#here's something i've been wanting to write for a Very Long TIme

[your-reference-here]

Okay, I know I already reblogged this, but my brain has been absolutely gnawing on this AU's possibilities so I had to write some of my ideas down.

Boq is definitely the DM. He seems like the kind of guy who would have gotten into the game back home and then brought it to Shiz. He tries for weeks to get Galinda to play, but it's not until he mentions it to Nessa, who then mentions it to Elphaba, who THEN mentions it to Galinda that a game comes together. Fiyero tags along too because he's curious...or at least that's what he says. It's not until they actually arrive at their session zero character creation that he rolls up with a fully prepared character sheet and they all realize "oh this guy knows this game."

Here's what I think everyone decides to play:

Galinda = College of Glamour Bard. I put this in my original reblog and I'm sticking with that. The whole subclass just feels like it was made for her.

Elphaba = Wild Magic Sorcerer. I was torn on whether Wild Magic or Divine Soul would be her subclass, but thinking it over more I've decided to say fuck it, give her the Wild Magic Sorcerer build because it fits thematically and because its shenanigans are fun. In universe, my excuse is Boq suggested choosing options that they could relate to as a first time player, so there you go.

Nessa = Order Domain Cleric. In my head, Boq mentions that cleric is his favorite class, so Nessa decides to explore those options. Something about the Order Domain just speaks to her...maybe it's the desire for some control over her own life, maybe it's a dark foreshadow of who she will become later. But who's looking into it that deeply?

Fiyero = Cavalier Fighter. He just wants to kick ass on a horse. It's also a nice way to uphold a "knight in shining armor" appearance for his peers. Galinda loves it, while Elphaba just rolls her eyes and calls him out for being a horse boy.

The first game is a simple fetch quest that quickly goes off the rails. This isn't unusual as far as D&D goes, but it does escalate to a loud enough volume that the crew gets kicked out of the library and has to find another spot to play. This could be a number of places, but I like to think Doctor Dillamond is kind enough to allow them access to his classroom, mostly to keep them all out of trouble and because of his soft spot for Elphaba (he's happy to see her making friends and joining in whatever this strange social club is). His only request is that whatever mess they make is cleaned up before the first class the following day. It's very close once or twice.

Now, in terms of how our cast actually are as players...

Galinda is the confused enthusiast who has no idea what she's doing but is going to do everything with an air of exaggerated flair. This results in her being the unintentional button pusher/trap trigger-er/the one the party is constantly yelling "NO!" at a second too late. Somehow, she always manages to pull through whatever mess she is in or has gotten the entire party in, mostly because she's able to gaslight, gatekeep, girlboss everyone else, including the DM, on a whim.

Elphaba is a born rules lawyer who comes to the game having memorized all her spells and abilities, only to find herself consistently exasperated by Galinda's choices and/or fighting with Fiyero who knows the game so well that he's found countless loopholes to exploit. She does end up having fun but hoo boy does she come close to magically throwing a book at someone's head on multiple occasions.

Fiyero is just vibing and, though he won't admit it out loud, is genuinely having a good time with these people and it's the happiest he's been in a long time.

Nessa is the only one trying to keep the party on track with the plot for Boq's sake, who is beginning to question bringing this particular group of people together.

UPDATE: I just saw the spellbook again in the artwork and was like "shit that's really a wizard thing to have a spellbook" and then I remembered the beauty of the multi-class, so my solution is that Elphaba decides to multi-class later on into a School of Transmutation Wizard.

dnd au request

[greenwitchfromthewoods]

nymph. [part 5] l General Marcus Acacius

Summary:  you have been with him for a long time, but he has never seen you. but everything has changed.

Warnings:  angst, fluff, memories of death and arena fights, old romance, lots of sadness, some tears, gods and mythology are treated in a simple way

A/N: I hope you enjoy this chapter. I've hidden something there… something that happened a while ago and came back to them. I'm curious… I'd like to know what you think of this series. or anything I write. My inner critic probably does too well. But I'll leave you with this and thank you for your time.

I hope you will be gentle with me. your feedback is very important to me and I thank you for all the reblogs, comments and likes. 🖤 sorry for all the mistakes

nymph [masterlist]

It was another hot day and even though you were in the shade, you could feel the heat pouring off the sand in the arena. You had never seen a place like this before. It was massive, raised above the rooftops, as if it was shouting to everyone "I will be here for eternity while you turn to dust".

Marcus was strangely quiet and nervous that day, you could see it in his gaze and how close he was to you. Brutus and Aurelia, as they had promised, showed up at the coliseum with you, but it didn't help.

The crowd around you, the greetings from the other guests and the place itself, General Acacius was restless and would have given anything to be able to take you away from there.

But your eyes, like the eyes of a child, absorbed it all, absorbed his world.

"Marcus! How good to see you!" a cheerful and resonant voice reached your ears as well.

"Lucilla." Marcus nodded as the woman smiled fondly at him. "I’m glad to see you in good health."

She was beautiful. Golden hair fell in waves down her back, a robe draped around her shapely body, and precious stones and gold sparkled on her hands and neck. 

Lucilla was beautiful and she definitely knew it. How else could you explain the spell she cast over the people gathered in this place.

She gave him a smile. "I was glad to hear in what glory you returned to Rome. Why haven't you visited me yet? It's not nice to keep old friends waiting."

"I had my duties."

"Duties?" she repeated, and her gaze wandered to you. You didn't look in her direction, but you could clearly feel her searching gaze on you. "Is this your new..."

Your name left his lips like the words of a prayer, Lucilla immediately felt it. Despite everything, the smile didn't leave her lips.

"I'm glad to see you're happy, Marcus." she said, her hand tenderly squeezing his arm. "If she gives you this happiness..."

"She gives me more than I dare to ask for."

The woman nodded. After a short moment, she withdrew to her seat, but you still had the impression that her eyes hadn't left you and Marcus.

"Everything’s good? Come on, let's take our seats."

You sat down at the back and after a moment you saw Emperor Geta and his brother appear in the box. All the majesty and splendor of their personas was overwhelming, but you had the impression that the people around them seemed to stiffen and began to weigh their words more carefully.

However, you didn’t have time to look at them more closely. The fights had begun.

Marcus felt ashamed and embarrassed. When he saw the expression on your face, his heart stopped for a moment. He wanted to take you away from there, to erase from your memory what you had seen, what you had heard... 

Your fingers tightened on the ornate armrests of the chair and you slightly leaned forward as your widened eyes watched the bloodshed in the arena with horror.

"My dear..." he whispered in your ear, but only a sigh escaped from between your parted lips.

He took your hand and kissed it, but that didn't help either. Your fingers were ice cold. Gods, Marcus regretted ever letting you see all this!

The conversations and laughter of his companions reached him as if from behind a curtain. All his attention was focused on you and only his alertness allowed him to react appropriately when any words were directed at him.

Let this all be over! Please...

Brutus and Aurelia took you back home, Marcus's duties forced him to stay. You barely spoke to him or his friends, still dazed by what you saw.

"Take care of her." Brutus ordered Melitta when she appeared to welcome you home.

You were barely able to understand her words, although she spoke to you calmly and with concern.

"Where is she? Melitta!" his loud voice echoed through the darkened corridor.

The girl quickly approached him, leaned around the corner, and bowed quickly.

"My lord." she said "I tried my best, but she..."

"What about her?" Acacius growled, approaching her "Speak, girl, if you value your life!"

She raised her head, looking at him pleadingly "I prepared her a bath to ease her nerves. She's still there..."

"How long?" he frowned.

"Since she came home."

"It's been a few hours!"

He pushed Melitta aside and went inside. The stuffiness and the smell of incense immediately filled his nostrils. You were there, sitting on the edge with your feet immersed in the water. The maid had to cover your shoulders with a robe. But what frightened Marcus was your gaze. Glassy eyes stared into space, you looked like a sculpture.

"My love." he said quickly approaching you, he touched your cheek, directing your gaze to him "I'm so sorry."

"Marcus..."

He saw the tears running down your cheeks, your trembling lips, the crease between your brows. He had never felt so helpless before.

"I'm sorry you had to see this. I have no words to justify myself, but please... Just say something."

"I don't understand this, Marcus." Your whisper was barely audible. "I've seen the wrath of the gods, I've seen the battlefields, but this... Just to please a handful of people? Do you all despise your lives so much?"

"I have nothing to defend what you saw."

"How could you defend it? There were ordinary people there too..."

"Thieves and bandits. Slaves."

"People." You took a deep breath. "So who am I, Marcus? What am I? I feel like I'm floating between worlds, not belonging to any of them... I saw the delight on the faces of some, and the terror in the eyes of the dying. Where am I in all of this?"

Warm, large hands cupped your face. Gentle brown eyes looked at you with fear, but also with love and care.

"You're here with me. That's what matters." He said. "Our life is beyond all of this. I'll take you away from here, somewhere where you'll feel free, safe... You belong to me, and I belong to you. That's all that matters."

He saw the shadow of a smile on your chapped lips and couldn't help but taste them. They were salty from tears, but still soft and comforting. 

"Come on, love. Let me take you to bed."

With incredible ease he lifted you into his arms and carried you to the bedroom. You were so fragile in his arms, when he placed you on the bed he was still surprised that you were real. It was late, the house was silent and the room was filled with the sweet scent.

You watched as Marcus removed the gold bracelets from his wrists and then his toga, which he placed on a nearby chair. The glow of the candles danced on his wide back.

"Lucilla."

Your quiet voice caught his attention as he poured himself some water from the jug on the table. He turned around, you were sitting on your heels and staring at him. Your face was so soft in the light.

"I saw how she looked at you." you continued calmly. "Something connected you. Feelings, right? Strong ones."

Acacius nodded.

"What happened?"

He cleared his throat and took a few steps, his thoughts returning to those times, the times of his youth.

"It was years ago..." he began "I was a young soldier, gaining experience. She was lonely. Like me."

"She's beautiful."

"Not like you." you smiled slightly and continued "Our paths crossed."

"Did you love her?"

Marcus sat on the edge of the bed, staring at his hands, which suddenly seemed colossal, rough. Inappropriate for you. However, your presence next to him was so soothing, he closed his eyes.

"I thought so." he replied "I thought it was love. But everything changed suddenly."

Your hand rested on his shoulder "How so?"

"I don't know. I was away from Rome for a while. When I came back, when I met her again and kissed her, I felt like I was betraying someone. It sounds crazy, but it was true. The shadow of an unknown person, someone I had lost and didn't even know, hung between us. I couldn't... Lucilla sensed it, she didn't ask questions. I devoted myself to the army, to Rome." He looked at you, a faint smile playing on his plush lips. When you stroked his cheek, Marcus sighed quietly.

"I've never told anyone about it. Is it possible to suddenly wake up one day and feel like something's been lost? Because that's how I felt. I didn't know what it was, but I felt like someone had cut out a piece of me. No one could fill it. And then, years later, you appeared... You were there like the wind, like a breeze or a warm gust." his lips brushed your wrist, you rested your forehead against his and closed your eyes. “I felt you before I saw you. And once I saw your face, gods, it was like I woke up from a long sleep.”

For almost four days, General Acacius's house had been just you, Melitta, Antigonus, and the rest of the servants. His duties had forced him to report to the barracks, and this time he couldn't find an excuse.

It was your first separation in a long time, and although you missed him, every day surprised you with something. Like when Antigonus said you could accompany Melitta to the market. Or when you went to the nearby temple together.

Aurelia and Brutus, Marcus's friends, also visited you, but seeing that they had torn you away from sitting among the maps and notes you were so passionately devouring, they decided that nothing would threaten you. So if it weren't for Antigonus' complaints, you would probably have moved the bedding there.

You felt it again.

You didn't tell Marcus about it, but you waited for the familiar scent to fill the bedroom again. Maybe you were wrong? Maybe it was all just a vivid dream?

But when you stood by the open window to the garden, you heard the quiet words of prayer, you knew you were right. The grass was soft under your bare feet, and the pleasantly cool wind brought relief after the hot day. You walked quietly so as not to scare anyone away.

And when you stopped behind the rose bush, you saw her.

Melitta was kneeling in front of burning candles, with incense made of herbs and flowers that gave off a scent so familiar to you. Her quiet voice mixed with the rustle of leaves and cicadas.

You didn't want to interrupt her prayers, it wasn't right. But you listened to the words and with each subsequent one you felt as if your heart was sinking.

These were not ordinary prayers. Regret, sadness, a plea for forgiveness, a promise to improve... All these words were accompanied by Melitta's silent sobs, carried through the night to the stars along with the smoke of her incense.

And then you understood.

She was just like you.

☆☆☆☆

Thank you for your time.

@ashleyfilm @gothcsz @littlenicpascal @missladym1981 @axshadows @psychoenergy @sabsunflowergirl @pedrofan @heckzprince @hard-candy-writing @mynameisbaby9 @94namkooksworld @bbyanarchist @picketniffler @tranquilty @psyched2b @jeewrites @tuquoquebrute @aotfantasmagorias @mynameismothra @kluvspedro @fefa-la-printcessa

[thewalrusespublicist]

"Tbh I was starting to feel a bit down about my blog and what I was putting out ( the eternal crisis on how to give full answers and opinions without being stupid, boring and annoying lol)"

OMG no way! Your blog is one of the best here! What i love the most is reading the analysis and meta from the users, there's always more information and good takes, and yours are always quite deep and insightful.

I would love if you share your opinions about Stuart as well. I feel like he is obviously more sanctified that he should be since he died young (like that insane quote from his mom saying that Brian told her that Stuart could have been the Beatles' manager, no way lol) and i feel his memory has been used to attack Paul, sometimes in a very unfair way. Like, i don't deny the teenage drama and jealousy that Paul felt about him but he *was* a shitty bass player and the band was Paul's future, he was allowed to criticized him not only for being John's new bestie. I also think John played with them both but i lack of your eloquence so i will love to read your take about it.

Hi anon! And the other anons!

Thank you again and to all the other messages I got, they were extremely sweet and really made my day. :)

From my inbox, it's clear you guys want to know about Stu and his role in the Beatles legacy. Well you asked for it and a novel you shall have. Be warned this might be the longest post I've done so grab like a drink or something.

A few disclaimers: I wish and had intended for this to be more of a deep dive into Stu as a whole person rather than just his relationship with John and Paul. Unfortunately I just didn't have the space to do it. If you want to know more about Stu I would highly recommend @eppysboys' blog which is the source for all things Stu Sutcliffe and where I got a lot of this info. Please check their stuff out. Also, I'm going to be a bit blunter on this than maybe I usually am because this topic has been irritating me for some time. Oh also I’m trying my best to answer a lot of asks in one post so please forgive if I don’t fully answer your specific ask about this!

Stu in a perfect world should be a fandom darling: an exciting cipher, a handsome artistic talent that died way too soon who had a major influence in the early Beatles style. It's like there’s this secret other James Dean looking mf Beatle hidden away to uncover, that's cool and he is cool! The problem is that he’s sort of becomes radioactive to talk about in a normal way due to how he's been portrayed and utilised in some biographies and fandom spaces, particularly those that have been infected by John Lennon aspirational boy bestie syndrome. As those types of spaces cannot seem to exist without tearing down Paul to prop John up as their special lil guy, Stu as John's other best friend has become the ideal heavy object to hit Paul McCartney over the head with. It's like a corrosive element, the minute Stu hits a Beatles bio, the biographer suddenly loses all training in objectivity and source work and starts waxing lyrical about 100 percent reliable never biased or wrong Saint Stu of Hamburg who died for our condom arson sins and that Paul McCartney should feel bad about every day of his life for not worshipping Stu and not accepting his own ‘place’ in life as John's just-some-guy placeholder best friend. I’ve personally seen so many posts and forums where Stu being mentioned leads to a legion of comments about how Paul could never have been Stu (correct both ways) and how John would never have even glanced at Paul for much longer if Stu had been alive. Sidenote: If you seriously think that the musical savant from down the road whom John went on to produce the most prolific song writing partnership in history with couldnt have kept his attention for long then I'm begging you on hands and knees to get your head out of the arse of your John Lennon body pillow and be serious. But anyway…

This boy bestie battle royale approach has in turn lead to a reflex reaction where Stu gets studiously ignored by other sections of the fandom as a precedent has been set that shining a light on him diminishes Paul and John's relationship with Paul. It's frustrating because if people weren't so keen to cut Paul out of his own story then we would get a much better nuanced view of every single person involved.

