#henry analysis

[midnight-in-town]

Martha really said "no hating on another nice woman just because of a man we both love". If that’s not about educating little girls like Becky to fight against internalized misogyny, I don’t know what is.

A true icon. Bless Endo-sensei for giving her and Henderson such a compelling love story and emotional flashback.

[tryingonametaphor]

Why Will Byers?

An analysis and theory on why Henry/Vecna targeted Will first in season 1 and his plans for Will in season 5

‼️Contains The First Shadow (TFS) spoilers so please proceed with caution.‼️

This is going to be a little long but I’ve tried to give as much context as I can without actually being able to show snippets from the stage play. This is my interpretation of everything that went down as a member of the audience and not as someone who has read up any theories about TFS before. To understand why Henry took Will first in 1983, we have to start with -

Henry and Joyce

From all the times I’ve watched TFS, the one thing that has stuck with me is the final conversation Henry has with Joyce. It’s just before his last confrontation with Patty Newby and before he joins Brenner for good. Joyce is the last person (who doesn’t know about Henry’s powers) that he canonically talks to.

Throughout the entire play Joyce, Hopper, and Bob are investigating the animals dying at the hands of Henry and come to the conclusion that Victor Creel has been the one doing the killing. They get so close to solving the case. In her last conversation with Henry, Joyce tries to comfort him by saying that Victor will pay for his crimes - which makes Henry laugh because she’s so close yet so far from the truth. He gets a little frustrated and says something along the lines of “You don’t get it. But someday you will.” (edit 28/9: the exact dialogue is [Henry: you’re too nice. that is how they’ll get you. you have to learn to do anything you can to protect the ones you love] [Joyce: I don’t understand.] [Henry: You will.]) The next time we see Henry make a reappearance in Joyce’s life is during -

The Vanishing of Will Byers

Will is taken into the Upside Down (UD) by Henry. It’s not even a question anymore. All of the context clues from 1x1 lead us to believe that Will’s kidnapping was not by a demogorgon. Will - a 12 year old - miraculously survives a week in the upside down with no food or water. Will is even around the demogorgon a few times in the Upside Down. (Joyce communicating with Will through the lights and then the demogorgon coming after her immediately).

Barb dies the night she is taken but Will stays alive and also somehow manages to talk to Joyce through the wall. Joyce is led exactly to where Will was held at the end of s1 and he makes it out alive. It’s almost as if Henry knew all along that Joyce was the most capable of never giving up on finding her son. Like Henry took Will Byers because he was Joyce’s son. And like he was giving her just enough to know that Will was alive. Even when Joyce and Hopper find him at the end in a state of near death, he’s not injured by a creature. He was being prepared for the next stage of Vecna’s plan -

The Possession of Will Byers

The origins of Henry’s powers happen as such - As a kid, he is transported into the UD (originally coined Dimension X by the government) for a few hours because he touched something he wasn’t meant to touch. During his time in there, he came in contact with the Mind Flayer (MF). According to TFS this is the point in his life when he started getting “corrupted”. Brenner’s dad - who was one of the first people to enter dimension X - had mutated blood after but no powers. Henry was the first person to come in contact with the MF and it’s highly likely he got his powers because of this (This would also track considering how most of the party has been in the UD now but show no signs of having powers). The MF controls Henry for the rest of TFS and Henry grows more power hungry the more he kills.

In S2, Henry presumably sends the MF after Will - who has now had a year to heal from the events of 1983. Will is the only other person in all of ST to have had direct contact with the MF and survived it. Henry didn’t hesitate to kill Billy in S3, but he always gives everyone just enough to keep Will safe. Will himself tells Owens in S2 that the MF wants to kill everyone except him. Will once again survives the entire ordeal and is given a “break” for the next 2 seasons. Except I don’t believe he’s been just given a break. I think Will is -

Henry’s Sleeper Agent.

Ready to awaken in s5. I undoubtedly think that Will is going to have powers. And I don’t think they’re going to be the same as Henry and El. El and the other lab kids get their powers directly from Henry. Will’s powers will be directly from the MF like Henry. I believe this has been Henry’s plan all along and it’s further affirmed by what he tells Will in the recent VR game. That Will will be the key to Henry being able to infiltrate his friends’ minds. Jamie Campbell-Bower also mentioned during the S4 press that to get in character, he set up a display with all of Henry’s victims and targets’ faces on his wall(?), and Will was in the center.

