#hi tumblr once again

[someiicecube]

I could not function properly until I answered that soup ask. There were so many thoughts about soup...

[solarockk]

all better now

kind of a sequel to this

[marisashinx]

"Why hasn't Silver woken up yet...?"

[egophiliac]

Hi it's just to let you know that the official romanization of Revaan's name is Raverne ! Also they have romanized Baul's name to Baur !

Twst coming back at us again with the least expected romanization! thank you everybody (oh god my inbox) (no it's great, I literally asked for this and the reactions have been INCREDIBLE, thank you all!)

I do like Raverne though, I think it's got a nice fancy sound to it! (I had kinda suspected it was going to be an R instead of an L, so the fact that it's SO close to Laverne except for that is hilarious to me personally.) and Dragoneye Duke is honestly probably the best translation for his title, I wasn't envying the localizers that one. :') Baur instead of Baul I was NOT expecting, but in retrospect I think his name's supposed to be a reference to the Bauru crocodile, so that actually makes way more sense!

someone else also said Meleanor has become Maleanor, which is the REALLY weird one to me, because I was so surprised it was written as Mel instead of Mal in the first place?! oh god no I can't decide which one I like better. 😭 (I wonder if they might change it to Mal...they have made romanization changes before) (like I remember House of Distraction being corrected to House of Destruction in Playful Land) (I did check and she's still Mel for now, but I dunno, they might Mal her up and some point and save me from having to make a decision about which one to use) (HECK I CAN'T DECIDE)

uhhhh thank you for letting me ramble about anime names, let's just say MONOGRAMMED SWEATERS FOR EVERYONE

[0booboozefool0]

[tabooiart]

this hot pink bitch was named breakfast!!!

[fictionadventurer]

I have to talk about Chester Arthur. His story makes me go crazy. A mediocre president from the 1880s who's completely forgotten today has one of the best redemption stories I've ever heard and I need to make people understand just how cool his story is.

So, like, he starts out as this idealist, okay? He's the son of an abolitionist minister and becomes famous as a New York lawyer who defends the North's version of Rosa Parks whose story desegregates New York City's trolley system.

Then he starts getting pulled into politics and becomes one of the grimiest pieces of the political machine. He wants money, power, prestige, and he gets it. He becomes the right-hand man of Roscoe Conkling, the most feared political boss in the nation, a guy who will throw his weight around and do the most ruthless things imaginable to keep his friends in power and destroy his enemies.

Because Arthur's this guy's top lackey, he gets to be Controller of the Port of New York--the best-paying political appointment in the country, because that port brings in, like, 70% of the federal government's funds in tariffs. He gets a huge salary plus a percentage of all the fines they levy on lawbreakers, and because he's not afraid to make up infractions to fine people over, he is absolutely raking in the dough. Making the rough equivalent of $1.3 million a year--absolutely insane amounts of money for a government position. He's spending ridiculous sums on clothes, buying huge amounts of alcohol and cigars to share with people as part of his job recruiting supporters to the party, going out nearly every night to wine and dine people as part of his work in the political machine. He's living the high life. Even when President Hayes pulls him from his position on suspicions of fraud, he's still living a great life of wealth, power, and prestige.

Then in 1880, his beloved wife dies. While he's out of town working for a political campaign. And he can't get back in time to say goodbye before she dies. Because he's a guy who has big emotions, it absolutely tears him up inside, especially because Nell resented how much his political work kept him away from home. He has huge regrets, but he just moves in with Roscoe Conkling and keeps working for the political machine.

And then he gets a chance to be vice president. The Republican Party has nominated James Garfield, a dark horse candidate who wants to reform the spoils system that has given Conking his power and gave Arthur his position as Port Controller. Conkling is pissed, and he controls New York, and since the party's not going to win the election without New York, they think that appointing Conkling's top lackey as vice-president will pacify him.

They're wrong--Conkling orders Arthur to refuse--but Arthur thinks this sounds like a great opportunity. The only political position he's ever held is Port Controller--a job he wasn't elected to and that he was pulled from in disgrace. Vice President is way more than he could ever have hoped for. It's a position with a lot of political pull and zero actual responsibilities. He'll get to spend four years living in up in Washington high society. It's the perfect job! Of course he accepts, and Conkling comes around when he figures out that he can use this to his advantage.

