#hindi writers

[living-with-the-seasons]

परीक्षा पथ ,पवन के पहरे ,

सवाल बहरे ,जवाब गहरे...🌌

[reaching-verity]

उनकी आँखों में इक चमक,

उनके लफ्जों में इक नमी है।

उनकी आवाज़ की वो खनक,

धीरे-धीरे खलने लगी है।

उनकी बातों से मन बहलने को,

जी बेतहाशा चाहता है

मगर इस ज़माने की बातों से

हमें फुरसत कहां मिली है...।

- मेरी अपनी कलम से

[praphull-ki-diary]

अब आ जाओ!

तुम्हारी यादों के फूल खिले है धूप में

बरसात तुम अब वापिस लौट आओ

मिलना बिछड़ना एक बात है जाना

मुझसे लिपट के रोने की बात हो तो आओ

तुम्हारे बिन नींद मेरी गायब है कबसे

कोई उपाय अगर हो तो साथ लेके आओ

दिन से भागना आसान है मगर

तुम्हें रुकना हो तो सारी रात लेकर आओ

-praphull

[vellhighbandi]

उम्मीदें

[hbnsarchives]

Hari Ballabh Narayan Singh Official Old Potrait

Hari Ballabh Narayan Singh was a renowned Indian Hindi writer, teacher, essayist, and scholar. Born in 1934, he earned his MA degree in Hindi and worked as a principal and teacher. He was also a prominent figure in education reform and served as the secretary and president of the Bihar Non-Gazetted Primary Teachers' Association. Singh is remembered for his literary works like "Shiksha Vichar Manthan" (1984) and "Sugam Hindi Vyakaran Evam Rachna," (1989).

[d109-56]

"एपिसोड 9 में 'अनामिका: द पोस्सेस्ड प्लेराइट' के काले रहस्यों को उजागर करें! 🎭👻 #हॉररस्टोरीज़ #अनामिकासीरीज़ #थ्रिलरऑडियो #हिंदी ऑडियोसीरीज़ #सस्पेंसनोवेल्स

[singhriyaa]

I will meet you in an alternate universe and there no one will be able to make us apart.

[maihonhassan]

Parveen Shakir is the finest poetess in the history of urdu literature:

“ye dukh nahi ke andheron se sulah ki humne, malal yeh hai ke ab subha ki talab bhi nahi.”

[baby-girl-aaron-dessner]

[literaryvein-reblogs]

A List of "Beautiful" Hindi Words

for your next poem/story

Asha - hope or desire

Astitva - existence, life

Bhadfod - the breaking up of earthen pots; disclosure of a secret

Chhanv - shade

Dhairya - patience

Ivari - the hot wind of summer

Jhankar - chime

Jijivisha - a strong eternal desire to live and continue living

Manavta - humanity

Nirbhay - fearlessness

Pavitra - pure; holy

Pyaar - love

Ratnkar - the ocean, a mine of jewels

Rimjhim - pitter-patter of a light drizzle

Saanjh - evening

Samvedna - empathy

Shanti - peace

Smaran - remembrance

Sneh - affection

Tapasya - austerity

Thumakna - to walk with dancing steps, to make the ankle-bells tinkle

Utsah - enthusiasm

Varmada - rejoicing in the rains

Vatsalya - motherly love

Vinamrata - humility

Sources: 1 2 3 4 ⚜ More: Word Lists

If any of these words make their way into your next poem/story, please tag me, or send me a link. I would love to read them!

[peaceishim]

Insaan aisa pasand karo ki fir uske baad koi insaan pasand na aaye.

-(via @safedchitthi on ig)

[living-with-the-seasons]

खर्च कर तुम पर अपना सारा सुकून,

थोड़ी सी मैंने बेचैनी खरीदी है...🌸🌻

[angadgautama]

$ Soul_Pot

I'm soft hearted, don't hurt me that much.

Don't make false promises, false sworns.

I told you many times,

that don't make it hard again and again

I'm dying in your memories, so don't come to mind again and again.

Flower dries up but the smell never become dull.

Nobody cared about love, heart broke slowly slowly.

Even nowadays relations haven't no value,

But love never ends, breaths ends oneday surely.

When condition are contradictory,

Flower dries up Even in flowerpot.

Mostly who have smile faces,

Died up weeping in the soul-pot.

[aahanna]

The world of Premchand's female characters..

This is the strong aspect of Premchand literature.

