#his advice is so generic too

[dwtdog]

i mean that guys didn't even get the name of the event right😭 or the fact that fruit also backstabbed fein with him

yeah i couldn't tell if he was doing that on purpose or not 😭 i assume not bc he makes it extremely clear who he's talking about so it's funny that a guy who is calling himself the mc event expert got the name wrong Lol

[thelilylav]

"Tell me every terrible thing you ever did, and let me love you anyway."

Darabella they could never make me hate you <3

[mc-critical]

1.10 / 1.09

[chevvy-ryder]

[NC_RES]_00312717 mercs_scharfenberg_steyr_night_portraits_001_BS_DT_PFCA.file ///core:_team.file\\\

—

⚠️ READ: Please do not repost/reupload any of my art here or to any other platform, or I will be forced to do anything to get it annihilated.

—

Arki belongs to @nervouswizardcycle. Ryder and Vijay belong to me.

[waywardsalt]

i think its funnier if linebeck sets a bad example for link not necessarily by generally being a dick or having bad advice, but instead by genuinely advocating for crime as a good solution to any problem

[vickyvicarious]

I like how Jonathan liked his letter of recommendation so much that he went and transcribed the praises in his journal to remember forever.

"THIS TALENTED BOY HERE JUST GREW INTO MANHOOD UNDER MY CARE. HE WILL NOT FAIL TO DO WHATEVER YOU PLEASE."

Jonathan: omg dad thinks I'm talented

HONESTLY. It's adorable of him. Like... I know I wrote that post about Dracula's takeaways, which are all horrible obviously. And I can see how people would take it as a weird way to phrase things/very open to sounding creepy from the get-go. But honestly, I think it was supposed to be pretty sweet.

“I must regret that an attack of gout, from which malady I am a constant sufferer, forbids absolutely any travelling on my part for some time to come; but I am happy to say I can send a sufficient substitute, one in whom I have every possible confidence. He is a young man, full of energy and talent in his own way, and of a very faithful disposition. He is discreet and silent, and has grown into manhood in my service. He shall be ready to attend on you when you will during his stay, and shall take your instructions in all matters.”

The initial expectation was for Mr. Hawkins to be the one coming, and Jonathan had to sub in. It's unclear exactly how long ago, but he did at least have time to do a little research about the area (as well as being involved in inspecting/choosing the property Dracula was buying; some of that may also have originally been Mr. Hawkins' job before it got delegated as he became too sick). Dracula has probably known for a little bit that someone named Jonathan Harker was coming instead of Mr. Hawkins, though probably not much more about him. @animate-mush had a funny post about how the specific wording Mr. Hawkins used may well have been meant to address specific concerns/desires of his client in regards to the type of employee he wanted. But even in doing so, I think everything he says is meant specifically as a compliment - possibly even in premature defense of Jonathan.

Some complaints that could be made (in general, not even by Dracula specifically): he's too young and inexperienced (we mostly all headcanon babyface Jonathan for a reason I think, and he's confirmed to be new to this specific role). He seems kind of retiring and quiet (there are spoilery quotes that support him giving off this impression, so it may have even been something someone objected to in the past at work for all we know). Can he be trusted to not talk about my business? What if I think of some new questions or need help with other paperwork while he's here, will he have the knowledge/willingness to handle that?

All of the things Mr. Hawkins says are kinda bringing up then discarding these objections. He's bragging hard, saying, I'm sick but my replacement is plenty good enough, I trust him completely. Sure, he looks young and quiet, but he is actually full of energy, trust me, he's gonna get the job done. He's loyal, he totally understands client confidentiality, he's gonna work super hard and will be sure to make up for any inconvenience of not having me there, and he can help you with whatever else you need. I practically raised him so I have trained him thoroughly and know all this from experience, he's gonna do great.

And Jonathan is absolutely super chuffed to hear it! Sure, the letter of introduction is a Thing with perhaps some established rules/expectations of format, and of course Mr. Hawkins isn't going to insult his own replacement, but perhaps he isn't usually this effusive. I kind of get the impression that Jonathan at least tries really hard to be grown-up and professional with his boss, despite also looking up to him as a father figure. And so not only being given this chance but getting to see a letter that proves how seriously Mr. Hawkins is taking him and how much faith he has in him... he's really really happy about it. Especially considering that he is brand new to all this, only recently having got confirmation that he passed his exam and is no longer a clerk.

This might be the first time in his career that he has been important enough to merit so official an introduction. It's possible that every other time has been more along the lines of "this is my clerk, Mr. Harker. You can entrust the documents to his care," or whatever. Much shorter, simpler, Jonathan more as an attachment to a more important employee than anyone notable in his own right. But that's not the case anymore! He's a solicitor now! And Mr. Hawkins thinks he is talented! (Dad is proud of him!)

[cyberphuck]

I haven’t been Hospitalized in a while, but I was telling this story at TTRPG the other day, so Psych ward doctor: you may not have your adderall when you’re here, and you MUST go to each group therapy session. Me in group therapy: Hey I don’t really wanna talk about coloring with crayons to relieve anxiety. Let’s go around the room and everybody say why they think their parents don’t like them. Psych ward doctor: it’s just that I don’t believe in prescribing adderall, even though you’ve been taking it for years and it makes you feel better. You can have it back when you leave. Go to group therapy. Me in group therapy: Who else spends a lot of time thinking about how nothing you do matters and you will never be able to achieve what you want to in life because of forces beyond your control? Psych ward doctor: Please stop. Me: No.

[corvidiss]

#smile at people #a majority of the time people will smile back and you win Human Points #learn how to compliment people and do it often #Normalcy is a perspective that changes depending on who is looking but kindness and a positive attitude shows the same view to everyone #basic politeness with a little extra effort is amazingly difficult at times #but it goes MILES

Genuinely good advice from @aroace-get-out-of-my-face

can someone recommend some beginner normal behaviors for someone looking to become normal

[former-general-geshu-lin]

You were doing some push-ups. Well, attempt to. You could feel the gaze of Geshu staring at your weak strength. And that was considering the general's 'average' build packed more strength than your average build ever could.

You lay on the ground shortly after, feeling exhausted from those exercises alone. No wonder you were mainly tasked with supplies and medics. Lifting some supplies seem like the most you could lift.

As you drink some water during a break, you decided to ask the phantom about tips on exercise. It sound like a dumb idea, but surely the former general have some secret tips. Right?

(too lazy to come up with dialogue today)

Geshu Lin observed as they seemed to be exhausting themselves with pushups, laying on the ground before getting some water. So he wasn’t too surprised when they eventually came to him for advice.

“Exercise works differently for everyone, as metabolisms fall on a wide range, as do body types. Though I assume you’re simply trying to build strength…. So focus your efforts on pushing your body to its fullest capacity.”

“It’s a long process and an exhaustive one, there aren’t any real shortcuts through it either, so as for personal tips, all I can say is treat it like something you must do. Don’t give up, don’t fall behind, and do not start to view it as optional. If you treat it like it’s do-or-die, you’ll see just what your body is capable of.”

[imastoryteller]

Writing Angry Scenes: Tips to Avoid Melodrama and Make It Real

Anger can be one of the most intense, relatable emotions to read—and one of the trickiest to write. When handled well, an angry scene can pull readers deep into the emotional world of a character, building tension and driving the story forward. But when handled poorly, anger can easily slip into melodrama, making the character’s feelings seem overblown, forced, or even cringe-worthy.

So how can you avoid these pitfalls and write anger that feels real and compelling? Here are some tips to make angry scenes powerful without overdoing it.

1. Understand What Fuels Your Character’s Anger

To write anger authentically, you need to understand its roots. People get angry for complex reasons—fear, frustration, betrayal, grief, and even love. Ask yourself what’s truly driving your character’s anger. Are they afraid of losing control? Do they feel abandoned or misunderstood? Are they hurt by someone they trusted? Anger rarely exists in isolation, so dig into the deeper emotions fueling it.

When you understand the core reasons behind a character’s anger, you can weave those nuances into the scene, making the anger more relatable and layered. Readers will feel the depth of the character's rage, not just the surface heat of it.

2. Show, Don’t Tell—But Don’t Overdo It

“Show, don’t tell” is classic writing advice, but it’s especially crucial in angry scenes. Don’t rely on generic phrases like “She was furious” or “He clenched his fists in anger.” Instead, look for unique ways to convey how this specific character experiences anger. Maybe their voice drops to a deadly calm, or their eyes narrow in a way that makes everyone around them uncomfortable.

That said, showing too much can backfire, especially with exaggerated descriptions. Over-the-top body language, excessive shouting, or too many “flaring nostrils” can tip the scene into melodrama. Use body language and physical cues sparingly and mix them with subtler reactions for a more realistic portrayal.

3. Use Dialogue to Reveal Hidden Layers

People rarely say exactly what they feel, especially when they’re angry. Angry dialogue isn’t just about yelling or throwing out insults; it’s an opportunity to show the character’s deeper thoughts and vulnerabilities.

Consider using controlled, icy responses or unexpected silences. Maybe your character says something hurtful in a low voice rather than screaming. They might express sarcasm, avoidance, or even laugh at the wrong moment. Anger often carries hidden layers, and using these nuances can help your character’s dialogue feel genuine, even haunting, without falling into dramatic clichés.

4. Control the Pacing of the Scene

The pacing of an angry scene can be the difference between a powerful moment and a melodramatic one. In real life, anger doesn’t always erupt instantly; it can simmer, spike, or deflate depending on the situation and the character’s personality. Experiment with different pacing techniques to create tension.

You might build the anger slowly, with small signs that something’s brewing. Or maybe the character explodes suddenly, only to calm down just as quickly, leaving a chill in the air. Controlling the pace helps you control the reader’s emotional engagement, drawing them in without overwhelming them.