Henry is going to use his connection with Will sneakily and midway through S5 he’s going to awaken Will’s powers (maybe in ep4 - which is said to be titled ‘Sorcerer’ and has young Will in it). Henry is going to try and manipulate his way into making an ally out of Will, and it’s not going to work because -

Will is the Perfect Character Foil.

Will is everything Henry could have been if he had a better support system. He is the perfect character foil. Unlike Henry, Will has a mother who loves him unconditionally and more importantly, believes him. Unlike Henry, the person who Will loves the most (the Patty to Will’s Henry: Mike) is going to love him back and stay by his side all season. No one is going to force them to be apart the way Henry was told to stay away from Patty. Will is not going to be easily swayed even though Henry has spent years crafting him into the perfect soldier. Sure, Henry has seen him heartbroken and sad, but that comes nowhere near to the amount of love and support Will is going to get from his people next season. And they’re going to quite literally defeat Vecna with the power of love and friendship. After that, Will Byers is getting the happy ending that Henry could have gotten.

[just-bee-lieve]

the funeral

[bymarara]

Ross Duffer has posted a couple of new images. In one of them, we see Disney's 1951 CANONIC Alice.

For those who don't remember or have forgotten what I said about this.

In some of the videos, we see Holly wearing something resembling very strongly, the original Alice dress.

I think that Henry has put Holly in a trance for his own purposes (which are not clear to me, personally, only speculation) and befriended her. He placates her by sending her, perhaps, to her favorite fairy tale.

It is at this point that Holly will probably get lost and the search for her will begin.

Holly Wheeler, will become the Alice in her own mind, in Henry's fairy tale.

[meraki-yao]

I just realized how fucking deliberate the line "It's 2024, and nobody knows they're engaged" is

The thing is with their relationship, everyone in the world ended up knowing because of the email leaks. They know they rendezvoused in Paris, they know they made all-encompassing love in LA, they know that Alex got kicked out of the election campaign because of their relationship, they know Henry coming out to Philip went horrible, they know how Henry fell for Alex. The emails spill every God damn thing, every single detail that they wrote down.

But then they quit the public life as much as they can.

And then they get engaged, which is one of the biggest milestones in a relationship.

And nobody knows.

It's just between them. After nearly the entirety of their relationship consisting of either being scrutinized or running away and hiding from prying eyes, their engagement is just theirs.

I have my issues with the bonus chapter but this realization made me smile.

[yrsonpurpose]

This scene is such a pivotal moment in the film but also in their relationship.

[rockrosethistle]

I think one of the slept on things that makes The Secret History feel like a real world is Donna Tartt's willingness to introduce a character that is just never brought up again (or brought up once or twice again.)

Because i'm real life, not every person you meet is going to have significance in your life. Not everyone is going to change that plot. Think about the teacher that takes over when Julian leaves. Or the farmer who claims to have seen Bunny. Or Richard's one night stand. Even the man stalking Henry and Bunny in Italy doesn't show up later.

And not only does this fill the gaps in the world, it absolutely helps build suspense. You never know if a character might have significance later, because there's simply no pattern to follow. It keeps you guessing.

Did I mention I started rereading The Secret History

[whateversawesome]

Spy x Family Chapter 97: An Old Love Story

Okay, say it with me: FOIL!

You can see it too, right? Looks like Martha x Henry (Henderson)'s story is a foil of Twilight and Yor's story.

Henderson was in Twilight's place; the smart, lonely young man so focused on his ideals that he was blind about who was in front of him and his very own feelings.

Martha was in Yor's place, the strong and graceful girl too young and inexperienced to know her own heart and that she was in love.

This is exactly what's happening with Twiyor, the main couple of the story, and I think we may get to see one of the possible endings for our beloved Twiyor through Martha and Henderson story.

Now, what do we know about these two 🤔...

We know that Henry Henderson has a daughter and a son-in-law. It was mentioned he writes to them, but there was no mention of his wife. This leads me to believe that:

His wife is no longer alive.

He lives with his wife, so there's no reason for him to write to her.

He is divorced.

So, with this information we still can't know what's the current relationship between Martha and Henry, but we can take a guess 😉

From the way the story is being told, it almost feels like it's a semi-tragic love story, doesn't it? We can almost assume that they didn't end up together...or did they?

Theory one: Yup, everyone is right and Martha and Henderson eventually went their separate ways for reasons we'll probably get to know in the next couple of chapters.

