#but this is far funnier

[vyeoh]

Fic where after realizing his feeling charles looks up edwardian courting tactics because he CANNOT chance edwin misunderstanding him after rejecting him the first time. he does his research and after countless books and internet dives, he's reached a solution: he will propose marriage

[overlymetaromantic]

Dungeon Meshi, or as I like to call it, Marcille's-increasingly-difficult-to-ignore-revelations-that-her-endless-devotion-to-Falin-may-in-fact-be-more-rooted-in-lesbianism-than-she-originally-thought

[welcometogrouchland]

[ID in ALT] I've made posts before about Talia/Dick co-parenting Damian moments (will never happen but let me dream) and this came to me in a vision. Took me ages to finish for some reason 😭 and then even longer to post

[poorly-drawn-mdzs]

Archery Nemesis.

[First] Prev <–-> Next

[asleepinawell]

me wearily opening twitter: please show me just one nice thing for once

twitter: baldur's gate 3 lets you fuck a bear

me: you know what? good enough

[inkz123]

I like the idea he wears sleeping masks that he makes himself and he has a mini collection idk why

[umblrspectrum]

getting in that spooky spirit

[bixels]

The Ryoko Kui interview's reception is such a disaster over a pretty normal (yet still flawed) interview between a non-Japanese fan and Japanese artistic. This is discourse for discourse's sake, and it's no surprise that almost every Twitter user I've looked at who's using this interview to parade Kui around as a goated mangaka standing strong against Western ideology is anti-trans.

Like, I do think the interview was kinda wonky with its focus on fandom culture, which Kui clearly didn't have much interest in. But sometimes that happens. Sometimes interactions between two people, especially a fan and a creator, two people who view and interact with a piece of media in completely opposite perspectives, don't click. Does this really need to get blown up into a "West vs. East culture war" issue.

Anyways, Kui saying "I don't consider my audience's interpretations when writing. I leave it to their imaginations, but I have my own read on things too" is the healthiest, most normal thing an artist/writer who wants a non-parasocial audience could say. Artists and writers use this line all the time. If Kui didn't enjoy autistic Laius or Farcille headcanons, she would have probably voiced/signalled her discomfort, like she did on the topic of Senshi fanservice. Overall, Kui handled the interview really well. Props to her to sticking to her guns and keeping a healthy disconnect from the fandom. While I think the interviewer could've/should've been more tactful and restrained, the flaws in their questions is not a symptom of the woke mind virus trying to wriggle its way into the pure Japanese psyche. It's the sign of an over-eager fan who sees a piece of fiction differently than its creator.

[bashzzey]

Today's Sky quest was too goofy to not draw this LMAOOO Cannoneer, you absolute buffoon!

[sandflakedraws]

self control lost. its posting flickory hours

bonus delta :

[egophiliac]

I love how you draw Grim the size of a small cat. It genuinely blows my mind that according to the game he's actually approximately 70 cm tall... Like, Ortho is 148 cm. That's only two Grims! If Grim stands on Ortho's head, they'd be just a bit taller than Malleus (who is 202 cm and I'm not sure that's counting the horns)! The proportions are just so wild to try to imagine realistically... (and I do like the small cat Grim take more, it's very endearing)

every time I remember Grim is actually supposed to be the size of, like, a medium-to-largeish dog, and then I just...draw him cat-sized anyway. I also think it's cuter that way! 🤷 (let's just say he's not allowed to ride the servant unless he takes the shrinking potion first.)

ultimately I figure we all get a little artistic license in our fanart, and mine are:

cat-sized Grim

Lilia with hair spikes up to the heavens

w i d e Silver

[theflashjaygarrick]

I hate when people try to justify the perfect, obedient golden child fanon Cass by saying she’s an extension of canon but I feel like it could almost work if it was just Bruce claiming to Babs with complete confidence that she’d never do anything to disappoint him whilst she actively disobeys his direct orders, commits theft, breaks into a government building, and digs up a grave in the background. He watches all of that happen on Oracle’s monitors simply refuses to believe any of that is real. Clearly a villain is trying to mess with him.

And then he sees her hang out with Steph for the third time that week and has a complete breakdown.

[nicstylus]

An untied shoelace can be dangerous!

[lazylittledragon]

I could see Dorian and Astarion having Cyra and Gale babysit Kit because "it would be good practice for them", but it ends up being chaos because turns out a dhampir baby is a little different than a normal baby.

ok this is even funnier because in the timeline in my brain, dadstarion would actually happen AFTER dadkarios. which means they actually said "they've already got a normal one, what's the worst that could happen?"

[dear-ao3]

tell me about sir lewis hamilton’s best looks, if you would

andie you little shit

this is a very incomplete list

[its-wabby-stuff]

Mikey Goes To Oz

<Time spent: 49 hours 17 minutes>

When Mikey takes some time away from a loud family squabble he accidentally ends up getting “flushed” down the sewers. This winds up sending him to the colorful land of Oz where he meets a good witch, a wicked witch, a brainless scarecrow, a heartless Tinman, a cowardess lion, and a powerful wizard, all disguised behind very familiar faces.

A canon adjacent spin off set before the season one finale but after they discover Splinter is Lou Jitsu

I wanted to fit each of the boys into their “you’ve had this all along” category. Leo isn’t brainless, in fact he’s pretty clever with a street smart, people reading ability on par with Donnie’s intelligence. Donnie isn’t heartless, he just has a tough time expressing his feelings. They are complex and unalgorithic but he can get just as excited or sad or angry as anyone, as much as he may deny it. Raph isn’t a coward, but being brave sometimes means admitting you’re scared and that you maybe don’t have all the answers. You dont have to be strong all the time and you don’t have to do it by yourself.

In the movie Dorothy’s journey home is also a representation of her running away. The important thing was to remember there were people who cared about her. Mikey is experiencing a similar phenomenon, wanting the escape the bad vibes in the lair. His “you’ve had it all along” is interesting because it is an object, since the Ruby kneepads could’ve taken him home the whole time. And sometimes getting home means going on a journey only to realize you never left.

I put April as Glinda because Glinda appears as a defender of the weak, and I see April in a similar light. Always willing to help and beat someone up if it is so required. Splinter as The Wizard of Oz represents Splinters own willingness to hide behind different personas, his running from the past and the pulling back of the curtain for Mikey in timeline. The Wizard grows through the movie, albeit quickly, and ends up leaving Oz to go home leaving his legacy with the scarecrow, the Tinman, and the lion. In this case the passing of the baton to his sons.

Meanwhile Draxum as the wicked witch felt much more how Mikey sees Draxum at this time in the show, mostly just an antagonistic force who wants something from them. Fun fact: I imagine throughout this dream, Draxum is uninterested in being the wicked witch but is pressed into it via plot. Hence his disinterest in being “melted.”

Additional characters not pictured: Big Mama as the Wicked Witch of the East (those were her Ruby kneepads!!) and Todd as the Mayor of Munchkin Land. If you can think of more, feel free to leave them in the comments or tags.