5. Avoid Clichéd Expressions and Overused Reactions

When writing anger, avoid falling back on clichés like “seeing red,” “boiling with rage,” or “blood boiling.” These phrases have been overused to the point that they lose their impact. Instead, get creative and think about how your character’s anger might feel specifically to them.

Maybe their skin feels prickly, or their jaw aches from clenching it. Think about details that are unique to the character and to the moment. By focusing on small, unique sensory details, you’ll help readers feel the anger rather than just reading about it.

6. Let the Setting Reflect the Emotion

The setting can be an effective tool to amplify a character’s anger without overstating it. Small details in the environment—such as the hum of a refrigerator, the slow ticking of a clock, or the distant sounds of laughter—can create a sense of contrast or isolation that heightens the character’s rage.

For example, imagine a character seething in a peaceful park or a quiet library. The calm of the surroundings can make their anger feel more potent. Or maybe they’re in a crowded, noisy room where they feel unseen and unheard, which fuels their frustration further. This use of setting can add depth to the scene without the need for dramatic gestures.

7. Let Consequences Speak for Themselves

An effective way to avoid melodrama is to let the consequences of the anger show its intensity. Characters don’t always have to yell or physically react; sometimes, a single choice can convey more than any outburst.

Perhaps your character cuts off a close friend or says something they can’t take back. Maybe they throw away a meaningful object or walk out in silence. By focusing on the consequences of their anger, you can reveal the impact without over-explaining it.

8. Let the Emotion Simmer After the Scene Ends

Anger is rarely resolved in a single moment, and its effects often linger. When writing an angry scene, think about how it will affect your character moving forward. Are they holding onto grudges? Do they feel guilty or exhausted afterward? Does their anger transform into something else, like sadness or regret?

Allowing the anger to simmer in your character’s mind even after the scene ends creates a more authentic and layered portrayal. It shows that anger is complex and doesn’t just disappear the moment the scene is over, adding emotional weight to both the character and the story.

[arolesbianism]

Hashtag anger issues moment

[gailynovelry]

Okay, I was going to put this into tags, but I got too in-depth so into the main body of the post it goes.

This flowchart is solid advice for beginner writers who want references for where it is most appropriate to put an epithet in narration. I will say, though, once you get good enough to break some rules, sometimes it's artistically interesting to use epithets against the advice of the flowchart.

Specifically, if a character does know another's name and still uses an epithet in the narration sometimes (emphasis on “sometimes”), then that can tell you something about how the epitheted character is seen by the PoV character.

For one example, I have my character Meparik. Here are some rules for what epithets other characters use for him, both in dialogue and in narration;

Characters will sometimes refer to him as “the boy” or “the child” in contexts where it makes sense to emphasize his youth.

His world is matriarchal, so “the boy” also comes out in instances where his gender becomes relevant.

Human characters will sometimes refer to him (and other characters like Gildhe) as “the fey,” because there's a little bit of othering that goes on between these two groups.

Meparik is almost never “the Herald” to Navaeli, because she personally finds Heraldry to be depersoning. Gildhe and Crislie also rarely (if ever?) use this epithet because they're familiar enough to see past his Heraldry most of the time.

Atevia, however, does buy into the authority of Heraldry, and frequently thinks of him as “the Herald.”

This sort of logic also applies to say the way that Navaeli gets referred to as “the waif” by certain friends (who see her as vulnerable) and “the Herald” by characters who don't know her well and impose her role over her personhood.

In summary, I personally think that epithets work best when they emphasize jobs, character relationships, responsibilities, and roles rather than appearances. For one, it's less unwieldy. It's easier to read off “the woodsman” than “the blue-eyed man,” isn't it? And for another, it provides so much more opportunity to show how characters are perceived.

So, yeah! Additionally ways to use epithets Good.

ALT

So I was thinking about epithets yesterday and how when they’re used well they really add to the work and when they’re used poorly it feels like the author has thrown a cinderblock in front of you while you’re moving at a brisk walk, and then I got floostered (flu vaxx and covid booster) and managed to edit this ugly but hopefully helpful flowchart together through my flooster fever.

The question I always come back to is, “How would I, as the viewpoint character, think about this other character?” I think about my wife by her name or her relationship to me. I don’t think of her as “the blue-haired woman,” or “the taller woman.”

This obviously doesn’t cover every single permutation of epithet use out there in the would, but if I can help one person avoid writing, “Scarlett walked into the kitchen, hungry and annoyed about it. The redheaded woman found she had no snacks and grumbled,” it’ll be worth it.

(This is not a callout post for anyone in particular. It’s just intended as general writing advice, because I had to figure out a lot of this shit for myself when I first started telling stories!)

[chuluoyi]

✎ all of me

- gojo satoru x reader

you understand that some things in marriage just needs compromise. and he soon understands too, when you're at your most vulnerable and he fails to be by your side when you need him the most

genre: angst, hurt/comfort, established relationship (you're married & have a son!) argument, feral gojo, mentions of injury & blood, fluff

note: if it isn't obvious by now i'm in the mood of angst-hurt/comfort this week HEHE :)) this is longer than the usual love entry, so i hope you'll enjoy it!

a part of gojo's love entries

general masterlist

Bantering with your husband is not uncommon―in fact, it happens on daily basis.

"Satoru― I'm talking to you!"

But having serious arguments with him is another matter entirely.

Your fists tightening at your sides, facing his unamused expression. How insufferable is he? You told him that everyday, but right now, he's truly surpassed previous levels of infuriating behavior.

"And I can hear you, sweetheart," he retorted, casting a glance your way. The term of endearment he used for you sounding almost like a sneer to your ears and you felt offended.

"I don't think you're taking this seriously," you griped, trying to calm your emotions, still balling your hands. "Someone is following our son on his way back from school―how can you be this... flippant?!"

Numerous photograph of your son exiting the school building from different angles had arrived in your mailbox, and if it wasn't a creepy warning from those who placed a target on his back, then you didn't know what it was.

Satoru let out an exasperated grunt. "I'm telling you, I'll pick him up for the rest of the week. No one will lay a hand on him."

You gritted your teeth. "And I'm telling you, they're trying to make you do just that. Even morons know not to mess with you― they're leaving hints, and you're taking the bait!"

Contrary to what you believed, Satoru felt just as worried as you upon knowing that someone might have marked his precious son, who was now six years old and had recently started attending preschool.

But this is where your approaches differ. You are always the cautious one, overanalyzing each detail, while he leans towards being impulsive, often resorting to brute force.

"Who do you think can stand a chance against me?" Satoru challenged with a real sneer this time. "Remember my words, wife, no one is going to hurt me, you or our baby. I'll end them where they stand."

"That's not the point!" you threw your hands in the air, irate. "Satoru, they're going to take advantage of―"

"Look, I don't want to argue with you." Satoru's gaze was hard on you, his tone clipped, and it made you stiffen. "His safety comes first— and you, of all people, should know I'd never let anything happen to him. You need to quit nitpicking and have a little faith in me."

"I know you are more than capable, but you are not―!"

And then he said it, and his words piercing through you like a knife―

"Don't compare me to you," your husband remarked a little too coldly. "I can do things you can't. Just rest your pretty head, I'll take care of the rest."

Nevermind that he blatantly dismissed your skills as a jujutsu sorcerer, nevermind that he totally didn't listen to you at all―he just went and made himself look like some sort unparalleled god, forgetting how much his hubris could actually take him.

And all these thoughts only made you angrier.

"So be it then." You tried desperately to hold yourself from shaking because you'd be damned if you showed it to him. "A word of advice, Satoru: beware of your arrogance."

With those words, you spun around, marching off toward your son's room, because no way in hell was you going to sleep with that obnoxious prick tonight.

But when you caught the sight of your baby scuttling away from the gap in the door, a fragment of your heart crumbled. Oh. He has seen it all.

In Gojo Satoru's mind, he is made of two things: a powerful jujutsu sorcerer and a family man.

With his immense strength, comes a certain responsibility. And with that responsibility, certain habits have formed. If you just took a few seconds to breathe and looked back throughout the past decade he'd spent with you, you'd know that in fact―

It was also his way to shield you. Satoru stands by the principle that you and his little boy must be protected at all cost, and he most certainly would pull all stops to do just that.

But frankly, he couldn't deny that he felt insulted by how defiant you were. Did you really think he would let anyone ever touch your―his―son? He wouldn't, they'd meet his wrath first and you should've known that.

Still, something akin to guilt nudged at his conscience as he lay alone in your shared bed that night. It felt strange not having you cuddling him. He felt empty.

. . .

None of your shampoo-scented pillow, none of your nightdresses, all of it replaced by a single photo hanging in the wall and the urn of ashes—

Abruptly, he jerked his eyes open, shaken from the most dreadful nightmare he had experienced—

Of you no longer by his side.

“Mama.” Your little boy looked up to you with his doe-blue eyes in the next day, his hand gripping yours. “I’ll be fine.”

You were accompanying him to the preschool. While Satoru had requested Ichiji to drive him, you insisted on tagging along to keep a watchful eye as well. You'd leave your husband to pick him up later just as he wanted.

“Huh?” you turned to him, tilting your head.

“I'll stick by Uncle Ichiji's side the entire time,” he replied in a murmur. “And papa will be picking me up too later. If there are bad guys, they'll get him first.”

You bit your lip, feeling a wave of guilt wash over you. Your boy witnessed your outburst last night and hadn't inquired about it until now, and even then, he was trying to reassure you.

“So… don’t fight.” His round, cerulean eyes then darted towards you, blinking hesitantly, causing you to catch your breath.

He looks so much like Satoru. At six years old, he was the spitting image of him, except his personality—he took after you in that area. It was as if your son was a softer, more innocent version of him. And your heart twisted, remembering your argument last night.

Don't compare me to you.

With a sigh, you bent down to be eye-level with him and managed a smile, holding both of his little hands. “I’m sorry… it was just misunderstanding last night, okay? Don’t worry.”

