#him admitting some of the things he did in this episode?

[ceaselesswatchersspecialboy]

enamored with the bill possessing Ford's body au. If you would feel up to it, do you have more tidbits? :3

I’m happy to see so many people enjoying it!! I have a lot of additional tidbits so I’ll just stick to giving a few for now:

— Dipper finds out Ford is the author a lot earlier, for the obvious reasons of Bill being present in Ford’s body. He doesn’t put the pieces together right away, only because initially, he hates Bill, disappointed that the ‘scientist’ his parents spoke about that he wanted to impress turned out to be nothing like what he had hoped, ignoring and dismissing him instead, even taking a liking to Mabel before him! He has this idealised version of the author in his head, someone who he relates to and finds comfort in, and he doesn’t want to taint that vision by suspecting it may be someone who he hates. He may be a mystery lover but he is still a twelve year old with a grudge.

It’s only after he and Bill start getting along that he brings it up, and Bill doesn’t think to lie. He’s just that surprised Dipper found it. He does lie about not remembering things though to avoid Dipper’s questions about the paranoia and why he hid it — as on the spot kind of thing, and that becomes Dipper’s mystery fixation of the summer.

— Stan and Bill have various nicknames for each other, with Bill’s main one for Stan being ‘Fez’, and Stan’s main one for Bill being ‘Goldie’.

— Speaking of them, when it comes to their relationship, they are genuinely friends after thirty years of living together, but what that friendship entails is where it gets complicated and I don’t think I can summarise here. I’d say it can best be described as two people who have come to understand each other very deeply, and are similar in a thousand ways, but they would rather throw themselves off a cliff than acknowledge or talk about that. There’s also the lingering anger and resentment on Stan’s end, not for taking Ford’s body, he knows Bill doesn’t want to be stuck here either, but for what he did to Ford before that, how he hurt him. He, much to his confusion, does care about Bill, and Bill, much to his own confusion as well, does care about Stan back, but their friendship is built on something awful, and that doesn’t just go away.

— On a sillier note, it was in 1990 that Stan realised Bill was his only friend and that he sort of enjoyed his company, and that truly was a horrifying moment. On the other end Bill finally admits to some degree he might care for Stan in 1994, which happens while both of them are drunk, and Bill likes to claim it didn’t happen. The image below also probably summarises the lighter aspect of their dynamic better than I could word it here:

— Bill has taxidermy as a hobby and actually gives Dipper and Mabel a few lessons in it, creating some displays for the shack. Weirdly good bonding activity.

— Very specific ‘episode’ idea in my mind where Stan and Bill get framed by Faires that Bill angered a thousand years ago for a crime they didn’t commit, and Dipper and Mabel have to figure out how to prove their innocence, finding more about their Grunkles along the way, and also having to beat a fairy in a game of poker.

— Mabel at some point comes to the conclusion her “Grunkle Ford” had a bad breakup that he still hasn’t gotten over and makes it her goal to help him through it. This is part of her summer mission. It comes up frequently. It’s ridiculous I know but what is Gravity Falls without a generous amount of both angst and utter silliness.

I’ll probably leave it at that for now! But if you’d want more or have any specific questions, I shall do my best. I’m still figuring out some stuff too so input will be helpful.

[lurkingshan]

Hi Shan

I've been watching your commentary on Peaceful Property with regard to its mishandling of its class conflict themes and I have to admit that I'm coming to agree with you on it.

I had to basically go "Welp, I can't see how they get out of the mess they've made now - I guess I just have to give them a pass on the grounds of found family?" in order to keep enjoying the show, which did let me do that but also left a bit of an icky taste in my mouth.

So I guess I wanted to ask - do you think there's a way they could have handled the wealth disparity and classism issues more gracefully within the show's narrative? And also whether there are any QLs you would recommend that do handle the topic to your satisfaction? I could use something good to watch!

Thanks for sharing your thoughts. I feel like you always make me consider topics more deeply and reflectively, even when I don't agree with you.