If this theory is right, I think it's beautiful that they are getting a second chance 💖They certainly look more mature, confident, and calm (also elegant!). I love the way they look at each other, so much trust and love 😌

Theory two: I know this one is a long shot (and Henderson just said in that panel that "She is merely and old friend") but maybe...they're actually married. Why am I so bold to even consider that possibility?! Well, there's this panel:

The matron is clearly teasing Master Henderson, don't you agree? If she does it, it's because she knows something. Either she knows that there was something between those two in their youth or she knows they are married. I don't know, but they way she said the word "partner" and the fact that Master Henderson is married made me think that Martha is his wife. I know, I know...it's a remote possibility, but you have to remember that marriage is mentioned a lot through different characters and couples during the story, so maybe those two were actually married. (But, it's quite possible it's theory one).

Other things to consider...

How long have Ostania and Westalis been at war?

My guess is that we're talking about two different wars between the same countries; very much like WWI and WWII, where there was a brief period of peace before a second conflict. So, probably the first war started while Henderson was in his 20s and the second war started when he was in his 40s (and Twilight was a kid).

It makes a lot of sense that now they're in a period of "Cold War", just like in real life.

The Garden

I am convinced that the Garden is involved in this. I've talked about this before (read it here). After this chapter, I still think the Garden is going to pop up. Want some evidence?

Do you recognize this guy?

That's right 😏 That's Matthew McMahon. What is he doing there? Too much of a coincidence, don't you think?

And also the way this is phrased:

Odd that there was a mention of the word Garden, isn't it? And the fact that the whole story between those two takes place in a garden...🤔

In addition to that, in a previous chapter, Twilight observes how Martha moves like a soldier. Franky mentioned earlier that Garden people are like soldiers. And the Garden has a history of recruiting young skilled/strong people, like Yor. Things keep adding up.

The Consequences of War

This is a prevalent theme throughout the whole SxF universe: how war (violence, intolerance, manipulation of information, propaganda, politics) has affected the life of all the characters.

No matter their background, nationality or education, we've seen it again and again with most of the characters big or small, like Twilight, Franky, Sylvia, Millie, and now we're about to see it with characters from an older generation like Martha and Henderson.

My guess is that this won't be the last time and this pattern will continue while the story lasts. I think what the story is trying to show us is how war is seen by some (politicians and men in power like Desmond) as a natural, inevitable course of action, but at the same time how brutal the consequences are in the smallest stories. That's one of the things that is truly remarkable about SxF.

[tiredandoptimistic]

Genuinely one of my favorite details in MASH is how every character manages to display their unique identity through clothes, despite the uniform. They've all got a couple personal garments of civilian clothing mixed in with their preferred ways of modifying their fatigues, and that's so cool.

Hawkeye wears his undershirt untucked and his overshirt unbuttoned, plus he removed his epaulettes (Trapper is more or less the same). Radar has his overshirt unbuttoned but still tucks in his undershirt, and he wears that iconic hat that's definitely not standard regulation. Henry has his fishing gear or college sweater, and only pulls out the proper uniform shirt and hat if big brass are coming to camp. Frank and Charles both button and tuck in their shirts, but Frank usually wears his hat while Charles does not. Potter buttons his shirt, but never tucks it in. Margaret starts out dressing pretty uniform standard, but by the later seasons she usually replaces her shirt with a sweater or sweatshirt of some kind. Klinger, of course, has a variety of iconic fits.

BJ is definitely the most dramatic example, and it feels very intentional that by the later seasons the only part of his uniform he wears are the pants. He's got his iconic pink henley, plus an army shirt he made into a vest or a pair of red suspenders. He never even wears combat boots, it's converse all the way for him! To top it all off, he's got overlong hair and a goofy mustache; that man is showing disrespect for army regulations in every aspect of his physical appearance. It's very similar to Klinger, in my opinion; except BJ skipped right past the veneer of trying to prove he's crazy to "this is what I want to wear and I won't let this fuckass institution police how I'll present myself"

There's just so much character in how all of them choose to express themselves, despite living in a situation intent on stripping them of their individual humanity! I could do individual character analysis for all of their outfits, even though they're supposedly wearing the same thing.

[opudraws]

This is a tiny comic strip based on my prediction on how Stranger things season 5 might turn out (SPOILERS AHEAD OFC)!

Ever since I came to learn that Will probably would have a major role in the next season, my head has been filled with so many theories and concepts and I just couldn’t help but draw them out lol I absolutely adore Will Byers.