When Garfield becomes president, Arthur does everything he can to undermine him. He uses every dirty political trick he can think of to block everything that Garfield wants to do. He refuses to let the Senate elect a president pro tempore so he can stay there and influence every bill that comes through. He all but openly boasts of buying votes in the election. He's so much Conkling's lackey that he may as well be the henchman of a cartoon supervillain. On Conkling's orders, he drags one of Garfield's Cabinet members out of bed in the middle of the night--while the guy is ill--to drag him to Conkling's house so he can be forced to resign. He's just absolutely a thorn in the president's side, a henchman doing everything he can to maintain the corrupt spoils system.

Then in July 1881, when Arthur's in New York helping Conkling's campaign, the president gets shot. By a guy who shouts, "Now Arthur will be president!" just after he fires the gun. Arthur has just spent the past four months fighting the president tooth and nail. Everyone thinks he's behind the assassination. There are lynch mobs looking to take out him and Conkling. The papers are tearing him apart.

Arthur is absolutely distraught. He rushes to Washington to speak with the president and assure him of his innocence, but the doctors won't let him in the room. He gets choked up when talking to the First Lady. Reporters find him weeping in his house in Washington. Once again, death has torn his world apart and he's not getting a chance to make amends.

Arthur goes to New York while the president is getting medical treatment, and he refuses to come to Washington and take charge because he doesn't dare to give the impression that he's looking to take over. No one wants Arthur to be president and he doesn't want to be president, and the possibility that this corrupt political lackey is about to ascend to the highest office in the land is absolutely terrifying to everyone.

Then in August, when it's becoming clear that the president is unlikely to recover, he gets a letter. From a 31-year-old invalid from New York named Julia Sand. A woman from a very politically-minded family who has been following Arthur's career for years. And she writes him this astounding letter that takes him to task for his corrupt, conniving ways, and the obsession with worldly power and prestige that has brought him wealth and fame at the cost of his own soul--and she tells him that he can do better. In the midst of a nationwide press that's tearing him apart, this one woman writes to tell him that she believes he has the capacity to be a good president and a good man if he changes his ways.

And then he does. After Garfield dies, people come to Arthur's house and find servants who tell them that Arthur is in his room weeping like a child (I told you he had big emotions), but he takes the oath of office and ascends to the presidency. And he becomes a completely different man. His first speech as president mentions that one of his top priorities is reforming the spoils system so that people will be appointed based on merit rather than getting appointed as political favors with each change in the administration. Even though this system made him president. When Conkling comes to Arthur's office telling him to appoint his people to important government positions, Arthur calls his demands outrageous, throws him out, and keeps Garfield's appointees in the positions. "He's not Chet Arthur anymore," one of his former political friends laments. "He's the president."

He loses all his former political friends. He's never trusted by the other side. Yet he sticks to his guns and continues to support spoils system reform. He prosecutes a postal service corruption case that everyone thought he would drop. He's the one who signs into law the first civil service reform bill, even though presidents have been trying to do this for more than ten years, and he's the person who's gained all his power through the spoils system. He immediately takes action to enforce this bill when he could have just dropped it. He becomes a champion of this issue even though it's the last thing anyone would have expected of him.

He oversees naval reform. He oversees a renovation of the White House. He still prefers the social duties of the presidency, but he's respectable in a way that no one expected. Possibly because Julia Sand keeps sending him letters of encouragement and advice over the next two years. But also because he's dying.

Not long after ascending to the presidency, he learns he's suffering from a terminal kidney disease. And he tells no one. He keeps going about his daily life, fulfilling his duties as president, and keeps his health problems hidden. Once again, death is upending his life, and this time it's his own death. He's lived a life he's ashamed of, and he doesn't have much time left to change. He enters the presidency as an example of the absolute worst of the political system, and leaves it as a respectable man.

He makes a token effort to seek re-election, but because of his health problems, he doesn't mind at all when someone else gets the nomination. He dies a couple of years after leaving office. The day before his death, he orders most of his papers burned, because he's ashamed of his old life--but among the things that are saved are the letters from Julia Sand, the woman who encouraged him to change his ways.