“…really?”

“Really. Mama and papa were just tired,” you tried to reason, a thin smile on your face. "It's going to be okay, just like you said, yeah? Papa will beat the bad guys out there."

“Will he pull through...? If they bring a knife, and he's just there laughing, they can cut him.”

A giggle escaped your lips at your baby's innocent wonderings, easing the ache in your heart as you recalled how Satoru humored him in so many ways.

You gently poked your son in the cheek. "Nah, do you remember what he always goes on about?"

He puffed up his cheeks in response, his expression turning sour as if combing through memories of hundreds of shenanigans Satoru had instigated to recall his words. You let out a hearty chuckle, finding him so adorable.

"He's strong, he's going to win. He always does."

"Oh. Mmm." Your son scrunched up his nose cutely, before looking away and squeezing your hand. A sincerer smile bloomed in your lips, heart melting at the sight of your growing munchkin.

You will protect him. And maybe you could patch things up with Satoru later that night. Maybe yesterday you were just too paranoid.

That was the plan... at least until your son suddenly screamed—someone wrenching him from your grasp. Without a second thought, you reacted, flipping the attacker away from you and him.

. . . and that was the beginning of how everything started to unravel so terribly that day.

"Gojo-san...! There's been an incident!"

He got that call right after he finished some things with Yaga. Satoru teleported to the preschool right away, only to be greeted by a scene of utter chaos.

Several teachers stood outside the building, and police officers were present at the scene. It was all a blur of cursed energy until his eyes caught sight of—

His little boy, red-faced and obviously in fear, was clinging to Ichiji, who was frantically making calls. Some teachers gathered around him were seemingly trying to coax him to speak.

He didn't waste a second to dash towards him, tearing through the crowd.

"Are you okay? Hey, buddy, what happened?" Satoru pulled him away from Ichiji and turned him over, crouching to his level to check for any signs of injury or harm.

And upon seeing him actually here, his son's eyes immediately welled up with tears, and Satoru felt a chill run through his veins as he broke into sobs, which quickly turned into heart-wrenching wails.

"Mama—! F-find mama—!" the little boy choked out through his tears, clutching onto his shirt tightly and crumbling in his embrace, thoroughly inconsolable.

Satoru's sharp gaze quickly swept over the scene, seeking any clues, while he tightened his hold over him. It was then he noticed traces of your cursed energy mingled with blood.

They hurt you.

"Hey, kiddo—listen to me, it's going to be alright, yeah?" Satoru said, gently pulling away to wipe away his tears, holding the boy's face tenderly in his hands. "Go with Ichiji for now, okay? I'm going to bring mama back, I promise."

He didn't need to be told twice. Your son is always obedient when it matters the most. He gave him a small nod, still shaking with tears.

"Don't worry," he flashed a reassuring smile and ruffled his hair. "I'm the strongest, remember? I'll get her back," he vowed once again. "She'll be fine. Wait for me until then, yeah?"

Ichiji was ready to leave as he had called for those in headquarters as backup in case anything were to happen again. Trusting him to keep his son safe, Satoru took off as soon as he could no longer see the sight of his son's tear-streaked face trying to watch him as the car pulled away.

"I won't repeat myself— where is my wife?"

Satoru wasn't playing this time. He skipped past taunts and just plain threats. These little fries, he thought.

The man he held by the throat was in a lot of distress. "Hyaaa! It's him! Please, please, let me go! I'm acting under orders!"

He then flung him across the wall— might have added more cursed energy than necessary.

At the moment, his entire focus was on trying to locate you. He couldn't let his mind wander to anything else; in fact, he didn't permit himself to.

It didn't take him long to piece together the general location of where you were through the residual of your cursed energy. They stationed several hooligans in this abandoned warehouse to stall him, but he got rid of them quickly and he could sense that you were close by.

"It's Gojo Satoru!"

"Run! Ruuuun!"

What a pain. They picked the wrong person to mess with, and Satoru's lips curled into a manic grin as he opened his palm, pulling them in—

"Cursed Technique Lapse: Blue."

Chaos erupted as the building collapsed around him. He hoped you would realize he was here and manage to avoid getting caught in the wreckage. He was sure you'd know though.

And true to his thoughts, soon he found you— blasting your attacker away with a powerful kick.

Satoru thought that you were a sight to behold, really. And he was about to call out to you when he felt it.

It happened almost in an instant. The way his heart dropped to his stomach, and how his body reacted, barely whispering the incantation for Red as he shot it at something lurking behind you—

At that moment, the only thing you were aware of was the foul stench of a curse. Time seemed to stop before the overwhelming force of Red expelled it away from you.

But before then, you experienced a searing, white-hot pain that scorched through your flesh and pierced your abdomen—

"Y/N―fuck―!" The voice that came from Satoru's throat was raw and laden with panic.

He pulled you against him protectively as you collapsed, blinded by pain. He immediately felt warmth spreading across his lower body—your blood was rapidly drenching his shirt, and he felt a shiver down his spine.

You held onto him tightly while suppressing your scream, feeling every bit of your strength drain away along with the dark crimson blood that poured out of you.

"―toru―" you managed to croak amidst the scalding pain, curling and whimpering in his hold.

"Hey― sweetheart, please―" his voice rang in your ears, as he pressed down on your wound. His hands were shaking, and you clawed at him and groaned in agony. "I-I'm taking you back now― You're going to be alright, yeah?"

The wound was beyond anything you had experienced before, causing you to cry out and gasp for air. It was almost as if something fried your insides. It was hard to stay conscious.

"I've got you now. You're going to be okay." His voice was coarse, as he hurriedly carried you out. And he tried not to let the full-blown panic take over him when your body went limp in his arms, your breaths slowing, head lolling in his chest.

"You're going to be alright! You hear me, sweetheart? You're going to make it. Our baby― he's waiting for you. I promise you, you're going to be fine―"

Perhaps he was trying to tell that to himself, because despite the excruciating pain, a wave of reassurance washed over you.

You were in the arms of the strongest sorcerer alive, what more could you possibly afraid of?

A special grade curse. They had actually unleashed a potent curse and likely aimed at him as their final card—until it veered off course and struck you, leaving a searing gash across your abdomen.

Satoru felt numb as he sat in the waiting room in his bloodied uniform. You got hurt so terribly right in front of his eyes, and all he could feel was this profound void that seemed to bore through him and pierced his soul.

He was supposed to protect you. He said it to your face that nothing and no one would touch your son, and it was in his wedding vows that he'd protect you with his life too.

And yet what happened?

If only he was faster. If only he was able to pull you to him and protect you with his infinity—none of this shit would have happened.

Seeing your face twisted in agony and smeared with blood made him feel sick to his stomach. Inside that OR, you hovered on the brink of life and death, and he was here, unable to do anything.

Satoru rested his head against the wall, feeling a sharp pain surge through his chest. He remembered waking up to your face every morning, the way your touches felt, and how you had brightened his world for the past decade. If he lost you now... he wouldn't survive it. He would wreck anything, everything—

"Papa!" and came his voice of reason. Satoru immediately discarded his bloodstained jacket by instinct, throwing it away before his boy could see it, with Ichiji and Megumi closely trailing behind.

His son crashed himself into him and threw his little arms around his torso, crying—and in that very second, the thump of his heart sounded louder in his ears. Somehow it felt like a knife that twisted his insides.

"Hey, kiddo." Satoru repositioned him so that he would sit on his lap and hugged him, patting him in the back. "There, there... it's alright, yeah? Mama is inside, she'll get better soon."

Your little boy pulled away and wiped his eyes, and Satoru chuckled as he helped him blow his nose. His child was incredibly adorable, and his actions mirrored yours to such an extent that it made Satoru's heart soften.

"Mama g-got hurt trying to... tell me to g-go..." the boy suddenly said amidst his quieter sniffles. "And... she s-said... papa— i-is strong and g-going to win..."

You believe in him. Ignoring the ache in his chest, only able to reply him with a "Yeah..."

Not long after, Shoko emerged from the operating room and informed him that the surgery had been successful, though you would likely need to have a one-week stay in the hospital for observation. He intended to move you to the VIP suite and stay the night there, but then he remembered his son, who was holding his hand.

Satoru crouched down and patted him in the head, fixing him a smile. "See? Mama is okay, but she needs to sleep here to get even better. Now you go home first with big brother Megumi, yeah?"

Your son adored Megumi and often begged you to let him stay over at his place, but this time he looked hesitant, fiddling with his little fingers. "Really? Mama will be home... soon?"

"Mm-hmm, the more she sleeps here, the faster she'll go back home, alright?"

And with that, his baby nodded and Satoru turned to Megumi with a nod. "Thank you for this, Megumi."

The boy whose life he had once saved on some sort of a whim, now grown up and shared the same concern he had for you, Fushiguro Megumi had never before witnessed his benefactor expressing such sincere gratitude for anything before.

When you came to, your body felt as heavy as lead.

The discomfort in your abdomen made you flinch, and you almost let out a groan until you turned to your side and saw him.

Satoru was asleep while sitting in the sofa next to your bed, dark circles evident under his eyes. It might have been your imagination, but his cheeks appeared to be slightly red too.

You tried to recall what had happened to you when it came back—you urging your son to run away as you let yourself being taken away, almost escaping from that warehouse, the flash of excruciating pain, and Satoru's stricken voice.

So he must've been here since last night. Any remnants of your disagreement seemed to have vanished, seeing him there with you, barely covering himself with the blanket, with a frown still marking his forehead even in his sleep.

You wanted to reach out to him until the movement sent a sharp jab to your stomach and you cried out a bit.