So let's put aside all of our defenses, cut the John Lennon loved one ranking system bullshit and lets look at the actual question here which is what was John and Stu's relationship really like and what did he mean to John?

John and Stu met at art college a year or so after Paul and John met. Up to that point John and Paul had their fun little codependant thing going on but Stu quickly became a huge fixture in John's life. Stu had things that Paul couldn't really offer at that point in time. John was at his heart a musician who aspired to be seen as an artist (he would later express surprise that he didn't become an artist). Stu was the passionate artist who knew tons about the art of the period that could teach and inspire John. Their creative leanings meant they could work on projects together and share art notebooks and poetry. (Including yes the one with anti-semitic story which I mention again as I believe it's an important thing to remember when it comes to both John and Stu and the culture of the time.) Stuart by the sounds of it was even writing a novel about John at the time of his death. They were fascinated and inspired by each other.

So, creatively they fired each other up but more importantly perhaps, Stu and John were peers. It's funny to think about when you see the Beatles later but at the time Paul and George were the kids in their school uniform coming to see their cool older friend at art school. That's an important divide. When Paul and George's parents insisted their kids do their homework and go to bed, John and Stu could stay up and talk all hours of the night, which they did. They also could rent a place together and spend long hours chatting (despite John moving out later after realising electricity cost money lol.) There's a different dynamic that the age similarity offered as well. Whilst Paul would later somewhat grow into this role, Stu could act as an authority figure to John as well as open up to John in a way you can really only do with your peers. Stu was the person John opened up to throughout Stu's life:

How long can one go on writing and writing like you. I now don’t really know who I’m writing to or why it’s quiet peculiar. I usually write like this and forget about it but if I put it in a little part of my [almost?] secret self in the hands of someone miles away who will wonder what the hell is going on or just pass it off as toilet paper. Anyway I don’t care really what happens because when I think about it, it’s so bloody unimportant – but what is important who has the right to say that this letter is not important and this is a something any way – anyway – anyway – yeah! I wonder what it would be like to be a cretin or something. I bet it’s gear. & how are you keepin Stuart old chap are you as ok – is life as good – bad shite, great – wonderful as it was or is it just a thousand years of nothing and coolness on and on and on. I think this is it Goodbye Stu don’t write out of – er what is it? well not because you think you ought to write when you feel like So goodbye (from John you know the one with glasses) ANYWAY BYE BYE see you soon I don’t know why I said that I remember a time when everyone I loved hated me because I hated them so what so what so fucking what I remember a time when belly buttons were knee high when only shitting was dirty and everything else clean + beautiful I can’t remember anything without a sadness So deep that it hardly becomes known to me so deep that its tears leave me a spectator of my own STUPIDITY + so I go rambling on with a hey nonny nonny nonny no

Extract from a letter to Stuart Sutcliffe from John Lennon, 1961

By lots of accounts Stu was gentle but firm when it came to telling John he'd gone too far. John references this aspect of Stu to Hunter Davies:

"I looked up to Stu. I depended on him to tell me the truth. Stu would tell me if something was good and I'd believe him."

The Beatles: The Authorised Biography (Hunter Davies)

In this way I kind of see Stu as a proto-Yoko. John was so insecure and uncertain about his grip on the world and reality that he relied on Stu to be his point of reference and guide. Paul did this too later and I think in Hunter Davies John mentions this, but not at this time period and not as much due to their competitiveness. This may be why some people saw Stu as the person that really understood John at this time period:

"During the turbulent adolescence that prefaced a turbulent manhood, hardly anyone knew Lennon as intimately as Stuart Sutcliffe. If they weren't exactly David and Jonathan, June Furlong, one of the life models at Liverpool's Regional College of Art, had "never seen two teenagers as close as those two."

The Gospel According To Lennon by Alan Clayson

Now this person likely never met John and Paul together but this is only one of many similar quotes and even Julia captain of John and Paul's friendship boat seems to agree there was a period where Stu dominated and Paul 'kept his distance' from the John-Cyn-Stu 'menage-a-trois'. But the friendship wasn't perfect and his position as John's ultimate best friend was never iron clad. This is best outlined by the shit they pulled when John convinced him to join on Bass for the Beatles.

Despite being John's best friend, Stu was teased and bullied:

"They argued as usual amongst themselves, but most of all they picked on Stu, the newest member of the group. John, George and Paul had been with each other long enough to know that rows and arguments and criticism didn't mean much. If it did, you just argued back. "We were terrible," says John. "We'd tell Stu he couldn't sit with us, or eat with us. We'd tell him to go away, and he did." At one hotel they stayed at, a variety show had just left. There had been a dwarf in the show and they found out which bed he had slept in and said that would have to be Stu's. They certainly weren't going to sleep in it. So Stu had to. "That was how he learned to be with us," says John. "It was all stupid, but that was what we were like."

The Beatles: The Authorised Biography (Hunter Davies)

Why John encouraged this I have no idea, maybe jealousy over Stu's looks and wanting to play people off each other? Things were tense in both Scotland and Hamburg, especially between Stu and Paul. As I said in my last post, the girls were fighting and it was mutual. Paul was mad for both fair and immature teenage-boy reasons. Stu could not be bothered with the bass most of the time and couldn't really play well and was only there as he was '(John's) best friend' (ouch for Paul). Paul conversely had given up higher education to be there and was sending lots of money back home. He also was dating the girl Paul fancied. Stu was popular with the new group and also did mean things like help John steal Paul's money when money was really tight for him. Paul in turn was a passive aggressive, jealous and mean. It all came to ahead in the punch up onstage which according to Spitz came about from Paul wanting money back and saying that Stu could borrow some from Astrid. Stu goes for him and reports vary from full-on bust up to embarrassing scuffle. Stu then goes to where Astrid and Paul's gf Dot are, demands Dot leaves and goes on a rant about Paul. Now all of this must be framed in the context of Stu receiving increasing brain damage from his condition that seemingly lead to mood swings and anger. Nevertheless, the mutual needling and anger, as well as John's refusal to do/say fuck all about it, especially given how protective John was of Stu, suggests that it wasn’t straightforward and/or John may have been playing some games to make both feel threatened. This would also make sense as to why we hear conflicting accounts of John and Stu being the centre of everything and everyone else in orbit AND John and Paul being the centre and everyone else playing catch-up, as well as John giving Paul the lead to take him round the Reeperbahn when John got dressed in the gorilla costume. (I know Paul may have just been the closest there but that always gave off bestie behaviour to me.)

(I did get an ask about how John and Paul's friendship survived it, I think it was damaged by Hamburg. When Paul got back home he got a job at a construction site and there's just a vibe of everything being a bit on tenterhooks. John also acts a bit weird at the period, not talking to anyone for a few weeks then making a lot of weird demands from Paul. I'm really not sure what to make of it.)

Even when he's back in Liverpool, John still writes long letters to Stu and vice-versa. I can't find it at all but I’ve read a really sad interview with John saying he missed his best mate and it's a shame that he's not with them. He had no idea at that point that Stu had already died of a brain hemorrhage at 21.

John is said to have gone into hysterics when he found out Stu had died. A lot of people who've spoken about this time (Aunt Mimi, his sister Julia, the Exsis) concur that at this point Stu was his best friend and the death shattered him. He even told Astrid he wished he could give his life for Stu’s. This is backed up by the fact that John never forgot Stu and his shadow lingered for the rest of John's life:

Stu was recalled in In My Life

Years later, after John composed the first of his truly poignant and heartfelt Beatles songs, "In My Life"—with its lines about "friends I still can recall/some are dead and some are living"—he revealed to me that the two people he had had uppermost in mind were myself and Stuart Sutcliffe. And then he stunned me with a statement that I'd never heard him address to anyone—least of all to another man. "You know, Pete," he said softly, "I do love you. But," he quickly added, "I loved Stuart as well."

Weird that Paul isn't mentioned surely you think that he would be mentioned if Pete was there too okay, okay my tin hat is going away this isn't the time

Pete Shotton, Nicholas Schaffner, John Lennon: In My Life

In 1965 John drew Stu on a postcard

He apparently said this about Stu prior to sending the postcard, prompted by an article about Stuart.

The card had been sent from Genoa mid-way through the Beatles' Italian tour. [...] But the conversation had become maudlin when I reminded him that he was going to talk to me for an article about Stuart. [...] In that sad telephone conversation before they set off for Milan, I asked him if he was happy: 'I'd be a lot happier if Stuart was still part of us,' he said, 'The Beatles would be complete.' And before he rang off he said 'Ill send you something.'

He also appears on the cover of Sgt Pepper

As mentioned, Stu gets mentioned in Hunter Davies in terms of wistfulness and guilt AND he gets a mention in John's insane 'if I were a homosexual' ramblings in early 70s. According to Yoko, John also wanted Yoko to write letters to him and didn't think it would be strange because Stu wrote letters to him.

I have a pet theory that as with a lot of things for John, his unresolved grief over Stu really came to the fore in the late 60s now that he had actually had a chance to sit down and think about things. I believe it was partially why he wanted Yoko to write letters and why he gets mentioned in the early 70s as a collaborator/best friend and not in 1980 where John only gives that credit to Paul and Yoko. I think with the cracks with Paul, John had started to think back on his old friend and guide and what advice he would give.

Stuarts presence is still felt throughout the seventies:

“He told me everything. He loved to talk about Hamburg. There were no secrets. It was the kind of life I never knew…. It meant total freedom. At his side always was Stuart, sweet Stuart. There wasn’t a time in John’s life when he didn’t think about Stuart. He spoke always of his love and respect for Stuart.”

Yoko discussing Stu in When They Were Boys: The True Story of the Beatles’ Rise to the Top by Larry Kane

Coming to grips with his death is also present in Skywriting

SEAN O’HAIRE: What happened to Stuart Cliff? DR. FISCHY: What happened was a full exchange of energy where it was not needed within the expression of your own self or in the energies involved around and about you. We cannot call it a happening. We’ll say it is an awakening, for in that way it has served an expression from the past to the present and to the future to where there shall be more of that incomplete vibration expressed to you in a more fuller understanding.

Skywriting by Word of Mouth, John Lennon

This isn't exhaustive but I think from all this it's pretty clear that John adored Stu, John grieved Stu and kept grieving Stu. Stu had a specific place in his life as a confidant that he tried to recreate with Yoko. At the time of Stu's death, he was John's best friend, probably slightly over Paul. Stuart had been able to be both a friend and paternal presence, a confidant and an artistic collaborator. His presence and loss was one of the foundational points in John's life.

But as we've been asked to play this stupid game and so many bios like to make a hoopla about it, were they at their closest ever as close as John and Paul were at their height?

No.

How do we know? Because John told us so:

" He [Paul] still is the closest friend I've ever had, except for Yoko, so I'm still close to him whatever goes on."

John Lennon to an interviewer, 1971

But Walrus! John just says shit! How do we know he isn't leaving out Stu because the press don't know Stu. Well true John does just say shit but this is at a time where John isn't the most glowing about Paul and he's had no problem mentioning Stu in this time period ('one of my best friends ever' would have made a similar point).

But Walrus again! If John picked Stu over Paul when they were young why wouldn't he be the boy bestie of all time, and why would John say that he was closer to Paul? Well, because of the environment and timings. Stu's death happened near the beginning of John and Paul's major bonding moments. If you look at their personal timeline, Paris, the Nerk twins, and getting signed happened just before Stu died. That's missing the major years of Beatlemania, Key West, LSD, Paul growing more into being John's peer and a load of other huge moments in their lives. It's like how John writes to Cyn in 1962 about wanting the house to themselves and not have Paul around all the time. Would you say because he feels closer to Cyn then that John in his overall lifetime loved Cyn more than Paul? No, because relationships change over time and theirs were no exception. (One thing to consider as well is that we don't yet have many letters between John and Paul during their Beatles years and earlier, probably because they were spending so much time with each other. We know a couple exist that Paul considers too personal for publication but I'm sure there are others. It's easy to understand what John felt for Stu as we have the letters, I think we would also have an easier time understanding what John felt for Paul if we had the equivalent of those.)

At the end of the day Paul was the man he believed he had a psychic bond with, the man he couldn’t shut up about, the man whom he’d conquered the world with with their endless collaboration, the man with a twin personality to him and according to John spent more time with throughout the 60s than he had with Yoko ever. To be frank if Paul had died in 67' I don't think this would have been a conversation.

As mentioned early, in early 1970s John elevates his partnership with Stu to his collaborations with Paul and Yoko but by 1980 he’s pretty clear that Paul and Yoko are their own category.

"I was saying to somebody the other day, “There’s only two artists I’ve ever worked with for more than a one night stand, as it were. That’s Paul McCartney, and Yoko Ono.” And I think that’s a pretty damned good choice!!"

John Lennon interview with DJ Dave Sholin, 1980

There are of course the what ifs. Would Stu still being alive mean that John was not as close with Paul? Maybe, highly doubtful though as the Beatles experience was so intense. If Stu remained a Beatle would John be as close with Paul? If Stu remained a Beatle he wouldn't be Stu so no. At the same time who knows what it would have been like if Paul and John were peers from the off? I said this to @the62ndbugsfan when it comes to Stu vs Paul (hi girl sorry i've made our chat a whole ass post lol) but to go a bit Wuthering Heights, soulmates are made as much from the earth as they are of the stars. What binds us is our experiences just as much as our personalities. There may be a universe where Stu and John took on the art world together or became inseparable bffs again after the Beatles disbanded, but it is not our universe. In this universe Stu tragically died and John and Paul chose to become Lennon/McCartney and artistically unite themselves forever.

Even going back to Stu's lifetime, I've said it before and I'll say it again I find it interesting that not only did John choose to go to Paris with Paul rather than pay to meet up with Stu somewhere but that they arranged to meet up with Juergen and nobody told Stu until they'd already gone. Stu was shocked and didn't know if it meant the end of the Beatles which is a pretty big thing for him not to know about. Why didn't John tell him if they're apparently still writing long letters? Was it because he really wanted to do this with Paul and didn't want to hurt Stu's feelings? And that's really the point I want to make here. Due to his trauma John was preoccupied with reinforcing ranking of relationships within his life. But the thing is friendship rankings are made up guidelines and the reality is far more complicated. You can have a designated best friend but feel closer to another friend at times, you can want to do one thing specifically with one friend and not the other for various reasons. You can (as I do) have more than one equal best friend. Friendship as with most relationships are in a constant state of flux and each friendship you have will give and mean a different thing, even if they are of similar value to you.

Paul may have ended up closer to John than Stu had been, but that doesen't make John's relationship with Stu any less special. Nor does Stu negate the significance of Paul. Whilst both fit into John's pattern of intense relationships and demands related to that, both had unique positions and meaning to him. Considering what I've gone into about John's closeness to Stu, it actually says something deeply, borderline unnervingly, intense about John and Paul that Paul pipped Stu to the post. Maybe it's time Beatles bios accept the fact that John Lennon just wouldn't be into them like that, stop using a tragically prematurely deceased young man as a prop in their jealous psychological warfare against Paul McCartney, stop perpetuating one of the most damaging games that John did to his loved ones and allow both relationships the space to shine and showcase the amazing talent that was the Beatles and those that surrounded them.