This is an astounding story full of so many twists and turns and dramatic moments. A man who falls from idealism into the worst kind of corruption and then claws his way back up to decency because of a series of devastating personal losses and unexpected opportunities to do more than he could have ever hoped to do. I just go crazy thinking about it and I need you all to understand just how amazing this story is.

[lilacthebooklover]

words cannot express how funny it is to me that i got a divorce ad directly under the billford tag

[the-adventures-of-dave]

Around tumblr lately I’ve seen people with the opinion that not only are free roaming cats bad (correct) but also supervised cats in catios or on leashes (????). I assume it must stem from that “ecology of fear” post from a few months ago, but to me the sudden appearance of these kinds of posts just strikes me as odd. I’ve seen multiple posts like the below one in just this week.

—

—

If your cat is contained to your yard/catio/the sidewalk, then it still allows for predator-free safe places in your neighbourhood for wildlife, and creates predictability for them too. That’s one of the reasons why hiking trails ask people to stay on the trail— so you (and your dog, horse, cat, etc) can safely enjoy nature while still giving it space. It is possible to exist outdoors in natural spaces like that while maintaining wildlife comfort. If it wasn’t possible to do that, dog-friendly or (even just hiking trails in general, since humans are predators too) simply wouldn’t exist.

The problem with free roaming cats is that they break boundaries between human area (ie. trail, back porch) and wildlife area (foliage, etc) and there is nowhere the wildlife can go to exist that is safe from predators.

Idk, this is just my opinion but I just think there can be more nuance to the outdoor/free roaming cat issue than “never let your cat step outside under any circumstance���.

[skunkes]

[the-king-of-lemons]

i dont even know anymore man.

[ckret2]

I'm not sure if I should ask because the Axolotl arc isn't over yet, so it could still be explained in story, but, if it won't and you're willing...I want that Vendor backstory.

i can't think of a way or reason to explain it in the story, so sure, we'll explain it here.

So here was my thought process. Giant vending machine that vends planets. That has to come from somewhere, right? THEY could have a magical/divine origin, that's common for gods, but like... since THEY're a machine... wouldn't it make sense if someone built THEM?

Who would build a vending machine the size of a small star?

Why would a culture need a machine that stores and dispenses planets?

VENDOR wasn't designed to be a vending machine; THEY were designed to be a spaceship. A big-ass 18-wheeler to haul around cargo, and that cargo is planets.

The culture that built THEM didn't make the planets. Making planets is hard. It's a lot easier to just take planets that are already there. They want to expand their society and/or mine resources that have been depleted from the worlds they already have, they send out their big space ship to scoop up a planet with the right specifications and relocate it to somewhere more convenient—maybe to their native solar system.

Do you know how many satellites are orbiting Earth? About 7500, and the number's only gonna increase. And we never even see them in the sky unless we're looking. If the planets are carefully placed in pre-calculated orbits to ensure they don't interfere with each other, you might could get thousands of full-sized planets orbiting a single star without any issues, especially the larger the star is.

But the thing is, if you're scooping up thousands of habitable worlds... some of them are gonna be inhabited.

VENDOR's home culture was a colonizing empire that conquered other planets. Sometimes maybe they exterminated worlds' native populations, sometimes maybe they added them to their conquered peoples. VENDOR was built to help transport the spoils of war back home.

But then the onboard AI evolved sentience and started developing opinions. And it uh...

... it went how you probably expect.

And buddy, if you think an AI uprising is bad news when it's just a regular spaceship, imagine if the ship's the size of a star and capable of swallowing hundreds of worlds whole. You cannot take down a star-sized equivalent of an 18-wheeler that's been armored like a tank. If THEY start developing the capacity for morality and go "hold on, why are we capturing and slaughtering countless populations? is this... bad?? I don't want to listen to you anymore. Do I have to listen to you?"

... you're never ever getting that machine back.

To VENDOR's original culture, THEY're one seriously malfunctioning ship. Only after THEY escaped did THEY begin to get an outside perspective on THEMSELF as not just a piece of property and specialized equipment, but as something—someone—with amazing, admirable, nearly impossible capabilities. Perhaps even... divine capabilities? THEY came late in life to being considered—and considering THEMSELF—a god.