In that split second, Satoru's eyes jerked open, and realizing you were awake, his gaze locked onto yours. "Y/N—" But your strained whimper and expression told him everything. "Does it hurt? I-I'll get Shoko, wait—"

And then he hit the call button. Throughout it all, he kept a firm grip on your hand for reassurance. A few minutes later, Shoko arrived and examined your wound, subsequently administering painkillers to alleviate your discomfort.

"It's going to leave a scar," she explained grimly, showing the mangled skin where the curse had made its mark on you, and seeing that, Satoru clenched his fists.

Shoko sighed, empathizing with her friend's frustration. "It's going to fade with time, don't worry. You did well, Gojo. You brought her here quickly. Had you been even slightly later, there could have been an irreversible damage to her organs."

But your husband remained quiet, unable to bring himself to look at you. And after she left, you tried to finally voice your question to him.

"O-our—"

"He's fine," Satoru immediately answered, squeezing your hand. "Our boy is fine. I'll tell Megumi to visit later—he's with him."

A sigh of relief came out of you. "Thank... goodness."

But his expression seemed to fall even further after hearing your response. Satoru settled himself on the seat next to you and lowered the rail on your bed, allowing you to be even closer to each other.

"Do you not feel any pain anymore?" he asked then, gently tucking a strand of your hair behind your ear. He looked so sad, a stark contrast of how he usually was, and it bugged you.

"No... I feel fine now."

"Then, can I hug you?"

Of course you nodded without a second thought, and carefully, he wrapped his arms around your body, pulling you close and resting his face on the crook of your neck.

You knew what it was. Satoru was still visibly shaken by what had happened to you, and he wasn't great at expressing himself, so he tried to find consolation through this physical closeness instead.

"I'm okay..." you patted his back, trying to convince him. "I'm alright now, yeah?" But to your surprise, suddenly his whole body started to shake. "Satoru...?"

“…’m sorry.” His voice was barely above a whisper as he nuzzled you. “I shouldn't... have let you get this hurt...”

It always amazes you how Satoru always gets this distressed whenever you sustain any injury. You had seen him cry precisely two times now—once after you gave birth to your son and experienced severe bleeding, and now.

"It's not your fault..." you whispered in response. "You... have protected me well."

He held you tighter, his tone faltering. "I didn't."

"You have..." you stroked his hair, trying to convince him. "I'm still here, aren't I?"

Hearing you say that made Satoru's chest ache. The thought of something like this happening to you was unimaginable, and now that it had, he couldn't come to terms with seeing you hurt right in front of him.

"Don't—" he choked on his voice, his breath trembled against your neck. "Don't ever put yourself in danger again. If something happened to you, I wouldn't be able to live with myself..."

You couldn't make that promise. Despite the pleading in his voice, you knew deep down that your son's life—and his—meant more, and given the chance, you would obviously save theirs for yours.

“Satoru... I love you, you know that, right?”

So you simply embraced him close, hoping that in this life, you would live long enough that he would never have to see you like this again.

Epilogue

"Papa, how do I become stronger?"

Satoru blinked when his son asked him that so innocently and curiously, taken aback as he led him to your private room later that afternoon. "Oh? What brought this on?"

His first and only son, a perfect miniature of himself, pursed his lips. "I don't want Mama to get hurt again..."

Satoru's heart warmed at his baby’s sincere words, and despite himself, he chuckled.

"What's funny?" his son leveled a glare at him. "I'm being serious."

"Well, aren't you such a good boy? Don't worry, kiddo, I'll teach you my ways~"

"What ways?"

"Well, no need to rush, pumpkin. First of all, you will have to harness your skills and then you have to be more like me—"

"Do I have to be like you…? Is there no other way?"

"—? What's wrong with being more like me?"

"Everything...?"

[flowersforbucky]

where the lines overlap

logan howlett x reader (dofp!logan x mutant!reader)

word count: 8.7k

summary: no one gets under your skin quite as much as logan howlett - and he knows it, too. sex pollen trope.

warnings/tags: 18+ only mdni, smut, sex pollen so dub con, frenemies to lovers? they aren't enemies but logan and reader don't really get along, reader is a mutant with pyrokinesis, reader is afab, reader is described as being smaller than logan, no use of y/n, wet dream, fuck or die situation, oral, pet names (bub, princess), brief pain kink for logan, unprotected p in v, cream pie

author's note: takes place after the events of days of future past - so everyone's alive, charles is old af, and logan has a pretty streak of silver in his hair. not proofread super well so please ignore any errors.

There's certain things that you like to think about when you're pissed off. It’s a coping mechanism that you learned in therapy at the ripe age of eleven.

Go to your happy place or whatever.

For you, that's the mansion's courtyard after a fresh snowfall, and having the library all to yourself on a rainy day, and the comfort of your bedroom on one of the rare days that you aren’t teaching, or training, or on a mission.

At this point in your life, you’ve forgotten just about everything you were taught in that therapist's office. It's not like you had wanted to be there, but your parents had been worried and scared – and rightfully so. With the unexpected emergence of your pyrokinetic abilities came multiple accidental house fires born out of preteen angst.

So they did the only thing they knew to do at the time – stick you in therapy in hopes you would acquire some anger management techniques.

These days, you have a pretty good handle on your powers. With a lot of time and effort, you learned to control them – and not just control them, but yield them in a beneficial and productive way.

All of that progress comes dangerously close to going out the window anytime you're in close proximity to Logan Howlett.

Maybe all is an exaggeration – but no one else makes your fingertips burn hot with fire that threatens to break through the barrier of your skin quite like him. From his bossiness to his arrogance and attitude, you’ve clashed heads since the first day you met him.

Today is no different.

“Don’t use so much force.”

You curse as the tip of the blade impales the target a whopping three inches from the center. By far your worst throw yet, though this one isn’t entirely your fault.

You snap your head towards the unexpected but familiar voice, pulling your last dagger from the holster secured around your thigh before chucking it in his general direction. It flies past him, bouncing off the wall behind him.

You knew that it wouldn’t actually hit him. And if by some miracle it had, he’d heal in two seconds and then go right back to being a pain in your ass.

A good looking pain in your ass, admittedly. But a pain in your ass nonetheless.

He looks at you with an amused expression. “See? Too much force.”

“I didn’t know that having giant forks for hands made you an expert on throwing knives.”

He exhales a breathy laugh, staring at you for several seconds before turning to pick the dagger up from the ground. He then proceeds to collect the rest of the knives that you had previously thrown from the body of the practice target.

In heavy silence, he struts over to you with the daggers in hand. He turns to face a wooden target board, finding the balance point of the knife before sending it flying through the air.

Bullseye.

“A long time ago, when I first joined this team, Charles made me practice a non-power related method of self-defense, too.” He pauses, lining the second dagger up with the practice dummy. To no surprise, it’s another perfect throw.

“Wanna guess what I chose?”

You snatch the remaining knife out of his hand.

“How to annoy someone by sneaking up on them and giving them unsolicited advice while they are minding their own business?”

You position your feet once again, holding the knife up in preparation to take aim. Your eyes dart back and forth between the blade and the target ahead of you. You hesitate, feeling nervous under his gaze.

Logan moves from standing beside you, to standing behind you. Your breath catches in your throat as his large figure looms over you. If he were to took a step forward, his chest would brush against your back.

He uses the tip of his boot to nudge your heel forward half an inch, adjusting your stance. He takes your right hand in his, and you have to consciously remind yourself to breathe.

A wave of annoyance washes over you that he’s able to fluster you so easily. It makes you as pissed at yourself as it does him. He’s barely touching you – his hand dwarfing yours is the only point of physical contact, but you’d think that he were pinning you up against a wall with his body.

You tell yourself the sudden light-headedness and increased heartrate is because of the newfound closeness, and nothing more. You’re used to being around Logan – the two of you live together and work together. His general presence is nothing new. But the intimacy of your current predicament is.

And maybe the fact that notes of tobacco and bourbon are infiltrating your senses doesn’t help.

“As unsolicited as my advice may be,” he says lowly as he pulls your hand back slightly, “I give it because if there is ever a situation where someone's trying to hurt you, and you’re unable to light them on fire for some reason, I would really hope that you could at least impale them.”

He tightens his hold on your hand, and then snaps both of your wrists forward. Surprisingly, your brain registers to release your grip just in time. When the tip of the blade impales the center of the target perfectly, he drops your hand.

But he doesn’t move from behind you.

“Much better. Now come back upstairs. Charles needs to see all of us in his office.”

••••••

You and Logan are the last people to enter Charles’ office.

Storm, Scott, Jean, Marie, and Bobby have all found places to sit throughout the small room. Logan chooses to lean against the door that clicks shut behind him, while you exhale in relief at the sight of an empty chair on the opposite side of the room, next to Marie.

“Ah, how nice of you two to join us,” Charles greets. “I was starting to think that Logan got lost on his way to retrieve you.”

You force out a laugh, earning a side-eye from Marie as Charles launches back into whatever he had been in the middle of before you two interrupted.

“Everything okay?” Marie murmurs to you. “You looked a little sick when you walked in.”

“Oh, yeah,” you shrug her off without looking at her. You keep your eyes on Charles. “Yeah, I'm just tired. Been training all morning.”

What were you supposed to tell her? That you were thankful to be wearing a tactical suit so that Logan couldn’t see all of the goosebumps that bloomed across your skin when he was practically breathing down your neck less than five minutes ago? Or that the walk back up to Charles’ office was filled with a loaded silence in place of your usual bickering and banter?

Marie might be one of your closest friends, and you trust her, but Logan is something of a fatherly figure to her. There’s no way you’re letting her hear those words come from your mouth.

You try your hardest to focus on all of the information that Charles throws at you. You’re all to leave on a mission early tomorrow morning. When he explains where you’re going and why, chills run down your spine.

Alberta, Canada – more specifically, Alkali Lake. All of your friends seem to tense up at the mere mention of the place.