Hi, thanks for dropping in! I feel you on this, and I want to be clear that my criticism of the show is not criticism of people who still like it despite these failures. If you have still been able to connect to the friendship and family themes without this getting in the way, that's great and I'm glad for you. Just because the show is doing one thing very poorly doesn't mean there's nothing of value in it.

That said, you're right, they've passed the point of no return on their missteps with the class disparity themes. Early on in the show, after several episodes in a row of ghost stories involving poor or working class folks harmed by Home's wealthy real estate developer family on top of the class disparity between Home and Peach/Pang, I said I was confident that the show had something to say about this issue. And that was true! Unfortunately, what it had to say was garbage.

To your first question, I actually think it would have been very easy for the show to handle the wealth disparity and classism issues more gracefully, and that's a big part of my frustration. They had all the ingredients--a family history of exploitation, a ghost busting team including working class folks to shed light on the family's sins, and an ignorant grandson uncovering wrongdoing case by case and learning that there was always a price for his privilege. All the show needed to do was allow Home to come to some natural realizations about his family's treatment of others, via both the ghost case work and his relationship with Peach and Pang, and then use the power and resources he has to take accountability in the form of restitution and reparations to the people and communities they harmed. My ideal story line based on what they set up in the first half of the show would have had Home setting out to right his family's wrongs and take real steps to restore the communities they harmed. Even if a full on wealth redistribution narrative was too much to hope for, at the very least Home should have been made to reckon with what his family did and set out to do better in the future, both by Peach and Pang and by his family's countless victims (including Kan).

But that's not what we got. Instead, the narrative tried to sell us on the idea that none of this is anyone's fault, and that any harm that came to people at this family's hands was the result of a "curse" or one bad apple's wrongdoing. Instead of saying anything meaningful about systemic inequality and the responsibility of the wealthy and powerful to avoid extractive and exploitative practices, they painted Home's Gramps and family corporation as benevolent, concluding that they destroyed a bunch of people's lives by accident and without intent or even knowledge. I'm sure I don't have to tell you how utterly absurd and insulting that is. On top of all that, despite Home being the one with the most power in this little friend family and making some very serious mistakes that caused harm to the others, the show consistently centered him and his feelings in all conflicts, including Peach's near death and the death of Kan's father and destruction of her community. It also ignored the very real stakes it set up for Peach and Pang's dire financial situation whenever the plot demanded. The second half of the show became all about the poor people Home and his family have harmed forgiving him without any accountability because they felt guilty he was sad, and then those same people spending their time and energy fighting to save this rich family's reputation and livelihood. That's not me offering an interpretation, that is what literally happened on our screens!

So yeah, it was bad! It was clear weeks ago that it was not going in the right direction, but I understand holding out hope that they'd pull a rabbit out of a hat or look into the camera and say sike. But that ship has sailed at this point, and Peaceful Property becomes another in a pattern of GMMTV shows that try to incorporate class disparity in their narratives and get it very very wrong.

Which brings me to your second question: are there any QLs I recommend that do this better? Yes! Here is a short list for other Thai shows that have genuinely done this better:

Moonlight Chicken: not a class disparity narrative, but the only GMMTV show to date that has depicted working class people with full dignity and empathy

Dark Blue Kiss: the only GMMTV bl to tell a romance story that involves class conflict and not completely bungle it (snaps to TayNew for having another show that did better on this)

My Ride: a slow burn romance between a doctor and a motorcycle taxi driver that gets the way their class disparity would shape their relationship right

Love Sea: this one isn't perfect (I think the working class character in the pair gets too little narrative attention relative to his rich counterpart) but it does take the class disparity seriously and ensures it informs the relationship the whole way through

Laws of Attraction: don't laugh at me, I'm serious! This show is mostly absurd but the core narrative is all about class conflict, and it informs the romance quite thoroughly, too

The Loyal Pin: including this one on the word of @twig-tea because I haven't watched yet, but I understand it's dealing with class very directly in its core relationship (with the disclaimer that it still has two episodes to go so something could go sideways)

I'd also throw in some shows that aren't really about class disparity but do include it as part of the narrative background to inform characterization and plot like I Told Sunset About You, Love By Chance, Khun Chai, and 3 Will Be Free

