#hindi literature

[maihonhassan]

Sahir Ludhianvi has confessed it so poetically and naturally;

"tum mujhe bhool bhi jao tou yai haq hai tum ko, meri baat aur hai, maine tou mohabbat ki hai."

[shadowseductress]

wtf is "I lost interest in everything" say "wo silsilay, wo shauq, wo nisbat nahi rahi, wo dil nahi raha, wo tabiyat nahi rahi, wo waqt nhi raha, wo log nahi rahe"

[aahanna]

The world of Premchand's female characters..

This is the strong aspect of Premchand literature.

To understand Premchand's creative vision, it is necessary to look deeply at his philosophy of women. Of his approximately 300 stories, a hundred are on women's life, while not more than 50 are on the rural environment. The role of female characters in his novels is also not less. There are strong female characters in every novel. Among his female characters, Suman, Sukhda, Nirmala, Jalpa, Dhaniya, Malti etc. cannot be forgotten.

Premchand's women society is Shatarupa. It contains heart-touching stories of human relationships. In his profuse female characters, glimpses of relationships like girl, young woman, girlfriend, wife, mother, sister, friend, daughter-in-law, widow, sister-in-law, prostitute etc. will be found, in which their independent personality has been lost and women have become the embodiment of exploitation, slavery and submission. Yes, but this is one aspect of his women's philosophy. Nirmala in his literature

('Nirmala' novel)

Live and die the most painful life, but all the female characters are not destitute and slaves of men, rather these women challenge male authority, refuse to accept their husband as God and are active participants in procreation and Swaraj movement. Women will be found.

Premchand depicts the traditional form of woman in his literature. It reveals the poignant nature of her being a woman and her compulsion to live with the problems and tortures of family life and creates a modern sense of self-consciousness in her. It is written about Malti of 'Godaan' that she was a butterfly from outside and a bee from inside. There is a collection of modern woman's values in her butterfly and traditional feminine values in her bee.

To understand their women's issues, it is important to know and understand Dhaniya and Malti.

Is. This modernity in Premchand's women's thinking is not from the Western women's movement, but is the contribution of Arya Samaj. He was a member of Arya Samaj and was associated with its reform movement. Along with this, they consider protection of sexual purity and chastity of women as paramount. Premchand creates high level human ideals (sexual purity and chastity along with service-sacrifice, motherly love, sacrifice, motherhood, creation of family, active for national goals) and consciousness of self-realization in the female characters. These women have the ability to take a man to divinity ('mystery' story). In 'Godaan', Mehta says, 'Woman is as superior to man as light is to darkness. Forgiveness, sacrifice and non-violence are the highest ideals of life for humans. Woman has achieved this ideal.

Premchand does not want to break the family. Although his story 'Bade Ghar Ki Beti' is famous, he also gives it a modern form. They talk about the use of artificial methods for family planning and limiting the family to two children and its rights, monogamy, man's right over property, divorce and woman's right to half the property.

In his writings, Premchand brings the Indian woman equal to the man and writes that the man should give up the madness of ruling over the woman, otherwise they will remain in their own rights. They should have equal rights and the decision should be left to them only.

In this way Premchand establishes the condition and direction of Indian women and becomes the father of women's discussion. Her women's thinking becomes the foundation of independent India and women get many rights.

Source - kkgoyanka

[premikaunderthemoon]

[oyeevarnika]

"कोई आख़िर तक साथ नही जाता , लेकिन कुछ दूर तो साथ जा सकता है ।"

~ निर्मल वर्मा

[anouchan-jpg]

दिमाग़वाली स्त्री से प्रेम

आसान नहीं होता

दिमाग़वाली स्त्री से प्रेम करना, क्योंकि उसे पसंद नहीं होती जी हुजूरी,

झुकती नहीं वो कभी जब तक न हो रिश्तों और प्रेम की मजबूरी।

तुम्हारी हर हां में हां और न में न कहना वो नहीं जानती, क्योंकि उसने सीखा ही नहीं झूठ की डोर में रिश्तों को बांधना।