[gnckholin]

okay I need to preface this with yes I like having representation and anyone who's been around my blog long enough should know that renarin is my specialest little guy him and him and rlain are very cute and if y'all really need it this is coming from the perspective of a queer man if you turn this into a pissing on the poor type deal I will simply block you but. now that I've had time to stew on it.

the rlainarin arc was a bit boring.

part of this is I think rooted in Brandon trying to be a Good Ally™ doing Good Representation™ and he worked a lot with sensitivity readers to make sure things are handled well but it just felt a bit... tokenizing? like they were in the spiritual realm as a bit of plot convenience but also it kinda felt like an excuse to keep them relevant enough to give them pov chapters. and it's cute! don't get me wrong! but also every other characters get emotional arcs about growing as a person and they got...trying to ask your crush out? it felt very out of place.

now you might be saying hold on! they're not primarily pov characters you can't expect as much nuance emotionally as someone like kaladin. and you're right! but let's look at the other supporting cast members here. jasnah gets the struggle of power and her entire attempt to keep thaylenah which results in a meaningful paradigm shift for her! navani gets to work on her connection with the sibling and uncover the past. we don't even really see much of relationship between renarin and glys much less rlain and tumi. sure they may have been good representation! but they were mediocre arcs. even in the discussions I'm seeing lately of favorite parts, it's not that people have disliked it it's just...nothing to write home about?

it also feels particularly weird to have an arc around "my family will think it's weird" when it's been pretty well established that alethi in general are like. fine with queerness. and sure you can say "well they're nobles" but at this point renarin is in line for 0 titles. dalinar was only going to give king of urithiru to someone who wanted it, jasnah planned on being the last queen of alethkar, there's literally no point? it feels a little love Simon. and yes absolutely in modern western culture people can feel weird about coming out to people who would be accepting and that's fine! but that's also rooted in real world homophobia which alethkar doesn't seem to have.

even when we compare with the other canonically queer stormlight character, it just kinda. . .falls flat. part of this is that shallan wasn't intended to be queer but honestly it feels like it reads well. she doesn't have to turn to camera and say she's different she's bisexual she can just be a person. she can fall in love with adolin she can get flustered around jasnah veil can call women hot and it's like. fine. and it feels more authentic to the setting! a lot of the rlainarin arc in WAT felt like it was meant to be educational. for cishet people. and like that's fine! but it doesn't make for an engaging character arc. I can't even say it really makes for good reading.

and look, I get it, we all like seeing them get flustered and worry about what the other one thinks and we all get to be excited when they confess their feelings and kiss but it just feels so tonally dissonant that like. I can't believe this was intended to fit into the main plot. it feels a bit patronizing - like look we have good healthy representation now! I'm doing so good at this! and genuinely from the bottom of my heart it's thrilling that the largest name in fantasy is willing to do this even more so considering the religious background he's writing from I'm not writing all this to say Brandon is a bad guy or secretly a homophobe I'm just saying. I wish we had more, y'know? something less feel good for the cishets for being good allies something with more of a real plot that engages with the themes of the series and whatnot. I'm looking forward to arc 2 (in like 10-15 years)! I'm looking forward to more rlain and renarin and their dynamic! I just hope it feels less. educational.

anyway a lot of this was directly inspired by verilybitchie's video on good representation it really helped me out my finger on why their arc felt a bit flat so please go check it out she's a great creator.

[spritesitrus]

Heyo!

What's a headcanon/story about your Koopalings, that no one has asked the right question yet, for you to tell about?

(Like, you have a headcanon about their favourite foods or something, but no one has asked about that yet)

I totally forgot to share their dynamics like long ago so quick chart I made to quickly summarize the more important dynamics (plus some extra ones)

The last one is a little joke that goes with a short fic I was writing of the Koops worrying about Jr and Larry becoming adults since enough bad things have happened to the rest of them because of lore reasons™ (the point in which this fic takes place in my timeline is when everyone's doin' good tho so nothing to worry about)

Anyways I wanted to share some little tidbits of the fic cuz why not

Also as a treat, I will share some dumb trivia for them (I did already share some of Iggy's stuff before but I'll just leave it here since I just took it from these lol ToT) and I've included Jr as well!

Cooking Skills

Ludwig- Cooking hasn't been his strong suit for a long time and prefers to not “Meddle with those affairs”(his words). 

Lemmy- He's able to cook but usually only cooks stuff he knows and never really ventures out to try new things. But he's always happy to try if it's something everyone agrees on wanting to eat. 

Morton- Used to suck but has become the best chef out of all of them. He enjoys cooking for others and always offers to do it. 

Roy- Can cook basic level things but he's not really good at it. He doesn't like waiting so sometimes it gets burnt. 

Iggy- Absolute dogshit at cooking. Do not let him near a stove unless you want something to blow up. 

Wendy- She's good at cooking but it's not something she likes doing regularly all the time. God forbid having to cook with her other siblings too, it'd just be chaos. 

Larry- Only knows how to use the michael wave.

Jr- He waits to be served.

Singing Voice (formatted this on an understanding that this is them having a karaoke night)

Ludwig- He's good at singing but I think it's one of those voices that are just decent in their own way rather than being outstanding. It's probably one of the few things Ludwig is okay about not being perfect. 

Lemmy- He's pretty tone deaf but he tries. Everyone cheers him on for his enthusiasm. 

Morton- He sings quietly but he's not actually half-bad. It's not something he really likes doing so he just lets anyone else sing if they want the mic. 

Roy- Not that great and he falsettos a lot. He probably steals the mic the most. 

Iggy- He's alright at singing but can’t reach high notes well and is quite flat. 

Wendy- The best singer out of them all. She has a powerful voice and is a showoff about it. 

Larry- His singing is quite nice but prefers rapping more. He's the type of mf who beatboxes at crazy speeds. 

Jr- He's actually pretty good at singing too but it embarrasses him the most since everyone is so enthusiastic for him when he does. 

Dance Skills

Ludwig- Only knows how to waltz because of course he does. Outside of that, he dances exactly like a dad. He makes sure to avoid Bowser during parties so the others can't compare them. 

Lemmy- A total dancing machine. He mostly likes to do break dancing and disco but can quickly pick up on other dances as well. 

Morton- Doesn't seem like someone who dances, but he will get down if the situation calls for it. 

Roy- A great dancer who always likes to show off whenever he's partying. He can breakdance, pop and lock, moonwalk, you name it, he can do it. He's also a really good teacher and teaches a dance class in his spare time. The only time he ever wanted to give up on a student was when he was teaching Iggy. 

Iggy- Can't dance for shit, like he literally has no rhythm. The only move he knows is the floss and it took the gang forever to teach him how in the first place. 

Wendy- A very graceful dancer and knows ballet. Though she's always ready to be on the dance floor too. How could she not when she and Roy are literally besties?

Larry- A pretty good dancer. He can pick up moves easily and knows how to groove. 

Jr- He tries to act too cool and cross his arms all like “Heh, I don't dance” but in reality, it's because he's embarrassed that he's a clumsy dancer. 

[bobomcfoe-art]

A whole lotta talking about Them <3

I mentioned just little bits of this in the tags originally, but here are the basics of what's going on in this drawing:

Desa is about set off on a trip to complete her first task for Aei Deive, who Desa has spent nearly her entire life worshipping as a god. She'll be traveling to the village Tionsal on the island Ansala, where Aei Deive grew up.

Earlier in the day, Desa spoke to Siell (the noblewoman her family has served for generations) and Tirann (her mentor as an assassin) and both of them expressed disapproval over her choice to leave, even though it's not for long. She doesn't understand why they oppose it, given that she is performing Aei Deive's will, and they have always encouraged her faith (though they themselves were never terribly devout). So when she goes to the Sun Palace to meet with Aei Deive, it feels almost like she's betraying them.

During their meeting together, Aei Deive gives Desa a letter, which is to be given to the innkeeper in Tionsal. It also tells Desa something she doesn't feel at all worthy of knowing: Its given name, Iryna. Aei Deive's given name is a sacred and well-protected secret, so to know it is a great honor which Desa does not think she's earned.

Still, after all of this, Aei Deive has more to give. It shows Desa two earrings, both engraved with writing in a language she does not know, but does recognize. It's the god-tongue, which is known only by Aei Deive Itself, the Sehrats (the sun-touched magicians of the throne), and the Fragments of Lonn (Eyra's highest religious authorities). Aei Deive tells Desa that It personally wrote spells of protection on the earrings, and if she wears them, she will carry the gods' blessings.

Then It removes the earrings Desa has been wearing and replaces them with these ones. Desa is not oblivious to the fact that this contact means that she is sun-touched, and as such, is held in honor before the gods. Aei Deive cups Desa's cheek and stares into her eyes for a long time.

Finally, It wishes Desa well on her journey and dismisses her.

THAT'S THE SCENE!

These tags are everythinggg to me rn

Firstly YES it's gay. It's so so gay even if neither of them is ready to admit it. A contender for the Most Gayest Scene in their story indeed. Tam these tags made me laugh so much, thank you <3

And secondly YES AGAIN!! Wren you know Desa so well, everything about what you said had me going like "YES! YES! EXACTLY!! YES!!!!" She never expected to receive anything for her devotion to her gods, but this moment - and everything that led to it - is like tangible proof that they recognize her efforts! And even though she doesn't think she's worthy of it, she knows that Aei Deive's judgement must be accurate. And this is the hardest it has ever ever been for her to believe that her god is correct! She simply cannot imagine that she could be that important. And oh my GODDDD yes - as time moves on, and Iryna becomes important to Desa not only as a god but also simply as a person, it becomes easier and easier to believe that the gods love her. And Desa would do ANYTHING to repay that

Also thank you both (and everyone else who has RBed this post) so much for your nice words :) ily

I also want to talk really quick (or really long) about the vaiya! They are the little stars you see here, but they feature in a few of my other drawings as well. I don't think I've ever talked about them!

Vaiya are believed to be the eyes of the gods. I've talked about how fire is one of the conduits through which the gods are able to view the mortal world, but they're not the only conduit!! Firstly are the sun and the moons. The sun was given to humans by the gods as a gift. It gives them light and life, and gives them a connection to their deities. All flame comes from the sun, which is why fire is holy. The four moons are gods, elevated from mortality to a place in the heavens for their righteous actions in life (this is very different from most gods, who are entirely separate and distinct beings from humans, and who occasionally descend to the world to fill the role of Aei Deive). They watch over mortals in the night, in conjunction with the stars - which you may notice vaiya look a great deal like! And that is not a coincidence!

The first moon to appear in the sky was Tarest, which is the largest and brightest of Rastra's moons, and is where vaiya come from. It's why it glows so bright; the stars dwell there. Shooting stars are believed to be vaiya descending to world to watch over its inhabitants. I've talked a bit about the different orders of the moons in the tags of a different post that I'm too lazy to find atm, but the members of the Order of Tarest are called watchers. That name and role stems directly from the fact that Tarest is the home of the eyes of the gods :)

So anyway... vaiya aren't a super uncommon sight, but they're still very sacred. Especially for more than one to be near at any given time is a sign that the gods are paying attention. They appear everywhere, but are most common near sun-touched people. They flock to Aei Deive (because the gods keep eyes on any of their own), but also give special attention to Sehrats, nobility, etc.

Desa really really loves the vaiya. She's always had a fascination with their beauty, and how looking at them feels like glimpsing into the incomprehensible splendor of the heavens. Any time they appear near her, she feels seen by the gods - which is a feeling she really enjoys.

Any time she's around Aei Deive, the amount of vaiya near feels somewhat surreal. To know that the gods are not only watching, but that they have a vested interest in what happens near Aei Deive, is quite an assurance. And it maybe makes Desa a little extra worried about any mistakes she might make. (Which, like.... just imagine how iryna feels lmao)

So this scene, feeling seen so deeply not only by Aei Deive but also by the vaiya, is very impactful for Desa.

Alright... i think that's all I've got to say for now. I could go on and on lore dumping forever (there is little i enjoy more than talking endlessly about my OCs and their world) but it is past my bedtime lmao. If you read any of this thank you :) i really appreciate anyone who takes the time to learn about my little guys

BYE!

protected

[teaboot]

you're so like. inspiring. or i wish i could be inspired. you reblog that post with the blue critter and you're like "im glad i was born on this planet". how do i manage to get that mindset. how do i manage to not want the pain to stop at any cost and enjoy what's still possible to enjoy

It's my first time here and I'm never coming back

[fatedroses]

Two former military elites taking merc jobs perform absolutely hellish battle tactics together.

[vargaslovinghours]

Fandom: Johnny the Homicidal Maniac (But really Vargas lol) Rating: Teen and up Warnings: No Archive Warnings Apply

What, exactly, did Scriabin take from Edgar when they separated?

My first multichapter fic for Vargas! :D Yay!

(Pls read Ch. 1 first - Ch. 2 is also recommended, but as long as you're caught up on the first, you're good to go!)

-----

Side B

What the fuck.

"It's, it's possible that if, maybe whatever happened earlier, whatever caused all that blood and for us to be knocked unconscious-"

What the fuck.

"-and if I suffered a head injury, then maybe-"

No. That's enough.

Scriabin pushed away from the closet door he'd defensively pressed himself up against and put his hands on Edgar's shoulders, which quieted him. He looked at him expectantly, with eyes that Scriabin somehow only just now realized were casually guarded, curious, uncertain in a way that denoted inexperience. That was so messed up, that was completely wrong. Edgar should've been on guard, absolutely, but only because he knew exactly what Scriabin was capable of. He really didn't want to look at him right now if this was what he was going to be seeing instead.

He spun him quickly and pushed him out the door before he could protest. He got one last look at those wide, confused eyes before he slammed the door behind him, bracing it shut with both hands for good measure.

What. The fuck. His head came forward, making a dull thud as his forehead connected with the door. He doesn't remember me? His fingers curled on the door. What does he mean he doesn't remember me?! How could he not know me?! One hand pushed through his hair; his scalp tingled and that was so weird, he felt it and it was so weird- We literally just- He literally just-! As if pulling him screaming into life wasn't bad enough, now he had decided to play some sick prank!

This can't be true. It's just like him to try and make jokes at the worst possible time, he has no tact.

There was a timid knock on the other side of the door. Scriabin jumped as it resonated through his skull, his elbow, pressed to the door with his hand buried in his hair, set his jaw. Then silence.

If he was really trying to get back in, clear things up, say he was only kidding, he'd actually try.

Nothing.

Scriabin's blood was ice as he went over it again. The way he'd said his name. The vacant look in his eyes as he said it, like his mouth knew its shape but none of the meaning. No fear, no realization, nothing that really felt like Edgar, just sound, just noise.

Maybe he really had-

Oh god. His knees gave out, and his arms had no practice at holding him upright, not yet. His hand slid down the door, his other hand guarding his head as his hair fluffed against the grain.

How could he do this

This is all his fault

Stupid, idiotic

He can't do this to me

I can't believe him

I can't believe this

How dare he leave me alone like this

Thoughts spiralling, and all he could do was hold himself down, press his fingers into the back of his neck, force his chest to his knees and maybe he wouldn't immolate under it all. He was shaking, from tension or fear he couldn't tell, his mind too hazardous and loud to cut through it all. He was shaking, dizzy, and if he moved, letting go would surely kill him.

He can't do this to me.

He breathed. And breathed. And swallowed. Eyes closed, heart pounding, sure. Confusion and dismay, whatever. Pain. Fine. So be it.