Outside of Thailand, South Korea is always a safe bet for strong class disparity narratives, and in QL you'll find the best examples in Hwang Da Seul's works (Where Your Eyes Linger, Blueming, To My Star 2, and currently Let Free the Curse of Taekwondo). Japan and Taiwan actually don't do much of this, because most of their shows are about middle class and working people as a rule. Miseinen, a Japanese BL that just started airing, looks to be tackling a class disparity narrative, though, and doing it well so far (not a coincidence that the source material is from Korea). And We Best Love is a classic Taiwanese BL with a significant class disparity informing the romance conflict. Blue Canvas of Youthful Days is a currently airing Chinese BL that is doing a class disparity romance and has been killing it so far.

So there is my incredibly long answer to your questions! Thank you again for sending me this kind note; I'm so appreciative that we can chat about this stuff and still maintain our love for these shows. I hope you find some things you like on the rec list, as well. :)

[homerforsure]

TL;DR: it's not my ship, but they were done dirty

I always always always come back to that weird little reveal that when they were first floating the idea to bring Tommy back, they said it was to do a storyline with Eddie and it got switched to Buck because it was too weird or tricky to have them both break up with their LIs offscreen but only one actress could come back.

Because a stepping stone relationship makes perfect sense for Eddie. Something short and intense with angst and softness for him to get to this moment of letting himself feel joy and to taste how truly good it can be. He didn't need an endgame relationship right now. He did need to have his "first."

Buck didn't need that. Buck is absolutely ready for his forever and he has been for a while and giving him the "inviting Natalia to move in and then catching his own bad habit for once and backing out" would have been great.

But that didn't happen. Instead Eddie had to sit like a hot dog on one of those rolling warmers for a season while Buck started the queer dominos falling (and I admit this is a little bit from a Buddie endgame perspective because it doesn't feel to me like the show was deciding to explore the a character's sexuality just for exploratory purposes and I'm willing to admit I have a blind spot here.)

And honestly I think the fact that Oliver cares so much about Buck and telling this story well both for the character and everyone who sees himself in him and that Lou met that energy turned the storyline and the relationship into a more beautiful beginning than it would have been in the hands of other actors.

Which gave the show it's next problem. Because we can all see that Buck is ready for his forever love and you introduced a new love interest and then instead of sticking to a few episodes of awakening and moving on, I think they saw that people were starving for it and latched onto it and Tommy harder than they expected. So it's an easy thing to do to milk that for a little bit longer, but it was absolutely the wrong choice because people got invested in a way they wouldn't have if this had ended after the original number of episodes we expected.

And Buck and Tommy worked! I think you can nitpick relationship things if you weren't that into it and write a breakup narrative using those seeds, but their puzzle pieces absolutely fit together. So much so that they definitely had forever after potential that everyone could see and a lot of people were excited about and investing in and oops wait that wasn't the plan.

So what do you do? You either abandon the plan and embrace the accidental beauty that you discovered and let it ride or you write your way out of it. Give them some hurdles, some angst. Give them a tear-jerking breakup that respects what you built and the viewers who are invested in it and slowly work your way back to where you wanted to be.

They didn't write their way out of it.

And I so don't want to believe that after the work the actors put in and the viewer feedback that they were still viewing the relationship as a placeholder ready to be yeeted once Eddie's arc got back in position again, but I'm not sure what the alternatives are?

Either it's being talked about that this is the last season and so if they're really doing buddie then it's now or never? Or actually the internet is not a valid reflection of the viewership as a whole and someone from on high said the plug should be pulled?

Or the storyline was stumbled into and fumbled around from the beginning and never treated with as much care by the people in charge of it as it was by the people who loved it.

IDK it's just messy messy storytelling and I say that as someone who is not a multishipper but who does value a good story and a good narrative. They let the relationship go on for too long to end it so abruptly. If there was going to be a breakup, there was a better one to be had and it doesn't make me feel good that my preferred happy ending could come from one that breaks the heart of so many of my friends. And if it isn't in the service of a bigger, already in motion endgame, literally what the fuck?