I personally think the Mind flayer has a mind of its own and is a separate being from Vecna. Vecna created it as one of his soldiers to fight for him and bring him preys- is what I think but I could be dead wrong lol. And just like how it controlled Will in the past, what if Will's hidden power allows him to control the mind flayer in reverse? That, if, Will has any power in the first place of course. These are my mere imaginations hehe let me know what ya'll think! 🦋

[gwynbleidd-enthusiast]

Geralt and his mommy issues

Geralt was abandoned by his mom when he was just a child, leaving him with deep emotional scars. In the books, there are subtle yet significant references to how this abandonment shaped him, particularly his subconscious search for maternal warmth.

SoD:

"She treats you entirely like an object [...] and what you feel is a projection of her emotions, the interest she shows in you. By all the demons of the Netherworld, Geralt, you aren't a child [...] You trail after Yenna like a child, enjoying the momentary affection she shows you." - Istredd

BoE:

"Always on his side, aren't you, Nenneke? Always worrying about him. Like the mother he never had." - Yennefer

Tlotl:

"He maintained the appearance of secretiveness and pride. But at night he was completely in my power. He told me everything. He paid homage to my femininity, which considering his age was extremely generous, I must admit. And then he fell asleep. In my arms, with his mouth on my bosom. Searching for a surrogate for the maternal love he never experienced. Completely in my power." - Fringilla

This passage vividly illustrates Geralt's deep-seated need for maternal care, seeking comfort in a way that echoes the bond between a child and a mother 🥹

SoD:

"'Do you hate that woman, Geralt?' 'My mother? No, Calanthe. A choice should be respected, for it is the holy and irrefutable right of every woman.'"

Geralt’s response shows his complex feelings toward his mother, acknowledging her choice abt wanting to have a child or not, while also - what seems to me - revealing a deep, unresolved pain.

ToC:

"Listen to what?" shouted the Witcher, before his voice suddenly faltered. "I can't leave—I can't just leave her to her fate. She's completely alone... She cannot be left alone, Dandelion. You'll never understand that. No one will ever understand that, but I know. If she remains alone, the same thing will happen to her as once happened to me... You'll never understand that..." - Geralt about Ciri

Geralt’s fierce protectiveness over Ciri stems from his own experiences of abandonment. He is determined to shield her from the pain he endured.

Geralt and red heads:

Several times it's subtly hinted that Geralt has an inexplicable inclination toward redheads, that perhaps ties back to his unresolved issues with his mother.

SoS:

"Geralt felt an anxiety, forgotten and dormant, suddenly awaking somewhere deep inside him. He had a strange and inexplicable inclination towards redheads in his nature, and several times that particular colouring had made him do stupid things. Thus he ought to be on his guard, and the Witcher made a firm resolution in that regard. His task was actually made easier. It was almost a year since he'd stopped being tempted by that kind of stupid mistake."

Note what he felt when he encountered his mother before in SoD who has red hair:

"He looked again, making the most of the light. Her hair was tied back with a snakeskin band. Her hair... A suffocating pain in his throat and sternum. Hands tightly clenched into fists. Her hair was red, flame-red, and when lit by the glow of the bonfire seemed as red as vermilion."

The vivid description of his mother's flame-red hair and the intense emotional reaction it evokes in Geralt suggest that his attraction to redheads might be more than just a superficial preference. It could be a subconscious connection to the unresolved feelings of abandonment and longing for maternal warmth, linking his "inexplicable inclination" to deeper psychological roots.

What do you guys think?

[ithinkdogshouldvote2]

Anthony: "They're like the ice climbers. You have to take the important one out"

Will: "you gotta take Lark out. The imporant one"

Anthony: "One of them will cause them both to go unconscious. I'm not gonna tell you which one it is."

Hahaha, funny ice climbers joke - Sparrow was the one who stayed conscious during the pyramid while Lark was passed out under rubble. This event is the reason why he proclaimed himself a love wolf. In oakvale, Sparrow got thrown against a wall and watched Lark die in front of him, and he got back up, picked up the gauntlets, and survived. In daddies HQ, while they were chasing the boys, Lark got knocked out, and Sparrow had to go and save him.

A lot of people also forget that at the beginning of oakvale; it was specified that when they play the lord of chaos, Sparrow is the base while Lark is the head. Sparrow literally, physically, supporting him.

Sparrow (S1): "If you want something done, you gotta do it yourself."

