#historial drama

[nunafilms]

✩  The Double ─ Episode 29 (墨雨云间)

[ridingthewhitechocobo]

Jun Matsumoto as Ieyasu Tokugawa for "Dou suru Ieyasu," historial drama.

[cheeseanonioncrisps]

A murder mystery film set in a medieval village. After an outbreak of plague, the villagers make the decision to shut their borders so as to protect the disease from spreading (see the real life case of the village of Eyam). As the disease decimates the population, however, some bodies start showing up that very obviously were not killed by plague.

Since nobody has been in or out since the outbreak began, the killer has to be somebody in the local community.

The village constable (who is essentially just Some Guy, because being a medieval constable was a bit like getting jury duty, if jury duty gave you the power to arrest people) struggles to investigate the crime without exposing himself to the disease, and to maintain order as the plague-stricken villagers begin to turn on each other.

The killer strikes repeatedly, seemingly taking advantage of the empty streets and forced isolation to strike without witnesses. As with any other murder mystery, the audience is given exactly the same information to solve the crime as the detective.

Except, that is, whenever another character is killed, at which point we cut to the present day where said character's remains are being carefully examined by a team of modern archaeologists and historians who are also trying to figure out why so many of the people in this plague-pit died from blunt force trauma.

The archaeologists and historians, btw, are real experts who haven't been allowed to read the script. The filmmakers just give them a model of the victim's remains, along with some artefacts, and they have to treat it like a real case and give their real opinion on how they think this person died.

We then cut back to the past, where the constable is trying to do the same thing. Unlike the archaeologists, he doesn't have the advantage of modern tech and medical knowledge to examine the body, but he does have a more complete crime scene (since certain clues obviously wouldn't survive to be dug up in the modern day) and personal knowledge from having probably known the victim.

The audience then gets a more complete picture than either group, and an insight into both the strengths and limits of modern archaeology, explaining what we can and can't learn from studying a person's remains.

At the end of the film, after the killer is revealed and the main plot is resolved, we then get to see the archaeologists get shown the actual scenes where their 'victims' were killed, so they can see how well their conclusions match up with what 'really' happened.

[hesbuckcompton-baby]

people who don't study history will simply never understand the joy of reading historian beef. there's nothing like it

[marzipanandminutiae]

I don't know who needs to hear this today but:

most adult women wore their hair up, on a normal day when going out in public, for most of western history from at least the late Middle Ages until the 1920s. even after that, wearing truly long, unstyled hair entirely loose was not common until the 1960s

not half-up. not in a ponytail. not braided with the braid hanging loose. at times trailing elements were involved, but the majority of the hair would still be pinned up. at times it was also a social norm that the hair would always be mostly or entirely covered when out of the house

and until around the early 19th century, little girls usually wore their hair up too, if it was long

when "putting one's hair up" became a specifically adult thing, around the 1830s or 40s, it was not related to marriage. it was something teen girls did around age 16 as a marker of social adulthood. even if she was unmarried, she'd wear her hair up. this attitude remained until the bob took over hair fashion in the 1920s, and even then, long hair was usually still worn up

obviously people can do what they want with their art but like. just. just please be aware of this

I have not reblogged so much Dracula fanart because the artist inadvertently made Mina and/or Lucy look uncomfortably young, hair-wise

[an-ruraiocht]

the reluctance to acknowledge christianity in a lot of medieval-set fiction/fantasy means we're missing out on a lot of stories of bishops trying to assassinate each other

[k-wame]

George Villiers & Peter Carr MARY & GEORGE (2024) · S1·EP4

[queerism1969]

[dailyflicks]

ANNA SAWAI as TODA MARIKO SHŌGUN — 1x09: "Crimson Sky" (2024)

[cottagecore-raccoon]

Disclaimer: I know that some folks continue to wear some or all of these items in the 21st century. This is more asking what you wish would become fashionable again so you could wear it without receiving any second glances from strangers

[theultimatejackoff]

Romans, countrymen and lovers...

This has been a truly spectacular journey, we've had mistakes and slip ups (sorry Captain America fans!) but after over a YEAR, I am proud to announce our...

FINAL ROUND!!!

CHRIS KRATT VS CHRISTINE ROYCE!

Chris Kratt is known for his work on children shows and animal conservation!

"lesbian icon"

[nunafilms]

I'm sincere in helping you.