[ianthoni]

And if I said that Ian took the defensive route to protect others and took the blame without realizing because he isn't as polished and calculative with his words and speaks his mind then I would be the bad person. Let's not forget how Ian said he loves being on the channels after Anthony came back just for his appearances to go lesser than most of the cast and also the fact how he had admitted to being passive and agreeing to others. Today he again mentioned something about not realizing his own traumas and if he will ever figure it out like he did in the letter video and the way he talks about his upbringing, which by the way is excellent props to his parents but it looks like he was in a seemingly strict environment and had to agree to what others told him a lot growing up and sorry for psychoanalyzing but it's interesting to me how he tries and hides his Halo obsession, because he wasn't allowed to play those shooter games and he hid from his parents and what not, had written multiple fanfics which he was very passionate about but he didn't even mention it one bit. Ian is unique, I don't know how to explain it, I know he's just a "white dude" from exterior but he is much more than what the majority of smosh fandom regards him as.

His family was very district and I think they kept him from a lot of things to "protect" him. I think this is a helicopter parent thing. Also the sad part about Ian hiding all of this including his many talents I think comes from that. He thinks he'd get some type of punished(?) from this and he kept that mindset. Also talking about parents reminded me of his dad's interview where he talks about Ian a lot. Including "being afraid of that they might be special kids parents" because of Ian but also the part that hurts me the most, them sending Ian to time-outs when he was upset. This might be very controversial but i was a timeout kid. I didn't have a chance to express my feelings because my dad wouldn't allow me. If i was mad or upset I'd send to my room just like Ian. I think today's people saying Ian is cold and not showing emotions etc is all that comes from his. Ian grew up needing to hide his feelings to keep the peace at home. He didn't have healthy communication and he didn't have a heart to heart growing up. I think that plays a big part of him being that closeted. Also he mentioned him forgetting a lot of his childhood, that's a trauma response. I think that's the first time he mentioned it today, it might be a trauma response. Anthony also mentioned a lot of the things Ian couldn't get because of his parents too this episode. He is so much more than a white dude. Agree. Also sorry for being parasocial on main.

[littlerosetrove]

Exactly. This helps put into words why I felt so underwhelmed by Eddie's story in this episode. Like, is this it? Is this all we're going to get on Eddie's 30 something years of traumas upon traumas? It's magically solved by two conversations with a Priest?

I feel like I saw part of an article where, I don't remember who maybe Peter Krause or Kenneth Choi, saying that Ryan does some of his best work this episode....... In this one? Don't get me wrong, Ryan did perfectly well here, but like. Nothing ground breaking? Nothing like what Ryan did in season 5, to be honest. That had weight because there was true build up and pay off, you know?

All we got was Eddie admitting, sure, that he's got problems, but we didn't get to see him truly work through any of them? We'll have to wait and see, but what, is Eddie suddenly and finally over Shannon and his multitude of other issues??? I - really hope not, because hoooly shit, that will be such wasted potential. 🙃 I know this season and certainly season 7 wants to seemingly rush a lot of things, but come on!

i think the only story that structurally makes sense to me in this episode is maddie and chimney's (excellent. perfect. 10/10, no notes) because lord, i've been so caught up in the break up of it all that i haven't even touched the weirdness of eddie's story because what do you mean this man has been carrying around three decades of guilt, parental expectations, feelings of failure, grief, trauma, worthlessness, depression, repression, religious guilt, self-flagellation, and suicidal ideation that are suddenly magically cured, NOT by intensive therapy with his therapist, mind you, but by 1.5 conversations with a priest and dancing around in his underwear. what do you mean. like, don't get me wrong, i know 9-1-1 is (allegedly) going to circle back to this (i say allegedly because the interviews have been really misleading this season, i'm not gonna lie), but from where i'm standing, it's like...