This is why Sparrow started code purple. Why he was the one who went to enact it while having lark stay behind. Not only because he was trying to protect his family and friends, but because he has learned that he cannot rely on others to do what needs to be done. To follow through on what was started.

Will said in one of the teen facts from season one that Sparrow was born first and technically the older brother. I think that rings differently now that we see him as an adult still forced to take responsibility for his twin. To see him trying to fix what mistakes Lark made, the destruction that he started. Trying to mend the frayed relationship with his father, who will never forgive him for protecting his family, while watching his brother shun that same relationship after dooming the world and being immediately offered the forgiveness that sparrow so desperatly wants.

Even knowing it would ruin the world, and ruin his relationship with Henry, Sparrow still enacted code purple. Because if you want something done, you have to do it yourself.

Lark starts fights. Sparrow finishes them.

[therainscene]

It’s blink-and-you’ll-miss-it, but the Alan Turing poster really tells us so much about Will that I consider it to be a significant piece of foreshadowing for S5.

First, let’s dissuade ourselves of the notion that Will chose Turing for his hero project for nerd reasons -- Will’s preferred flavour of nerdery is escapist fantasy, not computer science. He doesn’t know what an IP address is and the first thing he thinks of when he hears modem noises is a movie he likes.

No, he chose Turing because he admires him for being a gay man who accomplished so much in his short life.

On one hand, that’s pretty heart-warming -- the fact he’s willing to identify with other gay men and look up to them as role models shows us he’s making good progress in accepting his identity. On the other hand, it’s heart-breaking, because Turing’s story is not a happy one -- he was caught having a sexual relationship with a man and forced to choose between jail or chemical castration. He chose castration.

I remind you: Will identifies with this guy.

Will is growing up under the twin specters of AIDS and homophobia and likely assumes he’s destined to die young too. He’s been abused and bullied so much, I imagine he’s heard and internalized it all: that he deserves to die, that he’s disgusting, that he’ll never be fulfilled in life.

So when puberty begins crawling its way inside him and implants those shameful desires that make gay men so worthy of abuse... he chooses castration.

For all the sad pining he does in S4, we never really see Will express desire for Mike -- he never checks him out or shows signs of nervousness when they touch. He behaves with perfect platonic decorum at all times...

...unless we consider That One Scene With The Hose.

Sexual interpretations of this scene are controversial, and I can understand why; we’re so used to seeing Will as this innocent, immature little boy that it's shocking to catch him fantasizing so lustfully, even though these sorts of thoughts are pretty normal for a 15 year-old. But I think that’s the point. We’re supposed to feel uncomfortable about this, because Will feels uncomfortable about it too.

He’s done well in accepting his identity, but he’s an absolute repressed mess when it comes to accepting his sexuality.

So, that’s what the Turing poster tells us about Will. Here’s where the foreshadowing comes in: Will is not the only queer-coded character to have been metaphorically castrated.

Henry’s experience bears striking similarities to Turing’s: he too was caught engaging in a natural but forbidden behaviour and forced by his government to undergo a medical procedure to suppress that behaviour.

His villain speech to El in 4x07, which is ostensibly about his powers, also reads very strongly as a scathing criticism of heteronormativity, and it’s covered in rainbow motifs.

The metaphor here is obvious: Henry’s powers are a manifestation of his homosexuality.

Which implies that Will’s homosexuality can also manifest as powers. They’re repressed because he’s repressed.

It’s not a coincidence that the sexual tension was through the fucking roof in the infamous sauna scene. Every time Will’s supernatural ability to sense the Mind Flayer triggers in S3, Mike is also nearby.

What’s interesting about Mike is that his queer acceptance issues mirror Will’s: Mike has a healthy relationship with his sexuality (he casually checks guys out and plasters his bedroom walls with posters of buff dudes) but he just can’t bring himself to accept what this implies about his identity.

Always with the symmetry, these two. They complement each other perfectly; one’s hang-up is the other’s strength. They have a lot to teach each other about being queer.

And as repressed as they are, I think they want to learn from each other -- Will lets himself get flustered when Mike flirts with him in his bedroom, and Mike hangs on to every word of wisdom Will shares with him in their heart-to-hearts.

Internalized homophobia is a powerful force, but their bond is so strong that it empowers them to fight back.

Henry’s powers symbolize his anger at being mistreated and his desire to take that anger out on the world... but Will’s powers symbolize self-acceptance and love.

So he isn’t just going to defeat Vecna with his powers, and he isn’t just going to get the boy: these two things are one and the same.