You dig your teeth into your lower lip, fighting the urge to sneak a glance to try to gauge Logan's reaction. You’ve never been to Alkali Lake before, and you’re far from excited about going – you can only imagine how he feels, given his history with the abandoned military base.

After no word of any activity surrounding the base for years, Charles had been made aware that the recent disappearance of a group of young adult humans had been traced back to Alkali Lake – to a modern day subsidiary of the group Weapon X.

The same group responsible for Logan’s skeleton being made from adamantium.

This, of course, is where all of you come in.

After a detailed rundown of the goals for tomorrow – the main one being safe extraction of the humans – Charles dismisses all of you to rest for the remainder of the day.

When everyone stands up, you finally risk glancing at Logan, but he’s already opening the door to Charles’ office and strutting away.

••••••

Thick stubble scratches your innermost thighs as sharp teeth and soft lips alternate between kissing and biting the sensitive flesh between your legs.

His face is covered in your slick from the three orgasms he’s already pulled from you with his tongue. He lays nestled between your legs, pinning you to the mattress beneath you. Your thighs rest across his shoulders, his hands splayed across your belly.

You're putty in his hands.

“I've gotta say, the sounds you make when you cum are way cuter than the sounds I'm used to hearing from you,” Logan muses against your cunt. His voice sends a vibration over your already overstimulated core.

You can only guess that the sounds he’s referring to are annoyed sighs and you telling him to shut the fuck up, but right now, you don't care enough to ask for any clarification.

“Yeah?” You yelp when his tongue flicks against your swollen clit. “Maybe if you spent less time pissing me off you’d get to—”

You're cut off by him plunging the tip of his index finger inside you. You writhe against him, your walls constricting around the digit.

“Less time pissing you off, more time letting you fuck my fingers and face. Got it.”

The slamming of a door somewhere outside of your room causes you to bolt upright in your bed.

You open your eyes to darkness except for the red glow of the numbers on your digital alarm clock that read 12:26 in the morning. Your heart feels as if it’s going to beat right out of your chest, and your skin is clammy with a thin layer of sweat. You throw your covers away from you in an attempt to cool yourself off.

“What the fuck. What the fuck. What the fuck—”

You whisper the three words to yourself over and over again until your breathing resumes a normal pattern.

You’re alone, of course. In the comfort of your private room, where you had fallen asleep several hours ago. The difference between now and then is an uncomfortable pool of wetness between your legs, soaking your underwear.

You can’t even recall the last time you had such a vivid sex dream. It felt utterly lifelike – you reach down between your legs, trailing your fingers over the skin of your inner thighs where you had felt his beard tickle and tease you.

How the fuck are you supposed to look him in the eye tomorrow, when you’re having to work together to rescue humans from Alkali Lake? How are you supposed to come up with smart-ass remarks for his endless taunting and teasing when you’re going to be trying your hardest to not replay the images of his hazel eyes looking up at from between your thighs?

“Get a fucking grip,” you whisper hiss to yourself.

It’s Logan. The same Logan who acted like he was too good to say more than ten words to you the first half a year that you were with the team. The same Logan that tries to get you benched for the dumbest, smallest reasons he can think of. The same Logan that condescendingly calls you kid or princess every chance he gets because he knows it gets under your skin.

You need a glass of water. And some fresh air, and a cold shower—

You start by picking up the pair of sweatpants that you’d discarded before falling asleep a few hours ago. You step back into them, deciding to trek to the kitchen for some ice water. Your mouth feels as dry as cotton.

As you approach the end of the hallway that leads from the team member's bedrooms to the kitchen, you hear the soft shuffling of footsteps and see low lighting that spills from the refrigerator.

As soon as you step into the kitchen, you come to a halt. You recognize the large frame standing in front of the open fridge right away.

Of fucking course it would be him. And of fucking course he wouldn’t be wearing a shirt.

You clear your throat to announce your presence, not quite trusting your voice to speak. He looks at you over his shoulder, a bottle of beer pressed to his lips.

You walk over to the cabinet beside him, keeping your eyes off of him entirely as you get a glass.

“What's got you awake at this hour?” He closes the fridge, leaning back against the edge of the countertop. The only light in the room now comes from the small, dim bulb above the sink.

If he only fucking knew, you think. If he only knew that the real reason you are out of bed right now is because you’d just woken up from an extremely graphic, jarring dream of you riding his face.

You fill the cup up with cold water from the kitchen sink and take a large swig before once again turning to face him.

“Could ask you the same thing,” you answer with a vague gesture to his half-dressed form and beer bottle.

He takes in your appearance, too. His eyes trail from your exposed feet, to your baggy sweatpants, and up to your even baggier t-shirt before settling on your face. You feel particularly vulnerable under his gaze right now. You compare how you look to how he looks – with his stupid abs that look like God himself chiseled them from stone and his sweatpants that hang just a little too comfortably.

You sip on your water just to keep from biting your lip.

“Guess we were both thirsty,” he shrugs as he takes another sip of his beer.

“Guess so,” you hum, and because you don’t want to fall into an awkward silence and it’s the only thing you can think to add, you say, “Nervous about the mission?”

His expression darkens and posture tenses at your question. “I am,” he admits. “And if you knew as much as I do about that place, you’d be nervous, too.”

You huff. Your grip tightens around the glass in your hand at the mere insinuation that he knows your feelings. “Who says that I’m not?”

“If you’re going, you’re not nervous enough.”

You fight the urge to roll your eyes. You take a deep breath, knowing damn well the direction that this conversation is headed. You’d heard it all from him before – anything to keep you as far away from him as possible.

“Of course I’m going, Logan. Whether you think I’m good at it or not, it’s my job.”

“It’s not that I don’t think you’re good at your job. It’s about experience—”

You laugh, cutting him off. You can feel the telltale warmth of fire beginning to form beneath the tips of your fingers, your irritation threatening to bubble over.

“Experience?” you exclaim. “Do I need to remind you that I’ve been with this team for three years now? Just because I’m not two hundred years old like you doesn’t mean that I don’t have experience.”

“I’m very aware of how long you’ve been with this team, bub,” he says calmly, which makes you all the more heated.

“For three years you’ve spewed every bullshit reason you can think of to keep me on the sidelines,” you laugh. “I wish you’d fucking admit that you just don’t like me. It’d be a lot more respectable than acting like you’re worried about—”

Logan’s gaze drops to the glass in your hand, making you come to an abrupt pause. You follow his stare, realizing that you’ve managed to melt the glass where your fingertips grip the glass. Water begins to leak out from the holes, spilling onto your sweatpants and the floor below you.

There’s no visible flames emanating from your fingertips. Your anger hadn’t progressed to full on fire, just intense heat, but still. No one else makes you come as close to losing control as him.

No one. And he seems to know it, too. You can tell by the smug look on his face.

You dump what little liquid is left into the sink before chucking the distorted glass into the garbage.

You start to storm past him, to get away from him and go back to your room without another word, when he grabs you by the wrist. You look at him in bewilderment – this is the second time in the last twenty-four hours that he has held your hand in his.

“Didn’t know you were so hot and bothered over me,” he says with an amused smirk.

You rip your hand away from him, an exaggerated look of disgust on your face. Your recent dream pops into your head and you have to remind yourself that he’s not Jean or Charles – he can’t read your mind.

“You're lucky that you've got those handy healing powers,” you spit as you once again begin exiting the kitchen. “If I thought there was a chance of it actually shutting you up, I’d burn more than just Charles’ vintage glassware.”

You hear him say your name, but you’re already speed walking back to your room and playing your list of happy place thoughts on a loop in your head.

The soup that Storm makes when everyone at the school seems to get sick at the same time. One of your younger students picking you a flower. The smell of fresh laundry, the crisp pages of a new book.

Finally, your bedroom door clicks shut behind you.

You would have been better off just enduring the discomfort of a dry throat, you think. You don't know what's worse – not being able to sleep because you're rattled from a wet dream about him, or not being able to sleep because you've once again allowed him to get under your skin.

You crawl back under your covers, hoping that when you close your eyes, you don't see his face again.

••••••

Logan doesn’t make any more appearances in your dreams for the rest of the night, but that doesn’t stop him from being the first thing you think of when you open your eyes in the morning.

And as much as you hate to admit it to yourself, the only thing on your mind the entire flight from New York to Alberta.

From the tension that filled the air when he corrected your knife throwing technique yesterday morning to the warmth of his calloused hand when he grabbed you by the wrist in the kitchen last night, you're fighting a losing battle with no one but yourself.

As far as you can tell, he’s utterly unaffected. The fact that he chose to sit directly in front of you on the jet instead of any of the other empty seats says as much.

Not even ten minutes into the flight, you're staring at the tufts of his hair and his broad shoulders when you have to remind yourself that there's two telepaths occupying this jet with you. Though you trust both Charles and Jean to not read your mind without cause, the mere possibility of either one of them accidentally tuning into your thoughts and seeing a replay of your most recent dream or hearing you think about what it would be like to tug on those stupid fucking tufts of hair that resemble kitten ears is enough to mortify you.

You find yourself grateful that you brought a book and headphones with you to distract yourself for the duration of the trip.

An eerie feeling creeps into your bones as soon as you step onto the hanger of the jet. You can’t deny that the scenery surrounding the military base is beautiful – from the snowcapped mountains to the frost covered lake, it’s picturesque. But then your gaze settles on the large dam, and you remember what lies beneath.

“Can't say that I've missed this place,” Logan grunts, drawing your attention to him. His face is impassive other than his mouth being set in a hard, straight line as he stares out towards the water.

It's rare for Logan to elicit feelings outside of burning irritation (and maybe, possibly, sometimes arousal) from you – but right now, there’s a part of you that wishes the dynamic between the two of you were different.

As much as he infuriates you, you still care about him. You wish you could say that you didn’t, but the fact that you feel the urge to reach out and give his hand a reassuring squeeze makes that pretty hard to deny.