in season 5, it took eddie two episodes (5x11-5x13) to break down, and even longer than that if you count the fact that his trauma arc stared in 5x1. and we, the audience, actually saw him reach that point where he could not take it anymore. so witnessing that story, and watching him go through that tangled web of emotions actually felt like witnessing an authentic and genuine progression. but now, in this episode—in less than an episode, actually—eddie's somehow suddenly confronted his clusterfuck of feelings, has decided that yeah, actually, having fun IS the answer!, and now he's just? alright? HUH????? 😭 it just doesn't feel like a progression to me, and that dancing scene would have held a lot more emotional weight if it had come on the heels of seeing him actually wrestle with what it means to redefine his own happiness, post having that conversation with father brian. and i'm sorry, but buying juice or water or whatever just doesn't cut it! what a way to kick off a healing arc (sad noises). 😭

[stillwithmeisonlyyou]

Blitz calling her mom mama?

Blitz's mom turning to ash as he's holding her while never looking angry or condescending?

Her mom's skull necklace thing falling into his hands?

Blitz's dad hitting him and not letting him in the hospital?

Fizz? Barbie?

Blitz running away from the distorted millies voicing his insecurities because he can't face it?

Blitz being so scared that everyone hates him and will inevitably leave him?

"-I destroy everything I make everyone's lives worse

-Not mine"

Also blitz being so hapoy that millie considers him his best friend as if that is impossible to comprehend?

Sorry im busy unfortunately I will be crying over blitz in the upcoming days

Honourable mention: stolitz

It was not a breakup, you need a relationship for one of those and we never had that. And we never will.

Honestly so august of him to say that

[trentcrimminallybeautiful]

i have this really stupid idea in my head that im frankly a little obsessed with and the idea is this: trent crimm doing a drunk history episode on ted lasso's first tenure at richmond. is that how drunk history works? i don't think so. do i care? absolutely not. it's a special episode who cares because this image is not only hysterical to me but treasured. i treasure this image. i hold it close in my heart and also laugh and laugh and laugh.

[haemosexuality]

why are so many adventure time fans just straight up stupid. about how stories work. and i dont even mean kids i mean like adult fans just with the absolutely dumbest takes

[thetimelordbatgirl]

Generally love how anyone who at least watched a little Horrid Henry agrees on one thing: those parents were beyond shit and Henry will very likely go no contact as soon as he's an adult.

[thevalleyisjolly]

I am nothing if not a backseat writer and I find it somewhat repetitive to continuously defeat the villain through "They were so afraid of my reputation that they just turned and ran" so I'm choosing to believe that the real reason the Vashta Nerada let the Doctor pull off his plan is because they recognized that the planet was about to self-destruct, taking them along with it, and the Doctor was the person best able to prevent that outcome. They weighed letting all the people go as an acceptable one-time price; they could of course renege on the agreement and just eat everyone after they popped back out, but they couldn't guarantee that CAL wouldn't 1) start downloading people again the second anything went wrong, or 2) go into self-destruct mode again. Losing a one-time meal of 4000 odd people is better than losing your life and your planet altogether.

[a9saga]

i completely forgot that tao from exo used to ask other members to shower with him, which i thought was the most hilarious thing when i was 16.

[yuridovewing]

The way some people talk about Vicky’s writing in comparison to the new team kinda reminds me of how Pokemon Anime fans miss 4kids a lot and swear that if the 4kids dub kept going then the anime would have been infinitely better, and then you see how much of a meme some parts of the original dub were plus different fandoms with 4kids dubs wanted their heads on a stick. And it’s like yeah comparatively the new team is worse and the ogs got a raw deal but lets not get ahead of ourselves- itd still kinda suck

[i-like-media]

I was wondering when they were going to play with the fact the Doctor is black now. 13 being faced with how people think of women was one of my favourite things in her era, so I was curious how they were going to treat his skin colour this season, if at all.

And honestly, Dot And Bubble exceeded all my expectations on the matter!

What a lot of episodes about racism and bigotry do is coddle the viewer. They make clear early on "this is an episode about RACISM and why it's WRONG!" As if you've never heard of the concept before and don't know it's bad. The episode will often portray racism in an extreme sense and show the viewer the main characters are above that.