This isn't like me. A hand untethered from his vice grip in his hair, and he stayed attached to the floor. It connected with the carpet below him and became a new lifeline. He pushed up and away into a limp sit, arms already burning slightly from holding himself up after all that. He shook his head mildly. This isn't who I'm going to be in life. His body, this fear response be damned, he was in control now.

Regroup. Let's- a mental pause, barely a quarter of a second long as he turned the word in his head. Let's pretend it's all true- what does that mean?

He flopped over, leaned upright with his back against the door, heels of his fists pushed down into the carpet to scootch closer. Moving was so awkward still, very unfitting.

He was acting normal. Well, Edgar's baseline for "normal" had changed considerably, so maybe put an asterisk on that. Not that he was ever normal to begin with, but normal-for-Edgar, -ish. That means he has to have some memory.

Scriabin held out a hand, arm slung over his knee, one finger held out. He had recognized his glasses. One. The apartment. Two. Which key to use. Three. He had said Todd's name. Four.

His stuff can be discounted, he's had all that for a while. Back down to one. The kid is a new fixture. Which means he remembers the last couple months at least. He shook his head and brought his hand up to comb through his hair. Well...it's fuzzy for me, so it probably is for him, too. Scriabin remembered everything in as much clarity as the last couple months allowed, there was no way Edgar would know more even if he had all his memories.

Speaking of which, Scriabin could remember everything. He flipped through; the last two months and bringing Todd in, Edgar's parting words to Johnny, his and Devi's conversation - he grit his teeth - and further back, everything along the way, all the way back. False dreams, shared childhoods, everything that was once Edgar's alone, he still remembered it. Nothing was out of place which made it all the more strange!

This is so fucking weird, if I remember everything, then why would he-

He stopped short. His purported purpose had been to replace Edgar. Take him over completely. If he bought into the conceit for a moment, just to play in the space... He was alive now. That was not as intended; it shouldn't even have been possible.

Did he...give me his memories? Like, all the way? Not just to borrow, to shape him, give him legitimacy - he was alive now. His own person. Separate, embodied, and whole. Was this the price of life?

That's stupid. But possible, he couldn't discount. If this - he brought his hands up and looked down at them, watched himself touch his own chest and felt it beneath his coat, shirt, the nerves firing as his slid his fingers up himself - if this was possible, then...

He continued for a moment, curious and reverant, all of him new and privately exciting, to exist and to touch, to feel, smell, see, all of it clear and fresh and penetrated deeply into his mind, as if a layer of film had been lifted from his senses. The moment passed as the memories, unbidden but important, cluttered in around him again.

There were still a lot of questions, and most of them couldn't be answered without Edgar, ugh. If getting anything out of him before had been like pulling teeth, he was very sobered to think about how it might be now. Depending on how much Edgar remembered, maybe he could start piecing things together.

Did he do it on purpose? Did he know this would happen? There's no way he would have been willing to if he had- But he couldn't ask him things like that. Even if he did remember, admitting something like that...

He was just spinning his wheels at this point. Better to gather what he could from the man himself. He looked up, preparing to stand.

Ah-

The room was still in something of a state.

Edgar would be annoying, or at least distracted by trying to pick up the clothes and uncarefully unpacked items strewn about the floor from Scriabin's very successful excavation of his old glasses. The clutter would have to go if he wanted his full attention.

He grumbled as he pushed off the door to pick up the first few things. First day of life and I'm already his maid. Figures. He's always needed me to clean up after him.

Silence.

Somehow it only just hit him. Thinking alone in the late hours, planning things behind Edgar's back, it was nothing new. But a barb unsunk into his mental flesh was left out in the wide emptiness, poised to stab whoever happened upon it next, and he was the only one here.

He felt very small all of a sudden, and he didn't like it at all.

His eyes blankly scanned the room, looking for nothing, until they settled on the toy at Edgar's bedside. His toy.

He dropped the items he'd bundled into his arms and made his way over. He picked up the small simulacrum, turned it over in his hands once, and stared at it.

He wouldn't know this. Not really. He brushed a thumb up and over the little mouth, the contours of its small face. Retroactively, I've never been this at all.

I'm no one to him.

Does this mean we can start over? The thought struck him like lightning, freezing his heart in his chest. He was fixed solid, staring down at the small figure in his hands.

Before he could even think, he'd already thrown it through the open closet door, landing noisily in the box he'd dug through with a clatter. He grabbed up the fallen clothes and items and stuffed them back in the box, burying the toy in mundane detritus, then closed the cardboard flaps and slammed the door of the closet for good measure.

His breath was laboured and he glared, like wishing it gone would make the closet itself disappear.

Answers. He needed answers, more than anything.

He ripped the door open, and there was Edgar who looked up, staring dumbly back at him and carrying the clothes he'd shed earlier over his arm. Something in his mind clicked over, and he didn't think about it.

"Alright," he caught his breath for half a second, "what do you remember?"

Edgar just kept on staring, mouth open, eyes unconfident behind weak glasses. Scriabin huffed irritably, I don't have time for this, and moved towards him, arm outstretched.

"Come on." Edgar gave a small startled sound behind him as he grabbed his collar and dragged him through the doorway. He threw him across the room, not bothering to watch his arc as he closed the door behind him. The bed was that way, he'd be fine.

When he turned back, Edgar had managed to catch himself, though already halfway on the bed. Scriabin stood with his back to the door, feet planted and he crossed his arms. No more speculating around impossibilities, tangible and present as they might be, it was time for a proper interrogation. It was at least preferable to-

Edgar made a face at him and scooted back, offering a seat next to him on the bed. Equal footing briefly flashed through his mind and while he wouldn't consider it ideal, nothing today was really going his way. He sighed, then made his way over and sat across from Edgar, who was eyeing him with a certain degree of caution. At least the feeling was mutual.

"Spill." He re-crossed his arms and leaned towards Edgar. "What do you know?"

Edgar hesitated, apparently thinking, his hands laced and fingers agitatedly if quietly rubbing the backs of his hands.

"I want to verify some things first."

Scriabin snorted dismissively. Where had Edgar's overly-trusting nature gone? A serial killer, well he's an honoured guest, but Scriabin? He didn't even distrust him for the right reasons.

He gestured with an open hand, Go ahead, then tucked his arm back in.

"Todd's last name?"

Pfsh. At least it was proof enough that anything Edgar knew, Scriabin did as well. As expected.

"Casil. His stupid bear's called Shmee in case you forgot that too." Edgar shook his head. No he hadn't? If only he could just check!

"Do you know our phone number?" Obviously he did, so he rattled it off quickly, Edgar nodding in turn. He flipped his hair in time with the last digit, careful to keep his eyes covered. It was a bit of a timid attempt, being the first in this body, which was a minor blessing he supposed.

Edgar mulled over what he'd given him for a moment, then a moment longer, then a moment even longer. His eyes searched absently, gazing down into his own hand, his other on his chin, lightly thumbing his goatee. He was focused on names and numbers, but those were child's play compared to everything, everything Scriabin still wanted to know. It was frustrating on a visceral level, watching him struggle with such simple innocuous nothings while the most important person in his life was sitting right in front of him.

He was supposed to be the most important.

It was frustrating.

"You really don't remember anything, do you?" He didn't hide the sneer as it shaped his voice - odd the way his body just did that now, did things without him actively thinking them into being. Even things like the little waver that made its way in that he pushed back down and under. He was frustrated, angry, tired - any emotionality could be attributed to those, nothing else.

Edgar didn't answer, just kept his gaze locked to his face. That was almost worse. Watching him fumble through things, it wasn't fun, but at least he wasn't trying to pry. He could see him try to look past his bangs, and the fact that he didn't know better...

Scriabin looked away for a moment, then thought better of it. Best defense is a good offense.

He reached for Edgar's face, for those damn scars, ever-present reminders. Edgar shied away, not wanting to be touched suddenly by someone he didn't know. As if Scriabin had ever cared about that.

Well, things were different now. Maybe he didn't really want to touch him anyway. Not yet.

"Do you remember these...?" Instead he framed his face with his hands less than an inch from his skin, and even there he could feel the heat coming off him. Edgar reached for his face, looking away from Scriabin as he touched the angry red marks. He winced minutely, then glanced back at Scriabin, searching him, his expression guarded again. Scriabin could hear his own pulse in his ears.

"...Johnny?"

"Fuck." Fuck! "Of course you'd remember him but not me." God damn it! It wasn't right, it wasn't fair, just because Johnny came first by a hair's breadth, just because he wasn't in Edgar's head, with Edgar's fucked up little obsession with the murderous stick figure- It limited what he could get away with too, if he remembered that far back. Absolutely nothing was going in his favour.

"I'm sorry..." He sounded genuinely remorseful, and it stuck in his throat. Disgusting. "So you know Johnny, too."

"Unfortunately." Scriabin tucked his chin to his chest, arms crossed again in close proximity. This sucks. Edgar just kept rambling, unaware as ever. His excuses held this time at least, one point in his favour, no points for bringing his annoying habits with him despite everything.

"I don't think I've seen him for a couple months now? Everything's awfully..." He gave a vague gesture and Scriabin uncurled slightly. He was giving him room to contribute. He shook his head.

"You haven't."

"Have you?"

He returned to his tight coil of sulking. Not like he was keen to meet up and chat, but he couldn't explain why he hadn't had the opportunity to either.

"I remember he called, too."

"Ugh," barely above breath. Enough about Johnny! Again, Edgar continued obliviously.

"Although I don't really recall what we talked about, not for a while..."

Of course not. I took over for half of those.

He perked a bit, and Edgar focused more on him, patiently setting his hands in his lap.

"You know."

He could play this to his advantage. Give Johnny some well-deserved karmic justice for fucking him over so many times. It was almost better that Edgar didn't know - Scriabin had been trying to get him away from Johnny all this time, and if he really had forgotten everything, not just the moments when Scriabin took over but every moment they had shared, then that meant it coincided almost perfectly with his first meeting with Johnny. Blank spot after blank spot after blank spot, all lined up immediately after getting his face slashed.

He could work with that.

"It's probably trauma." Edgar startled and his hand shot to his temple, lightly touching his hair.

"Like, head trauma?" Scriabing almost laughed. Yeah, probably that too. But that wouldn't help his case.

"No." He leaned in, taking a more intimate, secretive tone. "Think about it. When did things start getting fuzzy?" If he was right on this - which of course he was, but not being able to verify, not being able to see that he was right, it was disconcerting - but if he was, Edgar's memories of Scriabin should start with that first fateful encounter, give or take. A bit of reframing here, a touch of implication there... It probably wasn't even an outright lie; if Edgar's memory were perfect after experiencing everything Johnny had put them through, that would be some kind of twisted miracle.

His only real concern was their "childhood" - how much had Scriabin pulled with him? Would that throw off his story? But that was so far back, there was no way Scriabin or Johnny could be implicated in that. As long as Edgar didn't bring it up before he thought his way around it...

Edgar stayed quiet for a long while. His eyes raced behind closed eyelids, searching, scanning, retracing - Scriabin could almost see the moments where he hesitated, stopped and went back, then starting recollecting again. He wished he could see it for real, watch him unfold himself, touch those memories again, hold up his own in contrast. Even just hear Edgar's thoughts as they went by, feel the emotions he felt. But he couldn't, so he just stared as unblinkingly as this new body would allow, just watched as Edgar went over everything on his own.

He finally opened his eyes, staring back into Scriabin's though he was sure they were still hidden. He felt naked and awkward and Edgar still hadn't said anything. If he could just see like he was supposed to, or if Edgar would just tell him, he wouldn't have to ask. I have to do everything around here.

"It was after you met him, wasn't it?"

"You think it's...mental trauma?" An unspoken 'yes.' Relief flooded him, and he pushed ahead.

"Edgar. He stabbed you." Edgar gripped his shoulder, his eyes closing again and he looked to be in pain. That was a very effective reminder at least. "Do you even know why?" He shook his head and spoke throught half-grit teeth.

"I must have made him mad, but I don't remember-" Of course not, I did that.

"Your mind is trying to protect you." Not. But one of us has to with your inexhaustable deathwish. Scriabin reached out to touch him properly, but Edgar pulled away. He didn't follow, still not yet. Play up the pity. "He messed you up so bad," with a curl in his tone, an I told you so that barely made it to words even privately; how long had he been holding that in? "Surely you must've felt like you wanted, you needed to get away from him, that he wasn't good for you, that you-" He'd told him so many times, some it must have stuck, some of it had to have-

"Then-!" Edgar's eyes shot open, wide and desperate with an edge of disbelief. A strangled gasp escaped him, half-choking him as he tried to speak. "Then why can't I remember you?!"

He almost began rolling off the cuff, but really, he still didn't know for sure. And it definitely wasn't like he could tell the truth even if he wanted to; who, who hadn't lived it, would believe him? Edgar certainly wouldn't, not with his lack of imagination. He had to dress this up, weave a narrative that was plausible, had the perfect mix of truth and falsehood to stand up to scrutiny.

Huh. Ironic.

"I..." No. Some of this was Edgar's fault too. "We...argued."

"Argued?"

"I... Mng." He wanted to aim for some kind of levity, but his throat had tightened on him. He just wanted to tell this stupid inside joke and not have it affect him, not have it mean anything, and here he was getting emotional? He'd say it and fucking mean it. "It's not like I'm in your head, so-" spat out in a rush, there, he'd said it. Haha, isn't that so funny. He swallowed harshly, pushing down everything he felt into his stomach acid. He was in control. He was fine. This didn't shake him. "I can't know for sure," another humourless laugh inside, "but I was against your relationship with Johnny. Maybe you shut me out so you could keep seeing him with no pushback."

It certainly wasn't outside the realm of possibilities of what Edgar would do to avoid taking Scriabin's extremely basic advice about fraternizing with serial killers. How many times had he been ignored up to this point, only to culminate in the ultimate 'I don't know what you're talking about.' Pfeh. I bet he wishes he'd thought of this sooner. It did nothing for his painfully stuttered pulse.

"You know, I've been trying to convince you to stop going back to him for a while, but, well..." He waved his hand at Edgar's hand still death gripped into his shoulder, and Edgar averted his eyes guiltily. At least he showed some remorse. Better than his nigh constant apologia.

He stayed quiet a moment longer, and just before Scriabin made to fill the silence again, Edgar struck him with an intense look.

"What are you to me?" Ugh. Of course. There was not a single good answer for that. Even if he told him everything- no, especially if he told him everything, there was no way Edgar would believe him. But coming up with a convincing lie on the spot, when they were so clearly something to each other - even he needed time to come up with something workable. How could he have ever prepared for a situation like this? It was never meant to happen, so many things were never meant to happen!

He continued at Scriabin's silence. "You know Nny," Ugh! Even his awful nickname. "And Todd. And...me." He couldn't refute it, so he nodded tightly. "Do you live here?"

Technically he had, and technically he hadn't. Still, going forward, it would be easier to let Edgar assume that he did. It wasn't like he had anywhere else to go at the moment anyway.

"Yes."

"Are we..." He searched him, looked him over as much as he could and he wasn't subtle about it. If only Scriabin had his proper glasses, he'd let him look as much he wanted, behold his spectacle! As it was, he just felt self-conscious and it was very unbefitting. "...family?"

The baggage on that. He did not feel like opening that particular can of worms in either of their current states. He turned his head and flipped through any number of halfway decent ways to phrase it until he hit on something Edgar would remember. Better not to contradict for now.

"You told Johnny you have no family when you met."

"That's true..." Edgar blinked, processing. "Wait, did I tell you that?" Scriabin startled. Even after he'd accounted for his memory! Of course he had to pick his story apart now, he never knew when to leave well enough alone.

"When you-" No, he had to be involved. "When we bandaged your face."

Edgar mulled on that for a few seconds, taking on a thoughtful pose. "I only remember being alone."

"You don't remember me at all. What do you want from me?" He huffed.