[meraki-yao]

listening to this RWRB video essay podcast and this:

"And once they dance, this is the happiest that we see Alex in the entire movie. And I would say his smile here is the biggest, broadest smile we see from any character in the whole movie. Because, I would say this is where Alex is getting exactly what he wanted all along, which is for Henry to let him inside."

Me: WATCH ME FUCKING SOB

(^^^the smile in question)

[imagopirateversion]

Pirates of the Caribbean: Dead Men Tell No Tales; Why It Shouldn’t Exist

Or how I invested time and energy into an analysis of a relatively dead franchise instead of doing it for my actual media analysis university course.

An essay by: a bitter and obsessed PotC fan since they were 7, with a lot of free time.

Lads, this is going to be long. You have been warned.

The Beginning

At the very beginning of the movie, we see a young Henry Turner looking for his dad.

Now, we're not talking about characterization problems or how likely it is that a ten-year-old child would risk his life to look for a man he technically only saw once; we're talking about plot problems, actual logical fallacies. My questions are:

How? The Flying Dutchman is a legendary ship, impossible to be found unless She wants to be found. The only reason we see Her in Dead Man's Chest is because Davy Jones himself is looking for Jack to collect his debt, and in that occasion the Dutchman's captain wasn't even doing what he was supposed to do, so he was most definitely in the living world. Will otherwise, he's doing the job Calypso gave him, so he's constantly in between. Is the movie trying to convince me that a kid was able to do something no one in the history of piracy was ever able to do? And even if he did, why hasn't anyone explained me how? He simply looks at a map and throws himself on the bottom of the ocean. How did he know The Dutchman was there? How did he know it would've come to surface?

Where is his mom? We got to know Elizabeth in the first three movies; we know she's a smart woman and we can assume she's an attentive mother. She didn't notice her son preparing himself for a trip in the middle of the ocean to go look for his dad? Was she distracted? Was she outsmarted by a 10ish-year-old? Or is she just not contemplated in this scenario?

Why does Will look like that? Will is doing his job, so... why does he look like he's slowly corrupting? That kind of corruption is the punishment Calypso reserves to The Dutchman's crew when the captain fails her, which isn't the case. Did they forget about it? Was the idea of putting algae on Orlando Bloom's face just impossible to resist to?

Alright, this isn't actually from this movie but it's bothering me, so I have to write it; also, it would make this whole movie unnecessary, so it's somehow related to it. Why (and I can't stress this enough) can't Elizabeth be on the Dutchman? Why can't they do the job together? Is it because she's not a pirate? I'm pretty sure se actually is. Is it because she's a woman? Last time I checked she was the KING. She wants to stay with Will forever, Will wants to stay with her forever, they can literally live forever on the same ship. Why aren't they?

Whatever the Hell Happened to Jack Sparrow

Imagine creating a character that is so iconic whenever you ask a person who was a kid in the early 2000 to imagine a pirate, they imagine said character.

Now imagine fourteen years pass and you decide to ruin that character by making him the most hideous, annoying, idiotic person in the whole saga, and we're talking about a saga that has Philip the Missionary in it. Why? Jack Sparrow is THE anti-hero. Never on the right side, but never on the wrong one. You can tell he's doing something morally questionable, but you still find yourself rooting for him. He's stupid enough to make you laugh, but he's secretly clever enough to always get away with it. Now he's just... drunk. And that's not even an excuse for this horrendous new characterization, because he was always drunk. The guy FORGOT HE WAS ROBBING A BANK, the same guy just one movie earlier was able to escape from the King of England's palace and steal a lady's earring (by pretending to be a literal slut) in the process. He just switched from the iconic drunk bi bestie everyone loves to my cringe uncle that drinks too much at Christmas parties and makes everyone uncomfortable. Please, if the risk is ruining an entire generation's beloved character, either don't make the movie or find a better explanation than "Bad luck dogs you day and night".

The Pearl in The Bottle

So... what you're telling me is that Jack Sparrow, the guy who was able to defeat Hector Barbossa, Davy Jones and Blackbeard thanks to his slyness, and who loves his Black Pearl more than anything else in the world, had said ship in a bottle in his pockets for FIVE YEARS... and he never thought about breaking the bottle to free Her. That's what you're telling me. This is the pivotal point upon which the entire Jack's plot hinges. I... I don't even know what to say. Was this supposed to be funny?