What Dot And Bubble did, for the entire episode, was letting the viewer figure it out on their own. There was no coddling, only racism as it silently existed. A perfectly pastel and white community with not a single person of colour and the only visible outlier being a goth white kid. And in this world, the first thing the character we follow did, was to block a black guy with a face of disgust.

The title screen rolls and you're left to rationalise it. Surely it was because he was not in her contact list/saying all kinds of mind blowing stuff... Right? Except when Ruby enters her feed and talks about it, she actually replies back... With an eye roll, but she replies... and keeps talking... and listening.

The episode continues, still not a single POC besides the Doctor. They reveal this is an exclusive place for rich people, and eventually the character in question even admits she thought the Doctor was a different person because "I thought you looked the same".

What this episode also does well, is portraying a character we wish to see change and find a better life behind that change. We see Lindy struggle to navigate the world without her bubble, calling herself stupid, and we genuinely hope she DOES learn to be better, even as you slowly pick up on what's been going on sofar. You are left to hope she'll thank him and realise the error of her ways, and maybe find a new drive to think for herself.

And then she doesn't.

She stays in her bubble, doubling down on how she feels about the Doctor, how they're excited to be like their settler ancestors, and finally CLEARLY revealing to the viewers what's been off this whole time... and the scene asks: did YOU notice the signs? Did you see what went wrong along the way, or did you only notice just now when it's explicitly shown to you? And why do you think that is?

It challenges the perspective of the viewer and tells you to reflect on why you didn't see it coming, and that is so so powerful.

The Doctor's reaction to this scene..... 👌👌👌👌

His mouth is ajar, stunned beyond belief that after all he's done and all he can offer, the offer to literally save their lives, he is reduced to someone who's nothing more than the hue of his skin. He yells at them, telling them he doesn't care what they think of him because he's still the same doctor he's always been, and to still get rejected with a dirty look... Which hits extra hard when you remember how much the Doctor loves being himself. He LOVES being the Doctor again! And he walks with such a pep in his step, celebrating his existence and sharing it with all he meets... and then he tries to save some rich white kids from certain death.

His performance in that moment was literally phenomenal. It's a narrative that's so powerful and so creative in its execution, my jaw was still on the floor throughout the credits.

This episode is definitely up there as one of my favourites sofar

[taffywabbit]

I finally watched breaking bad (all within the past week or so while I worked, finished it and watched el camino last night) and I'm confident this isn't a new thought I'm expressing or anything but genuinely how DID an entire generation of dudes convince themselves Walter White was cool and admirable and intended to be sympathetic. I know ppl just lack media literacy sometimes but I'm still so confused

I don't think I've EVER watched a piece of media that so blatantly depicts a guy making the worst possible decisions at every turn and having his life ruined for it and not being redeemed or made sympathetic in any significant or lasting way. the kinds of justifications villains USUALLY give that make people consider them "morally grey" or "tragic" or whatever (everything I did was for my loved ones, I did what I had to to survive, once I was in this I couldn't get out, I just needed you to trust me so I could keep you safe, etc etc) is ALWAYS framed as complete self-serving bullshit when Walt says it, and one of the only shreds of personal growth he ever exhibits in the whole series is when he finally fucking admits that. every time he does something even remotely cool or drops a quotable one-liner, something terrible immediately happens that makes everything worse and makes him look like an unreasonable idiot asshole again. by the end of the series the ONLY characters they can still contrast as being morally "worse" than him are literally a bunch of bloodthirsty neonazis who kept a guy in a cage for several months. this show is practically SCREAMING at you the entire time not to admire Walt. why did every dude I knew in highschool have his face on tshirts and Facebook pfps.

I just don't get it. at least with The Dark Knight's Joker it was like, a feature-length movie and that's it. you spend a lot less time with the Joker and it has a lot less time to delve into his motivations, so there's way more room for flanderization and misinterpretation as people extrapolate the few cool/interesting/sad things they saw into a whole nuanced misunderstood guy in their heads and online. Walter White has 5 seasons' worth of 45min episodes to convince you beyond a shadow of a doubt that he is a miserable fucking loser who ruins everything he touches because of greed and selfishness. if you weren't watching it for that, what WERE you getting out of this. what DID you think this show was about. am I just missing some key piece of context from 2012 or whatever that would help me understand this

[clockwayswrites]

Birds and wings and hope Part 13

Masterpost

Danny had thought hat if he finished with Frostbite early that he would spend a few days in the zone to catch up with some of the other ghosts. He hadn’t wanted to with the wings. It wasn’t that Danny was ashamed of the wings, not from the fact of having different features, but Frostbite had seemed certain that Danny was in a heavily mutable state right then. The more people that knew Phantom with wings, the more likely they were to stick as they cemented in consciousness and identity.