"No, sorry, you're right."

"Thank you." He was right!

Where had Edgar expected him to be? There was something weird about how he'd said it. He filed the thought away for later.

"So, if you've been living here, where..." Edgar looked around the room, then back to Scriabin. "Where have you been sleeping? Todd's already on the couch..."

Scriabin couldn't help as a smile sprung to his face. If he was going to present him with such a perfect opportunity, well, he'd better take it. He even had the decency to look nervous in response! This was too good.

"Would you believe me if I said right here, in bed?" He again tucked his chin, playfully this time, his hair falling further in his eyes. Even through the dark tangles he could make out Edgar's face immediately bristling with heat.

Ooh. That's such a fetching shade on you, my dear.

"But-! I, I haven't been sleeping on the floor!" He was visibly sweating!

"Correct." His smile grew. This was too easy, and he needed an easy win right about now.

"W-" He leaned forward on his legs, though refused to get any closer. When he spoke it was a harsh whisper. "Why...?"

Scriabin shrugged easily, not bothering to reign in his smile in the least. "I mean, where else, right?" He leaned in since Edgar refused to, and oh. He was blushing all the way up to his scalp. Hilarious. "You certainly didn't seem to mind." He couldn't hold back the slightly musical tone or his eyebrows inclination to move on their own. His body knew what he was getting at, and he could see it only increased Edgar's fluster. All the better.

"Well I do now!" Edgar darted up and away, stumbling in his hasty retreat. "If you'll excuse me!" though he was already practically in the hallway by the time he said it. What a display, and Scriabin's laugh was loud and natural.

Finally, something positive. He'd managed to fumble his way through, not his best work in lying or manipulation, but he'd set some important groundwork. He'd gotten some answers, and he could start to shape some more believable stories around them.

The biggest hurdles were Johnny and Devi. As long as Edgar didn't meet with them too soon - or well, at all would be preferable, but he doubted he could just keep him locked up, as much as the idea appealed to him. There were so many things that were possible now, things that he had the ability to do, given the right circumstances... All of that in due time. For now he had a yarn to spin.

He listened as Edgar fumbled in the hall, the sheer sound of cloth being pulled and folded over an arm barely perceptable. Was he really going to try to sleep on what little was left over? Maybe he'd give up once he realized the pickings were thin and beg Scriabin to let him sleep with him. Hah.

While he was out, Scriabin made his way over to the pajamas drawer. They were all old and soft, even just to his hand. They'd do for now, until he could get his own. It wasn't like he hadn't worn all this before anyway.

By the time he'd finished dressing, his clothes discarded on the opposite side of the bed to where Edgar had set up his little nest, Edgar had finally gotten himself a set of pajamas. He wondered for a moment if he'd dress with Scriabin in the room again, though maybe his intense stare drove him off. Who could say. He patted the bed with a wide grin when he returned and was dutifully ignored. He settled down to the side, and Scriabin laid on his arms to look down at him.

"Ugh, lame."

"I don't-"

"Yeah, whatever." He'd heard it all before. At least he could literally look down on him like this. He folded his hands and leaned just a bit further, looking him over. A desire he hadn't realized he had surfaced in the dark and quiet. "Give me your hand."

"Sorry?" Scriabin held out his hand expectantly.

"I used to hear your heart beat every day." Edgar looked at him incredulously, but Scriabin was unperturbed. "Let me hear it again."

He hesitated but eventually slowly offered his arm. "...Okay."

He pulled his arm up and placed his thumb against his wrist. He felt a strange mismatch - where he'd been expecting one heartbeat, there were two. He covered his surprise, near shock at the realization that of course he had his own body now, by pulling harder on Edgar's arm, directing him up to his ear.

"Wh-"

"Shh." Quietly. He had wanted this, wanted this body, this separation, this freedom for so long, and now... He spoke quietly, his voice betraying nothing. "I'm listening."

Edgar's pulse was erratic, but he hardly paid attention to it. His own fingers on Edgar's skin, warm and pliant, and Edgar's fingers twitching in his hair, he could feel it, he was trying not to touch him- This hesitation was killing him, every jerky movement away not from fear of what Scriabin could do to him, just uncertainty, like he was still a stranger- He pressed him harder to his head, and he could feel goosebumps under his fingers. He wanted to just hold him there until all the memories they'd shared poured back through him, into his blood, into his breath.

Where are you?

But he replied in that same uncertain, guarded tone that indicated he didn't know, not really.

"C...can I have my arm back now?"

He pushed him away. "Fine." Edgar curled his hand protectively against his chest, and he noticed he rubbed it slightly, he probably hadn't even realized.

He mumbled out a harried "Good night," and it was almost enough to make Scriabin smile. Almost. He could still affect him but this wasn't enough, it wasn't right.

He laid his head on the pillow, not bothering to pull his arm up over the side of the bed. If he twitched in the night and touched Edgar, well, that could mean anything. Maybe he was dreaming. Maybe he did it on purpose. Plausible deniability was one of his greatest assets.

As it was, he was just tired. Maybe he didn't pull it back because he hated the thought of sleeping alone, pushed out and forgotten, and hated it more that he was even thinking something like that. How pathetic. He didn't need anyone, especially not Edgar.

But he was tired. Not in his right mind.

Does this mean we can start over...?

The thought echoed and died, and he slept.

[britneyshakespeare]

I feel like certain people on Tumblr have really been fighting for backwards progress when it comes to how we talk about mental illness and abuse. I see posts at least several times a week on my dash that seem to have the purpose of implying people with insert-mental-illness and/or insert-symptom are not abusive when they do insert-action-that-makes-people-uncomfortable, often times meaning to promote a more positive image of people with particularly stigmatized conditions, like personality disorders, mood disorders, psychosis, addiction, or neurodivergence. And I really really hate it because these posts almost always have the ultimate purpose of telling people not just "This thing is not inherently abusive," but often it comes across as "You were not abused."

I just find that to be really unhelpful and unintentionally hurtful, and for what? I believe that destigmatizing various mental conditions is a worthy cause, but at the same time this type of rhetoric seems to be so protective of people in whichever stigmatized group they're trying to advocate for, that it comes back around to a sort of respectability politics. Anybody can be an abuser. And someone's means and methods of abusing can very much be influenced by a condition they have. Why wouldn't it be? Their conditions will affect every aspect of their life and their interpersonal relationships. Especially if these issues are going untreated or being insufficiently managed. I don't understand why anyone would want to make it appear as if abusers are mostly neurotypical and mentally well people, or that if they aren't, then their conditions have nothing to do with it and the overlap is merely incidental. What? It makes it so hard for anyone who is a victim to come to terms and identify the dynamics of what they've gone through.

Addicts and mentally ill people don't have to be unproblematic in order to be humanized and accepted. And nobody profits from writing hard and fast rules about how abuse apparently works, drawing clear lines between which behaviors can, and cannot, ever be abuse.

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[malusokay]

Little things that improved my life 𝜗𝜚˚⋆

Accepting my sleep schedule. I'm a night owl; I focus at night, I'm calm at night, I'm motivated at night. For a long time, I tried to fight this since everyone always preaches getting up early, but since I started accepting my natural sleep schedule, I've been feeling a lot better and have become way more productive.

"drink more water". TEA. Tea is the secret here. I will be honest, I hate drinking water; it doesn't matter if I have a cute water bottle or a cute glass, I still hate it. TEA.

Replying quickly. I used to be one of those people who get a text message and think, "Oh, I'll reply to that later", and then just forget about it entirely. Now, I text back as soon as I see the message. This has not only improved my texting anxiety (which I cause on my own by now replying and then feeling bad) but also deepened my connection to my friends. <3

Keeping my circle small and being okay with that. Over the past months, I've had this sudden urge to expand my social circle and get to know more and more people, especially after I moved in August. However, this quickly ended in what I like to call my "social burnout". I was tired, annoyed, and overwhelmed. It took a few weeks for it to settle, but I've come to the conclusion that I would much rather have a smaller circle of people who I trust and love deeply than a huge group of friends, and that's totally okay.

Wearing what I like. Even though I live in a big city, I'd still say that my style can sometimes be a bit more extravagant than what most people wear, another point is that I'm very uncomfortable with pants so I only wear skirts, which is also considered a bit odd where I live. But over the past years, I've come to accept that and have become so sure of myself and found such comfort in my style that I now just wear whatever I like, and it makes every day a little bit nicer.

Reading and writing for pleasure. Reading books outside of my studies and spending time researching topics that simply interest me is such a great way to calm your mind. Same for writing, I always like to say that to write is to think; putting your thoughts on paper in cohesive and well-crafted sentences that you can then reread and think over again is such a liberating thing to do.

Reaching out more. fuck the whole "double texting" and "no contact" thing. If you want to speak to someone because they mean something to you, then just do it. Unless they specifically asked for space, you shouldn't feel bad about wanting to be in touch with them. Many even really appreciate it when you show that you truly care. Let's stop the nonchalant act, and instead, let's face deep emotions and true vulnerability. <3

As always, please feel free to share your own little insights and things that helped you improve comments! <3

my insta: @ malusokay

love ya ･:*₊‧✩

[the-cimmerians]

It's 2024. I have been participating in fandom for 40 years. This is a ramble commemorating some history I've experienced along the way.

In 1984, I attended my first convention, and made a beeline for the one long row of covered tables in the Dealer's Room that was, according to the whispered lore of my friends, 'the one'. "um", I said, very suavely and coherently, except for how it was totally the opposite of those things, "I'm here for the... for the, uh. For-"

"Come around here," the man behind the table said with exhausted ennui, so I went around, and he lifted up the table skirt next to him and pointed to rows and rows of boxes underneath the line of tables. "It's all under here."

It was all under there. Along with about five older ladies with glasses, graying hair, cardigans. Flipping through slash zines and chatting in whispered voices like old friends (which of course they were). I noticed one of them had the good sense to be wearing kneepads. I was still too young and ablebodied to need kneepads when crawling on a carpeted floor, but I immediately found her preparedness skills to be both impressive and hot. "You're new," one of the ladies whispered to me--a bit warily, which made sense. "Are you sure you're in the right place?"

In the faint light (the kneepads lady had also come prepared with a flashlight, additional practicality hotness points for her) I grabbed a comb-bound book with a heavy line art piece on the cover, featuring a musclebound Captain Kirk getting righteously and enthusiastically plowed by a stern-yet-ebullient Spock. "This," I said, pointing helpfully at the cover, like I was trying to make myself understood in a language I had only the vaguest knowledge of. "I'm here for this."

Outside at the convention, most of the attendees were wearing large homemade circular pins that shrieked 'K/S is BS!!!'1. But underneath the table, we reveled in the forbidden.

***

In 1985, I fell very hard for Starsky & Hutch fandom. Which was simply referred to at the time as 'the other fandom', because there were only two. We were upstarts. Many fannish elders predicted that it was just a phase.

***

The 'circulating library' was a massive stack of barely-legible pages that smelled strongly of mimeograph ink. When you were on the list, you would write stories while you waited for your turn, and when the big box was mailed to you, you would read everything (new finds, old favorites), add your own sloppily-typed or hastily-mimeographed stories, and then mail the whole thing to the next person. For me, at the time, it was an extremely expensive indulgence--but my favorite one.

***

By 1990, slash fandom had grown enough that I no longer knew everyone in it, which was both thrilling and a bit daunting. A young woman at a convention waited for me after a panel I was part of (I think it was 'writing impactful smut' or something like that), and said she had a question she didn't want to ask in a group setting. I'd heard that before. I said that's fine, go ahead and ask; and she came out with: "Why do you have to be gay?"

I blinked. "Is... that a problem?"

She looked annoyed. "Yes, because your stories are on all the recommendation lists and in all the top zines, but if you're gay and I read something you wrote and I get hot from it that makes me gay, and I'm not gay."

"Wow." I grinned, I couldn't help it. It probably made me look very predatory-dyke-about-to-score-a-toaster. Whatever, it was enough to make her back away from me fast.

When I thought about it later that night, I wondered what it would be like not to be the only queer person in slash fandom.

***

By 1997, slash started appearing on the internet. Many fannish elders claimed it was the death knell of slash fandom, or dismissed it as 'just a phase'.

***

Anyway, I wrote all this for myself as a commemoration of sorts, but if you took the time to read it--thank you. Love you, fandom. I always will.

1 In those days, m/m fandom was known as 'slash', which grew from the fannish shorthand where 'K&S' meant a story of Kirk and Spock having adventures or tribulations or what have you, and 'K/S' meant a story of Kirk and Spock getting it on (Kirk divided by Spock or Spock into Kirk--it was mathy fannish humor and I was into it then and I still am now). Slash was decidedly unpopular in the fannish world in 1984, and there was a concerted effort to force slash authors, artists, and fans out of 'mainstream' fannish public life. Hence, under the table.

[cheriecoke]

౨ৎ ˖ ࣪⊹ SAFEGUARD — dazai, chuuya, akutagawa

summary . . . they save you after you've been injured and captured by an enemy.

contents . . . sfw, f!reader (chuuya & dazai) and gn!reader (akutagawa), violence / blood, threats, injuries, hurt/comfort, angst, established relationship, and it's pmboss!dazai bc i can't help myself — 3.5k total

notes . . . i got this request so long ago lol. not my best work, but i have been in the worst writing slump ever and just wanted to finish something. i've also never written for akutagawa before so pls be nice <3

𝐂𝐇𝐔𝐔𝐘𝐀 . . .

there are very few times that chuuya feels he’s been outsmarted. he knows he’s not the mastermind of the port mafia, but he certainly isn’t a fool. when it comes to you and your well-being, though, his mind short-circuits, half of his intelligence draining away while his emotions take hold. 

your relationship isn’t a secret to anyone in the port mafia, which means that it isn’t a secret to your enemies either. and while most people know it’s hard to land a finger on chuuya directly, his pretty little girlfriend doesn’t have the power of a god nestled inside of her.

the rage sparks through him, growing fiercely into the blaze of a forest fire, until all he can think of is getting you home safely. he thinks of your sweet smile as he rips the door of the enemies’ base off the hinges, crushing it into a million pieces with the force of gravity. 

the men are quick to react, but chuuya hurtles the crushed door towards them, knocking three of them to their feet. another group charges at him, but their guns do little against his skill. after years of fighting some of the strongest ability users, simple criminal organizations are as easy to step over like ants. 

chuuya kills them all — except for one.

the man’s knees are wobbling, hand shaking around the gun as he realizes that these will be his final moments. there is fear in his eyes, brown ones that rest wide open, and chuuya almost hesitates. his remorse doesn’t last long, though, before he’s wrapping a hand around the man’s throat, thrusting him backwards. 

“where is she?” chuuya asks, voice sharp and commanding. 

he can feel the man swallowing. 

chuuya knows that backup is probably on the way, but it won’t matter whether they show up or not. he’ll crush the rest of his enemies just as he’s crushed the last twenty men. the poor soul in his leather hold seems to know that as well. 

“i-i’ll take you to her,” he rasps, dropping his gun to claw at chuuya’s hand. 

he drops him, lets him take a few heaving breaths and coughs, before he’s kicking at him, forcing him back to his feet.

the young man takes him up the elevator, weaves him through a hallway as chuuya leaves a scattering of bodies in his wake, not hesitating to kill a single man that gets in his way. there is nothing that can keep him from you. 

how fiercely and loyally he loves you — it drives him to near insanity. 

finally, with blood coating his face and his clothes, the young man enters a room, locked with a code, revealing you. 

chuuya’s rage is almost as blinding as his corruption, as he gazes at the sight of you. bloodied and bruised, tied up in a chair, so visibly harmed. his hands clench into fists. “get the fuck away from her,” he says to the man who seems to be monitoring you.

