

Arthur wasn't a good man.

He could admit to his shortcomings, but to act on them was not in his nature.

So he stood there for another 5 or 6 minutes watching his son shallowly breathe in and out, hearing the boys lungs struggle to keep up with his muscles contraction and need for air.

He must have made a noise, as Matthew's head tilted slightly to the left, almost looking at Arthur but definitely not seeing him. Arthur looked back at him.

The room was quiet, save for the desperate plea of Matthews lungs to be put out of their misery.

Sensing nothing after a few moments, Matthew turned his head back towards the blank wall ahead.

Arthur silently turned his frame around and slowly started walking the path he had taken to get here. As he took a few steps, he released the breath he didn't know he was holding.

How he longed for that whiskey bottle and that dark room where he could lock himself in and slowly drift out of consciousness instead of facing his own mistakes.

Arthur definitely was not a good man.