Or something like that.

Danny had a whole stack of reading tucked away in his chest to go through later.

Just wanting time alone, Danny had given himself somewhere between an hour and a day (time was hard to tell in the zone) to sulk among the sparks and dust that were long dead stars before forced himself to get a grip and go home. He was an adult for, well, him sake he guessed. He could deal with this.

The reading set on the left side of the coffee table with a fresh notebook next to it. It wouldn’t do to mix up this work with his actual work, so Danny was sure to pick out one with a green cover from the stash that he kept on hand of his favorite dot patterned paper notebooks. He’d draw a blob ghost or something on it later. A few color pens and a highlighter joined the little pile, set in a battered and chipped Amity Park tourist trap mug.

Sam had gotten it for Danny as a present due to the so hideous it was funny caricature of Phantom on it.

On the right side of the coffee table went a box of protein bars, electrolyte drinks, suck’em candies, and Danny’s well stocked pill container. He moved the coffee table a little closer to the couch, turned the TV on to a playlist of Mythbuster episodes, and made sure he had his favorite blanket in hand before he transformed back.

And fuck that hurt. Pain shot up Danny’s back, radiating up through his shoulders, and shooting along his Lichtenberg scars so intensely that they burned. Danny collapsed inelegantly onto the couch with a defeated whimper.

Maybe it was the wings? Did having a different set of limbs as a ghost cause transfered muscle aches to his human form? He didn’t even have muscles as a ghost, not really, but the mind was a very powerful thing and not even Frostbite was entirely sure of how exactly the two parts of a halfa effected each other.

After the worst of the pain had dulled slightly, Danny managed to toss back his medication (missing doses while Phantom never did him any good) and pulled the candies close enough that he could use them as a distraction for his senses. Slowly the muscle relaxant worked its magic and Danny became a boneless lump. The episodes of Mythbusters idly distracted him as he just let his thoughts drift over what Frostbite had said.

Frostbite was sure that there had to be a reason— or several— that Danny’s form had shifted into a bird and after retained the wings still. Frostbite felt the first step to this all, if Danny was determined to either control or to get an understanding of where this all was going, was to understand the subconscious or symbolic particulars of the change.

The why Frostbite felt was clear: Danny had been without a haunt for too long now. Yes, he accepted, the pollen may have certain accelerated matters (hence the full bird then and only the wings now), but Frostbite was admit that the change wouldn’t have been occurring at this stage if Phantom had still been the protector of Amity Park.

Phantom had a purpose in Amity Park. Phantom was a protector and guardian. That guardianship extended to a very limited range. Now that Amity Park was many, many years behind him and Danny was living in a place already full of its own protectors, the Phantom part of Danny was left adrift which allowed for this new stage of ghosthood.

Why couldn’t his ghost half just be happy with a nice long nap?

���Fuck you, Phantom,” Danny grumbled as he watched a car be vaporized upon impact on the screen. Idly Danny wondered if he could get an object up to that speed if he flew fast enough.

Several hours and several protein bars later, Danny was managing to sit up enough to start going through some of the reading Frostbite had sent and make notes. Two more episodes and delivered Indian food later, Danny scrawled on the top of a fresh page ‘The Subconscious & Symbolic Particulars of Wings’.

Why on earth and beyond did he have wings?

‘Flying’, Danny wrote first and then as many reasons he could think of why he loved flying from the freedom of it to space to the way that it felt to move through a cloud. ‘Freedom’ branched off into movement and escape and getting to become his own person without the weight of Amity. ‘Gravity’ and ‘Identity’ sprawled into transformation and his death and the million of ways that it had changed everything about his life.