“what are you doing in here?” the men left in the room panic, but they don’t have time to react before chuuya throws them back at the wall, so quickly, with so much force, that their spines snap. they hit it with a sharp crack, skulls shattering against the plaster, the wall crushing beneath the weight of them. 

limply, they fall to the floor. 

chuuya rushes over to you. 

the young man that led him here disappears, but chuuya isn’t worried about him. he’s a coward; he’ll likely flee from the country and never look back. the men that truly hurt you are already dead, and he’ll burn this building to the ground once he’s gotten you away from it. 

“hey,” chuuya says, cradling your cheeks gently, trying to coax you back awake. he’s not sure if it’s exhaustion, blood loss, or the obvious head trauma that caused you to pass out in the first place. but you’re still breathing, so he counts that as a blessing. 

“hey,” he whispers again, kissing your forehead, like it will heal all your ailments. “wake up, baby. we gotta get you out of here, okay?” 

it takes you a few seconds to come to, eyes glazed over and shell-shocked as you blink at him. “chuuya?” you say; your voice is so hoarse it makes chuuya want to keel over and vomit. “is it really you?” 

guilt gnaws at him, almost crushing, at the fact that thirty-six hours passed, and you’re delirious enough not to recognize him. you probably haven’t eaten, either. 

he should’ve been there. no one should’ve ever had the chance to hurt you, yet…

“it’s me, i’m here,” he says, kissing your lips, your temple, brushing your hair away from your face. the strands are sticky with blood. “shit,” chuuya nearly shouts, pulling a knife from his pocket, sawing through the thick ropes around you as quickly as he can. “i’m so sorry, i’m so sorry.” 

he can’t get you free fast enough, and you smile at him, drowsy, your eyes fluttering shut once more. “it’s okay, chuuya,” you say, leaning your head on his shoulder. “you’re here now.” 

“you have to stay awake,” he says desperately, realizing your head is still bleeding. he doesn’t know how hurt you are. chuuya’s no expert when it comes to medicine, but he’s smart enough to know that internal injuries could be even worse than the external ones. 

“stay awake for me, okay, honey? i’ll get you back to the boss and we’ll find you a doctor. you’ll be just fine.” 

“okay, chuuya,” you hum, weakly gripping his back. seconds of silence pass before you mutter, “i just want to go home.” 

"i know." his heart pulls, and he almost lets out a cracked sob. but he refrains, knowing that there is plenty of time to drown in his sorrows later. 

finally, he gets the ropes under, lifting you from the chair. you’re so much lighter, weaker, and it makes him sick as he carries you. “let’s get you home.” 

𝐀𝐊𝐔𝐓𝐀𝐆𝐀𝐖𝐀. . .

the call comes just as akutagawa is getting ready to head home for the evening, his tasks completed, eyes heavy with exhaustion. 

normally, he doesn’t stick around to say any goodbyes, sneaking off into the darkness of the night like a shadow, blending right in. but, something about the evening, so gloomy and drizzly with spring rain, feels off. 

with a heavy knot in his chest, so much different than an incoming fit of coughs, akutagawa heads back up to mori’s office, if perhaps to only ensure that everyone else’s jobs had been completed. he’s a lot of things, but he’s never been a slacker; and he’ll do what it takes to ensure that his position in the mafia is eternally secure.

though, he doesn’t have the opportunity to get all the way upstairs before he run into the boss, who is calm, but with an air of irritation clouding him. 

he explains the current situation to akutagawa in a clipped tone, bored — an enemy group has kidnapped you, holding you hostage. 

“how rude is it to bother a man, just as he is getting ready to go to sleep?” mori says, sighing histrionically.

but what is a minor inconvenience to mori sends an entire wave of dread through akutagawa, his entire body feeling as if it’s been dipped in ice. he can’t explain the horror that washes over him, not really, because he shouldn’t feel so panicked. it is rare for him to get worked up about the danger his subordinates find themselves in, save for his sister, of course. 

but you… you’re different. 

“can i trust you to diffuse the situation?” mori asks, impatiently glancing at his watch as if that will change anything. “i can call someone else, but they will not be so quick.” 

akutagawa doesn’t even think before he accepts the job, hating the way he sounds pathetically desperate for more details. his hands flatten the edge of his cloak, as if his ability is going to take on a mind of its own. 

he calls for a driver, calm but breathing so heavily that an aching cough rises up in him. his throat feels as if it may begin to bleed, but he swallows, glances away from the driver and gets himself under control.

there’s a ransom — bring them the money and they’ll return you, mori had told him. you’re only a lower ranking member of the mafia, and someone that makes for a pretty poor bargaining chip, so the motive is questionable. 

mori probably would’ve let you die, akutagawa knows, his teeth gritting together, so much so that a splintering sound comes from it. but the boss, in his infinite, concerning wisdom, seems to also know that his loyal dog has an soft spot for you. 

as regrettable as that may be.

akutagawa has no doubt that whoever the enemy is, they are no match for him. still, a twinge of anxiety settles in his stomach, fingers jittery as the driver, despite the decreased traffic of the hour, seems to drive impossibly slow. 

“are we not in a rush?” akutagawa snaps, leaning forward.

“apologies,” the driver, says, not daring to even look at akutagawa from the mirror. but the car speeds up, enough for akutagawa to be able to notice, at least. it cools the simmer that has already begun deep in his chest.  

even so, the car seems to go at a snails pace, minute upon minute flying by, with you in the clutches of an enemy. 

akutagawa doesn’t care who they are. he doesn’t care why, or how they captured you. he wants them dead. he’ll rip them apart, easily, and he’ll make them suffer — they’ll be alive for all of it, for every second that he peels the skin from their bones, ripping the smaller ones out of their sockets. 

what he feels for you… well, it’s too hard for him to admit to himself. he has no experience with what it means to care for another person, doesn’t even know if that’s his goal. he just knows he wants to protect you.

and he can’t do that if you’re dead.

finally, the car pulls up to an old warehouse, one at the very outskirts of the port, beyond the docks and the shipping carts. it’s tucked far back, an obvious lair for some villainous organization that doesn’t want to be found. 

akutagawa gets there, but there is nothing. he hears nothing, feels no signs of life as he trudges through the puddles left behind from the earlier rain. 

a small string of panic begins again, as he wondered if maybe the call that mori had told him was only a ruse. maybe this entire time had been a distraction, a way to lure him away. there are other skill-users in the mafia, but none quite as dangerous as him. 

though, he hears it, then. a small little sound, muffled and hoarse, full of pain. 

he ducks into another corner of a warehouse, and you’re there — bound with chains and a gag across your mouth, one of your eyes blackened with bruises, your nose bleeding. 

his heart aches. never in his life has he so quickly made his way over, used the sharp edges of his ability to shear through the chains, falling to his knees as he unbinds the cloth from your lips. 

“where are they?” he rasps, mouth opening and closing, hating the sound of his own voice. he recognizes his desperation, his anger, but the affectionate sound that clips at the end is unfamiliar, as he shakily pulls himself closer to you. 

you glance up at him, eyes glossy and wide, and though you are scared, hurt, he’s so thankful you are alive. his heart flips once, as you grasp at his cloak, the material that has the blood of so many staining the threads. 

“gone,” you say, throat chalky, words nothing more than a note against the wind. “they fled when they heard it was you coming.” 

“and left you?” he asks, jaw clenching, as he hopes that the emotions aren’t as visible on his features as he thinks they are. “were you not a ransom?” 

“no,” you swallow, hard, as if in pain. he notices bruises around your neck, the shape of fingerprints indented there. “i was bait.”

anger rises up in him like a wave, engulfing him, wholly and relentlessly. he is no stranger to that, like he is the kindness you show him, the way you look at him as if he is your protector, rather than a bringer of destruction. “i’ll go after them. where are they headed? they’ll pay, i’ll slaughter—”

“ryunosuke,” you say, reaching for him as he stands, expression pleading as he backs away. “stay.” 

he has half a mind to ignore you — the enemy escaped, after all. but your voice. your eyes… you look so small sitting there, bloodied and bruised and broken. 

“please,” you try again, near tears, and though he has never been good with obvious displays of emotion, something within him snaps at the desperation in the word. 

he nods, slowing his pace as he returns to you, lets you wrap yourself in him, cling to him. his hands fall, naturally, to your waist, somehow knowing where they belong, even if akutagawa never has a clue what he’s doing with you. 

“i’ll call hirotsu,” he says simply, before pulling out his phone, not bothering to untangle himself from you. 

𝐃𝐀𝐙𝐀𝐈 . . .

dazai is not a forgiving man, and will never learn to be. forgiveness is not a luxury he is often able to indulge in in his line of work, and his heart has hardened enough that until the end of time, those that are branded his enemies will remain his enemies. 

though, in his blackened heart, one soured over the course of time, you have carved out your own little space, lit it up with golden rays of light that are fiery enough to melt the stone casing of his chest. 

his only love — his only weakness. but it is a weakness that his enemies know about as well. 

dazai tries his best to keep you safe. he always has, and he knows that, sometimes, his grasp on you can be a little too tight. that the way he tries to keep you under his watchful eye can sometimes be stifling, frustrating. 

but he can’t always be there to protect you. and it is in times like these, that he regrets letting you go without a bodyguard. he regrets that he listened to your insistence that you could keep yourself safe. 

he should’ve at least told you to take a friend. 

“boss,” his subordinate says, bowing his head, his voice pleading, desperate. “i’m so sorry. your wife—”

“if anything… anything happens to her, you will be the one responsible, do you understand?” dazai says, his eyes cold as he glowers down at the man, only a few inches shorter than him, but feeling so much smaller. “i will personally see that this act does not go unpunished.” 

“of course, sir,” the man says, and he, at the very least, has the decency to sound resigned. to accept his fate and suffer the consequences, for allowing the boss’s wife to get herself into such a situation. 

and dazai means it, every last word; if he finds you in a state closer to death, anyone who put you in harm’s way will be torn apart from the inside out. he isn’t able to think of anything but bringing you home safely, his hands shaking with rage as he sends more than enough people out on a search to find you. 

with all the strings he’s able to pull as the mafia boss, it doesn’t take long to find you, for those that have bravely — or stupidly — used his wife as bait to come forward, and offer an attempt at some sort of negotiation. 

there’s little of the conversation that dazai remembers on the phone, even less that he remembers after that. the anger bubbles up in him and grabs hold of his conscience, the emotion directing his movements with a mind of its own. 

he’s already sent out every last one of his people into the field, ensuring that the organization that had the gall to threaten you is wiped off the face of the earth. deleted from every corner of the world, buildings flattened to the ground. by tomorrow, they won’t have ever existed. 

today, he doesn’t care what happens as long as he finds you alive. 

you’re held hostage by two men — so completely beaten that they’ve given up on any restraints. whatever they wanted from you, you seemed to refused to have given up, lip bleeding, eyes swelling so badly that you can’t even open them. 

dazai doesn’t hesitate before pulling the trigger on the first man, then turning to the other, shooting the hand that holds the pistol. the man recoils, shouts, and drops the weapon completely, as dazai lands another bullet to his knee, causing him to fall. 

slowly, dazai walks up, firing again to his other arm, a loud snap echoing throughout the room. the man winces, trying to crawl to the gun, one last desperate attempt to stay alive. 

he kicks the gun away, watching, as, pathetically, the expression in the enemy’s face changes — any of his remaining hope vanishes. 

“you told me she was unharmed,” dazai says, bending down, his coat flaring out behind him as he squats. 

the man coughs, gasping for air as the blood seeps out of him. “we lied.” he smiles cruelly, and though he shares the same sort of darkness as those in the port mafia, there is something even more twisted in his smile. 

dazai hums. “you the leader?” 

the man doesn’t give an answer, but the slight twitch of surprise on his face is all dazai needs. he’s no one — just a grunt whose life was put on the line to guard you. 

“didn’t think so.” dazai shoots him once, straight through the forehead, instantly killing him. but he is vindictive, angry, and the man he truly wants to destroy, the one who took you, is nowhere to be found. another bullet lands, tearing apart the flesh of his temple, then another, and one more, his skull beginning to cave in from the force of it all. 

dazai heaves, letting the gun clatter to the ground as it runs out of bullets, and then he realizes, all this time, you’ve just been watching him. the ugliest side of him — the worst side of him. 

you’re no stranger to it, of course. how can you be, when you’ve shared a life with him for years? but that doesn’t mean he wants you to see it, see how bloodthirsty he can become. 

he stumbles over to you, where you’re still sitting on the ground, your wrist in your lap, bent at an angle that he knows isn’t right. bruises are littered across your skin, and your hair is matted from the blood that pools at your temple. 

it takes every ounce of restraint he has to stay calm, a million feelings swirling under his skin. ones that he was never familiar with until he met you. 

“i’m sorry,” he says, taking your face in his hands so, so softly, worried that he’ll hurt you even more. “i’m sorry, darling. i should’ve — i should’ve been there.” dazai notices his hands are shaking and he balls them up into fists, leaning back. “fuck. fuck — i’ll kill them all, just tell me who it was. anyone who laid a finger on you. i’ll cut them down one by one.” 

“osamu,” you say, and your voice is raspy, cracking, as your unbroken arm reaches for him, squeezing his shaking hand. “i—”

you open your mouth to continue, but only tears come streaming down your cheeks, over your bloodied lips, saltiness soaking your jawline. no words don’t leave you, but a soft sob chokes itself up your throat.

“hey, hey, hey.” dazai’s voice softens, every muscle in his body relaxing as he draws you nearer to him, into his chest with a touch that’s barely there. “you’re safe. i’m here, okay? they’re not going to hurt you again, sweetheart.” 

you sniffle, barely making a sound, but he can feel the tears drop onto his clothes, soaking the material.

“can you walk? are you hurt anywhere else?” 

you hesitate for a moment before answering; he’s not sure if there’s a reason you only answer the first question. “i can walk.” 

dazai nods, and though the rage is still bubbling there, underneath the surface, there is a coolant streaming through him at the vision of you alive. the men who did this will pay the price, but he still has you — and that’s all that matters.

thank you for reading !!! ❤︎

[icemankazansky]

A Simple Guide to Not Being Afraid to Write Comments to Fic You Read

I've seen a lot of posts about the current state of fanfiction comments. Writers, especially writers who have been in fandom for a decade or more, are frustrated by the lack of comments, and have noticed a definite decline in comments (and all other forms of reader interaction) in the past ten years or so. Many readers feel daunted by the expectation of leaving comments, afraid they'll do something wrong. As a fandom old maid, the latter confused me for a while, until I realized that most of the people who feel that way probably have not been taught this form of communication.

But your loving fandom elders are here for you. Come along as your auntie tumblr user icemankazansky makes this shit easy.

The easiest way to think of fanfiction comment etiquette is to compare it to something you likely already know: Gift Receiving Etiquette.

Fanfiction began as largely a gift economy. And a lot of it still is! You'll see authors participate in exchanges like Yuletide and Id Pro Quo; those are ficswaps in which authors write for a specific person to specific prompts. And even outside that, fanfiction is not written for money; authors write and post it simply for the joy of creation and community with fellow fans. Fic is posted free for anyone to enjoy. Is that not a gift?

So. When you as a reader finish the chapter or story you're reading and you are faced with the comment box, try to follow the same etiquette you would when receiving a gift. (And even if you didn't love this gift and it's not your favorite gift ever, we already know that it's more useful than the products from your cousin's MLM that they're passing off as gifts, because you read the story. At the very least, it entertained you for the time you took to read it.)

The big rule of gift receiving etiquette is not to insult the person who gave you the gift, either directly or indirectly. That's it. Full stop.

I've been seeing a lot of comments lately that are just along the lines of, "Thank you for writing this story and sharing it with us." A+, top of the class, full marks, you're doing amazing. If you don't feel comfortable commenting on the story itself, that is perfect feedback. And that's the most basic way you respond to a gift, yes? Thank you for the gift. Thank you for thinking of me. Thank you for sharing.