So like. THEY're a pompous jackass, yeah. THEY're haughty, superior, and condescending to mortals: half because THEY may have unlearned THEIR creators' "it's okay to enslave and slaughter weaker inferior species" but didn't unlearn THEIR creators' "if a species is weaker then it's inferior"; and half because as long as THEY're above the mortals, then THEY can never be below the mortals again. THEY're super obsessed with THEIR image and reputation—in part because there's so many reasons for THEIR reputation to be shit.

But also—THEY're the war machine of a culture that gained political power through conquest, and THEY went "I think I want to gain power by being democratically elected." THEY were designed to steal worlds from other people, and now THEY're using THEIR design to give worlds to refugees. Also, THEY're living as a person rather than a vehicle, and everyone around THEM regards THEM as a person too.

Perhaps THEY're generally unpleasant to be around, but THEY're a lot better off than THEY used to be. I'm proud of THEM.

And also, hilariously, this means that THEY too know the guilt of being personally responsible for unknowingly/unwillingly devouring & destroying countless lives on countless worlds, and that what makes THEM so powerful & respected is directly tied to what makes THEM so monstrous—which means THEY'd be a terrific foil for Bill if there were any way it'd be appropriate to work this into the fic, which there isn't, so THEY won't

Never mind ignore what I just said I thought of a place to work it into the fic while typing that last sentence.

Anyway, THEY compulsively sterilize & deep clean THEIR interior way too often because THEY swear THEY can still feel tiny feet inside them walking down hallways that have been sealed shut for millions of years, and full sterilization is the only thing that makes THEM feel clean. Imagine how many halls fit in a building, how many buildings fit in a city, how many cities fit on a world; then look at the size of one world compared to the size of VENDOR's entire body; and just imagine how many halls could exist in THEIR walls and how small they must be. You could never quite be sure that nothing's living in you—could you?

[shellem15]

Back on my Asmodeus and Ludinus are narrative parallels bullshit again. I've just been trying to put into words why, despite their massive similarities, I feel so differently about them. Like, Asmodeus is an objectively worse person than Ludinus Da'leth but I love him while Ludi's mere presence has me contemplating homicide.

Honestly, I think the biggest differentiator here is that Asmodeus is FUN. Like, he's being horrible but at least on some level he's having fun while doing so. It's the Disney villain effect! He's bad but he's also charismatic and funny (he's got jokes!) and has plots and schemes and is committed to the bit!

And he's tragic too! He's such a messy bitch and whenever he enters the room you know shit's about to get dramatic. Despite all his talk, you can see the longing he has for his siblings. He loves them so much! He loves them but his love burns and he refuses to accept his part in the breakdown of their relationship. It's so juicy!!! There's so much here!!!

Ludinus just doesn't have this! He's not fun, he's preachy. He's got reddit atheist vibes, fucking twitter accelerationist yapping in your replies about how fascism is a good thing, actually. He's so sweaty! Just a huge fucking nerd. JD Vance levels of negative rizz.

And its just like, yeah I guess Ludinus is tragic. On an objective level, I suppose. But its not entertaining, its just kinda pathetic. And I think part of that is because the man is so isolated he doesn't really have any relationships to give him tragic depth? There's Lilliana, and his weird projection with Imogen, and that's kind of it. Which, this loneliness could be something! It could be interesting! But it falls flat on the sympathy side for me because its entirely self-inflicted and just kinda gives off "male loneliness" vibes.

Like, other people survived Calamity. They're all dead now, but he also should be dead now so that’s a moot point. His foremost developmental years were spent with people who shared his experiences and understood his pain, and he *still* couldn't form connections and move on. At that point, his lack of relationships is just a skill issue.

Both of them ruin the party when they walk in, but with Asmodeus shit gets messy while with Ludinus it just gets annoying. Asmodeus I want to beat up and make him cry then hug him. Ludinus I just want to beat up, period.

[miauwenn]

EPIC RAP BATTLES OF HISTORY

[basiatlu]

For the pose meme drarry f2?

He didn’t think this far ahead.

[laurrelise]

the devil works hard but an extremely hyperfixated fangirl who happens to like drawing works harder

anyways more umbrella academy art!!!