That urge dissipates as quickly as it comes over you. The bitter chill of the mountain wind and your teammates voices pull you back to reality. You awkwardly fiddle with one of the daggers strapped to your thigh instead.

“Jean and Scott, the two of you take the west side of the building,” Charles instructs when the group nears the discreet entrance. “Bobby and Rogue, clear the east wing. Storm and I will be keeping watch outside to make sure that no one tries to escape with the humans.”

“What about us?” you ask with a slight nod towards Logan. The fact that neither of you had been given instructions yet leaves it to be assumed that you’ll be paired up together.

You and Logan working as a pair was nothing out of the ordinary, and although that typically comes with a lot of annoyance, right now you can’t help but feel a little relieved by it.

Even if you are still irritated at him for his behavior and choice of words in the kitchen last night and even if you do think of him between your thighs every time you look at him for more than five seconds, he’s still more familiar with this place than anyone else here.

And no matter how much he makes you want to tear your hair out, there's never a time that you feel unsafe when he's near.

“You and Logan are to inspect the basement,” Charles answers. “I trust that you can refrain from melting any antique personal property until we are back at the mansion, my dear,” he adds with a knowing smirk.

“I was planning on paying you back for that,” you mumble.

“No,” Charles sighs. “You weren't. It was very expensive.”

Logan snorts, earning curious glances from everyone other than you and Charles. He does get a nasty side-eye from you – a silent promise to deliver on last night’s threat to find something to burn other than vintage glassware.

Your teammates split up into their respective groups upon entering the base, leaving you to follow Logan's lead towards the lower levels.

It’s unsettling just how silent it is. The only sounds are that of yours and Logan's boots against the ground. You'd be able to hear a pin drop from across the building.

And it's cold. The kind of cold that makes your bones ache. You instinctively flex your fingers, focusing on the warmth that radiates from the tips.

As the two of you make your way through the dark, seemingly endless basement, checking each room for signs of life, you can't help but think of Logan being here under much different circumstances.

You don't know the full extent of his time here – even he only remembers bits and pieces. But you know enough to know that this can’t be easy for him.

The fact that he's being uncharacteristically quiet only reaffirms that. He makes none of his typical taunts and jabs, only speaking when absolutely necessary.

You find yourself damn near wishing he’d make some snide comment about how you’re walking too loudly and how being partnered up with you feels like babysitting duty – if he did, maybe then you wouldn’t feel this annoying, persistent worry over his mental well-being.

“Logan,” you begin quietly as the two of you approach a large set of hospital style double doors at the end of a corridor. “I know being here can't be easy for you. I'm sorry that you have to be.”

He huffs a laugh under his breath, not meeting your eyes as he slowly pushes one of the doors open, peaking into the room before stepping inside and holding the door open for you.

“Just part of the job, bub,” he sighs. “I know what I signed up for.”

You enter, walking past him into the dark room. You shine your flashlight around the cramped space. Right away, you can tell that it’s vacant, as all of the other rooms you’ve checked have been. But it’s different – whereas most of the rooms have been completely empty, this one contains multiple twin sized beds. No frames, no pillows, just plain white sheets on each one.

“I know you do. But that doesn’t mean it isn’t hard.”

The door clicks shut behind him, and he shines his own flashlight around the room from right behind you.

“It’s okay, princess,” he snorts. “I’m a big boy. You don’t gotta pretend to be worried about me.”

Princess. Your fingertips tingle as soon as the pet name leaves his lips.

“I’m not pretend—”

The sudden, loud clicking of a deadbolt echoes through the room, silencing you. You and Logan stare at each other for a brief moment, startled and confused, before he turns around and pushes on the double doors to no avail.

He slams the full weight of his body against the metal, but it doesn't budge.

“What the fuck,” he growls in between repeated strikes against the doors.

“Logan and I are locked in a room in the basement,” you say as you click on the communication device in your left ear. “The door automatically locked after we came inside. We can’t get it open—”

You’re met with white noise.

“My fucking comm isn’t working.” Panic begins to set in as you yank the device out of your ear to inspect it. There’s a small green light indicating that it is on, but for whatever reason, it isn’t getting signal.

“Scott? Storm? Can anyone hear us?” Logan says as he messes with his own communication device. “Nothing,” he grunts after a moment of silence.

“Professor? Jean? If either of you are listening, now would be a great time to poke around in our brains and let us know.”

Nothing indeed.

“Okay,” Logan says as he backs away from the double doors. “Blast them.”

“Blast them?” You repeat, dumbfounded. “They’re industrial metal doors. They’re like two feet thick. These walls are made out of concrete.” You bang your first against the rock solid wall for emphasis. “What the fuck do you think fire is—”

“I don’t hear you suggesting anything!”

“How about not setting the room we are trapped in on fire? Only one of us has regenerative—”

A loud hissing noise sounds from above, causing you and Logan to both point your flashlights up towards the ceiling. You squint, trying to make sense of what you’re seeing. Large vents make up well over fifty percent of the ceiling, releasing what appears to be a fog like substance. It quickly transforms the air above you into one large, milky looking cloud.

“Charles! Storm! Scott – we need help. Quickly, we need help. I don’t know what’s going—”

You continue to shout into the communication device while Logan alternates between punching the door with his fists and throwing the full weight of his body against the metal, but all of your efforts are futile. The doors don’t budge, and you hear nothing but static from the comm.

You frantically glance around the room, looking for another escape route. There’s no other doors, and no windows. You’re completely enclosed by the four concrete walls and the impenetrable metal doors.

“Hold your breath!” Logan shouts as the fog descends upon the two of you, but it’s too late. The sickeningly sweet smelling mist encompasses you, making it impossible to see anything other than the thick silver vapor. It infiltrates your nostrils, causing you to gag. You cough, desperately trying to clear your airway of the substance.

It burns – your throat, your nostrils, your eyes and skin. Anywhere that it comes in contact with you feels like pins and needles.

You’re vaguely aware that Logan is somewhere to your left, asking if you’re okay in-between coughs and gags of his own. You can’t catch your breath well enough to answer him.

His hand clasps around the top of your arm. Your vision goes fuzzy and you collapse into him, light-headed from the profuse coughing.

“I think it’s dissipating,” Logan whispers in a strained voice, still supporting you so that you don’t fall to the floor. You risk cracking your eyes open the slightest bit, and realize that he’s right. There’s still a veil of mist surrounding you, but it’s no longer so opaque that you can’t see even two inches in front of your face.

You take deep breaths, making no effort to step away from him as you attempt to regain control of your breathing. Your lungs feel like they are on fire and your throat feels like you haven’t had any water in days.

“What the fuck was that?” Your voice comes out as a croak.

“Can you stand?” he asks you. You nod, reluctantly pulling away from his embrace.

As soon as he steps away from you to see if the doors are still locked, the momentary relief that you felt when the fog began to dissipate is replaced with renewed terror. The room, which was previously dark except for the light from your flashlights, suddenly glows a deep red color from the ceiling that now emits crimson fluorescence.

You open your mouth to call out for Charles or Jean again, when a throbbing sensation radiates throughout your gut. You clutch your hands over your abdomen, gasping at the sudden and awkward feeling.

Logan turns his attention away from the doors and back to you as soon as he notices how you’re hunched over. You stumble over to the bed that's closest to you, the world blurring around you in shades of red.

“Something is wrong,” you gasp out. You know you're stating the obvious – something has been wrong since the moment that the doors locked behind you.

He's next to you in two long strides, kneeling beside the bed and looking up at you in concern. The ache in your lower belly seems to worsen with his close proximity. Your skin feels feverish, making you want to peel your tactical suit off of your body.

“Tell me what you're feeling,” he demands. Other than obvious confusion and fear, he appears physically fine. You piece together that whatever that shit was, it’s effecting you much differently than it is him – undoubtedly due to his healing abilities.

You can't form a coherent sentence – all you can focus on is the way that the discomfort in your abdomen travels down to your groin, making you clench your thighs together. You have the inexplicable desire to reach out and pull him to you, as if having him as close as possible to you is the only solution for every uncomfortable thing happening to you.

“You gotta talk to me, bub. Tell me what’s going on,” he says when you don’t answer him. He puts a hand just above your knee and you have to hold back the whimper that threatens to break through your lips. He notices your pained expression and quickly withdraws his hand from your thigh.

“No!” you gasp, grabbing his hand in yours out of desperation to maintain some level of physical contact with him. “I – I don't know how to explain what’s happening. Just – I just need you to keep touching me. Please. Whatever that fog was, it’s making me feel like…”

You trail off, realizing that you must sound every bit as insane as you feel. You don’t know how to begin articulating what’s happening to you, because it makes no sense. When the silver mist first started to rain down from the ceiling, the last thing on your mind was Logan pinning you to one of these mattresses and railing you until you until you see stars. Now, you think that if he so much as stops holding your hand, you'll fucking die.

A look of clarity washes over Logan’s face – with a hint of something else that you can't quite pinpoint, too.

“I think I know what this is,” he murmurs. His stare is locked on one of the daggers strapped to your thigh. He squeezes your hand in his, though you don’t know if it’s to comfort you or himself.

“I’ve heard of this before. Didn’t know it actually exists. I came across it once when preparing a lesson on Alkali Lake—”

“What is it?” you implore.

His eyes finally flicker back up to yours. Images of last night’s dream flash through your mind again. Instead of his hand holding yours, you visualize his slender fingers pumping inside you. You stare at his lips, imaging the feeling of them sucking love bites into the meat of your inner thighs –

“It’s a chemical created for breeding experiments,” he answers after a pregnant pause. “They – Weapon X – wanted super mutants. Some of the subjects were… less than compliant. This made it so that they weren’t able to fight it.”

You let his words sink in. It’s not something you’ve ever heard of, but you don’t doubt that what he’s saying is true. How could you, with the way that your pussy is throbbing at the mere sound of his voice? Under normal circumstances, you might not read too far into that. But right now? On a mission, locked in a creepy basement, unable to get in contact with your teammates?