Does this rule mean that you cannot say anything at all that might be negative about anything? No, absolutely not. What you want to avoid is saying something that is, at its core, a negative evaluation of the author or their work. Let's do some examples.

Character A's obliviousness about Character B's MASSIVE crush on them made me so frustrated! I was tearing my hair out internally screaming, "JUST LET HIM LOVE YOU."

✔️ Excellent comment! You're allowed to have all sorts of feelings about things that happen in the story, and in fact authors LOVE to hear about any emotions they made you feel. Yes, frustration is not a positive emotion, but the thing you are expressing frustration about is not the author themselves or their shortcomings.

Contrast that to:

I was really frustrated that it took you so long to post this chapter. The cliffhanger at the end of the previous chapter had me tearing my hair out, and then you just left us hanging FOREVER!

❌ Nope! Here what you are expressing is frustration with the author and how fast they come out with new chapters. Imagine your sister buys you a gift for your birthday, but she isn't able to give it to you until the next week, and you respond with: "What took you so long?" I think Emily Post would frown on that.

Reframing

The way you say something and the point of view from which you give feedback can have a HUGE impact on the message you're sending. Let's take the last comment (the one about wanting an update) and see what happens when we reframe the same sentiment as a positive:

I was SO EXCITED to see that you updated this story! I have really been looking forward to seeing what happened after the cliffhanger in the last chapter.

✔️ Now it's not an insult. The author will be happy to know that you are happy to see new work from them.

This idea extends beyond the story itself: to the fandom, the characters, the pairing, the tropes, etc. Let's do some examples.

I looooove reading about these sexy boys SO IN LOVE even though the movie you're writing about is SOOOOO problematic.

❌ Nope! Assume that the author enjoys the canon, characters, pairing, etc. in the stories they write. This comment is insulting to the author because it basically says, "That thing you love is not great, and you should probably feel bad for liking it." Imagine your aunt gifts you a sweater from a popular retailer, and you respond with, "This is so cute, I love it! It's a shame that it was made in a sweatshop." Do you have a valid point about the canon or the retailer's business practices? You very well might. Is this the proper time and place to talk about it? Absolutely not.

Let's do a reframing exercise. You should be very careful about how you approach commenting negatively on anything in the story that appears in the tags list, but you can make it a compliment and good feedback if you have the right perspective. See the difference with these two approaches:

I kind of think frottage is disgusting, but I liked it in this story.

❌ Nope! You just told the author you think their kink is disgusting. That's like telling your poor aunt who is just trying to keep you warm this winter that she has awful taste in knitwear. Try again.

Frottage normally isn't my kink, but I love your other stories with this pairing, so I decided to give it a try, and I'm SOOOOO GLAD that I did! This story was 🔥🔥🔥

✔️ "This normally isn't my thing, but you made me expand my horizons!" Authors love to hear that. That's like telling your aunt, "I never thought this color looked good on me, but I look so cute in this sweater! I'm so glad you helped me step outside my comfort zone, because I'm the better for it."

thank u, next

The last thing I want to address is this new trend I've seen in commenting lately: placing an order. If your mom surprises you with new headphones, you don't respond with, "I wanted the white ones 🙁," or, "You should get me a new phone, too." It's easy to see why that isn't appropriate in a gifting situation, and it's also not appropriate when commenting on fanfiction.

Let's do some examples:

This fic was soooo cute, but it would have been a million times better if Character A had been with Character C instead of Character B.

❌ There are a few things going on here. Number one, you're telling your mom you wanted the white headphones, not the ones she actually bought you. You're also disparaging the A/B pairing that the author chose to write about, and as we discussed, we can assume that the author wrote the pairing because they liked it. Even if it's not their favorite and/or they also write A/C, they made a choice for this story to be A/B, and the comments section of a fic is not the place to question choices the author made in their own work.

You should write a story where Character Z who is not even in this story does [thing that is vaguely referenced in the B plot].

❌ "You should get me a new phone, too."

I want a sequel. 😞

❌ "Thank you, next!"

You can reframe this kind of sentiment if you are careful about it, and it's not all you say.

I really loved this story. I would be so interested to see these ideas explored further if you ever decide to write more in this universe.

✔️ Not "gimme." Not "more." This is, "If you build it, I will come." It is a HUGE difference.

You already know how to do this. You know how to graciously accept a gift; just use that same etiquette, and boom! Now you know how to fearlessly write a comment to fic you read. You're doing amazing. Go forth and comment.

[parfaitblogs]

fresh out the slammer ❀ s. reid x reader

in which spencer reid comes home from prison, and needs to fulfil everything he has missed about you. 

pairing: spencer reid x fem!reader genre: smut & comfort (18+ mdni) tags: post prison!reid. soft dom!spencer. teeth might rot i was cringing during some of this. established relationship. the briefest of breast play because what do i hate? the word nipple! fingering. p in v. no protection is mentioned but imagine what you will. casual nudity afterwards. spencer's got bruises from prison. i lowkey forgot about his thigh wound until the very end.  word count: 5.7k a/n: there's a completely different version of me in a world where i didn't write this. i hope she's doing well. i feel like i've been reborn. this is stupidly long LOL my apologies. pleaseee tell me if you liked this! or if you didn't! i love feedback! here's my monthly smut fic see you all in october!

Three months wasn't a long time, in the grand scheme of things. A quarter of a year usually went by too quickly for anybody's liking, the year sprinting through seasons until all twelve months were complete, and you were repeating it all over again. Usually. Three months without Spencer Reid, however, went by achingly slowly. And you hadn't originally considered just how agonising they could be. 

Each day was another painful mirror of the last, waking up and going to bed with the same sense of dread in your stomach, oftentimes swallowing you whole and leaving you unable to do just about anything at all. 

Living life without Spencer Reid was hard.

You saw him — of course you did. Despite his original efforts to keep you off the approved visitors list, Penelope Garcia had seen one glimpse of your heart shattered expression upon being told, and marched her way to the prison to slap sense into him. You weren't sure if that was metaphoric or not. 

However, seeing him once every other week and living with him were two very different situations. You hadn't realised just how much you had depended on him always being there when you woke up in the morning until you were waking up to cold bed sheets and a pillow clutched petulantly to your chest in hopes of recreating the warmth only Spencer could provide. 

And then he was free. 

From prison, that is. You hadn't heard it all — information about his time in prison had been kept from you in an attempt to protect your own peace of mind. But you knew from at least the bruises he was always sporting no matter when you went to visit him, that something awful had happened to him in there, and his own brain would keep him imprisoned for as long as it wished. 

But he was free.

And he was here, and you were staring up at his face littered with unkempt facial hair and a head of untreated curls, and regardless of everything horrific he had endured brewing behind his eyes, he was staring at you with the same softness he had before any of this happened. 

Despite the beginning of a protest when you wrapped your arms around his torso, you hugged him, and he hugged you, and even the faintest smell of grime and blood couldn't stop you from gripping onto him with so much force you thought your knuckles would break. 

"You're real," you whispered into his chest, muffled by it, and it shook beneath your face as he laughed, quietly. Beautifully.

"I am," he answered, and you could feel him crushing his own facial features into the top of your head, no doubt inhaling your shampoo. "You're real."

"Yes," you confirmed with a nod.

Maybe hours passed, perhaps only minutes. Whichever it was, you were still reluctant to pull away from him until he did, your face stained with tear streaks you don't remember shedding, his own eyes glassy as your gazes met. 

"You don't want to talk about it, do you?" you asked him, walking backwards as you led him out of the doorway you two had been finding solace in, and further into the apartment space you were ecstatic to share together again. 

"Not particularly," he answered, strides catching up to you and encasing your waist between his hands, tugging your body closer to his own. "Is that okay?"

"As long as you promise not to keep it in," you replied, teeth chewing into your lower lip in a contemplative habit. 

"I have counselling at work," he said, and you nodded, your facial features softening only a little — you knew him well enough to know he wouldn't enjoy said counselling sessions. Breath tickled your lips as he leaned in a little closer, inciting heat onto your cheeks. "Any other questions?"

"No," you replied, your own lips twitching in amusement. "That's it. Why?"

"Because I haven't kissed you in three months," he murmured, "and I want to."

"Maybe," you said with a hum, and he said your name chidingly, eliciting a laugh from you. "Yeah. Okay."

To be honest, you had spent a few too many nights allowing your thoughts to wander and end up dreaming about what it would be like to kiss him again. Whether or not either of you would have the patience to be gentle and kind to one another. In those nights, you had decided you would be. Your heart cracking every time you thought of Spencer alone in a concrete cell that it left you with a gaping hole in your chest. All you really wanted was to hold him and remind him how adored he was. 

Right now, you learned you wouldn't be. 

There was a tenderness in the way his hands found your cheeks to cup, and there was a softness in his fingertips against your skin. Yet, everything he kissed with was anything but. Feverish and quick, swallowing you whole and inspiring a spark in your chest that resulted in you kissing back just as hungry. 

Just when you thought there was nothing left to trigger within him, a squeak left your lips as the result of him tugging you impossibly closer, and he was beginning to walk you backwards, even further into the apartment, his kiss growing all consuming. 

"Spencer," you said, breathlessly, jerking your head back, staring at him, waiting for him to realise you weren't returning your lips to his, and his eyes opened. 

"What?" he asked, almost irritatedly. When he watched the slight flicker of hurt flash on your face at the tone, his own expression became gentler. "I'm sorry. Is something wrong?"

Immediately, you shook your head. "No. I just wanted to check how far you wanted to go," your hands travelled up to his hair, fingers scratching gently against his scalp. "I know there's a lot going on up here."

"Actually, right now it's just you," he said, tilting a head to the side to lean into one of your palms. "It's mostly you all the time. But right now you're consuming it."

"I make such an impact on your life," you quipped. 

"I know you're teasing, but you do," he replied, fingers tracing up and down either side of your jawline, eyes searching each small detail on your face he had no doubt already memorised. "I survived in there for you."

"Oh."

Probably not the most eloquent response for the things he had just confessed, but truly your brain had scrambled within an instant, and you weren't sure what to say.

"Sorry," he said, hands stilling on your face. "To answer your question, I don't know. I really missed you."

"I know," you said when a gaping silence followed his words. "We don't have to."

"I think I want to."

Your eyebrows furrowed. "You can't think, Spence. You've gotta know."

"I've definitely said that to you before," he chided, thinking for a moment, before, "yes. I did. First time we had sex."

"Sue me for repeating important sexual advice to you, Spencer Reid," you huffed. He laughed. 

"No, I mean, I do. Want to," he finally replied. "I'm really scared of hurting you."

"Do you want to hurt me?"

"No."

"Then you won't," you reassured him, despite knowing whatever doubt he had in himself would not be resolved just like that, and it'll probably eat at his mind for a long while. "And even if you do, I won't be upset with you." When his face scrunched and his expression mirrored judgement, you stammered to clarify. "Not in a kinky way. Don't look at me like that, Spencer. Stop it. I just meant I'll understand. And I won't be mad."

"Didn't take you to be into masochism," he mumbled, and you groaned at his selective hearing, dropping your forehead to his shoulder, that shook with his laughter. "Kidding, honey. I know what you mean."

"Not funny."

"It was a little," he countered, a hand reaching up to entangle within your hair to pull your head back, gently, so he could look at you again. 

"Hi," you said when your eyes locked once more. 

"Hello," he answered, his lips pulling into a smile. "I'd like to kiss you again."

"You've used up your kiss for the day, actually," you replied, sweetly beaming up at him. 

"Quiet," he shot back, leaning forwards and allowing his lips to brush hesitantly against yours, eyes searching your own with an added hint of desperation. "Please?"

You pretended to think for a moment too long, because he was already mumbling something that sounded a little like 'brat', and pressed his mouth to yours once more. 

You couldn't complain. 

It was the same intensity as earlier, and yet there was something in it that differentiated the homesickness of the kiss from then, and the desperation now. Large hands — that you would probably allow to encase you whole — pathetically held your face lightly, hips knocking with yours as he walked you backwards and up against the back of the couch. 

"Spence," you whimpered embarrassingly, hands clawing at the sleeves of his suit jacket, trialling and failing at tugging it off his body. 

"I got you, sweet girl," he mumbled against your lips, not breaking the kiss for even a second as he helped you, shrugging the jacket off and allowing it to fall to the floor — something he will certainly chastise himself for later. 

"Bedroom," you said, in between heavy breaths and feverish kisses. A request he was more than happy to comply to, for he had nodded, and you were instantaneously tugging on one of his hands in the direction of the room, his eyes fixated on your body as he trailed behind. 

"Missed you so much," he murmured as he tugged you back towards him the second he had kicked the door shut, lips finding the corner of your mouth, then your jawline, then your neck, as he kissed down you. 

"So you've said," you breathed out, tilting your head to the side as he gently nipped at the skin. 

"Do you get off on being mean to me?" he chided, lifting his head to look at you again, and your heart stuttered. 

"No. Just that dominance act that it brings out," you murmured, attempting to keep the mood light. Successfully so, for air huffed out of his nose as his lips twitched, fingers that had dropped to your waist squeezing it gently. In unresolved doubt, you added, "I missed you too. Don't worry."

"I'm not," he replied, and the weight lifted off your shoulders. "Lie down."

"So demanding," you teased, though his tone was anything but firm.

You were met with an unimpressed look, and you merely grinned back as you climbed onto the bed, sitting cross legged atop it, staring up at him expectingly.

Instead of moving over you like you had expected, he crouched at the foot of the bed, holding his hands out on the mattress in front of you. Needing no more than the simple gesture, you untangled your legs and stretched them out in front of you, and he tugged you down towards the end of the bed, breath hitting the skin of your thighs deliciously. 

"I'm supposed to be making you feel good," you argued when his fingers trailed up the sides of your legs, finding the waistband of your pyjama shorts.

"Why?" he questioned, halting his movements as he searched your face. 

"Because you're the one who just got out of prison," his face scrunched at the verbal reminder. "Sorry. But... yeah. I have thought about making you come the day you got home like daily."

"Oh have you?" his eyebrows shot up, and it was then that your brain caught up to your running mouth, and your cheeks heated up. 

"Nope. Forget I said anything."

"No," he pushed himself up from the floor, moving his body over yours on the bed, successfully forcing you to lie back. "Tell me those thoughts."

"Spencer," you moaned, shaking your head as you buried your face into your hands, that he was a little too quick to catch and pry away. 

"I'm not going to judge you," he said, amused. "In fact, I aspire to know every single thought there is up in that pretty head of yours. Especially the ones about me. Please tell me."

"I just thought about making you come. There's nothing more exciting to it."

"Yes, but how?" 

"My mouth, I guess," you mumbled, voice going impossibly quiet. "I don't know."

"You're acting like you have never given me oral," he said, catching your gaze within milliseconds of you averting it, thumb and forefinger straightening your head again. 

"Nobody says oral, Spencer. Say head," your own face now scrunched up. 

"Lots of people say oral," he defended. 

"Yeah, old people. We are not old people."

"Fine, you're acting like you have never given me head." 

Despite it being a jab at him to take the heat off of you, the phrase coming out from his lips sounded exceptionally vulgar for what it was, and it only resulted in your stomach flipping. 

Finally, you regained some control over your own thoughts, and you found it in you to reply. "That's what I want to do. Because I want to make you feel good."

"You underestimate how much I gain from making you feel good," he countered, fingers lazily caressing the skin of your jaw as his eyes studied your face with an intensity that had your stomach flipping. 

"It cannot be as good as an orgasm," you huffed, stubbornly so. 

He nipped at your nose. "It is."