It was hard to think about.

Danny turned the page.

‘Wings’. Wings and feathers. Birds. Pigeons and crows and ducks and robins. And Robins. Biblically accurate angels who created the cosmos. Hope. And always hope.

“‘Hope’ is the thing with feathers — ”

Hope and Robins and Bats.

And always hope.

Was Gotham his haunt?

Was he the thing with feathers?

---

AN: shhhhh I've been writing as my wind down before sleep. Also special prize for @stoiczee. I promise we'll see more batfam next part. Danny just needed some time to react!

[surftrips]

SWEET NOTHING

pairing: luke castellan x reader

summary: y/n comforts luke after he sees percy claimed by poseidon.

word count: 600+

a/n: y'all i know. how many more morally grey characters can i write fics for? i couldn't help it, he's so bf in the first two episodes so this takes place in a world where he’s done nothing wrong <3

You watched as your boyfriend’s face changed after seeing the newest camp member, Percy Jackson, claimed by his father, Poseidon. 

Luke wasn’t one of the unclaimed kids, but he might as well have been. His relationship with his father Hermes was a strained one, but he pretended like it didn’t bother him. 

But now, it was hard not to notice the sadness and frustration that had clouded Luke’s face as he watched the trident appear above Percy’s head. Before you could go over to comfort him, he had already run away from the scene. 

You decided to give him some space, figuring that he had gone back to his cabin. As the other camp members slowly dispersed, you looked around for Annabeth. 

Upon laying your eyes on the dark-haired girl in the crowd of people, you beckoned her over. 

“Hey! Did you see that?” she asked you, excitedly.

“Yeah, that was crazy!” you admitted. “How’d you know he was Poseidon’s?”

“I’ve been watching him.”

“Of course,” you smiled. Luke had told you about Annabeth's desire to find “The Chosen One.” 

“Wait- where’s Luke?” she asked, as if on cue.

“I was gonna talk to you about that- I think he ran back to his cabin.”

“What- why?”

“I think he had some feelings about Percy being claimed, if you know what I mean.” 

“Oh,” Annabeth replied, putting the pieces together. 

“Yeah, I’m giving him some space right now, but do you have any advice on how to approach this? I don’t want to upset him any more.”

“Look, Y/N, you’re his girlfriend. Just do your best to comfort him and I’m sure he’ll start to feel better.”

“I know, but you’re his sister! You know him best, what if I say the wrong thing?” 

“You can’t say the wrong thing. He loves you, Y/N. He just needs to see that someone is there for him.” 

“Okay, thank you, Annabeth,” you gave her a hug before heading in the direction of the Hermes cabin. 

You were relieved to find that the other campers had not gotten back yet. You gently pushed open the door and found yourself facing your boyfriend’s back sitting on his bed. 

“Luke?” you called out.

He turned to face you, hastily swiping at the tears that had fallen onto his cheeks. 

“Oh, sweet boy, come here,” you ran over to take him in your arms. He let his tears fall again, and your heart broke seeing him like this. You knew that he acted brave all the time, but deep down, he was hurting.

“Hey, it’s okay. Just let it out,” you attempted to calm him down. 

“Why doesn’t he care about me?” he cried.

“Baby, it’s okay. He doesn’t matter, alright? It has nothing to do with you.” 

“Yes, it does. Percy killed a minotaur and broke Clarisse’s spear and his dad just came swooping in.” 

“Look at me,” you pulled away to lift his face up. “You are so, so special. Anyone that knows you can say that. Hell, you’re the best swordsman in this camp. But you know what else? You’re kind, and caring, and you have all this compassion in your heart, despite it all. If he can’t see your worth in that, then that’s a reflection of him, not you.” 

Luke didn’t say anything, instead he worked on catching his breath as you continued to rub his back and lay kisses on his forehead. 

“Thank you,” he said after a moment, still sniffling. 

“For what, baby?” 

“For seeing me. And staying.”

“To know you is to love you, Luke Castellan,” you gave him another kiss, this time on his lips.