What an Incredibly Lucky Coincidence

A guy needs a treasure to save his father. To find it, he needs the help of a notorious and legendary pirate. He looks for him everywhere, sailing on dozens of ships just so he has the remote chance to stumble across the pirate. The last ship he's been on has sinked, he's the only survivor. He's been found in the middle of the ocean and someone brought him to the nearest city. Which city? I mean, the one that has both the pirate he was looking for and a lady who's the only person in the whole planet who's able to find the treasure he was looking for! And, oh my... he finds the both of them! In that same city! Without even LOOKING FOR THEM! A hell of a coincidence, if you ask me. Also known as lazy writing.

What's Wrong With the Guards?

Now, I know Pirates of the Caribbean isn't exactly known for its accurate historical reconstructions, but why are the guards in this movie acting like they're some sort of hellhounds ready to kill anyone in sight? Even pirates and traitors as Jack and Henry were supposed to stand trial before being sentenced to death. It would've probably been an unjust and barbaric trial, but there should've been one. We literally saw it, in the previous movie. Why's Jack been sentenced to death for simply existing here? He gave pirate vibes and they decided that was enough?

Paul McCartney

This is not an actual point of the analysis, I just wanted to remind people that Paul McCartney is in this movie and that's the only valid reason to watch it.

Salazar

I am confused. Once again, I have questions.

El Matador Del Mar was so good at his job he had almost defeated piracy. "The last ones joined together to try and defeat me". The last what? Pirates? There were no pirates left? This happened when Jack was young, so a lot of time before the first movie, right? Where were, I don't know... Blackbeard? Davy Jones? Barbossa? All the other Pirate Lords? I might be wrong, but I guess Salazar didn't kill them, did he? Why weren't they there during that "last battle" in which "the last ones joined together"?

The Devil's Triangle. I just don't understand what's the logic behind it. So, this is a cursed place. Whoever enters there, can't get out. One would think it means that if you get there, you die; and Salazar does die, but he somehow also becomes a ghost whose only purpose is to find Jack Sparrow and have his revenge. So, do people become ghosts when they get in The Devil's Triangle? We have to assume people have gotten stuck in there before; otherwise, there wouldn't be legends around the place. So why isn't it like full of spirits ready to haunt people? Why are Salazar and his crew the only ones?

Poseidon or Calypso?

What's the Trident of Poseidon? Does Poseidon exist? Isn't Calypso the Goddess of the sea? Breaking the Trident, you break all the curses of the sea, so the Trident must be more powerful than Calypso, which leads to a question. Where is she? She IS the sea, right? So she must have known someone was about to find the Trident and brake all curses, including her one. She just decided it was okay? It really feels like someone decided to suddenly change the world's mythology without giving explanations.

The Compass

This is possibly the most blatant plot hole in the whole saga. Probably the most blatant plot hole I've ever witnessed, and man, I watched all the Harry Potter movies. In Dead Man's Chest, Jack meets Tia Dalma in her "shop" and he tells her he's looking for the Davy Jones' key. She asks him "The compass you bartered from me, it cannot lead you to this?", making another pivotal point of Dead Men Tell No Tales factually senseless.

That man couldn't have given his compass to Jack, because that wasn't his compass.

So either Salazar is lying while telling his tale or they forgot about that line in the second movie. Anyway, let's pretend that line doesn't exist; even if that captain gave Jack his compass in that exact moment, why would it be the key to free Salazar, exactly? How is the compass in any way related to The Devil's Triangle or to Salazar? In the movie, they try to explain it with a sentence: “if you betray it, your greatest fear comes true”. So, is Salazar Jack's greatest fear? I really doesn't seem right, Jack almost didn't remember Salazar when Henry mentioned him. To Jack, he's only a guy he outsmarted decades earlier. Also, Jack technically already gave the compass away, twice: to Elizabeth in Dead Man's Chest, to make her find the chest, and to Beckett in At World's End, when they're negotiating.

That's... That's Just Body Shaming, Mate

Let's talk about her. So, the woman's ugly. It can happen that a woman is ugly. Was it necessary to build an entire scene around some blatant body shaming? This scene wants to mimic the similar scene in Dead Man's Chest: Jack's on an island, running from the main villain, and he's forced to do things he doesn't want to do until someone saves him, then it was Will, now it's Hector.

Except in Dead Man's Chest it was LITERAL CANNIBALISM he was facing, and yet he looked LESS TERRIFIED and DISGUSTED. What's exactly the message here? Lads, is marrying an ugly woman worse than cannibalism? I don't know... that was just bad.