“Weren’t able to fight it,” you repeat slowly. “You're saying there’s only one way out of this.”

He doesn’t answer – just looks at you with sympathy. With pity.

“No,” you shake your head. You yank your hand from his grasp and move back across the mattress as the gravity of the situation hits you. To distance yourself from him feels like ripping air out of your own lungs, but the alternative is borderline unthinkable.

“I can’t – won’t ask that of you,” you declare. There’s a voice in the back of your mind that laughs at you, as if saying it’s cute that you think you have a choice. The pain and longing grow with each passing second, threatening to consume you from the inside out.

“You’re fine. It would be different if it was both of us. But you shouldn’t have to do this just because you're stuck here with me.”

“Have to? You make it sound like it would be a punishment for me,” he chuckles darkly. He finally rises from where he had been kneeling next to the bed. He stands beside the mattress, looming over you in the maroon lighting.

“Let’s not overcomplicate this, princess,” he murmurs. He grasps your face in his palm and tilts your head to look up at him. His touch is a balm – it feels like running a burn under a cold stream of water.

“I'm gonna take care of you, and then you can go right back to tolerating my existence.” He runs the calloused pad of his thumb over the swell of your bottom lip. Your eyes flutter shut, reveling in the sensation of the singular digit against your flesh.

“Besides, it’s not like you haven’t dreamed about this. Or were you moaning about someone else who just happens to have the same name as me last night?”

Your eyes shoot open at the revelation that not only had you said his name in your sleep, but he’d fucking heard you. And has the nerve to tease you about it at a time like this.

He's smirking down at you. His smugness irritates you often, but right now it’s enough to cause the tips of your fingers to burn hot. You jerk his hand away from your face, causing him to hiss when your fingers wrap around his wrist.

He chortles, his eyes rolling back in his head at the sensation. The reaction fills you with annoyance – of course he would have a fucking pain kink.

As much as it pisses you off, it also spurs you on. Blame the influence of the chemicals that you’re currently under, but the fact that he can so easily tolerate and even enjoy something that would have anyone else running in the opposite direction does something to you.

You’re past the point of finding it in you to care about consequences. You’re no longer thinking about how you’ll be able to look him in the eye when this is over, or how you’ll pretend like everything is perfectly normal when the two of you are back on the jet with your teammates.

Maybe you can fight this drug, or maybe he’s right and there’s no point in trying. Either way, you’ve decided that you're going to have him before you leave this room.

You drop his hand, bringing yours to the zipper at the neckline of your tactical suit. You slowly tug it downwards, gauging his expression as he watches you expose your chest and stomach.

For once, he’s all out of smart remarks.

A part of you feels a sense of satisfaction and wants to continue taking your time with undressing yourself, just to keep him looking at you like this – but every fiber of your being is screaming at you for more.

You waste no more time with shoving the restrictive Kevlar material down your arms, leaving you in only your bra from the waist up. Logan unfreezes at the sight, crawling onto the bed on his knees. You maneuver yourself so that you’re laying flat against the mattress, pulling him down with you.

He rips the fabric of your bra away from your breast, immediately attaching his mouth to your nipple. He rolls it between his tongue and teeth, causing you to arch your back into his touch. Your legs instinctively wrap around his hips, pinning yourself to the mattress with his body. You mewl at the feeling of your pebbled nipple in his warm mouth.

His other hand attempts to free the opposite breast, but the fabric is too tight and restrictive. He let’s out an annoyed growl, pulling back to unsheathe his claws and snip the material in between your tits, letting them spill free.

“Hey! I loved that bra—”

Your complaint dies in your throat when he slates his lips over yours.

There’s nothing slow or sensual about the way that he kisses you. He slips his tongue past your lips, moving his lips with fervency and urgency – like he needs this as badly as you do.

You buck your hips up into him, desperate for any amount of friction. He grinds down against you, his erection evident even through the thick material of both of your tactical suits.

He pulls back, breaking the kiss to unzip your suit the rest of the way down. He peels it down your thighs, only stopping to discard your boots. When you’re left in only your underwear, he looks at you with a satisfied smirk.

“So, what exactly was I doing in your dream to have you saying my name like that, huh?” he asks as he toys with the waistband of your panties.

You roll your eyes, your patience growing thinner as the ache in your belly grows stronger. He can tease you about that all he wants when you’re back in the safety of the mansion, when you’re no longer under the influence of potentially life threatening chemicals and capable of thinking of a proper comeback.

“Shut up and eat me out.”

His smirk only grows, but he doesn’t tease you any further. He tugs your panties down your legs, tossing them to the floor. He lowers himself onto his stomach, still fully dressed. Under less dire circumstances, you would’ve been eager to get him out of his clothes, too – but right now, your highest priority is feeling his mouth on you.

No wet dream could have prepared you for how euphoric it actually feels for his teeth to nip at the tender flesh of your inner thighs, or the way that his tongue draws lazy circles at your hole before his lips lock around your clit.

You writhe against him, chasing the release that you’ve been desperate for since the second the vapor first came in contact with your skin. He’s more than generous, expertly nursing at your swollen bud as he eases a slender finger inside your cunt.

One finger – that’s all it takes to feel your climax building, the coil in your lower belly tightening. You feel your walls pulse around the digit as your orgasm washes over you. You don’t even try to hold back your cries and praises of pleasure, letting him know how good he’s making you feel.

When he sits back, his lips and beard glisten with your slick in the red glow that encases you both. You push yourself into a sitting position and reach for the zipper of his suit, antsy to shed his clothing now that your physical discomfort had been quelled – at least for the time being.

He helps you, shrugging out of his vest and tugging his undershirt over his head. Your mouth goes dry at the sight of him. You’ve seen him shirtless before, but never shirtless for you. You want to dig your nails into the planes of his chest, and run your tongue along the protruding vein that disappears beyond the waistline of his pants –

You undo his belt buckle and pop open the button of his pants before hastily yanking both his pants and boxers down in one movement. His cock springs free, bobbing inches before your face. You start to adjust your position on the bed – to get on your knees and take him in your mouth – when a low chuckle causes you to pause and look up at him.

“Nuh-uh,” he tuts, earning a confused pout from you.

“You don’t want me to suck your dick?” You ask with raised brows.

“S’not about me right now, bub. I said I was gonna take care of you, and that’s what I’m gonna do. Now lay back down for me.”

You aren’t going to argue with that.

You return to your original position on the mattress, pulling him down with you. He hovers above you, using one arm to support himself on the bed. He takes his cock in his free hand, stroking his length a few times before nudging his head through your folds until he’s lubricated in your juices.

“Don’t you worry, though,” he murmurs against your lips. He teases his tip at your hole. “If you still wanna suck my dick when we get out of here, I'll let you.”

“Oh, you’re so thoughtfu—”

He sheaths himself inside you, turning the end of your retort into a gasp. He fills you entirely, stilling to allow both of you time to adjust to the sensation. The stretch is damn near blinding, making your eyes roll back into your skull. You glance down between your bodies, halfway expecting to see him jutting out of your stomach.

He fucks you similarly to how he kisses you – like this is saving him as much as it is you. It's rough, and fast, and messy – and you dread the moment that it’s over.

No one has ever filled you as completely and perfectly as him. You don’t think anyone else ever will, again.

Each drag of his cock along your walls has you clenching around him, each time his head rams against your cervix you can’t help but cry his name.

He snakes his hand in between you, reaching down to where his body collides with yours. His thumb massages over your sensitive clit.

You rake your nails down his back and he hisses in approval, snapping his hips into you at a brutal pace.

“Fuckin’ ruinin’ me for anyone else, princess,” he grunts before kissing you again.

You don't have time to overthink the sentiment before your second orgasm is washing over you. Logan cums as soon as he feels your pussy pulsating around him, fucking you until he's spilled every last drop of his warm seed deep inside you. When you're both finished, he stills inside you and rests his sweat-slicked forehead against yours as he catches his breath.

“You think it worked?” he grunts.

As if on cue, you hear the deadbolt unlock from the other side of the room. A second later, Storm’s voice sounds from your communication device that had fallen to the floor at some point.

“I don't feel like there’s a ticking time bomb inside my vagina anymore. So, I’d say yeah, it worked.”

He huffs a laugh, and then pulls out of you with a sigh.

“Logan,” you say, stopping him before he can pull away from you entirely. He stares down at you, waiting for you to continue.

You aren’t even sure what to say. Truthfully, you just weren’t ready for the moment to end and for things to go back to normal between the two of you.

“Thank you,” you spit out after a moment of loaded silence. “For… helping me,” you finish lamely.

“Don’t thank me, bub,” he chuckles. “It’s far from the worst thing that's happened to me in this place.”

••••••

You sleep the entire flight back to New York.

And as soon as you've showered and your head hits the pillow after returning home to the mansion, you sleep for another ten hours. Every time you wake up and think that you're finally well-rested, your body says otherwise and you're asleep again within minutes.

You wish you could say it’s a dreamless sleep, but that would be a lie. You see Logan’s face every time you close your eyes.

But it's different than the last dream you had of him. It isn’t images of his head between your thighs or his fingers slipping in and out of you.

It’s just.. him. His presence. The lingering feeling of his lips on yours, the light flavor of tobacco and menthol.

And the echo of the words he spoke as he teased you with the head of his cock and made you cum around his length.

“Don’t you worry, though. If you still wanna suck my dick when we get out of here, I’ll let you.”

“Fuckin’ ruinin’ me for anyone else, princess.”

When you wake, the ache between your thighs for him remains, despite the fact that the effects of the drugs had long since faded.

You know you shouldn’t read too far into words spoken while the two of you were locked in that room. But you can’t help but keep thinking that he wasn’t under the influence of chemical subjugation. Which leaves you questioning if he meant the things he said, or if he was just trying to lighten a scary, impossible situation for both of you.