✩  The Double ─ Episode 32 (墨雨云间)

[vyeoh]

Fic where after realizing his feeling charles looks up edwardian courting tactics because he CANNOT chance edwin misunderstanding him after rejecting him the first time. he does his research and after countless books and internet dives, he's reached a solution: he will propose marriage

[ziseviolet]

If the coats with hoods aren’t historically accurate, what coats did Chinese people wear prior to the modern period?

Hi! Thanks for the question, and sorry for taking ages to reply!

By "coats with hoods", I assume you're referring to the doupeng/斗篷 (cloak/cape) commonly seen in modern hanfu and guzhuang (drama costumes), like the one below (x):

Chinese people did wear doupeng prior to the modern period, along with other kinds of coats. However, as I mentioned in my post here, historical Chinese doupeng did not have hoods attached to the cloak/cape. That is why many modern doupeng aren't considered historically accurate - because they have hoods attached. Below are examples of more historically accurate, hoodless doupeng (1/2):

In the image on the above left, the model is wearing a separate, detached hood/hat called fengmao/风帽 (wind hat) which was historically worn to keep warm. Below - examples of fengmao (1/2):

Historically, fengmao was often worn with doupeng when travelling during cold weather (x). Below - women wearing doupeng & fengmao in historical art (top row), and Chinese opera performers wearing doupeng & fengmao as part of their costumes (bottom row) (x):

Oftentimes the doupeng & fengmao are matching, which can give the impression that they are attached - but if you look carefully, you can see that they are separate. Below - Chinese opera costume (x):

Below are historical photos of women wearing doupeng in 1920s Beijing - note how they are hoodless (1/2):

Hooded doupeng, in contrast, are more similar to historical western cloaks, such as the below American/European cloaks from the 18th century (1/2):

The hooded doupeng of modern hanfu are likely based on those seen in guzhuang dramas - another instance of drama costumes not being the most historically accurate (x):

An example of a drama with a historically accurate depiction of doupeng & fengmao is the 1987 TV adaptation of Dream of the Red Chamber. As seen in the below images, the characters wear hoodless doupeng & occasionally matching fengmao as part of their winter wardrobe (1/2/3):

The 1994 TV adaptation of Romance of the Three Kingdoms also depicts historically accurate, hoodless doupeng & matching fengmao worn by men (x):

For more references, please check out my doupeng, fengmao, and winter wear tags.

Hope this helps!

[nortism]

NEVER learn about historical fashion, it’ll ruin films for you. i’m trying to watch pride and prejudice (2005) for the first time and i’m shaking with rage

[metamorphesque]

September 19, 2023, marks one of the darkest chapters in Armenia's modern history.

As a result of another large-scale military aggression by azerbaijan, the entire population of Artsakh, native to the land for over 3000 years, was subjected to ethnic cleansing and was forced to leave their homeland. This operation followed a nearly 9-month blockade of the Lachin Corridor, the only land route connecting Artsakh to Armenia. The blockade created a severe humanitarian crisis, cutting off food, medical supplies, and other necessities for the people of Artsakh. Even after nine months of illegal blockade, the armed forces of Artsakh fought with exceptional heroism in defense of the homeland, inflicting heavy losses on the enemy.

While ethnic cleansing was taking place, the azeri government arrested eight former members of Artsakh’s government and advocates for the self-determination of Artsakh, including Ruben Vardanyan, an influential Armenian philanthropist who in 2024 was nominated for Nobel Peace Prize.

Mr. Vardanyan and the seven others join over 50 Armenians arrested during the conflict, some of whom have been held for years by azerbaijan. Anyone acquainted with azerbaijan would not be shocked to learn that political prisoners are held in conditions that breach basic standards for the treatment of detainees.

The occupation of the Republic of Artsakh has resulted in staggering material losses, impacting both cultural heritage and essential infrastructure. The recorded damage includes:

12 cities

241 villages

13,550 houses (30% over 100 years old)

11,450 apartments

60 factories

15 plants

200 cultural centers

9 cultural hubs

25 museums

232 schools

7 colleges

4 universities

11 art schools

400 medieval cemeteries

385 churches

60 monastic complexes

2,385 khachkars (cross-stones)

4 reservoirs

5 canals

37 hydroelectric power stations

48 mines

11 hospitals

230 medical centers

This extensive damage reflects not just a loss of property, but an assault on the cultural identity and historical legacy of the region.

Eternal glory to the Armenian heroes who sacrificed all for their nation and their homeland.