Justice for Hector Barbossa

If you know me (you probably don't, but if you do) then you know about my obsession with Hector Barbossa. I truly believe he's the best written character in the saga, and he's in my top five of the characters I love the most in all media. I watched The Curse of the Black Pearl when I was seven and I am autistic, so I had all the time to develop a literal relationship with these characters in my head. As much as Geoffrey Rush's interpretation was impeccable, as always, it really hurt to watch Hector in this movie. He just doesn't sound like him. First of all, why isn't he on the Queen Anne's Revenge? Why's he letting someone else sail around on his ships? He would've never. Why's he just sitting on a throne and shooting musicians instead of, I don't know... being a pirate? Being a pirate is the only thing that matters to him. He says it at the end of On Stranger Tides, and he even says it in this movie, to the witch. "I'm a pirate. Always will be".

So, why isn't he pirating? What happened to him? And what about the pact with the witch? He made her curse all his enemies; that's honestly the most out-of-character thing he could've done.

Seriously, watch this movie, and then The Curse of the Black Pearl and tell me he sounds like he's the same character. Then there’s his death... was it necessary? And I don't mean if it was necessary to the plot (it wasn't), but the way he died, did it make sense? He takes the sword and sacrifices himself to kill Salazar, but WHY? Salazar was back a mortal. They could've brought him to surface and then shoot him. What was the point of his death, Disney? I will never forgive you.

I would've preferred if they never showed him again. He's alive and living his best life in Tortuga, if you ask me.

How does Carina Smyth exist?

Let's do the maths. Carina Smyth has approximately the same age as Henry Turner, who was born around nine moths after the end of At World's End. At the end of that movie, Barbossa once again stole the Black Pearl (he's iconic we stan a legend), so we have to assume it is during that time (between the At World's End and On Stranger Tides) that he conceives Carina. He stays with this woman during the whole pregnancy, bacause he says he was there when she died. So nine months, at least, right? Except; Jack makes it clear that he and Barbossa met Carina's mom, Margaret, together.

When, exactly, did this happen? It can't be between On Stranger Tides and Dead Men Tell No Tales, because Hector himself says only five years passed between the two, and Carina doesn't look like a five-year-old;

it can't be between At World's End and On Stranger Tides, because we know Jack and Barbossa weren't together, and Hector was too busy losing a leg and planning his revenge by working for the King of England; it can't be during At World's End, because Barbossa was too busy rescuing Jack and then slaying (literally and metaphorically) Beckett's men to save piracy; it can't be during Dead Man's Chest, because he was dead; it can't be during The Curse of the Black Pearl, nor during the ten years before it, because he was... he was a skeleton, I hardly believe he could reproduce, despite what’s written in some fanficions; it can't be before, of course, because Carina would be too old. The only chance, but it's a stretch, is that Hector and Jack met this Margaret Smyth years and years before, and that at a certain point (while he was still busy slaying, losing a leg or planning his revenge), for some reason he decided to come back to her and accidentally had a daughter. That would mean that Jack remembered Margaret Smyth's name DECADES after he met her.

The Post-Credit Scene: What?

WHY'S DAVY JONES BACK? The Trident technically broke all the curses of the sea. He is THE cursed man of the sea. AND HE'S DEAD. The only answer I was able to give me, is that the moment the Trident broke the curses, the curse that said if you stab his heart he dies was also broken, so he technically didn't die, but it makes even less sense, because if the curses just aren't real anymore, then a man shouldn't be able to... carve out his heart and put it in a chest, right? (Which by the way, makes Will Turner being alive senseless as well). Even if so, Davy should've come back as a human.

My conclusion is that this movie should not exist, and we, as a community, should pretend it was never made. Hector is alive. Bye.

Imago

[rockrosethistle]

just thinking about the reason Donna Tartt's writing is so sickening in that scene where Camilla comes to Richard all bruised and he thinks about... yeah, that scene. You know the one.

When Camilla goes to Henry, his first thought is "The girl I like is being hurt, I have to protect her." In contrast, Richard's thought process is "The girl I like is being hurt, I guess that's on the table." He sees Charles's abuse as an okay signal, and views Camilla less as a human because of it.

Its the whiplash that gets you. When the supposed innocent bystander starts talking like that, this visceral, gut-wrenching disgust takes over as you realize that is the thought process of the man whose head you are occupying.