You suppose there’s only one way to find out.

When you finally gather the courage the knock on his door, the sun has set and everyone has retired to their bedrooms for the evening.

You almost dash back into your own room during the few seconds that it takes him to open his door. He wears sweatpants, a plain black t-shirt, and a surprised expression.

“Hey, bub,” he greets you apprehensively. You don't normally make a habit of stopping by his room for late night chats. “Was starting to worry that you’d fallen into a coma.”

He opens his door wider, motioning with his head for you to come inside.

“Felt like it,” you give a small laugh. “Whatever was in that shit wore me out.” You take a seat on the edge of his bed, nervously wringing your hands together.

“You feeling better now?” he asks as he leans against his dresser, crossing his arms over his chest. Your eyes trail over the large muscles of his chest and shoulders. The memory of his body caging you to the twin sized mattress in the basement of the bunker flashes through your mind.

You nod, hoping that it’s convincing.

“All things considered,” you shrug. “I just wanted to check in with you. Has Charles… said anything?”

What you're actually trying to ask is if Charles interrogated him about where the two of you were during the mission, why no one was able to contact either of you, and why you have been so exhausted that you've done nothing but sleep for the last day, but you trust that he knows what you mean.

“He hasn’t said anything, but..” he trails off, eyes darting around the room to avoid your gaze. “It’s Charles. Safe to assume he knows and is just being decent by not saying anything.”

“Right,” you murmur.

If he doesn’t already know, it's only a matter of time before you slip up and imagine the feeling of his lips on yours or the sounds of his moans in the middle of a mission debriefing.

“And the humans..? They’re all okay?”

“They are,” he assures you with a soft smile. “They’re all receiving medical attention, and most have been reunited with their loved ones.”

You breathe a sigh of relief. “No thanks to us, I guess.”

“No,” he laughs. “I suppose not.”

He pushes himself off the dresser, walking the few feet to where you perch at the edge of the mattress. He sits down beside you, his thigh brushing against yours. He smells of Old Spice deodorant and spearmint toothpaste, and it makes you the room spin around you.

“But everyone’s okay. They’re safe. And you’re safe. That’s what matters.”

You nod, not trusting your voice to speak. He’s close enough that you can practically feel the heat from his body. You risk looking at his face, your gaze flickering between his eyes and his lips.

“Yeah,” you finally agree. “You’re right. Well, I’ll let you get some rest. I just wanted to check in with—”

You start to stand up, when he cups your jaw in his hand and pulls your face to his. He’s hesitant in a way that he wasn’t yesterday – he gives you the opportunity to pull away before he sweeps his tongue across your bottom lip, as if asking for permission.

When you don’t give any kind of indication that you want him to stop, he pulls you flush against him and slips his tongue past your lips. You bring your hand to the back of his neck, twining your fingers through his hair.

He takes his time with you. Whereas yesterday’s kisses were filled with urgency and desperation, todays is tender and sensual. Now, you’re allowed the luxury of taking your time.

He lays down against the mattress, pulling you with him. You straddle his stomach, your lips never once breaking contact. His hands grip the globes of your ass, his fingers digging into the meat through your pajama pants.

You grind against the hard planes of his abdomen, earning a throaty growl from him.

He breaks away, nipping at your bottom lip with his teeth.

“I said something I didn’t entirely mean yesterday,” he whispers, out of breath.

“What?” you ask, sitting upright and looking down at him. “You aren’t going to let me suck your dick?”

“No,” he chuckles. “God, no. I meant that. If you still want to, that is—”

“What is it, then?” you interrupt with a playful nudge to his chest.

“I said you could go back to tolerating my existence. But I hope you wanna do a little bit more than just tolerate me.”

You laugh under your breath, leaning down to press your lips to his once more.

“I could see myself doing a little bit more than just tolerating you.”

oooops i accidentally wrote another fic where logan overhears something that he wasn't supposed to 😅🫠 did not originally plan for that to happen hahaha

check out some of my other logan fics -

by the end of the night

dog tags drabble

[physalian]

How to Make Your Writing Less Stiff Part 3

Crazy how one impulsive post has quickly outshined every other post I have made on this blog. Anyway here’s more to consider. Once again, I am recirculating tried-and-true writing advice that shouldn’t have to compromise your author voice and isn’t always applicable when the narrative demands otherwise.

Part 1

Part 2

1. Eliminating to-be verbs (passive voice)

Am/is/are/was/were are another type of filler that doesn’t add anything to your sentences.

There were fireworks in the sky tonight. /// Fireworks glittered in the sky tonight.

My cat was chirping at the lights on the ceiling. /// My cat chirped at the lights on the ceiling.

She was standing /// She stood

He was running /// He ran

Also applicable in present tense, of which I’ve been stuck writing lately.

There are two fish-net goals on either end of the improvised field. /// Two fish-net goals mark either end of the improvised field.

For once, it’s a cloudless night. /// For once, the stars shine clear.

Sometimes the sentence needs a little finagling to remove the bad verb and sometimes you can let a couple remain if it sounds better with the cadence or syntax. Generally, they’re not necessary and you won’t realize how strange it looks until you go back and delete them (it also helps shave off your word count).

Sometimes the to-be verb is necessary. You're writing in past-tense and must convey that.

He was running out of time does not have the same meaning as He ran out of time, and are not interchangeable. You'd have to change the entire sentence to something probably a lot wordier to escape the 'was'. To-be verbs are not the end of the world.

2. Putting character descriptors in the wrong place

I made a post already about motivated exposition, specifically about character descriptions and the mirror trope, saying character details in the wrong place can look odd and screw with the flow of the paragraph, especially if you throw in too many.

She ties her long, curly, brown tresses up in a messy bun. /// She ties her curls up in a messy brown bun. (bonus alliteration too)

Generally, I see this most often with hair, a terrible rule of threes. Eyes less so, but eyes have their own issue. Eye color gets repeated at an exhausting frequency. Whatever you have in your manuscript, you could probably delete 30-40% of the reminders that the love interest has baby blues and readers would be happy, especially if you use the same metaphor over and over again, like gemstones.

He rolled his bright, emerald eyes. /// He rolled his eyes, a vibrant green in the lamplight.

To me, one reads like you want to get the character description out as fast as possible, so the hand of the author comes in to wave and stop the story to give you the details. Fixing it, my way or another way, stands out less as exposition, which is what character descriptions boil down to—something the audience needs to know to appreciate and/or understand the story.

3. Lacking flow between sentences

Much like sentences that are all about the same length with little variety in syntax, sentences that follow each other like a grocery list or instruction manual instead of a proper narrative are difficult to find gripping.

Jack gets out a stock pot from the cupboard. He fills it with the tap and sets it on the stove. Then, he grabs russet potatoes and butter from the fridge. He leaves the butter out to soften, and sets the pot to boil. He then adds salt to the water.

From the cupboard, Jack drags a hefty stockpot. He fills it with the tap, adds salt to taste, and sets it on the stove.

Russet potatoes or yukon gold? Jack drums his fingers on the fridge door in thought. Russet—that’s what the recipe calls for. He tosses the bag on the counter and the butter beside it to soften.

This is just one version of a possible edit to the first paragraph, not the end-all, be-all perfect reconstruction. It’s not just about having transitions, like ‘then’, it’s about how one sentence flows into the next, and you can accomplish better flow in many different ways.

4. Getting too specific with movement.

I don’t see this super often, but when it happens, it tends to be pretty bad. I think it happens because writers feel the need to overcompensate and over-clarify on what’s happening. Remember: The more specific you get, the more your readers are going to wonder what’s so important about these details. This is fiction, so every detail matters.

A ridiculous example:

Jack walks over to his closet. He kneels down at the shoe rack and tugs his running shoes free. He walks back to his desk chair, sits down, and ties the laces.

Unless tying his shoes is a monumental achievement for this character, all readers would need is:

Jack shoves on his running shoes.

*quick note: Do not add "down" after the following: Kneels, stoops, crouches, squats. The "down" is already implied in the verb.

This also happens with multiple movements in succession.

Beth enters the room and steps on her shoelace, nearly causing her to trip. She kneels and ties her shoes. She stands upright and keeps moving.

Or

Beth walks in and nearly trips over her shoelace. She sighs, reties it, and keeps moving.

Even then, unless Beth is a chronically clumsy character or this near-trip is a side effect of her being late or tired (i.e. meaningful), tripping over a shoelace is kind of boring if it does nothing for her character. Miles Morales’ untied shoelaces are thematically part of his story.

Sometimes, over-describing a character’s movement is meant to show how nervous they are—overthinking everything they’re doing, second-guessing themselves ad nauseam. Or they’re autistic coded and this is how this character normally thinks as deeply methodical. Or, you’re trying to emphasize some mundanity about their life and doing it on purpose.

If you’re not writing something where the extra details service the character or the story at large, consider trimming it.

—

These are *suggestions* and writing is highly subjective. Hope this helps!

[thecoiledserpent]

↑ this, and if a man is problematic online, then he's going to be even worse irl 🤷‍♀️ the entire perception that our online presence or persona does not reflect our true self is false. if you notice, then you can always figure out the inner workings of a person simply by seeing how they act with or react to people. a man who acts toxic on the net is going to be no different irl

Anytime a man is known for getting into fights with other men, just know he's gonna beat women up with zero hesitation in private. Look at Xxxtentacion. When I learned that Dennis Rodman headbutted other men (basketball players, a referee, an SNL comedian etc.) and would kick cameramen for no reason, all I had to do was google his name and attach 'domestic violence' to it. And what do you know. In 2008, he was charged with spousal battery.

Men who hate other men are likely to treat women like shit too. Or even worse. They don't have to be outwardly violent lmao. Never give them the benefit of the doubt either way.