"Can we compromise?" 

"So you don't want me to give you oral?" his eyebrows rose. 

In every other situation, you would not be fighting him on this. In fact, he would probably have already gotten his foreplay of teasing and teetering you on the edge out of the way by now, and you'd be well and truly content. However, the forefront of your mind was still plagued by how little time Spencer had to take care of himself, and the last thing you needed him to be was at your service. Despite his protests. 

"Head," you corrected. "And no."

He searched for remnants of a lie for a few beats longer, before he nodded his head, giving in. "What's your compromise, honey?"

"I don't think there's a sexy way to say to just put it in me," you said, and his lips curled up into an amused smile, followed by a huff of laughter. 

"No, I don't think there is," he agreed. "I do think anything you say can be sexy, though."

You pulled a face, and you shook your head. "No. Don't say that ever again either."

"I can't compliment you, I can't give you ora—head," he rattled off. "Is there anything good I get out of this?"

"You get to fuck me?" you batted your eyelashes up at him. 

"Such vulgar language," he chastised, ducking his head when a hand of yours rose to swat him. 

Despite himself, his head had dropped to the crook of your neck, and he had begun placing feather like kisses along the skin that distracted you just enough to drop your hand back to the mattress beneath you.

Any other day, and you'd probably still be bickering with him until the minute he made you come. However, three months without even the faintest of touches from him left you overwhelmed with everything he did to you, and so the gentle kisses trailing down to the collar of your shirt were enough to destroy any coherent thoughts you could have. 

Cautiously, and with a touch so delicate, Spencer lifted your — his — shirt up your abdomen, fingertips leaving behind the warmest of trails as they skimmed along your skin. One quiet whine from you was all it took for him to hurry his teasing along, and soon enough your shirt was discarded. 

A quiet, sharp inhale of air was the other sound aside from your quickened breathing, and you felt tears sting your vision as another kiss was placed just below your now exposed collarbone. 

The time without you seemed to weigh nothing in his mind as he took every inch of you in separately, lips mapping out your body like it was the first time all over again, though still knowing exactly when to pause and pay attention to for the sweetest of sounds to be ripped from your throat. 

He liked to hear you. 

Fingers found your waist as his lips kissed down your sternum, then back up and over until they reached your nipple. He spent time on each breast, ignoring your impatient whining as he neglected the rest of you for a few minutes too long (in your opinion).

"Spencer," you scolded, and it was all it took for him to accept you were not in the mood to wait, and for him to decide he wasn't either. 

"Sorry, honey," he replied, voice impossibly soft as he returned his lips to your face, a kiss pressed to the corner of your mouth as his fingers found your shorts again. "Can I take these off?"

"I think we're incredibly out of balance," you replied. And though there wasn't really anything wrong with the sentence — you had certainly said it before — he still pulled back, an unrecognisable grey clouding his eyes. "What?"

"I want to keep my shirt on," was his response, the words inciting confusion to your face. 

"What? Why?"

"Do I need a reason?"

You wanted to scream that yes, he did. But did he? Wordlessly, you shook your head, but it didn't help the pang of worry in your chest. 

"Unless there's something like an embarrassing tattoo, I'm not going to judge you," you decided to say instead. "Did you get an embarrassing tattoo in prison?"

"No," he shook his head, and you were comforted by the amusement in his tone. "I didn't have the best time in prison."

"I know," you replied.

"And I wasn't very liked. By the men in there."

You knew that too, to an extent. You knew the bruises on his face weren't self inflicted. "You're liked by me."

"I know, sweet girl," a heart shatteringly sad smile stretched across his face as a hand lifted to your cheek. "It just isn't very pretty. And I don't want you to worry."

Well, now you were. Regardless, you nodded your head, turning your head to the side so you could kiss the palm of the hand on your face. "I won't worry, then."

"I want to keep my shirt on. Can that please be okay with you?" 

Silently, and after a debate inside your brain, you nodded your head. Gratefully, he pecked your lips once more, before his focus shifted back to you and your body. 

"Shorts. Can I take them off?" he asked, again.

"Yes."

"Thank you."

His fingers collected the fabric of your shorts' waistband, and gently pulled them down your legs, cool air washing over you despite the final leftover article of clothing on your body. You shivered, and you could hear him mumbling nearly incoherent apologies as he kissed your stomach.

"These too?" he then asked, eyes flickering between your face for confirmation, and the pair of underwear you still had residing on your body. You nodded your head, and he pulled them down too.

You do not remember a time ever fearing being naked beneath Spencer Reid's gaze, and that did not change even now, as an arguably different man drank in your entire body, the love he had for you not having wavered despite the passing of time. 

And you certainly did not fear the way one of his hands slid up your leg, seemingly soothingly, until it teetered on the edge of too far up the limb to be innocent, and he was intensely watching your face for every reaction you could possibly make. 

Achingly gently, his middle finger ran up the centre, collecting arousal you hadn't realised was there and knuckle gently bumping your clit, eliciting a quiet mewl from you. You watched him smile at the sound, dragging his finger back down, gathering more of your arousal until he was pushing the finger in.

Your eyes fluttered shut, the feeling oh so familiar, and yet seemingly foreign all at once. Too long, you decided then. Three months is too long.

Leaning back down, his lips brushed your jawline, the otherwise odd sensation of there being something — someone — inside of you balancing out with the pleasure that came from the comfort of it being him. And of course the delicate circles his thumb had begun to draw on your clit. 

"Did you do this while I was in prison?" he asked you, lips moving against your skin. 

"Touch myself?" 

"Mhm."

"Yeah," you said, voice breathless. "Was never good, though."

"No?" he asked, curling his finger inside of you and tugging a louder moan from your throat. "Why not?"

"Just never felt as nice. Not like you."

"Oh. I'm sorry, angel," he murmured, pulling his lips away so he could look at you again. Though, your eyes were still planted shut. "I'll make up for it then, yeah?"

You feverishly nodded your head, and he laughed. Fulfilling his promise, he sped up the motions of his finger and thumb, your hands grabbing ahold of fistfuls of the sheets, in hopes that it will provide some comfort from the overwhelming feeling of Spencer touching you again. 

"Can I add another finger?" he asked, and though slightly hesitant, you nodded your head. 

He waited a beat longer before fulfilling your request, and there was something obscene about how easily another finger entered you. Though, Spencer thought it was pretty, and your back arching was pretty, and yes, he had missed this and he had missed you and he was biting his tongue from telling you that all over again. 

"Spencer," a delicately breathy whine left your lips when the heel of his palm collided with your clit — thumb long forgotten once he had gotten distracted with thrusting fingers in and out of you. 

"Hm?"

Your eyes fluttered open to meet his, the kindest smile on his face reminding you just how much he adored you, and your heart sporadically beat in your chest. When you didn't say anything else, he quickened his ministrations, eliciting more whines and moans.

"Is two orgasms too much for tonight?" he asked you, the question seemingly innocent regardless of both it's undertones, and what he was currently doing to you. 

In hindsight you should've probably said yes. It most certainly would've hurried things along to something he would enjoy as much as you. However, if Spencer Reid fingering you was a religion, you were an eternally loyal follower, and you would do anything to keep him there for as long as you could. 

So you shook your head, murmuring a quiet, "No. I can do two," and allowing him to fasten his fingers once more. 

Fingers found and massaged that spot inside of you he had probably engrained into his brain, and he was leaning down to swallow the loud moan that followed from the feeling. Practiced motions tore the same sounds from your throat as he repeatedly brushed up against it, until your eyes were forced to squeeze shut once more, and hands that were once seeking solace in the sheets, found his wrist and wrapped around it. 

"I can't move if you're going to keep my arm locked up, angel," he said when your nails dug into his wrist, lips smiling against your skin. 

A few short jerks of his hand convinced you to let go of the death grip you had on him, instead returning them to the mattress.

Then he was doing that motion again, and again, and you were silently praying he would never stop. Although, if your moans were any indication to where you were at — and they were — Spencer wouldn't. 

Your hips bucking told him more than he needed to know, and the absence of his body above you when he lay down on the bed next to you was long forgotten when a splayed hand on your abdomen pushed you back down into the mattress, your heart stuttering at the feeling. 

Gentle whines of his name, and a repeated mantra of 'please, please, please' was the only thing your otherwise dismantled brain could come up with, and Spencer was relishing in the knowledge that he was doing this to you. And though it is something he knows he's done before, it had been far too long since and the reminder was always welcome. 

"I know, sweet girl," he said against you when your eyes came open and searched his desperately, walls fluttering around his fingers indicating just how close you were. 

"Please don't stop."

"I won't," he confirmed, punctuating the promise with his thumb returning to your clit. He had your best interest in mind — you knew that. He now wouldn't stop even if you begged him to. 

Overwhelming seemed too insignificant of a word to describe what you felt like when you came, nerve endings all over your body sparking, instead of just the ones he was stimulating. 

His thumb rubbing circles and his fingers thrusting in and out of you didn't falter until your shaking body had stilled and your strings of moans had diminished, slowly coming to a stop and leaving your body — seemingly — as fast as they had entered. 

The content smile on your face was interrupted with Spencer's hand lifting to your lips, and instinctively you parted them, already knowing exactly what he was after. 

His middle and ring fingers entered your mouth, and your face scrunched up despite yourself as you tasted yourself on them. He laughed at that — of course he did — and pulled them out soon after. 

"You do that every time," he murmured, hair tickling your skin as he placed open mouthed kisses over your shoulder, up towards your neck. 

"It tastes weird," you argued, and his teeth nipping your skin told you he disagreed. Though, he wasn't in the mood to argue, for he didn't say anything else on the matter. 

"Still got it in you for one more?" he asked you, pulling his head back so he could see you once again. 

"Yes."

"Good."

Your eyes watched him even as he rolled back to take his pants off, and the awkward smile he gave you provided the inkling of comfort that there was still the man from three months prior in there. 

"I really missed you, you know?" This time it was you saying it, piercing the air as his hand came down between your thighs to part them. The head of his cock nudged against you, brushing delicately through your folds and eliciting a quiet whimper from your lips. 

"I know," he answered, pressing kisses on your shoulder once more. "Are you okay?"

"Me? Yeah. I'm fine," you confirmed with a nod, confusion crossing your features all up until you learned why he was asking. 

A broken moan, choked and caught in your throat, left you when he painstakingly slowly pushed inside of you. There's not a lot going on inside your mind when he stops, your entire body aflame and equally desperate for more, as you were for him to take a moment here. 

"I love you," he breathed out, the words hurried and encouraging your heart to speed up, and your mind to melt even more. 

"I love you too," you said back, voice just as quiet, gently nudging hips ushering for him to move. 

"Impatient girl," he muttered, but you smiled nonetheless because he did (move). 

His thrusts were slow, and gentle, but you never truly minded how much time he took with you once you two were here. Even more so now, for you were on the same page as him, and you wanted to savour every single moment of this down to the second. 

A whimper left your lips, followed closely by the desperate whisper of his name, and lips that were still resting against your shoulder smiled. 

"I thought about this a lot," he said to you, his hand that was holding your thighs slightly open sliding up to find your clit. "I definitely shouldn't have."

"Why?" You knew why, but the thought of hearing him answer it aloud excited you a little. 

Unfortunately, he knew you better than that. "Don't play coy. You know why, honey."

"You're cruel," you huffed, and he laughed, rolling his hips to meet yours, earning another moan. "Maybe I don't."

"Use that wonderful imagination of yours, then," he answered, rubbing your clit at the same time as he moved his hips once more, effortlessly rendering you unable to respond to him again. 

A teenage boy probably could've lasted longer than the both of you, but you decided to blame it all on your already sensitive nerves from a prior orgasm, and the fact that Spencer Reid had not had you like this for over 2190 hours (not that he was counting).

Whimpers escaped your throat as he kept his hips thrusting into you at an achingly slow pace, while his fingers working on your clit did anything but. It was an aching juxtaposition that left you reeling for more, and Spencer was now the one shutting his eyes so he could hold onto some semblance of composure. 

"Spencer," you pleaded, and it was a quiet moan from behind you that told you he was exactly where you were. 

"I know, honey," he replied, the desperation in his voice jumpstarting your heart. "Need to come, yeah?"

"Mmhm," you nodded your head quickly, breathlessly moaning. "Please."

"You're going to. Don't worry. Don't need to beg, sweet girl."

Commingled moans and obscenely wet noises filled the air, and your hips stuttered as your stomach twisted into knots. 

Chanting his name like a prayer, you meet him wherever your two souls go in that moment, and it's a shuddering feeling as you come at the same time as him. For the first time in forever. 

His hand drops back to your thigh and he massages the muscles there gently, willing himself to stop before he crossed the line of overstimulation — not that you think you'd complain about that. 

There was an emptiness when he pulled out, but then he was kissing you again to make up for it, and you were smiling against his lips as you kissed him back. This time, without the fever. 

"How're you feeling?" he asked you, quietly. 

"Happy," you answered, forcing your heavy eyelids open when he pulled back. "How are you feeling?"

"Also happy," he agreed, and your heart soared. 

"Good."

"You need to go pee," he said, placing another kiss on your cheek, before he leaned his body away entirely. 

"Help?"

Arguably, you could do it yourself. Your limbs were tired, yes, and your mind was melting, but you were coherent enough to brave it alone. 

Thankfully, you didn't have to. 

He carried you to the bathroom, running the bath water after you had silently begged him for it with your eyes (looking between him and the empty bath with wide eyes and a jutted lip worked wonders), and leaving you to pee. 

"Are you getting in with me?" you asked him as wobbly legs akin to a fawn carried you over to the now full and steaming bathtub. 

"Do you want me to?"

Hesitantly, you nodded your head, fidgeting with your fingers in front of you. "But you'd have to take your shirt off. So you don't have to."

He studied your face for a moment longer, before he nodded, and fingers expertly worked at unbuttoning down the shirt. 

"I'm okay now. That's the important thing you have to remember, okay?" his words provided little comfort, but you nodded your head regardless. 

You had a suspicion already of what sight you were going to be met with, but it didn't stop the guilt settling into your chest when the shirt fell to the floor anyways. 

"Spence," you murmured, taking a hesitant step forwards, heart falling to your stomach. 

Bruises littered the skin, some fresh and still purple, others nearly healed and yellowing. But there were so many, and it was then that you were swallowing the rest of him in with your eyes, catching the bandage on his thigh. 

"What is that?" you nodded towards the covered wound, and when your eyes returned to his face again, he was staring at you with an unreadable expression. 

"A lot happened," he answered, quietly, before repeating, "I'm okay now."

You nodded your head, tears stinging your vision for nothing more than your ridiculous amount of empathy. "Can you tell me about it?"

"I will," he promised. "Eventually. Just not now, okay? I haven't processed it all yet."

"Okay," you replied, and his heart shattered at the sight of a tear slipping down your face. 

"Hey," he took ahold of your hand and tugged you closer to him, fingers running through your hair and resting at the base of your scalp. "I promise, honey. I'm not going to disintegrate from a few bruises."

"It isn't just a few," you answered, voice wavering. "There's so many."

"You have a heart too big for your chest," he decided to say instead, leaning down to rest his forehead against yours. "Most of them don't even hurt now. Please believe me when I say I'm okay."

"I'm trying," your voice is thick with a sob caught in your throat. "I think I'm just really tired."

"Yeah," he crooned, agreeing. "Your body's released a lot of prolactin, which encourages sleep. Alongside the endorphins and dopamine that you're crashing from upon seeing this."

Wordlessly, you nodded your head, and he kissed the tip of your nose in an attempt to comfort. 

"Bath, then we can sleep, and we can talk more in the morning," he listed off, and you merely nodded your head once more, sniffling and wiping your eyes. 

"Okay."

your reblogs and replies are always appreciated ♡