वो नहीं जानती स्वांग की चाशनी में डुबोकर अपनी बात मनवाना, वो तो जानती है

बेबाकी से सच बोल जाना।

फिजूल की बहस में पड़ना उसकी आदतों में शुमार नहीं, लेकिन वो जानती है तर्क के साथ अपनी बात रखना।

वो क्षण-क्षण गहने-कपड़ों की मांग नहीं किया करती,

वो तो संवारती है स्वयं को आत्मविश्वास से, निखारती है अपना व्यक्तित्व मासूमियत भरी मुस्कान से।

तुम्हारी ग़लतियों पर तुम्हें टोकती है, तो तकलीफ़ में तुम्हें संभालती भी है।

उसे घर संभालना बखूबी आता है, तो अपने सपनों को पूरा करना भी। अगर नहीं आता तो किसी की

अनर्गल बातों को मान लेना। पौरुष के आगे वो नतमस्तक नहीं होती,

झुकती है तो तुम्हारे निःस्वार्थ प्रेम के आगे।

और इस प्रेम की ख़ातिर अपना

सर्वस्व न्योछावर कर देती है। हौसला हो निभाने का

तभी ऐसी स्त्री से प्रेम करना, क्योंकि टूट जाती है वो

धोखे से, छलावे से,

फिर जुड़ नहीं पाती

किसी प्रेम की ख़ातिर।

- अनुपमा भगत

[thedeadpoetshadow]

Ve Hoon Mainu Dass Mahiya,

Tere Baaju Kidhar Main Jayiyaan.

[anirregularperson]

पहाड़ों की कंदराओं में बैठकर

तप कर लेना सहज हैं,

किन्तु परिवार में रहकर धीरज बनाए रखना

सबके वश की बात नहीं।।

-मुंशी प्रेमचंद

It is easy to do penance

by sitting in the caves of the mountains,

but it is not in everyone's power

to maintain patience while living with a family..

-Munshi premchand

[sajra-savera]

Why is it always, 'Hey, are you okay?' but never,

"तुम्हारे प्यार की कसम, तुम्हारा गम है मेरा गम

न यु भुझे भुझे रहो, जो दिल की बात है कहो

जो मुझसे भी छुपाओगे, तो फिर किसे बताओगे

मैं कोई गैर तो नहीं, दिलाओ किस तरह यकीन

के तुम से मैं जुड़ा नहीं, मुझसे तुम जुदा नहीं "

[maihonhassan]

This generation needs to understand what Nimra Ahmed has written:

"Kisi insaan ke paas itna ikhtiyar nahi hona chahiye ke wo sirf lafzon se apka zehni sukoon cheen sake."

[shadowseductress]

[natkhat-sa-shyam]

अंतिमा by मानव कौल

[premikaunderthemoon]

they should invent an entrance exam which immediately does not make you want to kill yourself

[oyeevarnika]

तमन्ना फिर मचल जाए अगर तुम मिलने आ जाओ

ये मौसम भी बदल जाए अगर तुम मिलने आ जाओ

मुझे ग़म है कि मैं ने ज़िंदगी में कुछ नहीं पाया

ये ग़म दिल से निकल जाए अगर तुम मिलने आ जाओ

ये दुनिया-भर के झगड़े घर के क़िस्से काम की बातें बला हर एक टल जाए अगर तुम मिलने आ जाओ

नहीं मिलते हो मुझ से तुम तो सब हमदर्द हैं मेरे.

ज़माना मुझ से जल जाए अगर तुम मिलने आ जाओ

~ जावेदअख्तर

[dyingbelladonna]

THE DUALITY OF 'IDENTITY' AND 'SELF' IN THE SONGS OF ROCKSTAR

Lord, it would be your generosity

Please free me from myself

Grant me the sight to my true face

Please free me from myself

No matter how much you tear the wind with your wings

You can't escape yourself

Break the sky, burn the worlds down

But you can't hide yourself

Take whichever path you please, your self resides in yourself

You will but come back home.

[mi-a-mor]

Tum na hue, mere toh kya,

Me tumhara, me tumhara, me tumhara raha,

Mere Chanda me tumhara Sitaara raha.