To understand Premchand's creative vision, it is necessary to look deeply at his philosophy of women. Of his approximately 300 stories, a hundred are on women's life, while not more than 50 are on the rural environment. The role of female characters in his novels is also not less. There are strong female characters in every novel. Among his female characters, Suman, Sukhda, Nirmala, Jalpa, Dhaniya, Malti etc. cannot be forgotten.

Premchand's women society is Shatarupa. It contains heart-touching stories of human relationships. In his profuse female characters, glimpses of relationships like girl, young woman, girlfriend, wife, mother, sister, friend, daughter-in-law, widow, sister-in-law, prostitute etc. will be found, in which their independent personality has been lost and women have become the embodiment of exploitation, slavery and submission. Yes, but this is one aspect of his women's philosophy. Nirmala in his literature

('Nirmala' novel)

Live and die the most painful life, but all the female characters are not destitute and slaves of men, rather these women challenge male authority, refuse to accept their husband as God and are active participants in procreation and Swaraj movement. Women will be found.

Premchand depicts the traditional form of woman in his literature. It reveals the poignant nature of her being a woman and her compulsion to live with the problems and tortures of family life and creates a modern sense of self-consciousness in her. It is written about Malti of 'Godaan' that she was a butterfly from outside and a bee from inside. There is a collection of modern woman's values in her butterfly and traditional feminine values in her bee.

To understand their women's issues, it is important to know and understand Dhaniya and Malti.

Is. This modernity in Premchand's women's thinking is not from the Western women's movement, but is the contribution of Arya Samaj. He was a member of Arya Samaj and was associated with its reform movement. Along with this, they consider protection of sexual purity and chastity of women as paramount. Premchand creates high level human ideals (sexual purity and chastity along with service-sacrifice, motherly love, sacrifice, motherhood, creation of family, active for national goals) and consciousness of self-realization in the female characters. These women have the ability to take a man to divinity ('mystery' story). In 'Godaan', Mehta says, 'Woman is as superior to man as light is to darkness. Forgiveness, sacrifice and non-violence are the highest ideals of life for humans. Woman has achieved this ideal.

Premchand does not want to break the family. Although his story 'Bade Ghar Ki Beti' is famous, he also gives it a modern form. They talk about the use of artificial methods for family planning and limiting the family to two children and its rights, monogamy, man's right over property, divorce and woman's right to half the property.

In his writings, Premchand brings the Indian woman equal to the man and writes that the man should give up the madness of ruling over the woman, otherwise they will remain in their own rights. They should have equal rights and the decision should be left to them only.

In this way Premchand establishes the condition and direction of Indian women and becomes the father of women's discussion. Her women's thinking becomes the foundation of independent India and women get many rights.

Source - kkgoyanka

[hbnsarchives]

Hari Ballabh Narayan Singh Biography | Who is Hari Ballabh Narayan?

Hari Ballabh Narayan Singh was a renowned Indian Hindi writer, teacher, essayist and scholar, born on 1934 in a Rajput (Kshatriya) family in his native village in Muzaffarpur district of Bihar. He earned a Master of Arts (MA) degree in Hindi from a college in Muzaffarpur and started his career as a principal and teacher in the Government Upgraded Middle School located in Muzaffarpur. Hari Ballabh Narayan Singh was also the former secretary and president of Bihar Non-Gazetted Primary Teachers' Association, Patna. Singh is known for his extensive work and contribution in the field of education reform and literature, including notable literary works such as "Shiksha Vichar Manthan" (1984) and "Sugam Hindi Vyakaran Evam Rachna" (1989). He received the Best Hindi Writer Award in 1998. Singh passed away on October 30, 2023 at the age of 89 in Muzaffarpur, Bihar.

Source: smashwords

[mausamii]

Her.

Tumhare liye mai kya likhun? Maine to tumse sab keh diya hai

Tumse milne ke baad mai gham ko pehchan nahi pati. Tum ye kabhi samajh nahi paogi lekin tum mere unn choton par marham lagati ho jo tumne nhi kiye, dil ke un dukhon ko door karti ho jo tumne nahi dukhaya. Mai tumhare sath khool ke jee pati hu, hasne se darr nahi lagta, tumhari batein acchi lagti hai mujhe. Tumne na sirf meri khamoshi padhi hai balki mera shor bhi samjha hai.

Agar tum khudko kabhi meri nazron se dekhogi to koi kami nazar nahi aayegi tumhe, chand me koi daag nahi dikhega. Pata hai jab mai tumhare bare me sochti hoon to mera mann ek geet gungunane lagta hai.....

Bahaaron ko bhi naaz jis phool par tha

Woh hi phool hamne chuna gulsitaan se

- mausami ♡